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Straight up Da Vinci's color
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tab is the reason
I now love the color grade.
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Before a color
grading was always something
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that I struggled with in the past.
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If we take a look
at some of my earlier work,
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there are definitely some
questionable grades at certain moments.
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And the thing is,
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I wasn't necessarily content
with those color choices at the time.
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I just didn't have the patience to try
to make all the changes I actually wanted
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to make in a layer based software
like Premiere or Final Cut.
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Now that I understand how to grade
in a note based workflow,
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I feel so much more confident
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and capable to make my color grading ideas
come to life.
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And here's the thing.
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People talk about node based color
grading as being complicated or hard,
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and I can understand why
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because I had that same idea
when I was first starting out.
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But the reality is that
although it might take you a bit longer
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to understand the workflow,
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once you do understand it,
you can work way faster and do way more.
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In this module, we'll be learning about
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all of the things that make the color
to have the best place to go to color.
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Grade your videos features
like the qualifier power windows,
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the tracker Magic masks
all the different types of nodes,
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versions, memories, styles, power
grids, and much, much more.
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This is going to be
a very exciting module.
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I'll see you in the first lesson.
2391
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