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1
00:00:03,334 --> 00:00:04,834
OK, I'M ROLLING.
SPEED.
2
00:00:04,869 --> 00:00:05,965
CAMERA'S READY.
3
00:00:06,000 --> 00:00:08,750
AND, RONA,
YOU ARE LIVE!
4
00:00:08,785 --> 00:00:11,466
NO NEW EPISODE AGAIN,
5
00:00:11,501 --> 00:00:14,001
AND AMERICA
WANTS TO KNOW WHY.
6
00:00:14,036 --> 00:00:16,534
SO, I'VE COME HERE
TO THE HOME
7
00:00:16,569 --> 00:00:18,998
OF THE BLUE MOON
DETECTIVE AGENCY
8
00:00:19,033 --> 00:00:21,534
TO SPEAK WITH
THE PLAYERS THEMSELVES-
9
00:00:21,569 --> 00:00:24,051
MADDIE HAYES,
DAVID ADDISON,
10
00:00:24,086 --> 00:00:26,534
THEIR FRIENDS,
THEIR COLLEAGUES,
11
00:00:26,569 --> 00:00:27,998
THEIR LOVERS.
12
00:00:28,033 --> 00:00:30,033
WHO ARE THESE
TWO PEOPLE?
13
00:00:30,068 --> 00:00:31,550
WHAT MAKES THEM TICK?
14
00:00:31,585 --> 00:00:33,059
AND WHAT WENT WRONG?
15
00:00:33,094 --> 00:00:35,063
WHAT ABOUT THE RUMORS?
16
00:00:35,098 --> 00:00:36,998
IS THERE FRICTION?
17
00:00:37,033 --> 00:00:39,499
OR ARE TIME MAGAZINE,
USA TODAY,
18
00:00:39,534 --> 00:00:44,434
THE NATIONAL ENQUIRER,
AND STAR JUST MISINFORMED?
19
00:00:44,469 --> 00:00:48,033
THIS IS THE FAMOUS
BLUE MOON CORRIDOR.
20
00:00:48,068 --> 00:00:49,998
THIS IS THE ELEVATOR
21
00:00:50,033 --> 00:00:52,532
FROM WHICH MADDIE HAYES
USED TO EMERGE
22
00:00:52,567 --> 00:00:55,567
EVERY TUESDAY NIGHT
TO DISCOVER DAVID ADDISON
23
00:00:55,602 --> 00:00:58,032
LIMBOING OR RUNNING
SANTA'S HOT LINE
24
00:00:58,067 --> 00:01:01,567
OR OGLING WOMEN
IN A SKYSCRAPER ACROSS THE WAY.
25
00:01:01,602 --> 00:01:05,067
BUT THE ELEVATOR
IS EMPTY TONIGHT,
26
00:01:05,102 --> 00:01:06,866
AND DAVID ISN'T LIMBOING,
27
00:01:06,901 --> 00:01:10,234
OGLING, OR DOING
ANYTHING ELSE.
28
00:01:10,269 --> 00:01:13,567
THIS IS THE FAMOUS
BLUE MOON DOOR,
29
00:01:13,602 --> 00:01:16,032
FOREVER OPENING
AND CLOSING,
30
00:01:16,067 --> 00:01:19,067
BEING SLAMMED BY MADDIE HAYES
AND DAVID ADDISON
31
00:01:19,102 --> 00:01:22,067
IN FITS OF RAGE
AND SPURTS OF PASSION.
32
00:01:22,102 --> 00:01:25,601
TONIGHT, IT SITS SILENT,
33
00:01:25,636 --> 00:01:28,065
STILL...
34
00:01:28,100 --> 00:01:30,100
WAITING TO GET BANGED.
35
00:01:30,135 --> 00:01:31,566
IS THAT RIGHT?
36
00:01:31,601 --> 00:01:33,332
WAITING TO GET BANGED?
37
00:01:33,367 --> 00:01:35,733
GO, GO,
GO, GO, GO!
38
00:01:35,768 --> 00:01:37,984
MISS DIPESTO,
I'M RONA BARRETT.
39
00:01:38,019 --> 00:01:40,200
I'M HERE TO SEE
MADDIE AND DAVID.
40
00:01:41,601 --> 00:01:43,100
THEY'RE NOT IN.
41
00:01:48,100 --> 00:01:49,566
WHAT AM I DOING?
42
00:01:49,601 --> 00:01:52,100
I CAN'T LIE
TO RONA BARRETT.
43
00:01:52,135 --> 00:01:53,566
THEY'RE IN,
44
00:01:53,601 --> 00:01:55,300
BUT THEY WON'T SEE ANYBODY.
THEY WON'T TALK TO ANYBODY.
45
00:01:55,335 --> 00:01:57,133
THEY WON'T EVEN
TALK TO EACH OTHER!
46
00:01:57,168 --> 00:01:58,400
I'M GOING TO GET THEM.
47
00:01:59,634 --> 00:02:01,350
EXCUSE ME, GENTLEMEN.
48
00:02:01,385 --> 00:02:03,067
EXCUSE ME, PLEASE.
49
00:02:04,133 --> 00:02:05,634
DAVID ADDISON.
50
00:02:05,669 --> 00:02:06,599
DAVID.
51
00:02:06,634 --> 00:02:08,133
ARE YOU IN THERE?
52
00:02:08,168 --> 00:02:09,599
GO AWAY!
53
00:02:09,634 --> 00:02:12,098
DAVID, I WANT
TO TALK TO YOU.
54
00:02:12,133 --> 00:02:14,133
SCRAM! I AIN'T
TALKING TO ANYBODY!
55
00:02:14,168 --> 00:02:16,400
DAVID,
THIS IS RONA BARRETT.
56
00:02:22,634 --> 00:02:24,098
HI, RONA. I'M SORRY.
57
00:02:24,133 --> 00:02:26,098
I DIDN'T KNOW
IT WAS YOU.
58
00:02:26,133 --> 00:02:28,550
DAVID, IT'S 9:00,
8:00 CENTRAL TIME.
59
00:02:28,585 --> 00:02:30,933
YOU AND MADDIE
ARE SUPPOSED TO BE
60
00:02:30,968 --> 00:02:34,167
FIGHTING AND ROMANCING,
COURTING AND SPARKING.
61
00:02:34,202 --> 00:02:35,466
YEAH, I KNOW.
62
00:02:35,501 --> 00:02:38,834
YOU'RE SUPPOSED TO BE
MAKING US LAUGH, MAKING US CRY.
63
00:02:38,869 --> 00:02:40,132
I KNOW.
64
00:02:40,167 --> 00:02:41,601
SO, WHAT'S THE STORY?
65
00:02:44,834 --> 00:02:47,500
HAVE YOU TALKED
TO HER YET?
66
00:02:47,535 --> 00:02:50,132
NO. I CAME TO SEE
YOU FIRST.
67
00:02:50,167 --> 00:02:53,200
YOU'RE GONNA HAVE
TO TALK TO HER, RONA.
68
00:02:55,334 --> 00:02:56,965
I'M SORRY.
69
00:02:57,000 --> 00:02:59,667
YOU'RE GONNA HAVE
TO TALK TO HER. I'M REALLY SORRY.
70
00:02:59,702 --> 00:03:01,767
WELL, I WILL
TALK TO HER.
71
00:03:04,701 --> 00:03:06,968
BAD LADIES, SISTERS,
EXCUSE ME.
72
00:03:09,868 --> 00:03:11,284
MADDIE. MADDIE HAYES.
73
00:03:11,319 --> 00:03:12,666
IT'S RONA BARRETT.
74
00:03:12,701 --> 00:03:14,701
CAN WE COME IN
AND SPEAK WITH YOU?
75
00:03:14,736 --> 00:03:15,666
WHAT?
76
00:03:15,701 --> 00:03:17,450
RONA-
RONA BARRETT?
77
00:03:17,485 --> 00:03:19,200
MADDIE, CAN WE COME IN?
78
00:03:19,235 --> 00:03:21,133
JUST A SECOND.
79
00:03:23,701 --> 00:03:25,117
HI, RONA.
80
00:03:25,152 --> 00:03:26,499
MADDIE.
81
00:03:26,534 --> 00:03:29,534
YOU BROUGHT
A CAMERA CREW WITH YOU.
82
00:03:29,569 --> 00:03:30,968
JUST A SECOND.
83
00:03:36,534 --> 00:03:38,299
HI, RONA!
84
00:03:38,334 --> 00:03:41,267
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
85
00:03:50,901 --> 00:03:55,567
* SOME WALK BY NIGHT *
86
00:03:55,602 --> 00:04:00,199
* SOME FLY BY DAY *
87
00:04:00,234 --> 00:04:04,199
* SOMETHING IS SWEETER *
88
00:04:04,234 --> 00:04:08,551
* 'CAUSE WE MET
ON THE WAY *
89
00:04:08,586 --> 00:04:12,868
* 'CAUSE WE MET
ON THE WAY *
90
00:04:16,434 --> 00:04:17,899
THIS IS
MOONLIGHTING EPISODE,
91
00:04:17,934 --> 00:04:20,434
THE STRAIGHT POP-
SORRY, STRAIGHT POOP.
92
00:04:20,469 --> 00:04:22,434
WE'RE GETTING
A LITTLE TEST.
93
00:04:22,469 --> 00:04:23,566
1, 2, 3, 4.
94
00:04:23,601 --> 00:04:25,434
TEST 1, 2, 3, 4.
SOUNDS PRETTY GOOD.
95
00:04:25,469 --> 00:04:26,566
GIVE ME A 10,
96
00:04:26,601 --> 00:04:28,232
IF YOU GOT ONE
UP THERE.
97
00:04:28,267 --> 00:04:29,434
NO 10? ALL RIGHT,
GIVE ME AN 8.
98
00:04:29,469 --> 00:04:31,485
OK, 7, 6,
99
00:04:31,520 --> 00:04:33,466
5, 4...
100
00:04:33,501 --> 00:04:35,167
WE'RE DOING FINE.
3...HERE WE GO.
101
00:04:36,300 --> 00:04:38,766
MADDIE, LET'S BEGIN
AT THE BEGINNING.
102
00:04:38,801 --> 00:04:43,234
HERE YOU ARE, THE OWNER
OF A VERY SUCCESSFUL DETECTIVE AGENCY.
103
00:04:43,269 --> 00:04:44,933
AND THEN,
HERE'S THIS GUY-
104
00:04:44,968 --> 00:04:48,767
HE'S A LITTLE CRUDE,
HE'S A LITTLE BRASH.
105
00:04:48,802 --> 00:04:50,098
HOW DID YOU TWO MEET?
106
00:04:50,133 --> 00:04:53,265
I MEAN, WHEN DID IT
FIRST BEGIN?
107
00:04:53,300 --> 00:04:56,667
WELL, LET'S SAY IT
WASN'T THE BEST DAY OF MY LIFE.
108
00:05:02,033 --> 00:05:03,933
HELLO.
109
00:05:03,968 --> 00:05:05,468
HELLO.
110
00:05:05,503 --> 00:05:06,968
WOW.
111
00:05:08,234 --> 00:05:09,699
MY GOODNESS,
MISS DIPESTO.
112
00:05:09,734 --> 00:05:11,734
WE'RE LOOKING
A LITTLE PALE TODAY, AREN'T WE?
113
00:05:11,769 --> 00:05:13,234
AND WHO HAVE
WE HERE?
114
00:05:13,269 --> 00:05:14,699
I DON'T KNOW.
115
00:05:14,734 --> 00:05:16,199
NOW, NOW, NO
REASON TO BE SHY.
116
00:05:16,234 --> 00:05:17,767
LET'S SEE
A LITTLE CONFIDENCE, A LITTLE CHARISMA,
117
00:05:17,802 --> 00:05:19,284
A LITTLE
DALE CARNEGIE.
118
00:05:19,319 --> 00:05:20,732
REMEMBER LESSON ONE.
119
00:05:20,767 --> 00:05:23,767
IMAGINE YOUR
ENTIRE AUDIENCE IS COMPLETELY NAKED.
120
00:05:23,802 --> 00:05:25,767
BOGGLES THE MIND,
DOESN'T IT?
121
00:05:25,802 --> 00:05:27,232
AMSCRAY, WILL YOU?
122
00:05:27,267 --> 00:05:28,767
TERRIBLE THING, SHYNESS.
123
00:05:28,802 --> 00:05:30,034
BELIEVE ME, I KNOW.
124
00:05:30,069 --> 00:05:31,232
BUT DON'T WORRY.
125
00:05:31,267 --> 00:05:32,334
WE'RE GONNA GET HER
THE BEST HELP THERE IS.
126
00:05:32,369 --> 00:05:34,232
BETTER THAN THE BEST!
127
00:05:34,267 --> 00:05:35,667
SHE'S COME A LONG WAY
ALREADY.
128
00:05:35,702 --> 00:05:37,032
WHY, WHEN I
FIRST FOUND HER,
129
00:05:37,067 --> 00:05:39,167
SHE WAS NOTHING BUT
A POOR LITTLE URCHIN,
130
00:05:39,202 --> 00:05:40,351
OUT IN THE STREET,
URCHINING.
131
00:05:40,386 --> 00:05:41,501
BUT YOU DON'T WANT
TO HEAR THAT.
132
00:05:41,536 --> 00:05:43,601
I DON'T WANT
TO HEAR THAT.
133
00:05:43,636 --> 00:05:46,132
OK...SO...
134
00:05:46,167 --> 00:05:48,100
MY NAME IS DAVID ADDISON,
AND YOUR NAME IS...
135
00:05:48,135 --> 00:05:50,067
MADDIE HAYES.
MADDIE HAYES.
136
00:05:50,102 --> 00:05:51,965
AND-
DON'T I KNOW YOU?
137
00:05:52,000 --> 00:05:53,666
NO, I DON'T THINK
WE'VE MET.
138
00:05:53,701 --> 00:05:56,200
NO, WAIT A SECOND.
CAN'T FOOL ME.
139
00:05:56,235 --> 00:05:57,666
THE EYES DON'T LIE.
140
00:05:57,701 --> 00:05:59,165
NOT THESE BABIES-
PHOTOGRAPHIC.
141
00:05:59,200 --> 00:06:02,166
SEE SOMETHING ONCE,
IT'S LOCKED IN THERE FOREVER.
142
00:06:02,201 --> 00:06:05,098
REALLY? I DIDN'T
NOTICE ANYTHING LOCKED IN THERE.
143
00:06:05,133 --> 00:06:07,200
NO, NO CHANGING
THE SUBJECT. YOU'RE LOOKING AT A BLOODHOUND.
144
00:06:07,235 --> 00:06:10,767
ONCE I'M ON TO SOMETHING,
I'LL GET IT. I'LL GET IT.
145
00:06:10,802 --> 00:06:14,300
ALL RIGHT,
YOU MIGHT HAVE SEEN MY PICTURE SOMEWHERE.
146
00:06:14,335 --> 00:06:15,466
I KNEW IT.
147
00:06:15,501 --> 00:06:17,432
NO FLIES ON YOU.
148
00:06:17,467 --> 00:06:19,033
NOPE. THERE
CERTAINLY AREN'T,
149
00:06:19,068 --> 00:06:20,499
WHATEVER THAT MEANS.
150
00:06:20,534 --> 00:06:22,550
WHAT ARE WE TALKING,
LATE SEVENTIES?
151
00:06:22,585 --> 00:06:24,532
THE YEARS ARE
A LITTLE FUZZY FOR ME,
152
00:06:24,567 --> 00:06:28,767
BUT I WILL BET
THE HOUSE THAT YOU WERE A MISS MARCH.
153
00:06:28,802 --> 00:06:30,084
A MISS WHAT?
154
00:06:30,119 --> 00:06:31,332
MISS MARCH.
155
00:06:31,367 --> 00:06:32,901
A PLAYMATE OF THE MONTH?
156
00:06:32,936 --> 00:06:34,199
WHAT, ABOUT 1976?
157
00:06:34,234 --> 00:06:36,234
I CAN SEE THE WHOLE
LAYOUT IN MY HEAD.
158
00:06:36,269 --> 00:06:37,699
YOU LIKE JAZZ.
159
00:06:37,734 --> 00:06:39,734
YOUR FAVORITE MOVIE WAS
JONATHAN LIVINGSTON SEAGULL.
160
00:06:39,769 --> 00:06:41,267
YOU WANTED TO HELP
UNDER-PRIVILEGED KIDS.
161
00:06:41,302 --> 00:06:42,732
AM I RIGHT
OR AM I RIGHT?
162
00:06:42,767 --> 00:06:46,834
I MEAN, I CAN SEE
THE WHOLE LAYOUT IN MY HEAD.
163
00:06:46,869 --> 00:06:49,251
AND IF YOU DON'T
MIND ME SAYING SO,
164
00:06:49,286 --> 00:06:51,634
YOU ARE EVEN
MORE BEAUTIFUL NOW,
165
00:06:51,669 --> 00:06:53,401
HERE, IN MY OFFICE,
166
00:06:53,436 --> 00:06:55,535
COMPLETELY DRESSED,
167
00:06:55,570 --> 00:06:57,634
ALMOST A DECADE LATER.
168
00:06:57,669 --> 00:06:59,032
WOW.
169
00:06:59,067 --> 00:07:02,167
OK, SO NOW YOU'RE
IN BUSINESS TOGETHER.
170
00:07:02,202 --> 00:07:03,432
WHEN DID YOU KNOW?
171
00:07:03,467 --> 00:07:06,501
I'M SORRY.
WHEN DID I KNOW WHAT?
172
00:07:06,536 --> 00:07:07,965
I MEAN,
WHEN DID YOU KNOW
173
00:07:08,000 --> 00:07:09,400
THAT MAYBE IT WASN'T
A GOOD FIT,
174
00:07:09,435 --> 00:07:10,766
THAT MAYBE
YOU WERE TWO PEOPLE
175
00:07:10,801 --> 00:07:13,200
WHO FUNCTIONED BETTER
APART THAN TOGETHER?
176
00:07:13,235 --> 00:07:16,599
I KNEW INSTANTLY.
177
00:07:16,634 --> 00:07:18,734
ADDISON, WE DON'T BELONG
IN BUSINESS TOGETHER.
178
00:07:18,769 --> 00:07:20,834
WE DON'T THINK ALIKE.
WE DON'T AGREE ON ANYTHING.
179
00:07:20,869 --> 00:07:23,034
WHAT ARE YOU
TALKING ABOUT?
180
00:07:23,069 --> 00:07:25,165
WE AGREE
ON A LOT OF THINGS.
181
00:07:25,200 --> 00:07:27,200
YOU LIKE MEATBALLS
ON YOUR SPAGHETTI, RIGHT? ME, TOO.
182
00:07:27,235 --> 00:07:28,651
HOW ABOUT BOOKS?
LET'S TALK ABOUT BOOKS.
183
00:07:28,686 --> 00:07:30,693
ME? I READ
LEFT TO RIGHT. HOW ABOUT YOU?
184
00:07:30,728 --> 00:07:32,701
IS THAT AN AMAZING
COINCIDENCE, OR WHAT?
185
00:07:32,736 --> 00:07:34,234
ALL RIGHT, YOU WANT
TO GET DEEP?
186
00:07:34,269 --> 00:07:35,699
LET'S TALK ABOUT SEX.
187
00:07:35,734 --> 00:07:38,367
WHO'D HAVE GUESSED?
I LIKE SEX, TOO.
188
00:07:38,402 --> 00:07:40,965
SO IF YOU KNEW
RIGHT AWAY, MADDIE...
189
00:07:41,000 --> 00:07:45,234
I MEAN, HERE WE ARE,
AND THE TWO OF YOU CAN'T WORK TOGETHER.
190
00:07:45,269 --> 00:07:47,085
YOU WON'T WORK TOGETHER,
191
00:07:47,120 --> 00:07:48,901
CAN YOU EXPLAIN THAT?
192
00:07:53,734 --> 00:07:55,365
I'M OPTIMISTIC.
193
00:07:55,400 --> 00:07:57,866
ADDISON!
I HATE THIS!
194
00:07:57,901 --> 00:08:00,150
I HATE NOT KNOWING
WHERE THE NEXT CLIENT IS COMING FROM
195
00:08:00,185 --> 00:08:02,400
AND IF THE NEXT PHONE
CALL'S GONNA BE SOMEBODY ANGRY AT ME
196
00:08:02,435 --> 00:08:03,899
BECAUSE I HAVEN'T
PAID A BILL.
197
00:08:03,934 --> 00:08:06,401
I HATE HAVING TO BALANCE
MY CHECKBOOK EVERY WEEK AND GET IT RIGHT.
198
00:08:06,436 --> 00:08:08,868
I HATE HAVING TO STOP
AND THINK EVERY TIME I USE MY CREDIT CARD!
199
00:08:08,903 --> 00:08:10,732
I HATE SHOPPING
FOR THE BEST BARGAINS!
200
00:08:10,767 --> 00:08:13,017
I HATE SEEING SOMETHING
I LIKE IN A STORE WINDOW
201
00:08:13,052 --> 00:08:15,267
AND HAVING
TO THINK "SOMEDAY"! I HATE THAT!
202
00:08:15,302 --> 00:08:16,866
AND I HATE THIS!
203
00:08:16,901 --> 00:08:18,232
CAN YOU JUST TELL ME,
204
00:08:18,267 --> 00:08:21,934
WHAT IS IT ABOUT HIM
THAT UPSETS YOU SO MUCH?
205
00:08:21,969 --> 00:08:24,199
HE EMBARRASSES ME.
206
00:08:24,234 --> 00:08:27,100
HE DELIGHTS
IN EMBARRASSING ME.
207
00:08:28,234 --> 00:08:29,167
WOW.
208
00:08:31,234 --> 00:08:33,234
IT'S A WHOLE NEW YOU!
209
00:08:33,269 --> 00:08:35,199
I KNOW HOW IT IS.
210
00:08:35,234 --> 00:08:38,367
TIRED OF THE SAME OLD,
SAME OLD.
211
00:08:38,402 --> 00:08:41,501
HAD ENOUGH GLAMOUR
FOR ONE LIFETIME.
212
00:08:41,536 --> 00:08:44,065
BETTER TO TAKE
A FASHION RISK.
213
00:08:44,100 --> 00:08:46,200
I GOT TO ADMIT,
THOUGH, THE PART ABOUT JUMPING
214
00:08:46,235 --> 00:08:47,901
IN THE SEPTIC TANK'S
GOT ME STUMPED.
215
00:08:47,936 --> 00:08:49,499
I'M RIGHT BEHIND YOU!
216
00:08:49,534 --> 00:08:51,701
NOW, DON'T LOOK BACK
UNTIL YOU SEE ME.
217
00:08:51,736 --> 00:08:53,868
JUST KNOW
THAT I'M RIGHT IN BACK OF YOU,
218
00:08:53,903 --> 00:08:56,267
YES, I AM LOOKING
UP YOUR DRESS.
219
00:08:59,267 --> 00:09:01,732
WAS IT GOOD
FOR YOU, TOO?
220
00:09:01,767 --> 00:09:03,834
SHE MADE ME DO IT.
I DIDN'T WANT TO DO IT.
221
00:09:03,869 --> 00:09:05,100
I DIDN'T FEEL
WE WERE READY.
222
00:09:07,701 --> 00:09:09,232
WE'RE MOVING!
223
00:09:09,267 --> 00:09:10,701
DO WE HAVE TO?
ALL MY FRIENDS GO TO THIS SCHOOL!
224
00:09:10,736 --> 00:09:12,466
THIS TRAIN IS MOVING!
225
00:09:12,501 --> 00:09:13,899
LAND O'GOSHIN,
SHE'S RIGHT!
226
00:09:13,934 --> 00:09:17,367
ADDISON, YOU BETTER
FIGURE OUT A WAY TO GET ME OFF THIS TRAIN!
227
00:09:17,402 --> 00:09:18,818
OOH, LADY, I WILL
GLADLY GET YOU OFF THE TRAIN,
228
00:09:18,853 --> 00:09:20,234
I WILL THROW YOU OFF
THIS TRAIN, IF NECESSARY.
229
00:09:20,269 --> 00:09:22,734
BUT, KINDLY REFRAIN
FROM ANY PHYSICAL ACT
230
00:09:22,769 --> 00:09:25,734
THAT IS NOT OF
AN EROTIC NATURE.
231
00:09:25,769 --> 00:09:27,234
THIS IS NOT MY FAULT.
232
00:09:27,269 --> 00:09:29,299
HA! HA HA HA!
233
00:09:29,334 --> 00:09:32,466
I WAS NOT
BORN YESTERDAY!
234
00:09:32,501 --> 00:09:33,801
IT'S TRUE. I HAD LUNCH
WITH HER YESTERDAY.
235
00:09:33,836 --> 00:09:34,934
IF SHE'D BEEN BORN,
I'D HAVE NOTICED.
236
00:09:34,969 --> 00:09:36,167
WHOA!
237
00:09:38,534 --> 00:09:40,098
SO IT'S DIFFICULT.
238
00:09:40,133 --> 00:09:44,866
DIFFICULT IS
PUTTING IT MILDLY.
239
00:09:44,901 --> 00:09:48,267
IT'S NOT JUST WHAT
HE DOES IN PUBLIC,
240
00:09:48,302 --> 00:09:49,267
IT'S WHAT HE DOES
IN THE OFFICE.
241
00:09:49,302 --> 00:09:50,732
MY OFFICE.
242
00:09:50,767 --> 00:09:53,499
HE HAS
NO SENSE OF...
243
00:09:53,534 --> 00:09:55,434
PROFESSIONALISM.
NO SENSE OF DECORUM.
244
00:09:56,767 --> 00:09:57,899
AAH!
245
00:09:57,934 --> 00:09:59,834
OH, MY GOD.
THEY DROPPED THE BOMB.
246
00:09:59,869 --> 00:10:01,699
HE WANTS TO HAVE
DINNER WITH ME.
247
00:10:01,734 --> 00:10:03,433
I'VE BEEN CALLING
EVERY HOTEL IN THIS-
248
00:10:03,468 --> 00:10:05,098
WHO WANTS YOU
TO HAVE DINNER WITH HIM?
249
00:10:05,133 --> 00:10:08,968
PAULIE RYE. WHERE
ON EARTH DID YOU GET THOSE GLASSES?
250
00:10:09,003 --> 00:10:10,399
OH, THESE?
251
00:10:10,434 --> 00:10:12,017
X- RAY SPECS.
PRETTY COOL, HUH?
252
00:10:12,052 --> 00:10:13,601
YOU MUST BE WEARING
A LEAD DRESS.
253
00:10:13,636 --> 00:10:15,065
I CAN'T SEE A THING.
254
00:10:15,100 --> 00:10:18,634
WHOA, WHOA, WHOA!
YOU SAYING YOU ALREADY MADE YOUR MIND UP?
255
00:10:18,669 --> 00:10:20,098
YOU LIKE THEM?
256
00:10:20,133 --> 00:10:22,033
I WAS THINKING
OF GETTING A PAIR WITH POCKETS.
257
00:10:22,068 --> 00:10:23,599
MARK MY WORDS.
258
00:10:23,634 --> 00:10:25,599
MATURITY IS
ITS OWN REWARD.
259
00:10:25,634 --> 00:10:27,833
COUPLE OF DAYS
OF ACTING LIKE AN ADULT,
260
00:10:27,868 --> 00:10:30,033
YOU'LL WONDER
WHY YOU DIDN'T DO IT SOONER.
261
00:10:30,068 --> 00:10:31,299
I ALREADY AM.
262
00:10:31,334 --> 00:10:34,234
HOW LOW CAN HE GO?
263
00:10:35,801 --> 00:10:37,332
GOOD EXTENSION.
264
00:10:37,367 --> 00:10:38,766
IMPRESSIVE LEG CONTROL.
265
00:10:38,801 --> 00:10:41,050
THE MUSCLES CONTRACT,
THE TENSION BUILDS.
266
00:10:41,085 --> 00:10:43,309
THE SMELL OF AN ARMPIT.
THE ROAR OF A CROWD.
267
00:10:43,344 --> 00:10:45,534
IS THIS A GREAT MOMENT
IN SPORTS, OR WHAT?
268
00:10:50,400 --> 00:10:51,965
HIYA, BOSS!
269
00:10:52,000 --> 00:10:53,968
BACK FROM
THE DENTIST SO SOON?
270
00:10:54,003 --> 00:10:55,568
HAVE YOU TALKED ABOUT IT?
271
00:10:55,603 --> 00:10:57,098
HAVE WE TALKED ABOUT IT?
272
00:10:57,133 --> 00:10:58,767
YOU DON'T CARE
ABOUT THE BUSINESS. YOU DON'T CARE ABOUT ME.
273
00:10:58,802 --> 00:11:00,098
YOU DON'T CARE
ABOUT ANYTHING!
274
00:11:00,133 --> 00:11:02,167
OK, ALL RIGHT!
CHILL FOR A SECOND, WILL YOU?
275
00:11:02,202 --> 00:11:04,267
INAGADDAVIDA,
YOU ARE SO SERIOUS.
276
00:11:04,302 --> 00:11:05,566
YOU WANT ME
TO APOLOGIZE-
277
00:11:05,601 --> 00:11:07,367
I DON'T WANT YOU
TO APOLOGIZE. I WANT YOU TO CHANGE.
278
00:11:07,402 --> 00:11:08,332
CHANGE?
279
00:11:08,367 --> 00:11:09,332
YES, CHANGE.
DON'T YOU SEE?
280
00:11:09,367 --> 00:11:11,100
YOU ENCOURAGE
THOSE PEOPLE OUT THERE.
281
00:11:11,135 --> 00:11:12,732
YOU SET AN EXAMPLE.
282
00:11:12,767 --> 00:11:14,767
SO, YOU'VE REALLY GIVEN
THIS YOUR BEST SHOT?
283
00:11:14,802 --> 00:11:17,332
ABSOLUTELY!
POSITIVELY!
284
00:11:17,367 --> 00:11:19,883
I MEAN, THERE'S
A PROBLEM HERE BUT IT'S NOT MY PROBLEM.
285
00:11:19,918 --> 00:11:22,400
I MEAN, I'M NOT THE
ONLY ONE HE DOESN'T GET ALONG WITH.
286
00:11:22,435 --> 00:11:23,667
YOU'RE A DEAD MAN!
287
00:11:25,367 --> 00:11:26,734
BEG TO DIFFER
WITH YOU, BRO.
288
00:11:31,667 --> 00:11:33,667
RICHARD, WHY
ARE YOU FIGHTING?
289
00:11:33,702 --> 00:11:34,767
OH!
290
00:11:38,033 --> 00:11:39,534
RICHARD, DAVID!
291
00:11:39,569 --> 00:11:40,968
GIVE!
292
00:11:41,003 --> 00:11:42,332
YOU GIVE!
293
00:11:42,367 --> 00:11:43,367
RICHARD, DAVID-
294
00:11:43,402 --> 00:11:44,833
AAH!
295
00:11:44,868 --> 00:11:47,167
OH, NO. MY-
296
00:11:47,202 --> 00:11:48,401
GRR!
297
00:11:48,436 --> 00:11:49,601
STOP IT!
298
00:11:56,667 --> 00:12:01,133
STOP IT, STOP IT, STOP IT,
STOP IT, STOP IT, STOP IT!
299
00:12:01,168 --> 00:12:02,532
MADDIE...
300
00:12:02,567 --> 00:12:04,532
WHAT ARE YOU
THINKING ABOUT?
301
00:12:04,567 --> 00:12:08,067
I DON'T KNOW.
I FEEL TERRIBLE ABOUT ALL THIS,
302
00:12:08,102 --> 00:12:10,400
ABOUT US LETTING
EVERYONE DOWN.
303
00:12:10,435 --> 00:12:12,532
I DON'T KNOW.
304
00:12:12,567 --> 00:12:14,232
MAYBE I WAS BORN
IN THE WRONG TIME.
305
00:12:14,267 --> 00:12:16,767
I GREW UP IN A LITTLE
TOWN, PALUKAVILLE. YOU HEARD OF IT?
306
00:12:16,802 --> 00:12:18,165
NO.
307
00:12:18,200 --> 00:12:19,666
YOU'RE LUCKY.
308
00:12:19,701 --> 00:12:22,601
I DON'T WANT YOU
REHEARSING WITH MY HUSBAND AND ME.
309
00:12:22,636 --> 00:12:24,098
HELLO TO YOU, TOO.
310
00:12:24,133 --> 00:12:26,734
DID YOU HEAR WHAT I SAID?
I DON'T WANT YOU REHEARSING WITH US.
311
00:12:26,769 --> 00:12:28,834
SURE, I HEARD YOU.
I JUST DON'T BELIEVE YOU.
312
00:12:28,869 --> 00:12:29,834
I DON'T CARE
IF YOU BELIEVE ME OR NOT.
313
00:12:29,869 --> 00:12:31,300
I'M TELLING
THE TRUTH.
314
00:12:31,335 --> 00:12:32,532
THE TRUTH?
315
00:12:32,567 --> 00:12:35,534
THE TRUTH IS,
YOU WANT ME THERE, AND NOT TO REHEARSE.
316
00:12:35,569 --> 00:12:37,585
YOU'RE A BARBARIAN,
McCOY.
317
00:12:37,620 --> 00:12:40,077
ABSOLUTELY, MRS. ADDAMS.
318
00:12:40,112 --> 00:12:42,499
JUST STAY
AWAY FROM ME.
319
00:12:42,534 --> 00:12:45,067
HAVE YOU LOOKED
IN A MIRROR LATELY?
320
00:12:45,102 --> 00:12:47,566
YOU'RE LOOKING
SETTLED, MARRIED.
321
00:12:47,601 --> 00:12:49,968
IS THAT THE WAY YOU'VE
ALWAYS IMAGINED IT, MRS. ADDAMS?
322
00:12:50,003 --> 00:12:52,467
LET'S GET THIS STRAIGHT,
MR. McCOY.
323
00:12:52,502 --> 00:12:53,699
I LOVE MY HUSBAND.
324
00:12:53,734 --> 00:12:55,367
AN ADMIRABLE
QUALITY IN A WIFE.
325
00:12:55,402 --> 00:12:56,801
AND I DON'T
LIKE YOU.
326
00:12:56,836 --> 00:12:58,234
OH, YEAH?
327
00:13:01,367 --> 00:13:04,300
THEN WHY ARE YOU STILL
HERE TALKING TO ME?
328
00:13:08,033 --> 00:13:09,065
HERE I AM, MRS. ADDAMS.
329
00:13:09,100 --> 00:13:11,367
I THOUGHT YOU SAID
YOU DIDN'T LIKE ME?
330
00:13:11,402 --> 00:13:13,101
I DON'T.
331
00:13:13,136 --> 00:13:14,766
OH, THEN...
332
00:13:14,801 --> 00:13:17,300
YOU GOING TO TELL ME
TO GO AWAY?
333
00:13:18,901 --> 00:13:20,334
I DON'T HEAR ANYTHING.
334
00:13:22,267 --> 00:13:24,200
I STILL DON'T
HEAR ANYTHING.
335
00:13:26,734 --> 00:13:28,933
CONFUSED, HUH?
336
00:13:28,968 --> 00:13:30,868
STILL DON'T
HEAR ANYTHING.
337
00:13:39,734 --> 00:13:43,067
* I TOLD YA
I LOVE YA *
338
00:13:43,102 --> 00:13:44,601
* NOW GET OUT *
339
00:13:47,067 --> 00:13:50,367
* I TOLD YA
I LOVE YA *
340
00:13:50,402 --> 00:13:52,033
* NOW GET OUT *
341
00:13:54,934 --> 00:13:56,684
* EVERYTHING'S ROSY *
342
00:13:56,719 --> 00:13:58,343
* EVERYTHING'S JAKE *
343
00:13:58,378 --> 00:14:00,222
* BUT JUST HOW MUCH *
344
00:14:00,257 --> 00:14:02,067
* CAN A GOOD GAL TAKE *
345
00:14:03,234 --> 00:14:04,934
* I TOLD YA
I LOVE YA *
346
00:14:04,969 --> 00:14:06,300
* NOW GET OUT *
347
00:14:39,133 --> 00:14:40,968
* BABY *
348
00:14:42,868 --> 00:14:46,666
* PLEASE LEAVE ME BE *
349
00:14:46,701 --> 00:14:50,334
* YOU WANT A PUPPET,
AND THERE'S *
350
00:14:50,369 --> 00:14:52,234
* NO STRINGS ON ME *
351
00:14:53,300 --> 00:14:54,899
* GET HEP *
352
00:14:54,934 --> 00:14:58,100
* YOU CAN LEAVE
ON THE 5:18 *
353
00:15:00,567 --> 00:15:03,667
* NOW DON'T GO 'WAY SAYIN' *
354
00:15:03,702 --> 00:15:05,267
* I'VE BEEN MEAN *
355
00:15:08,267 --> 00:15:09,666
* LIKE ANY GAL *
356
00:15:09,701 --> 00:15:11,866
* I CAN CHANGE MY WAYS *
357
00:15:11,901 --> 00:15:16,334
* ROUND-TRIP TICKET'S
GOOD FOR 60 DAYS *
358
00:15:16,369 --> 00:15:18,367
* TOLD YA I LOVE YA *
359
00:15:18,402 --> 00:15:19,868
* NOW GET OUT *
360
00:15:21,968 --> 00:15:24,267
* MAN, GET LOST *
361
00:15:24,302 --> 00:15:25,567
* FOR NOW **
362
00:15:34,801 --> 00:15:37,200
OH, YES, YES.
MADDIE HAYES.
363
00:15:37,235 --> 00:15:39,032
HELL OF A WOMAN.
364
00:15:39,067 --> 00:15:41,032
YOU REALIZE, WE ACTUALLY
TALKED SERIOUSLY
365
00:15:41,067 --> 00:15:42,601
ABOUT GOING INTO BUSINESS
TOGETHER AT ONE TIME.
366
00:15:42,636 --> 00:15:44,334
BUT, UH-WELL,
IT DIDN'T WORK OUT.
367
00:15:44,369 --> 00:15:46,666
I WENT
IN ANOTHER DIRECTION.
368
00:15:46,701 --> 00:15:50,200
ALL RIGHT,
I'VE BEEN TIPPYTOEING AROUND THIS SITUATION.
369
00:15:50,235 --> 00:15:53,234
YOU'VE BEEN TIPPYTOEING
AROUND THIS SITUATION.
370
00:15:53,269 --> 00:15:55,734
LET ME ASK YOU
THE QUESTION.
371
00:15:55,769 --> 00:15:57,132
SEX.
372
00:15:57,167 --> 00:15:58,834
I'M SORRY?
373
00:15:58,869 --> 00:15:59,767
SEX.
374
00:16:01,634 --> 00:16:03,098
I'M SORRY. SEX?
375
00:16:03,133 --> 00:16:04,634
IS THAT
THE QUESTION?
376
00:16:04,669 --> 00:16:06,732
YES. SEX.
377
00:16:06,767 --> 00:16:08,098
YOU AND DAVID.
378
00:16:08,133 --> 00:16:09,599
I'LL BE HONEST, MADDIE-
379
00:16:09,634 --> 00:16:12,934
AND I THINK AMERICA
ALSO BELIEVES THIS-
380
00:16:12,969 --> 00:16:16,234
THAT THE ROOT
OF YOUR PROBLEM IS SEX.
381
00:16:16,269 --> 00:16:17,518
SEX?
382
00:16:17,553 --> 00:16:18,732
SEX.
383
00:16:18,767 --> 00:16:20,732
CERTAINLY IT'S
CROSSED YOUR MIND.
384
00:16:20,767 --> 00:16:22,968
I MEAN, THE TWO OF YOU
MUST'VE CONSIDERED IT.
385
00:16:23,003 --> 00:16:24,732
YOU MUST HAVE
TALKED ABOUT IT.
386
00:16:24,767 --> 00:16:26,934
PAUL McCANE
IS A DISGUSTING HUMAN BEING.
387
00:16:26,969 --> 00:16:27,899
HE'S DEAD.
388
00:16:27,934 --> 00:16:28,968
GOOD.
HE GOT WHAT HE DESERVED.
389
00:16:29,003 --> 00:16:30,199
YOU DON'T KNOW THAT.
390
00:16:30,234 --> 00:16:32,299
GIVEN THE IMMORAL WAY
HE LIVED HIS LIFE,
391
00:16:32,334 --> 00:16:34,998
HIS VIOLENT DEATH COMES
AS NO SURPRISE TO ME.
392
00:16:35,033 --> 00:16:38,534
YOU'RE MAD
BECAUSE HE BOINKED A COUPLE HAUSFRAUS?
393
00:16:38,569 --> 00:16:40,534
I'M NOT HAVING
THIS CONVERSATION.
394
00:16:40,569 --> 00:16:42,667
WE'RE NOT TAKING
THIS CASE.
395
00:16:46,834 --> 00:16:47,899
YOU'RE WEIRD.
396
00:16:47,934 --> 00:16:49,232
THIS IS VERY
MEANINGFUL.
397
00:16:49,267 --> 00:16:51,100
HUMPTY DUMPTY IS
CALLING ME CRACKED!
398
00:16:51,135 --> 00:16:52,232
NO, NO, NO.
399
00:16:52,267 --> 00:16:54,350
YOU'RE REPRESSED
OR OBSESSED
400
00:16:54,385 --> 00:16:56,399
OR ONE OF THOSE
"ESS" WORDS.
401
00:16:56,434 --> 00:16:59,467
EVERY TIME
SOMETHING COMES UP THAT INVOLVES MEN OR SEX-
402
00:16:59,502 --> 00:17:00,667
BOINKING. IS THAT
THE WORD YOU'RE LOOKING FOR?
403
00:17:00,702 --> 00:17:02,599
SEE WHAT I MEAN?
THAT'S NOT NORMAL.
404
00:17:02,634 --> 00:17:05,466
I'M SUPPOSED TO SIT
HERE AND DISCUSS MY MENTAL HEALTH
405
00:17:05,501 --> 00:17:08,167
WITH A MAN WHO REFERS
TO THE ACT OF HUMAN PROCREATION AS BOINKING?
406
00:17:08,202 --> 00:17:10,334
SEE? SEE WHAT I MEAN?
RIGHT AWAY YOU GET ALL STIFF AND TENSE.
407
00:17:10,369 --> 00:17:11,567
NO, NO, NO.
NOT RIGHT AWAY! NOT WITH EVERYBODY.
408
00:17:11,602 --> 00:17:12,968
NOT WITH ANYBODY.
JUST YOU.
409
00:17:13,003 --> 00:17:14,299
YOU MAKE ME
STIFF AND TENSE.
410
00:17:14,334 --> 00:17:16,934
I MAKE YOU STIFF
AND TENSE BECAUSE I'M THE ONLY PERSON IN YOUR LIFE.
411
00:17:16,969 --> 00:17:17,899
HA!
412
00:17:17,934 --> 00:17:19,265
WHAT?
ARE YOU DENYING IT?
413
00:17:19,300 --> 00:17:20,965
ARE YOU SAYING THERE'S
SOMEONE ELSE IN YOUR LIFE?
414
00:17:21,000 --> 00:17:24,400
ARE YOU DENYING THE FACT
THAT YOU'RE NOT IN BED ALONE EVERY NIGHT BY 9:30?
415
00:17:24,435 --> 00:17:25,567
THERE ARE PLENTY OF
PEOPLE IN MY LIFE. PLENTY!
416
00:17:25,602 --> 00:17:26,634
NAME ONE.
417
00:17:26,669 --> 00:17:27,632
I WILL NOT.
418
00:17:27,667 --> 00:17:29,165
BECAUSE YOU CAN'T!
BECAUSE THERE IS NO ONE.
419
00:17:29,200 --> 00:17:31,634
BECAUSE YOU'RE REPRESSED
OR OBSESSED OR ONE OF THOSE "ESS" WORDS.
420
00:17:31,669 --> 00:17:32,934
THAT'S WHY YOU'RE
NOT GONNA TAKE THIS CASE.
421
00:17:32,969 --> 00:17:34,399
THIS GREAT CASE.
422
00:17:34,434 --> 00:17:35,699
I'M NOT
LISTENING TO YOU.
423
00:17:35,734 --> 00:17:37,032
BECAUSE IT MAKES YOU
CRAZY TO THINK
424
00:17:37,067 --> 00:17:38,067
THAT ANYBODY OUT THERE
IS BOINKING WHEN YOU CAN'T.
425
00:17:38,102 --> 00:17:39,566
I CAN'T
HEAR YOU.
426
00:17:39,601 --> 00:17:42,200
BECAUSE IT MAKES YOU CRAZY
THAT THE WHOLE WORLD IS OUT THERE BOINKING.
427
00:17:42,235 --> 00:17:44,067
THE WHOLE WORLD
EXCEPT YOU. BOINK!
428
00:17:44,102 --> 00:17:45,532
SHUT UP!
BOINK.
429
00:17:45,567 --> 00:17:47,532
BOINK, BOINK, BOINK,
BOINK, BOINK, BOINK.
430
00:17:47,567 --> 00:17:49,300
BOINK, BOINK, BOINK,
CAN'T YOU HEAR THEM OUT THERE?
431
00:17:49,335 --> 00:17:50,265
STOP IT, DAVID!
432
00:17:50,300 --> 00:17:51,367
BOINK,
BOINK, BOINK...
433
00:17:51,402 --> 00:17:52,532
GET OUT OF MY CAR!
434
00:17:52,567 --> 00:17:54,334
BOINK, BOINK, BOINK,
BOINK, BOINK...
435
00:17:54,369 --> 00:17:55,734
GET OUT
OF MY CAR!
436
00:17:58,267 --> 00:17:59,400
WHOA!
437
00:18:00,567 --> 00:18:02,032
DO YOU KNOW
WHAT I THINK?
438
00:18:02,067 --> 00:18:03,899
I THINK THAT
UNDERNEATH IT ALL,
439
00:18:03,934 --> 00:18:06,601
YOU TWO KIDS ARE CRAZY
ABOUT EACH OTHER.
440
00:18:06,636 --> 00:18:08,601
COME HERE, STUPID.
441
00:18:17,467 --> 00:18:18,901
IT'S OK.
442
00:18:22,067 --> 00:18:23,501
IT'S OK.
443
00:18:25,400 --> 00:18:27,450
I'LL BE JUST FINE.
444
00:18:27,485 --> 00:18:29,126
IT'S NOT THAT.
445
00:18:29,161 --> 00:18:30,732
WHAT, THEN?
446
00:18:30,767 --> 00:18:31,934
YOU SMELL AWFUL.
447
00:18:34,334 --> 00:18:36,717
HEY, I DIDN'T MEAN
IT. COME HERE.
448
00:18:36,752 --> 00:18:39,100
HEY, I WAS
ONLY KIDDING. COME HERE.
449
00:18:43,400 --> 00:18:45,634
CRAZY ABOUT EACH OTHER?
450
00:18:45,669 --> 00:18:47,234
I DON'T KNOW.
451
00:18:47,269 --> 00:18:48,532
I KNOW.
452
00:18:48,567 --> 00:18:50,817
YOU'RE CRAZY
ABOUT EACH OTHER.
453
00:18:50,852 --> 00:18:53,032
WOULD YOU DO
SOMETHING FOR ME?
454
00:18:53,067 --> 00:18:55,367
IF I COULD GET
THE TWO OF YOU IN A ROOM TOGETHER,
455
00:18:55,402 --> 00:18:57,968
WOULD YOU
AT LEAST TALK?
456
00:18:58,003 --> 00:19:00,534
DAVID AND I TOGETHER?
457
00:19:00,569 --> 00:19:01,968
I DON'T KNOW.
458
00:19:03,033 --> 00:19:04,333
MADDIE...
459
00:19:04,368 --> 00:19:05,634
FOR ME?
460
00:19:07,000 --> 00:19:08,534
FOR YOU, RONA?
461
00:19:10,968 --> 00:19:12,418
YEAH, I GUESS.
462
00:19:12,453 --> 00:19:13,868
FOR YOU, RONA.
463
00:19:15,167 --> 00:19:17,267
ALL RIGHT,
YOU'RE MISS DIPESTO.
464
00:19:17,302 --> 00:19:19,367
YOU'RE THE ONE
IN THE MIDDLE.
465
00:19:19,402 --> 00:19:20,834
TALK TO ME.
466
00:19:20,869 --> 00:19:22,267
WHAT'S IT LIKE?
467
00:19:23,968 --> 00:19:26,334
WELL, RONA, IT'S HARD.
468
00:19:26,369 --> 00:19:27,365
IT'S REALLY HARD.
469
00:19:27,400 --> 00:19:29,367
I MEAN,
THEY COME IN HERE,
470
00:19:29,402 --> 00:19:30,734
THEY SLAM THE DOORS...
471
00:19:35,534 --> 00:19:36,834
THEY YELL
AT EACH OTHER.
472
00:19:36,869 --> 00:19:38,432
AAH!
473
00:19:38,467 --> 00:19:41,417
AAH!
474
00:19:41,452 --> 00:19:44,332
OW!
475
00:19:44,367 --> 00:19:45,833
"EASY COME,
EASY GO." HA!
476
00:19:45,868 --> 00:19:47,599
I'M YOUR LIFELINE, HONEY.
WITHOUT ME-
477
00:19:47,634 --> 00:19:49,601
WITHOUT YOU, I
WOULDN'T BE HERE AT 2:00 IN THE MORNING
478
00:19:49,636 --> 00:19:51,098
TRYING TO FIGURE
OUT HOW TO PROVE
479
00:19:51,133 --> 00:19:53,216
A WOMAN WHO SEEMS
TO HAVE KILLED A MAN, DIDN'T.
480
00:19:53,251 --> 00:19:55,300
AND A MAN WHO-
WHO SEEMS TO NOT HAVE, DID!
481
00:19:55,335 --> 00:19:56,651
YOU ARE JEALOUS.
482
00:19:56,686 --> 00:19:57,968
OF WHAT, OF WHO?
483
00:19:58,003 --> 00:19:59,466
OF GILLIAN.
484
00:19:59,501 --> 00:20:00,884
BOY, HAVE YOU
GOT IT BACKWARDS.
485
00:20:00,919 --> 00:20:02,232
THE ONLY PERSON
AROUND HERE
486
00:20:02,267 --> 00:20:03,817
WHO HAS AN EMOTIONAL
PROBLEM IS YOU, NOT ME.
487
00:20:03,852 --> 00:20:05,367
AND THE EMOTION
ISN'T JEALOUSY, IT'S LUST!
488
00:20:05,402 --> 00:20:06,833
LOOK ME IN THE EYE
AND TELL ME
489
00:20:06,868 --> 00:20:07,998
THAT IF I HADN'T
KNOWN GILLIAN BEFORE,
490
00:20:08,033 --> 00:20:09,200
YOU WOULD AT LEAST
CONSIDER THE POSSIBILITY
491
00:20:09,235 --> 00:20:10,499
THAT HER LIFE
COULD BE IN DANGER.
492
00:20:10,534 --> 00:20:11,868
LOOK ME IN THE EYE
AND TELL ME, IF IT HAD BEEN ANYONE ELSE
493
00:20:11,903 --> 00:20:13,165
YOU WOULD HAVE
WORKED SO HARD
494
00:20:13,200 --> 00:20:15,200
TO TRY
TO FIND A REASON TO STICK SO CLOSE?
495
00:20:15,235 --> 00:20:16,965
YOU ARE.
YOU'RE JEALOUS.
496
00:20:17,000 --> 00:20:18,998
STOP REASONING
WITH YOUR UNDERWEAR.
497
00:20:19,033 --> 00:20:21,434
DOES THAT MEAN YOU'RE
NOT GOING TO HELP ME TAKE THIS CASE?
498
00:20:21,469 --> 00:20:23,165
WHAT CASE?
THERE IS NO CASE?
499
00:20:23,200 --> 00:20:24,934
SHE DIDN'T HIRE US
TO GO BY HER HOTEL ROOM EVERY NIGHT.
500
00:20:24,969 --> 00:20:26,318
SHE DIDN'T?
NO, SHE DIDN'T.
501
00:20:26,353 --> 00:20:27,632
YOU COULD'VE
FOOLED ME.
502
00:20:27,667 --> 00:20:30,267
A GNAT WITH A LOBOTOMY
COULD FOOL YOU.
503
00:20:30,302 --> 00:20:31,666
I DON'T GET IT.
504
00:20:31,701 --> 00:20:33,165
KEEP THIS UP
AND I'LL GIVE IT TO YOU.
505
00:20:33,200 --> 00:20:34,434
I MEAN, IF ANYONE,
ANYWHERE, EVER HAD A REASON,
506
00:20:34,469 --> 00:20:36,200
NOT ONLY TO BELIEVE,
BUT TO BE THANKFUL...
507
00:20:36,235 --> 00:20:37,499
I MEAN, HE'S GIVEN
YOU BEAUTY.
508
00:20:37,534 --> 00:20:39,701
HE'S GIVEN YOU BRAINS.
HE'S GIVEN YOU ME!
509
00:20:39,736 --> 00:20:41,801
ADDISON,
LET ME OUT OF THIS DOOR!
510
00:20:41,836 --> 00:20:42,901
AAH!
511
00:20:46,834 --> 00:20:48,868
SEE WHAT HAPPENS WHEN
YOU TICK OFF THE BIG GUY?
512
00:20:48,903 --> 00:20:51,100
SOMETIMES THEY YELL
AT THE SAME TIME.
513
00:20:51,135 --> 00:20:53,098
I'M NOT SAYING
THAT AT ALL!
514
00:20:53,133 --> 00:20:55,933
I'M AS LOOSEY-GOOSEY
AS THE NEXT PERSON.
515
00:20:55,968 --> 00:20:57,968
ALL I'M SAYING IS THAT
SPONTANEITY HAS ITS TIME AND PLACE.
516
00:20:58,003 --> 00:20:59,968
HAVEN'T YOU EVER
BEEN IN A STORE AND SEEN SOMETHING...
517
00:21:00,003 --> 00:21:01,367
I DON'T SEE THE POINT
OF ALL THIS!
518
00:21:01,402 --> 00:21:02,601
TIPPLES
WAS A FAKE...
519
00:21:02,636 --> 00:21:03,899
ALL BETS ARE OFF?
520
00:21:03,934 --> 00:21:05,732
ALL DEALS
ARE NULL AND VOID...
521
00:21:05,767 --> 00:21:07,934
AND AS FOR OUR DEAL, THE
ONLY WAY YOU GET ME TO GO THROUGH WITH IT,
522
00:21:07,969 --> 00:21:10,734
WHEN THERE'S PLENTY
OF ROPE AND A BOTTLE OF CHLOROFORM!
523
00:21:10,769 --> 00:21:11,899
WHY AM I ASKING?
524
00:21:11,934 --> 00:21:13,232
HE'LL JUST
TELL ME...
525
00:21:13,267 --> 00:21:15,367
LOOK, I KNOW
YOU'RE DEPRESSED. THIS IS NORMAL...
526
00:21:15,402 --> 00:21:17,332
WHY AM I LIVING
THIS LIFE?
527
00:21:17,367 --> 00:21:18,899
I NEVER DID ANYTHING
TO DESERVE THIS.
528
00:21:18,934 --> 00:21:21,367
AND THROUGH IT ALL,
YOU HAVE TO STAY COOL, DON'T YOU?
529
00:21:21,402 --> 00:21:24,801
I'M KIND OF THE GLUE
THAT HOLDS IT ALL TOGETHER.
530
00:21:24,836 --> 00:21:26,265
TELL ME...
531
00:21:26,300 --> 00:21:28,300
HAVE YOU EVER FOUGHT
WITH EITHER ONE OF THEM?
532
00:21:30,667 --> 00:21:33,766
WELL, I FOUGHT WITH
MR. ADDISON ONCE.
533
00:21:33,801 --> 00:21:35,968
NO CUTE APOLOGIES.
I DON'T WANT A CUTE APOLOGY.
534
00:21:36,003 --> 00:21:38,566
YOU WERE MEAN TO ME,
MR. ADDISON,
535
00:21:38,601 --> 00:21:41,100
FOR NO GOOD REASON,
OTHER THAN YOU WERE IN A BAD MOOD,
536
00:21:41,135 --> 00:21:43,065
AND THAT STINKS!
537
00:21:43,100 --> 00:21:44,532
LOTS OF TIMES,
I'M IN A BAD MOOD,
538
00:21:44,567 --> 00:21:47,632
LOTS OF TIMES!
BUT I'M NOT MEAN TO YOU.
539
00:21:47,667 --> 00:21:50,267
YOU THINK BECAUSE
YOU MAKE MORE MONEY THAN I DO
540
00:21:50,302 --> 00:21:51,667
THAT YOU CAN
JUST BE MEAN TO ME?
541
00:21:51,702 --> 00:21:53,901
NO-
THAT'S ALL!
542
00:21:53,936 --> 00:21:54,934
AND...
543
00:21:56,334 --> 00:21:59,534
SOMETIMES I THINK
I MAKE MISS HAYES UPSET.
544
00:21:59,569 --> 00:22:01,801
GOOD AFTERNOON,
MISS HAYES.
545
00:22:01,836 --> 00:22:02,799
GRR!
546
00:22:02,834 --> 00:22:05,801
THAT MAN BELONGS
IN A POUND.
547
00:22:05,836 --> 00:22:07,100
A POUND OF WHAT?
548
00:22:10,033 --> 00:22:11,499
DEEP DOWN INSIDE,
549
00:22:11,534 --> 00:22:15,165
I KNOW THAT
THEY BOTH KNOW THAT I REALLY LOVE THEM.
550
00:22:15,200 --> 00:22:17,801
YOU REMEMBER HOW GREAT
THINGS WERE BEFORE WHAT'S HER NAME SHOWED UP?
551
00:22:17,836 --> 00:22:18,833
MISS HAYES?
552
00:22:18,868 --> 00:22:20,834
I MEAN, WAS THIS
A GREAT JOB, OR WHAT?
553
00:22:20,869 --> 00:22:21,899
IT WAS!
554
00:22:21,934 --> 00:22:24,634
GOOD PEOPLE, GOOD TIMES,
A GREAT GIG.
555
00:22:24,669 --> 00:22:26,334
NO DEADLINES, NO ARGUMENTS,
556
00:22:26,369 --> 00:22:27,718
NO PRESSURE...
557
00:22:27,753 --> 00:22:29,032
NO CASES...
558
00:22:29,067 --> 00:22:30,834
BUT IT WAS GREAT.
559
00:22:33,133 --> 00:22:34,567
YEAH, IT WAS.
560
00:22:41,167 --> 00:22:42,701
FOR WHAT IT'S WORTH...
561
00:22:44,067 --> 00:22:45,467
I MISS HER, TOO.
562
00:22:49,868 --> 00:22:51,101
ARE YOU SURE?
563
00:22:51,136 --> 00:22:52,299
I'M SURE.
564
00:22:52,334 --> 00:22:53,799
ACCORDING TO DONAHUE,
565
00:22:53,834 --> 00:22:57,267
I'M AT MY PHYSICAL
AND SEXUAL PEAK RIGHT...
566
00:23:00,167 --> 00:23:01,466
NOW.
567
00:23:01,501 --> 00:23:03,399
WELL, DONAHUE
OUGHT TO KNOW.
568
00:23:03,434 --> 00:23:05,667
ANYWAY, YOU KNOW
THE MAN WHO COMES BY
569
00:23:05,702 --> 00:23:07,901
TO SELL SANDWICHES
IN THE MORNING?
570
00:23:07,936 --> 00:23:09,285
MR. SANDWICH?
571
00:23:09,320 --> 00:23:10,599
HIS NAME IS NEIL.
572
00:23:10,634 --> 00:23:12,867
HE ASKED ME TO HAVE
DINNER WITH HIM.
573
00:23:12,902 --> 00:23:15,100
NOT JUST SANDWICHES,
EITHER-HOT FOOD.
574
00:23:15,135 --> 00:23:16,667
HOT FOOD?
575
00:23:16,702 --> 00:23:18,165
WE'RE CLOSE.
576
00:23:18,200 --> 00:23:19,567
WE'RE VERY,
VERY CLOSE.
577
00:23:19,602 --> 00:23:20,866
AND WE'RE
HONEST.
578
00:23:20,901 --> 00:23:23,417
WE'RE VERY, VERY,
VERY, VERY HONEST WITH EACH OTHER.
579
00:23:23,452 --> 00:23:25,934
ALL RIGHT. SO,
WHY DO YOU THINK THEY'RE FIGHTING?
580
00:23:25,969 --> 00:23:28,467
ARE THEY GONNA
SEE THIS?
581
00:23:28,502 --> 00:23:30,399
SURE. THEY MIGHT.
582
00:23:30,434 --> 00:23:33,998
I'M SORRY.
I CAN'T ANSWER THAT.
583
00:23:34,033 --> 00:23:37,033
MR. VIOLA, AS THE NEWEST
MEMBER OF THE FAMILY,
584
00:23:37,068 --> 00:23:40,067
WHAT DO YOU THINK'S
GOING ON HERE?
585
00:23:40,102 --> 00:23:41,434
WELL...
586
00:23:43,501 --> 00:23:45,100
CANDIDLY?
587
00:23:47,000 --> 00:23:49,334
IT'S A LITTLE STRANGE.
588
00:23:49,369 --> 00:23:51,065
BUT THEN...
589
00:23:51,100 --> 00:23:53,767
THIS WHOLE PLACE
IS A LITTLE STRANGE.
590
00:23:56,501 --> 00:23:57,967
NO, SHE'S NOT.
591
00:23:58,002 --> 00:23:59,434
YES, SHE IS.
592
00:24:02,501 --> 00:24:03,967
NO, SHE'S NOT.
593
00:24:04,002 --> 00:24:05,434
YES, SHE IS.
594
00:24:08,000 --> 00:24:09,466
NO, SHE'S NOT.
595
00:24:09,501 --> 00:24:12,467
LET'S ASK THEM-
IS SHE OUT THERE?
596
00:24:13,968 --> 00:24:16,000
WE'RE LOOKING FOR A MAN
WITH A MOLE ON HIS NOSE.
597
00:24:16,035 --> 00:24:17,501
MOLE ON HIS NOSE?
A MOLE ON HIS NOSE!
598
00:24:17,536 --> 00:24:18,518
WHAT KIND OF CLOTHES?
599
00:24:18,553 --> 00:24:19,466
WHAT KIND
OF CLOTHES?
600
00:24:19,501 --> 00:24:20,799
WHAT KIND OF CLOTHES,
DO YOU SUPPOSE?
601
00:24:20,834 --> 00:24:22,434
WHAT KIND OF CLOTHES
DO I SUPPOSE WOULD BE WORN BY A MAN
602
00:24:22,469 --> 00:24:23,732
WITH A MOLE ON HIS NOSE?
WHO KNOWS?
603
00:24:23,767 --> 00:24:25,567
DID I HAPPEN TO MENTION?
DID I BOTHER TO DISCLOSE,
604
00:24:25,602 --> 00:24:27,367
THIS MAN THAT WE'RE
SEEKING WITH A MOLE ON HIS NOSE?
605
00:24:27,402 --> 00:24:29,518
I'M NOT SURE OF HIS CLOTHES
OR ANYTHING ELSE,
606
00:24:29,553 --> 00:24:31,634
EXCEPT HE'S CHINESE.
A BIG CLUE BY ITSELF.
607
00:24:31,669 --> 00:24:33,065
HOW DO YOU DO THAT?
608
00:24:33,100 --> 00:24:34,566
YOU GOTTA READ
A LOT OF DR. SEUSS.
609
00:24:34,601 --> 00:24:35,998
I'M SORRY TO SAY.
I'M SAD TO REPORT
610
00:24:36,033 --> 00:24:38,432
I HAVEN'T SEEN ANYONE
AT ALL OF THAT SORT,
611
00:24:38,467 --> 00:24:40,467
NOT A MAN WHO'S CHINESE
WITH A MOLE ON HIS NOSE.
612
00:24:40,502 --> 00:24:43,251
WITH SOME KIND
OF CLOTHES THAT YOU CAN'T SUPPOSE.
613
00:24:43,286 --> 00:24:46,127
SO, GET AWAY FROM THIS DOOR
AND GET OUT OF THIS PLACE,
614
00:24:46,162 --> 00:24:48,968
OR I'LL HAVE TO HURT YOU,
PUT MY FOOT IN YOUR FACE.
615
00:24:49,003 --> 00:24:50,300
OH.
TIME TO GO.
616
00:24:50,335 --> 00:24:51,399
TIME TO GO!
617
00:24:51,434 --> 00:24:53,732
LET'S JUST HOLD IT
RIGHT THERE, SHALL WE?
618
00:24:53,767 --> 00:24:55,501
MY CLIENT ISN'T ANSWERING
ANY MORE OF YOUR QUESTIONS.
619
00:24:55,536 --> 00:24:57,667
YOU JUST CAN'T BURST
IN HERE LIKE THAT.
620
00:24:57,702 --> 00:24:59,232
OH, NO? TELL THAT
TO THE WRITERS.
621
00:24:59,267 --> 00:25:02,501
THEN UNDERSTAND
THIS, I DON'T GIVE A FLYING FIG
622
00:25:02,536 --> 00:25:04,151
ABOUT THE LINES
IN MY FACE,
623
00:25:04,186 --> 00:25:05,710
THE CROW'S FEET
BY MY EYES,
624
00:25:05,745 --> 00:25:07,199
OR THE ALTITUDE
OF MY CABOOSE.
625
00:25:07,234 --> 00:25:08,968
HEY, THAT'S OK.
THAT'S WHAT YOU'VE GOT ME FOR.
626
00:25:09,003 --> 00:25:10,767
AND I DON'T GIVE
A FLYING FIG
627
00:25:10,802 --> 00:25:13,151
ABOUT PEOPLE WHO DO.
628
00:25:13,186 --> 00:25:15,466
WELL, I'M AT A LOSS.
629
00:25:15,501 --> 00:25:17,067
I DON'T KNOW WHAT
A FLYING FIG IS.
630
00:25:17,102 --> 00:25:18,466
THAT'S OK.
631
00:25:18,501 --> 00:25:20,267
THEY DO.
632
00:25:21,400 --> 00:25:24,098
WELL, NOT MANY PEOPLE
KNOW ABOUT THIS.
633
00:25:24,133 --> 00:25:26,667
YOU KNOW, IT WASN'T
WRITTEN ABOUT AT THE TIME OR TALKED ABOUT,
634
00:25:26,702 --> 00:25:30,234
BUT MADDIE HAYES AND I
USED TO GO OUT TOGETHER.
635
00:25:30,269 --> 00:25:32,668
IT DIDN'T LAST TOO LONG
BECAUSE, UH...
636
00:25:32,703 --> 00:25:36,135
IT WASN'T MADDIE'S FAULT,
IT WAS MY FAULT.
637
00:25:36,170 --> 00:25:39,567
I...I...WAS COMING TO HER
ON THE REBOUND.
638
00:25:39,602 --> 00:25:40,632
UH, YOU SEE,
639
00:25:40,667 --> 00:25:43,965
I USED TO GO WITH
ANOTHER MODEL FROM MEMPHIS.
640
00:25:44,000 --> 00:25:46,501
BECAME AN ACTRESS
IN A COUPLE OF PICTURES WE DID.
641
00:25:46,536 --> 00:25:49,000
WELL, WHEN THAT ENDED,
642
00:25:49,035 --> 00:25:50,965
THERE WAS MADDIE.
643
00:25:51,000 --> 00:25:53,934
WE WENT AROUND
TOGETHER FOR A WHILE.
644
00:25:53,969 --> 00:25:56,499
I MUST SAY,
I'M NOT SURPRISED
645
00:25:56,534 --> 00:25:59,534
THAT DAVID AND SHE
ARE HAVING SOME PROBLEMS
646
00:25:59,569 --> 00:26:02,534
BECAUSE, YOU KNOW,
MADDIE IS VERY BRIGHT,
647
00:26:02,569 --> 00:26:04,051
VERY INTELLIGENT,
648
00:26:04,086 --> 00:26:06,059
AND SELF-ASSURED
649
00:26:06,094 --> 00:26:08,033
AND STRONG...
650
00:26:08,068 --> 00:26:09,467
TOUGH.
651
00:26:10,534 --> 00:26:12,666
HE'S GOING TO LOSE.
652
00:26:12,701 --> 00:26:14,667
ALL RIGHT, I'VE
SPOKEN WITH HER.
653
00:26:14,702 --> 00:26:16,634
DO YOU WANT TO KNOW
WHAT SHE SAID?
654
00:26:16,669 --> 00:26:19,165
SHE SAYS
YOU EMBARRASS HER.
655
00:26:19,200 --> 00:26:23,467
SHE SAYS YOU TAKE
GREAT DELIGHT IN EMBARRASSING HER.
656
00:26:25,067 --> 00:26:27,866
I EMBARRASS HER?
657
00:26:27,901 --> 00:26:29,067
IS THAT WHAT
SHE TOLD YOU?
658
00:26:29,102 --> 00:26:31,567
I EMBARRASS HER?
659
00:26:31,602 --> 00:26:33,032
GREAT.
660
00:26:33,067 --> 00:26:34,567
I TAKE IT, YOU
DON'T AGREE?
661
00:26:34,602 --> 00:26:36,965
NO, I DON'T AGREE.
662
00:26:37,000 --> 00:26:38,466
WELL, THAT DOESN'T
SURPRISE ME,
663
00:26:38,501 --> 00:26:41,901
GIVEN THE HISTORY
OF DISAGREEMENT IN YOUR RELATIONSHIP.
664
00:26:41,936 --> 00:26:42,968
THERE'S NO
TALKING TO YOU.
665
00:26:43,003 --> 00:26:43,933
YOU CAN TALK
TO ME.
666
00:26:43,968 --> 00:26:45,934
NO, I CAN'T.
YES, YOU CAN!
667
00:26:45,969 --> 00:26:47,034
ONE BULLET,
ALIVE.
668
00:26:47,069 --> 00:26:48,065
2 BULLETS,
DEAD.
669
00:26:48,100 --> 00:26:49,100
ONE BULLET, ALIVE.
2 BULLETS, DEAD.
670
00:26:49,135 --> 00:26:50,184
ALIVE.
DEAD.
671
00:26:50,219 --> 00:26:51,460
ALIVE!
DEAD!
672
00:26:51,495 --> 00:26:52,847
GOTCHA.
DID NOT.
673
00:26:52,882 --> 00:26:54,165
GOTCHA.
DID NOT.
674
00:26:54,200 --> 00:26:55,934
GOTCHA. GOTCHA.
DID NOT.
675
00:26:55,969 --> 00:26:56,951
I AM NOT A SEXIST.
676
00:26:56,986 --> 00:26:57,977
OH, YOU'RE A SEXIST.
677
00:26:58,012 --> 00:26:58,933
I AM NOT A SEXIST!
678
00:26:58,968 --> 00:27:00,098
I'M NOT
SPEAKING TO YOU!
679
00:27:00,133 --> 00:27:01,534
ARE, TOO. ARE, TOO!
I'M NOT! I'M NOT!
680
00:27:02,968 --> 00:27:04,934
YOU'RE UPSET,
AREN'T YOU?
681
00:27:04,969 --> 00:27:06,965
YOU LOOK UPSET.
682
00:27:07,000 --> 00:27:10,033
YOU KNOW WHAT
THE IRONY IS, RONA?
683
00:27:10,068 --> 00:27:11,998
THE IRONY
OF THE SITUATION
684
00:27:12,033 --> 00:27:14,767
IS THAT I MIGHT LOOK UPSET,
BUT SHE'S THE ONE.
685
00:27:14,802 --> 00:27:17,501
SHE'S THE ONE WHO'S
GOT THE TEMPER, NOT ME.
686
00:27:17,536 --> 00:27:19,767
REALLY?
REALLY.
687
00:27:19,802 --> 00:27:20,868
WHOA!
688
00:27:23,534 --> 00:27:27,734
BOY, THERE CERTAINLY
ARE A LOT OF UNAMUSED PEOPLE DOWN THERE.
689
00:27:34,767 --> 00:27:36,067
YO, MADDIE!
690
00:27:38,267 --> 00:27:40,332
GOT ANY RAW MEAT?
691
00:27:40,367 --> 00:27:42,734
ALL RIGHT, THEN,
YOU DON'T AGREE ON ANYTHING.
692
00:27:42,769 --> 00:27:43,899
SHE'S GOT
A BAD TEMPER.
693
00:27:43,934 --> 00:27:45,467
SHE'S CONCEITED,
SHE'S RUDE,
694
00:27:45,502 --> 00:27:46,965
SHE'S COLD, SHE'S ALOOF.
695
00:27:47,000 --> 00:27:50,000
IF I'D HAVE KNOWN
YOU WERE COMING, I'D HAVE TYPED UP A LIST.
696
00:27:50,035 --> 00:27:51,934
SO, WHY DO YOU
STAY TOGETHER?
697
00:28:29,834 --> 00:28:31,483
I DON'T KNOW.
698
00:28:31,518 --> 00:28:33,133
SHE'S REMARKABLE.
699
00:28:36,400 --> 00:28:37,432
DO YOU TWO-
700
00:28:37,467 --> 00:28:39,033
STRICTLY BUSINESS.
701
00:28:39,068 --> 00:28:40,734
I DON'T KNOW.
702
00:29:09,701 --> 00:29:11,165
I DON'T KNOW.
703
00:29:11,200 --> 00:29:13,332
KNOW WHAT I THINK?
704
00:29:13,367 --> 00:29:15,100
I THINK
SHE'S HUNG UP ON THIS OTHER GUY.
705
00:29:15,135 --> 00:29:16,501
THAT'S WHAT I THINK.
706
00:29:16,536 --> 00:29:18,451
NOT THAT I CARE.
707
00:29:18,486 --> 00:29:20,332
I DON'T CARE.
708
00:29:20,367 --> 00:29:22,499
I'M JUST HURT,
THAT'S ALL.
709
00:29:22,534 --> 00:29:25,534
I MEAN, I THINK, IF
SHE'S GOING TO GO FOR SOMEBODY,
710
00:29:25,569 --> 00:29:27,284
SHE SHOULD
GO FOR ME, THAT'S ALL.
711
00:29:27,319 --> 00:29:29,926
NOT THAT SHE HAS
TO GO FOR ME.
712
00:29:29,961 --> 00:29:32,534
I DON'T-I DON'T
CARE ABOUT THAT.
713
00:29:32,569 --> 00:29:34,534
OK. ALL RIGHT,
ALL RIGHT.
714
00:29:34,569 --> 00:29:35,998
I'M INSECURE.
715
00:29:36,033 --> 00:29:38,534
THERE. I ADMIT IT.
IT'S OUT, ALL RIGHT?
716
00:29:38,569 --> 00:29:40,032
IT'S NORMAL, RIGHT?
717
00:29:40,067 --> 00:29:42,968
DID I HAPPEN
TO MENTION THIS OTHER GUY'S DEAD?
718
00:29:49,067 --> 00:29:52,567
IT SURE HAS
GONE DOWN HERE.
719
00:29:52,602 --> 00:29:56,032
I MUST HAVE
HAD MY LIMIT.
720
00:29:56,067 --> 00:29:57,600
YOU KNOW,
WE HAVE TO GET TOGETHER
721
00:29:57,635 --> 00:29:59,133
AND DO THIS
AGAIN SOMETIME, STINKY.
722
00:29:59,168 --> 00:30:01,367
WE THINK ALIKE.
723
00:30:01,402 --> 00:30:03,532
YOU KNOW...
724
00:30:03,567 --> 00:30:05,817
A LOT OF TIMES,
WE THINK ALIKE.
725
00:30:05,852 --> 00:30:08,032
STOP THAT, DAVID!
STOP THAT, DAVID!
726
00:30:08,067 --> 00:30:09,901
I'M CALLING THE
POLICE, DAVID! I'M CALLING
727
00:30:11,901 --> 00:30:13,968
HELLO. POLICE?
HELLO. POLICE?
728
00:30:14,003 --> 00:30:15,834
I HATE YOU!
YOU LOVE ME!
729
00:30:17,400 --> 00:30:19,434
I GUESS THERE'S
NO SUCH THING AS AN ORIGINAL IDEA.
730
00:30:19,469 --> 00:30:20,899
WHAT ARE YOU
DOING HERE?
731
00:30:20,934 --> 00:30:22,667
WHAT AM I DOING
HERE?WHAT ARE YOU DOINGHERE?
732
00:30:22,702 --> 00:30:23,833
AND A LOT OF TIMES,
WE DON'T.
733
00:30:23,868 --> 00:30:26,899
BOOK ME ON THE NEXT FLIGHT
TO BUENOS AIRES.
734
00:30:26,934 --> 00:30:28,901
LISTEN, DO YOU MIND
IF I JUST TALK SOME SENSE TO YOU?
735
00:30:28,936 --> 00:30:29,965
THAT WILL BE A FIRST.
736
00:30:30,000 --> 00:30:31,067
WHAT THE HELL ARE
YOU GOING DOWN THERE FOR?
737
00:30:31,102 --> 00:30:32,399
TO GET BACK
WHAT'S MINE.
738
00:30:32,434 --> 00:30:33,934
WHAT WAS YOURS!
IT'S GONE! DON'T YOU UNDERSTAND?
739
00:30:33,969 --> 00:30:35,418
KISS IT BYE-BYE,
WILL YA?
740
00:30:35,453 --> 00:30:37,043
THANKS
FOR THE ENCOURAGEMENT.
741
00:30:37,078 --> 00:30:38,599
I'M JUST TELLING
YOU THE TRUTH.
742
00:30:38,634 --> 00:30:39,866
ISN'T IT ENOUGH,
THE GUY BAMBOOZLED YOU?
743
00:30:39,901 --> 00:30:41,367
NOW YOU GOT TO GO
DOWN THERE SO HE CAN LAUGH AT YOU?
744
00:30:41,402 --> 00:30:42,567
HE'S NOT
GOING TO LAUGH.
745
00:30:42,602 --> 00:30:43,532
OH, YES, HE IS.
746
00:30:43,567 --> 00:30:44,632
HE'S NOT
GOING TO LAUGH!
747
00:30:44,667 --> 00:30:45,767
OH, YES, HE IS.
HE'S NOT GOING TO LAUGH!
748
00:30:45,802 --> 00:30:47,668
YOU'RE RIGHT,
HE'S GOING TO ROAR!
749
00:30:47,703 --> 00:30:49,534
WHY ARE WE STILL TOGETHER?
750
00:30:49,569 --> 00:30:51,499
I DON'T KNOW.
751
00:30:51,534 --> 00:30:53,667
IT'S A MYSTERY TO ME.
752
00:30:55,234 --> 00:30:57,032
I...
753
00:30:57,067 --> 00:31:00,183
YOU WANT TO HEAR
SOMETHING CRAZY?
754
00:31:00,218 --> 00:31:03,265
I THINK SHE THINKS
I'M STUPID.
755
00:31:03,300 --> 00:31:05,234
NO, I'M SKIPPING LUNCH.
I'M GOING TO THE MUSEUM.
756
00:31:05,269 --> 00:31:07,234
THEY'RE EXHIBITING
A NEW GAUGUIN.
757
00:31:07,269 --> 00:31:09,766
GAUGUIN?
OH, I HEARD OF HIM.
758
00:31:09,801 --> 00:31:11,434
THAT'S THE GUY THAT
DUKED IT OUT WITH GODZILLA, RIGHT?
759
00:31:12,901 --> 00:31:15,234
I KNOW WHO IT IS. HE
PAINTS NAKED GIRLS.
760
00:31:15,269 --> 00:31:16,699
NUDES.
761
00:31:16,734 --> 00:31:19,834
NUDES, RIGHT. NAKEDS
HAVE STAPLES IN THEM.
762
00:31:19,869 --> 00:31:21,234
I'VE MADE
A TERRIBLE MISTAKE.
763
00:31:21,269 --> 00:31:22,332
THERE ARE NO CLIENTS.
764
00:31:22,367 --> 00:31:23,599
THERE NEVER HAVE BEEN
ANY CLIENTS.
765
00:31:23,634 --> 00:31:25,567
THERE AREN'T GOING
TO BE ANY CLIENTS, ARE THERE?
766
00:31:25,602 --> 00:31:28,701
I'M NOT SURE
I UNDERSTAND THE QUESTION.
767
00:31:28,736 --> 00:31:30,499
HAVE YOU EVER
HAD A CLIENT?
768
00:31:30,534 --> 00:31:32,801
WHAT? YOU MEAN,
AT THIS PARTICULAR LOCATION?
769
00:31:34,334 --> 00:31:37,834
THE IRONY OF IT
IS I TAUGHT HER EVERYTHING SHE KNOWS.
770
00:31:37,869 --> 00:31:40,168
YOU STICK
THE STICKPIN IN.
771
00:31:40,203 --> 00:31:42,467
AND PULL
THE STICKPIN OUT.
772
00:31:43,534 --> 00:31:45,984
YOU STICK
THE STICKPIN IN,
773
00:31:46,019 --> 00:31:47,960
* AND YOU SHAKE IT
ALL ABOUT *
774
00:31:47,995 --> 00:31:49,866
* YOU DO
THE HOKEY-POKEY *
775
00:31:49,901 --> 00:31:52,734
* AND YOU TURN
YOURSELF ABOUT *
776
00:31:52,769 --> 00:31:55,567
* THAT'S WHAT
IT'S ALL ABOUT **
777
00:31:55,602 --> 00:31:57,001
WHAT ARE YOU DOING?
778
00:31:57,036 --> 00:31:58,365
CAN'T BE TOO CAREFUL.
779
00:31:58,400 --> 00:32:00,100
CLEARLY, THERE'S
NO ONE AT HOME.
780
00:32:00,135 --> 00:32:01,534
LET'S JUST BE SURE.
781
00:32:32,100 --> 00:32:33,734
ANY IDEA
WHAT HE'S LOOKING FOR?
782
00:32:33,769 --> 00:32:34,699
A CLUE.
783
00:32:34,734 --> 00:32:35,933
OK, GIVE ME ONE.
GIVE ME ONE, WHAT?
784
00:32:35,968 --> 00:32:37,133
GIVE ME A CLUE
WHAT HE'S LOOKING FOR.
785
00:32:37,168 --> 00:32:38,133
A CLUE!
I'M WAITING.
786
00:32:38,168 --> 00:32:39,098
FOR WHAT?
787
00:32:39,133 --> 00:32:40,801
TO FIND OUT WHAT THE MAN
IS LOOKING FOR!
788
00:32:40,836 --> 00:32:41,834
THE MAN IS LOOKING
FOR A CLUE!
789
00:32:41,869 --> 00:32:42,901
A CLUE, A CLUE, A CLUE!
790
00:32:42,936 --> 00:32:44,032
GESUNDHEIT.
791
00:32:44,067 --> 00:32:45,766
AND SHE CALLS ME STUPID.
792
00:32:45,801 --> 00:32:47,766
WELL, OBVIOUSLY,
YOU'RE NOT STUPID.
793
00:32:47,801 --> 00:32:50,934
OBVIOUSLY, YOU'RE
A VERY ATTRACTIVE MAN.
794
00:32:52,300 --> 00:32:54,734
CERTAINLY THERE HAVE BEEN
OTHER WOMEN IN YOUR LIFE.
795
00:32:54,769 --> 00:32:56,151
* HARD TO HIDE *
796
00:32:56,186 --> 00:32:57,499
* MY HURT INSIDE *
797
00:32:57,534 --> 00:32:59,617
* THIS OLD HEART
OF MINE *
798
00:32:59,652 --> 00:33:01,526
* ALWAYS KEEPS
ME CRYING *
799
00:33:01,561 --> 00:33:03,400
* THE WAY YOU'RE
TREATING ME *
800
00:33:03,435 --> 00:33:05,051
* LEAVES ME
INCOMPLETE *
801
00:33:05,086 --> 00:33:06,667
* YOU'RE HERE
FOR THE DAY *
802
00:33:06,702 --> 00:33:08,265
COME HERE.
803
00:33:08,300 --> 00:33:09,799
* AND GONE
FOR THE WEEK *
804
00:33:09,834 --> 00:33:13,150
* BUT IF YOU LEAVE
ME A HUNDRED TIMES *
805
00:33:13,185 --> 00:33:16,792
* A HUNDRED TIMES
I'LL TAKE YOU BACK *
806
00:33:16,827 --> 00:33:19,647
* I'M YOURS WHENEVER
YOU WANT ME *
807
00:33:19,682 --> 00:33:22,467
* I'M NOT TOO
PROUD TO SHOUT IT *
808
00:33:22,502 --> 00:33:23,934
* TELL THE WORLD ABOUT IT *
809
00:33:23,969 --> 00:33:25,451
* CAUSE I *
810
00:33:25,486 --> 00:33:28,793
* I LOVE YOU *
811
00:33:28,828 --> 00:33:31,781
* YES, I DO *
812
00:33:31,816 --> 00:33:34,734
* I LOVE YOU *
813
00:33:37,534 --> 00:33:39,599
* THIS OLD HEART OF MINE *
814
00:33:39,634 --> 00:33:41,167
* BEEN BROKE
A THOUSAND TIMES *
815
00:33:41,202 --> 00:33:42,666
* EACH TIME YOU BREAK AWAY *
816
00:33:42,701 --> 00:33:45,666
* I THINK YOU'RE
GONNA STAY... **
817
00:33:45,701 --> 00:33:48,701
OBVIOUSLY,
THERE'VE BEEN OTHER MEN IN HER LIFE.
818
00:33:48,736 --> 00:33:49,666
MEN?
819
00:33:49,701 --> 00:33:51,165
HA HA HA!
820
00:33:51,200 --> 00:33:53,567
THAT'S
A JUDGMENT CALL, RONA.
821
00:33:53,602 --> 00:33:55,165
MADDIE, JUST AWFUL NEWS.
822
00:33:55,200 --> 00:33:57,200
THERE'S BEEN
A MEDICAL EMERGENCY.
823
00:33:57,235 --> 00:33:59,200
AND I'M AFRAID
I'M GOING TO HAVE TO-
824
00:33:59,235 --> 00:34:00,666
DOCTOR?
DAVID ADDISON.
825
00:34:00,701 --> 00:34:02,634
I'M A BUSINESS ASSOCIATE
OF MISS HAYES.
826
00:34:02,669 --> 00:34:04,098
SMALL WORLD, ISN'T IT?
827
00:34:04,133 --> 00:34:05,566
I'M HERE WITH
THE WIFE AND KIDS,
828
00:34:05,601 --> 00:34:07,234
CELEBRATING PATTY
GETTING HER BRACES REMOVED.
829
00:34:07,269 --> 00:34:08,666
AND I WAS
GONNA SAY, HEY,
830
00:34:08,701 --> 00:34:10,534
"LET'S SEE IF WE CAN'T
PULL A COUPLE OF TABLES TOGETHER
831
00:34:10,569 --> 00:34:12,165
AND GET TO KNOW
EACH OTHER."
832
00:34:12,200 --> 00:34:13,567
BUT IT LOOKS LIKE
YOU GOT TO GO, HUH, DOC?
833
00:34:13,602 --> 00:34:15,699
I'M AFRAID SO.
834
00:34:15,734 --> 00:34:17,701
I FEEL JUST TERRIBLE
ABOUT LEAVING YOU LIKE THIS.
835
00:34:17,736 --> 00:34:19,199
LET ME COME
WITH YOU.
836
00:34:19,234 --> 00:34:20,868
YOU SEEM TO BE
IN VERY GOOD HANDS.
837
00:34:20,903 --> 00:34:22,318
THE BEST.
838
00:34:22,353 --> 00:34:23,699
PLEASE!
839
00:34:23,734 --> 00:34:26,334
I KNOW, WE WERE STARTING
TO HIT IT OFF, WEREN'T WE?
840
00:34:26,369 --> 00:34:28,301
LISTEN, I'VE ALREADY
PAID THE CAPTAIN.
841
00:34:28,336 --> 00:34:30,035
WHY DON'T YOU STAY
WITH YOUR FRIEND
842
00:34:30,070 --> 00:34:31,734
AND GO AHEAD AND
ENJOY YOUR DINNER?
843
00:34:31,769 --> 00:34:33,234
CARL!
I'LL CALL YOU TOMORROW.
844
00:34:33,269 --> 00:34:34,968
I'M SURE YOU WILL.
845
00:34:35,003 --> 00:34:36,585
ALLOW ME, MA'AM.
846
00:34:36,620 --> 00:34:38,132
WHERE WERE WE?
847
00:34:38,167 --> 00:34:41,032
YOU WERE FIRED,
AND I WAS LEAVING!
848
00:34:41,067 --> 00:34:43,033
NOW, I AM REALLY SORRY
TO HEAR YOU SAY THAT.
849
00:34:43,068 --> 00:34:45,000
I THINK WE WOULD HAVE
MADE A TERRIFIC TEAM.
850
00:34:45,035 --> 00:34:47,468
YOU WANT TO KNOW
WHAT I THINK?
851
00:34:47,503 --> 00:34:49,702
I THINK ALL
THIS "TOUGH GUY,
852
00:34:49,737 --> 00:34:51,866
"SHE'S GOT
A BAD TEMPER,
853
00:34:51,901 --> 00:34:53,901
YOU CAN'T
WORK TOGETHER" GIBBERISH
854
00:34:53,936 --> 00:34:55,365
IS JUST A COVER
855
00:34:55,400 --> 00:34:58,033
FOR SOMEONE
WHO REALLY CARES ABOUT SOMEBODY.
856
00:34:59,534 --> 00:35:02,868
* OH, BABY WHAT
YOU DONE TO ME *
857
00:35:02,903 --> 00:35:05,566
* WHAT YOU DONE TO ME *
858
00:35:05,601 --> 00:35:09,868
* YOU MADE ME FEEL
SO GOOD INSIDE *
859
00:35:09,903 --> 00:35:12,566
* GOOD INSIDE *
860
00:35:12,601 --> 00:35:16,200
* AND I
JUST WANT TO BE *
861
00:35:16,235 --> 00:35:18,299
* WANT TO BE *
862
00:35:18,334 --> 00:35:22,667
* CLOSE TO YOU,
YOU MAKE ME FEEL SO ALIVE *
863
00:35:22,702 --> 00:35:25,751
* YOU MAKE ME FEEL *
864
00:35:25,786 --> 00:35:28,766
* YOU MAKE ME FEEL *
865
00:35:28,801 --> 00:35:35,868
* YOU MAKE ME FEEL
LIKE A NATURAL WOMAN *
866
00:35:35,903 --> 00:35:38,535
* YOU MAKE ME FEEL *
867
00:35:38,570 --> 00:35:41,167
* YOU MAKE ME FEEL **
868
00:35:42,434 --> 00:35:43,817
IT'S OK.
869
00:35:43,852 --> 00:35:45,165
MMM!
870
00:35:45,200 --> 00:35:47,200
OH, I KNEW YOU WERE
GONNA SAY THAT.
871
00:35:47,235 --> 00:35:49,167
OK, ALL RIGHT,
I ADMIT IT.
872
00:35:49,202 --> 00:35:51,065
I RAN INTO SOME TROUBLE.
873
00:35:51,100 --> 00:35:54,000
GOING UNDERGROUND IS NOT
AS EASY AS I THOUGHT IT WAS GOING TO BE.
874
00:35:54,035 --> 00:35:56,934
I MEAN, IT'S NOT
LIKE YOU CAN ASK ANYBODY DIRECTIONS.
875
00:35:56,969 --> 00:35:58,701
I'M GETTING
THE HANG OF IT, THOUGH.
876
00:35:58,736 --> 00:35:59,866
LIKE YESTERDAY,
877
00:35:59,901 --> 00:36:01,601
HITCHED A BACK ROAD
TO THE EDGE OF TOWN.
878
00:36:01,636 --> 00:36:02,566
MMM.
879
00:36:02,601 --> 00:36:04,501
HAD A CONVERSATION
WITH A SKINNY DOG.
880
00:36:04,536 --> 00:36:05,466
MMM.
881
00:36:05,501 --> 00:36:07,133
OPENED A CAN OF BEANS
WITH MY TEETH.
882
00:36:07,168 --> 00:36:08,165
MMM?
883
00:36:08,200 --> 00:36:09,667
ALL RIGHT,
IT WAS A BAG OF BEANS.
884
00:36:09,702 --> 00:36:11,232
MMM.
885
00:36:11,267 --> 00:36:12,801
AFTER DINNER, I WENT
DOWN TO THE RAILROAD TRACKS TO HOP A FREIGHT TRAIN.
886
00:36:12,836 --> 00:36:13,766
MMM
887
00:36:13,801 --> 00:36:15,265
IT WAS OK.
888
00:36:15,300 --> 00:36:17,567
NONE OF THE OTHER
VAGABONDS WOULD TALK TO ME, THOUGH.
889
00:36:17,602 --> 00:36:19,033
FOUND OUT YOU'RE
NOT SUPPOSED TO EAT YOUR BEANS
890
00:36:19,068 --> 00:36:21,232
BEFORE YOU HOP
THE FREIGHT TRAIN.
891
00:36:21,267 --> 00:36:25,567
THERE SIMPLY ARE THINGS
THAT DEFY EXPLANATION. I MEAN, GOD-
892
00:36:25,602 --> 00:36:27,234
WELL NOW, THERE YOU GO.
THERE'S A GOOD EXAMPLE.
893
00:36:27,269 --> 00:36:29,118
GOD'S A GOOD EXAMPLE.
894
00:36:29,153 --> 00:36:30,933
GOD DEFIES EXPLANATION.
895
00:36:30,968 --> 00:36:33,968
YOU BELIEVE IN HIM.
EVERYBODY BELIEVES IN HIM.
896
00:36:41,000 --> 00:36:42,067
HELLO?
897
00:36:47,501 --> 00:36:48,666
DON'T TELL ME.
898
00:36:48,701 --> 00:36:49,666
THEN,
DON'T ASK ME.
899
00:36:49,701 --> 00:36:50,767
YOU DON'T-
I WARNED YOU.
900
00:36:50,802 --> 00:36:52,098
HOW CAN YOU NOT?
901
00:36:52,133 --> 00:36:55,734
DAVID, I DON'T THINK
WE WANT TO HAVE THIS DISCUSSION.
902
00:36:59,601 --> 00:37:02,965
OH...
OK, I GET IT.
903
00:37:03,000 --> 00:37:04,817
THIS IS JUST SOMETHING
YOU'RE SAYING, RIGHT?
904
00:37:04,852 --> 00:37:06,634
JUST SOMETHING
YOU SAY TO PEOPLE, RIGHT?
905
00:37:06,669 --> 00:37:08,165
I MEAN, DEEP DOWN,
906
00:37:08,200 --> 00:37:10,934
DEEP, DEEP,
DEEP DOWN...
907
00:37:13,200 --> 00:37:14,666
I DON'T BELIEVE YOU.
908
00:37:14,701 --> 00:37:16,434
WHAT CAN I SAY? I
DON'T BELIEVE IN-
909
00:37:16,469 --> 00:37:17,833
DON'T SAY THAT!
DAVID!
910
00:37:17,868 --> 00:37:19,534
YOU DON'T HAVE TO SAY THAT.
WHAT ARE YOU THINKING?
911
00:37:19,569 --> 00:37:21,200
WHAT DO YOU WANT
TO SAY THAT FOR? HE MIGHT HEAR YOU.
912
00:37:21,235 --> 00:37:24,167
YOU DO REALLY
CARE ABOUT HER, DON'T YOU?
913
00:37:25,701 --> 00:37:28,367
WE'VE HAD SOME
PRETTY WILD TIMES.
914
00:37:28,402 --> 00:37:30,467
AAH!
915
00:37:35,434 --> 00:37:37,132
HANG ON TIGHT, MADDIE!
916
00:37:37,167 --> 00:37:39,884
NOW, LISTEN, I WANT
YOU TO TURN AROUND,
917
00:37:39,919 --> 00:37:42,601
AND WHATEVER YOU DO,
DON'T LOOK DOWN.
918
00:37:50,167 --> 00:37:51,599
AAH!
919
00:37:51,634 --> 00:37:52,599
THEY'RE
FOLLOWING US!
920
00:37:52,634 --> 00:37:53,899
OF COURSE
THEY'RE FOLLOWING US.
921
00:37:53,934 --> 00:37:55,133
NATURALLY,
THEY'RE FOLLOWING US. IT'S A CHASE.
922
00:37:58,100 --> 00:37:59,466
WELL, GUESS
THAT'S THAT.
923
00:37:59,501 --> 00:38:00,901
CHASE IS OVER.
HE'S CAUGHT UP WITH US.
924
00:38:01,968 --> 00:38:02,901
AAH!
925
00:38:04,734 --> 00:38:06,383
AAH, DAVID!
WHY IS HE DOING THAT?
926
00:38:06,418 --> 00:38:08,033
BECAUSE YOU'RE
LETTING HIM DO IT!
927
00:38:08,068 --> 00:38:09,232
PUNCH THIS COW,
WILL YA?
928
00:38:09,267 --> 00:38:11,667
OK, I WILL.
WHAT DOES THAT MEAN?
929
00:38:11,702 --> 00:38:13,968
STEP
ON THE PEDAL, CREDAL.
930
00:38:21,701 --> 00:38:22,866
WHAT DO
I DO NOW?
931
00:38:22,901 --> 00:38:24,550
GET IN THE FAR RIGHT
LANE AND MAKE A SHARP LEFT.
932
00:38:24,585 --> 00:38:26,200
YOU DON'T MAKE A
LEFT TURN FROM THE FAR RIGHT LANE!
933
00:38:26,235 --> 00:38:27,567
WE DO!
934
00:38:31,100 --> 00:38:32,634
LEFT INTO THIS ALLEY!
935
00:38:38,033 --> 00:38:39,600
WE DID IT!
936
00:38:39,635 --> 00:38:41,132
WE DID IT?
937
00:38:41,167 --> 00:38:42,267
WE DID IT!
WE LOST THEM.
938
00:38:43,334 --> 00:38:44,801
OOPS, THEY DID IT.
THEY FOUND US.
939
00:38:47,334 --> 00:38:48,868
REVERSE!
940
00:38:50,334 --> 00:38:51,334
FASTER!
941
00:38:51,369 --> 00:38:52,299
FASTER?
942
00:38:52,334 --> 00:38:53,432
I DON'T LIKE
DRIVING FAST IN FORWARD.
943
00:38:53,467 --> 00:38:55,200
AND I DON'T LIKE
DRIVING FAST IN BACKWARD.
944
00:39:05,167 --> 00:39:06,267
FREEZE!
945
00:39:09,133 --> 00:39:10,100
FREEZE!
946
00:39:12,133 --> 00:39:13,133
FREEZE!
947
00:39:14,534 --> 00:39:15,634
FREEZE!
948
00:39:21,701 --> 00:39:24,033
ANYBODY WANT
TO PLAY TWISTER?
949
00:39:24,068 --> 00:39:25,100
DAVID, LOOK OUT!
950
00:39:30,367 --> 00:39:32,400
SAY, AREN'T YOU
BILLY BARTY?
951
00:39:32,435 --> 00:39:34,666
AND AREN'T YOU, UH...
952
00:39:34,701 --> 00:39:36,534
HIT ON SOMEBODY
YOUR OWN SIZE.
953
00:39:36,569 --> 00:39:37,868
LOOK OUT!
954
00:39:43,868 --> 00:39:45,799
DAVID, THERE'S
A COFFIN BACK THERE.
955
00:39:45,834 --> 00:39:48,234
YOU'RE KIDDING? A
COFFIN IN A HEARSE? CALL MIKE WALLACE!
956
00:39:48,269 --> 00:39:49,965
YOU THINK THERE'S
A DEAD BODY IN IT?
957
00:39:50,000 --> 00:39:51,801
WHAT DO YOU MEAN, DO
I THINK THERE'S A DEAD BODY IN IT?
958
00:39:51,836 --> 00:39:52,866
OF COURSE THERE'S
A DEAD BODY IN IT!
959
00:39:52,901 --> 00:39:54,501
WHAT DO YOU THINK?
THESE GUYS CARRY SPARES?
960
00:39:54,536 --> 00:39:55,434
DAVID!
961
00:40:11,234 --> 00:40:12,632
HE'S SAFE!
962
00:40:12,667 --> 00:40:15,199
WOULD YOU DO
SOMETHING FOR ME, DAVID?
963
00:40:15,234 --> 00:40:19,434
IF I COULD GET
THE TWO OF YOU IN A ROOM TOGETHER-
964
00:40:19,469 --> 00:40:20,432
WAIT A MINUTE.
965
00:40:20,467 --> 00:40:23,200
WOULD YOU
AT LEAST JUST TALK?
966
00:40:24,267 --> 00:40:25,868
MADDIE AND ME?
967
00:40:27,434 --> 00:40:28,701
DAVID.
968
00:40:28,736 --> 00:40:29,968
FOR ME?
969
00:40:34,100 --> 00:40:35,400
FOR YOU, RONA?
970
00:40:41,701 --> 00:40:42,634
YEAH.
971
00:40:44,200 --> 00:40:45,666
YEAH, I GUESS SO.
972
00:40:45,701 --> 00:40:47,133
FOR YOU, RONA.
973
00:40:59,067 --> 00:41:00,868
MADDIE?
974
00:41:11,634 --> 00:41:13,501
DAVID?
975
00:41:24,968 --> 00:41:26,767
AHEM.
976
00:41:39,667 --> 00:41:41,100
WHAT DO WE SAY?
977
00:41:43,334 --> 00:41:45,267
I'M SORRY.
I'M SORRY.
978
00:41:46,834 --> 00:41:48,767
NOW SAY IT TO THEM.
979
00:41:51,334 --> 00:41:53,267
WE'RE SORRY.
WE'RE SORRY.
980
00:41:54,501 --> 00:41:57,767
DON'T YOU HAVE
SOMETHING ELSE TO SAY?
981
00:42:00,534 --> 00:42:03,467
NEW EPISODE
NEXT TUESDAY! NEW EPISODE
982
00:42:04,868 --> 00:42:07,300
NOW KISS AND MAKE UP.
983
00:42:29,300 --> 00:42:32,300
WELL, AMERICA, SO MUCH
FOR MADDIE AND DAVID.
984
00:42:32,335 --> 00:42:34,584
AND SO MUCH FOR ME.
985
00:42:34,619 --> 00:42:36,834
I'M RONA BARRETT.
986
00:42:36,869 --> 00:42:38,401
SLEEP TIGHT.
987
00:42:38,436 --> 00:42:39,934
NOT YOU TWO.
988
00:42:49,934 --> 00:42:51,899
* SOME WALK- *
989
00:42:51,934 --> 00:42:54,801
I WANT YOU TO SAY HI.
WHAT'S YOUR NAME?
990
00:42:54,836 --> 00:42:56,801
JOHNNY. HI, JOHNNY.
991
00:42:56,836 --> 00:42:58,265
SAY HI.
992
00:42:58,300 --> 00:43:00,666
AND HE'S
A LITTLE CONFUSED
993
00:43:00,701 --> 00:43:02,299
AS TO WHAT'S HAPPENING
WITH THE SHOW
994
00:43:02,334 --> 00:43:04,834
OVER HERE ON
MOONLIGHTING THIS YEAR.
995
00:43:04,869 --> 00:43:07,334
AND WE'RE HAVING FUN,
AREN'T WE, KIDS?
996
00:43:07,369 --> 00:43:08,367
YEAH!
YEAH! YEAH!
997
00:43:08,402 --> 00:43:10,365
*BY NIGHT *
998
00:43:10,400 --> 00:43:13,532
PHIL, I KNOW
WE DON'T KNOW EACH OTHER,
999
00:43:13,567 --> 00:43:16,199
BUT YOU DON'T
LOOK LIKE AN EXTORTIONIST TO ME.
1000
00:43:16,234 --> 00:43:19,701
YOU LOOK JUST LIKE
A NICE MAN WHO'S A LITTLE DISTRAUGHT,
1001
00:43:19,736 --> 00:43:21,300
WHO OUGHT
TO TAKE A MINUTE AND COOL DOWN.
1002
00:43:21,335 --> 00:43:23,568
SHE'S RIGHT, PHIL.
COME WITH US.
1003
00:43:23,603 --> 00:43:25,801
WE'LL TELL WELMA
WE WESCUED-
1004
00:43:25,836 --> 00:43:27,734
RESCUED YOU AND THE...
1005
00:43:29,701 --> 00:43:33,634
YOU JUST SEEM LIKE A
VERY NICE MAN WHO'S A LITTLE DISTRAUGHT,
1006
00:43:33,669 --> 00:43:35,601
WHO OUGHT
TO TAKE A MINUTE AND COOL DOWN.
1007
00:43:35,636 --> 00:43:37,851
SHE'S RIGHT, PHIL.
1008
00:43:37,886 --> 00:43:40,067
STAY RIGHT THERE.
1009
00:43:47,334 --> 00:43:48,767
I GOT IT!
I GOT IT!
1010
00:43:48,802 --> 00:43:49,834
OH!
1011
00:43:51,701 --> 00:43:54,234
SHE'S RIGHT, PHIL.
COME WITH US.
1012
00:43:54,269 --> 00:43:56,767
WE'LL TELL WILMA
AND WE WESCUE-
1013
00:44:04,367 --> 00:44:06,234
STAY THERE.
STAY THERE.
1014
00:44:06,269 --> 00:44:08,018
SHE'S RIGHT.
1015
00:44:08,053 --> 00:44:09,767
DON'T SMILE.
1016
00:44:11,133 --> 00:44:12,632
I'M SORRY.
1017
00:44:12,667 --> 00:44:14,732
* SOME FLY BY- *
1018
00:44:14,767 --> 00:44:17,032
I'M SORRY TO SAY
I'M SAD TO REPORT
1019
00:44:17,067 --> 00:44:19,167
THAT I HAVEN'T SEEN
ANYONE AT ALL OF THAT SORT.
1020
00:44:19,202 --> 00:44:21,267
NOT A MAN WHO'S
CHINESE WITH A MOLE ON HIS NOSE
1021
00:44:21,302 --> 00:44:24,501
WITH SOME SORT OF
CLOTHES THAT...
1022
00:44:24,536 --> 00:44:27,701
I'M SORRY TO SAY
I'M SAD TO REPORT...
1023
00:44:28,767 --> 00:44:31,434
* DAY- *
1024
00:44:32,667 --> 00:44:33,965
HELLO.
1025
00:44:34,000 --> 00:44:35,900
WHERE'S
THE FIRE ESCAPE?
1026
00:44:35,935 --> 00:44:37,801
OH, FORGET
I SAID THAT.
1027
00:44:37,836 --> 00:44:39,265
IS THIS YOURS?
1028
00:44:39,300 --> 00:44:40,783
NO, IT COULDN'T BE.
1029
00:44:40,818 --> 00:44:42,925
IT'S PROBABLY GLENN'S.
1030
00:44:42,960 --> 00:44:44,998
* NOTHING COULD CHANGE- *
1031
00:44:45,033 --> 00:44:46,899
I'M SORRY TO SAY
I'M SAD TO REPORT
1032
00:44:46,934 --> 00:44:49,534
THAT I HAVEN'T SEEN
ANYONE AT ALL OF THAT SORT.
1033
00:44:49,569 --> 00:44:51,968
NOT A MAN...
OH, GOD.
1034
00:44:52,003 --> 00:44:54,332
* YOU, SET AND- *
1035
00:44:54,367 --> 00:44:57,517
THE ONLY REASON
HE KEEPS ME AROUND IS BECAUSE OF YOU.
1036
00:44:57,552 --> 00:45:00,667
YOU'RE THE ONE
WHO KEEPS BRINGING THEM INTO THE CLUB.
1037
00:45:00,702 --> 00:45:02,701
ALL THOSE BOYS
HOME FROM THE WAR,
1038
00:45:02,736 --> 00:45:04,701
THEY CAN'T
GET ENOUGH OF YOU.
1039
00:45:04,736 --> 00:45:06,098
THAT'S NOT TRUE!
1040
00:45:06,133 --> 00:45:09,901
IT'S NOBODY'S FAULT
THAT YOU COULDN'T GO TO WAR.
1041
00:45:09,936 --> 00:45:13,265
HA HA HA!
1042
00:45:13,300 --> 00:45:15,267
* SURE OF THE WAY *
1043
00:45:16,901 --> 00:45:18,834
I DON'T THINK YOU
UNDERSTAND, RICHARD.
1044
00:45:18,869 --> 00:45:20,367
RICHARD?
WAIT A MINUTE, EDDIE!
1045
00:45:20,402 --> 00:45:21,833
MY NAME IS NAVARONE!
1046
00:45:21,868 --> 00:45:25,184
AND THE $100,000
YOU FOUND...
1047
00:45:25,219 --> 00:45:28,501
AND SO BLABLEEP
BLADABLAPOO!
1048
00:45:28,536 --> 00:45:30,499
* WAY- *
1049
00:45:30,534 --> 00:45:32,567
I'M SORRY TO SAY
I'M SAD TO REPORT
1050
00:45:32,602 --> 00:45:34,901
THAT I HAVEN'T
SEEN ANY...
1051
00:45:34,936 --> 00:45:36,901
* THERE IS THE- *
1052
00:45:36,936 --> 00:45:38,735
ACTION!
1053
00:45:38,770 --> 00:45:40,885
I'M SORRY.
1054
00:45:40,920 --> 00:45:42,543
ACTION!
1055
00:45:42,578 --> 00:45:44,132
I'M...
1056
00:45:44,167 --> 00:45:46,833
* SUN AND MOON *
1057
00:45:46,868 --> 00:45:48,232
WHAT KIND OF CLOTHES
DO I SUPPOSE-
1058
00:45:48,267 --> 00:45:51,067
THAT A MAN
WITH A MOLE ON HIS NOSE WOULD WEAR...
1059
00:45:51,102 --> 00:45:54,601
*THEY SING THEIR OWN- *
1060
00:45:54,636 --> 00:45:56,300
HOO-HOO! WAH!
1061
00:45:59,133 --> 00:46:02,767
* SWEET TUNE,
WATCH THEM WHEN DAWN- *
1062
00:46:04,834 --> 00:46:06,851
HA HA HA...
1063
00:46:06,886 --> 00:46:08,833
HA HA HA.
1064
00:46:08,868 --> 00:46:12,499
* IS DUE,
SHARING ONE- *
1065
00:46:12,534 --> 00:46:15,701
WHAT KIND OF CLOTHES
DO I SUPPOSE WOULD BE WORN BY A MAN-
1066
00:46:15,736 --> 00:46:19,332
* SPACE *
1067
00:46:19,367 --> 00:46:23,701
DO YOU HAVE
THE MIAMI VICE LOOK HERE?
1068
00:46:23,736 --> 00:46:24,699
HA HA HA!
1069
00:46:24,734 --> 00:46:28,334
* WE'LL WALK BY NIGHT *
1070
00:46:29,467 --> 00:46:33,300
* I'M POPEYE
THE SAILOR MAN *
1071
00:46:33,335 --> 00:46:34,934
* POOP POOP **
1072
00:46:34,969 --> 00:46:35,933
HA HA HA!
1073
00:46:35,968 --> 00:46:39,667
* WE'LL FLY BY DAY *
1074
00:46:39,702 --> 00:46:41,400
ACTION.
1075
00:46:43,133 --> 00:46:44,067
HEY.
1076
00:46:46,133 --> 00:46:48,300
YO, YOU,
KNUCKLEHEAD.
1077
00:46:48,335 --> 00:46:49,300
TURN AROUND.
1078
00:46:49,335 --> 00:46:50,265
READY?
1079
00:46:50,300 --> 00:46:51,467
YEAH, READY.
1080
00:46:51,502 --> 00:46:52,851
QUIET, PLEASE!
1081
00:46:52,886 --> 00:46:54,200
KEEP ROLLING.
1082
00:46:54,235 --> 00:46:55,901
ACTION.
1083
00:46:55,936 --> 00:46:57,532
HEY.
1084
00:46:57,567 --> 00:46:58,933
I OWE YOU.
1085
00:46:58,968 --> 00:47:00,567
YEAH, WELL, NEXT TIME,
1086
00:47:00,602 --> 00:47:02,132
NEXT TIME
I HAVE, UH,
1087
00:47:02,167 --> 00:47:04,499
SOMEBODY I USED
TO SLEEP WITH,
1088
00:47:04,534 --> 00:47:06,968
I'M GONNA TELL THEM
TO HAVE YOU GIVE THEM THE ONCE-OVER.
1089
00:47:07,003 --> 00:47:10,334
BY THE GIRL-
THE OLD LADY, TOO.
1090
00:47:10,369 --> 00:47:12,367
HA HA HA!
1091
00:47:14,000 --> 00:47:15,868
* MOONLIGHTING STRA- *
1092
00:47:15,903 --> 00:47:16,833
ACTION!
1093
00:47:16,868 --> 00:47:18,901
LET'S JUST
TAKE THE $20,000-
1094
00:47:18,936 --> 00:47:20,934
LET'S JUST
TAKE THE $20,000,
1095
00:47:20,969 --> 00:47:22,234
GET ON A PLANE-
1096
00:47:22,269 --> 00:47:23,632
AND WHAT?
1097
00:47:23,667 --> 00:47:24,833
AND GET DOWN
WITH THAT FUNKY-
1098
00:47:24,868 --> 00:47:27,133
DAVID, I WANT TO ASK
YOU A QUESTION.
1099
00:47:27,168 --> 00:47:28,951
PLEASE BE HONEST.
1100
00:47:28,986 --> 00:47:30,734
NO EVASIVENESS, OK?
1101
00:47:34,200 --> 00:47:35,567
WHAT HAPPENED
TO YOUR HAIR?
1102
00:47:39,367 --> 00:47:42,833
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
1103
00:47:42,868 --> 00:47:45,801
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-
1104
00:47:45,851 --> 00:47:50,401
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