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These are the user uploaded subtitles that are being translated: 1 00:00:03,100 --> 00:00:04,500 Narrator: IN THE FIFTH CENTURY 2 00:00:04,500 --> 00:00:06,700 AS THE ONCE-MIGHTY ROMAN EMPIRE CRUMBLED 3 00:00:06,700 --> 00:00:11,200 THE SOFT UNDERBELLY OF WESTERN EUROPE LA Y INVITINGLY EXPOSED 4 00:00:11,200 --> 00:00:13,600 TO THE BARBARIAN HORDES TO THE EAST. 5 00:00:13,600 --> 00:00:16,700 ALARIC THE VISIGOTH, GAISERIC THE VANDAL 6 00:00:16,800 --> 00:00:20,600 AND THEODORIC THE OSTROGOTH IN TURN SWEPT WESTWARD 7 00:00:20,600 --> 00:00:21,900 IN A REIGN OF TERROR. 8 00:00:22,000 --> 00:00:24,600 BUT NONE SURPASSED IN POWER AND CRUELTY 9 00:00:24,600 --> 00:00:27,100 THE MIGHTYATTILA THE HUN. 10 00:00:27,200 --> 00:00:31,600 Announcer: LADIES AND GENTLEMAN, IT'S THEATTILA THE HUN SHOW. 11 00:00:31,600 --> 00:00:33,800 ( audience laughter ) 12 00:00:33,800 --> 00:00:37,500 (The Debbie ReynoLds Show theme song plays ) 13 00:00:41,300 --> 00:00:45,000 Man: WITH A LITTLE LOVE, JUST A LITTLE LOVE 14 00:00:45,100 --> 00:00:49,000 OPEN YOUR HEART AND SEE WHERE IT'S NEEDED 15 00:00:49,000 --> 00:00:52,400 WITH A LITTLE LOVE, JUST A LITTLE LOVE 16 00:00:52,400 --> 00:00:56,200 FEEL IT IN YOUR HEART WHEN YOU'VE SUCCEEDED 17 00:00:56,300 --> 00:00:59,200 MAKING ALL THE SENSE OF LIFE 18 00:00:59,200 --> 00:01:03,800 GETTING SOME SUN IN YOUR LIFE 19 00:01:03,900 --> 00:01:06,700 MAKING ALL THE CLOUDS ROLL BY 20 00:01:06,800 --> 00:01:10,200 GETTING SOME SUN IN YOUR LIFE 21 00:01:10,300 --> 00:01:13,300 AND YOU CAN LIGHT 22 00:01:13,400 --> 00:01:17,000 LIGHT UP A GLOOM-CAST SKY 23 00:01:17,000 --> 00:01:20,800 COLOR THE GLOOMIEST DAY 24 00:01:20,900 --> 00:01:26,400 CHASE ALL YOUR CARES AWAY 25 00:01:26,500 --> 00:01:29,200 WITH A LITTLE LOVE, JUST A LITTLE LOVE 26 00:01:29,200 --> 00:01:30,700 WITH A LITTLE LOVE 27 00:01:30,700 --> 00:01:32,200 Chorus: JUSTA LITTLE LOVE 28 00:01:32,200 --> 00:01:34,000 WITH A LITTLE LOVE... 29 00:01:34,100 --> 00:01:36,700 Narrator: IN THE SECOND QUARTER OF THE FIFTH CENTURY 30 00:01:36,700 --> 00:01:39,200 THE HUNS BECAMEA BYWORD FOR MERCILESS SA VAGERY. 31 00:01:39,400 --> 00:01:42,000 THEIR KHAN WAS THE MIGHTY WARRIOR, ATTILA. 32 00:01:42,100 --> 00:01:46,000 WITH HIS DEVASTATING ARMIES, HE SWEPTACROSS CENTRAL EUROPE. 33 00:01:49,900 --> 00:01:53,300 ( in American accent ): OH, DARLING, I'M HOME! 34 00:01:53,300 --> 00:01:54,700 ( canned laughter ) 35 00:01:54,800 --> 00:01:56,100 HELLO, DARLING. 36 00:01:56,100 --> 00:01:58,600 HAVE A BUSY DAY AT THE OFFICE? 37 00:01:58,700 --> 00:02:00,000 NOT AT ALL BAD. 38 00:02:00,000 --> 00:02:03,300 ANOTHER MERCILESS SWEEP ACROSS CENTRAL EUROPE. 39 00:02:03,400 --> 00:02:04,800 ( canned laughter ) 40 00:02:04,800 --> 00:02:08,100 WELL, I WON'T SAY I'M GLAD TO SEE YOU 41 00:02:08,100 --> 00:02:11,000 BUT, BOY, AM I GLAD TO SEE YOU! 42 00:02:11,100 --> 00:02:13,600 ( canned laughter ) 43 00:02:13,600 --> 00:02:18,200 ( canned cheering ) 44 00:02:21,400 --> 00:02:22,900 HI, DADDY. 45 00:02:22,900 --> 00:02:24,200 ( canned laughter ) 46 00:02:24,200 --> 00:02:25,300 HI, DADDY. 47 00:02:25,300 --> 00:02:27,700 ( canned laughter ) 48 00:02:27,800 --> 00:02:29,100 HI, JENNY, HI, ROBBY. 49 00:02:29,200 --> 00:02:30,400 ( canned cheering ) 50 00:02:30,500 --> 00:02:33,100 HEY, I'VE GOT A PRESENT FOR YOU TWO KIDS 51 00:02:33,100 --> 00:02:35,300 IN THAT BAG. 52 00:02:35,300 --> 00:02:38,300 IN THAT BAG. 53 00:02:38,300 --> 00:02:41,200 ( canned laughter ) 54 00:02:41,200 --> 00:02:44,400 I WANT YOU KIDS TO GET "A-HEAD." 55 00:02:44,400 --> 00:02:47,900 ( canned laughter and cheering ) 56 00:02:48,000 --> 00:02:52,200 HEAH YOU ARE, MISTER HUN. 57 00:02:52,200 --> 00:02:53,800 ( canned applause ) 58 00:02:53,800 --> 00:02:56,800 HI, UNCLE TOM. 59 00:02:56,800 --> 00:02:59,700 THERE'S A WHOLE HORDE O' DEM MARAUDIN' VISIGOTHS 60 00:02:59,700 --> 00:03:01,500 TO SEE Y'ALL. 61 00:03:01,500 --> 00:03:03,800 ( canned laughter ) 62 00:03:07,600 --> 00:03:10,000 AND NOW FOR SOMETHING COMPLETELY DIFFERENT. 63 00:03:10,100 --> 00:03:11,400 IT'S... 64 00:03:11,400 --> 00:03:12,900 ( canned cheering ) 65 00:03:12,900 --> 00:03:15,500 ( Sousa's "Liberty Bell March" playing ) 66 00:03:15,500 --> 00:03:19,200 MONTY PYTHON'S FLYING CIRCUS. 67 00:03:24,200 --> 00:03:27,900 [Captioning sponsored by THE U.S. DEPARTMENT OF EDUCATION 68 00:03:27,900 --> 00:03:31,700 and A&E TELEVISION NETWORKS] 69 00:03:42,400 --> 00:03:43,700 ( music ends with fart ) 70 00:03:46,100 --> 00:03:49,900 YES, IT'SATTILA THE NUN! 71 00:03:50,000 --> 00:03:53,900 A SIMPLE COUNTRY GIRL WHO TOOK A VOW OF ETERNAL BRUTALITY. 72 00:03:54,000 --> 00:03:56,200 ( grunting, growling ) 73 00:03:57,900 --> 00:03:59,300 NURSE! 74 00:04:03,100 --> 00:04:04,900 HELLO, MISS NORRIS, HOW ARE YOU? 75 00:04:04,900 --> 00:04:06,600 NOT TOO BAD, THANK YOU, DOCTOR. 76 00:04:06,700 --> 00:04:09,100 YES, WELL, I THINK I'D BETTER EXAMINE YOU. 77 00:04:09,200 --> 00:04:11,200 UM, WHAT ARE THEY DOING HERE? 78 00:04:11,200 --> 00:04:12,900 Doctor: UH, IT'S ALL RIGHT 79 00:04:13,000 --> 00:04:14,000 THEY'RE STUDENTS. 80 00:04:14,000 --> 00:04:19,000 UM... LIGHT, PLEASE, NURSE. 81 00:04:19,000 --> 00:04:21,900 OH, AND UH, MUSIC, TOO. 82 00:04:22,000 --> 00:04:23,400 ( striptease musicplays ) 83 00:04:23,500 --> 00:04:26,400 BREATHE IN... OUT. 84 00:04:26,400 --> 00:04:30,200 Doctor: IN... OUT. 85 00:04:30,300 --> 00:04:32,000 IN... 86 00:04:33,900 --> 00:04:35,500 THANK YOU, THANK YOU. 87 00:04:35,600 --> 00:04:38,400 CHARLES CROMPTON, THE STRIPPING DOCTOR. 88 00:04:38,500 --> 00:04:42,800 AND NEXT, GENTLEMEN AND LADIES, HERE AT THE PEEPHOLE CLUB 89 00:04:42,900 --> 00:04:46,800 FOR THE VERY FIRST TIME, A VERY BIG WELCOME, PLEASE 90 00:04:46,800 --> 00:04:50,800 FOR THE SECRETARY OF STATE FOR COMMONWEALTH AFFAIRS. 91 00:04:52,100 --> 00:04:53,000 GOOD EVENING. 92 00:04:53,100 --> 00:04:54,400 TONIGHT I'D LIKE TO RESTATE 93 00:04:54,600 --> 00:04:56,600 OUR POSITION ON AGRICULTURAL SUBSIDIES 94 00:04:56,600 --> 00:04:59,400 AND THEIR EFFECT ON OUR COMMONWEALTH RELATIONSHIPS. 95 00:04:59,400 --> 00:05:01,000 ( striptease musicplaying ) 96 00:05:01,000 --> 00:05:03,700 NOW, ALTHOUGH WE BELIEVE, THEORETICALLY 97 00:05:03,800 --> 00:05:06,000 IN ENDING GUARANTEED FARM PRICES 98 00:05:06,100 --> 00:05:10,200 WE ALSO BELIEVE IN THE NEED FOR A CORRESPONDING IMPORT LEVY 99 00:05:10,200 --> 00:05:13,600 TO MAINTAIN CONSUMER PRICES AT A REALISTIC LEVEL. 100 00:05:13,700 --> 00:05:17,400 BUT THIS WOULD HAVE THE EFFECT OF CONSOLIDATING 101 00:05:17,400 --> 00:05:21,900 OUR GAINS OF THE PREVIOUS FISCAL YEAR PRIOR TO THE ENTRY. 102 00:05:22,000 --> 00:05:26,500 BUT I PLEDGE THAT, SHOULD WE JOIN THE COMMON MARKET 103 00:05:26,600 --> 00:05:31,100 EVEN MAINTAINING THE PRESENT POSITION ON SUBSIDIES 104 00:05:31,100 --> 00:05:35,600 WE WILL NEVER JEOPARDIZE, WE WILL NEVER COMPROMISE 105 00:05:35,700 --> 00:05:40,800 OUR UNIQUE RELATIONSHIP WITH THE COMMONWEALTH COUNTRIES. 106 00:05:40,800 --> 00:05:44,800 A PRICES STRUCTURE RELATED TO ANY IMPORT CHARGES 107 00:05:44,800 --> 00:05:50,100 WILL BE SYSTEMATICALLY ADJUSTED TO THE PARTICULAR REQUIREMENTS 108 00:05:50,100 --> 00:05:52,500 OF OUR COMMONWEALTH PARTNERS. 109 00:05:52,600 --> 00:05:53,600 ( laughter ) 110 00:05:53,700 --> 00:05:56,500 SO THAT TOGETHER WE WILL MAINTAIN 111 00:05:56,600 --> 00:06:00,200 A POSITIVE AND MUTUALLY BENEFICIAL ALLIANCE 112 00:06:00,200 --> 00:06:03,000 IN WORLD TRADE AND FOR WORLD PEACE. 113 00:06:03,100 --> 00:06:05,200 THANK YOU AND GOOD NIGHT. 114 00:06:05,200 --> 00:06:09,100 ( scattered applause ) 115 00:06:09,100 --> 00:06:10,800 WASN'T HE MARVELOUS? 116 00:06:10,900 --> 00:06:15,100 THE SECRETARY OF STATE FOR COMMONWEALTH AFFAIRS. 117 00:06:15,100 --> 00:06:20,100 AND NOW, GENTLEMEN AND LADIES, A VERY BIG WELCOME, PLEASE 118 00:06:20,100 --> 00:06:25,000 FOR THE MINISTER OF PENSIONS AND THE SOCIAL SECURITY. 119 00:06:25,000 --> 00:06:29,400 ( belly dancing musicplays ) 120 00:06:29,400 --> 00:06:32,600 ( "Pomp and Circumstance"plays ) 121 00:06:32,600 --> 00:06:34,800 Narrator: YES, TODA Y IN BRITAIN THERE IS 122 00:06:34,800 --> 00:06:38,600 A NEW WA VE OF INTEREST IN POLITICSAND POLITICIANS. 123 00:06:38,600 --> 00:06:42,700 WELL, WE'RE IN IT FOR THE LOBBYING, YOU KNOW. 124 00:06:42,800 --> 00:06:44,800 WE JUST LOVE LOBBYING. 125 00:06:44,900 --> 00:06:46,100 AND THE DEBATES. 126 00:06:46,200 --> 00:06:48,400 YOU KNOW, A GOOD DEBATE IS JUST FABULOUS. 127 00:06:48,400 --> 00:06:52,200 WELL, I'VE BEEN GOING WITH MINISTERS FOR FIVE YEARS NOW 128 00:06:52,200 --> 00:06:55,300 AND, UH, YOU KNOW, I THINK THEY'RE WONDERFUL. 129 00:06:55,300 --> 00:06:57,800 OH, YES, I LIKE CIVIL SERVANTS. 130 00:06:57,800 --> 00:06:59,600 OH, YES, THEY'RE NICE. 131 00:06:59,700 --> 00:07:01,800 I... I LIKE THE SPEAKER. 132 00:07:01,800 --> 00:07:03,100 OH, YEAH. 133 00:07:03,100 --> 00:07:05,700 I LIKE BLACK ROD. 134 00:07:05,700 --> 00:07:07,600 WHAT DO THEIR PARENTS THINK? 135 00:07:07,600 --> 00:07:10,500 WELL, SHE'S BROKEN OUR HEARTS, THE LITTLE BASTARD. 136 00:07:10,500 --> 00:07:12,300 SHE'S BEEN NOTHING BUT TROUBLE 137 00:07:12,300 --> 00:07:15,600 AND IF SHE COMES ROUND HERE AGAIN, I'LL KICK HER TEETH IN. 138 00:07:15,700 --> 00:07:17,000 ( door closes ) 139 00:07:17,000 --> 00:07:19,600 HAVE YOU BEEN TALKING TO TELEVISION AGAIN, DEAR? 140 00:07:19,600 --> 00:07:20,800 YES, I BLOODY TOLD 'EM. 141 00:07:20,900 --> 00:07:21,800 WHAT ABOUT? 142 00:07:21,900 --> 00:07:22,800 I DON'T KNOW. 143 00:07:22,900 --> 00:07:24,200 WAS IT REGINALD BOSANQUET? 144 00:07:24,200 --> 00:07:25,200 NO, NO, NO. 145 00:07:25,300 --> 00:07:27,000 DID HE HAVE HIS HEAD ALL BANDAGED? 146 00:07:27,000 --> 00:07:28,200 NO, IT WASN'T LIKE THAT. 147 00:07:28,300 --> 00:07:29,400 THEY HAD LOTS OF LIGHTS 148 00:07:29,400 --> 00:07:31,000 AND CAMERAS AND TAPE RECORDERS 149 00:07:31,000 --> 00:07:32,200 ALL THAT SORT OF THING. 150 00:07:32,200 --> 00:07:33,800 OH, THAT'LL BE RAY BAXTER 151 00:07:33,800 --> 00:07:36,800 AND THE BOYS AND GIRLS FROM TOMORROW'S WORLD. 152 00:07:36,800 --> 00:07:38,900 OOH, I PREFER REGINALD BOSANQUET. 153 00:07:39,000 --> 00:07:40,600 THERE'S NOT SO MANY OF 'EM. 154 00:07:40,700 --> 00:07:41,800 ( doorbell rings ) 155 00:07:41,900 --> 00:07:44,100 OH, THAT'LL BE THE RATCATCHER. 156 00:07:44,200 --> 00:07:45,800 HELLO, MR. AND MRS. CONCRETE? 157 00:07:45,900 --> 00:07:47,500 YES? 158 00:07:47,500 --> 00:07:51,800 WELL, WELL, WELL, WELL, WELL, WELL, WELL, WELL, WELL, WELL 159 00:07:51,800 --> 00:07:53,300 WELL, HOW VERY NICE. 160 00:07:53,300 --> 00:07:55,500 ALLOW ME TO INTRODUCE MYSELF. 161 00:07:55,500 --> 00:07:58,900 I'M LESLIE AMES, THE CHAIRMAN OF THE TEST SELECTION COMMITTEE 162 00:07:58,900 --> 00:08:01,200 AND I'M VERY PLEASED TO BE ABLE TO TELL YOU 163 00:08:01,300 --> 00:08:02,900 THAT YOUR FLAT HAS BEEN CHOSEN 164 00:08:03,000 --> 00:08:06,000 AS THE VENUE FOR THE THIRD TEST AGAINST THE WEST INDIES. 165 00:08:06,100 --> 00:08:07,000 REALLY? 166 00:08:07,100 --> 00:08:08,300 NO, IT WAS JUST A LITTLE JOKE. 167 00:08:08,400 --> 00:08:09,900 ACTUALLY I'M THE COUNCIL RATCATCHER. 168 00:08:10,000 --> 00:08:11,300 OH, YES, WE'VE BEEN EXPECTING YOU. 169 00:08:11,400 --> 00:08:12,400 OH, I GATHER YOU'VE GOT 170 00:08:12,400 --> 00:08:13,600 A LITTLE RODENTAL PROBLEM. 171 00:08:13,600 --> 00:08:14,800 OH, BLIMEY! YOU'D THINK 172 00:08:14,800 --> 00:08:16,200 HE WAS AWAKE ALL THE NIGHT 173 00:08:16,200 --> 00:08:18,100 SCRABBLING DOWN BY THE WAINSCOTTING. 174 00:08:18,100 --> 00:08:20,400 MMM, THAT'S AN INTERESTING WORD, ISN'T IT? 175 00:08:20,400 --> 00:08:21,400 WHAT? 176 00:08:21,400 --> 00:08:22,400 WAINSCOTTING. 177 00:08:22,400 --> 00:08:24,800 WAINSCOTTING, WAINSCOTTING. 178 00:08:24,800 --> 00:08:28,000 SOUNDS LIKE A LITTLE DORSET VILLAGE. 179 00:08:28,000 --> 00:08:29,000 WAINSCOTTING. 180 00:08:29,000 --> 00:08:32,400 WE'VE BEEN MENTIONED ON TELLY! 181 00:08:32,400 --> 00:08:34,200 UH, WHERE IS IT WORST? 182 00:08:34,200 --> 00:08:35,400 WELL, DOWN HERE 183 00:08:35,400 --> 00:08:37,300 YOU CAN USUALLY HEAR THEM. 184 00:08:37,400 --> 00:08:38,300 SHH! SHH! SHH! 185 00:08:38,400 --> 00:08:42,200 ( bleating ) 186 00:08:42,200 --> 00:08:44,600 NO, THAT'S SHEEP YOU'VE GOT THERE. 187 00:08:44,700 --> 00:08:46,300 ( bleating continues ) 188 00:08:46,400 --> 00:08:48,300 NO, THAT'S DEFINITELY SHEEP. 189 00:08:48,400 --> 00:08:49,600 A BIT OF A PUZZLE, REALLY. 190 00:08:49,700 --> 00:08:51,000 IS IT? 191 00:08:51,000 --> 00:08:53,100 YEAH, WELL, I MEAN IT'S "A," NOT GOING TO RESPOND 192 00:08:53,200 --> 00:08:54,400 TO A NICE PIECE OF CHEESE 193 00:08:54,400 --> 00:08:56,800 AND "B," IT ISN'T GOING TO FIT INTO A TRAP. 194 00:08:56,800 --> 00:08:58,000 OH, WHAT YOU GONNA DO? 195 00:08:58,100 --> 00:09:00,200 WELL, WE'LL HAVE TO LOOK FOR THE HOLE. 196 00:09:00,300 --> 00:09:01,200 OH, YEAH. 197 00:09:01,300 --> 00:09:03,200 UH... OOH... 198 00:09:03,300 --> 00:09:05,100 HEY! THERE'S ONE HERE. 199 00:09:05,100 --> 00:09:07,100 NO, NO, NO, THAT'S MICE. 200 00:09:07,200 --> 00:09:10,500 ( laughter ) 201 00:09:10,600 --> 00:09:13,800 OH! THIS IS WHAT WE'RE AFTER! 202 00:09:13,800 --> 00:09:17,600 ( laughter ) 203 00:09:17,600 --> 00:09:20,800 EXCUSE ME, IS THE THIRD TEST IN HERE? 204 00:09:20,900 --> 00:09:24,000 NO, NO, THAT WAS A JOKE, IT'S A JOKE. 205 00:09:24,000 --> 00:09:25,300 ( laughter ) 206 00:09:25,300 --> 00:09:28,500 RIGHT! WELL, I'M GOING IN THE WAINSCOTTING. 207 00:09:28,500 --> 00:09:30,000 THEY SAID IT AGAIN! 208 00:09:30,000 --> 00:09:32,600 LAY DOWN SOME SHEEP POISON. 209 00:09:32,600 --> 00:09:33,600 OOH. 210 00:09:33,600 --> 00:09:36,400 ( bleating ) 211 00:09:36,400 --> 00:09:37,400 ( gunshot ) 212 00:09:37,400 --> 00:09:42,500 ( yelling in pain ) 213 00:09:42,500 --> 00:09:44,600 OOH, IT'S GOT A GUN! 214 00:09:44,600 --> 00:09:46,900 OOH! BLIMEY. 215 00:09:47,000 --> 00:09:48,800 NOW, NORMALLY A SHEEP IS 216 00:09:48,800 --> 00:09:50,600 A PLACID, TIMID CREATURE 217 00:09:50,600 --> 00:09:52,600 BUT YOU'VE GOT A KILLER! 218 00:09:52,700 --> 00:09:57,000 ( laughter ) 219 00:10:04,700 --> 00:10:08,200 IT'S AN ENTIRELY NEW STRAIN OF SHEEP-- A KILLER SHEEP 220 00:10:08,300 --> 00:10:10,200 THAT CAN NOT ONLY HOLD A RIFLE 221 00:10:10,300 --> 00:10:12,300 BUT IS ALSO A FIRST-CLASS SHOT. 222 00:10:12,400 --> 00:10:14,600 BUT WHERE ARE THEY COMING FROM, PROFESSOR? 223 00:10:14,700 --> 00:10:16,700 THAT I DON'T KNOW. 224 00:10:16,800 --> 00:10:18,800 I JUST DON'T KNOW. 225 00:10:18,900 --> 00:10:21,800 I REALLY JUST DON'T KNOW. 226 00:10:21,800 --> 00:10:25,100 I'M AFRAID I REALLY JUST DON'T KNOW. 227 00:10:25,100 --> 00:10:28,800 I'M AFRAID EVEN I REALLY JUST DON'T KNOW. 228 00:10:28,900 --> 00:10:30,000 I HAVE TO TELL YOU 229 00:10:30,100 --> 00:10:32,800 I'M AFRAID EVEN I REALLY JUST DON'T KNOW. 230 00:10:32,800 --> 00:10:35,200 I'M AFRAID I HAVE TO TELL YOU THAT... 231 00:10:37,300 --> 00:10:38,400 THANK YOU. 232 00:10:38,500 --> 00:10:39,900 I DON'T KNOW. 233 00:10:39,900 --> 00:10:42,500 OUR ONLY CLUE IS THIS PORTION OF WOLF'S CLOTHING 234 00:10:42,500 --> 00:10:43,900 WHICH THE KILLER SHEEP... 235 00:10:43,900 --> 00:10:45,100 WAS WEARING... 236 00:10:45,100 --> 00:10:47,300 IN YESTERDAY'S RAID ON SELFRIDGES. 237 00:10:47,300 --> 00:10:49,000 I'LL CARRY OUT TESTS ON IT 238 00:10:49,000 --> 00:10:50,700 STRAIGHT AWAY, PROFESSOR. 239 00:10:50,700 --> 00:10:54,800 ( inJamaican accent ): HELLO, IS THE THIRD TEST IN HERE, PLEASE? 240 00:10:54,900 --> 00:10:57,200 ( laughter ) 241 00:10:57,300 --> 00:10:59,500 PROFESSOR, THERE ARE SOME CRICKETERS 242 00:10:59,600 --> 00:11:00,700 IN THE LABORATORY. 243 00:11:00,700 --> 00:11:02,500 THIS MAY BE EVEN MORE SERIOUS 244 00:11:02,600 --> 00:11:05,000 THAN EVEN I HAD AT FIRST BEEN IMAGINING. 245 00:11:05,100 --> 00:11:08,800 WHAT A STRANGE, STRANGE LINE. 246 00:11:08,900 --> 00:11:10,200 THERE'S NO TIME TO WASTE! 247 00:11:10,200 --> 00:11:12,400 GET ME THE CHIEF COMMISSIONER OF POLICE. 248 00:11:12,400 --> 00:11:13,400 YES, SIR. 249 00:11:14,500 --> 00:11:18,300 NO, NO, ON THE PHONE! 250 00:11:18,300 --> 00:11:20,700 LOOK OF FEAR! 251 00:11:20,800 --> 00:11:22,500 ANOTHER STRANGE LINE. 252 00:11:22,600 --> 00:11:24,200 LOOK OUT, MISS GARTER OIL! 253 00:11:24,200 --> 00:11:25,700 PROFESSOR, WHAT IS IT? 254 00:11:25,800 --> 00:11:27,000 WHAT HAVE YOU SEEN? 255 00:11:27,000 --> 00:11:28,500 LOOK, THERE IN THE DOORWAY! 256 00:11:28,600 --> 00:11:29,600 ( screams ) 257 00:11:29,600 --> 00:11:32,000 ARTHUR X, LEADER OF THE PENNINE GANG. 258 00:11:32,000 --> 00:11:33,400 DON'T NOBODY MOVE. 259 00:11:33,400 --> 00:11:36,800 ALL RIGHT, BOYS, WE'RE PUTTIN' PLAN "A" INTO OPERATION. 260 00:11:36,900 --> 00:11:38,400 BUGSY, LOUIE, MOVE OUT. 261 00:11:42,300 --> 00:11:48,100 ( gunfire ) 262 00:11:50,800 --> 00:11:53,100 NEXT-- BASIL, YOU AND THE KID-- MOVE. 263 00:11:53,100 --> 00:11:58,600 ( gunfire ) 264 00:11:58,600 --> 00:12:01,300 OKAY, BOYS, THIS TIME WE GO FOR THE HEAVY STUFF. 265 00:12:02,400 --> 00:12:07,200 ( explosion ) 266 00:12:07,200 --> 00:12:13,300 ( banjo and bass play "Foggy Mountain Breakdown" ) 267 00:12:22,300 --> 00:12:25,200 BUT SOON THE KILLER SHEEP BEGAN TO INFECT OTHER ANIMALS 268 00:12:25,300 --> 00:12:26,900 WITH ITS STARTLING INTELLIGENCE. 269 00:12:27,000 --> 00:12:28,900 PUSSYCATS BEGAN TO ARRANGE MORTGAGES. 270 00:12:29,000 --> 00:12:31,400 COCKER SPANIELS BEGAN TO DESIGN SUPERMARKETS. 271 00:12:31,400 --> 00:12:34,900 AND PARROTS STARTED TO ANNOUNCE TELEVISION PROGRAMS. 272 00:12:35,000 --> 00:12:37,300 IT'S 8:00 AND TIME FOR THE NEWS. 273 00:12:37,400 --> 00:12:40,000 GOOD EVENING, HERE IS THE NEWS FOR PARROTS. 274 00:12:40,100 --> 00:12:43,700 NO PARROTS WERE INVOLVED IN AN ACCIDENT ON THE M-1 TODAY 275 00:12:43,700 --> 00:12:47,300 WHEN A LORRY CARRYING HIGH- OCTANE FUEL WAS IN COLLISION 276 00:12:47,400 --> 00:12:49,200 WITH A BOLLARD. 277 00:12:49,200 --> 00:12:52,800 THAT IS A BOLLARD AND NOT A PARROT. 278 00:12:52,800 --> 00:12:54,400 A SPOKESMAN FOR PARROTS SAID 279 00:12:54,400 --> 00:12:56,500 HE WAS GLAD NO PARROTS WERE INVOLVED. 280 00:12:56,500 --> 00:12:58,000 ( laughter ) 281 00:12:58,100 --> 00:13:02,600 THE MINISTER OF TECHNOLOGY TODAY MET THE THREE RUSSIAN LEADERS 282 00:13:02,600 --> 00:13:05,700 TO DISCUSS A &$4 MILLION AIRLINER DEAL. 283 00:13:05,800 --> 00:13:07,600 NONE OF THEM WENT IN THE CAGE 284 00:13:07,600 --> 00:13:10,000 OR SWUNG ON THE LITTLE WOODEN TRAPEZE 285 00:13:10,000 --> 00:13:12,800 OR ATE ANY OF THE NICE MILLET SEED-- YUM, YUM. 286 00:13:12,800 --> 00:13:14,400 THAT'S THE END OF THE NEWS. 287 00:13:14,400 --> 00:13:16,600 NOW OUR PROGRAMS FOR PARROTS CONTINUE 288 00:13:16,600 --> 00:13:18,800 WITH PART THREE OF A TALE OF TWO CITIES 289 00:13:18,800 --> 00:13:21,200 SPECIALLY ADAPTED FOR PARROTS BY JOEY BOY. 290 00:13:21,300 --> 00:13:22,800 THE STORY SO FAR: 291 00:13:22,800 --> 00:13:25,900 DR. MANETTE IS IN ENGLAND, AFTER 18 YEARS IN THE BASTILLE. 292 00:13:25,900 --> 00:13:28,900 HIS DAUGHTER, LUCY, AWAITS HER LOVER, CHARLES DARNAY 293 00:13:28,900 --> 00:13:30,400 WHOM WE HAVE JUST LEARNED 294 00:13:30,400 --> 00:13:33,500 IS IN FACT THE NEPHEW OF THE MARQUIS de ST. EVREMONDE 295 00:13:33,500 --> 00:13:36,300 WHOSE CRUELTY HAD PLACED MANETTE IN THE BASTILLE. 296 00:13:36,400 --> 00:13:39,700 DARNAY ARRIVES TO FIND LUCY TENDING HER AGED FATHER. 297 00:13:48,500 --> 00:13:51,300 ( imitating parrot ): 'ALLO, 'ALLO! 298 00:13:51,300 --> 00:13:52,600 'ALLO, 'ALLO, 'ALLO! 299 00:13:52,600 --> 00:13:55,000 WHO'S A PRETTY BOY, THEN? 300 00:13:55,000 --> 00:13:56,600 WHO'S A PRETTY BOY? 301 00:13:56,600 --> 00:14:00,900 ( all squawking at once ) 302 00:14:00,900 --> 00:14:05,500 AND WHILE THAT'S GOING ON, HERE IS THE NEWS FOR GIBBONS. 303 00:14:05,600 --> 00:14:07,400 NO GIBBONS WERE INVOLVED... 304 00:14:07,500 --> 00:14:10,200 Announcer: AND WHILE THAT'S GOING ON, HERE FROM WESTMINSTER 305 00:14:10,200 --> 00:14:12,000 ISA PARLIAMENTARY REPORT FOR HUMANS. 306 00:14:12,000 --> 00:14:14,800 IN THE DEBATE, A SPOKESMAN ACCUSED THE GOVERNMENT 307 00:14:14,800 --> 00:14:17,500 OF BEING SILLY AND DOING NOT AT ALL GOOD THINGS. 308 00:14:17,500 --> 00:14:20,700 THE MEMBER ACCEPTED THIS IN A SPIRIT OF HEALTHY CRITICISM 309 00:14:20,800 --> 00:14:23,800 BUT DENIED THAT HE'D EVER BEEN NAUGHTY WITH A CHOIRBOY. 310 00:14:23,900 --> 00:14:26,200 ANGRY SHOUTS OF "WHAT ABOUT THE WATERMELON, THEN?" 311 00:14:26,300 --> 00:14:29,000 WERE ORDERED BY THE SPEAKER TO BE STRICKEN FROM THE RECORD 312 00:14:29,100 --> 00:14:31,200 AND PUT INTO A BROWN PAPER BAG IN THE LAVVY. 313 00:14:31,200 --> 00:14:33,600 ANY FURTHER INTERRUPTIONS WOULD BE CUT OFF 314 00:14:33,600 --> 00:14:35,500 AND DISTRIBUTED AMONGST THE POOR. 315 00:14:35,500 --> 00:14:38,000 FOR THE GOVERNMENT, A FRONT BENCH SPOKESMAN SAID 316 00:14:38,100 --> 00:14:40,700 THE AGRICULTURAL TARIFF WOULD HAVE TO BE RAISED 317 00:14:40,700 --> 00:14:41,800 AND HE FANCIED A BIT. 318 00:14:41,800 --> 00:14:43,400 FURTHERMORE, HE ARGUED 319 00:14:43,400 --> 00:14:46,300 THIS WOULD GIVE A LARGE BOOST TO FARMERS, AND A LOT OF FUN 320 00:14:46,400 --> 00:14:49,200 TO HIM, HIS FRIEND AND MISS MOIST OF KNIGHTSBRIDGE. 321 00:14:49,200 --> 00:14:50,600 FROM THE BACK BENCHES 322 00:14:50,600 --> 00:14:53,000 THERE WERE OPPOSITION SHOUTS OF "POSTCARDS FOR SALE!" 323 00:14:53,100 --> 00:14:55,400 AND A HEALTHY CRY OF "WHO LIKES A SAILOR, THEN?" 324 00:14:55,500 --> 00:14:57,200 FROM THE MINISTER WITHOUT PORTFOLIO. 325 00:14:57,200 --> 00:14:58,400 ( laughter ) 326 00:14:58,400 --> 00:15:00,200 REPLYING, THE SHADOW MINISTER SAID 327 00:15:00,200 --> 00:15:02,000 HE COULD NO LONGER DENY THE RUMORS 328 00:15:02,100 --> 00:15:04,300 BUT HE AND THE DACHSHUND WERE VERY HAPPY. 329 00:15:04,300 --> 00:15:06,800 AND, IN ANY CASE, HE ARGUED, RHUBARB WAS CHEAP 330 00:15:06,900 --> 00:15:08,900 AND WHAT WAS THE HARM IN A SAUNA BATH. 331 00:15:11,000 --> 00:15:13,100 ...WERE NOT INVOLVED. 332 00:15:13,100 --> 00:15:16,000 THE MINISTER OF TECHNOLOGY MET THE THREE RUSSIAN LEADERS TODAY 333 00:15:16,000 --> 00:15:19,400 TO DISCUSS A &$4 MILLION AIRLINER DEAL. 334 00:15:19,400 --> 00:15:21,400 NONE OF THEM WERE INDIGENOUS TO AUSTRALIA 335 00:15:21,500 --> 00:15:23,100 CARRIED THEIR BABIES IN POUCHES 336 00:15:23,200 --> 00:15:25,400 OR ATE ANY OF THOSE YUMMY EUCALYPTUS LEAVES. 337 00:15:25,400 --> 00:15:27,100 YUM, YUM. 338 00:15:27,100 --> 00:15:31,200 THAT'S THE NEWS FOR WOMBATS, AND NOW ATTILA THE BUN! 339 00:15:31,200 --> 00:15:38,100 ( shouting viciously ) 340 00:15:40,100 --> 00:15:42,400 WELL, THAT'S ALL FOR ATTILA THE BUN. 341 00:15:42,500 --> 00:15:44,400 AND NOW, IDIOTS. 342 00:15:54,800 --> 00:15:58,800 Announcer: ARTHUR FIGGIS ISAN IDIOT, A VILLAGE IDIOT. 343 00:15:58,900 --> 00:16:01,900 TONIGHT WE LOOK AT THE IDIOT IN SOCIETY. 344 00:16:02,000 --> 00:16:03,800 ( intelligently ): WELL, I FEEL VERY KEENLY 345 00:16:03,800 --> 00:16:06,100 THAT THE IDIOT IS A PART OF THE OLD VILLAGE SYSTEM 346 00:16:06,100 --> 00:16:07,800 AND, AS SUCH, HAS A VITAL ROLE TO PLAY 347 00:16:07,900 --> 00:16:11,400 IN THE MODERN RURAL SOCIETY, BECAUSE, YOU SEE... 348 00:16:11,400 --> 00:16:12,900 OOH, AR, OOH, AR! 349 00:16:12,900 --> 00:16:15,000 ( babbling incoherently ) 350 00:16:15,100 --> 00:16:16,500 OOH, AR, THANKEE, VICAR. 351 00:16:16,600 --> 00:16:20,000 BECAUSE THERE IS THIS VERY REAL NEED IN SOCIETY 352 00:16:20,100 --> 00:16:24,600 FOR SOMEONE WHOM ALMOST ANYONE CAN LOOK DOWN ON AND RIDICULE. 353 00:16:24,700 --> 00:16:26,900 AND THIS IS THE ROLE THAT... 354 00:16:27,000 --> 00:16:31,300 ( babbling ) 355 00:16:31,400 --> 00:16:33,200 THANK YOU, MRS. THOMPSON. 356 00:16:33,200 --> 00:16:36,200 THIS IS THE ROLE THAT I AND MEMBERS OF MY FAMILY 357 00:16:36,200 --> 00:16:39,500 HAVE FULFILLED IN THIS VILLAGE FOR THE PAST 400 YEARS. 358 00:16:39,500 --> 00:16:41,200 AH, GOOD MORNING, MR. JENKINS. 359 00:16:41,300 --> 00:16:43,600 I.C.I. HAVE INCREASED THEIR HALF-YEARLY DIVIDEND, I SEE. 360 00:16:43,700 --> 00:16:45,700 YES, SPLENDID. 361 00:16:45,700 --> 00:16:47,600 THAT'S MR. JENKINS, HE'S ANOTHER IDIOT. 362 00:16:47,700 --> 00:16:51,000 AND SO, YOU SEE, THE IDIOT DOES PROVIDE 363 00:16:51,000 --> 00:16:55,000 A VITAL PSYCHO-SOCIAL SERVICE FOR THIS COMMUNITY. 364 00:16:56,100 --> 00:16:57,200 OH, EXCUSE ME. 365 00:16:57,200 --> 00:16:58,600 A COACH PARTY'S JUST ARRIVED. 366 00:16:58,600 --> 00:17:00,800 I SHALL HAVE TO FALL OFF THE WALL, I'M AFRAID. 367 00:17:00,900 --> 00:17:03,400 ( babbling ) 368 00:17:03,400 --> 00:17:04,500 ( crash ) 369 00:17:11,000 --> 00:17:13,600 ARTHUR TAKES IDIOTTING SERIOUSLY. 370 00:17:13,600 --> 00:17:15,500 HE IS UP AT 6::00 EVERY MORNING 371 00:17:15,600 --> 00:17:17,800 WORKING ON SPECIAL TRAINING EQUIPMENT 372 00:17:17,800 --> 00:17:19,500 DESIGNED TO KEEP HIM SILLY. 373 00:17:19,600 --> 00:17:23,400 ( laughter ) 374 00:17:27,100 --> 00:17:30,700 AND, OF COURSE, HE TAKES GREAT PRIDE IN HISAPPEARANCE. 375 00:17:36,100 --> 00:17:38,800 LIKE THE DOCTOR, THE BLACKSMITH, THE CARPENTER 376 00:17:38,800 --> 00:17:41,900 MR. FIGGIS ISAN IMPORTANT FIGURE IN THIS VILLAGE. 377 00:17:41,900 --> 00:17:45,200 LIKE THEM, HE USES THE LOCAL BANK. 378 00:17:45,300 --> 00:17:48,600 YES, WE HAVE QUITE A NUMBER OF IDIOTS BANKING HERE. 379 00:17:48,600 --> 00:17:50,200 Interviewer: WHAT KIND OF MONEY 380 00:17:50,200 --> 00:17:51,700 IS THERE IN IDIOTTING? 381 00:17:51,700 --> 00:17:54,200 WELL, NOWADAYS, THE REALLY BLITHERING IDIOT CAN MAKE 382 00:17:54,200 --> 00:17:55,800 ANYTHING UP TO &$10,000 A YEAR 383 00:17:55,800 --> 00:17:58,400 IF HE'S THE HEAD OF SOME BIG INDUSTRIAL COMBINE. 384 00:17:58,400 --> 00:18:00,700 BUT, OF COURSE, THE MORE OLD-FASHIONED IDIOT 385 00:18:00,800 --> 00:18:02,200 STILL REFUSES TO TAKE MONEY. 386 00:18:02,300 --> 00:18:06,200 HE TAKES BITS OF STRING, WOOD 387 00:18:06,300 --> 00:18:10,200 DEAD BUDGERIGARS, SPARROWS, ANYTHING. 388 00:18:10,300 --> 00:18:13,100 BUT IT DOES MAKE THE CASHIER'S JOB VERY DIFFICULT. 389 00:18:13,200 --> 00:18:15,400 BUT, OF COURSE, THEY'RE FOOLS TO THEMSELVES 390 00:18:15,400 --> 00:18:17,600 BECAUSE THE RATE OF INTEREST OVER TEN YEARS 391 00:18:17,700 --> 00:18:19,400 ON A PIECE OF MOSS OR A DEAD VOLE 392 00:18:19,400 --> 00:18:21,100 IS ALMOST NEGLIGIBLE. 393 00:18:21,100 --> 00:18:22,100 Man: MR. BRANDO! 394 00:18:22,100 --> 00:18:23,100 YES? 395 00:18:23,100 --> 00:18:24,400 HOLLYWOOD ON THE PHONE. 396 00:18:24,500 --> 00:18:26,500 I'LL TAKE IT IN THE OFFICE. 397 00:18:26,600 --> 00:18:29,600 BUTMR. FIGGIS IS NO ORDINARY IDIOT. 398 00:18:29,700 --> 00:18:31,500 HE ISA LECTURER IN IDIOCY 399 00:18:31,500 --> 00:18:33,800 AT THE UNIVERSITY OF EASTANGLIA. 400 00:18:33,800 --> 00:18:37,800 HERE HE IS TAKING A CLASS OF THIRD-YEAR STUDENTS. 401 00:18:37,800 --> 00:18:40,900 ( babbling and singing ) 402 00:18:40,900 --> 00:18:43,000 AFTER THREE YEARS OF STUDY 403 00:18:43,000 --> 00:18:47,400 THESEAPPRENTICE IDIOTS RECEIVE A DIPLOMA OF IDIOCY 404 00:18:47,500 --> 00:18:50,800 A HANDFUL OFMUD... 405 00:18:50,800 --> 00:18:52,300 AND A KICK ON THE HEAD. 406 00:18:52,400 --> 00:18:55,000 SOME OF THE OLDER IDIOTS RESENT THE GRADUATE IDIOT. 407 00:18:55,000 --> 00:18:57,500 I'M A COMPLETELY SELF-TAUGHT IDIOT. 408 00:18:57,500 --> 00:19:00,100 I MEAN... ( mumbles incoherently ) 409 00:19:00,200 --> 00:19:01,600 NOBODY DOES THAT ANYMORE. 410 00:19:01,700 --> 00:19:03,400 ANYBODY WHO DID THAT ROUND HERE 411 00:19:03,500 --> 00:19:05,300 WOULD BE LAUGHED OFF THE STREET. 412 00:19:05,300 --> 00:19:09,000 NO, NOWADAYS, PEOPLE WANT SOMETHING WITTIER. 413 00:19:15,300 --> 00:19:18,200 KEVIN O'NASSIS WORKS LARGELY WITH WALLS. 414 00:19:18,200 --> 00:19:20,300 WHOA! 415 00:19:20,400 --> 00:19:22,800 O'Nassis: WELL, YOU'VE GOT TO KNOW WHAT YOU'RE DOING. 416 00:19:22,800 --> 00:19:24,600 I MEAN, SOME PEOPLE THINK I'M MAD. 417 00:19:24,600 --> 00:19:27,300 THE VILLAGERS SAY I'M MAD, THE TOURISTS SAY I'M MAD. 418 00:19:27,400 --> 00:19:29,400 WELL, I AM MAD, BUT I'M NATURALLY MAD. 419 00:19:29,500 --> 00:19:31,500 I DON'T USE ANY CHEMICALS. 420 00:19:31,600 --> 00:19:32,800 WHOA! 421 00:19:32,900 --> 00:19:35,000 BUT WHAT OF THE IDIOT'S PRIVATE LIFE? 422 00:19:35,100 --> 00:19:37,400 HOWABOUT HIS RELATIONSHIP WITH WOMEN? 423 00:19:38,900 --> 00:19:41,300 WELL, I MAY BE AN IDIOT, BUT I'M NO FOOL. 424 00:19:41,400 --> 00:19:43,000 ( laughter ) 425 00:19:43,100 --> 00:19:46,600 BUT THE VILLAGE IDIOT'S DIRTY SMOCKAND WALL-FALLING 426 00:19:46,600 --> 00:19:50,000 AREA FAR CRY FROM THE MODERN WORLD OF THE URBAN IDIOT. 427 00:19:50,000 --> 00:19:53,000 WHAT KINDS OF BACKGROUNDS DO THESE CITY IDIOTS COME FROM? 428 00:19:53,000 --> 00:19:57,200 ( screeching unintelligibly ) 429 00:20:00,400 --> 00:20:03,200 UH... UH... 430 00:20:12,700 --> 00:20:16,500 ( mumbling unintelligibly ) 431 00:20:19,500 --> 00:20:21,900 THE HEADQUARTERS OF THESE URBAN IDIOTS 432 00:20:22,000 --> 00:20:23,700 IS HERE IN ST. JOHN'S WOOD. 433 00:20:23,800 --> 00:20:27,600 INSIDE, THEY CAN ENJOY THE COMPANY OF OTHER IDIOTS 434 00:20:27,600 --> 00:20:31,600 AND WATCH SPECIAL PERFORMANCES OF RITUAL IDIOTTING. 435 00:20:39,100 --> 00:20:40,700 WELL LEFT. 436 00:20:40,800 --> 00:20:42,200 WELL-PLAYED. 437 00:20:42,300 --> 00:20:44,100 WELL, WELL. 438 00:20:44,100 --> 00:20:45,400 WELL-BRED. 439 00:20:45,400 --> 00:20:47,400 ( groans ) 440 00:20:49,800 --> 00:20:51,800 Commentator: GOOD AFTERNOON AND WELCOME TO LORDS 441 00:20:51,800 --> 00:20:53,900 ON THE SECOND DAY OF THE FIRST TEST. 442 00:20:53,900 --> 00:20:57,200 SO FAR TODAY, WE'VE HAD FIVE HOURS BATTING FROM ENGLAND 443 00:20:57,200 --> 00:20:59,400 AND ALREADY THEY'RE NAUGHT FOR NAUGHT. 444 00:20:59,400 --> 00:21:02,200 COWDREY IS NOT OUT NAUGHT, AND NAUGHTON IS NOT IN. 445 00:21:02,300 --> 00:21:04,400 KNOTT IS IN AND IS NAUGHT FOR NOT OUT. 446 00:21:04,400 --> 00:21:06,800 NAUGHTON OF NORTHANTS GOT A NASTY KNOCK ON THE NUT 447 00:21:06,800 --> 00:21:09,200 IN THE NETS LAST NIGHT, BUT IT'S NOTHING OF NOTE. 448 00:21:09,200 --> 00:21:10,900 NEXT IN IS NAT NEWTON OF NOTTS. 449 00:21:11,000 --> 00:21:12,800 NOT NUTTING-- NUTTING'S AT NINE. 450 00:21:12,800 --> 00:21:15,200 NUTTING KNOCKED NEATIE NIGHTIE KNOCK... KNOCK... 451 00:21:15,200 --> 00:21:17,900 ( babbling ) 452 00:21:18,000 --> 00:21:21,000 ANYWAY, ENGLAND HAVE PLAYED EXTREMELY WELL FOR NOTHING-- 453 00:21:21,100 --> 00:21:22,800 NOT A SAUSAGE-- IN REPLY 454 00:21:22,800 --> 00:21:27,100 TO ICELAND'S FIRST INNINGS TOTAL OF 722 FOR TWO DECLARED 455 00:21:27,200 --> 00:21:30,400 SCORED YESTERDAY DISAPPOINTINGLY FAST IN ONLY 21 OVERS 456 00:21:30,500 --> 00:21:33,000 WITH LOTS OF WILD SLOGGING AND BOUNDARIES 457 00:21:33,100 --> 00:21:35,100 AND ALL SORTS OF RUBBISHY THINGS. 458 00:21:35,200 --> 00:21:37,600 BUT THE MAIN THING IS THAT ENGLAND HAVE MADE 459 00:21:37,700 --> 00:21:40,000 AN ABSOLUTELY OUTSTANDING START SO FAR. 460 00:21:40,000 --> 00:21:41,400 ( wheezes, then sniffs ) 461 00:21:41,500 --> 00:21:42,600 PETER? 462 00:21:42,700 --> 00:21:43,700 SPLENDID. 463 00:21:43,700 --> 00:21:45,200 JUST LISTEN TO THOSE THIGHS. 464 00:21:45,300 --> 00:21:48,600 AND NOW IT'S THE NORTH EAST'S TURN WITH THE SAMBA-- BRIAN? 465 00:21:48,700 --> 00:21:51,200 RATHER I'M REMINDED OF THE STORY 466 00:21:51,200 --> 00:21:53,100 OF GUBBY ALLEN IN '32... 467 00:21:53,200 --> 00:21:55,400 OH, SHUT UP OR WE'LL CLOSE THE BAR. 468 00:21:55,400 --> 00:21:59,300 AND NOW BO WILDEBURG IS RUNNING UP TO BOWL TO COWDREY. 469 00:21:59,400 --> 00:22:02,600 HE RUNS UP, HE BOWLS TO COWDREY... 470 00:22:02,700 --> 00:22:03,900 AND NO SHOT AT ALL. 471 00:22:04,000 --> 00:22:06,000 EXTREMELY WELL NOT PLAYED THERE. 472 00:22:06,100 --> 00:22:08,600 YES, BEAUTIFULLY NOT DONE ANYTHING ABOUT. 473 00:22:08,700 --> 00:22:10,900 A SUPERB SHOT OF NO KIND WHATSOEVER. 474 00:22:11,000 --> 00:22:12,600 I WELL REMEMBER PLUM WARNER 475 00:22:12,600 --> 00:22:15,300 LEAVING A VERY SIMILAR BALL ALONE IN 1732. 476 00:22:15,400 --> 00:22:18,000 OH, SHUT UP, LONG NOSE. 477 00:22:18,000 --> 00:22:19,700 ( laughter ) 478 00:22:19,700 --> 00:22:23,000 AND NOW IT'S BO WILDEBURG RUNNING IN AGAIN 479 00:22:23,000 --> 00:22:24,500 TO BOWL TO COWDREY. 480 00:22:24,600 --> 00:22:27,200 HE RUNS IN, HE BOWLS TO COWDREY... 481 00:22:27,200 --> 00:22:28,600 AND NO SHOT AT ALL. 482 00:22:28,700 --> 00:22:30,800 A SUPERB DISPLAY OF INERTIA THERE. 483 00:22:30,800 --> 00:22:33,000 AND THAT'S THE END OF THE OVER, AND DRINKS. 484 00:22:33,000 --> 00:22:34,400 GIN AND TONIC, PLEASE. 485 00:22:34,400 --> 00:22:36,200 NO, NO, THE PLAYERS ARE HAVING DRINKS. 486 00:22:36,200 --> 00:22:39,200 AND NOW WHAT'S HAPPENING? 487 00:22:39,200 --> 00:22:41,500 I THINK COWDREY'S BEING TAKEN... 488 00:22:41,500 --> 00:22:43,900 YES, COWDREY IS BEING CARRIED OFF. 489 00:22:44,000 --> 00:22:45,000 WELL, I NEVER! 490 00:22:45,100 --> 00:22:46,400 NOW, WHO'S IN NEXT? 491 00:22:46,500 --> 00:22:49,200 IT SHOULD BE NUMBER THREE, NATT NEWTON OF NOTTS. 492 00:22:49,200 --> 00:22:51,000 GET YOUR HAND OFF MY THIGH, WEST. 493 00:22:51,100 --> 00:22:52,500 NO, I DON'T THINK IT IS. 494 00:22:52,600 --> 00:22:55,900 I THINK IT'S... IT'S THE SOFA... NO, IT'S THE CHESTERFIELD. 495 00:22:56,000 --> 00:22:58,900 THE GREEN CHESTERFIELD IS COMING IN AT NUMBER THREE 496 00:22:58,900 --> 00:23:00,800 TO TAKE GUARD NOW. 497 00:23:00,900 --> 00:23:02,700 I WELL REMEMBER A SIMILAR DIVAN 498 00:23:02,700 --> 00:23:05,100 BEING BROUGHT ON AT HEADINGLEY IN 9 B.C. 499 00:23:05,200 --> 00:23:06,400 AGAINST THE DARKIES. 500 00:23:06,400 --> 00:23:08,000 OH, SHUT UP, ELEPHANT SNOUT. 501 00:23:08,000 --> 00:23:10,700 AND NOW THE GREEN CHESTERFIELD HAS TAKEN GUARD 502 00:23:10,800 --> 00:23:14,200 AND, AH! ICELAND ARE PUTTING ON THEIR SPIN DRYER TO BOWL. 503 00:23:14,300 --> 00:23:16,600 THE SPIN DRYER MOVING BACK TO HIS MARK 504 00:23:16,600 --> 00:23:20,400 IT RUNS OUT TO THE WICKET, BOWLS TO THE TABLE... 505 00:23:20,400 --> 00:23:23,100 A LITTLE BIT SHORT, BUT IT'S COMING IN A BIT THERE 506 00:23:23,200 --> 00:23:24,600 AND IT'S HIT HIM ON THE PAD! 507 00:23:24,700 --> 00:23:27,800 THERE'S AN APPEAL AND THE TABLE IS OUT-- LEG BEFORE WICKET. 508 00:23:27,800 --> 00:23:30,200 THAT IS ENGLAND NAUGHT FOR ONE. 509 00:23:30,300 --> 00:23:34,300 AND NOW WE LEA VE LORDSAND GO OVER TO EPSOM FOR THE 3::00. 510 00:23:34,400 --> 00:23:36,600 Commentator: WELL, HERE AT EPSOM, WE TAKE UP THE RUNNING 511 00:23:36,600 --> 00:23:38,600 WITH 50 YARDS OF THIS MILE-AND-A-HALF RACE TO GO 512 00:23:38,700 --> 00:23:40,800 AND IT'S THE WASH BASIN IN THE LEAD FROM W.C. PEDESTAL. 513 00:23:40,900 --> 00:23:42,800 TUCKED IN NICELY THERE IS THE SOFA GOING VERY WELL 514 00:23:42,900 --> 00:23:44,200 WITH JOANNA SOUTHCOTT'S BOX 515 00:23:44,200 --> 00:23:45,600 MAKING A GOOD RUN FROM HAT STAND ON THE RAILS. 516 00:23:45,700 --> 00:23:47,200 AND THE STANDARD LAMP IS FADING FAST 517 00:23:47,200 --> 00:23:49,100 BUT IT'S WASH BASIN DEFINITELY TAKING UP THE RUNNING NOW 518 00:23:49,200 --> 00:23:50,400 BEING STRONGLY PRESSED BY W.C. 519 00:23:50,400 --> 00:23:52,600 AT THE POST, IT'S THE WASH BASIN FROM W.C. 520 00:23:52,700 --> 00:23:54,600 THEN SOFA, HAT STAND, STANDARD LAMP 521 00:23:54,600 --> 00:23:56,500 AND LASTLY, JOANNA SOUTHCOTT'S BOX. 522 00:23:56,600 --> 00:23:59,200 OPEN THE BOX! OPEN THE BOX! 523 00:23:59,300 --> 00:24:01,300 OPEN THE BOX! 524 00:24:01,300 --> 00:24:02,800 OPEN THE BOX! 525 00:24:05,500 --> 00:24:08,200 AND COULD WE HAVE THE NEXT CONTENDER, PLEASE? 526 00:24:10,600 --> 00:24:12,900 ( audience laughter ) 527 00:24:13,000 --> 00:24:16,800 ( chuckling ) 528 00:24:16,800 --> 00:24:18,200 GOOD EVENING, MADAM. 529 00:24:18,200 --> 00:24:19,400 AND YOUR NAME IS? 530 00:24:19,500 --> 00:24:20,600 YES, YES. 531 00:24:20,600 --> 00:24:21,900 AND WHAT'S YOUR NAME? 532 00:24:22,000 --> 00:24:23,400 I GO TO CHURCH REGULARLY. 533 00:24:23,500 --> 00:24:24,800 JOLLY GOOD, I SEE. 534 00:24:24,800 --> 00:24:26,500 AND WHICH PRIZE DO YOU HAVE 535 00:24:26,500 --> 00:24:28,400 PARTICULAR EYES ON THIS EVENING? 536 00:24:28,500 --> 00:24:30,000 OH, I'D LIKE THE BLOW ON THE HEAD. 537 00:24:30,000 --> 00:24:31,000 THE BLOW ON THE HEAD. 538 00:24:31,000 --> 00:24:32,000 JUST THERE. 539 00:24:32,000 --> 00:24:33,400 JOLLY GOOD. 540 00:24:33,400 --> 00:24:34,900 WELL, YOUR FIRST QUESTION 541 00:24:34,900 --> 00:24:37,300 FOR THE BLOW ON THE HEAD THIS EVENING IS: 542 00:24:37,400 --> 00:24:39,800 WHAT GREAT OPPONENT OF CARTESIAN DUALISM 543 00:24:39,800 --> 00:24:42,600 RESISTS THE REDUCTION OF PSYCHOLOGICAL PHENOMENA 544 00:24:42,700 --> 00:24:45,000 TO PHYSICAL STATES? 545 00:24:45,000 --> 00:24:46,600 I DON'T KNOW THAT! 546 00:24:46,700 --> 00:24:48,500 WELL, HAVE A GUESS. 547 00:24:48,500 --> 00:24:49,800 HENRI BERGSON. 548 00:24:49,800 --> 00:24:51,100 IS THE CORRECT ANSWER! 549 00:24:51,200 --> 00:24:52,300 OH, THAT WAS LUCKY. 550 00:24:52,300 --> 00:24:53,300 I NEVER EVEN HEARD OF HIM. 551 00:24:53,300 --> 00:24:54,300 JOLLY GOOD. 552 00:24:54,300 --> 00:24:55,300 I DON'T LIKE DARKIES. 553 00:24:55,300 --> 00:25:00,000 ( chortling ) 554 00:25:00,000 --> 00:25:02,500 WHO DOES? 555 00:25:02,500 --> 00:25:04,300 AND NOW YOUR SECOND QUESTION 556 00:25:04,400 --> 00:25:06,200 FOR THE BLOW ON THE HEAD IS: 557 00:25:06,200 --> 00:25:08,800 WHAT IS THE MAIN FOOD THAT PENGUINS EAT? 558 00:25:08,900 --> 00:25:10,200 PORK LUNCHEON MEAT. 559 00:25:10,200 --> 00:25:11,200 NO. 560 00:25:11,300 --> 00:25:12,300 SPAM? 561 00:25:12,400 --> 00:25:13,800 NO, NO, NO, WHAT DO PENGUINS EAT? 562 00:25:13,800 --> 00:25:14,800 PENGUINS. 563 00:25:14,800 --> 00:25:15,800 PENGUINS? 564 00:25:15,800 --> 00:25:16,800 YES. 565 00:25:16,800 --> 00:25:18,100 I HATE PENGUINS. 566 00:25:18,200 --> 00:25:19,200 NO, NO, NO. 567 00:25:19,200 --> 00:25:20,200 THEY EAT THEMSELVES. 568 00:25:20,200 --> 00:25:21,200 NO, NO, WHAT DO PENGUINS EAT? 569 00:25:21,300 --> 00:25:22,200 HORSES! ARMCHAIRS! 570 00:25:22,300 --> 00:25:23,300 NO, NO, WHAT DO PENGUINS EAT? 571 00:25:23,400 --> 00:25:24,400 OH, PENGUINS. 572 00:25:24,400 --> 00:25:25,400 PENGUINS. 573 00:25:25,400 --> 00:25:26,400 CANNELLONI. 574 00:25:26,400 --> 00:25:28,600 LASAGNA, MOUSSAKA, LOBSTER THERMIDOR 575 00:25:28,700 --> 00:25:31,400 ESCALOPES DE VEAU A L'ESTRAGON AVEC ENDIVES 576 00:25:31,400 --> 00:25:32,800 GRATINEED WITH CHEESE. 577 00:25:32,800 --> 00:25:34,400 NO, I'LL GIVE YOU A CLUE. 578 00:25:35,900 --> 00:25:38,400 AH! BRIAN CLOSE. 579 00:25:38,400 --> 00:25:39,400 ( laughter ) 580 00:25:39,500 --> 00:25:40,700 NO, NO. 581 00:25:40,700 --> 00:25:43,000 BRIAN INGLIS, BRIAN JOHNSON, BRYAN FORBES. 582 00:25:43,100 --> 00:25:44,400 NO, NO. 583 00:25:44,400 --> 00:25:46,000 NANETTE NEWMAN. 584 00:25:46,100 --> 00:25:48,200 NO, WHAT SWIMS IN THE SEA 585 00:25:48,200 --> 00:25:50,200 AND GETS CAUGHT IN NETS? 586 00:25:50,200 --> 00:25:51,700 HENRI BERGSON. 587 00:25:51,800 --> 00:25:52,700 NO! 588 00:25:52,800 --> 00:25:53,900 GOATS. 589 00:25:54,000 --> 00:25:55,200 UNDERWATER GOATS WITH SNORKELS AND FLIPPERS. 590 00:25:55,200 --> 00:25:56,400 A BUFFALO WITH AN AQUALUNG. 591 00:25:56,400 --> 00:25:57,400 NO. 592 00:25:57,400 --> 00:25:58,600 REGINALD MAUDLING. 593 00:25:58,600 --> 00:26:00,700 YES, THAT'S NEAR ENOUGH, I'LL GIVE YOU THAT. 594 00:26:00,800 --> 00:26:03,200 RIGHT NOW, MRS. SCUM, YOU HAVE WON YOUR PRIZE. 595 00:26:03,300 --> 00:26:05,400 DO YOU STILL WANT THE BLOW ON THE HEAD? 596 00:26:05,400 --> 00:26:06,700 YES, YES. 597 00:26:06,800 --> 00:26:08,600 I'LL OFFER YOU A POKE IN THE EYE. 598 00:26:08,600 --> 00:26:10,000 NO, I WANT THE BLOW ON THE HEAD. 599 00:26:10,100 --> 00:26:11,100 A PUNCH IN THE THROAT? 600 00:26:11,100 --> 00:26:12,200 NO! 601 00:26:12,300 --> 00:26:13,600 ALL RIGHT THEN, A KICK IN THE KNEECAP. 602 00:26:13,600 --> 00:26:14,800 NO. 603 00:26:14,900 --> 00:26:17,500 MRS. SCUM, I'M OFFERING YOU A BOOT IN THE TEETH 604 00:26:17,600 --> 00:26:19,000 AND A DAGGER UP THE STRAP. 605 00:26:19,100 --> 00:26:21,100 ( hesitantly ): ER... 606 00:26:21,100 --> 00:26:23,700 Audience members ( shouting ): TAKE THE BLOW ON THE HEAD! 607 00:26:23,800 --> 00:26:26,100 NO, I'LL TAKE THE BLOW ON THE HEAD. 608 00:26:26,100 --> 00:26:27,700 VERY WELL THEN, MRS. SCUM 609 00:26:27,800 --> 00:26:30,100 YOU HAVE WON TONIGHT'S STAR PRIZE-- 610 00:26:30,200 --> 00:26:31,600 THE BLOW ON THE HEAD! 611 00:26:33,400 --> 00:26:34,400 ( ding ) 612 00:26:38,400 --> 00:26:41,600 ( Sousa's "Liberty Bell March" playing ) 613 00:26:41,600 --> 00:26:44,600 [Captioning sponsored by THE U.S. DEPARTMENT OF EDUCATION 614 00:26:44,600 --> 00:26:46,600 and A&E TELEVISION NETWORKS 615 00:26:46,600 --> 00:26:49,600 Captioned by The Caption Center WGBH EducationaL Foundation] 616 00:26:49,600 --> 00:26:51,600 ( applause ) 617 00:27:10,600 --> 00:27:12,000 ( music ends with fart ) 618 00:27:12,050 --> 00:27:16,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 44443

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