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So this is something that I've touched
on earlier in this course, but
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it's something that I want to reiterate
now that we're jumping into fusion.
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And it is to use markers in your timeline
to show where you want to do
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any kind of special effects
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or anything that requires a little bit
more advanced compositing infusion.
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So that's what we did with the Acro
two dirt bike transition here.
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We've left this marker over here.
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So what I like to do
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in a lot of situations, once
I've put together my main edit like this,
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you know, we kind of have picture
lock is to go through and put markers down
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for any kind of fusion effects or things
that I would like to do in my timeline.
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So in this case,
I was just scrubbing through my timeline.
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And I notice that in this clip over here,
there's this sign
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that I don't want in my shot
because I think it's distracting.
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So what I'm going to do in this case is to
leave a marker on my timeline over here.
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I'm going to make it the same color
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as my other fusion marker,
which is this color here.
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And I'm going to call it remove sign.
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So now all of the markers
that are this color in my timeline,
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those are meant to show me
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where I want to do
any kind of fusion work in my timeline.
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So what I'll do is go through my entire
timeline, leave fusion markers
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like this in it's wherever I want to do
any kind of fusion work.
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That way,
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when it is time to go into fusion,
I can quickly just jump to those areas.
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I don't have to guess where it is
that I want to be doing
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fusion stuff and I can open up
those exact areas in fusion.
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