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[EERIE MUSIC]
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NARRATOR: You're about
to enter another dimension
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a dimension not only of
sight and sound, but of mind
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a journey into a wondrous
land of imagination.
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Next stop, the Twilight Zone.
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NARRATOR: The home of Mr. Gregory West...
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One of America's most noted playwrights.
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The office of Mr. Gregory West.
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Mr. Gregory West...
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Shy, quiet, and
at the moment, very happy.
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Mary... warm, affectionate.
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You really should be working, you know.
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You're nagging me.
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I'm only thinking of posterity.
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Think of me instead.
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Don't I always?
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Yes, you do.
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Dry enough?
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We'll let the master decide.
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Perfect, as always.
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Are you describing yourself, Mr. West?
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Let the mistress decide.
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She's decided.
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And the final ingredient:
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Mrs. Gregory West.
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[FRONT DOOR OPENING]
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[DOOR CLOSING]
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MRS. WEST: Gregory?
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[GLASS BREAKS]
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[KNOCKING]
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Greg, not again.
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I have to.
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Gregory, I'm home, darling.
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No, Greg.
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What else can I do?
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Are you working?
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Are you so afraid?
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[KNOCKING]
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I hope I'm not interrupting you.
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Darling, I'll only be a moment.
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I just want to come in and... kiss you.
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Well, I didn't expect
you... [CLEARS THROAT]
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What's the matter, dear?
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Something wrong?
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How come you're home so early, dear?
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Didn't you like the movie?
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No. Not very much.
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I just decided I'd come home early.
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Have you, uh, been busy?
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Oh, yes, yes, I got quite a bit done.
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Did you?
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Oh, I see you dropped a glass.
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Oh, yes.
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You looking for something, dear?
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Oh, no. I just thought I'd see
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if your room needed to be cleaned.
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I don't think so.
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What are you doing, dear?
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Honey, what are you doing?
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Hmm?
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Oh, I, uh...
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Checking the wall.
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Oh.
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What's that?
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Oh!
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My scissors.
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Gregory?
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Mm-hmm?
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You wouldn't by any chance
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have a secret door in here, would you?
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A secret door?
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That's what I said, darling, secret door.
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Now, what on earth would I want
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with a secret door in here?
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Yes. Whatever on earth for?
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[SIGHS]
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Are you all right, Victoria?
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Hmm? Oh, well, I don't know.
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I'm not too sure.
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Really?
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I think I May be suffering
from hallucinations.
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Oh, you poor dear.
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It's the strangest thing
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but I was just standing
outside this window
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only a moment ago right here.
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You were?
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Yes, I was.
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And you'll never guess
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what I saw through that window...
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Or at least you'll never
guess what I thought I saw.
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I couldn't possibly guess.
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I thought I saw a woman in your arms.
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Did you?
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Yes. Isn't that just too ridiculous?
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Yes, yes, it is.
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Oh, well, listen...
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Wouldn't you like to have
me describe her to you?
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Well...
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Oh, let me, let me.
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She had masses of blonde hair
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and she wore one of those
frumpy little blouses
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with a tacky little brooch at the bosom
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and one of those dreadful peasant skirts.
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But the funny thing was
that she handed you a drink.
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[BOTH LAUGHING]
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Oh, such detail. It's quite remarkable.
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Yes. Isn't it?
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Of course, if I'd thought about it
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I would have realized
how ridiculous it was.
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I would have realized
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if I had thought about it for a minute
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that a man of your extraordinary taste
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couldn't possibly be interested
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in such a drab ugly little creature.
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Oh, she's not so drab.
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Aha.
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Didn't think I'd be home
so early, did you?
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Didn't think I'd be home
the whole afternoon, did you?
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Thought you had me fooled, didn't you?
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Let me tell you something,
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I've had my eye on you for some time now.
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Didn't think I suspected the real reason
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for why you were always
sending me out of the house,
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did you?
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"I must be alone to work," you said,
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the great and famous playwright,
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the great and famous philanderer!
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Now, Victoria, it's so simple.
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Where is she?
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I can explain everything.
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Do you remember my play,
fury in the night?
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[GROANING] Oh, yes.
133
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Dear, do you remember it?
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You remember the
character Philip Wainwright?
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Gregory, just tell me one thing.
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What's her name?
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What?
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What's her name?
139
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Mary! But that doesn't...
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"Mary!" how common.
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Please, Victoria...
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Just sit down here and let me explain.
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I'm listening.
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You know how sometimes I've told you
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that fictional characters
come alive so vividly
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they make decisions of their own?
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A playwright may have worked out
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some kind of move for them
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but they refuse to do it.
150
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They will not accept
anybody's... they become so strong
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that sometimes they take
over the whole story!
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I hardly see that this has anything...
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Please bear with me, Victoria.
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I've borne with you for years.
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Philip Wainwright was the
first one of my play characters
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to ever behave like that.
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No matter what I had planned for him,
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he balked, he refused.
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He wouldn't accept any of my decisions.
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He became alive... With a will of his own!
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Do you understand?
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I understand that you are
trying to change the subject.
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I'm not!
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This is the subject.
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Philip Wainwright became alive!
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One night, while I was working here...
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Right up here in my office...
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Philip Wainwright walked
in through that door.
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Oh, Greg, now, really.
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Victoria, you've got to believe me!
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He walked in right through that door.
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He came in here, and he sat down
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in that chair...
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Alive...
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A real flesh and blood man!
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And I created him.
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Oh, my.
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What are you doing?
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I am afraid that psychiatry
is next on the agenda.
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You've got to believe me, Victoria.
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Characters in my plays do come alive.
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I've seen them, talked to them.
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I've even shaken hands with them.
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You even made love to them, remember?
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Yes... I mean no!
186
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Look, you know how I work.
187
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I dictate dialog and stage business
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into the tape recorder.
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I describe any character I want
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and if I do it well enough,
they come to life...
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To life, Victoria.
192
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And I don't even have to
describe the characters
193
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in my plays anymore.
194
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I can describe any character I want!
195
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You should be put away.
196
00:09:58,105 --> 00:10:00,565
Now, you said that you
saw Mary here, right?
197
00:10:00,649 --> 00:10:02,526
Oh, I saw her here, all right.
198
00:10:02,610 --> 00:10:04,777
Then how did she get out?
199
00:10:04,861 --> 00:10:07,071
That's what I'm trying to find out.
200
00:10:09,907 --> 00:10:13,993
She could not have gone
out through the window.
201
00:10:14,077 --> 00:10:18,163
You know there are no
secret doors in here.
202
00:10:18,247 --> 00:10:20,999
But I'm going to show you
how she got out of here
203
00:10:21,083 --> 00:10:22,834
because I want you to understand.
204
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I take my scissors,
205
00:10:35,762 --> 00:10:37,471
I snip off the part of the tape
206
00:10:37,555 --> 00:10:40,890
on which she is described,
207
00:10:40,974 --> 00:10:45,937
I roll the tape into a little ball,
208
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I throw it into the fireplace,
209
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she's gone!
210
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Uncreated.
211
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I'm going to have you committed.
212
00:11:00,199 --> 00:11:01,825
You've got to believe me.
213
00:11:01,909 --> 00:11:03,452
What do you think you're doing?
214
00:11:03,536 --> 00:11:04,911
Now, just a minute.
215
00:11:04,995 --> 00:11:06,595
I'm trying to save our marriage.
216
00:11:09,290 --> 00:11:11,292
Don't waste your time.
217
00:11:13,460 --> 00:11:16,713
I could describe a dog or a
cat or any character you want
218
00:11:16,797 --> 00:11:19,214
but I'm sure you would prefer to see Mary
219
00:11:19,298 --> 00:11:21,049
and I've created Mary so many times,
220
00:11:21,133 --> 00:11:22,551
that she'll be much more available.
221
00:11:22,635 --> 00:11:24,093
I'll just bet she is.
222
00:11:24,177 --> 00:11:26,053
Give me the key, Gregory.
223
00:11:26,137 --> 00:11:30,140
Her name... is Mary.
224
00:11:30,224 --> 00:11:33,143
She's 30 years old...
225
00:11:33,227 --> 00:11:36,061
Five feet six inches tall,
226
00:11:36,145 --> 00:11:38,230
nicely built,
227
00:11:38,314 --> 00:11:40,232
blond hair,
228
00:11:40,316 --> 00:11:42,525
fair complexion,
229
00:11:42,609 --> 00:11:44,611
a simple, unassuming female,
230
00:11:44,695 --> 00:11:47,405
but with that quality of inner loveliness
231
00:11:47,489 --> 00:11:50,240
that brings real beauty to a woman.
232
00:11:50,324 --> 00:11:52,034
A tender, gentle woman...
233
00:11:52,118 --> 00:11:55,244
An understanding woman.
234
00:11:55,328 --> 00:11:58,414
She's dressed in a soft blouse...
235
00:11:58,498 --> 00:12:01,082
Old-fashioned brooch...
236
00:12:01,166 --> 00:12:02,501
Full skirt.
237
00:12:02,585 --> 00:12:05,086
Her hair...
238
00:12:05,170 --> 00:12:07,505
Is attractively arranged.
239
00:12:07,589 --> 00:12:09,298
She's coming up the front walk.
240
00:12:09,382 --> 00:12:13,259
She's crossing the porch.
241
00:12:13,343 --> 00:12:15,678
She's opening the front door.
242
00:12:15,762 --> 00:12:17,222
[FRONT DOOR OPENING]
243
00:12:17,306 --> 00:12:18,598
She's closing it.
244
00:12:18,682 --> 00:12:20,057
[DOOR CLOSING]
245
00:12:20,141 --> 00:12:22,017
She's walking across the hall...
246
00:12:22,101 --> 00:12:23,811
[FOOTSTEPS APPROACHING]
247
00:12:37,698 --> 00:12:39,991
Good afternoon, Mrs. West.
248
00:13:15,937 --> 00:13:18,565
There's nothing to be
afraid of, Mrs. West.
249
00:13:18,649 --> 00:13:22,901
Do you believe me now, Victoria?
250
00:13:22,985 --> 00:13:25,320
I'll tell you what I believe.
251
00:13:25,404 --> 00:13:28,155
I believe this is some
sort of fiendish plot.
252
00:13:28,239 --> 00:13:30,533
You let her out of here
through a secret door,
253
00:13:30,617 --> 00:13:32,535
then you tell me this ridiculous story
254
00:13:32,619 --> 00:13:34,202
about bringing characters to life.
255
00:13:34,286 --> 00:13:35,829
Then you lock the door
256
00:13:35,913 --> 00:13:37,497
and pretend to bring her back to life.
257
00:13:37,581 --> 00:13:38,999
Then she comes in the front door
258
00:13:39,083 --> 00:13:40,749
and tries to make me believe that...
259
00:13:40,833 --> 00:13:43,335
You're trying to drive me insane.
260
00:13:43,419 --> 00:13:45,546
You want to have me committed.
261
00:13:45,630 --> 00:13:47,839
You were going to have me committed.
262
00:13:47,923 --> 00:13:49,424
You want to have me committed
263
00:13:49,508 --> 00:13:51,342
so that you can get all of our property
264
00:13:51,426 --> 00:13:53,802
so that you can share
our property with...
265
00:13:53,886 --> 00:13:55,762
I just wanted to show you.
266
00:13:55,846 --> 00:13:58,223
Is that why you brought
me... just to show her?
267
00:13:58,307 --> 00:14:00,683
Now, please try to understand, Mary.
268
00:14:00,767 --> 00:14:02,685
After all, Victoria is my wife.
269
00:14:02,769 --> 00:14:04,228
Not any longer, I'm not.
270
00:14:04,312 --> 00:14:06,229
Not after this diabolic conspiracy.
271
00:14:06,313 --> 00:14:07,772
Can't I do anything right?
272
00:14:07,856 --> 00:14:09,190
No.
273
00:14:09,274 --> 00:14:11,025
You haven't answered me, Greg.
274
00:14:11,109 --> 00:14:12,526
You don't really believe
that I want to have...
275
00:14:12,610 --> 00:14:15,904
Yes.
276
00:14:15,988 --> 00:14:17,114
Here we go again.
277
00:14:18,740 --> 00:14:21,367
You let me out of here, you monster.
278
00:14:21,451 --> 00:14:24,119
Gregory West, you let me out of here
279
00:14:24,203 --> 00:14:25,662
or I'm going to scream.
280
00:14:25,746 --> 00:14:27,205
I promise you, I'm going to scream.
281
00:14:27,289 --> 00:14:28,248
What for?
282
00:14:28,332 --> 00:14:32,877
Again?
283
00:14:32,961 --> 00:14:34,670
Why do you do this to me, Greg?
284
00:14:34,754 --> 00:14:37,380
Oh, I'm sorry, Mary, but...
285
00:14:37,464 --> 00:14:39,633
What else can I do?
286
00:14:39,717 --> 00:14:41,760
I just got here, Greg.
287
00:14:44,303 --> 00:14:45,846
What else can I do?
288
00:14:45,930 --> 00:14:48,890
That's all you ever say.
289
00:14:51,017 --> 00:14:52,602
You wouldn't believe me, huh?
290
00:14:52,686 --> 00:14:54,936
You just got to make me show you, huh?
291
00:14:55,020 --> 00:14:59,316
You've got to make me force
poor Mary to leave again.
292
00:14:59,400 --> 00:15:01,400
Victoria...
293
00:15:01,484 --> 00:15:03,319
Sometimes I wonder.
294
00:15:03,403 --> 00:15:04,821
Don't bring me back again.
295
00:15:06,822 --> 00:15:07,906
Now, Mary...
296
00:15:07,990 --> 00:15:09,783
Just... don't.
297
00:15:09,867 --> 00:15:12,827
I can't bear it any longer.
298
00:15:14,996 --> 00:15:16,330
Oh...
299
00:15:18,541 --> 00:15:20,667
Forgive me, Mary
300
00:15:20,751 --> 00:15:21,918
but she is my wife.
301
00:15:29,008 --> 00:15:30,425
Where is she?
302
00:15:30,509 --> 00:15:34,470
I told you.
303
00:15:34,554 --> 00:15:36,097
Wh-where is she?
304
00:15:36,181 --> 00:15:39,599
You still don't believe me, huh?
305
00:15:39,683 --> 00:15:43,228
Gregory, where did she go?
306
00:15:43,312 --> 00:15:45,104
I told you!
307
00:15:45,188 --> 00:15:47,439
I...
308
00:15:47,523 --> 00:15:48,608
Uncreated her.
309
00:15:50,692 --> 00:15:52,151
Oh, dear.
310
00:15:52,235 --> 00:15:54,779
Now, don't you worry.
311
00:15:54,863 --> 00:15:57,155
We won't let it happen anymore.
312
00:15:57,239 --> 00:15:59,533
I promise you, I won't do it again.
313
00:15:59,617 --> 00:16:01,451
The only reason I did it the first time
314
00:16:01,535 --> 00:16:03,703
was that, well, I was lonely.
315
00:16:03,787 --> 00:16:05,204
Don't you see, Victoria?
316
00:16:05,288 --> 00:16:07,164
You're so perfect
317
00:16:07,248 --> 00:16:09,999
you're so impeccable,
you're so flawless, and...
318
00:16:10,083 --> 00:16:12,293
Well, I just felt inferior.
319
00:16:12,377 --> 00:16:13,837
I wouldn't have created Mary.
320
00:16:13,921 --> 00:16:15,713
I didn't create her to insult you.
321
00:16:15,797 --> 00:16:17,256
I was lonely, that was all.
322
00:16:17,340 --> 00:16:18,841
I wanted somebody to talk to.
323
00:16:18,925 --> 00:16:20,801
Oh...
324
00:16:20,885 --> 00:16:23,970
Someone that I'd feel comfortable with.
325
00:16:24,054 --> 00:16:26,013
Not like a worm.
326
00:16:26,097 --> 00:16:27,806
Well, you understand, don't you?
327
00:16:27,890 --> 00:16:30,267
Oh, yes, I understand.
328
00:16:30,351 --> 00:16:32,060
Oh, fine.
329
00:16:32,144 --> 00:16:34,228
We'll work it out.
We'll work it out somehow.
330
00:16:34,312 --> 00:16:36,230
It's just that I, I feel so inadequate
331
00:16:36,314 --> 00:16:38,524
compared with you.
332
00:16:38,608 --> 00:16:40,358
Of course, that's really my fault.
333
00:16:40,442 --> 00:16:41,693
I guess I should have...
334
00:16:45,614 --> 00:16:47,531
Now, don't try to stop me, Gregory.
335
00:16:47,615 --> 00:16:49,116
Where are you going?
336
00:16:49,200 --> 00:16:51,076
I'm going to the nearest lawyer
337
00:16:51,160 --> 00:16:52,827
and I'm going to have you put away
338
00:16:52,911 --> 00:16:55,121
for the rest of your unnatural life...
339
00:16:55,205 --> 00:16:57,331
Away from tape recorders and from me.
340
00:16:57,415 --> 00:16:58,999
I'm going to live all by myself
341
00:16:59,083 --> 00:17:01,084
in perfect peace and harmony
in this house
342
00:17:01,168 --> 00:17:03,712
free of your diseased mind.
343
00:17:03,796 --> 00:17:04,962
No, Victoria!
344
00:17:05,046 --> 00:17:06,881
Yes, Victoria.
345
00:17:11,260 --> 00:17:14,220
GREG: A giant red-eyed elephant
is standing in my hallway,
346
00:17:14,304 --> 00:17:16,181
and will not let her pass.
347
00:17:16,265 --> 00:17:18,933
Oh, don't be ridiculous.
348
00:17:32,278 --> 00:17:37,073
[SCREAMS]
349
00:17:43,662 --> 00:17:45,371
Gregory, would you please
350
00:17:45,455 --> 00:17:47,998
get that elephant out of my hall.
351
00:17:48,082 --> 00:17:50,542
Will you stay?
352
00:17:50,626 --> 00:17:52,837
Yes.
353
00:17:54,921 --> 00:17:57,424
[ELEPHANT CRYING OUT]
354
00:18:25,322 --> 00:18:29,325
You are stark staring raving mad.
355
00:18:29,409 --> 00:18:32,828
You shouldn't say those kind of things.
356
00:18:32,912 --> 00:18:34,079
Then you'll stay, hm?
357
00:18:34,163 --> 00:18:35,372
You don't seriously think
358
00:18:35,456 --> 00:18:36,706
you're going to keep me
359
00:18:36,790 --> 00:18:38,415
in this house now, do you?
360
00:18:38,499 --> 00:18:39,708
You want me to do it again?
361
00:18:39,792 --> 00:18:42,127
No!
362
00:18:42,211 --> 00:18:44,462
No, no, I... I, uh,
363
00:18:44,546 --> 00:18:47,382
I'll stay here for the moment.
364
00:18:47,466 --> 00:18:49,758
But believe me, the
first opportunity I get,
365
00:18:49,842 --> 00:18:51,927
I'm going to have you put away.
366
00:18:52,011 --> 00:18:54,596
Believe me.
367
00:18:54,680 --> 00:18:57,765
I believe you.
368
00:18:57,849 --> 00:18:59,935
Well, I guess there's nothing else to do.
369
00:19:06,815 --> 00:19:08,524
How long has that been there?
370
00:19:08,608 --> 00:19:12,362
Oh, ever since you
and I were, uh... married.
371
00:19:22,161 --> 00:19:24,205
What is that?
372
00:19:27,290 --> 00:19:30,043
What is this supposed to mean?
373
00:19:37,383 --> 00:19:41,051
Now, Victoria, shall I
put this back in the safe
374
00:19:41,135 --> 00:19:43,554
or shall I throw it in the fire?
375
00:19:43,638 --> 00:19:48,474
Gregory, you're not seriously
trying to make me believe...
376
00:19:48,558 --> 00:19:50,643
I am telling you, Victoria.
377
00:19:50,727 --> 00:19:52,477
Look at yourself.
378
00:19:52,561 --> 00:19:54,521
Regal, beautiful.
379
00:19:54,605 --> 00:19:57,982
You could have any man in
the world that you wanted.
380
00:19:58,066 --> 00:19:59,567
Haven't you ever wondered
381
00:19:59,651 --> 00:20:01,551
how you happened to get stuck with me?
382
00:20:02,737 --> 00:20:04,529
Well, I'm telling you.
383
00:20:04,613 --> 00:20:07,157
You're an impeccable, flawless...
384
00:20:07,241 --> 00:20:09,242
You're just the sort of wife that...
385
00:20:09,326 --> 00:20:10,826
I always used to think I wanted
386
00:20:10,910 --> 00:20:12,703
more than anything else in the world.
387
00:20:12,787 --> 00:20:17,665
Is this another one of
your tawdry little tricks?
388
00:20:17,749 --> 00:20:19,417
Now, why do you think I got so upset
389
00:20:19,501 --> 00:20:21,377
when you came back here a while ago?
390
00:20:21,461 --> 00:20:23,879
Not because of Mary,
but because you came back
391
00:20:23,963 --> 00:20:26,006
against my will for the first time.
392
00:20:26,090 --> 00:20:27,591
For the first time.
393
00:20:27,675 --> 00:20:32,136
Do you think you're frightening me?
394
00:20:32,220 --> 00:20:33,930
No, I guess not.
395
00:20:34,014 --> 00:20:37,098
You're beyond that.
396
00:20:37,182 --> 00:20:40,143
I made you too strong.
397
00:20:40,227 --> 00:20:42,562
I forgot to add a little... human frailty.
398
00:20:43,938 --> 00:20:46,941
Well, I asked for it.
399
00:20:47,025 --> 00:20:48,900
I'll put this back in the safe.
400
00:20:48,984 --> 00:20:49,817
I've got...
401
00:20:49,901 --> 00:20:51,611
Gregory.
402
00:20:51,695 --> 00:20:53,320
Would you like to know
403
00:20:53,404 --> 00:20:55,989
what I think of your
childish nonsense, hmm?
404
00:20:56,073 --> 00:20:57,992
This.
405
00:20:59,326 --> 00:21:00,785
Victoria!
406
00:21:00,869 --> 00:21:02,954
Oh, Greg...
407
00:21:03,038 --> 00:21:05,789
Greg, I feel so strange. I...
408
00:21:09,084 --> 00:21:13,171
You, you don't mean that
you were telling me the truth?
409
00:21:17,467 --> 00:21:18,800
You were right.
410
00:21:19,760 --> 00:21:21,052
Victoria!
411
00:21:21,136 --> 00:21:24,721
Now, I told her, I told her.
412
00:21:24,805 --> 00:21:30,685
She just wouldn't listen to me.
413
00:21:30,769 --> 00:21:32,103
Her name...
414
00:21:32,187 --> 00:21:34,605
Her name is Mrs. Victoria West.
415
00:21:34,689 --> 00:21:36,149
She...
416
00:21:48,576 --> 00:21:50,577
Why not leave well enough alone?
417
00:21:58,834 --> 00:22:01,253
Her name...
418
00:22:01,337 --> 00:22:04,171
Is Mary.
419
00:22:04,255 --> 00:22:08,425
Mrs. Mary West.
420
00:22:08,509 --> 00:22:11,886
She's 30...
421
00:22:11,970 --> 00:22:15,639
Five feet, six inches tall...
422
00:22:15,723 --> 00:22:18,726
Blonde hair...
423
00:22:18,810 --> 00:22:22,228
Nicely built...
424
00:22:22,312 --> 00:22:24,772
Clear complexion.
425
00:22:24,856 --> 00:22:29,985
She's... a plain, unassuming female
426
00:22:30,069 --> 00:22:33,779
with that inner quality of loveliness
427
00:22:33,863 --> 00:22:39,784
that makes a woman truly beautiful.
428
00:22:39,868 --> 00:22:42,912
She is dressed in a soft, pink blouse
429
00:22:42,996 --> 00:22:46,457
old-fashioned brooch, flowing skirt.
430
00:22:46,541 --> 00:22:49,835
Her hair is attractively arranged.
431
00:22:49,919 --> 00:22:52,378
She is in her husband's study
432
00:22:52,462 --> 00:22:54,673
preparing him a drink.
433
00:22:57,008 --> 00:23:00,093
NARRATOR: We hope you
enjoyed tonight's romantic story
434
00:23:00,177 --> 00:23:04,096
on the Twilight Zone.
435
00:23:04,180 --> 00:23:06,682
At the same time, we want you to realize
436
00:23:06,766 --> 00:23:09,477
that it was, of course, purely fictional.
437
00:23:09,561 --> 00:23:12,479
In real life, such ridiculous
nonsense could never...
438
00:23:12,563 --> 00:23:13,688
GREG: Rod!
439
00:23:13,772 --> 00:23:17,816
[CLUCKING TONGUE]
440
00:23:17,900 --> 00:23:19,277
You shouldn't.
441
00:23:26,241 --> 00:23:28,658
I mean, you shouldn't say such things as
442
00:23:28,742 --> 00:23:32,413
"nonsense" and "ridiculous."
443
00:23:36,583 --> 00:23:38,877
Well, that's the way it goes.
444
00:23:56,141 --> 00:23:58,351
NARRATOR: Leaving Mr. Gregory West...
445
00:23:58,435 --> 00:24:01,728
Still shy, quiet, very happy
446
00:24:01,812 --> 00:24:04,689
and, apparently, in complete control
447
00:24:04,773 --> 00:24:06,441
of the Twilight Zone.
448
00:24:14,948 --> 00:24:16,116
[EERIE MUSIC]
449
00:24:55,482 --> 00:24:57,567
PRESENTER: Kimberley Clark invites you
450
00:24:57,651 --> 00:24:58,943
to watch Steve McQueen
451
00:24:59,027 --> 00:25:01,444
in Wanted Dead or Alive.
452
00:25:01,528 --> 00:25:04,740
Saturday nights over
most of these same stations.
30888
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