All language subtitles for The Dead Files s01e07 Am I Crazy.eng

Subs created by: David Coleman.

I'm getting a really sharp pain here.

And the guy came up and
just went, bam bam bam!

I'm driven insane by this.

You saw an apparition of a woman here.

Right here, yes.

Stop it!

He died in a mental hospital.

I heard this female voice.
There was nobody there.

He went insane.

Oh, I think she got murdered.

(Amy) We will hurt you.
Don't think that we won't.

My name is Amy Allan.

There's something down there.

I see dead people.

He doesn't want me back there.

I speak to dead people...

She's pissed.

And they speak to me.

She doesn't like the people who live here.

But there's only one way to
know if my findings are real.

Someone did hang themselves here.

- Where?
- There.

I rely on my partner.

I'm Steve Di Schiavi. I'm a retired
New York City homicide Detective.

Did you want to kill him?

And I know every person,
every house has secrets.

She did die in this house.

It's my job to reveal them.

Would you be surprised if there
were bodies in the basement?

No.

But Steve and I never speak...

We never communicate
during an investigation.

Until the very end.

Not good.

Will we uncover if it's
safe for you to stay...

Will it get worse?

Or time to get out?

- Oh, yes.
- Whew.

(Indistinct whispering)

Steve does the Detective work.

He meets with the homeowners,
interviews the witnesses.

And finds the evidence.

So we can later find out if
there are any correlations.

I'm pulling into Great Falls, Montana.

It's a city that got its name from the
five waterfalls that surround the area.

I'm going to investigate a house
that's about 120 years old.

The home is occupied by a woman, Kelly, who
lives there with her 6-year-old daughter.

Kelly says she's seen a female apparition.

She thinks she's going
crazy, so I'm gonna go

meet with her now and
find out what's going on.

(Amy) Matt comes in before me to
make sure the location is clean.

He takes down any information
that might seem leading.

And could possibly influence my findings.

He basically cleans the slate
before I come in and do my walk.

(Eerie music playing)

(Door creaks)

(Amy sighs)

So... much...

Stress.

Just feeling all these people, and
they're just so stressed out and...

(Sighs)

Worried and unhappy and...

Stop it! Oh!

I'm driven insane by this.

I don't really like this place.

(Eerie music playing)

So, Kelly, now that I'm here, uh, why
don't you explain what's going on?

Well, I bought this house
a couple years ago,

and for some reason, I had to have it.
I felt compelled to buy it.

It was the, um, founder of Great
Falls' home, Paris Gibson.

- Well, what do you know about him?
- Well, he had the house built in 1890,

and he is also the person
that founded Great Falls.

So why don't you try to explain if you can
what, kind of strange things are going on?

Well, when I bought the house
and I started renovating it,

I realized that we weren't
really the only ones here.

(Kelly) There was a lot of
remodel work that I had to do.

I was standing here, looking at the floors,

thinking about what to do with
them, and then I saw the woman.

You saw an apparition of a
woman here in this room.

- Right here, yes.
- Okay, can you describe her for me?

She was very tall and
slender, very well-dressed.

Old clothes, like around
the turn of the century.

And I believe it's Valeria Gibson.

Who's Valeria Gibson?

Valeria Gibson was Paris Gibson's wife,
and I think she still lives here with us.

- Have you ever told anybody that?
- Very few people.

- Do they think you're crazy, or...
- Pretty much.

And then all of a sudden,
after I saw her...

She just tells me things.

They sort of just come to
me, like, in my dreams.

(Steve) Kelly's right...

She may actually be crazy.

If I'm getting this right, you're telling
me she's putting thoughts into your head.

- Yes.
- Okay.

She just sort of tells me what to do.

I came here thinking she
was seeing a ghost.

Now she's telling me that she has a ghost
that's actually controlling her dreams.

(Floorboards creaking)

Someone just walked from here...

Over to the stairs.

I think they're just spying on us.

I think that maybe...

People can see them sometimes.

When I communicate with the dead,

they sometimes tell me about the encounters
they've already had with the living.

Somebody's definitely seen a dead
person here, like an apparition.

When I saw her apparition, it gave me the
idea that I needed to tear this wall out.

And when I tore the wall
out, this is what I found.

This is an old, old inkwell...

From, like, 1895.

And I believe it was Valeria's.

Now do you think she
wanted you to find this?

Oh, I'm sure of it, because I would
never have taken this wall out.

I had no reason to take the wall out.

And I think there's a diary that's still
in this house, but I can't find it.

Kelly's story sounds insane,
but it does make some sense.

She dreamed she'd find something
hidden inside a wall, and she did.

So I get that she would
expect the same result,

when she dreams about a hidden diary.

(Eerie music playing)

(Heartbeat pounding)

(Amy sighs)

Man, they do not want me
to see this, do they?

See what?

I don't know why there's
screaming and yelling going on.

What are you looking for?

That's so weird, I feel almost like...

There should be...

A room.

Mm...

Somebody's putting stuff in there and...

Who's putting stuff in there?

A woman.

(Matt) What kind of stuff
are they putting in there?

Books.

I feel like somebody's in there, but...

Let's pull it out.

Where the [Bleep] did they go?

(Indistinct whispering)

(Eerie music playing)

I feel like it should go through somewhere.

Well, why don't we pull it all out?

(Amy) I can feel that this place was
used for hiding very important things.

But now there's nothing
left but insulation.

(Whispering) Ow.

(Groans)

I'm getting really sharp
pain through my chest...

Really sharp pain here.

I think this is the female.

I'm hearing a female say, yes,
it's me, I died here. Mm-hmm.

How?

(Footsteps)

I'm seeing stairs.

(Steve) This is new territory for me.

I'm standing here with a
woman who's convinced

that a dead woman is implanting
thoughts into her head.

I can tell you what she told
me what happened to her.

She was up here writing, and,
um, her son Theodore came up,

and they got into a confrontation.

And he pushed her down the stairs.

(Woman screaming)

And she broke her neck and died.

- That's what she's relayed to you?
- Yeah. Yes.

That came to me in a... in a dream.

(Amy) She's, like, running up the stairs...
(Heavy breathing)

And then I do see her...
she's falling back down.

Somebody did this to her?

Um...

She's saying it was done to her.

You know, there was a lot
of things done to her.

Her whole life was kind of...

Dictated. And...

How she died was...

Also dictated.

(Amy) I'm actually seeing a woman...

Who was murdered.

(Kelly) Valeria Gibson told me that there's

underground tunnels
underneath the house, too.

And they took her corpse
down to the basement.

And through the tunnels to the Park Hotel.

It says in the newspaper that,

she jumped off the Park Hotel and committed
suicide, but she didn't do that.

She didn't commit suicide.

And I think that's what she wants people to
know, and that's why she's telling me that.

From what you're saying, if she's saying
it, is that they made it look accidental.

It was a cover-up.

And Valeria's telling me that...

The family got the tunnel system going.

These tunnels are all
associated with this house?

Yep.

And you've never seen this tunnel yourself.

- No.
- Okay.

I had a dream, and I know where they are.

But I haven't opened the one
up from underneath my house.

- But I know where it is, yes.
- You do?

I do.

This is where I think the tunnels are.

Okay, and you think that because Valeria...

- Told me.
- Okay.

This is where they took the corpse
out down to the Park Hotel.

Did you ever have blueprints
for this house, by any chance?

- I never did.
- Okay.

When I bought the house, I
checked out City Hall...

To see if I could get a set of
blueprints, and they're completely gone.

There's nothing showing any
kind of a tunnel or anything.

- That's why...
- All the tunnels are unrecorded.

Right.

I'm having a hard time believing
everything I'm hearing,

but I've heard stranger things
that turned out to be true.

And since I can't disprove any of this,
I'm gonna continue the investigation

and see if there's anything I can validate.

(Eerie music playing)

Oh, man.

I really... I really don't like it in here.

(Rubbing hands together)

(Sighs)

(Door creaking)

(Scoffs)

What is that?

See, I'm wondering if the
floor could go down more.

I see probably, like, a few people...

Um, down in the ground further.

I feel like...

There's like, more down...

Like a little cellar area.

Or something like that.

(Steve) After speaking with Kelly today,

I'm having a problem trying
to prove any of this.

Basically, it's hearsay.

I need to start with something concrete,
so I'm gonna go look into the tunnels.

I called a guy named Brad.

He's gonna use some radar equipment to see
if there's any tunnels under the house.

Basically, it sends a signal down,

which then reflects off of
things in the subsurface.

If there's a change in reflectivity,
like from a void space,

the signal comes back up very distinctly
and records on the instrument.

(Eerie music playing)

(Buttons beeping)

(Device beeps)

(Beeping increases)

Okay, so what's the verdict?

There was some change in the fill material.

So it's possible there could have been a
tunnel there that was then filled in later.

Okay, Brad's test found
an area of the basement

filled with different dirt from the
rest of it, so maybe Kelly's right.

There could be a tunnel under there.

(Heartbeat pounding)

What is that?

Big man.

Doesn't want me back there.
Does not want me back there.

He's like...

(Voice echoing) Get outta here. Shut up.

(Normal voice) And he's calling me some
names like, you [Bleep], blah blah blah.

He's telling me to go away.

- Can you see him?
- Yeah, he's a big guy.

I don't know how he fits in there,
because he's bigger than the door.

He's probably, like, 6-foot, and
he's, like, a real stocky guy.

He's very protective of this area.

He's yelling in my ear really...

Stop it.

Mm.

He's like, uh, (Clicks lips)

Stop it. (Gasps)

(Indistinct whispering)

(Amy) Walking through the
basement of this house,

there's a large man who's blocking the
doorway and won't stop yelling at me.

I think he's trying to stop me from
seeing what's in the back of that room.

He's, like, retreating,
because I didn't leave.

And, um, he doesn't really want
to give me any more information.

Um, and he's just like,
just don't touch anything.

Just don't touch anything.

(Steve) I still don't know what
to make of this woman Kelly.

She lives in a house built by
the founder of Great Falls,

and she thinks his dead wife is
planting thoughts into her head.

I'm gonna go talk to the guys who
did remodeling in the house.

I'm gonna find out if their story
jives with what Kelly is telling me.

Kelly told me you guys
did some work in there,

and she said you had some
strange things happen.

Um, one time, when we were working on
the trim work in the living room area,

we heard this female voice
coming from the kitchen area.

And I said, well, great, Kelly's here.
So we walk out there and,

there's nobody there.

All of a sudden, we hear
these footsteps upstairs.

So I said, well, she must be upstairs.

And so Mark runs upstairs, and he came
back and he goes, there's nobody there.

There'd be times, uh, that he'd
be gone picking me up material,

and, uh, I'd hear somebody talking.

You know, it's full
conversation, a woman's voice.

And I'm thinking, oh, great, they're back.

I go out there to go see where he parked

and grab my material, and
they're not even here.

Nobody's here, you know.
It's just me and the house.

(Steve) Now you guys won't
go back in the house, right?

- No.
- No.

(Eerie music playing)

(Stairs creaking)

This woman's saying, you know, I just
don't want any more of this going on.

You know, I just want to sleep,
and I just want to relax.

- Who's saying this?
- This lady.

It's the same lady as...

Downstairs...

But she's kind of, like,
walking away from me.

She thinks, you know, that we're evil.

And, uh, that we shouldn't be here.

These children...

She's trying to protect them.

She can't do the things
that she wants to do.

Um, because there's all these
different people that come.

And different things happening,
and they don't make sense to her.

And, uh, she's gonna leave, because
she thinks that we're evil.

(Steve) Since Kelly's convinced she's
seeing the ghost of Valeria Gibson.

I need to find out more
about the Gibson family.

Paris Gibson is legendary in Great Falls.

He founded the city in 1883.

You can't even spit in this town without
hitting something with his name on it.

What's weird is, I can't
find much on Valeria.

Not even solid evidence as to when
or if she ever lived in that house.

She did have two sons...
Theodore and Philip...

Who were both very involved
in Paris' business.

And two other children that were born
before them but died at a very young age.

But I can't find a single portrait or
picture of Valeria around this town.

And that's a bit suspicious.

(Eerie music playing)

(Footsteps echoing)

(Amy) I'm hearing a guy yell at
me that nobody wants me here.

Okay, this is a very...

Quiet group.

They don't like outsiders.

(Men speaking indistinctly)

There are men.

How are these men that
are around her related?

I think they're family.

There's something really...

Foul...

Foul...

And nasty.

And...

I think someone who was a little...

Mentally unstable.

(Laughter)

They're screaming. They're
screaming, we will hurt you.

Don't think that we won't.

(Indistinct whispering)

(Eerie music playing)

How are these men that
are around her related?

Um, I think...

They're family.

I think someone who was a little...

Mentally unstable.

(Laughter)

And it's so weird. Yeah, it's weird.

They're screaming. They're
screaming, we will hurt you.

Don't think that we won't.

(Steve) Continuing my research
into the Gibson family,

I read some disturbing things about Paris
Gibson's sons Theodore and Philip.

Since Theodore also lived in
Kelly's house for quite a while,

I'm meeting with a town historian to
get his thoughts on the two sons.

Uh, do you know anything
about the sons themselves?

In many ways, I think of the
two sons as good cop/bad cop.

Philip was a toughie.

He was in fights. He was
Paris Gibson's enforcer.

Uh, Theodore was the good cop, and it was
almost like they were playing roles.

(Eerie music playing)

(Amy) Some guy was hitting the guy.

Sometimes when I touch objects,

my mind is flooded with the residual
imprint that lives within them.

It's basically like opening up a
window to another point in time.

Somebody hit him on his hands.

The guy came up and just went, bam bam bam!

And I think he broke some of his fingers.

- The other guy was a nut job.
- (Matt) Which one?

The one who's hitting
this other guy's hands.

The guy was, like, just in shock.

(Voice echoing) What's wrong with you?

What... why are you doing that?

Philip, uh, was sent to
Warm Springs, Montana.

To the state mental hospital.

The medical records say in his
case it was exhaustion of paresis,

and that is a mental disorder.

And he died in the mental hospital.

Ironically, later the other son, Theodore.

Suffered some similar mental problems.

And he was sent to Warm Springs, as well.

So both of her sons died in
the state mental hospital?

That's correct.

The other guy was just like...
(Laughs crazily)

Like, he thought it was just funny.

He was definitely unstable.

(Steve) Now that I have some solid facts
about the Paris Gibson family home.

It's time to find out more about the
house after the family died off.

Kelly's neighbor Mark was born and
raised in the house next door,

and has lived there for over 40 years.

Mark, as I was talking to Kelly
about what's going on at her house,

she said that...

She thinks she's living with
the spirit of Valeria Gibson.

What... what do you think about that?

Um, yeah, actually, I think it's...
it's very possible.

And the reason being is, uh, things
I've experienced over there myself.

Now have you seen anything at her house?

I haven't seen anything,
but I've felt things.

Absolutely, I've felt things.

I have felt threatened...

Um, times where I would
not go in that house.

Well, that's strange, because she has
a totally different outlook about it.

She doesn't have any fear of it.

It seemed that, um, whatever
was going on over there,

it was focused towards men.

She had workers that would...

Have a lot of issues, hear a lot of
things, and refuse to go in her home.

What do you know about her house?

I've been born and raised in this
neighborhood, in this house,

and I know quite a bit about it.

A lot of these older homes were
converted into apartments.

Kelly's home was, um, turned
into a renter or boardinghouse.

What kind of, uh, people were living here?

In the early years, when they first
started, it was military personnel.

In Kelly's place, it was
a little different.

The people that were renting
exclusively over at...

The Gibson home were...

Mentally challenged.

People that were out of,
um, an institution.

- Really?
- Yes.

The owner that I remember as growing up.

He...

He went insane.

But I do remember him being
escorted out of his home.

And I... that's what I remember,
sitting on the front porch,

watching him being taken out...

Literally in a white straitjacket.

It was... it was a big ordeal,
and it was a spectacle.

I mean, he was taken to Warm
Springs after living in that home.

(Steve) So let me get this straight...

This guy that used to own the Gibson
house wound up in a mental hospital?

Paris Gibson's kids, too?

If Kelly's having a mental breakdown, she
wouldn't be the first one in this house.

(Eerie music playing)

Man, I am getting a lot of people.

When I first walked into this house, the
amount of activity I saw was pretty normal.

But the longer I stay here,
the more I feel consumed

by the abnormal amount of the
dead vying for my attention.

There's a lot of, uh, of
people coming and going.

I mean, there's more than,
uh, would be normal...

In the house.

(Sighs)

What is with these people?

It's just weird.

And there's so much, uh...

Sadness, uh...

(Groans)

And illness and, uh...

Yeah, lots of people, like,
climbing in and out of the windows.

And then people who don't want
to talk, who are taunting us.

We have one who's having
psychological issues.

And one who doesn't like us,
because we're not from here.

(Amy) Is this really
happening, or am I crazy?

(Indistinct whispering)

(Eerie music playing)

Now that Amy and I have finished
with our investigation,

this is the first time we'll be
hearing each other's findings.

Kelly's a little on edge about
what we're gonna reveal,

so she asked her neighbor Mark to
join her for some moral support.

He reluctantly agreed.

The reason we were called in is
Kelly's had some issues in the house.

I'd like Kelly to now tell
you about her interactions.

(Kelly) A year and a half
ago, I bought this house.

And Paris Gibson was the founder of
Great Falls, and this was his house.

And, um, he lived here
with his wife Valeria.

And I've been communicating with a
woman for the past year and a half.

And I believe that it's Valeria.

I would like to know if I am totally crazy.

Well, you're not crazy.

Um, I encountered a woman here.

Wow.

When I came in, she was the
first person I connected with.

And had two children that she
was protecting with her.

She thinks, you know, that we're evil.

And, uh, that we shouldn't be here.

These children...

She's trying to protect them.

During my background investigation, I
found out that Valeria had four children.

Two of them actually died
at a very young age.

One was 1, and one was 2.

Um, well, I know she was protecting them.

She wouldn't let me
interact with them at all.

She wouldn't let me see them,
so that there would be no,

interaction with the children.

Because she wanted to protect
them as much as possible.

And...

She's surrounded by a lot of men.

And it was hard to communicate with her,

because the men didn't
want her to talk to me.

And they were kind of
making her feel guilty.

And she felt, um, that communicating
with me might be evil.

Kelly, tell her the story
that you relayed to me

about what you think
might have went on here.

Well, Valeria Gibson...

I feel, I guess, that she's
a very intelligent woman.

And very outspoken, but she couldn't speak.

She was repressed.

She was not allowed to...

To talk about anything.

And she...

Has sort of communicated to me that a lot
of bad things have happened in this house.

And that those men were responsible
for a lot of very bad things.

Yes, I would agree with that 100%.

Um, in fact...

I did get her death.

I did see her running and
possibly falling down the stairs.

(Amy) She's, like, running up the stairs.

She's falling back down.

Oh, I think she got murdered.

I felt like her death was not natural.

It... it was a murder.

I... wow. Wow.

Because that's exactly
what I said to Steve.

What she's communicated to me...

Wow, um...

Is that she was pushed down the
third-floor staircase and broke her neck.

- Wow.
- Mm hmm.

And the... the newspapers had reported...

That she fell off the Park Hotel.

But that was not what happened.
She was murdered here.

(Steve) The odd thing about it, there's not
much, I mean, there's newspaper articles.

There's only two. One says she
died accidentally from a fall.

And the other one just says she died.
They're contradicting.

Mm-hmm.

To top it all off, the death certificate
was signed off on, which I have.

And it said that it was
an accidental death.

But...

That's it... just accidental.

And it was actually signed off on by her
brother-in-law, her sister's husband.

When you look at the facts
surrounding Valeria's death.

A lot of fingers point
towards the Gibson family.

Kelly might be on to
something, it's very possible,

this could have been
some kind of a cover-up.

She was transported through the
underground tunnel from this house,

to the Park Hotel.

And she... her body was dumped off.

Wow. Okay.

And that's what I told Steve.

Amy, I saw the look on your face when
Kelly mentioned the underground tunnels.

Um, what I can recall is that...

I was in the basement, and I
wanted to go down further,

which made no sense to me at the time.

It was kind of a little frustrating.

I feel like there's, like..

More down.

Like a little cellar area.

When Kelly mentioned about the tunnels,

I called in a guy, Brad, and he used a
system called ground-penetrating radar.

They do a lot of this
testing around here for

- old mine shafts and stuff like that.
- Oh.

So I had him do a test here.

Um, he didn't find any tunnels,

but what he did find was, uh...

Areas where it looked like there may
have been tunnels that were filled in.

- They've been filled in.
- How do you know that?

I don't know. I can't tell you that.
I just know it.

Because you can't tell when you go down
there that there's anything at all.

Right, I know.

- Mark and I have talked about this...
- Yeah.

And I'm like, I have to get in this tunnel.

I have to get in this tunnel.

Right. I understand that feeling totally.

(Indistinct whispering)

One of the things that uh,
I did get as well, was...

Something about, uh, five men.

And two of the men were...

Were unstable mentally.

(Amy) Some guy was hitting the guy.

The guy came up and just went, bam bam bam!

And I think he broke some of his fingers.

Guy was a nut job.

Well, when I was speaking with
Ken, the historian in town.

He mentioned that the son Philip was
the muscle for the father, so...

Is he still here?

Yes.

(Indistinct whispering)

Is he still here?

Yes.

But he came in from outside,
and so he's not in the house.

He's outside of the house.

Well, it turns out that both the sons,
Theodore and Philip, went insane.

(Gasps)

Oh, my.

And I got Theodore's
death certificate here,

and it says exhaustion of general
paralysis of the insane.

Philip went insane, also, according to the
documentation on his death certificate.

Exhaustion of para... same thing... insane.

Wow.

The most frustrating thing
about this case for me...

There's nothing about Valeria anywhere.
There's no portraits. There's no pictures.

Apparently somebody wanted
her to be anonymous.

Why is there no documentation on her?

- Right.
- Why are there no photos of her?

I don't get that. An
influential man like that...

You would think the woman he's married
to, there would be something about her.

- Yeah.
- I think she'd become a problem.

Because of their stature in this town.

Her murder needed to be just wiped
off the face of history, really.

- Excuses.
- Well, that's the whole...

The suppression and how she was
treated, which is horribly, so...

Do you think the woman you saw
is the same woman she saw?

I don't know. She didn't
tell me who she was.

There was no opportunity, really, um,
just because of the men coming in.

- She's in the house.
- She's guarding this house.

- Yeah.
- This was her house.

The woman in this house stayed
behind for a very specific reason.

To guard the spirits of
these two young children,

from all of the insanity around them.

Kelly, explain to her what you
were talking with me about,

the ink bottle you found here.

And you said something about a diary.

There's a diary. There's some
documentation that's written down...

Somewhere in this house of
what happened to Valeria.

But I cannot find it.
This just tortures me.

Somebody's putting stuff in there.

(Matt) What kind of stuff
are they putting in there?

Books.

I kind of saw like,

her putting a little box in
there or books in there.

She told me I needed to tear the
wall out to find the inkwell.

I mean, I didn't even know it was there.

Kelly, you just wake up sometimes
and you know things. Is that right?

That's how she talks to me.

- It's at night in my dreams.
- Right.

I just know these things, and
I'm like, this is crazy.

Um, you know, when you're
asleep is the easiest

time for them to communicate with you.

Because the brain is actually the
most active when we're asleep.

Which may mean that it's so active,

that it's actually open to receiving
the information from the dead.

The other thing about the houses here...

Uh, they made 'em into boardinghouses.

So you had a lot of transient
occupants coming in and out of here.

Mm-hmm. I got a lot of different stories.

Why is there such a heavy feeling
or dark feeling still there?

Sometimes a location will hold on to...

Very traumatic, major
events that have occurred.

That leave an imprint on the location.

Is there anything that would help...

Prove what we're talking about.

Valeria's death... I
mean, is there anything?

I really wish I could find more
evidence to support these theories.

It seems very possible.

The answers we're looking for
could be somewhere in this house.

The main thing that the dead typically
want us to do is to tell their stories.

I've been in positions where I've
had to tell the dead's story,

and some people didn't
react very well to it.

Um, so you do have to be careful about
how you go about it in some situations.

(Amy) Kelly is communicating with a female
apparition on a very primitive level.

With time, she can learn how
to hone her abilities...

And establish a direct line of
communication with the spirit.

If you want to, um, hear them out.

Before you go to sleep
you could say, you know,

it's okay to come and talk to me.

Not through me.

And show... you know, through my
dreams you can tell me your story.

- It'll help them.
- That's amazing.

I mean, it's just amazing,

because it's not something that I
can really tell very many people.

- I mean, Mark knows.
- Right.

But that's not something you can actually,
like, have a complete conversation with,

because they think you're a raging lunatic.

Right.

Thank you.

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