All language subtitles for Zatoichi 17 - Zatoichi Challenged (1967)

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Original subtitles

A DAI El CO. LTD. PRODUCTION

&nbsp

Prepare to die, Ichi.

&nbsp

We're going to make your head an offering on our boss's grave.

&nbsp

You're very good, blind man.

&nbsp

ZATOICHI CHALLENGED

&nbsp

Original story by KAN SHI MOZAWA Screenplay by RYOZO KASAHARA

&nbsp

Gamblers like me are always traveling the back roads of the law.

&nbsp

The entire world regards us as a curse.

&nbsp

Starring:

&nbsp

SHI NTARO KATSU

&nbsp

J USHI RO KONOE MIWA TAKADA

&nbsp

YUKIJI ASAOKA MI KI KO TSUBOUCHI, MI E NAKAO

&nbsp

You don't want to do that It's no use

&nbsp

You try the course of reason And then after that

&nbsp

By sound and by smell

&nbsp

The sword finds its way

&nbsp

It's a lonesome road Such a lonesome road

&nbsp

Directed by KENJI MISUMI

&nbsp

What a woeful life!

&nbsp

It's good to see you. Come in.

&nbsp

We need you to share your room.

&nbsp

Right in here, sir.

&nbsp

Thank you. Sorry to disturb you.

&nbsp

Ryota...

&nbsp

get my medicine.

&nbsp

It's all gone.

&nbsp

Gone?

&nbsp

Then just pour me some water.

&nbsp

What's wrong, Mom?

&nbsp

Is something the matter?

&nbsp

Is something the matter?

&nbsp

Let me rub her back.

&nbsp

Can you scoot over?

&nbsp

I'm not a doctor, but this should help a little.

&nbsp

I'll go get some more water.

&nbsp

Try to relax.

&nbsp

I so wanted my boy to meet his father before I died.

&nbsp

He's an artist named Shokichi.

&nbsp

He lives in Maebara.

&nbsp

You mustn't give up, ma'am.

&nbsp

This was a fine room to share.

&nbsp

Here.

&nbsp

What is it?

&nbsp

Keep your chin up, kid.

&nbsp

Uncle Ichi will take you to your daddy in Maebara.

&nbsp

You can stop moping.

&nbsp

I'm not moping.

&nbsp

Snotty brat.

&nbsp

Ryota! Where are you going?

&nbsp

Ryota!

&nbsp

I'm gonna leave you behind.

&nbsp

Uncle Ichi.

&nbsp

What're you doing up there?

&nbsp

They offered me a ride. Bye.

&nbsp

Bye? Hey!

&nbsp

Is this boy traveling with you?

&nbsp

It seems it's turned out that way.

&nbsp

We're going to Minowa. Why don't you hop on, too?

&nbsp

- Are you sure? - Of course.

&nbsp

You're very kind.

&nbsp

Here you go.

&nbsp

Now we're a burden on these folks, all because of you.

&nbsp

That's right. You should thank me.

&nbsp

You are the butterfly

&nbsp

And I am the flower

&nbsp

We're always together

&nbsp

When my blossom fades

&nbsp

And then wilts

&nbsp

Please don't toss me aside like a scrap of paper

&nbsp

Flower blossoms fall

&nbsp

Flower blossoms fall

&nbsp

That's the way of the world

&nbsp

Yes, right there. That feels great.

&nbsp

It's a true pleasure to serve a leading lady.

&nbsp

What a wonderful drawing!

&nbsp

Can I see it a minute?

&nbsp

See, it looks just like you.

&nbsp

You're right.

&nbsp

The boy draws pictures?

&nbsp

You're traveling with him and you didn't know?

&nbsp

How could he, Miss Tomoe?

&nbsp

Oh, that's right.

&nbsp

I'm sorry.

&nbsp

Even if I can't see, my fingers tell me you're a very pretty woman.

&nbsp

You're a smooth talker.

&nbsp

Boss Sobei has sent an escort to meet us.

&nbsp

All right. Thanks.

&nbsp

You must be tired from your long journey.

&nbsp

Boss Sobei sent us to meet you.

&nbsp

It's so nice of you to come for us like this every year.

&nbsp

Is Boss Sobei well?

&nbsp

Yes...

&nbsp

Hold it. Boss Manzo of Kanai sent us to greet you.

&nbsp

We'll be escorting you from here.

&nbsp

You're not wanted here. Step aside.

&nbsp

You're guests of Boss Manzo now.

&nbsp

You needn't worry about a thing.

&nbsp

Wait.

&nbsp

This is the troupe Boss Sobei invites to Minowa every year.

&nbsp

Stow it! I told you to step aside.

&nbsp

Uncle Ichi!

&nbsp

What do you think you're doing?

&nbsp

There's no need for violence.

&nbsp

I take it you're the leader?

&nbsp

Come on, then. The boss is waiting.

&nbsp

Boss Manzo of Kanai, you say?

&nbsp

I've never even heard of him. - Watch your mouth.

&nbsp

I was invited here by Boss Sobei of Minowa.

&nbsp

We're in a hurry.

&nbsp

All right, everyone, let's get moving.

&nbsp

I can't let you do that.

&nbsp

Come peacefully, or we'll drag you there by force.

&nbsp

Go jump in a lake.

&nbsp

I didn't want to get rough,

&nbsp

but with that attitude, you leave me no choice.

&nbsp

You're coming with me. - Hey, let go!

&nbsp

Miss Tomoe!

&nbsp

- No, Uncle Ichi! Don't go! - I'll be fine. You wait here.

&nbsp

No, don't go! Don't go!

&nbsp

Let go of me.

&nbsp

Oh! You're...

&nbsp

I can't allow this violent outrage on a public highway.

&nbsp

Be gone! - Who do you think you are?

&nbsp

Kill him!

&nbsp

Stand back, miss.

&nbsp

Quick.

&nbsp

Master Akatsuka.

&nbsp

Don't worry. I only used the back of my sword.

&nbsp

You'd best be on your way before there's more trouble.

&nbsp

I never imagined you'd come to my rescue in a place like this.

&nbsp

It must be five years since we last met.

&nbsp

A delightful twist of fate.

&nbsp

Well, I need to hurry on.

&nbsp

Take care.

&nbsp

But...

&nbsp

Master Akatsuka.

&nbsp

That samurai's voice sounds familiar from somewhere.

&nbsp

His name is Tajuro Akatsuka.

&nbsp

Back when I first got my start in Asakusa,

&nbsp

he favored me with his attentions.

&nbsp

A man of considerable swordsmanship, it seems.

&nbsp

He was a legitimate samurai when I knew him,

&nbsp

but it seems he might be without a master now.

&nbsp

The boy's still trembling.

&nbsp

He must have been really scared.

&nbsp

Don't be such a fraidy-cat, Ryota.

&nbsp

You only say that because you're blind and didn't see.

&nbsp

He's got me there.

&nbsp

Actually, I was scared, too.

&nbsp

If I could see, I might have run away and left you behind.

&nbsp

Some tea, Boss.

&nbsp

Thanks to you,

&nbsp

I can keep my promise to the villagers again this year.

&nbsp

If I may,

&nbsp

isn't the entire area around Maebara your territory?

&nbsp

I'm embarrassed to say this guy named Gonzo has taken over.

&nbsp

It's a sad story.

&nbsp

But I at least wanted

&nbsp

to bring you folks back for one last run.

&nbsp

The leading lady's a dazzling beauty.

&nbsp

She'll make you melt in your seat. Big boobs.

&nbsp

You couldn't ask for more.

&nbsp

Hey, you're blind. You can't see those signs.

&nbsp

I heard your description. I can see her plain as day.

&nbsp

She really is a looker, isn't she?

&nbsp

You're funny.

&nbsp

Then let me describe myself next.

&nbsp

I'm such a lady-killer they call me the latter-day Narihira.

&nbsp

Thick, dark eyebrows,

&nbsp

nice big eyes, a straight nose,

&nbsp

well-shaped lips and the lightest of skin...

&nbsp

the very model of the stern and handsome gallant.

&nbsp

On top of that, I'm the only son of the richest man in the area.

&nbsp

I'm going to buy out the house for tomorrow's opening.

&nbsp

How's that?

&nbsp

Can you see me now?

&nbsp

It's not nice to pull a blind man's leg.

&nbsp

You're a carpenter.

&nbsp

How can you tell?

&nbsp

I can hear your tools rattling in your box.

&nbsp

That face would kill the ladies, all right.

&nbsp

Hold it, pal.

&nbsp

Can you do this?

&nbsp

I've got a one mon copper here.

&nbsp

Can you guess which hand it's in?

&nbsp

And if I can?

&nbsp

I'll give you 100 mon. If you're wrong, I get 100.

&nbsp

All right. I'll do it.

&nbsp

There. Now guess.

&nbsp

I've got it.

&nbsp

Which hand?

&nbsp

Give me my 100 mon.

&nbsp

Sorry. I don't have it on me.

&nbsp

That won't do. Give me the 100 you promised.

&nbsp

Come on, give me a break.

&nbsp

All right, then.

&nbsp

I'll let it go if you turn around three times and bark like a dog.

&nbsp

Do it! Do it!

&nbsp

Would you like to see Miss Tomoe's face, Uncle Ichi?

&nbsp

If I could.

&nbsp

You would?

&nbsp

Then come with me.

&nbsp

I see.

&nbsp

Isn't she pretty?

&nbsp

She's not very pretty.

&nbsp

She's awfully skinny.

&nbsp

I was imagining a pretty woman with a plumper face.

&nbsp

That's a picture of my mom.

&nbsp

It was supposed to be Miss Tomoe, but it turned into my mom.

&nbsp

I see. That's understandable.

&nbsp

Try again.

&nbsp

This time make sure it comes out as Miss Tomoe.

&nbsp

It's Miss Tomoe this time.

&nbsp

That's more like it, nice and plump.

&nbsp

Eyes, nose...

&nbsp

What's this?

&nbsp

She doesn't have a mustache. You're making fun of me.

&nbsp

Because you said mean things about my mom.

&nbsp

Ryota.

&nbsp

The little rascal.

&nbsp

I'm not telling you to leave.

&nbsp

I'm telling you to go to Boss Gonzo in Maebara.

&nbsp

Do you intend to defy Boss Gonzo for Sobei's sake?

&nbsp

Say what you will, we cannot betray Boss Sobei's kindness.

&nbsp

So you absolutely refuse to change tomorrow's opening?

&nbsp

How long do you intend to keep clammed up like that?

&nbsp

I want an answer!

&nbsp

What's it going to be?

&nbsp

You realize I can shut you down completely.

&nbsp

It all depends on whether or not you cooperate.

&nbsp

Pardon me.

&nbsp

Sorry to keep you waiting.

&nbsp

I'm terribly sorry.

&nbsp

- You idiot! - Not me.

&nbsp

You blind son of a bitch!

&nbsp

Do you have any idea who you're dealing with?

&nbsp

I'm afraid I don't.

&nbsp

Around these parts, crying babies fall silent for Boss Gonzo.

&nbsp

So you are Boss Gonzo?

&nbsp

I am Manzo Kanai, and I answer to Sadakichi Shiba.

&nbsp

He's one of Boss Gonzo's most trusted men. Understand?

&nbsp

Rather complicated, isn't it?

&nbsp

If you boil it down,

&nbsp

that makes you the underling of an underling.

&nbsp

Underling of an underling?

&nbsp

Watch what you say, you son of a bitch!

&nbsp

This is a blind man you're speaking to, Boss.

&nbsp

Please just forget it.

&nbsp

No way! Look here, you blind wretch!

&nbsp

Step forward so I can cut off one of your arms.

&nbsp

Please, Boss.

&nbsp

If I lose an arm, I won't be able to work anymore.

&nbsp

I guess you may as well take them both.

&nbsp

You son of a bitch!

&nbsp

I'm hit! I'm hit!

&nbsp

It'll be embarrassing to be seen like that.

&nbsp

I suggest you stay indoors until the show finishes its run.

&nbsp

You're Zatoichi!

&nbsp

You'll pay for this.

&nbsp

Hold on, Boss.

&nbsp

You forgot something.

&nbsp

Damn it! I'm not going to forget this!

&nbsp

My, that was good.

&nbsp

I never imagined you knew tricks like that.

&nbsp

I'm afraid you've seen my worst side.

&nbsp

Miss Tomoe, I need to make a request.

&nbsp

Please don't tell the kid about this.

&nbsp

He thinks this is an ordinary cane.

&nbsp

You have my word. No one will tell the boy.

&nbsp

Master Ichi,

&nbsp

if I may be so bold,

&nbsp

I wonder if I might ask you to travel with us.

&nbsp

It seems a shame to be parted again so quickly when...

&nbsp

Miss Tomoe,

&nbsp

I appreciate the thought.

&nbsp

I'd very much like to, if I could,

&nbsp

but I need to take the boy

&nbsp

to his father in Maebara as soon as I can.

&nbsp

I see.

&nbsp

This is terrible.!

&nbsp

Boss Sobei has been killed.

&nbsp

By whom?

&nbsp

Gonzo's men may be headed here next. You must leave immediately.

&nbsp

Those were his dying words.

&nbsp

Good-bye.

&nbsp

Take care.

&nbsp

Good-bye, everyone.

&nbsp

- Good-bye. - Go in good health.

&nbsp

There's lots of rocks on the path.

&nbsp

I know.

&nbsp

I told you.

&nbsp

I said I know.

&nbsp

You should be more careful.

&nbsp

Don't get too cocky. You could stumble too.

&nbsp

But I can see perfectly well.

&nbsp

What did I tell you?

&nbsp

- Ow, it's bleeding. - It's nothing to fuss about.

&nbsp

Get up. I'm going.

&nbsp

Ow, ow, ow. I can't walk.

&nbsp

If it hurts so much, just sit there until it gets better.

&nbsp

So long.

&nbsp

Rats.

&nbsp

You startled me.

&nbsp

I thought for a second that I'd been sliced in two.

&nbsp

It was a mean trick.

&nbsp

My apologies.

&nbsp

Well, well. You're the one from the other day.

&nbsp

I believe the name was Tajuro Akatsuka.

&nbsp

How do you know my name?

&nbsp

This boy and I were with Miss Tomoe's troupe the other day.

&nbsp

I see.

&nbsp

I didn't notice.

&nbsp

But we met once before that as well.

&nbsp

Yes, I know.

&nbsp

Being blind, I remember voices well.

&nbsp

I suppose you would.

&nbsp

For a blind man to wield a sword like that...

&nbsp

You're no ordinary man.

&nbsp

Please don't jest.

&nbsp

I'm just a plain old masseur.

&nbsp

Apart from that, I'm not one who can walk proudly in the light of day.

&nbsp

It's such a shame.

&nbsp

To think what you could do if you were a sighted samurai.

&nbsp

You give me too much credit.

&nbsp

Granny.

&nbsp

Yes, sir.

&nbsp

I need to pay for the rice balls.

&nbsp

Also, could I have two pairs of straw sandals?

&nbsp

Would one of those be for the child?

&nbsp

On second thought, my sandals are still in pretty good shape.

&nbsp

Make that just one pair.

&nbsp

Mister, I don't know what your story is,

&nbsp

but it can't be easy for a blind man to travel with a child.

&nbsp

Actually, he's a big help, showing me the way.

&nbsp

I wonder,

&nbsp

if you're not in a hurry, could I get a massage?

&nbsp

You'd like a massage?

&nbsp

Certainly, sir. I appreciate the chance to make a little money.

&nbsp

Your shoulders don't feel all that stiff.

&nbsp

They don't?

&nbsp

But I can tell that you've trained very hard.

&nbsp

Is it true what Miss Tomoe told me?

&nbsp

That you've joined the ranks of samurai without a lord?

&nbsp

I'm sorry. That's none of my business.

&nbsp

But whatever the reason may be,

&nbsp

it's curious how we seem to keep running into each other.

&nbsp

Where are you headed?

&nbsp

Nowhere in particular. Wherever my legs and spirit take me.

&nbsp

I'm just wandering about the countryside at my leisure.

&nbsp

I think I'm envious.

&nbsp

Say, everyone.

&nbsp

How about we take a little rest at this tea shop?

&nbsp

Yeah, that sounds great.

&nbsp

Let's stop and rest.

&nbsp

There's a nicer shop just ahead. Let's stop there.

&nbsp

All right.

&nbsp

- That'll be enough. - Already?

&nbsp

You've had enough?

&nbsp

Here you go.

&nbsp

Keep the change.

&nbsp

Thank you very much.

&nbsp

A one bu silver piece. This is too much, sir.

&nbsp

I want you to have it. Use it in your travels.

&nbsp

I can't accept it.

&nbsp

I don't want charity.

&nbsp

What?

&nbsp

Please don't be offended.

&nbsp

It's just that, if I accept this,

&nbsp

it'll make me feel shabby and low.

&nbsp

I see. But I am a samurai.

&nbsp

I can't take back something I've already given.

&nbsp

What do you say to that?

&nbsp

Then perhaps we could settle it this way.

&nbsp

I only worked on your shoulders,

&nbsp

but we'll say I gave you a full massage.

&nbsp

You can pay me 48 mon.

&nbsp

You're an odd one. As you wish, then.

&nbsp

Thank you very much, sir.

&nbsp

Let's see. One pair of sandals and two rice balls.

&nbsp

That'll be 36 mon altogether.

&nbsp

All right. Here.

&nbsp

Thank you.

&nbsp

How far are you going, sir?

&nbsp

To Maebara.

&nbsp

That's just up the road a piece.

&nbsp

I'm looking for a man named Shokichi.

&nbsp

I don't suppose you'd know him. - Shokichi?

&nbsp

Sounds familiar.

&nbsp

Oh, that's right.

&nbsp

There's the apprentice at Tahei the potter's place.

&nbsp

I think his name was Shokichi.

&nbsp

Really?

&nbsp

I can't be sure, but I think so.

&nbsp

Can you tell me where this potter lives?

&nbsp

Ryota.

&nbsp

What're you doing?

&nbsp

You surprised me.

&nbsp

Hello.

&nbsp

Yes?

&nbsp

- Is this Tahei's place? - Uh-huh.

&nbsp

I'm looking for a man named Shokichi.

&nbsp

- Shokichi isn't here. - Is he out?

&nbsp

Oh, you called for a masseur?

&nbsp

This man came looking for Shokichi.

&nbsp

When will he be back?

&nbsp

My shoulders have tightened up something terrible.

&nbsp

Why don't you plan to stay with us tonight?

&nbsp

We can talk while you give me a massage.

&nbsp

That'd be wonderful.

&nbsp

Perfect timing, isn't it, Father?

&nbsp

So you're his daughter?

&nbsp

Much obliged for your hospitality.

&nbsp

It's just me and Mitsu here. Please make yourself at home.

&nbsp

Come with me, then.

&nbsp

Shokichi is awfully late, isn't he?

&nbsp

He won't be back.

&nbsp

Why did you want to see him?

&nbsp

It's a little complicated.

&nbsp

This boy's mother passed away at an inn in lizuka.

&nbsp

I happened to be sharing a room with them.

&nbsp

The woman begged me with her dying breath

&nbsp

to take the boy to his father.

&nbsp

All I know about him

&nbsp

is that he lives in Maebara and his name is Shokichi.

&nbsp

So that's why you came here.

&nbsp

It's true we had a fellow named Shokichi working here.

&nbsp

He drew designs for the pots and plates I make.

&nbsp

But I doubt he's the man you're looking for.

&nbsp

He never said a word about having a kid.

&nbsp

If I may,

&nbsp

where is this Shokichi now?

&nbsp

He fell in with a bad crowd and started going to Gonzo's gambling house.

&nbsp

Boss Gonzo?

&nbsp

Then, about a year ago, he disappeared.

&nbsp

Once upon a time, I thought I'd offer him my daughter's hand,

&nbsp

but he turned out to be a fool.

&nbsp

No doubt his gambling losses piled up

&nbsp

and the boss has him slaving in the clay pit now.

&nbsp

He's not that kind of man.

&nbsp

I'm sure there's some other explanation.

&nbsp

Give it up, Mitsu.

&nbsp

No.

&nbsp

I know him.

&nbsp

He may be weak, but he's a good man at heart.

&nbsp

Father,

&nbsp

I think maybe this really is Shokichi's boy.

&nbsp

It was six years ago that Shokichi showed up here.

&nbsp

Besides, I can see a resemblance.

&nbsp

Don't be silly, Mitsu.

&nbsp

If this really were Shokichi's boy,

&nbsp

I'd be willing to take him in and raise him.

&nbsp

Where do you think you're going, blind man?

&nbsp

Is this where you dig clay for making pots?

&nbsp

Do you have a permit?

&nbsp

No, I just wanted to see somebody.

&nbsp

To see someone here requires special permission.

&nbsp

Go home.

&nbsp

Who do I have to get permission from?

&nbsp

The intendant, of course.

&nbsp

I have to get the government's permission?

&nbsp

I thought maybe I'd need permission from the Gon-devil.

&nbsp

What the hell is the Gon-devil?

&nbsp

- Boss Gonzo. - You son of a bitch!

&nbsp

Watch what you call the boss or you'll pay for it!

&nbsp

I'm not the one who called him that.

&nbsp

That's what everyone around here calls him.

&nbsp

You don't know when to stop. I said get out of here.

&nbsp

If you insist.

&nbsp

I'll just sit over here and take in the sights.

&nbsp

Take in the sights?

&nbsp

Crazy blind man!

&nbsp

I didn't expect to see you here.

&nbsp

Master Akatsuka.

&nbsp

This is a surprise.

&nbsp

I imagined you'd be far away by now.

&nbsp

I like it here. I decided to stay awhile.

&nbsp

I'll be staying awhile, too, to take care of a certain matter.

&nbsp

If you ever need a masseur, just let me know.

&nbsp

- Where are you staying? - At the potter Tahei's home.

&nbsp

- An acquaintance of yours? - You could say that.

&nbsp

- And your name? - Ichi.

&nbsp

Good-bye, Boss.

&nbsp

We have things ready at the restaurant. I'll take you there now.

&nbsp

Where are you staying?

&nbsp

Master Akatsuka?

&nbsp

See you again.

&nbsp

Where's Uncle Ichi?

&nbsp

Look at that face.

&nbsp

Where were you playing?

&nbsp

Where's Uncle Ichi?

&nbsp

He went to look for your father at the clay pit on Mt. Iwama.

&nbsp

He said he'd be right back so you're to stay here.

&nbsp

Okay.

&nbsp

Uncle Ichi.

&nbsp

I told you to stay put.

&nbsp

Why'd you come? - I came to get you. It's time to eat.

&nbsp

Aren't you hungry? Here's some candy.

&nbsp

You brought me some candy?

&nbsp

That's sweet of you.

&nbsp

I hear you've finished another design.

&nbsp

Don't just stand there. Show it to him.

&nbsp

Excellent work.

&nbsp

Boss, when will I get to go home?

&nbsp

I suppose after you've done ten more of these.

&nbsp

Ten more? But that could take a year!

&nbsp

Quiet! Just do as you're told.

&nbsp

- If you want to go home, work faster. - This wasn't the deal.

&nbsp

Mr. Torikoshi, how much longer do I have to stay here?

&nbsp

I understand how you feel.

&nbsp

But I assure you, this is all for the best.

&nbsp

The intendant was praising your work, too.

&nbsp

It'll only be a little while longer.

&nbsp

You got that?

&nbsp

Now go get started on the next one.

&nbsp

It's magnificent!

&nbsp

The composition, the colors...

&nbsp

He's a true artist.

&nbsp

Fire this onto a plate with plenty of the forbidden materials,

&nbsp

and someone like Lord Kaga will cough up 5000 ryo for it.

&nbsp

That's for sure.

&nbsp

Gold dust, silver dust.

&nbsp

It even calls for imported vermilion.

&nbsp

You don't get any more opulent than this.

&nbsp

Boss, it's Kanta.

&nbsp

Come in.

&nbsp

The artisans we've been expecting from Edo have arrived.

&nbsp

Welcome back.

&nbsp

You gave the artisans a good story?

&nbsp

There won't be any problems. They're resting right now.

&nbsp

All right. I'll see them later.

&nbsp

There's just one thing, Boss.

&nbsp

We kept seeing a certain samurai on the road with us.

&nbsp

I wondered if he was following us.

&nbsp

- All the way from Edo? - Yes.

&nbsp

A government agent, perhaps?

&nbsp

Surely not.

&nbsp

We should hear about it if the government makes a move.

&nbsp

We'll step up security just to be safe.

&nbsp

Wait.

&nbsp

I'll move here.

&nbsp

Oh, Manzo. I didn't expect to see you here.

&nbsp

Master Kurusu challenged me to a game.

&nbsp

By the way, I hear your artist is quite the dashing man.

&nbsp

Oh, shush.

&nbsp

The boss says the next design he wants

&nbsp

is for one of these.

&nbsp

You're to draw something that fits this vase.

&nbsp

It must be terribly hard on you.

&nbsp

They have us waiting on you hand and foot,

&nbsp

but you're under constant watch, even when you go to the toilet.

&nbsp

You're not free to do anything on your own.

&nbsp

- Mistress Sen. - No, it's all right.

&nbsp

It's actually the same for me.

&nbsp

Gonzo keeps me here by force, tied up so tight I can hardly breathe.

&nbsp

Why are you telling me this?

&nbsp

I wish I could run away with you.

&nbsp

Shh. Someone could hear you.

&nbsp

Tell me, Shokichi.

&nbsp

Do you have any feelings for me?

&nbsp

Feelings?

&nbsp

I'm such a fool.

&nbsp

Dreaming the impossible.

&nbsp

I was only kidding.

&nbsp

So, please,

&nbsp

forget everything I said just now.

&nbsp

Is the dice game back this way?

&nbsp

What the hell do...

&nbsp

Oh!

&nbsp

How thoughtful of you! I was just on my way to get a masseur.

&nbsp

- But I came to... - Never mind that.

&nbsp

He's a very important customer.

&nbsp

Just come with me.

&nbsp

Beaten again!

&nbsp

I almost feel bad for winning so much.

&nbsp

You're in a different league from the rest of us.

&nbsp

How about you, Mr. Nariyama?

&nbsp

I have my hands full.

&nbsp

Excuse me.

&nbsp

The masseur is here.

&nbsp

Let's get to it right away.

&nbsp

Good evening. It's a pleasure to serve you.

&nbsp

I suppose the party is over.

&nbsp

Good-bye, Mr. Torikoshi.

&nbsp

Good-bye.

&nbsp

Let me help you.

&nbsp

I'll get started now, sir.

&nbsp

Mr. Torikoshi,

&nbsp

would you care for a game with me later on?

&nbsp

No, I'll need to get home as soon as I'm done with this.

&nbsp

You usually don't leave so early.

&nbsp

I have to accompany the intendant on a duck hunt in the morning.

&nbsp

I see.

&nbsp

You know, sir,

&nbsp

there's something I've been wanting to ask you.

&nbsp

What?

&nbsp

It's about the artist Shokichi.

&nbsp

I think you were the one who introduced him to Boss Gonzo.

&nbsp

Sen, you haven't fallen in love with the man, have you?

&nbsp

Don't be silly, sir.

&nbsp

I just somehow feel a little sorry for him,

&nbsp

and I wondered how much longer he'll have to work here.

&nbsp

Sen, a woman dependent on Gonzo's generosity

&nbsp

shouldn't be feeling sorry for the likes of Shokichi.

&nbsp

It could be her downfall.

&nbsp

Right.

&nbsp

Don't mention it again.

&nbsp

I'm not going to answer.

&nbsp

Good night, sir.

&nbsp

Excuse me. Could you stop a minute?

&nbsp

Get out of the way!

&nbsp

Mr. Torikoshi. This won't take long.

&nbsp

Insolence!

&nbsp

Take that, you son of a bitch!

&nbsp

Sir, I'm the masseur from a while ago.

&nbsp

I know it's rude of me, but I have something to ask you.

&nbsp

What is it?

&nbsp

I need you to tell me where the man named Shokichi is.

&nbsp

There's a particular reason why I must see him.

&nbsp

Masseur,

&nbsp

I already said I would not answer questions about him.

&nbsp

You were there. You heard me.

&nbsp

I approached you here because I sensed a need for discretion.

&nbsp

Then don't ask. And don't look for him.

&nbsp

- Sir... - Enough!

&nbsp

If you persist, your head will fly. Bearers, take me home!

&nbsp

Wait.

&nbsp

Mr. Torikoshi,

&nbsp

I'm asking you, sir,

&nbsp

to tell me where Shokichi...

&nbsp

Wait! I'll tell you...

&nbsp

Master Akatsuka, I believe.

&nbsp

Why did you kill Mr. Torikoshi?

&nbsp

That's no concern of yours.

&nbsp

Sir! Mr. Torikoshi!

&nbsp

Boss! It's a disaster!

&nbsp

Torikoshi has been killed! - What?

&nbsp

And it was that scum Zatoichi who did it.

&nbsp

Zatoichi?

&nbsp

What are you talking about?

&nbsp

Now, now, calm down.

&nbsp

Idiot! You're the one who needs to calm down.

&nbsp

I saw it with my own eyes.

&nbsp

Torikoshi was all covered in blood,

&nbsp

and Zatoichi was standing there right next to him, like this.

&nbsp

Is this true?

&nbsp

Wait a minute.

&nbsp

Ichi might have come by after someone else...

&nbsp

In which case, we could have big trouble.

&nbsp

This may indeed be the hand of the government.

&nbsp

Chokichi is asking for you.

&nbsp

I'll keep watch while you're gone.

&nbsp

Shokichi, this is your chance to escape. Just follow me.

&nbsp

Mistress Sen.

&nbsp

I sent the guard away. Hurry.

&nbsp

Nobody sent for a masseur.

&nbsp

I wanted to see Mistress Sen.

&nbsp

Shokichi has escaped.! The artist is gone.!

&nbsp

Check the back gate.!

&nbsp

- No sign ofhim outside. - Well, he's not inside. Look again.

&nbsp

Hello.

&nbsp

Is that you, Shokichi?

&nbsp

You needn't worry. I'm on your side.

&nbsp

I have something very important to show you.

&nbsp

Please come with me.

&nbsp

What're you doing here?

&nbsp

Just enjoying your hospitality.

&nbsp

Out of my way.

&nbsp

Shokichi. Quick.

&nbsp

Shokichi!

&nbsp

I don't know why you're here, but please protect him.

&nbsp

I'll never forget your kindness.

&nbsp

Mistress Sen!

&nbsp

- What's going on! - We escaped from Gonzo's place.

&nbsp

- Is there someplace we can hide? - Go upstairs.

&nbsp

I should never have done those forbidden pictures.

&nbsp

I was too weak. I got sucked into it without realizing.

&nbsp

Gonzo and the officials are the ones to blame.

&nbsp

But never mind that.

&nbsp

I need you to take a look at this.

&nbsp

- Where did you get this? - It belonged to you, right?

&nbsp

Yes, but a long time ago...

&nbsp

Then you know a woman named Mine.

&nbsp

Yes.

&nbsp

I gave this to her.

&nbsp

She'll be so glad that you remembered her.

&nbsp

Now she can finally rest in peace.

&nbsp

Rest in peace? You mean she's dead?

&nbsp

I was there when she breathed her last at a traveler's inn.

&nbsp

You'll also remember

&nbsp

that you and Mine had a baby boy six years ago.

&nbsp

- A baby boy? - Named Ryota.

&nbsp

No.

&nbsp

Mine didn't say anything about a baby when we parted.

&nbsp

With her last breath, Mine told me:

&nbsp

"This child's father is in Maebara, an artist named Shokichi.

&nbsp

Please take the boy to him."

&nbsp

I had no reason to doubt her.

&nbsp

So I took the boy and came looking for you.

&nbsp

I know nothing about a child.

&nbsp

Are you saying, then,

&nbsp

that you never had relations with Mine?

&nbsp

Nothing happened between you?

&nbsp

You're right that we were together, but only for about a month.

&nbsp

Then it should come as no surprise that she got pregnant.

&nbsp

That's true, but...

&nbsp

Let me show you something else.

&nbsp

This is a drawing Ryota made of his mother.

&nbsp

Take a look at it.

&nbsp

Pretty good, isn't it? Don't you think he has your blood?

&nbsp

The boy...

&nbsp

He really drew this?

&nbsp

He drew one picture after another, all the way here.

&nbsp

"It's my mom," he said proudly, over and over.

&nbsp

It made me choke up every time.

&nbsp

Please take me to him.

&nbsp

To this boy named Ryota.

&nbsp

Please, Master Ichi.

&nbsp

I NTENDANT

&nbsp

These were all designed by the artist Shokichi.

&nbsp

I infiltrated Gonzo's kiln as an artisan

&nbsp

and confirmed each one.

&nbsp

He conspired with Gonzo to design forbidden picture plates

&nbsp

that were then decorated with forbidden gold and silver.

&nbsp

Then they secretly sold them to wealthy lords

&nbsp

and even smuggled some abroad with the help of an Edo merchant.

&nbsp

Wait.

&nbsp

This was done with the full knowledge of the commissioner of finance in Edo?

&nbsp

That's right. And there's no telling how much further the evil has spread.

&nbsp

We must nip this corruption in the bud by executing all those involved.

&nbsp

That leaves only Gonzo and his men.

&nbsp

Hey.

&nbsp

Where's Zatoichi?

&nbsp

Where are you hiding Shokichi?

&nbsp

Are you deaf, Tahei?

&nbsp

- Did you find Shokichi? - He wasn't there.

&nbsp

Search the whole workshop.

&nbsp

Take them to Mt. Iwama.

&nbsp

Mitsu!

&nbsp

Mitsu!

&nbsp

- Get away! - Son of a bitch!

&nbsp

Take them away!

&nbsp

Mitsu!

&nbsp

Master Tahei!

&nbsp

It's Shokichi! Are you all right?

&nbsp

Gonzo's men took Mitsu and the boy

&nbsp

to Mt. Iwama.

&nbsp

Master Tahei!

&nbsp

Shokichi,

&nbsp

I need you to take me to Mt. Iwama.

&nbsp

Here he comes.

&nbsp

Watch out!

&nbsp

Come with me.

&nbsp

Where's the lady and the boy?

&nbsp

I don't know what you're talking about.

&nbsp

You'll spill it if you know what's good for you.

&nbsp

Out with it!

&nbsp

This is a disaster.

&nbsp

If the intendant has been killed, we'd better put on our travel gear.

&nbsp

Damn it! Just when we finally got rid of Zatoichi and Shokichi.

&nbsp

Boss, what are we going to do with the girl and the kid?

&nbsp

You take care of them on our way out.

&nbsp

Do we really have to kill the girl?

&nbsp

Boss!

&nbsp

You idiot!

&nbsp

Hello there, Boss Gonzo.

&nbsp

Be so kind as to exchange this fellow for the lady and child.

&nbsp

All right.

&nbsp

Master Kurusu, go get the girl and the kid for him.

&nbsp

Hold it!

&nbsp

I'll take it from there.

&nbsp

Wouldn't want you to bring them out only to cut them down.

&nbsp

Miss Mitsu, I'll get you out of there real soon.

&nbsp

Mitsu!

&nbsp

Master Ichi!

&nbsp

Uncle Ichi!

&nbsp

There, there, it's all over now.

&nbsp

You don't need to cry.

&nbsp

No point in sticking around here. Let's go.

&nbsp

Climb on my back.

&nbsp

Master Ichi, would you let me do that?

&nbsp

Here, Ryota.

&nbsp

Come on, Ryota.

&nbsp

Now, now, Ryota. Go to your father.

&nbsp

I said go to your father!

&nbsp

Let your father carry you.

&nbsp

Ichi.

&nbsp

Master Akatsuka.

&nbsp

Is there something I can do for you?

&nbsp

I want you to hand Shokichi over to me.

&nbsp

I beg your pardon?

&nbsp

Just hand him over.

&nbsp

What's this about, all of a sudden?

&nbsp

Shokichi, do you have some history with this samurai?

&nbsp

No, I've never seen him before.

&nbsp

What's your business with Shokichi, Master Akatsuka?

&nbsp

If you won't tell me that, how do you expect me to comply?

&nbsp

I'm going to kill him.

&nbsp

Have you gone mad?

&nbsp

I'm on official government business.

&nbsp

When I cut down Torikoshi, that, too, was official business.

&nbsp

I would have killed Gonzo as well, but you saved me the trouble.

&nbsp

Perhaps now you can understand my position.

&nbsp

I can understand why you might go after Gonzo and the corrupt officials,

&nbsp

but this man's only crime was being forced by Gonzo to...

&nbsp

Forced or not,

&nbsp

he's guilty of creating designs for the forbidden items.

&nbsp

It was his misfortune to have been born with such a gift.

&nbsp

I still don't understand why drawing a few pictures should...

&nbsp

My orders are to destroy all traces of the plot, whether man or object,

&nbsp

to prevent it from becoming a scandal.

&nbsp

Master Akatsuka,

&nbsp

though they only met today,

&nbsp

Shokichi is that boy's father.

&nbsp

This is their first chance to live happily as a family.

&nbsp

Please just look the other way and let them go.

&nbsp

Please have mercy on them.

&nbsp

The law has no mercy.

&nbsp

If you refuse to turn him over,

&nbsp

I will have to kill you as well.

&nbsp

Please let Shokichi go.

&nbsp

For the sake of the child. I beg you.

&nbsp

Stand in my way and I'll not hesitate to kill even a woman or child.

&nbsp

Wait!

&nbsp

Master Ichi,

&nbsp

I'll accept this as my fate.

&nbsp

Please look after Ryota and Mitsu.

&nbsp

Shokichi stays with me.

&nbsp

Ichi!

&nbsp

You samurai are so full of yourselves.

&nbsp

So long as you've got orders, you don't care what you do to people.

&nbsp

Step aside.

&nbsp

You'll have to take Shokichi

&nbsp

over my dead body.

&nbsp

I'm warning you.

&nbsp

Don't let Ryota see this.

&nbsp

- Master Akatsuka! - That's Shokichi! Kill him!

&nbsp

Out of my way!

&nbsp

Ichi,

&nbsp

you win.

&nbsp

Uncle Ichi!

&nbsp

Uncle Ichi!

&nbsp

Ryota!

&nbsp

Where are you going, Ryota?

&nbsp

Ryota!

&nbsp

Uncle Ichi!

&nbsp

Uncle Ichi!

&nbsp

I want to go with you.

&nbsp

Don't follow me.

&nbsp

Your father's over there, Ryota.

&nbsp

Uncle Ichi!

&nbsp

Uncle Ichi.!

&nbsp

Uncle Ichi's a big dummy!

&nbsp

THE END ?967 DAI El CO. LTD.

&nbsp

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