All language subtitles for Jimmy Page How Stairway to Heaven was written - BBC News.en

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These are the user uploaded subtitles that are being translated: 1 00:00:24,519 --> 00:00:28,529 I've wanted to try to put something 2 00:00:28,529 --> 00:00:28,539 I've wanted to try to put something 3 00:00:28,539 --> 00:00:35,729 I've wanted to try to put something together which started with quite a 4 00:00:35,729 --> 00:00:35,739 together which started with quite a 5 00:00:35,739 --> 00:00:39,360 together which started with quite a fragile exposed acoustic guitar playing 6 00:00:39,360 --> 00:00:39,370 fragile exposed acoustic guitar playing 7 00:00:39,370 --> 00:00:44,340 fragile exposed acoustic guitar playing in sort of style of a poor man's beret 8 00:00:44,340 --> 00:00:44,350 in sort of style of a poor man's beret 9 00:00:44,350 --> 00:00:48,569 in sort of style of a poor man's beret bumper hock that sort of aspect as far 10 00:00:48,569 --> 00:00:48,579 bumper hock that sort of aspect as far 11 00:00:48,579 --> 00:00:51,660 bumper hock that sort of aspect as far as the instrumentation goes there are 12 00:00:51,660 --> 00:00:51,670 as the instrumentation goes there are 13 00:00:51,670 --> 00:00:54,509 as the instrumentation goes there are going to be a this recorders to the 14 00:00:54,509 --> 00:00:54,519 going to be a this recorders to the 15 00:00:54,519 --> 00:00:57,060 going to be a this recorders to the early part which given sort of slightly 16 00:00:57,060 --> 00:00:57,070 early part which given sort of slightly 17 00:00:57,070 --> 00:01:00,970 early part which given sort of slightly medieval film 18 00:01:00,970 --> 00:01:00,980 19 00:01:00,980 --> 00:01:04,670 there's 20 00:01:04,670 --> 00:01:04,680 21 00:01:04,680 --> 00:01:07,710 all in good 22 00:01:07,710 --> 00:01:07,720 all in good 23 00:01:07,720 --> 00:01:13,280 all in good and she's by 24 00:01:13,280 --> 00:01:13,290 25 00:01:13,290 --> 00:01:15,840 that was an idea of John Paul Jones is 26 00:01:15,840 --> 00:01:15,850 that was an idea of John Paul Jones is 27 00:01:15,850 --> 00:01:18,900 that was an idea of John Paul Jones is to put the recorders on and he played 28 00:01:18,900 --> 00:01:18,910 to put the recorders on and he played 29 00:01:18,910 --> 00:01:21,000 to put the recorders on and he played that recorded one actually had the idea 30 00:01:21,000 --> 00:01:21,010 that recorded one actually had the idea 31 00:01:21,010 --> 00:01:22,590 that recorded one actually had the idea for stairway I wasn't that wasn't 32 00:01:22,590 --> 00:01:22,600 for stairway I wasn't that wasn't 33 00:01:22,600 --> 00:01:25,260 for stairway I wasn't that wasn't necessary I wasn't thinking record as I 34 00:01:25,260 --> 00:01:25,270 necessary I wasn't thinking record as I 35 00:01:25,270 --> 00:01:27,480 necessary I wasn't thinking record as I was thinking more the texture of 36 00:01:27,480 --> 00:01:27,490 was thinking more the texture of 37 00:01:27,490 --> 00:01:44,360 was thinking more the texture of actually the electric piano 38 00:01:44,360 --> 00:01:44,370 39 00:01:44,370 --> 00:01:53,640 but she wants to be sure you know 40 00:01:53,640 --> 00:01:53,650 41 00:01:53,650 --> 00:01:59,260 the idea of stairway was to have a piece 42 00:01:59,260 --> 00:01:59,270 the idea of stairway was to have a piece 43 00:01:59,270 --> 00:02:00,940 the idea of stairway was to have a piece of music a composition 44 00:02:00,940 --> 00:02:00,950 of music a composition 45 00:02:00,950 --> 00:02:03,190 of music a composition whereby it would just keep unfolding 46 00:02:03,190 --> 00:02:03,200 whereby it would just keep unfolding 47 00:02:03,200 --> 00:02:07,990 whereby it would just keep unfolding into more more layers and more moods and 48 00:02:07,990 --> 00:02:08,000 into more more layers and more moods and 49 00:02:08,000 --> 00:02:10,150 into more more layers and more moods and actually the whole intensity of the or 50 00:02:10,150 --> 00:02:10,160 actually the whole intensity of the or 51 00:02:10,160 --> 00:02:12,970 actually the whole intensity of the or subtlety and the intensity the cut big 52 00:02:12,970 --> 00:02:12,980 subtlety and the intensity the cut big 53 00:02:12,980 --> 00:02:15,250 subtlety and the intensity the cut big that the overlay of the composition 54 00:02:15,250 --> 00:02:15,260 that the overlay of the composition 55 00:02:15,260 --> 00:02:19,750 that the overlay of the composition would actually accelerate as it went 56 00:02:19,750 --> 00:02:19,760 would actually accelerate as it went 57 00:02:19,760 --> 00:02:21,580 would actually accelerate as it went through on every level every emotional 58 00:02:21,580 --> 00:02:21,590 through on every level every emotional 59 00:02:21,590 --> 00:02:24,280 through on every level every emotional level every musical level and so it just 60 00:02:24,280 --> 00:02:24,290 level every musical level and so it just 61 00:02:24,290 --> 00:02:27,150 level every musical level and so it just keeps opening up as it's as it as it 62 00:02:27,150 --> 00:02:27,160 keeps opening up as it's as it as it 63 00:02:27,160 --> 00:02:43,200 keeps opening up as it's as it as it continues through it sort of passing 64 00:02:43,200 --> 00:02:43,210 65 00:02:43,210 --> 00:02:57,960 you 66 00:02:57,960 --> 00:02:57,970 67 00:02:57,970 --> 00:03:01,780 robert was magnificent with his input of 68 00:03:01,780 --> 00:03:01,790 robert was magnificent with his input of 69 00:03:01,790 --> 00:03:04,120 robert was magnificent with his input of lyrics to the music of Led Zeppelin 70 00:03:04,120 --> 00:03:04,130 lyrics to the music of Led Zeppelin 71 00:03:04,130 --> 00:03:06,970 lyrics to the music of Led Zeppelin anyway 72 00:03:06,970 --> 00:03:06,980 73 00:03:06,980 --> 00:03:08,770 this was during the period that we 74 00:03:08,770 --> 00:03:08,780 this was during the period that we 75 00:03:08,780 --> 00:03:12,339 this was during the period that we weren't Headley Grange that that the 76 00:03:12,339 --> 00:03:12,349 weren't Headley Grange that that the 77 00:03:12,349 --> 00:03:14,770 weren't Headley Grange that that the thing was put together it was slightly 78 00:03:14,770 --> 00:03:14,780 thing was put together it was slightly 79 00:03:14,780 --> 00:03:17,530 thing was put together it was slightly complicated to be doing this whole thing 80 00:03:17,530 --> 00:03:17,540 complicated to be doing this whole thing 81 00:03:17,540 --> 00:03:19,600 complicated to be doing this whole thing without a vocal because at the time 82 00:03:19,600 --> 00:03:19,610 without a vocal because at the time 83 00:03:19,610 --> 00:03:21,430 without a vocal because at the time there weren't any lyrics and this is the 84 00:03:21,430 --> 00:03:21,440 there weren't any lyrics and this is the 85 00:03:21,440 --> 00:03:23,920 there weren't any lyrics and this is the this was a backbone of what the song was 86 00:03:23,920 --> 00:03:23,930 this was a backbone of what the song was 87 00:03:23,930 --> 00:03:26,259 this was a backbone of what the song was going what was intended to be and the 88 00:03:26,259 --> 00:03:26,269 going what was intended to be and the 89 00:03:26,269 --> 00:03:28,089 going what was intended to be and the the whole of the running order from the 90 00:03:28,089 --> 00:03:28,099 the whole of the running order from the 91 00:03:28,099 --> 00:03:30,130 the whole of the running order from the beginning to the end was sort of mapped 92 00:03:30,130 --> 00:03:30,140 beginning to the end was sort of mapped 93 00:03:30,140 --> 00:03:32,199 beginning to the end was sort of mapped out it was tricky it was a tricky thing 94 00:03:32,199 --> 00:03:32,209 out it was tricky it was a tricky thing 95 00:03:32,209 --> 00:03:35,589 out it was tricky it was a tricky thing to do because there's a lot of music and 96 00:03:35,589 --> 00:03:35,599 to do because there's a lot of music and 97 00:03:35,599 --> 00:03:41,140 to do because there's a lot of music and changes in it 98 00:03:41,140 --> 00:03:41,150 99 00:03:41,150 --> 00:03:44,110 I remember during that period Robert was 100 00:03:44,110 --> 00:03:44,120 I remember during that period Robert was 101 00:03:44,120 --> 00:03:47,350 I remember during that period Robert was he was sort of sitting down leaning 102 00:03:47,350 --> 00:03:47,360 he was sort of sitting down leaning 103 00:03:47,360 --> 00:03:49,210 he was sort of sitting down leaning against the wall and he was just sort of 104 00:03:49,210 --> 00:03:49,220 against the wall and he was just sort of 105 00:03:49,220 --> 00:03:51,039 against the wall and he was just sort of writing I'm you know I won't never 106 00:03:51,039 --> 00:03:51,049 writing I'm you know I won't never 107 00:03:51,049 --> 00:03:53,589 writing I'm you know I won't never forget that image of him doing that we 108 00:03:53,589 --> 00:03:53,599 forget that image of him doing that we 109 00:03:53,599 --> 00:03:55,420 forget that image of him doing that we do a run through it from beginning to 110 00:03:55,420 --> 00:03:55,430 do a run through it from beginning to 111 00:03:55,430 --> 00:03:58,990 do a run through it from beginning to end with the guitar opening as we all 112 00:03:58,990 --> 00:03:59,000 end with the guitar opening as we all 113 00:03:59,000 --> 00:04:00,610 end with the guitar opening as we all know and then Robert comes up and starts 114 00:04:00,610 --> 00:04:00,620 know and then Robert comes up and starts 115 00:04:00,620 --> 00:04:03,250 know and then Robert comes up and starts to he starts to pitch in and sing and I 116 00:04:03,250 --> 00:04:03,260 to he starts to pitch in and sing and I 117 00:04:03,260 --> 00:04:05,110 to he starts to pitch in and sing and I tell you he had said must have been 90% 118 00:04:05,110 --> 00:04:05,120 tell you he had said must have been 90% 119 00:04:05,120 --> 00:04:17,940 tell you he had said must have been 90% of the lyrics were already done 120 00:04:17,940 --> 00:04:17,950 121 00:04:17,950 --> 00:04:20,910 what I'd learned about John Bowman that 122 00:04:20,910 --> 00:04:20,920 what I'd learned about John Bowman that 123 00:04:20,920 --> 00:04:23,520 what I'd learned about John Bowman that he could be really effective if he came 124 00:04:23,520 --> 00:04:23,530 he could be really effective if he came 125 00:04:23,530 --> 00:04:31,980 he could be really effective if he came in somewhere down the line on 126 00:04:31,980 --> 00:04:31,990 127 00:04:31,990 --> 00:04:35,560 and so everything is starting to open up 128 00:04:35,560 --> 00:04:35,570 and so everything is starting to open up 129 00:04:35,570 --> 00:04:38,920 and so everything is starting to open up on this map on this journey through and 130 00:04:38,920 --> 00:04:38,930 on this map on this journey through and 131 00:04:38,930 --> 00:04:40,630 on this map on this journey through and all of this stuff was planned you know 132 00:04:40,630 --> 00:04:40,640 all of this stuff was planned you know 133 00:04:40,640 --> 00:04:43,270 all of this stuff was planned you know it wasn't an accident or everyone 134 00:04:43,270 --> 00:04:43,280 it wasn't an accident or everyone 135 00:04:43,280 --> 00:04:46,390 it wasn't an accident or everyone chipping in it was just it really was a 136 00:04:46,390 --> 00:04:46,400 chipping in it was just it really was a 137 00:04:46,400 --> 00:04:54,080 chipping in it was just it really was a sort of design 138 00:04:54,080 --> 00:04:54,090 139 00:04:54,090 --> 00:04:56,750 one of the cardinal rules when I was a 140 00:04:56,750 --> 00:04:56,760 one of the cardinal rules when I was a 141 00:04:56,760 --> 00:04:59,450 one of the cardinal rules when I was a studio musician was that you didn't 142 00:04:59,450 --> 00:04:59,460 studio musician was that you didn't 143 00:04:59,460 --> 00:05:02,690 studio musician was that you didn't speed up and I was keen to do something 144 00:05:02,690 --> 00:05:02,700 speed up and I was keen to do something 145 00:05:02,700 --> 00:05:06,260 speed up and I was keen to do something which had an acceleration to it not only 146 00:05:06,260 --> 00:05:06,270 which had an acceleration to it not only 147 00:05:06,270 --> 00:05:07,910 which had an acceleration to it not only from the musical point of view but from 148 00:05:07,910 --> 00:05:07,920 from the musical point of view but from 149 00:05:07,920 --> 00:05:11,570 from the musical point of view but from the lyricist so that the whole thing 150 00:05:11,570 --> 00:05:11,580 the lyricist so that the whole thing 151 00:05:11,580 --> 00:05:14,120 the lyricist so that the whole thing would start to gain a momentum as it 152 00:05:14,120 --> 00:05:14,130 would start to gain a momentum as it 153 00:05:14,130 --> 00:05:15,650 would start to gain a momentum as it went through so it wasn't just a 154 00:05:15,650 --> 00:05:15,660 went through so it wasn't just a 155 00:05:15,660 --> 00:05:18,260 went through so it wasn't just a monotone piece and by that I actually 156 00:05:18,260 --> 00:05:18,270 monotone piece and by that I actually 157 00:05:18,270 --> 00:05:20,780 monotone piece and by that I actually mean that it would that it would subtly 158 00:05:20,780 --> 00:05:20,790 mean that it would that it would subtly 159 00:05:20,790 --> 00:05:23,510 mean that it would that it would subtly speed up so you're breaking the number 160 00:05:23,510 --> 00:05:23,520 speed up so you're breaking the number 161 00:05:23,520 --> 00:05:36,040 speed up so you're breaking the number one carbon 162 00:05:36,040 --> 00:05:36,050 163 00:05:36,050 --> 00:05:38,860 the concept of the solo was to have 164 00:05:38,860 --> 00:05:38,870 the concept of the solo was to have 165 00:05:38,870 --> 00:05:41,290 the concept of the solo was to have something like as a fanfare so it's a 166 00:05:41,290 --> 00:05:41,300 something like as a fanfare so it's a 167 00:05:41,300 --> 00:05:47,730 something like as a fanfare so it's a definite transition 168 00:05:47,730 --> 00:05:47,740 169 00:05:47,740 --> 00:05:51,180 so it comes in with a with a fanfare to 170 00:05:51,180 --> 00:05:51,190 so it comes in with a with a fanfare to 171 00:05:51,190 --> 00:05:53,340 so it comes in with a with a fanfare to introduce his solo the solo is just 172 00:05:53,340 --> 00:05:53,350 introduce his solo the solo is just 173 00:05:53,350 --> 00:06:08,350 introduce his solo the solo is just gonna sort right through 174 00:06:08,350 --> 00:06:08,360 175 00:06:08,360 --> 00:06:10,689 it was a very inspired time for all of 176 00:06:10,689 --> 00:06:10,699 it was a very inspired time for all of 177 00:06:10,699 --> 00:06:12,670 it was a very inspired time for all of us at the time that we were living in 178 00:06:12,670 --> 00:06:12,680 us at the time that we were living in 179 00:06:12,680 --> 00:06:15,809 us at the time that we were living in that Headley Grange as a residence 180 00:06:15,809 --> 00:06:15,819 that Headley Grange as a residence 181 00:06:15,819 --> 00:06:18,820 that Headley Grange as a residence eating sleeping making music that's what 182 00:06:18,820 --> 00:06:18,830 eating sleeping making music that's what 183 00:06:18,830 --> 00:06:20,320 eating sleeping making music that's what we were doing day after day after day 184 00:06:20,320 --> 00:06:20,330 we were doing day after day after day 185 00:06:20,330 --> 00:06:22,779 we were doing day after day after day and it sort of tells when you hear the 186 00:06:22,779 --> 00:06:22,789 and it sort of tells when you hear the 187 00:06:22,789 --> 00:06:25,480 and it sort of tells when you hear the fourth album but you know stairways is 188 00:06:25,480 --> 00:06:25,490 fourth album but you know stairways is 189 00:06:25,490 --> 00:06:28,360 fourth album but you know stairways is sort of a by-product of it but of all of 190 00:06:28,360 --> 00:06:28,370 sort of a by-product of it but of all of 191 00:06:28,370 --> 00:06:30,339 sort of a by-product of it but of all of that but you know it's obviously been 192 00:06:30,339 --> 00:06:30,349 that but you know it's obviously been 193 00:06:30,349 --> 00:06:34,540 that but you know it's obviously been fun and substantial in as a milestone 194 00:06:34,540 --> 00:06:34,550 fun and substantial in as a milestone 195 00:06:34,550 --> 00:06:39,210 fun and substantial in as a milestone for Led Zeppelin 196 00:06:39,210 --> 00:06:39,220 197 00:06:39,220 --> 00:06:41,750 at the end of that solo there's trails 198 00:06:41,750 --> 00:06:41,760 at the end of that solo there's trails 199 00:06:41,760 --> 00:06:44,940 at the end of that solo there's trails which lead it into this huge finale 200 00:06:44,940 --> 00:06:44,950 which lead it into this huge finale 201 00:06:44,950 --> 00:06:47,670 which lead it into this huge finale which is the vocal as we went winding 202 00:06:47,670 --> 00:06:47,680 which is the vocal as we went winding 203 00:06:47,680 --> 00:07:05,959 which is the vocal as we went winding down the road 204 00:07:05,959 --> 00:07:05,969 205 00:07:05,969 --> 00:07:08,790 and by that point it's really it's it's 206 00:07:08,790 --> 00:07:08,800 and by that point it's really it's it's 207 00:07:08,800 --> 00:07:11,550 and by that point it's really it's it's really mojo he's not racing but it is 208 00:07:11,550 --> 00:07:11,560 really mojo he's not racing but it is 209 00:07:11,560 --> 00:07:14,010 really mojo he's not racing but it is just the passion of it it's just it's 210 00:07:14,010 --> 00:07:14,020 just the passion of it it's just it's 211 00:07:14,020 --> 00:07:18,409 just the passion of it it's just it's just unfolded on every respective of the 212 00:07:18,409 --> 00:07:18,419 just unfolded on every respective of the 213 00:07:18,419 --> 00:07:21,540 just unfolded on every respective of the lyrical aspect of that Robert was 214 00:07:21,540 --> 00:07:21,550 lyrical aspect of that Robert was 215 00:07:21,550 --> 00:07:32,950 lyrical aspect of that Robert was inspired 216 00:07:32,950 --> 00:07:32,960 217 00:07:32,960 --> 00:07:35,929 there's really an inspired period of 218 00:07:35,929 --> 00:07:35,939 there's really an inspired period of 219 00:07:35,939 --> 00:07:38,029 there's really an inspired period of time it sort of shows her like the 220 00:07:38,029 --> 00:07:38,039 time it sort of shows her like the 221 00:07:38,039 --> 00:07:40,850 time it sort of shows her like the lasting quality of this music over all 222 00:07:40,850 --> 00:07:40,860 lasting quality of this music over all 223 00:07:40,860 --> 00:07:43,700 lasting quality of this music over all these years is the fact that everyone's 224 00:07:43,700 --> 00:07:43,710 these years is the fact that everyone's 225 00:07:43,710 --> 00:07:46,339 these years is the fact that everyone's finally so honestly and with such 226 00:07:46,339 --> 00:07:46,349 finally so honestly and with such 227 00:07:46,349 --> 00:07:53,340 finally so honestly and with such conviction that in sort of shows 228 00:07:53,340 --> 00:07:53,350 229 00:07:53,350 --> 00:07:57,190 she's by 19589

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