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Hey, guys, What's up?
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Chris Trump Academy.
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And we're here at Fisher Towers.
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Super incredible
natural kind of rock towers here in Utah.
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And they're not National Park.
They're not a state park.
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So you can actually film here.
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It's BLM land.
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So it's awesome.
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We're away from the parking lot
a little bit so we don't bother people
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and we're using the Mavic two and
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we're going to teach you some tricks
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to get the best possible outcome
from flying the Mavic two.
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It's a single operator drone,
which limits you a little bit
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as far as be able
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to get some really tight, dynamic shots,
But it's got some features built into it
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that allow you to get those shots
much, much easier.
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So super impressed with this little guy.
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This is the Hasselblad version.
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There's also a Zoom version.
So the camera zooms on it.
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You get some really cool
parallax and movement.
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The Hasselblad camera takes amazing
video and amazing photos.
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Like, absolutely amazing.
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It's super portable, super small.
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It's got sensors all over it
and it's totally awesome.
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But let's get started.
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All right.
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So just a little tip.
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It's really hard to see your iPhone
with these controllers.
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They do have another version you can buy.
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It's like 700 bucks
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for this kind of complete unit
that has a screen built in everything.
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It's really nice.
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But if you don't have that, you're
just using your phone.
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You can get a sunshade for your phone
that actually works with this setup.
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And that's really nice
because in the bright
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light, it's really hard to see your phone
and you want to be able to see it.
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So they say if you know
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you're getting a good shot,
check, exposure, all that stuff.
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So this is on Amazon.
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I have a link to it. It's really,
really cheap.
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Definitely a good thing to buy for it.
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All right, guys,
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I was going to walk through the kind
of the basic settings for the magic.
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It's kind of applied to all drones. So
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what we're going to do is
we're going to look at our settings here.
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We're going to tap on the bottom.
There's an m, a bunch of settings.
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First of all, make sure we're in video
mode. We're going to shoot video.
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It's just above the recorded button
there, as you can see.
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And we're going to tap that.
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And this is where
kind of all of our settings are.
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So on the fly, you can adjust exposure.
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It's really nice.
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You've got your ISO,
your aperture and your shutter.
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Now first thing,
you want to make sure that you're in
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manual mode is you can see on top
I got the M high
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highlighted, got aperture priority,
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shutter priority and an auto
and you want to make sure in manual
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because what happens is if you like,
if you're flying over a rock
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and you are coming in wide and you're
coming close to it and all of a sudden
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it gets really shadow,
your exposure is going to change,
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your colors are going to change and you're
not going to get a very consistent shot.
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So we want to make sure
that we keep that on manual.
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Okay, So the ISO is the last thing
that you want to change.
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So again, go ahead and take that
and we're going to drag that down to 100.
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So 100
going to give you the cleanest image.
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I want to keep it there,
especially in bright daylight.
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I always have that that thing low.
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So the next thing we do
is adjust our aperture
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and you've got the slide down here.
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And what this does, it changes
the aperture inside of the camera.
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So the higher aperture
we have, the more closed
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that's going to be and it's
going to make everything in focus.
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So the higher that number is, the more
everything is going to be in focus.
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So I usually like to keep this, you know,
usually the sharpest is around like 5.6
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or so,
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5.6 to like ten.
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So for daylight shooting.
So we're gonna go ahead and just bring it.
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The 5.6 shutter is our last thing.
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So if you have an indie filter,
you can pop an indie filter on there
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and shoot it a 50th of a shutter
if you're shooting it 24 frames
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per second, that's
going to give you a nice motion blur
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that looks really
cinematic, looks really pleasing.
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I don't have an indie, so I usually do
is I'll just crank the shutter
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or I'm going to bring it down
so you can see I'm bringing it down
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and you can see little bars
as Mm, That's our kind of exposure meter.
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I want to bring that down
into our exposure.
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Looks good now.
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You always want to look at the sky,
so I'm going to tilt up and
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as you know, as I have my settings
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really, really slow, I'll go through
my settings in a little bit.
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But you want to look at the sky.
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If it's a blue sky,
you don't want to blow it out,
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but you want to have good exposures.
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You can always adjust this once
you get into the air as well.
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So you want to make sure
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that you turn that feature on as well,
which is the histogram.
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So let's go through that right now.
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Okay.
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So as far as settings go here,
you want to make sure that you've got
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I like to shoot in raw for my panoramic,
my hyperlapse is
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histograms turned
on, overexposed turned on.
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So as you can see there,
that just makes the sky
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kind of very obvious
that you're overexposed.
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Now, if it's a white cloud,
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it's I'm totally fine
with that being blown out, right?
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Because the cloud is what color?
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It's white, right? So I'm fine with that.
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So you can kind of
just use that to kind of gauge.
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But in theory, it's always better
to lower your exposure and shoot
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a little bit darker
than it is to go over or overboard
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because it's a lot easier
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to bring up the dark spots
than it is to bring down the overexposed.
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So just always watch out for that.
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Those are the settings there.
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Now I'm going to take
you into some other settings,
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so I'm going to tap on the top right here.
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And now we're starting a new video
right now.
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Okay.
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All right, guys.
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I'm going to go through the settings
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to get the smoothest footage
and all this kind of show you.
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I have my stuff set up.
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So if you scroll down here,
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see, I need to find out where it's at.
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I never remember
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HD transmission quality.
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So we're in great
under the gimbal settings.
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Tap that and then you have your
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your pitch speed
and your pitch smoothness. I've got mine
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set to four for my pitch speed,
which is really slow, as you can see.
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If you kind of use this button on the side
here goes really slow.
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Go my smooth my gimbal.
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I got my gimbal pitch smoothness at 15
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and I just mess around
with those settings too.
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I found something that I liked
and it just gives you the ability to like,
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not really mess up
that that tilt until is so important.
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If you can just make it
so, you can just barely touch it
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and it just gives you
a perfectly smooth shot,
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then you're not going to mess up shots
as often.
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So those are my settings for that.
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And then
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I think we're ready to start flying.
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Let's do it.
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