All language subtitles for Moonlighting s03e03 Symphony in Knocked Flat.eng

HI, I'M MADDIE HAYES.

AND I'M
DAVID ADDISON.

IT'S BEEN A GREAT SEASON
SO FAR, HASN'T IT?

YOU BETCHA.
I'M GETTING FAMOUS.

FAMOUS? WHAT DO
YOU MEAN, FAMOUS?

I MEAN FAMOUS. I'M
GONNA MAKE A VIDEO.

A VIDEO? YOU'RE GONNA
MAKE A VIDEO?

WHAT KIND OF VIDEO?

WELL, YOU'VE SEEN
THESE HOW-TO VIDEOS?

HOW TO EXERCISE,
HOW TO PUT ON MAKE-UP.

I'M GONNA DO
A FUNK VIDEO.

A FUNK VIDEO?

A FUNK VIDEO.

WHAT THE HELL IS
A FUNK VIDEO?

IT'S CALLED
HOW TO BE FUNKY.

GONNA TEACH YOU
HOW TO GET DOWN,

HOW TO STAY DOWN,
HOW TO ROLL AROUND...

HOW ARE YOU
GOING TO DO THAT?

WATCH.

* THAT'S RIGHT *

* THAT'S RIGHT *

* PEOPLE *

* LET ME TELL YOU
'BOUT A PLACE I KNOW *

* TO GET IN
IT DON'T TAKE MUCH DOUGH *

* WHERE YOU CAN REALLY
DO YOUR THI-I-ING *

* OH, YEAH *

* IT'S GOT
A NEON SIGN OUTSIDE *

* THAT SAYS, COME IN
AND TAKE A LOOK AT YOUR MIND *

* YOU'LL BE SURPRISED
WHAT YOU MIGHT FIND, YEAH *

* STROBE LIGHTS FLASHING
FROM SUNUP TO SUNDOWN *

* PEOPLE GATHER THERE
FROM ALL PARTS OF TOWN *

* OH, YEAH *

* RIGHT AROUND THE CORNER *

* YOU KNOW IT'S
JUST ACROSS THE TRACK *

* PEOPLE, I'M
TALKING ABOUT *

* THE PSYCHEDELIC SHACK *

* NOW GET DOWN *

* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *

* GET ON BACK *

* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *

* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *

* OH, YEAH *
* YEAH *

SO WHAT DO
YOU THINK?

THINK? I DON'T KNOW.

IT'S THE TEMPTATIONS
DANCING AND SINGING.

THEY'RE GREAT.
BUT WHAT DOES THAT PROVE?

TRY IT.

TRY IT?

TRY IT.

TRY IT.

Temptations:
* PSYCHEDELIC SHACK, THAT'S WHERE IT'S AT *

* PSYCHEDELIC SHACK,
THAT'S WHERE IT'S AT *

* PEOPLE *

* LET ME TELL YOU
'BOUT A PLACE I KNOW *

* TO GET IN
IT DON'T TAKE MUCH DOUGH *

* WHERE YOU CAN REALLY
DO YOUR THI-I-ING *

* OH, YEAH *

* IT'S GOT
A NEON SIGN OUTSIDE *

* THAT SAYS, COME IN
AND TAKE A LOOK AT YOUR MIND *

* YOU'LL BE SURPRISED
WHAT YOU MIGHT FI- *

SO...WHERE DO I GET
THIS VIDEO?

* SOME WALK BY NIGHT *

* SOME FLY BY DAY *

* NOTHING
COULD CHANGE YOU *

* SET AND SURE
OF THE WAY *

* THERE IS
THE SUN AND THE MOON *

* THEY SING
THEIR OWN SWEET TUNE *

* WATCH THEM
WHEN DAWN IS DUE *

* SHARING ONE SPACE *

* WE'LL WALK
BY NIGHT, BABE *

* WE'LL FLY BY DAY *

* MOONLIGHTING STRANGERS *

* WHO JUST MET
ON THE WAY *

CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT

PLEASE CHECK YOUR
TICKETS CAREFULLY BEFORE LEAVING.

NO EXCHANGES AFTER
LEAVING THE WINDOW.

NO.

I'M SORRY.

THESE ARE NOT
WHAT I ASKED FOR.

SIR, THOSE ARE
PRECISELY WHAT YOU ASKED FOR-

FRONT ROW, BALCONY.

ONE FRONT ROW, BALCONY.

RIGHT HERE.

AND THE OTHER,

RIGHT OVER HERE.

BUT THEN
THE SEATS WOULDN'T BE TOGETHER.

PRECISELY.

$60.

Subtitles downloaded from www.OpenSubtitles.org

SIR, YOUR RECEIPT...

MORNING,
MISS DIPESTO.

MORNING, MISS HAYES.

COME IN.

GOOD MORNING
AGAIN, MISS...

OOH!

OOH?

YEAH, OOH!

WHY?

LET ME ASK YOU WHY.

WHY ARE YOU ACTING
LIKE YOU'VE NEVER SEEN THESE ROSES BEFORE?

YOU BROUGHT THEM
IN HERE, DIDN'T YOU?

DID I?
AND EVERYONE SAW YOU DO IT,

WHICH IS WHY THEY
WERE ALL WATCHING ME

WALK IN HERE,
WEREN'T THEY?

THEY WERE?
IN FACT,

I'M SURPRISED YOU
DIDN'T STEAM OPEN THE ENVELOPE.

YOU ARE?

YES, I AM.

THEY DID. YOU WERE,

SO WHY DON'T YOU
JUST COME OUT AND ASK ME.

ASK YOU WHAT?
WHO SENT THEM.

WHO SENT THEM?
WHO SENT THEM.

OK. WHO SENT THEM?

YOU KNOW WHAT?

IT'S NONE
OF MY BUSINESS.

IT'S NONE
OF ANYBODY'S BUSINESS.

I'M GOING TO GO NOW.

I DON'T KNOW WHAT
THOSE PEOPLE ARE DOING OUT THERE.

GO.

HERE WE GO.

OK, SIMMONS HAS GOT HIM
PEGGED FOR A ROGER, 39, ORTHODONTIST,

AND YES, SHE WILL GO OUT
WITH HIM AGAIN.

GOOD CALL, SIMMONS.

McMANN HERE SAYS HE'S
AN OSCAR-ECCH-35-

AND OH, I'M VERY
SORRY, McMANN,

CONTORTIONIST IS
NOT AN OCCUPATION.

MY BOY ESTERHAUS PICKS

THE RAIDERS
ON A GANG DATE.

OH, AND HERE'S
OUR SECRET SOURCE RIGHT NOW.

WHAT'S THE VERDICT?

SHE'S NOT TALKING.
NOT TALKING?

SHE THREW THE FLOWERS
INTO THE TRASH AND ISN'T SAYING A WORD.

Maddie:
OH, YES, SHE IS.

MR. ADDISON...

OH, I'M VERY
SORRY, LADIES AND GENTLEMEN,

BUT I'VE JUST
RECEIVED WORD FROM OUR PANEL OF JUDGES

THAT SOME CONTROVERSY
HAS ARISEN OVER OUR BIG BONUS QUESTION.

WOULD YOU KINDLY EXCUSE
MISS HAYES AND I

WHILE YOUR HOST
FINDS A SOLUTION TO OUR TIE-BREAKER,

WHAT DID SHE DO
TO EARN THOSE FLOWERS?

PARDON ME.

SINCE WHEN DID
MY PRIVATE LIFE OUTSIDE THE OFFICE

BECOME FAIR GAME
FOR YOUR AMUSEMENT INSIDE THE OFFICE?

IF I REMEMBER CORRECTLY,
SINCE YOU STARTED WORKING HERE.

AND SINCE SOMEONE
STARTED SENDING YOU ROSES.

WHICH, I'M TOLD, ADD
A CERTAIN DECORATIVE TOUCH TO YOUR TRASH CAN.

WHAT'S THE MATTER?
YOU A CARNATION PERSON?

I DON'T HAVE
TO DISCUSS THIS.

NOW, WHO WOULD
SEND YOU ROSES?

IT'S NOT
YOUR BIRTHDAY. NO, IT'S NOT.

AND YOU ALREADY
POKED YOUR HEAD OUT OF YOUR HOLE

AND SAW YOUR SHADOW
THIS YEAR.

THIS TOPIC IS NOT OPEN
FOR DISCUSSION!

AND YOU SURE DON'T
LOOK DEAD.

YOU WANNA
KNOW ABOUT IT?

YOU REALLY WANNA
KNOW ABOUT IT?

WELL, I DO HAVE
THIS WHOLE BACKLOG OF WORK HERE,

BUT SURE, I'LL CLEAR
6 OR 8 HOURS FOR YOU.

LAST NIGHT,
I WENT ON A DATE.

GET THE HELL
OUT OF HERE.

FINE. MAKE JOKES.
IT IS FUNNY.

IT'S HYSTERICAL,
IF YOU WANT TO KNOW THE TRUTH.

IT'S ALWAYS THE SAME.
SOME GUY PICKS YOU UP.

P.H. LAWYER, M.B.A.,
MR. SUCCESS.

HE SHOWS UP.

YOU'RE SUPPOSED TO BE
THRILLED AND READY WHEN HE GETS THERE.

THEN MR. WONDERDATE
ANNOUNCED THE PLAN FOR THE EVENING.

LET'S SEE WHAT HAPPENS.

SO YOU SPEND ALL EVENING
DRIVING AROUND TRYING TO FIND A RESTAURANT

THAT DOESN'T HAVE
AN HOUR WAIT,

AND YOU END UP
AT SOME DUMP

WITH LINOLEUM TABLES
AND THE MENU ON THE PLACEMAT.

AND THEN-THEN!
THE BIG EVENT.

YOU GO TO HIS PLACE

AND WATCH THE LAST
3 INNINGS OF SOME SILLY GAME

WHILE HE WORKS UP
THE NERVE

TO TRY TO ASK YOU IF
YOU'RE GOING TO STAY.

WHICH YOU ARE NOT,

AND WHICH YOU DECIDED
WHEN HE SAID, "LET'S SEE WHAT HAPPENS."

IT'S TOUGH BEING
BLONDE AND BEAUTIFUL IN TODAY'S AMERICA.

I KNOW.
I SOUND SILLY.

I SOUND RIDICULOUS, BUT
I CAN'T HELP MYSELF.

IT'S JUST
THE WAY I FEEL.

WHATEVER HAPPENED
TO PLANNING AN EVENING,

SHOWING UP ON TIME,

MAKING YOU THINK
HE THINKS

YOU'RE SOMEONE SPECIAL
ENOUGH TO MAKE AN EFFORT FOR?

I DON'T KNOW WHAT
COMES INTO ME.

EVERY SIX
OR SEVEN WEEKS,

I GET MY HOPES UP,
TAKE A CHANCE AND GO OUT.

I GO THROUGH
EXACTLY THE SAME THING ALL OVER AGAIN.

GIVE THE GUY A BREAK.
AT LEAST HE SENT YOU FLOWERS.

COME ON.

ANYONE CAN
PICK UP A PHONE

OR HAVE
HIS SECRETARY PICK UP A PHONE

AND ORDER FLOWERS.

DOES ANYONE EVER
MAKE THE EFFORT-

THE EFFORT-TO GO
TO THE FLOWER SHOP,

PICK THEM OUT,
AND BRING THEM OVER HIMSELF?

HA!

HA? I DO THAT.

YOU WHAT?

I'VE BEEN KNOW
TO DELIVER MY OWN FLORA,

AND, ON OCCASION,
MY OWN FAUNA.

I PLAN MY EVENINGS.

I EVEN WAIT
TILL THE SECOND DATE

BEFORE I SUGGEST
A 7th INNING STRETCH.

WHAT ARE YOU SAYING?
I'M SAYING I KNOW

EXACTLY WHAT YOU'RE
TALKING ABOUT.

YOU WANT A LITTLE EFFORT,
A LITTLE ELBOW GREASE,

A GOOD NIGHT'S WORK
PLUS OVERTIME

BEFORE ANYBODY SHOULD
EXPECT A PAYOFF. A PAYOFF?

JUST EXTENDING
THE METAPHOR.

EXTEND IT
SOMEWHERE ELSE.

AND ANYWAY,
IF ANY OF THAT

WERE REMOTELY
SIMILAR TO WHAT I WAS SAYING,

YOU ARE HARDLY
THE PERSON I'D TURN TO

IN HOPES
OF IMPROVING THE SITUATION.

YEAH, WELL, YOU'RE
HARDLY THE SITUATION

I WOULD EXPEND ENERGY
TO IMPROVE,

BUT JUST FOR THE SAKE
OF ARGUMENT,

WHAT KIND OF NIGHT
WERE YOU TALKING ABOUT?

OK.
JUST FOR THE SAKE OF ARGUMENT?

I WAS THINKING OF
SOMEPLACE SPECIAL-

SOMEPLACE I COULD
WEAR A GOWN.

YOU COULD-
HUH?

HE COULD WEAR
A TUXEDO.

THE BALLET,
THE SYMPHONY...

THE BALLET?
THE SYMPHONY?

WHAT? THAT'S
NOT WHAT YOU HAD IN MIND?

NO, I JUST THOUGHT
SOMETHING A LITTLE MORE FUN

MIGHT BE IN ORDER,

LIKE BOILERMAKERS, PRETZELS,
DANCING TRANSVESTITES.

DAVID, I'M NOT
JUST TALKING ABOUT HAVING FUN.

YOU'RE TELLING ME.
UHH! YOU'RE ALL ALIKE.

YOU KNOW, IT MIGHT JUST
BE THAT THE PROBLEM ISN'T THE GUYS,

OR THE DATES,
OR THE PLANS.

MAYBE THE PROBLEM
IS YOU, SISTER.

ME?
YOU.

MAYBE YOU'RE JUST UPSET

BECAUSE YOU DON'T KNOW
HOW TO HAVE ANY FUN.

I WHAT?

EVERYDAY PLAIN-WRAP
GENERIC FUN.

YOU DON'T KNOW
HOW TO DO IT.

WHY? BECAUSE MY IDEA
OF A FINE EVENING

DOESN'T MEAN HAVING
LARGE DOSES OF PENICILLIN ON HAND?

A WHAT?
A FINE EVENING.

IS THAT TOO MUCH
TO ASK FOR?

NO. DONE.

DONE? WHAT DO
YOU MEAN, DONE?

I'LL MAKE
A DEAL WITH YOU. I'LL TRADE YOU.

I'LL SHOW YOU
A FINE EVENING,

YOU SHOW ME
A FUN EVENING.

YOU SHOW ME
HOW MADDIE HAYES GETS DOWN

AND I'LL SHOW YOU
THE SOPHISTICATION

BENEATH THE
RUGGED EXTERIOR.

THE WHAT
BENEATH THE WHAT?

I'M SERIOUS.
TIT FOR TAT.

TAT FOR TIT.

YOU'RE SERIOUS.

I'LL EVEN GO FIRST,
SAY TONIGHTISH,

EIGHTISH, I'LL
PICK YOU UPISH?

I DON'T THINK SO.

WHAT'S THE MATTER?
AFRAID YOU CAN'T PULL IT OFF?

I CAN PULL IT OFF.
CAN YOU?

IN MY SLEEP.
OR AT THE VERY LEAST, ON MY BACK.

THE KIND OF EVENING
I DESCRIBED?

IN EXCHANGE
FOR AN EVENING LIKE I DESCRIBED.

AND WE'LL SEE WHO'S
MORE COMFORTABLE IN WHOSE BACK YARD.

FINE.

FUN.

HI. I NEED 2 TICKETS
FOR TONIGHT, BEST YOU GOT,

PREFERABLY
BETWEEN THE BASES.

TONIGHT'S PERFORMANCE
IS SOLD OUT.

NO, YOU SEE,
I'VE ALREADY HEARD "SOLD OUT"

AT 15 OTHER PLACES.

WHY DON'T WE TRY
SOMETHING A LITTLE MORE ORIGINAL?

SORRY.
TONIGHT IS SOLD OUT.

WHO COMES
TO SEE THIS STUFF?

ARE WE TALKING ABOUT
THE SAME THING?

A BUNCH OF OLD GUYS

SITTING AROUND
PLAYING BORING INSTRUMENTS,

YOU NEVER KNOW
WHEN TO APPLAUD?

WELL, WE DO HAVE
A FEW SEATS AVAILABLE

NEAR THE END
OF THE MONTH.

NO, NO, NO.
YOU DON'T UNDERSTAND.

I NEED 2 TICKETS
FOR TONIGHT,

AND I'VE ALREADY TRIED
EVERYTHING ELSE IN TOWN

YOU CAN WEAR A TUX TO
SHORT OF CRASHING A PROM.

I'M RUNNING OUT
OF TIME, PAL.

SORRY, SIR.

I CAN'T HELP YOU.

HOW ABOUT THIS? I SHOW
UP WITH MY DATE AT 8:30,

YOU SAY, "BOY,
IS MY FACE RED.

I GAVE YOUR TICKETS
TO SOMEBODY ELSE NAMED DAVID ADDISON."

YOU APOLOGIZE PROFUSELY,

YOU GET US A COUPLE
FOLDING SEATS ON THE AISLE,

COMPLIMENTARY CHAMPAGNE,

CAN THINK OF A WORSE WAY
TO MAKE $100.

SORRY, SIR.

I CAN'T HELP YOU!

HELLO, MADDIE?

CAN YOU HEAR ME?

I'M SORRY. YOU KNOW
HOW NOISY THESE EMERGENCY ROOMS ARE.

WHAT'S THAT?

NO. NO, I'M OK.

JUST STILL A LITTLE GROGGY
FROM THE DRUGS.

UH, NO, I DON'T KNOW
WHAT HAPPENED.

I'D JUST PICKED UP
THE TICKETS.

AND I WAS ON MY WAY
TO THE CAR,

AND I-I GUESS
I DIDN'T SEE THE STEP.

MADDIE, GREAT NEWS!

THE X-RAYS ARE BACK.
IT'S A MINOR SPRAIN!

I'LL SEE YOU AT 8:00.

OH.

HI.

HI.

DON'T THROW IT IN THE TRASH
TILL AFTER I'VE LEFT.

THANK YOU.

HAVE WE MET?

WE HAVE, BUT DON'T
LET THAT INFLUENCE YOU.

WELL.

WELL.

LIMO'S WAITING.

I'LL GET MY WRAP.

DID YOU SAY LIMO?

NOT BAD, HUH?

TARA ON WHEELS.

COUPLE FEET LONGER,
WE'D BE TALKING STATEHOOD.

GOT A TV, BAR,
9- HOLE GOLF COURSE IN THE TRUNK.

EVEN GOT A BATHTUB
IF WE'RE FEELING DIRTY LATER ON.

I HAVE TO SAY,
THIS IS...

KIND OF CLASSY?

KIND OF ORGANIZED?

KIND OF MAKES YOU
WONDER WHY YOU EVER DOUBTED ME BEFORE?

THE NIGHT IS YOUNG.

WHICH REMINDS ME.

WOULD YOU CARE
FOR SOME BUBBLY?

CHAMPAGNE?

ARE WE HAVING FINE YET?

OH, DAVID,
THIS IS PERFECT!

THE LIMOUSINE,
THE SYMPHONY,

I LOVE BEETHOVEN.

YEAH, I HEAR HE PUTS ON
A PRETTY GOOD SHOW.

UH, THIS WAY,
PLEASE.

DOES HE EVER BITE THE HEADS
OFF ANY SMALL ANIMALS?

HERE YOU ARE,
MADAM.

OH, DAVID! BOX SEATS!

TOOK A LITTLE EXTRA
PLANNING, BUT I FIGURED YOU WERE WORTH IT.

OK, GRAMPS,
BACK TO THE NOSEBLEEDS.

SIR, IF YOU'LL
FOLLOW ME, PLEASE.

FOLLOW YOU WHERE?

TO YOUR SEAT.

THIS IS MY SEAT,
AND SOMEONE IS SITTING IN IT.

NO, SIR. YOUR SEAT'S
SOMEWHERE ELSE.

WHERE?

BUT YOU DON'T
UNDERSTAND.

THAT WOMAN IS NOT WELL.
SHE HAS 3 DAYS TO LIVE.

THE ONLY THING
SHE ASKED FOR

WAS ONE MORE NIGHT
AT THE SYMPHONY.

AND NOW YOU'RE GONNA MAKE
HER SPEND THAT NIGHT ALONE,

SEPARATED FROM HER
BIG BROTHER,

THE ONE PERSON SHE CHERISHES
MORE THAN LIFE ITSELF?

HER MIND'S
NOT WHAT IT WAS.

SEAT 9-A.
IT'S THE ONLY EMPTY ONE.

KEEP UP THE BAD WORK.

EXCUSE ME.
PARDON ME, PLEASE.

NICE HAT.
EXCUSE ME.

HE SAYS
HE'S SORRY.

THANK YOU.

HE SHOULD BE!

Maddie.

MADDIE.

MADDIE!

SHH!

PIPE DOWN, LADY.

MADDIE, LOOK AT ME.

MADDIE, I AM REALLY,
REALLY SORR-

AAH!
AAH! AAH!

I'M SORRY.
IF YOU DON'T HAVE TICKETS-

IT'S NOT THAT WE
DON'T HAVE TICKETS.

OUR TICKETS WERE STOLEN.

IT SHOULD BE
VERY EASY TO CHECK.

ONE IS A FRONT ROW
BOX SEAT.

THE OTHER ONE IS-

I'M SORRY, MA'AM.

I CAN'T HELP YOU,
AND THAT IS FINAL!

LET GO OF MY ARM. I
CAN FIND MY WAY OUT.

SEE THAT YOU DO
IMMEDIATELY. MADDIE-

DON'T SPEAK
TO ME AGAIN IN THIS LIFETIME!

MADDIE!

WE COULD GO NEXT DOOR,
SNEAK INTO THE SECOND ACT OF THE BALLET.

GUESS YOU HAD ENOUGH CULTURE
FOR ONE EVENING, HUH?

MISS HAYES, HOW WAS
THE EVENING?

UNFORGETTABLE.

I'D KNOW THAT SLAM
ANYWHERE.

MR. ADDISON,
I DIDN'T KNOW YOU WERE HERE.

THE IMPORTANT THING
IS, DOES SHE?

I DON'T
THINK SO.

SO FAR, SO GOOD.

I GUESS I'LL JUST
MOSEY ON IN,

STICK THE OLD CABEZA IN,
AND SAY GOOD MORNING.

YO, MADDIE!

GOT ANY RAW MEAT?

ADDISON.

YOU CALLED?

DID I CALL?

YES, I CALLED.

I CALLED YOU EVERY NAME
IN EVERY LANGUAGE I COULD THINK OF

AND A FEW I COULDN'T.

AND I'LL BE CALLING YOU
AN AMBULANCE

IF YOU DON'T GET OUT OF
MY OFFICE THIS SECOND.

IS THIS ABOUT LAST NIGHT?

OUT. OUT!

MADDIE, LOOK, LOOK-
ALL RIGHT, IT WAS MY FAULT!

MEA CULPA, ALL RIGHT?
ROBERT CULPA.

MADDIE, LISTEN TO ME.

I...AM...SORRY.

HONEST INJUN.

I WAS THINKIN' ABOUT IT
ALL LAST NIGHT.

I WAS AWAKE,
LYING IN BED.

I JUST WANT YOU TO KNOW,
I UNDERSTAND.

I KNOW HOW YOU FEEL.

DAVID, LISTEN TO ME.

NO, YOU DON'T.

I HAVE NEVER, NEVER,
NEVER IN MY ENTIRE LIFE FELT SO FOOLISH,

SO HUMILIATED,
SO MORTIFIED, AS I DID LAST NIGHT.

I WAS HELD UP TO
PUBLIC RIDICULE.

MADE A LAUGHINGSTOCK.

AND YOU WANNA KNOW
THE WORST PART OF IT?

WHAT?
I HAVE ONLY MYSELF TO BLAME.

I KNEW IT
WOULD HAPPEN.

I SAW
THE SMOKE SIGNALS,

HEARD THE DRUMS,

BUT I CHARGED AHEAD
ANYWAY.

WELL, I LEARNED
MY LESSON, DIDN'T I?

IF YOU WANT TO HOLD
ONTO YOUR HAIR,

YOU DON'T SPEND
THE EVENING WITH SITTING BULL!

RIGHT.

SO, WHAT'S COOKING
FOR TONIGHT?

TONIGHT?
YEAH, TONIGHT.

TONIGHT'S
THE FUN EVENING.

I FIGURE WE GO BY MY PLACE,
SHOOT A COUPLE BEERS IN,

GO HEAR THE DRY HEAVES
DOWN AT THE ZERO CLUB.

YOU ACTUALLY
EXPECT ME TO GO OUT WITH YOU AGAIN?

AFTER HAVING HAD THE
WORST TIME 2 PEOPLE CAN HAVE TOGETHER

SHORT OF A BONE
MARROW TRANSPLANT?

WHAT ARE YOU SAYING?
YOU SAYING WE'RE NOT GOING OUT TONIGHT?

YES, DEFINITELY.

THAT IS EXACTLY
WHAT I'M SAYING.

PARDON MY DISAPPOINTMENT,
BUT I SEEM TO REMEMBER WE HAD A DEAL.

A FUN EVENING
FOR A FINE EVENING.

AND I DID MY PART.
I SHOWED YOU THAT FINE EVENING.

YOU CALL THAT
A FINE EVENING?

BUT NOW YOU'RE SAYING
THAT JUST BECAUSE OF A SIMPLE TWIST OF FATE,

A FLUKE
OF HAPPENSTANCE,

ALL BETS ARE OFF?
ALL DEALS ARE NULL AND VOID?

AND THAT YOU DON'T HAVE
TO KEEP YOUR WORD

EVEN AFTER I WENT
TO ALL THE TROUBLE I DID

WITHOUT GETTING
AS MUCH AS A QUICK FEEL AT THE DOOR?

A QUICK WHAT?

EXCUSE ME.
WHAT?

THE FBI's HERE
TO SEE YOU.

THE FBI?

DID THEY
SAY WHY?

JUST THAT IT'S
"OF THE UTMOST URGENCY

AND OF VITAL
NATIONAL IMPORTANCE."

CAN'T IT WAIT UNTIL WE'RE
DONE ARGUING, MISS DIPESTO?

SHOW THEM IN.

G- MAN AND G-WOMAN.
PROBABLY GOT A DOG NAMED G-SPOT.

MISS HAYES, MR. ADDISON,
MY NAME IS DAYTON.

AGENT GREGORY.

YOU ATTENDED THE SYMPHONY
LAST EVENING, CORRECT?

FOR ABOUT
5 MINUTES, YES.

DID ANYTHING
UNUSUAL HAPPEN?

NO, LAST NIGHT WAS
PAR FOR THE COURSE.

WE'LL COME
RIGHT TO THE POINT.

ONE OF OUR AGENTS
WAS SUPPOSED TO RECEIVE A DROP FROM AN INFORMANT

AT THE CONCERT HALL.

THERE WAS A SEATING MIXUP.

WE THINK YOU RECEIVED
THE INFORMATION BY MISTAKE.

ME? WHAT KIND
OF INFORMATION?

WE'RE NOT SURE.

A WORD, PIECE OF FILM.
IT COULD BE ANYTHING.

ONE THING WE DO
KNOW FOR SURE-

WE NEED TO GET THAT
INFORMATION IMMEDIATELY

IN ORDER TO STOP A MAJOR
INTERNATIONAL INCIDENT.

WELL, I'LL
CERTAINLY COOPERATE IN ANY WAY I CAN,

BUT NO ONE GAVE
ME ANYTHING OR SAID ANYTHING TO ME.

YOU'RE SURE?
SURE.

POSITIVE?
POSITIVE.

CROSS YOUR HEART
AND HOPE TO DIE?

EXCUSE ME.
WHAT?

COULD I TALK TO THE TWO
OF YOU FOR A MINUTE?

IT'S KIND OF IMPORTANT.

YOU UNDERSTAND.

A MATTER OF PRIORITIES.

PROBABLY RAN OUT
OF STAPLES.

The FBI is here
to see you.

DID YOU SCREW
YOUR CURLERS IN

A LITTLE TOO TIGHT,
AGNES?

NO, REALLY.

There's another team
in your office.

TEAM?

ANOTHER G-WOMAN,
ANOTHER G-MAN?

GEE-WILLIKERS.

UHH...

OFFICER DEJA?
AGENT VU?

HAVEN'T WE MET
SOMEWHERE BEFORE?

I DON'T THINK SO.
MY NAME IS GIBSON.

AGENT BELLO.

YOU BOTH WERE AT THE SYMPHONY
LAST NIGHT, CORRECT?

YES, FOR ABOUT
5 MINUTES.

DID ANYTHING OUT
OF THE ORDINARY HAPPEN?

NO, LAST NIGHT WAS
PAR FOR THE COURSE.

THE REASON WE'RE ASKING-
ONE OF OUR AGENTS WAS

SUPPOSED TO INTERCEPT
SOME INFORMATION

FROM AN INFORMANT
WHO WAS SITTING

IN THE SEAT
NEXT TO YOURS.

BUT THERE WAS
A TICKET MIXUP.

WE THINK YOU MAY HAVE
ACCIDENTALLY RECEIVED THE INFORMATION.

HER?
ME?

WHAT KIND
OF INFORMATION?

A WORD?
PIECE OF FILM, MAYBE?

WE DON'T KNOW.
COULD BE ANYTHING.

BUT ONE
THING'S CERTAIN-

IF WE DON'T GET
THE INFORMATION BEFORE TONIGHT,

WE MIGHT NOT
BE ABLE TO HALT

A MAJOR
INTERNATIONAL INCIDENT.

COULD YOU EXCUSE
US A MOMENT?

2 SETS OF PEOPLE.
FROM THE SAME BUREAU.

WITH THE SAME STORY.
LOOKIN' FOR THE SAME THING.

EITHER SOMEBODY'S LYING,
OR THE WRITER JUST XEROXED THE OTHER SCENE.

SO WHAT DO WE DO?
WHERE'S THE PURSE YOU HAD LAST NIGHT?

IT'S AT HOME.
NO PLACE LIKE IT. LET'S GO.

WHAT ARE YOU SAYING?
I'M SAYING, WE SEE IF THERE'S

ANYTHING ELSE IN YOUR PURSE
BESIDES PETRIFIED GUM AND A BRUSH FULL OF HAIR.

AND IF THERE IS,
WE DON'T TRUST

WHO'S BEHIND
DOOR NUMBER ONE OR DOOR NUMBER TWO.

WE TAKE IT
TO THE FBI OURSELVES.

BUT MISS HAYES,
MR. ADDISON, WHAT DO I TELL THEM?

YOUR LIFE STORY.

AND TAKE YOUR TIME.

COME ON.
IT'S IN MY BEDROOM.

MADDIE'S BEDROOM-
THE FINAL FRONTIER.

WHERE'S THE PURSE?

I DON'T KNOW.
I PUT IT IN ONE OF THESE DRAWERS.

I WAS SO MAD
WHEN I GOT HOME LAST NIGHT,

I DON'T REMEMBER
WHICH ONE.

I ALWAYS WANTED
TO GET INTO YOUR DRAWERS.

I GOTTA TELL YOU,
SO FAR, IT'S A REAL LETDOWN.

SPOKE TOO SOON.

DID YOU FIND IT?

FOR FUTURE REFERENCE,
I REALLY LIKE THIS.

FINE. YOU CAN
BORROW IT ANYTIME.

IS THIS TOO BUSY FOR
WHAT I'M WEARING?

THAT'S THE PURSE.

SPY ANYTHING
SUSPICIOUS?

HANDKERCHIEF,
COMPACT, MAKE-UP BRUSH,

PARKING STUB-

PARKING STUB?

PARKING STUB.
SO WHAT?

WE TOOK A LIMO.

AND AS I RECALL,
YOU WENT HOME IN THE LIMO.

WHY WOULD YOU
NEED A PARKING STUB?

I DON'T KNOW.

"MURRAY'S PARKING,
117 OLYMPIC BOULEVARD, LOS �NGELES, CALIFORNIA."

DAVID,
I'VE NEVER BEEN THERE.

COME ON.

COME ON WHERE?

MURRAY'S PARKING.

DAVID, WE ARE NOT GOING
TO MURRAY'S PARKING.

WE ARE GOING TO THE FBI.

$35.

$35?
2 DAYS.

PAY THE MAN, MADDIE.

PAY HIM?

HEY, CALL ME SELFISH,

BUT I'D LIKE TO WAKE UP
IN A DEMOCRACY TOMORROW MORNING.

YOU PAY HIM.

UH-UH. AS FAR
AS I'M CONCERNED,

WE'RE STARTING
MY FUN EVENING.

THIS IS OODLES
OF FUN FOR ME.

I'VE NEVER STOLEN
A CAR BEFORE.

COME ON, LET'S
BUZZ OUT OF HERE.

I'M SURE YOU'LL
LAUGH AT ME,

BUT WHEN WE GET
TO THE FBI,

LET'S TRY NOT TO TELL
THEM WE STOLE THIS, OK?

I'LL MAKE 'EM
BEAT IT OUT OF ME.

WHAT ARE YOU DOING?

I HATE TO SAY IT,
BUT THIS CAR IS CLEAN.

SO?
SO, THAT'S AWFUL.

WE HAVE NOTHING
TO BACK UP OUR STORY.

WHAT ARE WE GONNA
TELL THE FEDS?

"ARREST THIS CAR.
IT ADVOCATED

THE VIOLENT OVERTHROW
OF OUR GOVERNMENT"?

IT'S GOTTA BE SOMETHING.

ONLY WAY
I CAN SEE THIS CAR

INVOLVED IN
AN INTERNATIONAL INCIDENT

IS IF THERE WAS
A BOMB IN THE TRUNK OR SOMETHING.

COME ON, DAVID. RUN!

I'LL LEAVE YOU ALL
MY SAM COOKE RECORDS.

THAT'S WHY
THEY WANTED THIS CAR.

2 TICKETS
TO ARGENTINA AND THESE.

AT LEAST NOW WE KNOW
WHO THE BAD GUYS ARE.

WHAT DOES IT
ALL MEAN?

HOW'S THIS-

THE UNIFORMS TURN
THE PHONY FBI GUYS

INTO PHONY
MAINTENANCE MEN,

WHICH GETS THEM INTO
THE OLYMPIC AUDITORIUM.

OLYMPIC AUDITORIUM?

YEAH, ABOUT A BLOCK

FROM WHERE
WE FOUND THIS THING.

THE CAR GETS THEM
AWAY FROM HERE,

THE PLANE TICKETS
GET THEM OUT OF REACH.

DAVID, IT'S TIME
TO CALL THE FBI.

THE FBI?

WHY WORRY THEIR
LITTLE CREW-CUT HEADS ABOUT THIS?

WE CAN
HANDLE IT, KEMOSABE.

DAVID, BE SENSIBLE.

THERE ARE GUNS
IN THAT CASE.

SOMEONE IS GOING
TO BE KILLED.

UHH...

"F."

"F"...WAIT A MINUTE,
WAIT A MINUTE.

"FBI, FBI..."

"FCC, FDA, FDIC..."

HERE WE GO.
HERE WE GO.

FEDERAL BUREAU
OF INVESTIGATION.

THIS IS
AN EMERGENCY.

I'D LIKE
TO REPORT AN ASSASSINATION PLOT

WHICH IN A FEW HOURS
WILL CAUSE

AN INTERNATIONAL
INCIDENT.

IN THE FUTURE, YOU CAN
DIAL THAT NUMBER DIRECT.

THE EXTENSION IS 4603.
I'LL TRANSFER YOU.

YOU HAVE REACHED
THE COUNTERTERRORISM HOT LINE.

ALL OUR LINES
ARE BUSY RIGHT NOW.

PLEASE HOLD.

YOU CALL WILL BE TAKEN
BY THE NEXT AVAILABLE AGENT.

THIS MESSAGE
WILL NOT BE REPEATED.

MADDIE!

THEY'RE STEALING
OUR STOLEN CAR!

AAH!
AAH!

HAVING SOME FUN NOW,
AREN'T WE?

UH-HUH.

LET'S GO. THEY MUST'VE
ALREADY STARTED.

HOW ARE WE GONNA GET
IN? IT'S SOLD OUT.

HEY, BUD, WOULD
YOU LOOK AT THIS.

WHAT ARE THE ODDS-
YOU, ME, HERE?

PERSONALLY, I LIKE A GUY
WHO DOESN'T LIMIT HIMSELF TO THE FINER ARTS.

DO YOU KNOW HIM?
CASUALLY.

GOTTA TELL YOU,
IT'S NOT OFTEN I GET REPEAT BUSINESS.

YEAH, WELL, IT PAYS
TO HAVE BRANCH OFFICES ALL OVER TOWN. HOW MUCH?

40...APIECE.

YOU'LL LIKE THESE 2.
THEY'RE TOGETHER.

THIS IS YOUR EVENING.

WHY THE EXTRA SECURITY?

NASTY RUMORS ABOUT
THE RUSSIAN BOXER NOT BEING SAFE.

ANYTHING HAPPENS TO
THEIR BOXER, MIGHT CAUSE BAD RELATIONS.

MADDIE, THAT'S IT!
IF THE RUSSIAN BOXER-

THE MAJOR
INTERNATIONAL INCIDENT!

WHERE'S
THE RUSSIAN DRESSING?

IN THE KITCHEN.

GONNA TAKE MORE
THAN A PHRASE BOOK TO GET PAST THESE GUYS.

WE BETTER TRY
EXPLAINING THIS AT THE AMERICAN LOCKER ROOM.

RIGHT.

EXCUSE ME.

I'M DAVID ADDISON.

TONIGHT'S RING GIRL,
MADDIE HAYES.

HI.

LOOK, THIS IS GONNA
SOUND LIKE GIBBERISH, BUT YOU'VE GOTTA HELP US.

YOUR FIGHT HAS TURNED
INTO A LOT MORE THAN A LITTLE EXHIBITION.

INDUBITABLY.

THIS GUY'S TAKEN
A FEW TRILLION TOO MANY SHOTS TO THE HEAD.

WHAT'LL WE DO?

OK, CHAMP.

BOXING COMMISSION
WANTS A FINAL CHECK ON YOUR REFLEXES.

GOOD.

OK. WATCH OVER HERE.

HERE WE GO.

AND UNLESS
I MISS MY GUESS,

MY EXPECTATION IS
THE RUSSIAN PUGILIST WILL ATTACK TENACIOUSLY.

NO DOUBT
FROM THE OUTSET.

OF COURSE HE'LL
BE SEEKING

AN EARLY CONCLUSION
TO THE ENTERPRISE.

HOLD THAT THOUGHT.

GOOZ NIGHT.

KNOCKED SOME SENSE
INTO HIS HEAD.

HEY, SLUGGER, LET'S GO.

WHAT'S HE DOING?

TAKING A NAP.

HEY, RIP VAN WINKLE!

COME ON, MAN!
IT'S TIME TO RUMBLE, MAN!

BOOGALOO!

BOOGALOO!

BOOGALOO!

BOOGALOO!

BOOGALOO!

SO FAR, SO GOOD.

DAVID.

HE DON'T LOOK
THAT BIG.

HE'S SITTING DOWN.

I'VE WORKED
IN HIGH-RISES SMALLER THAN THAT.

DAVID, YOU DON'T
HAVE TO FIGHT HIM.

YOU JUST HAVE
TO TALK TO HIM.

YOU JUST HAVE
TO WARN HIM.

HE'LL NEVER BE
ABLE TO HEAR ME UP THERE.

I'LL HAVE
TO CLIMB UP TO HIS EAR.

LADIES AND GENTLEMEN,

DON KING!

MR. DON KING
IS DOING HIS PART

TO BRING PEACE TO
THE WORLD THROUGH FIGHTS!

NOW LET'S GET IT ON.

IT'S TIME TO MEET
OUR FIGHTERS.

IN THE RED CORNER,

STANDING 6'7",

WEIGHING 270 POUNDS,

WEARING THE RED
AND GOLD TRUNKS,

REPRESENTING
THE SOVIET UNI�N,

WITH 110 WINS, NO LOSSES,

109 BY KNOCKOUT...

ILLYA IVANOVITCH GABINOV!

AND IN THE BLUE CORNER,

STANDING 6'3",

WEIGHING 220 POUNDS,

WITH THE RED,
WHITE, AND BLUE TRUNKS,

REPRESENTING UNITED
STATES OF AMERICA...

MUHAMMED "BOOGALOO" BROWN!

YOU KNOW THE RULES.

3- ROUND EXHIBITION.

LET'S HAVE
A CLEAN FIGHT.

SHAKE HANDS
AND LET'S GET TO IT.

LET'S SAVE IT
FOR THE MATCH!

BOOGALOO!
BOOGALOO!

BOOGALOO!

MADDIE,
I CAN'T FIGHT THAT GUY.

DAVID, JUST TELL HIM
WHAT'S HAPPENING

AND GET HIM
OUT OF THERE.

WHAT'S HAPPENING?

LET ME GO TALK
TO THE BROTHER.

HEY,
WHAT'S GOING ON?

WHO IS THIS GUY,
ANYWAY?

HEY, HOME, YOU
LOOK A BIT PALE.

WHAT'S
HAPPENING, MAN?

I GOT A HOLD
OF SOME BAD ROAST BEEF.

DON'T LOOK
LIKE NO BOOGALOO TO ME.

COME ON,
DO IT, BOOGALOO!

GET IT, BABY,
GET IT!

3...

4...

5...

6...

7...

DIDN'T YOU EVER
HEAR OF FIRING A WARNING SHOT?

LOOK, YOU DON'T
UNDERSTAND.

I'M YOUR FRIEND.
COMRADES.

TALK TO HIM, DAVID!

HE SEEMS TO BE
A LITTLE TIED UP AT THE MOMENT!

MR. KING, PLEASE!
GABINOV'S GOING TO BE KILLED.

I ADMIRE
YOUR COURAGE AND CONFIDENCE,

BUT YOUR BOY HAS
TO HIT HIM FIRST.

COME ON.
BREAK IT UP.

OK, BIG BOY,
LISTEN UP.

THERE'S SOMEONE
IN THIS ARENA

THAT IS AIMING
AT GUN AT US RIGHT NOW.

THEY'RE TRYING
TO KILL YOU.

SO WHAT WE GOT
TO DO-WE GOT TO HAVE A PLAN.

WE GOT TO GET YOU
OUT OF HERE.

SO WHAT I'LL DO IS,
I'LL KNOCK YOU OUT,

AND THEN WE GET
BACK TO THE-UHH- DRESSING ROOM,

EXPLAIN EVERYTHING
TO THE PRESS LATER.

HOW'S THAT SOUND?

THANKS FOR THE LIFT.

DID YOU TALK TO HIM?
DID YOU TELL HIM?

IT'S COOL, MADDIE.
WE'RE IN SYNC.

ALL I GOTTA DO IS
KNOCK HIM OUT.

THANK GOODNESS.

GIVE ME SOME WATER.

MMMMM.

MMMMM.

MMMMM.

WHAT'S GOING ON?

I DON'T THINK
HE LIKES THE PLAN.

THEN HIT HIM!

MADDIE, GET A PICTURE
OF THIS, WILL YOU?

THERE ARE FOUR Os
IN BOOGALOO.

OH!

OH!

OH!

OH!

OH!

OH!

OH!

OH!

ROUND 3.

DAVID.

DAVID,
ARE YOU ALL RIGHT?

DAVID. SAY
SOMETHING. DAVID.

WHAT ROUND IS IT?
WHAT'S MY NAME? SAY SOMETHING!

OW.

OH.

DAVID, I THOUGHT
YOU HAD A PLAN.

I THOUGHT YOU'D
TALKED TO HIM.

HE MUST NOT BE ABLE
TO SPEAK ENGLISH.

AND IF I GO BACK
OUT THERE,

I AIN'T GONNA BE ABLE
TO SPEAK ANY ENGLISH.

THIS IS
THE LAST ROUND.

THINGS DON'T
LOOK TOO GOOD FOR THE U.S.A.

WHAT ARE WE
GOING TO DO?

I GOT A NEW PLAN.

WHAT?
WHAT NEW PLAN?

RUN.
RUN?

FOR HIS SAKE.

HARDER TO HIT
A MOVING TARGET.

DAVID, HOW CAN
YOU SAY THAT?

HOW CAN YOU EVEN
THINK THAT?

I DIDN'T BRING
MY BIKE.

DAVID,
DON'T YOU SEE?

THIS IS MORE
THAN JUST A FIGHT.

THIS IS MUCH BIGGER
THAN JUST SAVING HIS LIFE.

IF WE FAIL
HERE TODAY,

THE WHOLE
AMERICAN WAY COULD FAIL.

THE VERY WAY
OF LIFE THAT MADE THIS COUNTRY

THE GREATEST COUNTRY
IN THE WORLD.

DID JOHN PAUL JONES
SAY, "GIVE UP THE SHIP"?

DID DOUGLAS
MacARTHUR SAY,

"I WON'T
GO HOME AGAIN"?

IN FACT,
DON'T YOU SEE?

THIS IS THE KIND
OF CHALLENGE

THAT REAL AMERICANS
LOVE MOST-

THE KIND
THAT FORCES YOU

TO DIG DEEP
DOWN INSIDE

TO FIND OUT WHAT
YOU'RE REALLY MADE OF.

AND I KNOW YOU,
DAVID ADDISON.

I KNOW YOU'RE
MADE OF AND FOR GREATNESS.

YOU CAN DO IT,
DAVID.

FOR HIM...

FOR US...

FOR AMERICA.

YOU REALLY THINK SO,
MADDIE?

IF YOU WON'T
LISTEN TO ME,

LISTEN TO HIM.

HEY, YO, DAVID.
GO FOR IT.

YEAH! YEAH, THAT'S IT!

WE'LL DO IT FOR THE-
FOR THE AMERICAN WAY!

AAH! COME HERE,
YOU RUSSKIE!

AAH!

1...

2...

3...

4...

5...

6...

7...

COME ON!
YOU WANNA FIGHT?

PUT 'EM UP!
PUT 'EM UP! COME ON!

COME ON!

YOU BIG OX!

YOU THINK
YOU'RE SO TOUGH.

COME ON!
COME ON!

COME ON! COME ON!

YOU'D HIT A GIRL?

HE'D HIT A GIRL.

HE'D HIT A GIRL!

IT CAME FROM
OVER THERE!

SEAL OFF
THE CATWALK!

HE'S ON THE CATWALK!
SEAL UP ALL EXITS!

YOU WERE GREAT, BABY.

I WANT THE OPTIONS
ON YOUR NEXT THREE FIGHTS

PLUS THE CABLE AND
SYNDICATION RIGHTS.

ONLY IN AMERICA!

DAVID,
ARE YOU ALL RIGHT?

ARE WE TALKING
FUN EVENING OR WHAT?

CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT

CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-

* SOME WALK BY NIGHT *

* SOME FLY BY DAY *

* NOTHING CAN
CHANGE YOU *

* SET AND SURE
OF THE WAY *

* THERE IS
THE SUN AND MOON *

* THEY SING THEIR OWN
SWEET TUNE *

* WATCH THEM
WHEN DAWN IS DUE *

* SHARING ONE SPACE *

* WE'LL WALK
BY NIGHT, BABE *

* WE'LL FLY BY DAY *

* MOONLIGHTING
STRANGERS *

* WHO JUST MET
ON THE WAY *

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