All language subtitles for (DJI GO 4) - Best Camera and App Settings (Quick Start) - Drone Pro Academy

Hey, guys, What's up?

Chris Trump Academy.

And we're here at Fisher Towers.

Super incredible
natural kind of rock towers here in Utah.

And they're not National Park.
They're not a state park.

So you can actually film here.

It's BLM land.

So it's awesome.

We're away from the parking lot
a little bit so we don't bother people

and we're using the Mavic two and

we're going to teach you some tricks

to get the best possible outcome
from flying the Mavic two.

It's a single operator drone,
which limits you a little bit

as far as be able

to get some really tight, dynamic shots,
But it's got some features built into it

that allow you to get those shots
much, much easier.

So super impressed with this little guy.

This is the Hasselblad version.

There's also a Zoom version.
So the camera zooms on it.

You get some really cool
parallax and movement.

The Hasselblad camera takes amazing
video and amazing photos.

Like, absolutely amazing.

It's super portable, super small.

It's got sensors all over it
and it's totally awesome.

But let's get started.

All right.

So just a little tip.

It's really hard to see your iPhone
with these controllers.

They do have another version you can buy.

It's like 700 bucks

for this kind of complete unit
that has a screen built in everything.

It's really nice.

But if you don't have that, you're
just using your phone.

You can get a sunshade for your phone
that actually works with this setup.

And that's really nice
because in the bright

light, it's really hard to see your phone
and you want to be able to see it.

So they say if you know

you're getting a good shot,
check, exposure, all that stuff.

So this is on Amazon.

I have a link to it. It's really,
really cheap.

Definitely a good thing to buy for it.

All right, guys,

I was going to walk through the kind
of the basic settings for the magic.

It's kind of applied to all drones. So

what we're going to do is
we're going to look at our settings here.

We're going to tap on the bottom.
There's an m, a bunch of settings.

First of all, make sure we're in video
mode. We're going to shoot video.

It's just above the recorded button
there, as you can see.

And we're going to tap that.

And this is where
kind of all of our settings are.

So on the fly, you can adjust exposure.

It's really nice.

You've got your ISO,
your aperture and your shutter.

Now first thing,
you want to make sure that you're in

manual mode is you can see on top
I got the M high

highlighted, got aperture priority,

shutter priority and an auto
and you want to make sure in manual

because what happens is if you like,
if you're flying over a rock

and you are coming in wide and you're
coming close to it and all of a sudden

it gets really shadow,
your exposure is going to change,

your colors are going to change and you're
not going to get a very consistent shot.

So we want to make sure
that we keep that on manual.

Okay, So the ISO is the last thing
that you want to change.

So again, go ahead and take that
and we're going to drag that down to 100.

So 100
going to give you the cleanest image.

I want to keep it there,
especially in bright daylight.

I always have that that thing low.

So the next thing we do
is adjust our aperture

and you've got the slide down here.

And what this does, it changes
the aperture inside of the camera.

So the higher aperture
we have, the more closed

that's going to be and it's
going to make everything in focus.

So the higher that number is, the more
everything is going to be in focus.

So I usually like to keep this, you know,
usually the sharpest is around like 5.6

or so,

5.6 to like ten.

So for daylight shooting.
So we're gonna go ahead and just bring it.

The 5.6 shutter is our last thing.

So if you have an indie filter,
you can pop an indie filter on there

and shoot it a 50th of a shutter
if you're shooting it 24 frames

per second, that's
going to give you a nice motion blur

that looks really
cinematic, looks really pleasing.

I don't have an indie, so I usually do
is I'll just crank the shutter

or I'm going to bring it down
so you can see I'm bringing it down

and you can see little bars
as Mm, That's our kind of exposure meter.

I want to bring that down
into our exposure.

Looks good now.

You always want to look at the sky,
so I'm going to tilt up and

as you know, as I have my settings

really, really slow, I'll go through
my settings in a little bit.

But you want to look at the sky.

If it's a blue sky,
you don't want to blow it out,

but you want to have good exposures.

You can always adjust this once
you get into the air as well.

So you want to make sure

that you turn that feature on as well,
which is the histogram.

So let's go through that right now.

Okay.

So as far as settings go here,
you want to make sure that you've got

I like to shoot in raw for my panoramic,
my hyperlapse is

histograms turned
on, overexposed turned on.

So as you can see there,
that just makes the sky

kind of very obvious
that you're overexposed.

Now, if it's a white cloud,

it's I'm totally fine
with that being blown out, right?

Because the cloud is what color?

It's white, right? So I'm fine with that.

So you can kind of
just use that to kind of gauge.

But in theory, it's always better
to lower your exposure and shoot

a little bit darker
than it is to go over or overboard

because it's a lot easier

to bring up the dark spots
than it is to bring down the overexposed.

So just always watch out for that.

Those are the settings there.

Now I'm going to take
you into some other settings,

so I'm going to tap on the top right here.

And now we're starting a new video
right now.

Okay.

All right, guys.

I'm going to go through the settings

to get the smoothest footage
and all this kind of show you.

I have my stuff set up.

So if you scroll down here,

see, I need to find out where it's at.

I never remember

HD transmission quality.

So we're in great
under the gimbal settings.

Tap that and then you have your

your pitch speed
and your pitch smoothness. I've got mine

set to four for my pitch speed,
which is really slow, as you can see.

If you kind of use this button on the side
here goes really slow.

Go my smooth my gimbal.

I got my gimbal pitch smoothness at 15

and I just mess around
with those settings too.

I found something that I liked
and it just gives you the ability to like,

not really mess up
that that tilt until is so important.

If you can just make it
so, you can just barely touch it

and it just gives you
a perfectly smooth shot,

then you're not going to mess up shots
as often.

So those are my settings for that.

And then

I think we're ready to start flying.

Let's do it.