All language subtitles for 2.8 Closeup & Pull Away - Drone Pro Academy

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These are the user uploaded subtitles that are being translated: 1 00:00:00,958 --> 00:00:03,000 Okay, guys, we're going to talk about the close up 2 00:00:03,000 --> 00:00:07,041 and pull away shot. 3 00:00:07,125 --> 00:00:07,416 Okay. 4 00:00:07,416 --> 00:00:10,291 So the close up and pull away shot is a very, very cool shot. 5 00:00:10,291 --> 00:00:11,958 I use this shot a lot. 6 00:00:11,958 --> 00:00:17,208 And let's say you have, like a mountain, right, or something 7 00:00:17,291 --> 00:00:19,208 really cool, like mountain thing. 8 00:00:19,208 --> 00:00:23,625 You got a couple of people 9 00:00:23,708 --> 00:00:26,041 so close up employee shot would be this. 10 00:00:26,041 --> 00:00:27,416 You'd bring your drone up 11 00:00:27,416 --> 00:00:31,291 fairly close to these people You know you don't want to hurt them or anything 12 00:00:31,375 --> 00:00:33,083 and you've got your drone right there. 13 00:00:33,083 --> 00:00:36,875 Your camera's looking at them, but you can't really see the scenery yet, 14 00:00:36,875 --> 00:00:37,083 Right? 15 00:00:37,083 --> 00:00:41,125 That's probably about the field of view for our shot. 16 00:00:41,208 --> 00:00:43,875 Now what you're going to do is you're going to pull back, 17 00:00:43,875 --> 00:00:46,583 starting off nice and slow. 18 00:00:46,666 --> 00:00:49,458 You don't rush it too fast, but nice and slow. 19 00:00:49,458 --> 00:00:52,458 And then as you get higher, then you speed up 20 00:00:52,541 --> 00:00:54,416 because now things are getting farther away. 21 00:00:54,416 --> 00:00:57,416 And so to make it seem like you're still moving, you've got to go faster. 22 00:00:57,583 --> 00:00:58,708 So kind of slow. 23 00:00:58,708 --> 00:01:03,833 Then you go fast and keep on pulling away to reveal kind of everything. 24 00:01:03,916 --> 00:01:05,333 And then a cool thing you can do 25 00:01:05,333 --> 00:01:08,791 is by the time you get high, you can also take the camera 26 00:01:08,875 --> 00:01:12,291 and you're kind of folk focus here and as you're going, 27 00:01:12,375 --> 00:01:13,458 you're kind of looking down. 28 00:01:13,458 --> 00:01:15,500 Then you're looking this way. 29 00:01:15,500 --> 00:01:18,500 You can kind of do like a tilt up, keeping them in frame if you want, 30 00:01:18,500 --> 00:01:21,708 or you can make them leave frame, but usually like to keep them in 31 00:01:21,750 --> 00:01:26,291 frame the whole time, but maybe tilt up so that you can see some of the 32 00:01:26,375 --> 00:01:31,333 the vistas and mountains or whatever it is that is in the background. 33 00:01:31,333 --> 00:01:33,333 But I've used this shot a lot. 34 00:01:33,333 --> 00:01:34,791 It's kind of like a selfie shot, 35 00:01:34,791 --> 00:01:38,958 I guess is what they kind of, you know, a drone or a drone selfie. 36 00:01:39,041 --> 00:01:40,958 But and let's see. Oh, yeah. 37 00:01:40,958 --> 00:01:45,083 So when you're flying it, you don't want to get in the shot, right? 38 00:01:45,083 --> 00:01:48,458 So you probably want to be, you know, kind of back here. 39 00:01:48,458 --> 00:01:50,583 So standing 40 00:01:50,666 --> 00:01:53,541 with your transmitter 41 00:01:53,541 --> 00:01:55,125 and Yeah, 42 00:01:55,125 --> 00:01:58,125 just so you don't get yourself in the shot or anything. 43 00:01:58,333 --> 00:02:02,291 And then, you know, I've done that before where I've hidden behind bushes, 44 00:02:02,375 --> 00:02:07,375 you know, if there's trees or one time I did a shot on a pirate ship 45 00:02:07,458 --> 00:02:11,916 with corridor digital and they just me up as a pirate 46 00:02:12,000 --> 00:02:14,708 for that because we didn't have another boat to shoot from. 47 00:02:14,708 --> 00:02:18,666 So I was flying the drone around this boat and I was just up as like a pirate 48 00:02:18,666 --> 00:02:21,666 on there, just like flying, like trying to hide as best as possible. 49 00:02:21,916 --> 00:02:25,666 Anyway, I'll tell you another lesson on camouflage as a drone operator. 50 00:02:25,666 --> 00:02:28,916 But right now, guys, I'm going to go and do an example 51 00:02:28,916 --> 00:02:31,750 to show you guys how to make the shot work. 52 00:02:31,750 --> 00:02:34,041 Okay, Close up and pull away. 53 00:02:34,125 --> 00:02:35,166 So here's an example. 54 00:02:35,166 --> 00:02:38,541 We starting close on these guys, and as they go down, we just pull out 55 00:02:38,541 --> 00:02:42,250 super fast, super high, far away, and you see the whole landscape. 56 00:02:42,333 --> 00:02:44,791 Here's another one. 57 00:02:44,791 --> 00:02:45,625 This is very cool. 58 00:02:45,625 --> 00:02:47,583 So that kind of gives perspective. 59 00:02:47,583 --> 00:02:50,375 Here's one in New Zealand, we pull back, 60 00:02:50,375 --> 00:02:54,000 you kind of reveal the talent coming in the frame. 61 00:02:54,083 --> 00:02:57,583 Okay, guys, so we're going to do a shot right now. 62 00:02:57,666 --> 00:03:00,166 We're going to hide behind these bushes right here, 63 00:03:00,166 --> 00:03:03,166 and we're going to do the pull away shot 64 00:03:03,291 --> 00:03:05,666 to reveal 65 00:03:05,666 --> 00:03:06,791 the peaks up there. 66 00:03:06,791 --> 00:03:07,541 That's the back side. 67 00:03:07,541 --> 00:03:10,250 A Absolutely gorgeous spot. 68 00:03:10,250 --> 00:03:26,041 Okay, here you go. 69 00:03:26,125 --> 00:03:29,375 4000 bucks. 70 00:03:29,458 --> 00:03:39,125 All right. 71 00:03:39,208 --> 00:03:39,500 All right. 72 00:03:39,500 --> 00:03:42,791 We could use the headshot shot for the other one If an issue 73 00:03:42,875 --> 00:03:46,875 that whatever was the best shot, 74 00:03:46,958 --> 00:03:53,458 you try it again, 75 00:03:53,541 --> 00:03:54,833 you step straight 76 00:03:54,833 --> 00:04:00,000 a little bit further back. 77 00:04:00,083 --> 00:04:03,083 Okay, 78 00:04:03,083 --> 00:04:26,791 Here we go. 79 00:04:26,875 --> 00:04:28,208 So that was the pullback shot. 80 00:04:28,208 --> 00:04:28,708 Let's try one. 6355

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