Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,833 --> 00:00:03,750
All right, guys, I'm going
to share the second cinematic drone shot.
2
00:00:03,750 --> 00:00:05,250
This is a bird's eye view shot.
3
00:00:05,250 --> 00:00:08,750
Here we go.
4
00:00:08,833 --> 00:00:09,208
All right.
5
00:00:09,208 --> 00:00:11,875
So the bird's eye view shot is a very,
very important shot.
6
00:00:11,875 --> 00:00:15,541
It also emulates a full size
heli type shot.
7
00:00:15,625 --> 00:00:17,000
And it's the shot.
8
00:00:17,000 --> 00:00:19,750
If you can imagine. You're watching
a car commercial right in this.
9
00:00:19,750 --> 00:00:21,000
You see all these tight shots.
10
00:00:21,000 --> 00:00:23,333
You know, the steering wheel
that I shot is doing well.
11
00:00:23,333 --> 00:00:26,333
Then you see a shot from car to car,
12
00:00:26,333 --> 00:00:28,916
you know, kind of like wrapping around
this car as she's racing up this hill.
13
00:00:28,916 --> 00:00:30,708
Then all of a sudden it comes to a shot.
14
00:00:30,708 --> 00:00:32,000
You're way up in the air, you know,
15
00:00:32,000 --> 00:00:36,458
a few hundred feet looking straight down
and you see like this windy road.
16
00:00:36,500 --> 00:00:39,125
And that's the moment as a viewer,
you say, whoa,
17
00:00:39,125 --> 00:00:40,500
we're not on the ground anymore.
18
00:00:40,500 --> 00:00:42,208
We're in the air.
19
00:00:42,208 --> 00:00:44,916
And that's where the the cinematic
20
00:00:45,000 --> 00:00:47,208
aspect really kind of goes crazy.
21
00:00:47,208 --> 00:00:49,041
You know, it's just very, very cool.
22
00:00:49,041 --> 00:00:51,416
And so people say, whoa, he's in the air.
23
00:00:51,416 --> 00:00:52,875
There's something crazy going on here.
24
00:00:52,875 --> 00:00:56,833
So definitely brings the production
value up
25
00:00:56,916 --> 00:00:57,625
in your footage.
26
00:00:57,625 --> 00:01:00,583
So this is a really,
really great shot to do so.
27
00:01:00,583 --> 00:01:06,000
Basically, this shot is,
you know, say we have a car.
28
00:01:06,083 --> 00:01:08,125
I'm not going to be a good artist today.
29
00:01:08,125 --> 00:01:10,250
You really fast.
So we got our our car here.
30
00:01:10,250 --> 00:01:15,666
So basically the shot is going to be
the drone is straight down.
31
00:01:15,750 --> 00:01:18,750
That's going to be our drone shot
and it's looking straight down.
32
00:01:18,916 --> 00:01:20,875
And so you can do a couple
of different things with this.
33
00:01:20,875 --> 00:01:25,125
You can either do a a static shot
where the drone just holds still.
34
00:01:25,208 --> 00:01:27,875
And then the car,
you know, pushes forward.
35
00:01:27,875 --> 00:01:32,125
So you kind of you're just looking down
and he's just kind of moving
36
00:01:32,125 --> 00:01:36,250
through the frame
or you can follow him as well.
37
00:01:36,250 --> 00:01:38,833
So you can have the drone move with him.
38
00:01:38,833 --> 00:01:42,375
So as he's moving, you know,
you're both moving at the same speed,
39
00:01:42,375 --> 00:01:45,875
looking straight down
as you're watching him kind of wind up.
40
00:01:45,958 --> 00:01:49,625
So that's a really, really cool option
that you can get with that.
41
00:01:49,708 --> 00:01:52,625
Another thing that you can do is
you can add a little bit of a twist
42
00:01:52,625 --> 00:01:53,416
to your shots.
43
00:01:53,416 --> 00:02:00,125
You can have your camera operator
kind of twist the camera gimbal around,
44
00:02:00,208 --> 00:02:03,541
you know, and combine that so
you can either be holding completely still
45
00:02:03,625 --> 00:02:09,041
and you're just nice and slowly
turning as he comes through the frame.
46
00:02:09,125 --> 00:02:10,583
And else that's a good idea.
47
00:02:10,583 --> 00:02:12,500
I've done the shot a whole bunch of times.
48
00:02:12,500 --> 00:02:16,166
If you do a twisty shot, you want to try
and make it slow at the end of your frame.
49
00:02:16,166 --> 00:02:18,291
By the time that he gets into the shot,
50
00:02:18,291 --> 00:02:20,791
you're lined up
perpendicular with the road.
51
00:02:20,791 --> 00:02:24,666
So if you're looking straight down, right
this is our winding road, right
52
00:02:24,875 --> 00:02:28,750
right here And your camera frames,
usually you want to start out like this.
53
00:02:28,750 --> 00:02:30,625
This is
if you're going to do a rotation shot.
54
00:02:30,625 --> 00:02:33,916
So we're looking straight down
Here is the road
55
00:02:34,000 --> 00:02:35,541
and here's our car.
56
00:02:35,541 --> 00:02:38,166
So you want to kind of
57
00:02:38,166 --> 00:02:40,958
start your twist here and then you twist
58
00:02:40,958 --> 00:02:45,791
and then he comes into frame about now
and then he drives through the frame.
59
00:02:45,875 --> 00:02:48,166
It makes for a really nice frame.
60
00:02:48,166 --> 00:02:51,375
So that's how you your insane
would be in your beginning frame.
61
00:02:51,375 --> 00:02:52,375
It would be looking this way.
62
00:02:52,375 --> 00:02:56,375
So it kind of comes to here and you slowly
twist as he goes underneath it.
63
00:02:56,416 --> 00:03:00,750
So there's a few tips there
for the bird's eye view shot.
64
00:03:00,750 --> 00:03:02,875
And right now,
I'm going to go out into the field
65
00:03:02,875 --> 00:03:06,666
and show
you guys an example of how to get it done.
66
00:03:06,750 --> 00:03:08,166
This looks really cool.
67
00:03:08,166 --> 00:03:09,500
All right. Here's a bird's eye view shot.
68
00:03:09,500 --> 00:03:12,500
This is like the
wow shot, like the money shot.
69
00:03:12,541 --> 00:03:15,000
I mean, when you're that high,
just looking straight down,
70
00:03:15,000 --> 00:03:16,250
everything just looks cool, right?
71
00:03:16,250 --> 00:03:18,291
Because it's it's
from a different perspective.
72
00:03:18,291 --> 00:03:19,291
It's from in the air.
73
00:03:19,291 --> 00:03:21,541
It's something that people aren't
quite used to seeing yet.
74
00:03:21,541 --> 00:03:25,916
So this is like the powerful kind
of a bird's eye view shot.
75
00:03:25,916 --> 00:03:29,583
This is from a feature film
I shot with Robert Duvall right here,
76
00:03:29,666 --> 00:03:31,958
which is really cool here in New Zealand.
77
00:03:31,958 --> 00:03:34,208
And just looking down shot.
78
00:03:34,208 --> 00:03:36,291
I mean, it just looks really, really cool.
79
00:03:36,291 --> 00:03:41,750
Here's one with the actor
80
00:03:41,833 --> 00:03:44,833
you can see watching TV and popcorn cool.
81
00:03:45,041 --> 00:03:46,375
Sound move to the right a little bit.
82
00:03:46,375 --> 00:03:49,083
So kind of frame up,
83
00:03:49,166 --> 00:03:52,333
Oh man, we're way high, high to 61.
84
00:03:52,333 --> 00:03:56,625
That's not too bad.
85
00:03:56,708 --> 00:03:58,416
Okay,
so we make sure I'm like, straight down.
86
00:03:58,416 --> 00:03:58,791
There we go.
87
00:03:58,791 --> 00:04:01,458
We got the whole thing in there.
88
00:04:01,458 --> 00:04:03,000
How fast?
89
00:04:03,000 --> 00:04:03,833
Maybe a little bit.
90
00:04:03,833 --> 00:04:05,250
He can go faster.
91
00:04:05,250 --> 00:04:05,750
Maybe, But not.
92
00:04:05,750 --> 00:04:07,833
Don't want to crash it, of course,
93
00:04:07,833 --> 00:04:10,583
and see any cars coming.
94
00:04:10,583 --> 00:04:12,083
I think we're good. Good.
95
00:04:12,083 --> 00:04:12,416
All right.
96
00:04:12,416 --> 00:04:24,041
Go ahead and take it well
and just go for a little bit faster.
97
00:04:24,125 --> 00:04:26,916
I guess I'm going to kind of follow him.
98
00:04:26,916 --> 00:04:29,666
I'm going to do the same movement there
he is,
99
00:04:29,666 --> 00:04:33,166
the same kind of movement
as he cruises around.
100
00:04:33,250 --> 00:04:33,708
Nice.
101
00:04:33,708 --> 00:04:38,458
I'm just barely touching it,
barely touching that that that rudder
102
00:04:38,541 --> 00:04:42,916
that he got up.
103
00:04:43,000 --> 00:04:44,500
That was cool, though.
104
00:04:44,500 --> 00:04:48,833
So to fix that, I'm going to push forward
105
00:04:48,916 --> 00:04:49,583
right about
106
00:04:49,583 --> 00:04:52,875
here with to tell him to flip it around.
107
00:04:52,958 --> 00:04:55,916
We're ready to go
108
00:04:55,916 --> 00:04:59,500
if you come straight down here.
109
00:04:59,583 --> 00:05:02,583
Okay?
110
00:05:02,708 --> 00:05:03,250
All right.
111
00:05:03,250 --> 00:05:04,166
It was a good speed.
112
00:05:04,166 --> 00:05:07,041
Do it again.
113
00:05:07,041 --> 00:05:13,958
And action.
114
00:05:14,041 --> 00:05:14,541
Start my move
115
00:05:14,541 --> 00:05:18,916
before he gets into frame
so I can hear him coming right now.
116
00:05:19,000 --> 00:05:20,833
And all
I'm doing is I'm touching the rudder.
117
00:05:20,833 --> 00:05:23,166
I'm straight down.
118
00:05:23,166 --> 00:05:25,666
Starting to move.
119
00:05:25,666 --> 00:05:30,166
So it kind of comes in the frame.
120
00:05:30,250 --> 00:05:30,958
Let's go.
121
00:05:30,958 --> 00:05:33,000
Keep that rudder nice and smooth.
122
00:05:33,000 --> 00:05:34,250
I'm barely even touching it.
123
00:05:34,250 --> 00:05:40,958
Just go all your focus
and keeping that super smooth.
124
00:05:41,041 --> 00:05:41,750
Sweet.
125
00:05:41,750 --> 00:05:43,500
That's cool.
126
00:05:43,500 --> 00:05:48,791
Little bit high in the frame, but
127
00:05:48,875 --> 00:05:49,541
it's very good.
128
00:05:49,541 --> 00:05:55,291
Turn around,
129
00:05:55,375 --> 00:05:55,666
guys.
130
00:05:55,666 --> 00:05:58,250
Bring it down home.
131
00:05:58,250 --> 00:05:58,583
All right.
132
00:05:58,583 --> 00:06:00,458
Go ahead and send them.
133
00:06:00,458 --> 00:06:01,583
All right, Go ahead.
134
00:06:01,583 --> 00:06:05,083
I can't see them. So this would be look,
135
00:06:05,166 --> 00:06:05,333
if you
136
00:06:05,333 --> 00:06:08,333
can see where he's where he's at, I'll
137
00:06:08,333 --> 00:06:17,250
corner.
138
00:06:17,333 --> 00:06:19,708
I was cool.
139
00:06:19,708 --> 00:06:20,541
All right, You're good.
140
00:06:20,541 --> 00:06:22,250
Go ahead and turn around.
141
00:06:22,250 --> 00:06:22,916
Oh, that's cool.
142
00:06:22,916 --> 00:06:25,916
These trees look awesome.
143
00:06:26,000 --> 00:06:30,416
Super tall trees
144
00:06:30,500 --> 00:06:35,791
tilt up, pull back, shot.
145
00:06:35,875 --> 00:06:46,791
Position at the second.
146
00:06:46,875 --> 00:06:54,375
Get your head.
147
00:06:54,458 --> 00:06:56,083
Can do a rising shot.
148
00:06:56,083 --> 00:07:05,708
Can everything
149
00:07:05,791 --> 00:07:10,125
that was nice and easy out cool
150
00:07:10,208 --> 00:07:14,541
Yeah I got it got pretty pretty cool shot
151
00:07:14,625 --> 00:07:20,666
Can I get a shot as it comes up over here?
152
00:07:20,750 --> 00:07:26,541
It's my exposure.
153
00:07:26,625 --> 00:07:42,958
Coming up to us.
154
00:07:43,041 --> 00:07:43,500
Yeah. So?
155
00:07:43,500 --> 00:07:45,750
So here.
156
00:07:45,750 --> 00:07:46,333
Here we go, guys.
157
00:07:46,333 --> 00:07:48,750
We're going to do a bird's eye view.
158
00:07:48,750 --> 00:07:54,958
Straight down shot
with a little bit of a twist.
159
00:07:55,041 --> 00:07:56,166
Thank you.
160
00:07:56,166 --> 00:07:59,791
It's a good idea
to start with the drawing away from you.
161
00:07:59,875 --> 00:08:02,125
So I'm a pro, so I can do it anyway.
162
00:08:02,125 --> 00:08:09,125
Yeah.
163
00:08:09,208 --> 00:08:11,625
This now I can stay down.
164
00:08:11,625 --> 00:08:16,666
I'm going to do a nice twist.
165
00:08:16,750 --> 00:08:18,291
So he comes in the frame.
166
00:08:18,291 --> 00:08:23,583
Okay, go ahead.
167
00:08:23,666 --> 00:08:24,666
Action.
168
00:08:24,666 --> 00:08:27,333
Oh, we got to go after this car.
169
00:08:27,333 --> 00:08:30,291
Give the car like, 20 seconds.
170
00:08:30,291 --> 00:08:30,833
Accidental.
171
00:08:30,833 --> 00:08:32,625
Be a good moment
for me to figure this out.
172
00:08:32,625 --> 00:08:34,708
Okay, Go ahead.
173
00:08:34,708 --> 00:08:38,041
I got a biker coming down
174
00:08:38,125 --> 00:08:38,875
here, so watch Now.
175
00:08:38,875 --> 00:08:41,250
I'll be able to use the cars reference.
So you really came in the frame, right?
176
00:08:41,250 --> 00:08:44,708
Just there. So, Mr.. My move
177
00:08:44,791 --> 00:08:45,583
right about now.
178
00:08:45,583 --> 00:08:47,833
Nice and slow.
179
00:08:47,833 --> 00:08:55,083
Look at that in the frame.
180
00:08:55,166 --> 00:08:56,791
Very nice.
181
00:08:56,791 --> 00:08:58,916
Worked out quite well.
182
00:08:58,916 --> 00:09:01,583
I was able to use the other cars reference
when he was going to come in.
183
00:09:01,583 --> 00:09:02,750
That's good. Save on battery.
184
00:09:02,750 --> 00:09:07,666
Another, another card there.
185
00:09:07,750 --> 00:09:08,875
All right, go ahead.
186
00:09:08,875 --> 00:09:13,000
It's kind of dead,
but yeah, you get the idea.
187
00:09:13,083 --> 00:09:16,666
And then
let's see some of the turn around.
188
00:09:16,750 --> 00:09:19,041
Now, if you ever get lost,
you can look at your compass thing
189
00:09:19,041 --> 00:09:23,208
and figure out which way your face and
190
00:09:23,291 --> 00:09:28,208
for the most part,
191
00:09:28,250 --> 00:09:33,500
let us know when you're
192
00:09:33,583 --> 00:09:34,166
going to do a pull.
193
00:09:34,166 --> 00:09:52,166
Back shot again to.
194
00:09:52,250 --> 00:09:55,250
Show up or down
like an up and collect those trees.
195
00:09:55,250 --> 00:09:56,708
Yeah,
196
00:09:56,708 --> 00:09:59,625
if should
197
00:09:59,625 --> 00:10:01,125
copy. All right. And tell me.
198
00:10:01,125 --> 00:10:03,166
Go ahead.
199
00:10:03,166 --> 00:10:04,500
You guys ready to pull back? Shot.
200
00:10:04,500 --> 00:10:05,750
Go ahead there. Pull back option.
201
00:10:05,750 --> 00:10:08,750
I may be flying through some trees
as we come
202
00:10:08,750 --> 00:10:16,833
back.
203
00:10:16,916 --> 00:10:26,750
I don't see them yet.
204
00:10:26,833 --> 00:10:28,041
Oh, it comes.
205
00:10:28,041 --> 00:10:30,416
If you guys can tell
We have line of sight with the drone,
206
00:10:30,416 --> 00:10:32,250
and he's just going
to pull straight back through
207
00:10:32,250 --> 00:10:33,916
so he knows he's
not going to hit the trees.
208
00:10:33,916 --> 00:10:36,541
So I can see the trees.
I can't tell what the shot is right now.
209
00:10:36,541 --> 00:10:38,875
I'm not looking at it,
but he's going way faster than we are.
210
00:10:38,875 --> 00:10:42,875
It will work faster.
211
00:10:42,958 --> 00:10:45,416
Perfect
212
00:10:45,416 --> 00:10:46,208
if we get a shot.
213
00:10:46,208 --> 00:10:46,750
Yeah.
214
00:10:46,750 --> 00:10:58,500
Cool.
215
00:10:58,583 --> 00:10:59,291
Switch.
15775
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.