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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,334 --> 00:00:04,834 OK, I'M ROLLING. SPEED. 2 00:00:04,869 --> 00:00:05,965 CAMERA'S READY. 3 00:00:06,000 --> 00:00:08,750 AND, RONA, YOU ARE LIVE! 4 00:00:08,785 --> 00:00:11,466 NO NEW EPISODE AGAIN, 5 00:00:11,501 --> 00:00:14,001 AND AMERICA WANTS TO KNOW WHY. 6 00:00:14,036 --> 00:00:16,534 SO, I'VE COME HERE TO THE HOME 7 00:00:16,569 --> 00:00:18,998 OF THE BLUE MOON DETECTIVE AGENCY 8 00:00:19,033 --> 00:00:21,534 TO SPEAK WITH THE PLAYERS THEMSELVES- 9 00:00:21,569 --> 00:00:24,051 MADDIE HAYES, DAVID ADDISON, 10 00:00:24,086 --> 00:00:26,534 THEIR FRIENDS, THEIR COLLEAGUES, 11 00:00:26,569 --> 00:00:27,998 THEIR LOVERS. 12 00:00:28,033 --> 00:00:30,033 WHO ARE THESE TWO PEOPLE? 13 00:00:30,068 --> 00:00:31,550 WHAT MAKES THEM TICK? 14 00:00:31,585 --> 00:00:33,059 AND WHAT WENT WRONG? 15 00:00:33,094 --> 00:00:35,063 WHAT ABOUT THE RUMORS? 16 00:00:35,098 --> 00:00:36,998 IS THERE FRICTION? 17 00:00:37,033 --> 00:00:39,499 OR ARE TIME MAGAZINE, USA TODAY, 18 00:00:39,534 --> 00:00:44,434 THE NATIONAL ENQUIRER, AND STAR JUST MISINFORMED? 19 00:00:44,469 --> 00:00:48,033 THIS IS THE FAMOUS BLUE MOON CORRIDOR. 20 00:00:48,068 --> 00:00:49,998 THIS IS THE ELEVATOR 21 00:00:50,033 --> 00:00:52,532 FROM WHICH MADDIE HAYES USED TO EMERGE 22 00:00:52,567 --> 00:00:55,567 EVERY TUESDAY NIGHT TO DISCOVER DAVID ADDISON 23 00:00:55,602 --> 00:00:58,032 LIMBOING OR RUNNING SANTA'S HOT LINE 24 00:00:58,067 --> 00:01:01,567 OR OGLING WOMEN IN A SKYSCRAPER ACROSS THE WAY. 25 00:01:01,602 --> 00:01:05,067 BUT THE ELEVATOR IS EMPTY TONIGHT, 26 00:01:05,102 --> 00:01:06,866 AND DAVID ISN'T LIMBOING, 27 00:01:06,901 --> 00:01:10,234 OGLING, OR DOING ANYTHING ELSE. 28 00:01:10,269 --> 00:01:13,567 THIS IS THE FAMOUS BLUE MOON DOOR, 29 00:01:13,602 --> 00:01:16,032 FOREVER OPENING AND CLOSING, 30 00:01:16,067 --> 00:01:19,067 BEING SLAMMED BY MADDIE HAYES AND DAVID ADDISON 31 00:01:19,102 --> 00:01:22,067 IN FITS OF RAGE AND SPURTS OF PASSION. 32 00:01:22,102 --> 00:01:25,601 TONIGHT, IT SITS SILENT, 33 00:01:25,636 --> 00:01:28,065 STILL... 34 00:01:28,100 --> 00:01:30,100 WAITING TO GET BANGED. 35 00:01:30,135 --> 00:01:31,566 IS THAT RIGHT? 36 00:01:31,601 --> 00:01:33,332 WAITING TO GET BANGED? 37 00:01:33,367 --> 00:01:35,733 GO, GO, GO, GO, GO! 38 00:01:35,768 --> 00:01:37,984 MISS DIPESTO, I'M RONA BARRETT. 39 00:01:38,019 --> 00:01:40,200 I'M HERE TO SEE MADDIE AND DAVID. 40 00:01:41,601 --> 00:01:43,100 THEY'RE NOT IN. 41 00:01:48,100 --> 00:01:49,566 WHAT AM I DOING? 42 00:01:49,601 --> 00:01:52,100 I CAN'T LIE TO RONA BARRETT. 43 00:01:52,135 --> 00:01:53,566 THEY'RE IN, 44 00:01:53,601 --> 00:01:55,300 BUT THEY WON'T SEE ANYBODY. THEY WON'T TALK TO ANYBODY. 45 00:01:55,335 --> 00:01:57,133 THEY WON'T EVEN TALK TO EACH OTHER! 46 00:01:57,168 --> 00:01:58,400 I'M GOING TO GET THEM. 47 00:01:59,634 --> 00:02:01,350 EXCUSE ME, GENTLEMEN. 48 00:02:01,385 --> 00:02:03,067 EXCUSE ME, PLEASE. 49 00:02:04,133 --> 00:02:05,634 DAVID ADDISON. 50 00:02:05,669 --> 00:02:06,599 DAVID. 51 00:02:06,634 --> 00:02:08,133 ARE YOU IN THERE? 52 00:02:08,168 --> 00:02:09,599 GO AWAY! 53 00:02:09,634 --> 00:02:12,098 DAVID, I WANT TO TALK TO YOU. 54 00:02:12,133 --> 00:02:14,133 SCRAM! I AIN'T TALKING TO ANYBODY! 55 00:02:14,168 --> 00:02:16,400 DAVID, THIS IS RONA BARRETT. 56 00:02:22,634 --> 00:02:24,098 HI, RONA. I'M SORRY. 57 00:02:24,133 --> 00:02:26,098 I DIDN'T KNOW IT WAS YOU. 58 00:02:26,133 --> 00:02:28,550 DAVID, IT'S 9:00, 8:00 CENTRAL TIME. 59 00:02:28,585 --> 00:02:30,933 YOU AND MADDIE ARE SUPPOSED TO BE 60 00:02:30,968 --> 00:02:34,167 FIGHTING AND ROMANCING, COURTING AND SPARKING. 61 00:02:34,202 --> 00:02:35,466 YEAH, I KNOW. 62 00:02:35,501 --> 00:02:38,834 YOU'RE SUPPOSED TO BE MAKING US LAUGH, MAKING US CRY. 63 00:02:38,869 --> 00:02:40,132 I KNOW. 64 00:02:40,167 --> 00:02:41,601 SO, WHAT'S THE STORY? 65 00:02:44,834 --> 00:02:47,500 HAVE YOU TALKED TO HER YET? 66 00:02:47,535 --> 00:02:50,132 NO. I CAME TO SEE YOU FIRST. 67 00:02:50,167 --> 00:02:53,200 YOU'RE GONNA HAVE TO TALK TO HER, RONA. 68 00:02:55,334 --> 00:02:56,965 I'M SORRY. 69 00:02:57,000 --> 00:02:59,667 YOU'RE GONNA HAVE TO TALK TO HER. I'M REALLY SORRY. 70 00:02:59,702 --> 00:03:01,767 WELL, I WILL TALK TO HER. 71 00:03:04,701 --> 00:03:06,968 BAD LADIES, SISTERS, EXCUSE ME. 72 00:03:09,868 --> 00:03:11,284 MADDIE. MADDIE HAYES. 73 00:03:11,319 --> 00:03:12,666 IT'S RONA BARRETT. 74 00:03:12,701 --> 00:03:14,701 CAN WE COME IN AND SPEAK WITH YOU? 75 00:03:14,736 --> 00:03:15,666 WHAT? 76 00:03:15,701 --> 00:03:17,450 RONA- RONA BARRETT? 77 00:03:17,485 --> 00:03:19,200 MADDIE, CAN WE COME IN? 78 00:03:19,235 --> 00:03:21,133 JUST A SECOND. 79 00:03:23,701 --> 00:03:25,117 HI, RONA. 80 00:03:25,152 --> 00:03:26,499 MADDIE. 81 00:03:26,534 --> 00:03:29,534 YOU BROUGHT A CAMERA CREW WITH YOU. 82 00:03:29,569 --> 00:03:30,968 JUST A SECOND. 83 00:03:36,534 --> 00:03:38,299 HI, RONA! 84 00:03:38,334 --> 00:03:41,267 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 85 00:03:50,901 --> 00:03:55,567 * SOME WALK BY NIGHT * 86 00:03:55,602 --> 00:04:00,199 * SOME FLY BY DAY * 87 00:04:00,234 --> 00:04:04,199 * SOMETHING IS SWEETER * 88 00:04:04,234 --> 00:04:08,551 * 'CAUSE WE MET ON THE WAY * 89 00:04:08,586 --> 00:04:12,868 * 'CAUSE WE MET ON THE WAY * 90 00:04:16,434 --> 00:04:17,899 THIS IS MOONLIGHTING EPISODE, 91 00:04:17,934 --> 00:04:20,434 THE STRAIGHT POP- SORRY, STRAIGHT POOP. 92 00:04:20,469 --> 00:04:22,434 WE'RE GETTING A LITTLE TEST. 93 00:04:22,469 --> 00:04:23,566 1, 2, 3, 4. 94 00:04:23,601 --> 00:04:25,434 TEST 1, 2, 3, 4. SOUNDS PRETTY GOOD. 95 00:04:25,469 --> 00:04:26,566 GIVE ME A 10, 96 00:04:26,601 --> 00:04:28,232 IF YOU GOT ONE UP THERE. 97 00:04:28,267 --> 00:04:29,434 NO 10? ALL RIGHT, GIVE ME AN 8. 98 00:04:29,469 --> 00:04:31,485 OK, 7, 6, 99 00:04:31,520 --> 00:04:33,466 5, 4... 100 00:04:33,501 --> 00:04:35,167 WE'RE DOING FINE. 3...HERE WE GO. 101 00:04:36,300 --> 00:04:38,766 MADDIE, LET'S BEGIN AT THE BEGINNING. 102 00:04:38,801 --> 00:04:43,234 HERE YOU ARE, THE OWNER OF A VERY SUCCESSFUL DETECTIVE AGENCY. 103 00:04:43,269 --> 00:04:44,933 AND THEN, HERE'S THIS GUY- 104 00:04:44,968 --> 00:04:48,767 HE'S A LITTLE CRUDE, HE'S A LITTLE BRASH. 105 00:04:48,802 --> 00:04:50,098 HOW DID YOU TWO MEET? 106 00:04:50,133 --> 00:04:53,265 I MEAN, WHEN DID IT FIRST BEGIN? 107 00:04:53,300 --> 00:04:56,667 WELL, LET'S SAY IT WASN'T THE BEST DAY OF MY LIFE. 108 00:05:02,033 --> 00:05:03,933 HELLO. 109 00:05:03,968 --> 00:05:05,468 HELLO. 110 00:05:05,503 --> 00:05:06,968 WOW. 111 00:05:08,234 --> 00:05:09,699 MY GOODNESS, MISS DIPESTO. 112 00:05:09,734 --> 00:05:11,734 WE'RE LOOKING A LITTLE PALE TODAY, AREN'T WE? 113 00:05:11,769 --> 00:05:13,234 AND WHO HAVE WE HERE? 114 00:05:13,269 --> 00:05:14,699 I DON'T KNOW. 115 00:05:14,734 --> 00:05:16,199 NOW, NOW, NO REASON TO BE SHY. 116 00:05:16,234 --> 00:05:17,767 LET'S SEE A LITTLE CONFIDENCE, A LITTLE CHARISMA, 117 00:05:17,802 --> 00:05:19,284 A LITTLE DALE CARNEGIE. 118 00:05:19,319 --> 00:05:20,732 REMEMBER LESSON ONE. 119 00:05:20,767 --> 00:05:23,767 IMAGINE YOUR ENTIRE AUDIENCE IS COMPLETELY NAKED. 120 00:05:23,802 --> 00:05:25,767 BOGGLES THE MIND, DOESN'T IT? 121 00:05:25,802 --> 00:05:27,232 AMSCRAY, WILL YOU? 122 00:05:27,267 --> 00:05:28,767 TERRIBLE THING, SHYNESS. 123 00:05:28,802 --> 00:05:30,034 BELIEVE ME, I KNOW. 124 00:05:30,069 --> 00:05:31,232 BUT DON'T WORRY. 125 00:05:31,267 --> 00:05:32,334 WE'RE GONNA GET HER THE BEST HELP THERE IS. 126 00:05:32,369 --> 00:05:34,232 BETTER THAN THE BEST! 127 00:05:34,267 --> 00:05:35,667 SHE'S COME A LONG WAY ALREADY. 128 00:05:35,702 --> 00:05:37,032 WHY, WHEN I FIRST FOUND HER, 129 00:05:37,067 --> 00:05:39,167 SHE WAS NOTHING BUT A POOR LITTLE URCHIN, 130 00:05:39,202 --> 00:05:40,351 OUT IN THE STREET, URCHINING. 131 00:05:40,386 --> 00:05:41,501 BUT YOU DON'T WANT TO HEAR THAT. 132 00:05:41,536 --> 00:05:43,601 I DON'T WANT TO HEAR THAT. 133 00:05:43,636 --> 00:05:46,132 OK...SO... 134 00:05:46,167 --> 00:05:48,100 MY NAME IS DAVID ADDISON, AND YOUR NAME IS... 135 00:05:48,135 --> 00:05:50,067 MADDIE HAYES. MADDIE HAYES. 136 00:05:50,102 --> 00:05:51,965 AND- DON'T I KNOW YOU? 137 00:05:52,000 --> 00:05:53,666 NO, I DON'T THINK WE'VE MET. 138 00:05:53,701 --> 00:05:56,200 NO, WAIT A SECOND. CAN'T FOOL ME. 139 00:05:56,235 --> 00:05:57,666 THE EYES DON'T LIE. 140 00:05:57,701 --> 00:05:59,165 NOT THESE BABIES- PHOTOGRAPHIC. 141 00:05:59,200 --> 00:06:02,166 SEE SOMETHING ONCE, IT'S LOCKED IN THERE FOREVER. 142 00:06:02,201 --> 00:06:05,098 REALLY? I DIDN'T NOTICE ANYTHING LOCKED IN THERE. 143 00:06:05,133 --> 00:06:07,200 NO, NO CHANGING THE SUBJECT. YOU'RE LOOKING AT A BLOODHOUND. 144 00:06:07,235 --> 00:06:10,767 ONCE I'M ON TO SOMETHING, I'LL GET IT. I'LL GET IT. 145 00:06:10,802 --> 00:06:14,300 ALL RIGHT, YOU MIGHT HAVE SEEN MY PICTURE SOMEWHERE. 146 00:06:14,335 --> 00:06:15,466 I KNEW IT. 147 00:06:15,501 --> 00:06:17,432 NO FLIES ON YOU. 148 00:06:17,467 --> 00:06:19,033 NOPE. THERE CERTAINLY AREN'T, 149 00:06:19,068 --> 00:06:20,499 WHATEVER THAT MEANS. 150 00:06:20,534 --> 00:06:22,550 WHAT ARE WE TALKING, LATE SEVENTIES? 151 00:06:22,585 --> 00:06:24,532 THE YEARS ARE A LITTLE FUZZY FOR ME, 152 00:06:24,567 --> 00:06:28,767 BUT I WILL BET THE HOUSE THAT YOU WERE A MISS MARCH. 153 00:06:28,802 --> 00:06:30,084 A MISS WHAT? 154 00:06:30,119 --> 00:06:31,332 MISS MARCH. 155 00:06:31,367 --> 00:06:32,901 A PLAYMATE OF THE MONTH? 156 00:06:32,936 --> 00:06:34,199 WHAT, ABOUT 1976? 157 00:06:34,234 --> 00:06:36,234 I CAN SEE THE WHOLE LAYOUT IN MY HEAD. 158 00:06:36,269 --> 00:06:37,699 YOU LIKE JAZZ. 159 00:06:37,734 --> 00:06:39,734 YOUR FAVORITE MOVIE WAS JONATHAN LIVINGSTON SEAGULL. 160 00:06:39,769 --> 00:06:41,267 YOU WANTED TO HELP UNDER-PRIVILEGED KIDS. 161 00:06:41,302 --> 00:06:42,732 AM I RIGHT OR AM I RIGHT? 162 00:06:42,767 --> 00:06:46,834 I MEAN, I CAN SEE THE WHOLE LAYOUT IN MY HEAD. 163 00:06:46,869 --> 00:06:49,251 AND IF YOU DON'T MIND ME SAYING SO, 164 00:06:49,286 --> 00:06:51,634 YOU ARE EVEN MORE BEAUTIFUL NOW, 165 00:06:51,669 --> 00:06:53,401 HERE, IN MY OFFICE, 166 00:06:53,436 --> 00:06:55,535 COMPLETELY DRESSED, 167 00:06:55,570 --> 00:06:57,634 ALMOST A DECADE LATER. 168 00:06:57,669 --> 00:06:59,032 WOW. 169 00:06:59,067 --> 00:07:02,167 OK, SO NOW YOU'RE IN BUSINESS TOGETHER. 170 00:07:02,202 --> 00:07:03,432 WHEN DID YOU KNOW? 171 00:07:03,467 --> 00:07:06,501 I'M SORRY. WHEN DID I KNOW WHAT? 172 00:07:06,536 --> 00:07:07,965 I MEAN, WHEN DID YOU KNOW 173 00:07:08,000 --> 00:07:09,400 THAT MAYBE IT WASN'T A GOOD FIT, 174 00:07:09,435 --> 00:07:10,766 THAT MAYBE YOU WERE TWO PEOPLE 175 00:07:10,801 --> 00:07:13,200 WHO FUNCTIONED BETTER APART THAN TOGETHER? 176 00:07:13,235 --> 00:07:16,599 I KNEW INSTANTLY. 177 00:07:16,634 --> 00:07:18,734 ADDISON, WE DON'T BELONG IN BUSINESS TOGETHER. 178 00:07:18,769 --> 00:07:20,834 WE DON'T THINK ALIKE. WE DON'T AGREE ON ANYTHING. 179 00:07:20,869 --> 00:07:23,034 WHAT ARE YOU TALKING ABOUT? 180 00:07:23,069 --> 00:07:25,165 WE AGREE ON A LOT OF THINGS. 181 00:07:25,200 --> 00:07:27,200 YOU LIKE MEATBALLS ON YOUR SPAGHETTI, RIGHT? ME, TOO. 182 00:07:27,235 --> 00:07:28,651 HOW ABOUT BOOKS? LET'S TALK ABOUT BOOKS. 183 00:07:28,686 --> 00:07:30,693 ME? I READ LEFT TO RIGHT. HOW ABOUT YOU? 184 00:07:30,728 --> 00:07:32,701 IS THAT AN AMAZING COINCIDENCE, OR WHAT? 185 00:07:32,736 --> 00:07:34,234 ALL RIGHT, YOU WANT TO GET DEEP? 186 00:07:34,269 --> 00:07:35,699 LET'S TALK ABOUT SEX. 187 00:07:35,734 --> 00:07:38,367 WHO'D HAVE GUESSED? I LIKE SEX, TOO. 188 00:07:38,402 --> 00:07:40,965 SO IF YOU KNEW RIGHT AWAY, MADDIE... 189 00:07:41,000 --> 00:07:45,234 I MEAN, HERE WE ARE, AND THE TWO OF YOU CAN'T WORK TOGETHER. 190 00:07:45,269 --> 00:07:47,085 YOU WON'T WORK TOGETHER, 191 00:07:47,120 --> 00:07:48,901 CAN YOU EXPLAIN THAT? 192 00:07:53,734 --> 00:07:55,365 I'M OPTIMISTIC. 193 00:07:55,400 --> 00:07:57,866 ADDISON! I HATE THIS! 194 00:07:57,901 --> 00:08:00,150 I HATE NOT KNOWING WHERE THE NEXT CLIENT IS COMING FROM 195 00:08:00,185 --> 00:08:02,400 AND IF THE NEXT PHONE CALL'S GONNA BE SOMEBODY ANGRY AT ME 196 00:08:02,435 --> 00:08:03,899 BECAUSE I HAVEN'T PAID A BILL. 197 00:08:03,934 --> 00:08:06,401 I HATE HAVING TO BALANCE MY CHECKBOOK EVERY WEEK AND GET IT RIGHT. 198 00:08:06,436 --> 00:08:08,868 I HATE HAVING TO STOP AND THINK EVERY TIME I USE MY CREDIT CARD! 199 00:08:08,903 --> 00:08:10,732 I HATE SHOPPING FOR THE BEST BARGAINS! 200 00:08:10,767 --> 00:08:13,017 I HATE SEEING SOMETHING I LIKE IN A STORE WINDOW 201 00:08:13,052 --> 00:08:15,267 AND HAVING TO THINK "SOMEDAY"! I HATE THAT! 202 00:08:15,302 --> 00:08:16,866 AND I HATE THIS! 203 00:08:16,901 --> 00:08:18,232 CAN YOU JUST TELL ME, 204 00:08:18,267 --> 00:08:21,934 WHAT IS IT ABOUT HIM THAT UPSETS YOU SO MUCH? 205 00:08:21,969 --> 00:08:24,199 HE EMBARRASSES ME. 206 00:08:24,234 --> 00:08:27,100 HE DELIGHTS IN EMBARRASSING ME. 207 00:08:28,234 --> 00:08:29,167 WOW. 208 00:08:31,234 --> 00:08:33,234 IT'S A WHOLE NEW YOU! 209 00:08:33,269 --> 00:08:35,199 I KNOW HOW IT IS. 210 00:08:35,234 --> 00:08:38,367 TIRED OF THE SAME OLD, SAME OLD. 211 00:08:38,402 --> 00:08:41,501 HAD ENOUGH GLAMOUR FOR ONE LIFETIME. 212 00:08:41,536 --> 00:08:44,065 BETTER TO TAKE A FASHION RISK. 213 00:08:44,100 --> 00:08:46,200 I GOT TO ADMIT, THOUGH, THE PART ABOUT JUMPING 214 00:08:46,235 --> 00:08:47,901 IN THE SEPTIC TANK'S GOT ME STUMPED. 215 00:08:47,936 --> 00:08:49,499 I'M RIGHT BEHIND YOU! 216 00:08:49,534 --> 00:08:51,701 NOW, DON'T LOOK BACK UNTIL YOU SEE ME. 217 00:08:51,736 --> 00:08:53,868 JUST KNOW THAT I'M RIGHT IN BACK OF YOU, 218 00:08:53,903 --> 00:08:56,267 YES, I AM LOOKING UP YOUR DRESS. 219 00:08:59,267 --> 00:09:01,732 WAS IT GOOD FOR YOU, TOO? 220 00:09:01,767 --> 00:09:03,834 SHE MADE ME DO IT. I DIDN'T WANT TO DO IT. 221 00:09:03,869 --> 00:09:05,100 I DIDN'T FEEL WE WERE READY. 222 00:09:07,701 --> 00:09:09,232 WE'RE MOVING! 223 00:09:09,267 --> 00:09:10,701 DO WE HAVE TO? ALL MY FRIENDS GO TO THIS SCHOOL! 224 00:09:10,736 --> 00:09:12,466 THIS TRAIN IS MOVING! 225 00:09:12,501 --> 00:09:13,899 LAND O'GOSHIN, SHE'S RIGHT! 226 00:09:13,934 --> 00:09:17,367 ADDISON, YOU BETTER FIGURE OUT A WAY TO GET ME OFF THIS TRAIN! 227 00:09:17,402 --> 00:09:18,818 OOH, LADY, I WILL GLADLY GET YOU OFF THE TRAIN, 228 00:09:18,853 --> 00:09:20,234 I WILL THROW YOU OFF THIS TRAIN, IF NECESSARY. 229 00:09:20,269 --> 00:09:22,734 BUT, KINDLY REFRAIN FROM ANY PHYSICAL ACT 230 00:09:22,769 --> 00:09:25,734 THAT IS NOT OF AN EROTIC NATURE. 231 00:09:25,769 --> 00:09:27,234 THIS IS NOT MY FAULT. 232 00:09:27,269 --> 00:09:29,299 HA! HA HA HA! 233 00:09:29,334 --> 00:09:32,466 I WAS NOT BORN YESTERDAY! 234 00:09:32,501 --> 00:09:33,801 IT'S TRUE. I HAD LUNCH WITH HER YESTERDAY. 235 00:09:33,836 --> 00:09:34,934 IF SHE'D BEEN BORN, I'D HAVE NOTICED. 236 00:09:34,969 --> 00:09:36,167 WHOA! 237 00:09:38,534 --> 00:09:40,098 SO IT'S DIFFICULT. 238 00:09:40,133 --> 00:09:44,866 DIFFICULT IS PUTTING IT MILDLY. 239 00:09:44,901 --> 00:09:48,267 IT'S NOT JUST WHAT HE DOES IN PUBLIC, 240 00:09:48,302 --> 00:09:49,267 IT'S WHAT HE DOES IN THE OFFICE. 241 00:09:49,302 --> 00:09:50,732 MY OFFICE. 242 00:09:50,767 --> 00:09:53,499 HE HAS NO SENSE OF... 243 00:09:53,534 --> 00:09:55,434 PROFESSIONALISM. NO SENSE OF DECORUM. 244 00:09:56,767 --> 00:09:57,899 AAH! 245 00:09:57,934 --> 00:09:59,834 OH, MY GOD. THEY DROPPED THE BOMB. 246 00:09:59,869 --> 00:10:01,699 HE WANTS TO HAVE DINNER WITH ME. 247 00:10:01,734 --> 00:10:03,433 I'VE BEEN CALLING EVERY HOTEL IN THIS- 248 00:10:03,468 --> 00:10:05,098 WHO WANTS YOU TO HAVE DINNER WITH HIM? 249 00:10:05,133 --> 00:10:08,968 PAULIE RYE. WHERE ON EARTH DID YOU GET THOSE GLASSES? 250 00:10:09,003 --> 00:10:10,399 OH, THESE? 251 00:10:10,434 --> 00:10:12,017 X- RAY SPECS. PRETTY COOL, HUH? 252 00:10:12,052 --> 00:10:13,601 YOU MUST BE WEARING A LEAD DRESS. 253 00:10:13,636 --> 00:10:15,065 I CAN'T SEE A THING. 254 00:10:15,100 --> 00:10:18,634 WHOA, WHOA, WHOA! YOU SAYING YOU ALREADY MADE YOUR MIND UP? 255 00:10:18,669 --> 00:10:20,098 YOU LIKE THEM? 256 00:10:20,133 --> 00:10:22,033 I WAS THINKING OF GETTING A PAIR WITH POCKETS. 257 00:10:22,068 --> 00:10:23,599 MARK MY WORDS. 258 00:10:23,634 --> 00:10:25,599 MATURITY IS ITS OWN REWARD. 259 00:10:25,634 --> 00:10:27,833 COUPLE OF DAYS OF ACTING LIKE AN ADULT, 260 00:10:27,868 --> 00:10:30,033 YOU'LL WONDER WHY YOU DIDN'T DO IT SOONER. 261 00:10:30,068 --> 00:10:31,299 I ALREADY AM. 262 00:10:31,334 --> 00:10:34,234 HOW LOW CAN HE GO? 263 00:10:35,801 --> 00:10:37,332 GOOD EXTENSION. 264 00:10:37,367 --> 00:10:38,766 IMPRESSIVE LEG CONTROL. 265 00:10:38,801 --> 00:10:41,050 THE MUSCLES CONTRACT, THE TENSION BUILDS. 266 00:10:41,085 --> 00:10:43,309 THE SMELL OF AN ARMPIT. THE ROAR OF A CROWD. 267 00:10:43,344 --> 00:10:45,534 IS THIS A GREAT MOMENT IN SPORTS, OR WHAT? 268 00:10:50,400 --> 00:10:51,965 HIYA, BOSS! 269 00:10:52,000 --> 00:10:53,968 BACK FROM THE DENTIST SO SOON? 270 00:10:54,003 --> 00:10:55,568 HAVE YOU TALKED ABOUT IT? 271 00:10:55,603 --> 00:10:57,098 HAVE WE TALKED ABOUT IT? 272 00:10:57,133 --> 00:10:58,767 YOU DON'T CARE ABOUT THE BUSINESS. YOU DON'T CARE ABOUT ME. 273 00:10:58,802 --> 00:11:00,098 YOU DON'T CARE ABOUT ANYTHING! 274 00:11:00,133 --> 00:11:02,167 OK, ALL RIGHT! CHILL FOR A SECOND, WILL YOU? 275 00:11:02,202 --> 00:11:04,267 INAGADDAVIDA, YOU ARE SO SERIOUS. 276 00:11:04,302 --> 00:11:05,566 YOU WANT ME TO APOLOGIZE- 277 00:11:05,601 --> 00:11:07,367 I DON'T WANT YOU TO APOLOGIZE. I WANT YOU TO CHANGE. 278 00:11:07,402 --> 00:11:08,332 CHANGE? 279 00:11:08,367 --> 00:11:09,332 YES, CHANGE. DON'T YOU SEE? 280 00:11:09,367 --> 00:11:11,100 YOU ENCOURAGE THOSE PEOPLE OUT THERE. 281 00:11:11,135 --> 00:11:12,732 YOU SET AN EXAMPLE. 282 00:11:12,767 --> 00:11:14,767 SO, YOU'VE REALLY GIVEN THIS YOUR BEST SHOT? 283 00:11:14,802 --> 00:11:17,332 ABSOLUTELY! POSITIVELY! 284 00:11:17,367 --> 00:11:19,883 I MEAN, THERE'S A PROBLEM HERE BUT IT'S NOT MY PROBLEM. 285 00:11:19,918 --> 00:11:22,400 I MEAN, I'M NOT THE ONLY ONE HE DOESN'T GET ALONG WITH. 286 00:11:22,435 --> 00:11:23,667 YOU'RE A DEAD MAN! 287 00:11:25,367 --> 00:11:26,734 BEG TO DIFFER WITH YOU, BRO. 288 00:11:31,667 --> 00:11:33,667 RICHARD, WHY ARE YOU FIGHTING? 289 00:11:33,702 --> 00:11:34,767 OH! 290 00:11:38,033 --> 00:11:39,534 RICHARD, DAVID! 291 00:11:39,569 --> 00:11:40,968 GIVE! 292 00:11:41,003 --> 00:11:42,332 YOU GIVE! 293 00:11:42,367 --> 00:11:43,367 RICHARD, DAVID- 294 00:11:43,402 --> 00:11:44,833 AAH! 295 00:11:44,868 --> 00:11:47,167 OH, NO. MY- 296 00:11:47,202 --> 00:11:48,401 GRR! 297 00:11:48,436 --> 00:11:49,601 STOP IT! 298 00:11:56,667 --> 00:12:01,133 STOP IT, STOP IT, STOP IT, STOP IT, STOP IT, STOP IT! 299 00:12:01,168 --> 00:12:02,532 MADDIE... 300 00:12:02,567 --> 00:12:04,532 WHAT ARE YOU THINKING ABOUT? 301 00:12:04,567 --> 00:12:08,067 I DON'T KNOW. I FEEL TERRIBLE ABOUT ALL THIS, 302 00:12:08,102 --> 00:12:10,400 ABOUT US LETTING EVERYONE DOWN. 303 00:12:10,435 --> 00:12:12,532 I DON'T KNOW. 304 00:12:12,567 --> 00:12:14,232 MAYBE I WAS BORN IN THE WRONG TIME. 305 00:12:14,267 --> 00:12:16,767 I GREW UP IN A LITTLE TOWN, PALUKAVILLE. YOU HEARD OF IT? 306 00:12:16,802 --> 00:12:18,165 NO. 307 00:12:18,200 --> 00:12:19,666 YOU'RE LUCKY. 308 00:12:19,701 --> 00:12:22,601 I DON'T WANT YOU REHEARSING WITH MY HUSBAND AND ME. 309 00:12:22,636 --> 00:12:24,098 HELLO TO YOU, TOO. 310 00:12:24,133 --> 00:12:26,734 DID YOU HEAR WHAT I SAID? I DON'T WANT YOU REHEARSING WITH US. 311 00:12:26,769 --> 00:12:28,834 SURE, I HEARD YOU. I JUST DON'T BELIEVE YOU. 312 00:12:28,869 --> 00:12:29,834 I DON'T CARE IF YOU BELIEVE ME OR NOT. 313 00:12:29,869 --> 00:12:31,300 I'M TELLING THE TRUTH. 314 00:12:31,335 --> 00:12:32,532 THE TRUTH? 315 00:12:32,567 --> 00:12:35,534 THE TRUTH IS, YOU WANT ME THERE, AND NOT TO REHEARSE. 316 00:12:35,569 --> 00:12:37,585 YOU'RE A BARBARIAN, McCOY. 317 00:12:37,620 --> 00:12:40,077 ABSOLUTELY, MRS. ADDAMS. 318 00:12:40,112 --> 00:12:42,499 JUST STAY AWAY FROM ME. 319 00:12:42,534 --> 00:12:45,067 HAVE YOU LOOKED IN A MIRROR LATELY? 320 00:12:45,102 --> 00:12:47,566 YOU'RE LOOKING SETTLED, MARRIED. 321 00:12:47,601 --> 00:12:49,968 IS THAT THE WAY YOU'VE ALWAYS IMAGINED IT, MRS. ADDAMS? 322 00:12:50,003 --> 00:12:52,467 LET'S GET THIS STRAIGHT, MR. McCOY. 323 00:12:52,502 --> 00:12:53,699 I LOVE MY HUSBAND. 324 00:12:53,734 --> 00:12:55,367 AN ADMIRABLE QUALITY IN A WIFE. 325 00:12:55,402 --> 00:12:56,801 AND I DON'T LIKE YOU. 326 00:12:56,836 --> 00:12:58,234 OH, YEAH? 327 00:13:01,367 --> 00:13:04,300 THEN WHY ARE YOU STILL HERE TALKING TO ME? 328 00:13:08,033 --> 00:13:09,065 HERE I AM, MRS. ADDAMS. 329 00:13:09,100 --> 00:13:11,367 I THOUGHT YOU SAID YOU DIDN'T LIKE ME? 330 00:13:11,402 --> 00:13:13,101 I DON'T. 331 00:13:13,136 --> 00:13:14,766 OH, THEN... 332 00:13:14,801 --> 00:13:17,300 YOU GOING TO TELL ME TO GO AWAY? 333 00:13:18,901 --> 00:13:20,334 I DON'T HEAR ANYTHING. 334 00:13:22,267 --> 00:13:24,200 I STILL DON'T HEAR ANYTHING. 335 00:13:26,734 --> 00:13:28,933 CONFUSED, HUH? 336 00:13:28,968 --> 00:13:30,868 STILL DON'T HEAR ANYTHING. 337 00:13:39,734 --> 00:13:43,067 * I TOLD YA I LOVE YA * 338 00:13:43,102 --> 00:13:44,601 * NOW GET OUT * 339 00:13:47,067 --> 00:13:50,367 * I TOLD YA I LOVE YA * 340 00:13:50,402 --> 00:13:52,033 * NOW GET OUT * 341 00:13:54,934 --> 00:13:56,684 * EVERYTHING'S ROSY * 342 00:13:56,719 --> 00:13:58,343 * EVERYTHING'S JAKE * 343 00:13:58,378 --> 00:14:00,222 * BUT JUST HOW MUCH * 344 00:14:00,257 --> 00:14:02,067 * CAN A GOOD GAL TAKE * 345 00:14:03,234 --> 00:14:04,934 * I TOLD YA I LOVE YA * 346 00:14:04,969 --> 00:14:06,300 * NOW GET OUT * 347 00:14:39,133 --> 00:14:40,968 * BABY * 348 00:14:42,868 --> 00:14:46,666 * PLEASE LEAVE ME BE * 349 00:14:46,701 --> 00:14:50,334 * YOU WANT A PUPPET, AND THERE'S * 350 00:14:50,369 --> 00:14:52,234 * NO STRINGS ON ME * 351 00:14:53,300 --> 00:14:54,899 * GET HEP * 352 00:14:54,934 --> 00:14:58,100 * YOU CAN LEAVE ON THE 5:18 * 353 00:15:00,567 --> 00:15:03,667 * NOW DON'T GO 'WAY SAYIN' * 354 00:15:03,702 --> 00:15:05,267 * I'VE BEEN MEAN * 355 00:15:08,267 --> 00:15:09,666 * LIKE ANY GAL * 356 00:15:09,701 --> 00:15:11,866 * I CAN CHANGE MY WAYS * 357 00:15:11,901 --> 00:15:16,334 * ROUND-TRIP TICKET'S GOOD FOR 60 DAYS * 358 00:15:16,369 --> 00:15:18,367 * TOLD YA I LOVE YA * 359 00:15:18,402 --> 00:15:19,868 * NOW GET OUT * 360 00:15:21,968 --> 00:15:24,267 * MAN, GET LOST * 361 00:15:24,302 --> 00:15:25,567 * FOR NOW ** 362 00:15:34,801 --> 00:15:37,200 OH, YES, YES. MADDIE HAYES. 363 00:15:37,235 --> 00:15:39,032 HELL OF A WOMAN. 364 00:15:39,067 --> 00:15:41,032 YOU REALIZE, WE ACTUALLY TALKED SERIOUSLY 365 00:15:41,067 --> 00:15:42,601 ABOUT GOING INTO BUSINESS TOGETHER AT ONE TIME. 366 00:15:42,636 --> 00:15:44,334 BUT, UH-WELL, IT DIDN'T WORK OUT. 367 00:15:44,369 --> 00:15:46,666 I WENT IN ANOTHER DIRECTION. 368 00:15:46,701 --> 00:15:50,200 ALL RIGHT, I'VE BEEN TIPPYTOEING AROUND THIS SITUATION. 369 00:15:50,235 --> 00:15:53,234 YOU'VE BEEN TIPPYTOEING AROUND THIS SITUATION. 370 00:15:53,269 --> 00:15:55,734 LET ME ASK YOU THE QUESTION. 371 00:15:55,769 --> 00:15:57,132 SEX. 372 00:15:57,167 --> 00:15:58,834 I'M SORRY? 373 00:15:58,869 --> 00:15:59,767 SEX. 374 00:16:01,634 --> 00:16:03,098 I'M SORRY. SEX? 375 00:16:03,133 --> 00:16:04,634 IS THAT THE QUESTION? 376 00:16:04,669 --> 00:16:06,732 YES. SEX. 377 00:16:06,767 --> 00:16:08,098 YOU AND DAVID. 378 00:16:08,133 --> 00:16:09,599 I'LL BE HONEST, MADDIE- 379 00:16:09,634 --> 00:16:12,934 AND I THINK AMERICA ALSO BELIEVES THIS- 380 00:16:12,969 --> 00:16:16,234 THAT THE ROOT OF YOUR PROBLEM IS SEX. 381 00:16:16,269 --> 00:16:17,518 SEX? 382 00:16:17,553 --> 00:16:18,732 SEX. 383 00:16:18,767 --> 00:16:20,732 CERTAINLY IT'S CROSSED YOUR MIND. 384 00:16:20,767 --> 00:16:22,968 I MEAN, THE TWO OF YOU MUST'VE CONSIDERED IT. 385 00:16:23,003 --> 00:16:24,732 YOU MUST HAVE TALKED ABOUT IT. 386 00:16:24,767 --> 00:16:26,934 PAUL McCANE IS A DISGUSTING HUMAN BEING. 387 00:16:26,969 --> 00:16:27,899 HE'S DEAD. 388 00:16:27,934 --> 00:16:28,968 GOOD. HE GOT WHAT HE DESERVED. 389 00:16:29,003 --> 00:16:30,199 YOU DON'T KNOW THAT. 390 00:16:30,234 --> 00:16:32,299 GIVEN THE IMMORAL WAY HE LIVED HIS LIFE, 391 00:16:32,334 --> 00:16:34,998 HIS VIOLENT DEATH COMES AS NO SURPRISE TO ME. 392 00:16:35,033 --> 00:16:38,534 YOU'RE MAD BECAUSE HE BOINKED A COUPLE HAUSFRAUS? 393 00:16:38,569 --> 00:16:40,534 I'M NOT HAVING THIS CONVERSATION. 394 00:16:40,569 --> 00:16:42,667 WE'RE NOT TAKING THIS CASE. 395 00:16:46,834 --> 00:16:47,899 YOU'RE WEIRD. 396 00:16:47,934 --> 00:16:49,232 THIS IS VERY MEANINGFUL. 397 00:16:49,267 --> 00:16:51,100 HUMPTY DUMPTY IS CALLING ME CRACKED! 398 00:16:51,135 --> 00:16:52,232 NO, NO, NO. 399 00:16:52,267 --> 00:16:54,350 YOU'RE REPRESSED OR OBSESSED 400 00:16:54,385 --> 00:16:56,399 OR ONE OF THOSE "ESS" WORDS. 401 00:16:56,434 --> 00:16:59,467 EVERY TIME SOMETHING COMES UP THAT INVOLVES MEN OR SEX- 402 00:16:59,502 --> 00:17:00,667 BOINKING. IS THAT THE WORD YOU'RE LOOKING FOR? 403 00:17:00,702 --> 00:17:02,599 SEE WHAT I MEAN? THAT'S NOT NORMAL. 404 00:17:02,634 --> 00:17:05,466 I'M SUPPOSED TO SIT HERE AND DISCUSS MY MENTAL HEALTH 405 00:17:05,501 --> 00:17:08,167 WITH A MAN WHO REFERS TO THE ACT OF HUMAN PROCREATION AS BOINKING? 406 00:17:08,202 --> 00:17:10,334 SEE? SEE WHAT I MEAN? RIGHT AWAY YOU GET ALL STIFF AND TENSE. 407 00:17:10,369 --> 00:17:11,567 NO, NO, NO. NOT RIGHT AWAY! NOT WITH EVERYBODY. 408 00:17:11,602 --> 00:17:12,968 NOT WITH ANYBODY. JUST YOU. 409 00:17:13,003 --> 00:17:14,299 YOU MAKE ME STIFF AND TENSE. 410 00:17:14,334 --> 00:17:16,934 I MAKE YOU STIFF AND TENSE BECAUSE I'M THE ONLY PERSON IN YOUR LIFE. 411 00:17:16,969 --> 00:17:17,899 HA! 412 00:17:17,934 --> 00:17:19,265 WHAT? ARE YOU DENYING IT? 413 00:17:19,300 --> 00:17:20,965 ARE YOU SAYING THERE'S SOMEONE ELSE IN YOUR LIFE? 414 00:17:21,000 --> 00:17:24,400 ARE YOU DENYING THE FACT THAT YOU'RE NOT IN BED ALONE EVERY NIGHT BY 9:30? 415 00:17:24,435 --> 00:17:25,567 THERE ARE PLENTY OF PEOPLE IN MY LIFE. PLENTY! 416 00:17:25,602 --> 00:17:26,634 NAME ONE. 417 00:17:26,669 --> 00:17:27,632 I WILL NOT. 418 00:17:27,667 --> 00:17:29,165 BECAUSE YOU CAN'T! BECAUSE THERE IS NO ONE. 419 00:17:29,200 --> 00:17:31,634 BECAUSE YOU'RE REPRESSED OR OBSESSED OR ONE OF THOSE "ESS" WORDS. 420 00:17:31,669 --> 00:17:32,934 THAT'S WHY YOU'RE NOT GONNA TAKE THIS CASE. 421 00:17:32,969 --> 00:17:34,399 THIS GREAT CASE. 422 00:17:34,434 --> 00:17:35,699 I'M NOT LISTENING TO YOU. 423 00:17:35,734 --> 00:17:37,032 BECAUSE IT MAKES YOU CRAZY TO THINK 424 00:17:37,067 --> 00:17:38,067 THAT ANYBODY OUT THERE IS BOINKING WHEN YOU CAN'T. 425 00:17:38,102 --> 00:17:39,566 I CAN'T HEAR YOU. 426 00:17:39,601 --> 00:17:42,200 BECAUSE IT MAKES YOU CRAZY THAT THE WHOLE WORLD IS OUT THERE BOINKING. 427 00:17:42,235 --> 00:17:44,067 THE WHOLE WORLD EXCEPT YOU. BOINK! 428 00:17:44,102 --> 00:17:45,532 SHUT UP! BOINK. 429 00:17:45,567 --> 00:17:47,532 BOINK, BOINK, BOINK, BOINK, BOINK, BOINK. 430 00:17:47,567 --> 00:17:49,300 BOINK, BOINK, BOINK, CAN'T YOU HEAR THEM OUT THERE? 431 00:17:49,335 --> 00:17:50,265 STOP IT, DAVID! 432 00:17:50,300 --> 00:17:51,367 BOINK, BOINK, BOINK... 433 00:17:51,402 --> 00:17:52,532 GET OUT OF MY CAR! 434 00:17:52,567 --> 00:17:54,334 BOINK, BOINK, BOINK, BOINK, BOINK... 435 00:17:54,369 --> 00:17:55,734 GET OUT OF MY CAR! 436 00:17:58,267 --> 00:17:59,400 WHOA! 437 00:18:00,567 --> 00:18:02,032 DO YOU KNOW WHAT I THINK? 438 00:18:02,067 --> 00:18:03,899 I THINK THAT UNDERNEATH IT ALL, 439 00:18:03,934 --> 00:18:06,601 YOU TWO KIDS ARE CRAZY ABOUT EACH OTHER. 440 00:18:06,636 --> 00:18:08,601 COME HERE, STUPID. 441 00:18:17,467 --> 00:18:18,901 IT'S OK. 442 00:18:22,067 --> 00:18:23,501 IT'S OK. 443 00:18:25,400 --> 00:18:27,450 I'LL BE JUST FINE. 444 00:18:27,485 --> 00:18:29,126 IT'S NOT THAT. 445 00:18:29,161 --> 00:18:30,732 WHAT, THEN? 446 00:18:30,767 --> 00:18:31,934 YOU SMELL AWFUL. 447 00:18:34,334 --> 00:18:36,717 HEY, I DIDN'T MEAN IT. COME HERE. 448 00:18:36,752 --> 00:18:39,100 HEY, I WAS ONLY KIDDING. COME HERE. 449 00:18:43,400 --> 00:18:45,634 CRAZY ABOUT EACH OTHER? 450 00:18:45,669 --> 00:18:47,234 I DON'T KNOW. 451 00:18:47,269 --> 00:18:48,532 I KNOW. 452 00:18:48,567 --> 00:18:50,817 YOU'RE CRAZY ABOUT EACH OTHER. 453 00:18:50,852 --> 00:18:53,032 WOULD YOU DO SOMETHING FOR ME? 454 00:18:53,067 --> 00:18:55,367 IF I COULD GET THE TWO OF YOU IN A ROOM TOGETHER, 455 00:18:55,402 --> 00:18:57,968 WOULD YOU AT LEAST TALK? 456 00:18:58,003 --> 00:19:00,534 DAVID AND I TOGETHER? 457 00:19:00,569 --> 00:19:01,968 I DON'T KNOW. 458 00:19:03,033 --> 00:19:04,333 MADDIE... 459 00:19:04,368 --> 00:19:05,634 FOR ME? 460 00:19:07,000 --> 00:19:08,534 FOR YOU, RONA? 461 00:19:10,968 --> 00:19:12,418 YEAH, I GUESS. 462 00:19:12,453 --> 00:19:13,868 FOR YOU, RONA. 463 00:19:15,167 --> 00:19:17,267 ALL RIGHT, YOU'RE MISS DIPESTO. 464 00:19:17,302 --> 00:19:19,367 YOU'RE THE ONE IN THE MIDDLE. 465 00:19:19,402 --> 00:19:20,834 TALK TO ME. 466 00:19:20,869 --> 00:19:22,267 WHAT'S IT LIKE? 467 00:19:23,968 --> 00:19:26,334 WELL, RONA, IT'S HARD. 468 00:19:26,369 --> 00:19:27,365 IT'S REALLY HARD. 469 00:19:27,400 --> 00:19:29,367 I MEAN, THEY COME IN HERE, 470 00:19:29,402 --> 00:19:30,734 THEY SLAM THE DOORS... 471 00:19:35,534 --> 00:19:36,834 THEY YELL AT EACH OTHER. 472 00:19:36,869 --> 00:19:38,432 AAH! 473 00:19:38,467 --> 00:19:41,417 AAH! 474 00:19:41,452 --> 00:19:44,332 OW! 475 00:19:44,367 --> 00:19:45,833 "EASY COME, EASY GO." HA! 476 00:19:45,868 --> 00:19:47,599 I'M YOUR LIFELINE, HONEY. WITHOUT ME- 477 00:19:47,634 --> 00:19:49,601 WITHOUT YOU, I WOULDN'T BE HERE AT 2:00 IN THE MORNING 478 00:19:49,636 --> 00:19:51,098 TRYING TO FIGURE OUT HOW TO PROVE 479 00:19:51,133 --> 00:19:53,216 A WOMAN WHO SEEMS TO HAVE KILLED A MAN, DIDN'T. 480 00:19:53,251 --> 00:19:55,300 AND A MAN WHO- WHO SEEMS TO NOT HAVE, DID! 481 00:19:55,335 --> 00:19:56,651 YOU ARE JEALOUS. 482 00:19:56,686 --> 00:19:57,968 OF WHAT, OF WHO? 483 00:19:58,003 --> 00:19:59,466 OF GILLIAN. 484 00:19:59,501 --> 00:20:00,884 BOY, HAVE YOU GOT IT BACKWARDS. 485 00:20:00,919 --> 00:20:02,232 THE ONLY PERSON AROUND HERE 486 00:20:02,267 --> 00:20:03,817 WHO HAS AN EMOTIONAL PROBLEM IS YOU, NOT ME. 487 00:20:03,852 --> 00:20:05,367 AND THE EMOTION ISN'T JEALOUSY, IT'S LUST! 488 00:20:05,402 --> 00:20:06,833 LOOK ME IN THE EYE AND TELL ME 489 00:20:06,868 --> 00:20:07,998 THAT IF I HADN'T KNOWN GILLIAN BEFORE, 490 00:20:08,033 --> 00:20:09,200 YOU WOULD AT LEAST CONSIDER THE POSSIBILITY 491 00:20:09,235 --> 00:20:10,499 THAT HER LIFE COULD BE IN DANGER. 492 00:20:10,534 --> 00:20:11,868 LOOK ME IN THE EYE AND TELL ME, IF IT HAD BEEN ANYONE ELSE 493 00:20:11,903 --> 00:20:13,165 YOU WOULD HAVE WORKED SO HARD 494 00:20:13,200 --> 00:20:15,200 TO TRY TO FIND A REASON TO STICK SO CLOSE? 495 00:20:15,235 --> 00:20:16,965 YOU ARE. YOU'RE JEALOUS. 496 00:20:17,000 --> 00:20:18,998 STOP REASONING WITH YOUR UNDERWEAR. 497 00:20:19,033 --> 00:20:21,434 DOES THAT MEAN YOU'RE NOT GOING TO HELP ME TAKE THIS CASE? 498 00:20:21,469 --> 00:20:23,165 WHAT CASE? THERE IS NO CASE? 499 00:20:23,200 --> 00:20:24,934 SHE DIDN'T HIRE US TO GO BY HER HOTEL ROOM EVERY NIGHT. 500 00:20:24,969 --> 00:20:26,318 SHE DIDN'T? NO, SHE DIDN'T. 501 00:20:26,353 --> 00:20:27,632 YOU COULD'VE FOOLED ME. 502 00:20:27,667 --> 00:20:30,267 A GNAT WITH A LOBOTOMY COULD FOOL YOU. 503 00:20:30,302 --> 00:20:31,666 I DON'T GET IT. 504 00:20:31,701 --> 00:20:33,165 KEEP THIS UP AND I'LL GIVE IT TO YOU. 505 00:20:33,200 --> 00:20:34,434 I MEAN, IF ANYONE, ANYWHERE, EVER HAD A REASON, 506 00:20:34,469 --> 00:20:36,200 NOT ONLY TO BELIEVE, BUT TO BE THANKFUL... 507 00:20:36,235 --> 00:20:37,499 I MEAN, HE'S GIVEN YOU BEAUTY. 508 00:20:37,534 --> 00:20:39,701 HE'S GIVEN YOU BRAINS. HE'S GIVEN YOU ME! 509 00:20:39,736 --> 00:20:41,801 ADDISON, LET ME OUT OF THIS DOOR! 510 00:20:41,836 --> 00:20:42,901 AAH! 511 00:20:46,834 --> 00:20:48,868 SEE WHAT HAPPENS WHEN YOU TICK OFF THE BIG GUY? 512 00:20:48,903 --> 00:20:51,100 SOMETIMES THEY YELL AT THE SAME TIME. 513 00:20:51,135 --> 00:20:53,098 I'M NOT SAYING THAT AT ALL! 514 00:20:53,133 --> 00:20:55,933 I'M AS LOOSEY-GOOSEY AS THE NEXT PERSON. 515 00:20:55,968 --> 00:20:57,968 ALL I'M SAYING IS THAT SPONTANEITY HAS ITS TIME AND PLACE. 516 00:20:58,003 --> 00:20:59,968 HAVEN'T YOU EVER BEEN IN A STORE AND SEEN SOMETHING... 517 00:21:00,003 --> 00:21:01,367 I DON'T SEE THE POINT OF ALL THIS! 518 00:21:01,402 --> 00:21:02,601 TIPPLES WAS A FAKE... 519 00:21:02,636 --> 00:21:03,899 ALL BETS ARE OFF? 520 00:21:03,934 --> 00:21:05,732 ALL DEALS ARE NULL AND VOID... 521 00:21:05,767 --> 00:21:07,934 AND AS FOR OUR DEAL, THE ONLY WAY YOU GET ME TO GO THROUGH WITH IT, 522 00:21:07,969 --> 00:21:10,734 WHEN THERE'S PLENTY OF ROPE AND A BOTTLE OF CHLOROFORM! 523 00:21:10,769 --> 00:21:11,899 WHY AM I ASKING? 524 00:21:11,934 --> 00:21:13,232 HE'LL JUST TELL ME... 525 00:21:13,267 --> 00:21:15,367 LOOK, I KNOW YOU'RE DEPRESSED. THIS IS NORMAL... 526 00:21:15,402 --> 00:21:17,332 WHY AM I LIVING THIS LIFE? 527 00:21:17,367 --> 00:21:18,899 I NEVER DID ANYTHING TO DESERVE THIS. 528 00:21:18,934 --> 00:21:21,367 AND THROUGH IT ALL, YOU HAVE TO STAY COOL, DON'T YOU? 529 00:21:21,402 --> 00:21:24,801 I'M KIND OF THE GLUE THAT HOLDS IT ALL TOGETHER. 530 00:21:24,836 --> 00:21:26,265 TELL ME... 531 00:21:26,300 --> 00:21:28,300 HAVE YOU EVER FOUGHT WITH EITHER ONE OF THEM? 532 00:21:30,667 --> 00:21:33,766 WELL, I FOUGHT WITH MR. ADDISON ONCE. 533 00:21:33,801 --> 00:21:35,968 NO CUTE APOLOGIES. I DON'T WANT A CUTE APOLOGY. 534 00:21:36,003 --> 00:21:38,566 YOU WERE MEAN TO ME, MR. ADDISON, 535 00:21:38,601 --> 00:21:41,100 FOR NO GOOD REASON, OTHER THAN YOU WERE IN A BAD MOOD, 536 00:21:41,135 --> 00:21:43,065 AND THAT STINKS! 537 00:21:43,100 --> 00:21:44,532 LOTS OF TIMES, I'M IN A BAD MOOD, 538 00:21:44,567 --> 00:21:47,632 LOTS OF TIMES! BUT I'M NOT MEAN TO YOU. 539 00:21:47,667 --> 00:21:50,267 YOU THINK BECAUSE YOU MAKE MORE MONEY THAN I DO 540 00:21:50,302 --> 00:21:51,667 THAT YOU CAN JUST BE MEAN TO ME? 541 00:21:51,702 --> 00:21:53,901 NO- THAT'S ALL! 542 00:21:53,936 --> 00:21:54,934 AND... 543 00:21:56,334 --> 00:21:59,534 SOMETIMES I THINK I MAKE MISS HAYES UPSET. 544 00:21:59,569 --> 00:22:01,801 GOOD AFTERNOON, MISS HAYES. 545 00:22:01,836 --> 00:22:02,799 GRR! 546 00:22:02,834 --> 00:22:05,801 THAT MAN BELONGS IN A POUND. 547 00:22:05,836 --> 00:22:07,100 A POUND OF WHAT? 548 00:22:10,033 --> 00:22:11,499 DEEP DOWN INSIDE, 549 00:22:11,534 --> 00:22:15,165 I KNOW THAT THEY BOTH KNOW THAT I REALLY LOVE THEM. 550 00:22:15,200 --> 00:22:17,801 YOU REMEMBER HOW GREAT THINGS WERE BEFORE WHAT'S HER NAME SHOWED UP? 551 00:22:17,836 --> 00:22:18,833 MISS HAYES? 552 00:22:18,868 --> 00:22:20,834 I MEAN, WAS THIS A GREAT JOB, OR WHAT? 553 00:22:20,869 --> 00:22:21,899 IT WAS! 554 00:22:21,934 --> 00:22:24,634 GOOD PEOPLE, GOOD TIMES, A GREAT GIG. 555 00:22:24,669 --> 00:22:26,334 NO DEADLINES, NO ARGUMENTS, 556 00:22:26,369 --> 00:22:27,718 NO PRESSURE... 557 00:22:27,753 --> 00:22:29,032 NO CASES... 558 00:22:29,067 --> 00:22:30,834 BUT IT WAS GREAT. 559 00:22:33,133 --> 00:22:34,567 YEAH, IT WAS. 560 00:22:41,167 --> 00:22:42,701 FOR WHAT IT'S WORTH... 561 00:22:44,067 --> 00:22:45,467 I MISS HER, TOO. 562 00:22:49,868 --> 00:22:51,101 ARE YOU SURE? 563 00:22:51,136 --> 00:22:52,299 I'M SURE. 564 00:22:52,334 --> 00:22:53,799 ACCORDING TO DONAHUE, 565 00:22:53,834 --> 00:22:57,267 I'M AT MY PHYSICAL AND SEXUAL PEAK RIGHT... 566 00:23:00,167 --> 00:23:01,466 NOW. 567 00:23:01,501 --> 00:23:03,399 WELL, DONAHUE OUGHT TO KNOW. 568 00:23:03,434 --> 00:23:05,667 ANYWAY, YOU KNOW THE MAN WHO COMES BY 569 00:23:05,702 --> 00:23:07,901 TO SELL SANDWICHES IN THE MORNING? 570 00:23:07,936 --> 00:23:09,285 MR. SANDWICH? 571 00:23:09,320 --> 00:23:10,599 HIS NAME IS NEIL. 572 00:23:10,634 --> 00:23:12,867 HE ASKED ME TO HAVE DINNER WITH HIM. 573 00:23:12,902 --> 00:23:15,100 NOT JUST SANDWICHES, EITHER-HOT FOOD. 574 00:23:15,135 --> 00:23:16,667 HOT FOOD? 575 00:23:16,702 --> 00:23:18,165 WE'RE CLOSE. 576 00:23:18,200 --> 00:23:19,567 WE'RE VERY, VERY CLOSE. 577 00:23:19,602 --> 00:23:20,866 AND WE'RE HONEST. 578 00:23:20,901 --> 00:23:23,417 WE'RE VERY, VERY, VERY, VERY HONEST WITH EACH OTHER. 579 00:23:23,452 --> 00:23:25,934 ALL RIGHT. SO, WHY DO YOU THINK THEY'RE FIGHTING? 580 00:23:25,969 --> 00:23:28,467 ARE THEY GONNA SEE THIS? 581 00:23:28,502 --> 00:23:30,399 SURE. THEY MIGHT. 582 00:23:30,434 --> 00:23:33,998 I'M SORRY. I CAN'T ANSWER THAT. 583 00:23:34,033 --> 00:23:37,033 MR. VIOLA, AS THE NEWEST MEMBER OF THE FAMILY, 584 00:23:37,068 --> 00:23:40,067 WHAT DO YOU THINK'S GOING ON HERE? 585 00:23:40,102 --> 00:23:41,434 WELL... 586 00:23:43,501 --> 00:23:45,100 CANDIDLY? 587 00:23:47,000 --> 00:23:49,334 IT'S A LITTLE STRANGE. 588 00:23:49,369 --> 00:23:51,065 BUT THEN... 589 00:23:51,100 --> 00:23:53,767 THIS WHOLE PLACE IS A LITTLE STRANGE. 590 00:23:56,501 --> 00:23:57,967 NO, SHE'S NOT. 591 00:23:58,002 --> 00:23:59,434 YES, SHE IS. 592 00:24:02,501 --> 00:24:03,967 NO, SHE'S NOT. 593 00:24:04,002 --> 00:24:05,434 YES, SHE IS. 594 00:24:08,000 --> 00:24:09,466 NO, SHE'S NOT. 595 00:24:09,501 --> 00:24:12,467 LET'S ASK THEM- IS SHE OUT THERE? 596 00:24:13,968 --> 00:24:16,000 WE'RE LOOKING FOR A MAN WITH A MOLE ON HIS NOSE. 597 00:24:16,035 --> 00:24:17,501 MOLE ON HIS NOSE? A MOLE ON HIS NOSE! 598 00:24:17,536 --> 00:24:18,518 WHAT KIND OF CLOTHES? 599 00:24:18,553 --> 00:24:19,466 WHAT KIND OF CLOTHES? 600 00:24:19,501 --> 00:24:20,799 WHAT KIND OF CLOTHES, DO YOU SUPPOSE? 601 00:24:20,834 --> 00:24:22,434 WHAT KIND OF CLOTHES DO I SUPPOSE WOULD BE WORN BY A MAN 602 00:24:22,469 --> 00:24:23,732 WITH A MOLE ON HIS NOSE? WHO KNOWS? 603 00:24:23,767 --> 00:24:25,567 DID I HAPPEN TO MENTION? DID I BOTHER TO DISCLOSE, 604 00:24:25,602 --> 00:24:27,367 THIS MAN THAT WE'RE SEEKING WITH A MOLE ON HIS NOSE? 605 00:24:27,402 --> 00:24:29,518 I'M NOT SURE OF HIS CLOTHES OR ANYTHING ELSE, 606 00:24:29,553 --> 00:24:31,634 EXCEPT HE'S CHINESE. A BIG CLUE BY ITSELF. 607 00:24:31,669 --> 00:24:33,065 HOW DO YOU DO THAT? 608 00:24:33,100 --> 00:24:34,566 YOU GOTTA READ A LOT OF DR. SEUSS. 609 00:24:34,601 --> 00:24:35,998 I'M SORRY TO SAY. I'M SAD TO REPORT 610 00:24:36,033 --> 00:24:38,432 I HAVEN'T SEEN ANYONE AT ALL OF THAT SORT, 611 00:24:38,467 --> 00:24:40,467 NOT A MAN WHO'S CHINESE WITH A MOLE ON HIS NOSE. 612 00:24:40,502 --> 00:24:43,251 WITH SOME KIND OF CLOTHES THAT YOU CAN'T SUPPOSE. 613 00:24:43,286 --> 00:24:46,127 SO, GET AWAY FROM THIS DOOR AND GET OUT OF THIS PLACE, 614 00:24:46,162 --> 00:24:48,968 OR I'LL HAVE TO HURT YOU, PUT MY FOOT IN YOUR FACE. 615 00:24:49,003 --> 00:24:50,300 OH. TIME TO GO. 616 00:24:50,335 --> 00:24:51,399 TIME TO GO! 617 00:24:51,434 --> 00:24:53,732 LET'S JUST HOLD IT RIGHT THERE, SHALL WE? 618 00:24:53,767 --> 00:24:55,501 MY CLIENT ISN'T ANSWERING ANY MORE OF YOUR QUESTIONS. 619 00:24:55,536 --> 00:24:57,667 YOU JUST CAN'T BURST IN HERE LIKE THAT. 620 00:24:57,702 --> 00:24:59,232 OH, NO? TELL THAT TO THE WRITERS. 621 00:24:59,267 --> 00:25:02,501 THEN UNDERSTAND THIS, I DON'T GIVE A FLYING FIG 622 00:25:02,536 --> 00:25:04,151 ABOUT THE LINES IN MY FACE, 623 00:25:04,186 --> 00:25:05,710 THE CROW'S FEET BY MY EYES, 624 00:25:05,745 --> 00:25:07,199 OR THE ALTITUDE OF MY CABOOSE. 625 00:25:07,234 --> 00:25:08,968 HEY, THAT'S OK. THAT'S WHAT YOU'VE GOT ME FOR. 626 00:25:09,003 --> 00:25:10,767 AND I DON'T GIVE A FLYING FIG 627 00:25:10,802 --> 00:25:13,151 ABOUT PEOPLE WHO DO. 628 00:25:13,186 --> 00:25:15,466 WELL, I'M AT A LOSS. 629 00:25:15,501 --> 00:25:17,067 I DON'T KNOW WHAT A FLYING FIG IS. 630 00:25:17,102 --> 00:25:18,466 THAT'S OK. 631 00:25:18,501 --> 00:25:20,267 THEY DO. 632 00:25:21,400 --> 00:25:24,098 WELL, NOT MANY PEOPLE KNOW ABOUT THIS. 633 00:25:24,133 --> 00:25:26,667 YOU KNOW, IT WASN'T WRITTEN ABOUT AT THE TIME OR TALKED ABOUT, 634 00:25:26,702 --> 00:25:30,234 BUT MADDIE HAYES AND I USED TO GO OUT TOGETHER. 635 00:25:30,269 --> 00:25:32,668 IT DIDN'T LAST TOO LONG BECAUSE, UH... 636 00:25:32,703 --> 00:25:36,135 IT WASN'T MADDIE'S FAULT, IT WAS MY FAULT. 637 00:25:36,170 --> 00:25:39,567 I...I...WAS COMING TO HER ON THE REBOUND. 638 00:25:39,602 --> 00:25:40,632 UH, YOU SEE, 639 00:25:40,667 --> 00:25:43,965 I USED TO GO WITH ANOTHER MODEL FROM MEMPHIS. 640 00:25:44,000 --> 00:25:46,501 BECAME AN ACTRESS IN A COUPLE OF PICTURES WE DID. 641 00:25:46,536 --> 00:25:49,000 WELL, WHEN THAT ENDED, 642 00:25:49,035 --> 00:25:50,965 THERE WAS MADDIE. 643 00:25:51,000 --> 00:25:53,934 WE WENT AROUND TOGETHER FOR A WHILE. 644 00:25:53,969 --> 00:25:56,499 I MUST SAY, I'M NOT SURPRISED 645 00:25:56,534 --> 00:25:59,534 THAT DAVID AND SHE ARE HAVING SOME PROBLEMS 646 00:25:59,569 --> 00:26:02,534 BECAUSE, YOU KNOW, MADDIE IS VERY BRIGHT, 647 00:26:02,569 --> 00:26:04,051 VERY INTELLIGENT, 648 00:26:04,086 --> 00:26:06,059 AND SELF-ASSURED 649 00:26:06,094 --> 00:26:08,033 AND STRONG... 650 00:26:08,068 --> 00:26:09,467 TOUGH. 651 00:26:10,534 --> 00:26:12,666 HE'S GOING TO LOSE. 652 00:26:12,701 --> 00:26:14,667 ALL RIGHT, I'VE SPOKEN WITH HER. 653 00:26:14,702 --> 00:26:16,634 DO YOU WANT TO KNOW WHAT SHE SAID? 654 00:26:16,669 --> 00:26:19,165 SHE SAYS YOU EMBARRASS HER. 655 00:26:19,200 --> 00:26:23,467 SHE SAYS YOU TAKE GREAT DELIGHT IN EMBARRASSING HER. 656 00:26:25,067 --> 00:26:27,866 I EMBARRASS HER? 657 00:26:27,901 --> 00:26:29,067 IS THAT WHAT SHE TOLD YOU? 658 00:26:29,102 --> 00:26:31,567 I EMBARRASS HER? 659 00:26:31,602 --> 00:26:33,032 GREAT. 660 00:26:33,067 --> 00:26:34,567 I TAKE IT, YOU DON'T AGREE? 661 00:26:34,602 --> 00:26:36,965 NO, I DON'T AGREE. 662 00:26:37,000 --> 00:26:38,466 WELL, THAT DOESN'T SURPRISE ME, 663 00:26:38,501 --> 00:26:41,901 GIVEN THE HISTORY OF DISAGREEMENT IN YOUR RELATIONSHIP. 664 00:26:41,936 --> 00:26:42,968 THERE'S NO TALKING TO YOU. 665 00:26:43,003 --> 00:26:43,933 YOU CAN TALK TO ME. 666 00:26:43,968 --> 00:26:45,934 NO, I CAN'T. YES, YOU CAN! 667 00:26:45,969 --> 00:26:47,034 ONE BULLET, ALIVE. 668 00:26:47,069 --> 00:26:48,065 2 BULLETS, DEAD. 669 00:26:48,100 --> 00:26:49,100 ONE BULLET, ALIVE. 2 BULLETS, DEAD. 670 00:26:49,135 --> 00:26:50,184 ALIVE. DEAD. 671 00:26:50,219 --> 00:26:51,460 ALIVE! DEAD! 672 00:26:51,495 --> 00:26:52,847 GOTCHA. DID NOT. 673 00:26:52,882 --> 00:26:54,165 GOTCHA. DID NOT. 674 00:26:54,200 --> 00:26:55,934 GOTCHA. GOTCHA. DID NOT. 675 00:26:55,969 --> 00:26:56,951 I AM NOT A SEXIST. 676 00:26:56,986 --> 00:26:57,977 OH, YOU'RE A SEXIST. 677 00:26:58,012 --> 00:26:58,933 I AM NOT A SEXIST! 678 00:26:58,968 --> 00:27:00,098 I'M NOT SPEAKING TO YOU! 679 00:27:00,133 --> 00:27:01,534 ARE, TOO. ARE, TOO! I'M NOT! I'M NOT! 680 00:27:02,968 --> 00:27:04,934 YOU'RE UPSET, AREN'T YOU? 681 00:27:04,969 --> 00:27:06,965 YOU LOOK UPSET. 682 00:27:07,000 --> 00:27:10,033 YOU KNOW WHAT THE IRONY IS, RONA? 683 00:27:10,068 --> 00:27:11,998 THE IRONY OF THE SITUATION 684 00:27:12,033 --> 00:27:14,767 IS THAT I MIGHT LOOK UPSET, BUT SHE'S THE ONE. 685 00:27:14,802 --> 00:27:17,501 SHE'S THE ONE WHO'S GOT THE TEMPER, NOT ME. 686 00:27:17,536 --> 00:27:19,767 REALLY? REALLY. 687 00:27:19,802 --> 00:27:20,868 WHOA! 688 00:27:23,534 --> 00:27:27,734 BOY, THERE CERTAINLY ARE A LOT OF UNAMUSED PEOPLE DOWN THERE. 689 00:27:34,767 --> 00:27:36,067 YO, MADDIE! 690 00:27:38,267 --> 00:27:40,332 GOT ANY RAW MEAT? 691 00:27:40,367 --> 00:27:42,734 ALL RIGHT, THEN, YOU DON'T AGREE ON ANYTHING. 692 00:27:42,769 --> 00:27:43,899 SHE'S GOT A BAD TEMPER. 693 00:27:43,934 --> 00:27:45,467 SHE'S CONCEITED, SHE'S RUDE, 694 00:27:45,502 --> 00:27:46,965 SHE'S COLD, SHE'S ALOOF. 695 00:27:47,000 --> 00:27:50,000 IF I'D HAVE KNOWN YOU WERE COMING, I'D HAVE TYPED UP A LIST. 696 00:27:50,035 --> 00:27:51,934 SO, WHY DO YOU STAY TOGETHER? 697 00:28:29,834 --> 00:28:31,483 I DON'T KNOW. 698 00:28:31,518 --> 00:28:33,133 SHE'S REMARKABLE. 699 00:28:36,400 --> 00:28:37,432 DO YOU TWO- 700 00:28:37,467 --> 00:28:39,033 STRICTLY BUSINESS. 701 00:28:39,068 --> 00:28:40,734 I DON'T KNOW. 702 00:29:09,701 --> 00:29:11,165 I DON'T KNOW. 703 00:29:11,200 --> 00:29:13,332 KNOW WHAT I THINK? 704 00:29:13,367 --> 00:29:15,100 I THINK SHE'S HUNG UP ON THIS OTHER GUY. 705 00:29:15,135 --> 00:29:16,501 THAT'S WHAT I THINK. 706 00:29:16,536 --> 00:29:18,451 NOT THAT I CARE. 707 00:29:18,486 --> 00:29:20,332 I DON'T CARE. 708 00:29:20,367 --> 00:29:22,499 I'M JUST HURT, THAT'S ALL. 709 00:29:22,534 --> 00:29:25,534 I MEAN, I THINK, IF SHE'S GOING TO GO FOR SOMEBODY, 710 00:29:25,569 --> 00:29:27,284 SHE SHOULD GO FOR ME, THAT'S ALL. 711 00:29:27,319 --> 00:29:29,926 NOT THAT SHE HAS TO GO FOR ME. 712 00:29:29,961 --> 00:29:32,534 I DON'T-I DON'T CARE ABOUT THAT. 713 00:29:32,569 --> 00:29:34,534 OK. ALL RIGHT, ALL RIGHT. 714 00:29:34,569 --> 00:29:35,998 I'M INSECURE. 715 00:29:36,033 --> 00:29:38,534 THERE. I ADMIT IT. IT'S OUT, ALL RIGHT? 716 00:29:38,569 --> 00:29:40,032 IT'S NORMAL, RIGHT? 717 00:29:40,067 --> 00:29:42,968 DID I HAPPEN TO MENTION THIS OTHER GUY'S DEAD? 718 00:29:49,067 --> 00:29:52,567 IT SURE HAS GONE DOWN HERE. 719 00:29:52,602 --> 00:29:56,032 I MUST HAVE HAD MY LIMIT. 720 00:29:56,067 --> 00:29:57,600 YOU KNOW, WE HAVE TO GET TOGETHER 721 00:29:57,635 --> 00:29:59,133 AND DO THIS AGAIN SOMETIME, STINKY. 722 00:29:59,168 --> 00:30:01,367 WE THINK ALIKE. 723 00:30:01,402 --> 00:30:03,532 YOU KNOW... 724 00:30:03,567 --> 00:30:05,817 A LOT OF TIMES, WE THINK ALIKE. 725 00:30:05,852 --> 00:30:08,032 STOP THAT, DAVID! STOP THAT, DAVID! 726 00:30:08,067 --> 00:30:09,901 I'M CALLING THE POLICE, DAVID! I'M CALLING 727 00:30:11,901 --> 00:30:13,968 HELLO. POLICE? HELLO. POLICE? 728 00:30:14,003 --> 00:30:15,834 I HATE YOU! YOU LOVE ME! 729 00:30:17,400 --> 00:30:19,434 I GUESS THERE'S NO SUCH THING AS AN ORIGINAL IDEA. 730 00:30:19,469 --> 00:30:20,899 WHAT ARE YOU DOING HERE? 731 00:30:20,934 --> 00:30:22,667 WHAT AM I DOING HERE?WHAT ARE YOU DOINGHERE? 732 00:30:22,702 --> 00:30:23,833 AND A LOT OF TIMES, WE DON'T. 733 00:30:23,868 --> 00:30:26,899 BOOK ME ON THE NEXT FLIGHT TO BUENOS AIRES. 734 00:30:26,934 --> 00:30:28,901 LISTEN, DO YOU MIND IF I JUST TALK SOME SENSE TO YOU? 735 00:30:28,936 --> 00:30:29,965 THAT WILL BE A FIRST. 736 00:30:30,000 --> 00:30:31,067 WHAT THE HELL ARE YOU GOING DOWN THERE FOR? 737 00:30:31,102 --> 00:30:32,399 TO GET BACK WHAT'S MINE. 738 00:30:32,434 --> 00:30:33,934 WHAT WAS YOURS! IT'S GONE! DON'T YOU UNDERSTAND? 739 00:30:33,969 --> 00:30:35,418 KISS IT BYE-BYE, WILL YA? 740 00:30:35,453 --> 00:30:37,043 THANKS FOR THE ENCOURAGEMENT. 741 00:30:37,078 --> 00:30:38,599 I'M JUST TELLING YOU THE TRUTH. 742 00:30:38,634 --> 00:30:39,866 ISN'T IT ENOUGH, THE GUY BAMBOOZLED YOU? 743 00:30:39,901 --> 00:30:41,367 NOW YOU GOT TO GO DOWN THERE SO HE CAN LAUGH AT YOU? 744 00:30:41,402 --> 00:30:42,567 HE'S NOT GOING TO LAUGH. 745 00:30:42,602 --> 00:30:43,532 OH, YES, HE IS. 746 00:30:43,567 --> 00:30:44,632 HE'S NOT GOING TO LAUGH! 747 00:30:44,667 --> 00:30:45,767 OH, YES, HE IS. HE'S NOT GOING TO LAUGH! 748 00:30:45,802 --> 00:30:47,668 YOU'RE RIGHT, HE'S GOING TO ROAR! 749 00:30:47,703 --> 00:30:49,534 WHY ARE WE STILL TOGETHER? 750 00:30:49,569 --> 00:30:51,499 I DON'T KNOW. 751 00:30:51,534 --> 00:30:53,667 IT'S A MYSTERY TO ME. 752 00:30:55,234 --> 00:30:57,032 I... 753 00:30:57,067 --> 00:31:00,183 YOU WANT TO HEAR SOMETHING CRAZY? 754 00:31:00,218 --> 00:31:03,265 I THINK SHE THINKS I'M STUPID. 755 00:31:03,300 --> 00:31:05,234 NO, I'M SKIPPING LUNCH. I'M GOING TO THE MUSEUM. 756 00:31:05,269 --> 00:31:07,234 THEY'RE EXHIBITING A NEW GAUGUIN. 757 00:31:07,269 --> 00:31:09,766 GAUGUIN? OH, I HEARD OF HIM. 758 00:31:09,801 --> 00:31:11,434 THAT'S THE GUY THAT DUKED IT OUT WITH GODZILLA, RIGHT? 759 00:31:12,901 --> 00:31:15,234 I KNOW WHO IT IS. HE PAINTS NAKED GIRLS. 760 00:31:15,269 --> 00:31:16,699 NUDES. 761 00:31:16,734 --> 00:31:19,834 NUDES, RIGHT. NAKEDS HAVE STAPLES IN THEM. 762 00:31:19,869 --> 00:31:21,234 I'VE MADE A TERRIBLE MISTAKE. 763 00:31:21,269 --> 00:31:22,332 THERE ARE NO CLIENTS. 764 00:31:22,367 --> 00:31:23,599 THERE NEVER HAVE BEEN ANY CLIENTS. 765 00:31:23,634 --> 00:31:25,567 THERE AREN'T GOING TO BE ANY CLIENTS, ARE THERE? 766 00:31:25,602 --> 00:31:28,701 I'M NOT SURE I UNDERSTAND THE QUESTION. 767 00:31:28,736 --> 00:31:30,499 HAVE YOU EVER HAD A CLIENT? 768 00:31:30,534 --> 00:31:32,801 WHAT? YOU MEAN, AT THIS PARTICULAR LOCATION? 769 00:31:34,334 --> 00:31:37,834 THE IRONY OF IT IS I TAUGHT HER EVERYTHING SHE KNOWS. 770 00:31:37,869 --> 00:31:40,168 YOU STICK THE STICKPIN IN. 771 00:31:40,203 --> 00:31:42,467 AND PULL THE STICKPIN OUT. 772 00:31:43,534 --> 00:31:45,984 YOU STICK THE STICKPIN IN, 773 00:31:46,019 --> 00:31:47,960 * AND YOU SHAKE IT ALL ABOUT * 774 00:31:47,995 --> 00:31:49,866 * YOU DO THE HOKEY-POKEY * 775 00:31:49,901 --> 00:31:52,734 * AND YOU TURN YOURSELF ABOUT * 776 00:31:52,769 --> 00:31:55,567 * THAT'S WHAT IT'S ALL ABOUT ** 777 00:31:55,602 --> 00:31:57,001 WHAT ARE YOU DOING? 778 00:31:57,036 --> 00:31:58,365 CAN'T BE TOO CAREFUL. 779 00:31:58,400 --> 00:32:00,100 CLEARLY, THERE'S NO ONE AT HOME. 780 00:32:00,135 --> 00:32:01,534 LET'S JUST BE SURE. 781 00:32:32,100 --> 00:32:33,734 ANY IDEA WHAT HE'S LOOKING FOR? 782 00:32:33,769 --> 00:32:34,699 A CLUE. 783 00:32:34,734 --> 00:32:35,933 OK, GIVE ME ONE. GIVE ME ONE, WHAT? 784 00:32:35,968 --> 00:32:37,133 GIVE ME A CLUE WHAT HE'S LOOKING FOR. 785 00:32:37,168 --> 00:32:38,133 A CLUE! I'M WAITING. 786 00:32:38,168 --> 00:32:39,098 FOR WHAT? 787 00:32:39,133 --> 00:32:40,801 TO FIND OUT WHAT THE MAN IS LOOKING FOR! 788 00:32:40,836 --> 00:32:41,834 THE MAN IS LOOKING FOR A CLUE! 789 00:32:41,869 --> 00:32:42,901 A CLUE, A CLUE, A CLUE! 790 00:32:42,936 --> 00:32:44,032 GESUNDHEIT. 791 00:32:44,067 --> 00:32:45,766 AND SHE CALLS ME STUPID. 792 00:32:45,801 --> 00:32:47,766 WELL, OBVIOUSLY, YOU'RE NOT STUPID. 793 00:32:47,801 --> 00:32:50,934 OBVIOUSLY, YOU'RE A VERY ATTRACTIVE MAN. 794 00:32:52,300 --> 00:32:54,734 CERTAINLY THERE HAVE BEEN OTHER WOMEN IN YOUR LIFE. 795 00:32:54,769 --> 00:32:56,151 * HARD TO HIDE * 796 00:32:56,186 --> 00:32:57,499 * MY HURT INSIDE * 797 00:32:57,534 --> 00:32:59,617 * THIS OLD HEART OF MINE * 798 00:32:59,652 --> 00:33:01,526 * ALWAYS KEEPS ME CRYING * 799 00:33:01,561 --> 00:33:03,400 * THE WAY YOU'RE TREATING ME * 800 00:33:03,435 --> 00:33:05,051 * LEAVES ME INCOMPLETE * 801 00:33:05,086 --> 00:33:06,667 * YOU'RE HERE FOR THE DAY * 802 00:33:06,702 --> 00:33:08,265 COME HERE. 803 00:33:08,300 --> 00:33:09,799 * AND GONE FOR THE WEEK * 804 00:33:09,834 --> 00:33:13,150 * BUT IF YOU LEAVE ME A HUNDRED TIMES * 805 00:33:13,185 --> 00:33:16,792 * A HUNDRED TIMES I'LL TAKE YOU BACK * 806 00:33:16,827 --> 00:33:19,647 * I'M YOURS WHENEVER YOU WANT ME * 807 00:33:19,682 --> 00:33:22,467 * I'M NOT TOO PROUD TO SHOUT IT * 808 00:33:22,502 --> 00:33:23,934 * TELL THE WORLD ABOUT IT * 809 00:33:23,969 --> 00:33:25,451 * CAUSE I * 810 00:33:25,486 --> 00:33:28,793 * I LOVE YOU * 811 00:33:28,828 --> 00:33:31,781 * YES, I DO * 812 00:33:31,816 --> 00:33:34,734 * I LOVE YOU * 813 00:33:37,534 --> 00:33:39,599 * THIS OLD HEART OF MINE * 814 00:33:39,634 --> 00:33:41,167 * BEEN BROKE A THOUSAND TIMES * 815 00:33:41,202 --> 00:33:42,666 * EACH TIME YOU BREAK AWAY * 816 00:33:42,701 --> 00:33:45,666 * I THINK YOU'RE GONNA STAY... ** 817 00:33:45,701 --> 00:33:48,701 OBVIOUSLY, THERE'VE BEEN OTHER MEN IN HER LIFE. 818 00:33:48,736 --> 00:33:49,666 MEN? 819 00:33:49,701 --> 00:33:51,165 HA HA HA! 820 00:33:51,200 --> 00:33:53,567 THAT'S A JUDGMENT CALL, RONA. 821 00:33:53,602 --> 00:33:55,165 MADDIE, JUST AWFUL NEWS. 822 00:33:55,200 --> 00:33:57,200 THERE'S BEEN A MEDICAL EMERGENCY. 823 00:33:57,235 --> 00:33:59,200 AND I'M AFRAID I'M GOING TO HAVE TO- 824 00:33:59,235 --> 00:34:00,666 DOCTOR? DAVID ADDISON. 825 00:34:00,701 --> 00:34:02,634 I'M A BUSINESS ASSOCIATE OF MISS HAYES. 826 00:34:02,669 --> 00:34:04,098 SMALL WORLD, ISN'T IT? 827 00:34:04,133 --> 00:34:05,566 I'M HERE WITH THE WIFE AND KIDS, 828 00:34:05,601 --> 00:34:07,234 CELEBRATING PATTY GETTING HER BRACES REMOVED. 829 00:34:07,269 --> 00:34:08,666 AND I WAS GONNA SAY, HEY, 830 00:34:08,701 --> 00:34:10,534 "LET'S SEE IF WE CAN'T PULL A COUPLE OF TABLES TOGETHER 831 00:34:10,569 --> 00:34:12,165 AND GET TO KNOW EACH OTHER." 832 00:34:12,200 --> 00:34:13,567 BUT IT LOOKS LIKE YOU GOT TO GO, HUH, DOC? 833 00:34:13,602 --> 00:34:15,699 I'M AFRAID SO. 834 00:34:15,734 --> 00:34:17,701 I FEEL JUST TERRIBLE ABOUT LEAVING YOU LIKE THIS. 835 00:34:17,736 --> 00:34:19,199 LET ME COME WITH YOU. 836 00:34:19,234 --> 00:34:20,868 YOU SEEM TO BE IN VERY GOOD HANDS. 837 00:34:20,903 --> 00:34:22,318 THE BEST. 838 00:34:22,353 --> 00:34:23,699 PLEASE! 839 00:34:23,734 --> 00:34:26,334 I KNOW, WE WERE STARTING TO HIT IT OFF, WEREN'T WE? 840 00:34:26,369 --> 00:34:28,301 LISTEN, I'VE ALREADY PAID THE CAPTAIN. 841 00:34:28,336 --> 00:34:30,035 WHY DON'T YOU STAY WITH YOUR FRIEND 842 00:34:30,070 --> 00:34:31,734 AND GO AHEAD AND ENJOY YOUR DINNER? 843 00:34:31,769 --> 00:34:33,234 CARL! I'LL CALL YOU TOMORROW. 844 00:34:33,269 --> 00:34:34,968 I'M SURE YOU WILL. 845 00:34:35,003 --> 00:34:36,585 ALLOW ME, MA'AM. 846 00:34:36,620 --> 00:34:38,132 WHERE WERE WE? 847 00:34:38,167 --> 00:34:41,032 YOU WERE FIRED, AND I WAS LEAVING! 848 00:34:41,067 --> 00:34:43,033 NOW, I AM REALLY SORRY TO HEAR YOU SAY THAT. 849 00:34:43,068 --> 00:34:45,000 I THINK WE WOULD HAVE MADE A TERRIFIC TEAM. 850 00:34:45,035 --> 00:34:47,468 YOU WANT TO KNOW WHAT I THINK? 851 00:34:47,503 --> 00:34:49,702 I THINK ALL THIS "TOUGH GUY, 852 00:34:49,737 --> 00:34:51,866 "SHE'S GOT A BAD TEMPER, 853 00:34:51,901 --> 00:34:53,901 YOU CAN'T WORK TOGETHER" GIBBERISH 854 00:34:53,936 --> 00:34:55,365 IS JUST A COVER 855 00:34:55,400 --> 00:34:58,033 FOR SOMEONE WHO REALLY CARES ABOUT SOMEBODY. 856 00:34:59,534 --> 00:35:02,868 * OH, BABY WHAT YOU DONE TO ME * 857 00:35:02,903 --> 00:35:05,566 * WHAT YOU DONE TO ME * 858 00:35:05,601 --> 00:35:09,868 * YOU MADE ME FEEL SO GOOD INSIDE * 859 00:35:09,903 --> 00:35:12,566 * GOOD INSIDE * 860 00:35:12,601 --> 00:35:16,200 * AND I JUST WANT TO BE * 861 00:35:16,235 --> 00:35:18,299 * WANT TO BE * 862 00:35:18,334 --> 00:35:22,667 * CLOSE TO YOU, YOU MAKE ME FEEL SO ALIVE * 863 00:35:22,702 --> 00:35:25,751 * YOU MAKE ME FEEL * 864 00:35:25,786 --> 00:35:28,766 * YOU MAKE ME FEEL * 865 00:35:28,801 --> 00:35:35,868 * YOU MAKE ME FEEL LIKE A NATURAL WOMAN * 866 00:35:35,903 --> 00:35:38,535 * YOU MAKE ME FEEL * 867 00:35:38,570 --> 00:35:41,167 * YOU MAKE ME FEEL ** 868 00:35:42,434 --> 00:35:43,817 IT'S OK. 869 00:35:43,852 --> 00:35:45,165 MMM! 870 00:35:45,200 --> 00:35:47,200 OH, I KNEW YOU WERE GONNA SAY THAT. 871 00:35:47,235 --> 00:35:49,167 OK, ALL RIGHT, I ADMIT IT. 872 00:35:49,202 --> 00:35:51,065 I RAN INTO SOME TROUBLE. 873 00:35:51,100 --> 00:35:54,000 GOING UNDERGROUND IS NOT AS EASY AS I THOUGHT IT WAS GOING TO BE. 874 00:35:54,035 --> 00:35:56,934 I MEAN, IT'S NOT LIKE YOU CAN ASK ANYBODY DIRECTIONS. 875 00:35:56,969 --> 00:35:58,701 I'M GETTING THE HANG OF IT, THOUGH. 876 00:35:58,736 --> 00:35:59,866 LIKE YESTERDAY, 877 00:35:59,901 --> 00:36:01,601 HITCHED A BACK ROAD TO THE EDGE OF TOWN. 878 00:36:01,636 --> 00:36:02,566 MMM. 879 00:36:02,601 --> 00:36:04,501 HAD A CONVERSATION WITH A SKINNY DOG. 880 00:36:04,536 --> 00:36:05,466 MMM. 881 00:36:05,501 --> 00:36:07,133 OPENED A CAN OF BEANS WITH MY TEETH. 882 00:36:07,168 --> 00:36:08,165 MMM? 883 00:36:08,200 --> 00:36:09,667 ALL RIGHT, IT WAS A BAG OF BEANS. 884 00:36:09,702 --> 00:36:11,232 MMM. 885 00:36:11,267 --> 00:36:12,801 AFTER DINNER, I WENT DOWN TO THE RAILROAD TRACKS TO HOP A FREIGHT TRAIN. 886 00:36:12,836 --> 00:36:13,766 MMM 887 00:36:13,801 --> 00:36:15,265 IT WAS OK. 888 00:36:15,300 --> 00:36:17,567 NONE OF THE OTHER VAGABONDS WOULD TALK TO ME, THOUGH. 889 00:36:17,602 --> 00:36:19,033 FOUND OUT YOU'RE NOT SUPPOSED TO EAT YOUR BEANS 890 00:36:19,068 --> 00:36:21,232 BEFORE YOU HOP THE FREIGHT TRAIN. 891 00:36:21,267 --> 00:36:25,567 THERE SIMPLY ARE THINGS THAT DEFY EXPLANATION. I MEAN, GOD- 892 00:36:25,602 --> 00:36:27,234 WELL NOW, THERE YOU GO. THERE'S A GOOD EXAMPLE. 893 00:36:27,269 --> 00:36:29,118 GOD'S A GOOD EXAMPLE. 894 00:36:29,153 --> 00:36:30,933 GOD DEFIES EXPLANATION. 895 00:36:30,968 --> 00:36:33,968 YOU BELIEVE IN HIM. EVERYBODY BELIEVES IN HIM. 896 00:36:41,000 --> 00:36:42,067 HELLO? 897 00:36:47,501 --> 00:36:48,666 DON'T TELL ME. 898 00:36:48,701 --> 00:36:49,666 THEN, DON'T ASK ME. 899 00:36:49,701 --> 00:36:50,767 YOU DON'T- I WARNED YOU. 900 00:36:50,802 --> 00:36:52,098 HOW CAN YOU NOT? 901 00:36:52,133 --> 00:36:55,734 DAVID, I DON'T THINK WE WANT TO HAVE THIS DISCUSSION. 902 00:36:59,601 --> 00:37:02,965 OH... OK, I GET IT. 903 00:37:03,000 --> 00:37:04,817 THIS IS JUST SOMETHING YOU'RE SAYING, RIGHT? 904 00:37:04,852 --> 00:37:06,634 JUST SOMETHING YOU SAY TO PEOPLE, RIGHT? 905 00:37:06,669 --> 00:37:08,165 I MEAN, DEEP DOWN, 906 00:37:08,200 --> 00:37:10,934 DEEP, DEEP, DEEP DOWN... 907 00:37:13,200 --> 00:37:14,666 I DON'T BELIEVE YOU. 908 00:37:14,701 --> 00:37:16,434 WHAT CAN I SAY? I DON'T BELIEVE IN- 909 00:37:16,469 --> 00:37:17,833 DON'T SAY THAT! DAVID! 910 00:37:17,868 --> 00:37:19,534 YOU DON'T HAVE TO SAY THAT. WHAT ARE YOU THINKING? 911 00:37:19,569 --> 00:37:21,200 WHAT DO YOU WANT TO SAY THAT FOR? HE MIGHT HEAR YOU. 912 00:37:21,235 --> 00:37:24,167 YOU DO REALLY CARE ABOUT HER, DON'T YOU? 913 00:37:25,701 --> 00:37:28,367 WE'VE HAD SOME PRETTY WILD TIMES. 914 00:37:28,402 --> 00:37:30,467 AAH! 915 00:37:35,434 --> 00:37:37,132 HANG ON TIGHT, MADDIE! 916 00:37:37,167 --> 00:37:39,884 NOW, LISTEN, I WANT YOU TO TURN AROUND, 917 00:37:39,919 --> 00:37:42,601 AND WHATEVER YOU DO, DON'T LOOK DOWN. 918 00:37:50,167 --> 00:37:51,599 AAH! 919 00:37:51,634 --> 00:37:52,599 THEY'RE FOLLOWING US! 920 00:37:52,634 --> 00:37:53,899 OF COURSE THEY'RE FOLLOWING US. 921 00:37:53,934 --> 00:37:55,133 NATURALLY, THEY'RE FOLLOWING US. IT'S A CHASE. 922 00:37:58,100 --> 00:37:59,466 WELL, GUESS THAT'S THAT. 923 00:37:59,501 --> 00:38:00,901 CHASE IS OVER. HE'S CAUGHT UP WITH US. 924 00:38:01,968 --> 00:38:02,901 AAH! 925 00:38:04,734 --> 00:38:06,383 AAH, DAVID! WHY IS HE DOING THAT? 926 00:38:06,418 --> 00:38:08,033 BECAUSE YOU'RE LETTING HIM DO IT! 927 00:38:08,068 --> 00:38:09,232 PUNCH THIS COW, WILL YA? 928 00:38:09,267 --> 00:38:11,667 OK, I WILL. WHAT DOES THAT MEAN? 929 00:38:11,702 --> 00:38:13,968 STEP ON THE PEDAL, CREDAL. 930 00:38:21,701 --> 00:38:22,866 WHAT DO I DO NOW? 931 00:38:22,901 --> 00:38:24,550 GET IN THE FAR RIGHT LANE AND MAKE A SHARP LEFT. 932 00:38:24,585 --> 00:38:26,200 YOU DON'T MAKE A LEFT TURN FROM THE FAR RIGHT LANE! 933 00:38:26,235 --> 00:38:27,567 WE DO! 934 00:38:31,100 --> 00:38:32,634 LEFT INTO THIS ALLEY! 935 00:38:38,033 --> 00:38:39,600 WE DID IT! 936 00:38:39,635 --> 00:38:41,132 WE DID IT? 937 00:38:41,167 --> 00:38:42,267 WE DID IT! WE LOST THEM. 938 00:38:43,334 --> 00:38:44,801 OOPS, THEY DID IT. THEY FOUND US. 939 00:38:47,334 --> 00:38:48,868 REVERSE! 940 00:38:50,334 --> 00:38:51,334 FASTER! 941 00:38:51,369 --> 00:38:52,299 FASTER? 942 00:38:52,334 --> 00:38:53,432 I DON'T LIKE DRIVING FAST IN FORWARD. 943 00:38:53,467 --> 00:38:55,200 AND I DON'T LIKE DRIVING FAST IN BACKWARD. 944 00:39:05,167 --> 00:39:06,267 FREEZE! 945 00:39:09,133 --> 00:39:10,100 FREEZE! 946 00:39:12,133 --> 00:39:13,133 FREEZE! 947 00:39:14,534 --> 00:39:15,634 FREEZE! 948 00:39:21,701 --> 00:39:24,033 ANYBODY WANT TO PLAY TWISTER? 949 00:39:24,068 --> 00:39:25,100 DAVID, LOOK OUT! 950 00:39:30,367 --> 00:39:32,400 SAY, AREN'T YOU BILLY BARTY? 951 00:39:32,435 --> 00:39:34,666 AND AREN'T YOU, UH... 952 00:39:34,701 --> 00:39:36,534 HIT ON SOMEBODY YOUR OWN SIZE. 953 00:39:36,569 --> 00:39:37,868 LOOK OUT! 954 00:39:43,868 --> 00:39:45,799 DAVID, THERE'S A COFFIN BACK THERE. 955 00:39:45,834 --> 00:39:48,234 YOU'RE KIDDING? A COFFIN IN A HEARSE? CALL MIKE WALLACE! 956 00:39:48,269 --> 00:39:49,965 YOU THINK THERE'S A DEAD BODY IN IT? 957 00:39:50,000 --> 00:39:51,801 WHAT DO YOU MEAN, DO I THINK THERE'S A DEAD BODY IN IT? 958 00:39:51,836 --> 00:39:52,866 OF COURSE THERE'S A DEAD BODY IN IT! 959 00:39:52,901 --> 00:39:54,501 WHAT DO YOU THINK? THESE GUYS CARRY SPARES? 960 00:39:54,536 --> 00:39:55,434 DAVID! 961 00:40:11,234 --> 00:40:12,632 HE'S SAFE! 962 00:40:12,667 --> 00:40:15,199 WOULD YOU DO SOMETHING FOR ME, DAVID? 963 00:40:15,234 --> 00:40:19,434 IF I COULD GET THE TWO OF YOU IN A ROOM TOGETHER- 964 00:40:19,469 --> 00:40:20,432 WAIT A MINUTE. 965 00:40:20,467 --> 00:40:23,200 WOULD YOU AT LEAST JUST TALK? 966 00:40:24,267 --> 00:40:25,868 MADDIE AND ME? 967 00:40:27,434 --> 00:40:28,701 DAVID. 968 00:40:28,736 --> 00:40:29,968 FOR ME? 969 00:40:34,100 --> 00:40:35,400 FOR YOU, RONA? 970 00:40:41,701 --> 00:40:42,634 YEAH. 971 00:40:44,200 --> 00:40:45,666 YEAH, I GUESS SO. 972 00:40:45,701 --> 00:40:47,133 FOR YOU, RONA. 973 00:40:59,067 --> 00:41:00,868 MADDIE? 974 00:41:11,634 --> 00:41:13,501 DAVID? 975 00:41:24,968 --> 00:41:26,767 AHEM. 976 00:41:39,667 --> 00:41:41,100 WHAT DO WE SAY? 977 00:41:43,334 --> 00:41:45,267 I'M SORRY. I'M SORRY. 978 00:41:46,834 --> 00:41:48,767 NOW SAY IT TO THEM. 979 00:41:51,334 --> 00:41:53,267 WE'RE SORRY. WE'RE SORRY. 980 00:41:54,501 --> 00:41:57,767 DON'T YOU HAVE SOMETHING ELSE TO SAY? 981 00:42:00,534 --> 00:42:03,467 NEW EPISODE NEXT TUESDAY! NEW EPISODE 982 00:42:04,868 --> 00:42:07,300 NOW KISS AND MAKE UP. 983 00:42:29,300 --> 00:42:32,300 WELL, AMERICA, SO MUCH FOR MADDIE AND DAVID. 984 00:42:32,335 --> 00:42:34,584 AND SO MUCH FOR ME. 985 00:42:34,619 --> 00:42:36,834 I'M RONA BARRETT. 986 00:42:36,869 --> 00:42:38,401 SLEEP TIGHT. 987 00:42:38,436 --> 00:42:39,934 NOT YOU TWO. 988 00:42:49,934 --> 00:42:51,899 * SOME WALK- * 989 00:42:51,934 --> 00:42:54,801 I WANT YOU TO SAY HI. WHAT'S YOUR NAME? 990 00:42:54,836 --> 00:42:56,801 JOHNNY. HI, JOHNNY. 991 00:42:56,836 --> 00:42:58,265 SAY HI. 992 00:42:58,300 --> 00:43:00,666 AND HE'S A LITTLE CONFUSED 993 00:43:00,701 --> 00:43:02,299 AS TO WHAT'S HAPPENING WITH THE SHOW 994 00:43:02,334 --> 00:43:04,834 OVER HERE ON MOONLIGHTING THIS YEAR. 995 00:43:04,869 --> 00:43:07,334 AND WE'RE HAVING FUN, AREN'T WE, KIDS? 996 00:43:07,369 --> 00:43:08,367 YEAH! YEAH! YEAH! 997 00:43:08,402 --> 00:43:10,365 *BY NIGHT * 998 00:43:10,400 --> 00:43:13,532 PHIL, I KNOW WE DON'T KNOW EACH OTHER, 999 00:43:13,567 --> 00:43:16,199 BUT YOU DON'T LOOK LIKE AN EXTORTIONIST TO ME. 1000 00:43:16,234 --> 00:43:19,701 YOU LOOK JUST LIKE A NICE MAN WHO'S A LITTLE DISTRAUGHT, 1001 00:43:19,736 --> 00:43:21,300 WHO OUGHT TO TAKE A MINUTE AND COOL DOWN. 1002 00:43:21,335 --> 00:43:23,568 SHE'S RIGHT, PHIL. COME WITH US. 1003 00:43:23,603 --> 00:43:25,801 WE'LL TELL WELMA WE WESCUED- 1004 00:43:25,836 --> 00:43:27,734 RESCUED YOU AND THE... 1005 00:43:29,701 --> 00:43:33,634 YOU JUST SEEM LIKE A VERY NICE MAN WHO'S A LITTLE DISTRAUGHT, 1006 00:43:33,669 --> 00:43:35,601 WHO OUGHT TO TAKE A MINUTE AND COOL DOWN. 1007 00:43:35,636 --> 00:43:37,851 SHE'S RIGHT, PHIL. 1008 00:43:37,886 --> 00:43:40,067 STAY RIGHT THERE. 1009 00:43:47,334 --> 00:43:48,767 I GOT IT! I GOT IT! 1010 00:43:48,802 --> 00:43:49,834 OH! 1011 00:43:51,701 --> 00:43:54,234 SHE'S RIGHT, PHIL. COME WITH US. 1012 00:43:54,269 --> 00:43:56,767 WE'LL TELL WILMA AND WE WESCUE- 1013 00:44:04,367 --> 00:44:06,234 STAY THERE. STAY THERE. 1014 00:44:06,269 --> 00:44:08,018 SHE'S RIGHT. 1015 00:44:08,053 --> 00:44:09,767 DON'T SMILE. 1016 00:44:11,133 --> 00:44:12,632 I'M SORRY. 1017 00:44:12,667 --> 00:44:14,732 * SOME FLY BY- * 1018 00:44:14,767 --> 00:44:17,032 I'M SORRY TO SAY I'M SAD TO REPORT 1019 00:44:17,067 --> 00:44:19,167 THAT I HAVEN'T SEEN ANYONE AT ALL OF THAT SORT. 1020 00:44:19,202 --> 00:44:21,267 NOT A MAN WHO'S CHINESE WITH A MOLE ON HIS NOSE 1021 00:44:21,302 --> 00:44:24,501 WITH SOME SORT OF CLOTHES THAT... 1022 00:44:24,536 --> 00:44:27,701 I'M SORRY TO SAY I'M SAD TO REPORT... 1023 00:44:28,767 --> 00:44:31,434 * DAY- * 1024 00:44:32,667 --> 00:44:33,965 HELLO. 1025 00:44:34,000 --> 00:44:35,900 WHERE'S THE FIRE ESCAPE? 1026 00:44:35,935 --> 00:44:37,801 OH, FORGET I SAID THAT. 1027 00:44:37,836 --> 00:44:39,265 IS THIS YOURS? 1028 00:44:39,300 --> 00:44:40,783 NO, IT COULDN'T BE. 1029 00:44:40,818 --> 00:44:42,925 IT'S PROBABLY GLENN'S. 1030 00:44:42,960 --> 00:44:44,998 * NOTHING COULD CHANGE- * 1031 00:44:45,033 --> 00:44:46,899 I'M SORRY TO SAY I'M SAD TO REPORT 1032 00:44:46,934 --> 00:44:49,534 THAT I HAVEN'T SEEN ANYONE AT ALL OF THAT SORT. 1033 00:44:49,569 --> 00:44:51,968 NOT A MAN... OH, GOD. 1034 00:44:52,003 --> 00:44:54,332 * YOU, SET AND- * 1035 00:44:54,367 --> 00:44:57,517 THE ONLY REASON HE KEEPS ME AROUND IS BECAUSE OF YOU. 1036 00:44:57,552 --> 00:45:00,667 YOU'RE THE ONE WHO KEEPS BRINGING THEM INTO THE CLUB. 1037 00:45:00,702 --> 00:45:02,701 ALL THOSE BOYS HOME FROM THE WAR, 1038 00:45:02,736 --> 00:45:04,701 THEY CAN'T GET ENOUGH OF YOU. 1039 00:45:04,736 --> 00:45:06,098 THAT'S NOT TRUE! 1040 00:45:06,133 --> 00:45:09,901 IT'S NOBODY'S FAULT THAT YOU COULDN'T GO TO WAR. 1041 00:45:09,936 --> 00:45:13,265 HA HA HA! 1042 00:45:13,300 --> 00:45:15,267 * SURE OF THE WAY * 1043 00:45:16,901 --> 00:45:18,834 I DON'T THINK YOU UNDERSTAND, RICHARD. 1044 00:45:18,869 --> 00:45:20,367 RICHARD? WAIT A MINUTE, EDDIE! 1045 00:45:20,402 --> 00:45:21,833 MY NAME IS NAVARONE! 1046 00:45:21,868 --> 00:45:25,184 AND THE $100,000 YOU FOUND... 1047 00:45:25,219 --> 00:45:28,501 AND SO BLABLEEP BLADABLAPOO! 1048 00:45:28,536 --> 00:45:30,499 * WAY- * 1049 00:45:30,534 --> 00:45:32,567 I'M SORRY TO SAY I'M SAD TO REPORT 1050 00:45:32,602 --> 00:45:34,901 THAT I HAVEN'T SEEN ANY... 1051 00:45:34,936 --> 00:45:36,901 * THERE IS THE- * 1052 00:45:36,936 --> 00:45:38,735 ACTION! 1053 00:45:38,770 --> 00:45:40,885 I'M SORRY. 1054 00:45:40,920 --> 00:45:42,543 ACTION! 1055 00:45:42,578 --> 00:45:44,132 I'M... 1056 00:45:44,167 --> 00:45:46,833 * SUN AND MOON * 1057 00:45:46,868 --> 00:45:48,232 WHAT KIND OF CLOTHES DO I SUPPOSE- 1058 00:45:48,267 --> 00:45:51,067 THAT A MAN WITH A MOLE ON HIS NOSE WOULD WEAR... 1059 00:45:51,102 --> 00:45:54,601 *THEY SING THEIR OWN- * 1060 00:45:54,636 --> 00:45:56,300 HOO-HOO! WAH! 1061 00:45:59,133 --> 00:46:02,767 * SWEET TUNE, WATCH THEM WHEN DAWN- * 1062 00:46:04,834 --> 00:46:06,851 HA HA HA... 1063 00:46:06,886 --> 00:46:08,833 HA HA HA. 1064 00:46:08,868 --> 00:46:12,499 * IS DUE, SHARING ONE- * 1065 00:46:12,534 --> 00:46:15,701 WHAT KIND OF CLOTHES DO I SUPPOSE WOULD BE WORN BY A MAN- 1066 00:46:15,736 --> 00:46:19,332 * SPACE * 1067 00:46:19,367 --> 00:46:23,701 DO YOU HAVE THE MIAMI VICE LOOK HERE? 1068 00:46:23,736 --> 00:46:24,699 HA HA HA! 1069 00:46:24,734 --> 00:46:28,334 * WE'LL WALK BY NIGHT * 1070 00:46:29,467 --> 00:46:33,300 * I'M POPEYE THE SAILOR MAN * 1071 00:46:33,335 --> 00:46:34,934 * POOP POOP ** 1072 00:46:34,969 --> 00:46:35,933 HA HA HA! 1073 00:46:35,968 --> 00:46:39,667 * WE'LL FLY BY DAY * 1074 00:46:39,702 --> 00:46:41,400 ACTION. 1075 00:46:43,133 --> 00:46:44,067 HEY. 1076 00:46:46,133 --> 00:46:48,300 YO, YOU, KNUCKLEHEAD. 1077 00:46:48,335 --> 00:46:49,300 TURN AROUND. 1078 00:46:49,335 --> 00:46:50,265 READY? 1079 00:46:50,300 --> 00:46:51,467 YEAH, READY. 1080 00:46:51,502 --> 00:46:52,851 QUIET, PLEASE! 1081 00:46:52,886 --> 00:46:54,200 KEEP ROLLING. 1082 00:46:54,235 --> 00:46:55,901 ACTION. 1083 00:46:55,936 --> 00:46:57,532 HEY. 1084 00:46:57,567 --> 00:46:58,933 I OWE YOU. 1085 00:46:58,968 --> 00:47:00,567 YEAH, WELL, NEXT TIME, 1086 00:47:00,602 --> 00:47:02,132 NEXT TIME I HAVE, UH, 1087 00:47:02,167 --> 00:47:04,499 SOMEBODY I USED TO SLEEP WITH, 1088 00:47:04,534 --> 00:47:06,968 I'M GONNA TELL THEM TO HAVE YOU GIVE THEM THE ONCE-OVER. 1089 00:47:07,003 --> 00:47:10,334 BY THE GIRL- THE OLD LADY, TOO. 1090 00:47:10,369 --> 00:47:12,367 HA HA HA! 1091 00:47:14,000 --> 00:47:15,868 * MOONLIGHTING STRA- * 1092 00:47:15,903 --> 00:47:16,833 ACTION! 1093 00:47:16,868 --> 00:47:18,901 LET'S JUST TAKE THE $20,000- 1094 00:47:18,936 --> 00:47:20,934 LET'S JUST TAKE THE $20,000, 1095 00:47:20,969 --> 00:47:22,234 GET ON A PLANE- 1096 00:47:22,269 --> 00:47:23,632 AND WHAT? 1097 00:47:23,667 --> 00:47:24,833 AND GET DOWN WITH THAT FUNKY- 1098 00:47:24,868 --> 00:47:27,133 DAVID, I WANT TO ASK YOU A QUESTION. 1099 00:47:27,168 --> 00:47:28,951 PLEASE BE HONEST. 1100 00:47:28,986 --> 00:47:30,734 NO EVASIVENESS, OK? 1101 00:47:34,200 --> 00:47:35,567 WHAT HAPPENED TO YOUR HAIR? 1102 00:47:39,367 --> 00:47:42,833 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 1103 00:47:42,868 --> 00:47:45,801 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org- 1104 00:47:45,851 --> 00:47:50,401 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 75759

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