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So we just finished our final lyrics to
our first chorus.
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We included some background double S,
some wide and centered double S, some
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oohs, just a little bit of ear candy to
really fill out that chorus and now it's
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time to do that for the verse a little
bit less, more sparse, because we want
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the chorus to have the most leads in this
case, for this song.
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It might be different in your song, but
we're working backwards and that's how I
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love to do it so let's get to it.
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Ok, Let me just hear what we have in the
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course right now.
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Let's see here.
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So I think I want this to like I want it
to sound effortless, and I want it to
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sound like I wasn't trying too hard.
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I'm always thinking about what I want my
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vocal performance to sound like in my
head before I actually start recording.
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Things are bound to change, but I have an
idea that I don't want it to be exactly
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the same as the chorus because it's it's
it's a, it's a curveball here in the
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change of chords musically when the
chorus pops up and a lot changes in the
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elements of the song, and I want that to
reflect in the vocals as well.
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So let's put these squeaky headphones on.
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I had this melody you heard in the last
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lesson that was kind of sparse i've added
a little bit in my head it makes sense to
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add like a little bit more call and
response NIST into it because I don't
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want it to be too sparse where a lot of
time goes by in between each line I had
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space and I think instead I'm going to do
i need this picture in my head, but I
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guess I I haven't really worked out the
lyrics yet we're just going to do it
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while we record, which is something I
love doing.
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That's cool. Now that I sang that out
loud, let's see how something like that
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sounds like and whatever song you're
working on, whatever stylistically, it's
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totally OK to not have everything done
right away you can really surprise
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yourself and like, are you surprised how
your voice sounds might prompt you to
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think of a different way to say
something.
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It's usually how it works for me.
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So let's aren't let's make sure that this
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is down on the king of vocal feedback
because I had my microphone right next to
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my speakers.
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Another thing that could help your vocal
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performance is thinking of like, if
you're an artist thinking of the music
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video, what it's going to look like while
you're singing it i sometimes will do
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that. And some of those videos actually ended
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up being what I thought in my head, which
is pretty cool.
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So I think lyrically we're saying, why do
you have to go and get my hopes up you
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love me and love me like you did and act
like I don't exist and get distracted and
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then you're gone come on, why do you have
to go and get my hopes up?
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I think the thing we have to talk about,
it's like, what do you say before that?
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And in my mind, it makes sense to talk
about what I'm actually going through i
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think of myself like, you know, laying on
a bed at 3:00 in the morning, you know,
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replaying things and what I could have
said differently to this person, what
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I've how I could have acted a little bit
differently when maybe I said too much,
49
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just overthinking things.
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And then I start to think, what would I
51
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sound like when I'm overthinking, not
thinking logically.
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So I'm kind of channeling that in my
vocal performance too.
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You say something like, you know, I'm
painting this picture in my head, but I
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don't really live in reality.
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It's so pathetic that I can't stop
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thinking about how perfect we could be,
why you have to go, why'd you have to go
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and get my hopes up?
Something very vulnerable like that.
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I didn't know the song was going to be so
vulnerable, but the chords kind of
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prompted that from the from the get go
when I came up with it.
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So let's see how this sounds i paint this
picture in my head as the first thing and
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we're going to do, but I guess I these
little things in parentheses here, we're
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going to just do those as like little
background responses and I think it's
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going to end up being pretty cool.
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I sound like Bob Ross right now, very
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calm we're going to paint a little happy
Bush i made this picture in my head.
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I paint this picture in my head.
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Sounds pretty good.
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I paint this picture in my head in my
head so you don't have to do this but I
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like to put my verse in pre choruses on
different tracks.
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Again, I think it's just placebo you can
easily get away with putting your vocals
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all on one track, but sometimes I'll make
the chorus lead a little bit louder than
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the verse i don't know we're going to
label this verse i paint this picture in
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my head.
I think that calls for a little more
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reverb i paint this picture in my head.
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I paint this picture in my head.
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I paint this picture in my head.
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Let's balance that out in the cue.
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I mean the compression.
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I paint this picture in my head.
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Let's drag pitcher over a little bit see,
we're we're actively, it's like actively
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stretching while you workout we're still
we're just we're just tweaking and
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adjusting as we go i paint this picture
in my head just so satisfying i'm going
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to move these two over and this right
here, boom, I paint this picture in my
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head. I'm going to bring that P over.
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I paint this picture in my head.
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I paint this picture in my head.
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I like that and picture in my head i'm
not mad about it being a little loose
88
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because sounds good.
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Let's do those that that background
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response those can go on these these
group vocals down here we can put them on
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the same track as these kind of let's
actually put them let's put them right
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here on these hopes up tracks.
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But I guess I I paint this picture in my
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head but I guess I.
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But I guess I.
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But I guess I.
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But I guess I I can say bye bye.
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Maybe a bit differently bye bye bye.
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But I guess I.
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But I guess I.
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But I but I guess I.
102
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That's cool Let's bring that down.
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But I guess I.
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But I guess I.
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But I.
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But I guess I.
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But I guess I.
108
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But I guess I.
109
00:08:01,000 --> 00:08:01,670
There we go.
110
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But I guess I double that but I guess I,
but I guess I but I guess I but I and and
111
00:08:12,010 --> 00:08:16,530
same approach as we doubled the chorus
leads and everything like that just using
112
00:08:17,810 --> 00:08:20,880
kind of using your mind like not singing
everything the same way because it's just
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going to sound like a phased out
overproduced vocal.
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But I guess I'll sing this a little dope
here, but I guess I, but I guess I, but I
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guess I, but I guess I it's the F Did I
put the F natural back in?
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Yes, just got to get it.
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Sometimes if it's a fast note and I want
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it to be on pitch, I'll kind of sing the
note like hold it out, like to kind of
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just get my mind used to it.
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Not perfect but drag it down.
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Breathy's but I guess I.
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But I guess I.
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But I guess I.
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But I guess I.
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But I guess I get it down here but I
guess I.
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But I guess I.
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But I guess I.
128
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Ok but I guess I.
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It's good for now.
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Do that.
131
00:10:04,470 --> 00:10:07,700
You know what we could do i know we need
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to keep recording, but just to keep
everything going, keep it exciting you're
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in my head a little cheap trick.
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Edit selection. Bounce that down.
135
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Make like a super super controlled delay.
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Take the all these plugs off this picture
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in my head.
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Dulicate this because I want it to be
139
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like I could easily just bust a delay but
it's so cool when things are printed and
140
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you don't have to worry about things
overlapping.
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Picture in my head.
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Get that?
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This will all make sense in a second.
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O start here left.
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And now I love this setting.
146
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This telephone Vox setting.
147
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Where did it go?
Did they phone yeah.
148
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Make this one a little bit more closed.
149
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Could even just go a little bit more on
150
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this one too oh, that's better.
151
00:12:03,340 --> 00:12:05,250
My favorite thing in the world you
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already know, eighties make the decay a
little bit down.
153
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This one down even more size down a
little, but I guess I paint this picture
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in my head.
155
00:12:32,700 --> 00:12:34,730
But I guess, what does it sound like if
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paint this picture in my head even
shorter?
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You can do other things too.
158
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Just got to mess around with it.
159
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Lead vocal?
It's already in there.
160
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Let's not do that.
161
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Cares, let's keep it moving you don't
162
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want to get too caught up see, I'm
getting too caught up in this stuff.
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00:13:18,230 --> 00:13:24,310
What's going on?
Oh, that's amazing it was operated on 64
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samples the whole time.
165
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Oh my goodness.
166
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At least put it up to one twenty eight.
167
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Maybe this could go good for now.
168
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What in the world?
I just don't know.
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But I guess I don't know the reality,
just don't live in but I guess I just
170
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don't live in reality but I guess I just
don't live in, just don't live, just
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don't live in reality.
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But I guess I just don't live in reality.
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Oh, that's gonna be good.
174
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Just don't live in.
175
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Just don't live in reality.
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Just don't live.
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But I guess I just don't live in reality.
178
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Just don't live in reality.
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It's good.
180
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Write that down.
181
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But I guess I just don't live in reality.
182
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There's a little vocal crack there.
183
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It's emotional i paint this picture in my
head, but I guess I just don't live in
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reality. Same thing we'll do the the delays in a
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second let's get the whole vocal down.
186
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Live in reality.
187
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Now limit that and now limit that.
188
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I couldn't and I'll limit that, but I
189
00:15:26,770 --> 00:15:36,560
guess I just don't live in reality, I
think and I'll limit that my brain tells
190
00:15:36,570 --> 00:15:42,650
me to go up and then down because on the
first response we went, we went up, up,
191
00:15:43,130 --> 00:15:54,980
up, down.
Now we can go down, down, down, down.
192
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Let's bring the record track since I know
they're down here, let's bring this down.
193
00:16:12,090 --> 00:16:17,930
And now limit that and now limit that
nice and now limit that.
194
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Double that and now limit that.
195
00:16:22,810 --> 00:16:24,090
And now limit that.
196
00:16:26,290 --> 00:16:32,370
And now limit that and now limit that and
now limit a couple more times.
197
00:16:33,330 --> 00:16:35,050
And now limit that nope.
198
00:16:36,130 --> 00:16:37,370
And now limit that.
199
00:16:38,890 --> 00:16:50,070
And now limit that And now limit that and
now limit that And now limit that And now
200
00:16:50,080 --> 00:16:51,000
limit that.
201
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Couple more and now limit that and now
202
00:16:59,080 --> 00:17:02,320
limit that and now limit that.
203
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Two breathys on the end and now limit
204
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that. Rounds it all out.
205
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It's nice.
206
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And now I admit that.
207
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And now I admit that that dead air up.
208
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But I guess I just don't live in reality.
209
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And now I admit that.
210
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But I guess I just don't live in reality.
211
00:17:33,320 --> 00:17:41,310
Hey, I'll admit that it's so pathetic
that I can't because can't rhymes, kind
212
00:17:41,320 --> 00:17:42,400
of rhymes with head.
213
00:17:42,680 --> 00:17:45,190
But I guess I just let's play it back
214
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just so I can.
215
00:17:46,120 --> 00:17:47,510
Sometimes you have to kind of shape the
216
00:17:47,520 --> 00:17:50,240
word so it like, rhymes exactly with it.
217
00:17:55,280 --> 00:18:05,670
Just do your best if it's like a the soft
218
00:18:05,680 --> 00:18:09,350
rhyme, just do your best to shape the
vowel sound as to the word that you want
219
00:18:09,360 --> 00:18:10,360
to rhyme it with.
220
00:18:10,640 --> 00:18:27,760
So head can't let me just make sure.
221
00:18:28,280 --> 00:18:30,680
Ok, I limit that it's so.
222
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I limit that.
223
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It's so pathetic that I can.
224
00:18:36,760 --> 00:18:39,400
It's so pathetic that I can.
225
00:18:40,680 --> 00:18:52,150
I like that I can't and it's OK that
that's like that that is that that note
226
00:18:52,160 --> 00:18:54,720
right there is a little off tune, but
we'll fix it.
227
00:18:56,840 --> 00:18:59,040
Actually, I don't even mind it sounds
real.
228
00:19:01,980 --> 00:19:06,860
It's so pathetic that again it's so
pathetic.
229
00:19:07,700 --> 00:19:08,850
I like it's so.
230
00:19:08,860 --> 00:19:10,930
It's so I got to sympathetic a little bit
231
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differently. It's so it's so pathetic that again.
232
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It's so pathetic that.
233
00:19:21,060 --> 00:19:23,650
It's so pathetic that again.
234
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I like that.
235
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Let's drag that over.
236
00:19:26,830 --> 00:19:27,990
It's so pathetic.
237
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Pathetic we can drag to the left.
238
00:19:32,550 --> 00:19:33,710
It's so pathetic.
239
00:19:34,550 --> 00:19:37,910
Kind of make it sound real though.
240
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It's so pathetic.
241
00:19:47,990 --> 00:19:49,150
It's so pathetic.
242
00:19:51,890 --> 00:19:53,450
I sound like I'm saying can.
243
00:19:53,650 --> 00:19:55,280
Although I love that take, I need to
244
00:19:55,290 --> 00:19:56,770
maybe I can sneak a little.
245
00:19:57,090 --> 00:19:58,600
I just love that take i'd love not to
246
00:19:58,610 --> 00:20:00,770
redo that but let's see.
247
00:20:03,810 --> 00:20:05,530
Let's see if I can cheat it.
248
00:20:10,730 --> 00:20:13,250
Take the Ant at the end let's see if we
can do it.
249
00:20:16,210 --> 00:20:17,890
There we go that's pretty good.
250
00:20:17,930 --> 00:20:24,670
It's so pathetic that nice see what we
251
00:20:24,680 --> 00:20:40,160
have i paint this picture in my head, but
I guess I just don't live in reality.
252
00:20:40,280 --> 00:20:42,840
Can't stop thinking now we're going back
to the low.
253
00:20:43,240 --> 00:20:44,240
Up, up, up, down.
254
00:20:46,000 --> 00:20:46,960
Can't stop thinking.
255
00:20:51,350 --> 00:20:57,310
How many syllables did I do?
Can't stop again.
256
00:20:59,630 --> 00:21:01,030
Can't stop thinking.
257
00:21:01,590 --> 00:21:02,870
Can't stop won't stop.
258
00:21:03,950 --> 00:21:04,910
Can't stop thinking.
259
00:21:06,070 --> 00:21:07,780
That sounds awkward on its own, but it'll
260
00:21:07,790 --> 00:21:09,390
make sense when it's in a group.
261
00:21:10,030 --> 00:21:12,230
Can't stop again nice.
262
00:21:14,270 --> 00:21:15,310
Can't stop again.
263
00:21:17,550 --> 00:21:21,560
Can't stop again, OK.
264
00:21:23,400 --> 00:21:26,320
Can stop taking drag it down.
265
00:21:28,560 --> 00:21:35,120
Can stop thinking.
266
00:21:37,320 --> 00:21:41,600
Can stop thinking.
267
00:21:42,320 --> 00:21:50,730
Can stop thinking, guess i'm thinking
268
00:21:51,050 --> 00:21:54,360
sometimes, like if I'm saying like a like
a lot of staccato words, I can't stop
269
00:21:54,370 --> 00:21:57,360
thinking. I'll do those staccato words and then
270
00:21:57,370 --> 00:21:59,400
kind of, like, cheat it and to smooth it
out.
271
00:21:59,410 --> 00:22:03,840
So you have can't stop thinking and then
like a couple under it like can't stop
272
00:22:03,850 --> 00:22:07,040
thinking, can't stop thinking and it's
just, I don't know, it just makes it a
273
00:22:07,050 --> 00:22:08,570
little bit smoother to the ear.
274
00:22:08,930 --> 00:22:12,770
Last two Breathies cancel thinking,
275
00:22:14,930 --> 00:22:20,340
Cancel thinking.
Cancel, I'm thinking, there we go.
276
00:22:21,140 --> 00:22:24,660
One more Cancel i'm thinking.
277
00:22:27,460 --> 00:22:31,700
Cancel i'm thinking, OK, there's that.
278
00:22:35,060 --> 00:22:44,590
Cancel, I'm thinking and just don't live
in reality.
279
00:22:46,550 --> 00:22:47,830
So I have to sing those.
280
00:22:48,430 --> 00:22:49,870
The math has to be right.
281
00:22:50,870 --> 00:23:10,190
It's so pathetic that it can bring this
up here boom.
282
00:23:14,180 --> 00:23:17,900
Stop thinking about how perfect we could
be.
283
00:23:18,660 --> 00:23:22,500
Why you going to go and get my whole son?
And again, I'm cool with the overlapping
284
00:23:22,580 --> 00:23:30,610
here why you going to go and get my whole
son about how perfect we could be Sloppy
285
00:23:30,620 --> 00:23:31,780
i need to redo that.
286
00:23:31,900 --> 00:23:37,890
Guess I'm thinking about how perfect we
287
00:23:37,900 --> 00:23:43,100
can be.
Guess I'm thinking how am I going to do
288
00:23:44,260 --> 00:23:49,930
that guess I'm thinking I'm definitely
going to connect that about and how
289
00:23:49,940 --> 00:23:54,620
because it would sound super awkward if
it was like about how Guess I'm thinking
290
00:23:54,940 --> 00:23:57,380
about how perfect we could be.
291
00:23:58,340 --> 00:24:01,450
Guess I'm thinking about our no guess I'm
292
00:24:01,460 --> 00:24:09,580
thinking about our about guess I'm
thinking about how perfect we could be.
293
00:24:10,340 --> 00:24:14,020
I didn't mind that about how perfect we
could be.
294
00:24:14,820 --> 00:24:18,980
Why are you going to go and get my house
and love me like it did?
295
00:24:19,340 --> 00:24:23,140
Act like a cotton about how perfect we
could be?
296
00:24:24,830 --> 00:24:36,350
Let's get that the timing right on that
let's raise the click perfect week.
297
00:24:37,270 --> 00:24:39,150
The perfect could come a bit earlier.
298
00:24:39,990 --> 00:24:42,700
Perfect week, perfect week.
299
00:24:42,710 --> 00:24:55,460
But the P has to come a little forward
about out perfect.
300
00:24:58,260 --> 00:24:59,580
About out perfect.
301
00:25:02,620 --> 00:25:05,020
Make room a little about out perfect.
302
00:25:05,500 --> 00:25:06,820
About out perfect.
303
00:25:06,860 --> 00:25:12,020
We could be about out perfect we could be
304
00:25:12,700 --> 00:25:18,730
we could be perfect we could be Take the
could drag it over to the left a little
305
00:25:18,740 --> 00:25:26,750
bit where we could be Beep boy, you going
to go and get my whole son beep perfect
306
00:25:26,760 --> 00:25:30,000
we could beep perfect we could beep.
307
00:25:30,800 --> 00:25:32,390
Why you going to go perfect.
308
00:25:32,400 --> 00:25:33,480
We could beep.
309
00:25:34,760 --> 00:25:36,880
Beep we could beep.
310
00:25:37,640 --> 00:25:40,830
Boy, you going to go and get my whole son
and love me.
311
00:25:40,840 --> 00:25:45,360
Like, let's do those delays really
quickly with this picture in my head,
312
00:25:47,520 --> 00:26:00,320
just don't live in reality.
313
00:26:04,440 --> 00:26:06,030
This is definitely starting to become a
314
00:26:06,040 --> 00:26:11,320
thing. Where's the delay going to start on that?
315
00:26:12,860 --> 00:26:15,820
I guess I just don't live in reality.
316
00:26:20,580 --> 00:26:23,290
Just print all of that so take it out of
317
00:26:23,300 --> 00:26:30,690
arm. Let's commit this and the best thing now
318
00:26:30,700 --> 00:26:54,150
you can just drag and drop so it's like
and just time it it's going to sound like
319
00:26:54,160 --> 00:27:04,440
that. It's so perfect.
320
00:27:20,340 --> 00:27:34,380
Or was it better just one?
But I guess I just don't live in reality.
321
00:27:34,820 --> 00:27:37,540
There's something cool about it being
slightly doubled.
322
00:27:44,840 --> 00:27:50,920
Print this one here again very tedious
work, but freaking worth it, brother.
323
00:27:59,160 --> 00:28:00,800
Trim all this excess up.
324
00:28:03,600 --> 00:28:04,400
Can something?
325
00:28:06,600 --> 00:28:13,440
Can something guess I'm thinking about
how perfect we could be.
326
00:28:16,120 --> 00:28:16,960
Guess I'm thinking.
327
00:28:18,200 --> 00:28:19,720
Heard some clicking noise there.
328
00:28:21,800 --> 00:28:22,640
Guess I'm thinking.
329
00:28:25,920 --> 00:28:26,760
Guess I'm thinking.
330
00:28:28,640 --> 00:28:31,920
Guess I'm thinking now drag all these to
the right a little bit.
331
00:28:34,320 --> 00:28:35,160
Guess I'm thinking.
332
00:28:36,200 --> 00:28:37,040
Guess I'm thinking.
333
00:28:38,070 --> 00:28:38,910
Guess I'm thinking.
334
00:28:39,670 --> 00:28:42,460
Guess I'm thinking about how perfect we
335
00:28:42,470 --> 00:28:49,550
could be.
Let's do it there too i might not use it.
336
00:28:51,910 --> 00:29:14,580
Maybe one at least edit selection maybe
kind of gets in the way i don't know.
337
00:29:16,380 --> 00:29:18,940
Ok, and one little transitional thing.
338
00:29:19,060 --> 00:29:23,690
We're going to take this a flat, this a
339
00:29:23,700 --> 00:29:24,740
flat right here.
340
00:29:26,100 --> 00:29:27,260
Let's commit that.
341
00:29:27,860 --> 00:29:29,580
This is a cool trick to know.
342
00:29:29,900 --> 00:29:31,500
You might know how to do it already.
343
00:29:31,860 --> 00:29:33,500
I definitely didn't invent this.
344
00:29:37,490 --> 00:29:39,050
Take all the stuff off.
345
00:29:41,130 --> 00:29:47,040
Put, like for whatever reason, the Pro
Tools reverb works very, very well on
346
00:29:47,050 --> 00:29:49,690
this where is it?
D verb.
347
00:29:54,490 --> 00:30:01,850
It's actually perfect, so let's print
that it's so delightfully awful.
348
00:30:03,090 --> 00:30:14,900
Edit selection. Try to make an active on
that one and then reverse it.
349
00:30:17,660 --> 00:30:21,690
Just bits of ear candy that the normal
listener is not going to pick up on, but
350
00:30:21,700 --> 00:30:23,460
feels weird if you take it out.
351
00:30:35,850 --> 00:30:37,170
How big we could be?
352
00:30:37,930 --> 00:30:44,000
Why you going to go and get my whole son
and love me like it, Act like God, Even
353
00:30:44,010 --> 00:30:47,370
if it's not perfect i'll tweak it later
but as long as it's there.
354
00:30:47,490 --> 00:30:50,570
Sounds good about how perfect we could
be.
355
00:30:51,330 --> 00:30:55,120
Why you going to go and get my whole son?
Maybe it deserves to be on the whole
356
00:30:55,130 --> 00:30:59,520
thing. Why you going to go and get my whole son
357
00:30:59,530 --> 00:31:02,690
why you going to go and get my whole son
and love me?
358
00:31:06,020 --> 00:31:09,460
No, I don't like that right before.
359
00:31:09,700 --> 00:31:17,820
Act like I do not exist.
360
00:31:18,380 --> 00:31:20,180
Get distracted, then you're gone.
361
00:31:36,220 --> 00:31:38,780
One of my favorite things to do is even
362
00:31:38,860 --> 00:31:42,650
though the second verse isn't written,
just copy and paste the first verse just
363
00:31:42,660 --> 00:31:57,780
to hear the vibe and it might inspire
some lyrics.
364
00:31:58,340 --> 00:32:12,460
I think it will put the verse, but I
guess I just don't.
365
00:32:21,860 --> 00:32:23,860
And here I would do a little melody flip.
366
00:32:26,180 --> 00:32:51,740
Oh yeah, I see i forgot about that little
367
00:32:51,750 --> 00:32:53,670
section i'm glad that's there.
368
00:32:56,150 --> 00:32:58,980
Easy to copy and paste because all my
369
00:32:58,990 --> 00:33:02,190
stuff is labeled beauty dude.
370
00:33:18,230 --> 00:33:20,190
Just let's get everything over here.
371
00:33:34,190 --> 00:33:35,590
This joint right here.
372
00:33:39,230 --> 00:33:41,510
I'm so good at copy and pasting things.
373
00:33:53,520 --> 00:33:55,840
Where's my come on, Come on.
374
00:33:57,040 --> 00:33:59,350
Dead to you right from the beginning of
375
00:33:59,360 --> 00:34:01,510
the course.
I know To bring it right to the beginning
376
00:34:01,520 --> 00:34:02,280
of the course.
377
00:34:02,800 --> 00:34:04,720
And love me like you did.
378
00:34:05,120 --> 00:34:07,120
Act like I do not exist.
379
00:34:07,160 --> 00:34:37,219
Get distracted then you've gone and make
380
00:34:37,230 --> 00:34:38,710
me think it did.
381
00:34:38,909 --> 00:34:40,460
You want me from the book?
382
00:34:40,469 --> 00:34:48,020
And then you're understanding me on and
you're understanding me on.
383
00:34:48,030 --> 00:34:53,790
Come on, why you got to go and get my
That's where it would end in my mind.
384
00:34:54,320 --> 00:35:20,510
Let's see what the second verse sounds
like, though second verse comes and comes
385
00:35:20,520 --> 00:35:24,530
well, let's listen to what we have so far
on the speakers.
386
00:35:24,930 --> 00:35:31,040
We have these, oh, you know, it's super
fun too hold on.
387
00:35:31,050 --> 00:35:36,320
I got my mastering cocktail and I only
put this on until I'm like, I know that
388
00:35:36,330 --> 00:35:37,810
things are moving along nicely.
389
00:35:38,170 --> 00:35:42,120
I have it saved from a another song I'm
390
00:35:42,130 --> 00:35:45,610
working on.
Everything is going to go through here.
391
00:35:45,690 --> 00:35:49,720
And I just learned this that the Pro
Tools Master Fader is before all the
392
00:35:49,730 --> 00:35:53,210
plugs, so it's good to know.
393
00:35:54,000 --> 00:35:57,030
So right now I can like make up gain like
394
00:35:57,040 --> 00:36:06,320
a pro L2 and bring it down three sounds
just bigger.
395
00:36:07,480 --> 00:36:11,800
And act like I do not exist.
396
00:36:12,160 --> 00:36:13,040
Get distracted.
397
00:36:13,120 --> 00:36:15,490
Then you're gone, boy.
398
00:36:15,500 --> 00:36:17,420
You got to go and get my hopes up.
399
00:36:17,500 --> 00:36:21,770
You have me so convinced you run me from
the beginning.
400
00:36:21,780 --> 00:36:27,730
Now I know that I was wrong boy you got
to go and get my hopes up in this
401
00:36:27,740 --> 00:36:33,740
picture. I guess I just don't live in reality.
402
00:36:38,630 --> 00:36:39,830
It's a time knows.
403
00:36:44,990 --> 00:36:51,950
Wow i was really off on that.
404
00:36:56,510 --> 00:37:16,530
See, I paint this picture in my head, but
I guess I just don't live in reality, and
405
00:37:16,540 --> 00:37:17,370
I limit that.
406
00:37:17,380 --> 00:37:21,730
It's so pathetic that I can guess I'm
407
00:37:21,740 --> 00:37:25,060
thinking about how perfect we could be.
408
00:37:25,860 --> 00:37:27,860
Or are you going to go and get my hopes
409
00:37:27,980 --> 00:37:32,690
up and love me like you did?
Act like I do not exist.
410
00:37:32,700 --> 00:37:34,860
Get distracted then you're gone.
411
00:37:35,970 --> 00:38:18,800
I just don't live in reality and love me
412
00:38:18,810 --> 00:38:20,010
like you do.
413
00:38:20,410 --> 00:38:22,290
Act like I do not exist.
414
00:38:22,450 --> 00:38:24,850
Get distracted then you're gone.
415
00:38:28,690 --> 00:38:57,080
It's like know how to explain the genre
416
00:38:57,090 --> 00:39:01,320
of this it's like UK it reminds me of
like Spice Girls or something like that
417
00:39:01,330 --> 00:39:04,250
it's like, especially with the string
stabs and everything like that.
418
00:39:04,290 --> 00:39:05,970
So this is sounding really great.
419
00:39:06,010 --> 00:39:08,920
I think the thing that's missing in this
420
00:39:08,930 --> 00:39:14,640
session is a section of vocal ooze, which
is really part of my sound i love
421
00:39:14,650 --> 00:39:18,720
stacking many, many notes and coming up
with kind of intricate harmonies that
422
00:39:18,730 --> 00:39:19,930
complement the instrumentation.
423
00:39:20,330 --> 00:39:21,440
So I think that's what we're going to
424
00:39:21,450 --> 00:39:22,540
tackle next in the next lesson.
36810
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