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All right did you give your brain some space to think and maybe get your lawn perfectly man security
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or dishes done.
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I actually took the day off and I got to go swimming with my kids.
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That was a ton of fun.
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And coming back I'm fresh and have a fresh look at these logos.
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And I've got a couple ideas I wanted to play out were quick so I'm going to do is just experiment with
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a couple more mockups and show you a couple more tips and tricks then we'll learn how to package and
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send these as a COM.
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What it means is like a comprehensive look or just an idea just a first around for if you're working
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with a client say hey what do you think about these are these going to be what you're looking for.
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So I'm going to do is grab this icon right here.
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I'm just going to hit my direct selection tool the highlighted command see the copy command to paste
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it over here so I can play with it a little bit and instead of knocking out the D like we did over here
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where it looked like it was a C.
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I'm going to try knocking out the M instead.
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So I come over here and get the direct selection tool that are a click once on that and slide it over
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into place and you'll see when I get to where those two lines intersect.
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I get that pink line and remember that as my smart guy if you don't see that come up to view turn smart
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guides and snapped a point there will help you out.
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Snap things in place.
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So what I want to do now is I want to cut out the letter M and I'm going to do a little more precise
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this time I'm going to click on the letter D with my direct selection tool.
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Come over here to object come down the path an offset path what that's going to do is it's going to
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perfectly follow the line of the first letter there.
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OK and you know you might need change the offset amount a little bit.
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OK and now I've got two different shapes here.
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So you can see that I've got the original letter D.
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And then behind it all turn are different colors will see the m above it and behind it and the Rio is
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a full copy that's a little bit bigger of the same shape.
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So we're going to do is use this shape to knock out the letter M so click on that shift click on the
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M and then shift m to get my shape build a tool hold on Allt and I'm going to delete all of that click
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and drag.
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All right.
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So now I've got a D and an M and that actually is working pretty good here.
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I'll just change the colors back.
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So there's one idea Namah keep pushing this a little bit further.
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I'll click once in drag and now what to do is hit the letter H to get my direct selection tool.
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I'm just going to grab one of these anchor points because now what I can do is hit delete once and then
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one more time to delete that whole selection.
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And it actually pulled out the middle portion of that letter so now it's just a solid shape and maybe
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I'll play with let's see oh I'll leave that there click and drag your copy.
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Zoom in a little bit the letter A to get that shape hold on alt click and drag it in then after I start
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to drag a hole in the shift key which forces it stay in line k and with the letter O to get my refl.
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tool.
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Hold on shift click and drag and I reflected that and I'm going to drag this guy back in place right
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over here and this is where changes color again so I can see a little better.
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I'll bring it to the front command right bracket.
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This is where it's nice and illustrator because we can zoom in really really far so I can grab this
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guy and drag over it till I see that's exactly where I want it to be able to touch pass so that way
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it covers it up and then let go.
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All right so that kind of an interesting looking shape here and the whole purpose of all of this is
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just to create something cool and unique something that nobody else has made yet.
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So it can be your own custom logo.
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So now I'm going to do.
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That's fine.
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I don't really care about the color yet.
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I'm just I'm building shapes just trying to get some ideas if it's bugging you I can change it back
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to a gray color.
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So that's kind of an interesting shape.
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Now now here's an idea.
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This could look almost like a spring or something.
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Let me show you what I'm thinking.
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I'm going to grab this shape in the middle here middle letter P and I'm going to I don't want to add
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a path here so actually click off here with my pen till I want to hover over it.
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It shows me when I'm on that path.
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So I'm going to click here and then just visually I'm lining it up.
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So that line matches that stem there click down here and I'm going to fill this.
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All right.
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So what we're doing here it's kind of a mess but just track with me here for a second I'm going to hit
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the letter a shift click on that shape there.
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So I've got that weird shape I just made and the letter and behind it.
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Hold on shift am to get my shape build or two and I'm held on alt and click away from the pieces that
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I want to break apart here.
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OK so now it's tough to see but if I click once on this I can change my color.
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I'm going to hold them to hit the letter H to get my direct selection tool on this shape command shift
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right bracket to bring that to the front.
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Let's try one more time. I'm going to hit command X command after pace in front.
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There we go.
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It was stuck in the group behind it.
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So I've got kind of a mess behind there but I don't really care because right now I'm just looking at
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what's above.
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So now I could play with the different tones here.
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I could go.
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Let's just play with black and white right now.
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Let's go from maybe 75 percent black to maybe a 90 percent and maybe let's match this with that shape
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here and let's make this one a much lighter click on black and then bring that up to maybe 50 percent
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.
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So now we're kind of playing with depth of field so it's kind of like that one's pushed behind like
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it's in the shadows or something.
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So that's where you want to be careful.
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If we don't like it's original shape.
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If we had to make this as a final cut out for the side of a truck or embroider on a T-shirt we want
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to make sure that we're happy with this shape which you know it's all right but nothing crazy.
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But when you start adding multi levels with tone or with color it can add a lot more visual interest
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which can be cool.
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But again we want to be careful that we're not using that as a crutch to make something that's not a
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good solution look good.
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All right.
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So that was the one idea I had just like just playing with it just you know seeing if anything creative
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came with it.
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I can grab these maybes a little bit too thick.
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Let's see.
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Let me let me highlight all of it.
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Command G to group create a copy down so that's command Let's see what I even do then we're going so
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fast.
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Click once hold on alt click and drag your copyhold on shift to duplicate that.
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All right.
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Get my direct selection tool and highlight those here and I'm going to drag them into touch but instead
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of just guessing I'm going to use my arrow keys so let's see.
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Hold on shift and do it by a factor of 10 was too much.
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So like Manzi said I'm going to nudge it with my arrow keys so one two three four five six seven seven
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is about good Sanatan click on this side and go left one two three four five six seven.
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All right maybe you want to change the height of these.
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Let's go up one two three four five.
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That's kind of interesting.
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To be totally honest I like that shape a lot better than how heavy this one is.
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But see where we came from we started all the way over with this shape and then you can see the progression
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of just messin with it and polishing it until we get it to something we like Zwolle highlight that he
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commands to copy.
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I'm sorry I command g to turn it into a group so I can click on any one of these shapes it'll stay together
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and I'm happy with the shapes going to drag a copy over here and I'm going to grab this text and drag
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a copy down and bring this here and maybe that's good enough like that.
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I can also play with a stacked version so I'll highlight that commit extra cut it.
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After bring it back in front command g to make sure it's still grouped.
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Bring that in line with the text above it
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and then bring a copy of this down here.
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So there's a couple of versions that are I'm happy enough with that I would use.
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So what we're going to do now.
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Make sure you have your logos ready to go in in the next video.
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I'm going to show you how to bring these ideas into something that's actually worth showing a client
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because you don't want them to see the mass.
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We don't want them to see the thought process we want to clean this up and turn it into something that
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we could show them as a plausible idea.
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So here we go.
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