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These are the user uploaded subtitles that are being translated: 1 00:00:03,334 --> 00:00:07,067 * SOME WALK BY NIGHT * 2 00:00:07,067 --> 00:00:12,200 * SOME FLY BY DAY * 3 00:00:12,200 --> 00:00:16,534 * NOTHING COULD CHANGE YOU * 4 00:00:16,534 --> 00:00:21,367 * SET AND SURE OF THE WAY * 5 00:00:21,367 --> 00:00:26,267 * THERE IS THE SUN AND THE MOON * 6 00:00:26,267 --> 00:00:31,267 * THEY SING THEIR OWN SWEET TUNE * 7 00:00:31,267 --> 00:00:36,033 * WATCH THEM WHEN DAWN IS DUE * 8 00:00:36,033 --> 00:00:40,534 * SHARING ONE SPACE * 9 00:00:40,534 --> 00:00:44,968 * WE'LL WALK BY NIGHT, BABE * 10 00:00:44,968 --> 00:00:49,667 * WE'LL FLY BY DAY * 11 00:00:49,667 --> 00:00:53,901 * MOONLIGHTING STRANGERS * 12 00:00:53,901 --> 00:01:00,968 * WHO JUST MET ON THE WAY ** 13 00:01:00,968 --> 00:01:03,901 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 14 00:01:03,901 --> 00:01:05,868 [TELEPHONE RINGS] 15 00:01:05,868 --> 00:01:08,133 HELLO. I CAN'T COME TO THE PHONE RIGHT NOW. 16 00:01:08,133 --> 00:01:11,701 SO LEAVE YOUR NAME AND NUMBER, AND I'LL GET BACK TO YOU AS SOON AS I CAN. 17 00:01:11,701 --> 00:01:12,767 [BEEP] 18 00:01:13,901 --> 00:01:15,167 MELISSA... 19 00:01:16,567 --> 00:01:18,400 DO YOU HAVE ANY IDEA 20 00:01:18,400 --> 00:01:20,167 WHAT YOU'RE DOING TO ME? 21 00:01:21,734 --> 00:01:23,167 DO YOU? 22 00:01:27,100 --> 00:01:31,701 YOU'RE ENJOYING THIS, AREN'T YOU? 23 00:01:35,267 --> 00:01:37,601 MELISSA... 24 00:01:37,601 --> 00:01:40,033 SAY SOMETHING, WILL YOU? 25 00:01:43,601 --> 00:01:46,968 DAMN IT, MELISSA, I KNOW YOU'RE THERE. 26 00:01:46,968 --> 00:01:48,467 PICK IT UP. 27 00:01:48,467 --> 00:01:49,968 YOU HEAR ME? 28 00:01:49,968 --> 00:01:51,467 PICK IT-- 29 00:01:51,467 --> 00:01:52,567 [CLICK] 30 00:01:53,000 --> 00:01:56,074 Subtitles downloaded from www.OpenSubtitles.org 31 00:02:07,501 --> 00:02:10,501 YOU'RE GOING TO HAVE TO LEAVE. 32 00:02:10,501 --> 00:02:12,567 HE'S ON HIS WAY. 33 00:02:15,367 --> 00:02:17,667 DON'T START WITH ME! 34 00:02:35,000 --> 00:02:36,501 VERY GOOD. 35 00:02:36,501 --> 00:02:38,667 VERY NICE. 36 00:02:38,667 --> 00:02:42,000 YOU CAN PUT YOUR PELVIS AWAY NOW, MELISSA. 37 00:02:42,000 --> 00:02:44,968 YOU DON'T HAVE TO GO ANYWHERE. 38 00:02:44,968 --> 00:02:46,567 I'M LEAVING. 39 00:02:54,801 --> 00:02:56,033 GO. 40 00:02:59,467 --> 00:03:01,100 GO. 41 00:03:05,667 --> 00:03:07,133 GO. 42 00:03:10,167 --> 00:03:12,067 GO. 43 00:03:16,000 --> 00:03:17,200 GO! 44 00:03:17,200 --> 00:03:19,334 WHAT DO I HAVE TO DO TO MAKE YOU LEAVE? 45 00:03:19,334 --> 00:03:20,601 WHAT? WHAT? 46 00:03:22,501 --> 00:03:23,934 AAH! 47 00:04:39,067 --> 00:04:43,234 BOWER. JAMES BOWER. 48 00:04:43,234 --> 00:04:45,267 I'M AWARE OF THAT. 49 00:04:45,267 --> 00:04:47,767 IT'S BEEN SIX DAYS, OFFICER. 50 00:04:47,767 --> 00:04:49,734 I WANT SOMETHING DONE. 51 00:04:51,133 --> 00:04:55,067 B-O-W-E-R. 52 00:04:56,300 --> 00:04:58,067 NOT MELINDA. MELISSA. 53 00:05:00,968 --> 00:05:03,067 YES, I APPRECIATE THAT. 54 00:05:04,968 --> 00:05:06,901 I'LL BE HERE. 55 00:05:37,501 --> 00:05:39,601 [TELEPHONE RINGS] 56 00:05:42,000 --> 00:05:45,033 [RING] 57 00:05:47,100 --> 00:05:48,601 [RING] 58 00:05:48,601 --> 00:05:49,934 HELLO. 59 00:05:49,934 --> 00:05:52,467 Woman: YOU WEREN'T GOING TO JUST 60 00:05:52,467 --> 00:05:54,801 LEAVE ME THERE, WERE YOU? 61 00:05:54,801 --> 00:05:57,300 IN THE DARK, COLD FOREST, 62 00:05:57,300 --> 00:05:59,300 UNDER ALL THAT DIRT? 63 00:05:59,300 --> 00:06:00,801 WHO IS THIS? 64 00:06:00,801 --> 00:06:01,901 [CLICK] 65 00:06:19,501 --> 00:06:21,200 [BUZZ] 66 00:06:22,968 --> 00:06:24,334 YEAH. 67 00:06:24,334 --> 00:06:25,901 WHO? 68 00:06:25,901 --> 00:06:28,334 NO, I DON'T KNOW ANYBODY NAMED-- 69 00:06:28,334 --> 00:06:31,667 NEVER MIND! I'LL GET RID OF HIM. 70 00:06:31,667 --> 00:06:33,667 THIS IS MR. BOWER. 71 00:06:33,667 --> 00:06:37,167 Woman: YOU DIDN'T ANSWER MY QUESTION LAST NIGHT, JAMES. 72 00:06:37,167 --> 00:06:42,601 YOU WEREN'T ACTUALLY GOING TO LEAVE ME BURIED THERE, WERE YOU? 73 00:06:52,367 --> 00:06:59,133 * EACH NIGHT BEFORE YOU GO TO BED, MY BABY * 74 00:06:59,133 --> 00:07:05,300 * WHISPER A LITTLE PRAYER FOR ME, MY BABY * 75 00:07:05,300 --> 00:07:10,968 * AND TELL ALL THE STARS ABOVE * 76 00:07:10,968 --> 00:07:14,968 * THIS IS DEDICATED TO THE ONE I LOVE * 77 00:07:14,968 --> 00:07:18,167 * OH OH OHH * 78 00:07:19,601 --> 00:07:22,300 * LIFE CAN NEVER BE * 79 00:07:22,300 --> 00:07:25,467 * EXACTLY LIKE WE WANT IT TO BE * 80 00:07:25,467 --> 00:07:28,400 * BUT I CAN BE SATISFIED * 81 00:07:28,400 --> 00:07:31,334 * JUST KNOWING YOU LOVE ME * 82 00:07:31,334 --> 00:07:34,133 * THERE'S ONE THING I WANT YOU TO DO * 83 00:07:34,133 --> 00:07:36,801 * ESPECIALLY FOR ME * 84 00:07:36,801 --> 00:07:42,367 * AND IT'S SOMETHING THAT EVERYBODY NEEDS * 85 00:07:42,367 --> 00:07:49,133 * WHILE I'M FAR AWAY FROM YOU, MY BABY * 86 00:07:49,133 --> 00:07:55,434 * I KNOW IT'S HARD FOR YOU, MY BABY * 87 00:07:55,434 --> 00:08:01,434 * BECAUSE IT'S HARD FOR ME, MY BABY * 88 00:08:01,434 --> 00:08:03,534 * AND THE DARKEST HOUR * 89 00:08:03,534 --> 00:08:06,734 * IS JUST BEFORE THE DAWN * 90 00:08:06,734 --> 00:08:07,901 * OH OH OHH * 91 00:08:07,901 --> 00:08:14,334 * EACH NIGHT BEFORE YOU GO TO BED, MY BABY * 92 00:08:14,334 --> 00:08:20,133 * WHISPER A LITTLE PRAYER FOR ME, MY BABY * 93 00:08:20,133 --> 00:08:25,634 * AND TELL ALL THE STARS ABOVE * 94 00:08:25,634 --> 00:08:28,801 * THIS IS DEDICATED TO THE ONE I LOVE * 95 00:08:28,801 --> 00:08:31,434 * OH OH OHH ** 96 00:08:33,734 --> 00:08:35,067 GOOD MORNING, MISS DIPESTO. 97 00:08:35,067 --> 00:08:36,334 GOOD MORNING, MR. ADDISON. 98 00:08:36,334 --> 00:08:37,334 LADIES. 99 00:08:37,334 --> 00:08:38,367 GOOD MORNING. 100 00:08:38,367 --> 00:08:39,367 GENTLEMEN. 101 00:08:39,367 --> 00:08:41,200 EVERYBODY HAVE A NICE WEEKEND? 102 00:08:41,200 --> 00:08:43,200 YES, SIR, MR. ADDISON, SIR. 103 00:08:43,200 --> 00:08:45,100 GUYS, LET'S SEE THOSE BLOODSHOT EYES. 104 00:08:45,100 --> 00:08:47,000 VERY IMPRESSIVE. 105 00:08:47,000 --> 00:08:51,100 LADIES, ANY RUG-BURNED BACKS? 106 00:08:51,100 --> 00:08:52,200 LIARS. 107 00:08:53,334 --> 00:08:54,534 AHEM. 108 00:09:02,501 --> 00:09:04,133 MORNING, MacGILICUDDY. 109 00:09:04,133 --> 00:09:05,634 MORNING, MR. ADDISON. 110 00:09:05,634 --> 00:09:08,968 DID YOU HAVE A GOOD WEEKEND, MacGILICUDDY? 111 00:09:08,968 --> 00:09:11,734 OH, IT WAS GREAT. 112 00:09:11,734 --> 00:09:15,234 DID YOU DO ANYTHING OUT OF THE ORDINARY? 113 00:09:15,234 --> 00:09:17,133 A LITTLE. 114 00:09:17,133 --> 00:09:18,734 DID YOU DO THIS THING ALONE 115 00:09:18,734 --> 00:09:20,067 OR WITH ANOTHER PERSON? 116 00:09:20,067 --> 00:09:21,968 ANOTHER PERSON. 117 00:09:21,968 --> 00:09:24,901 MR. MacGILICUDDY, I'M AFRAID YOU'VE STUMPED OUR PANEL. 118 00:09:24,901 --> 00:09:27,400 I'M GONNA HAVE TO FLIP ALL THE CARDS. 119 00:09:27,400 --> 00:09:29,400 MacGILICUDDY, TELL OUR HOME AUDIENCE 120 00:09:29,400 --> 00:09:30,801 WHAT YOU DID THIS WEEKEND. 121 00:09:32,567 --> 00:09:34,501 WHOO! WHOO! WHOO! 122 00:09:46,501 --> 00:09:48,200 YAY! HEY! 123 00:09:53,434 --> 00:09:55,267 EXCUSE ME. WHAT'S GOING ON? 124 00:09:55,267 --> 00:09:57,767 WHAT'S EVERYBODY SO HAPPY ABOUT? 125 00:09:57,767 --> 00:10:00,200 ASK OUR BOY MacGILICUDDY HERE WHAT HE DID THIS WEEKEND. 126 00:10:00,200 --> 00:10:02,100 WELL, MR. MacGILICUDDY, 127 00:10:02,100 --> 00:10:04,267 WHAT DID YOU DO THIS WEEKEND? 128 00:10:04,267 --> 00:10:05,934 WELL, UM... 129 00:10:05,934 --> 00:10:07,701 I GOT MARRIED. 130 00:10:07,701 --> 00:10:09,300 MARRIED? 131 00:10:09,300 --> 00:10:10,400 OHH! 132 00:10:11,767 --> 00:10:13,868 DAVID, WHAT ARE YOU DOING DOWN THERE? 133 00:10:13,868 --> 00:10:15,701 IF YOU GOTTA ASK, I MUST NOT BE DOING IT RIGHT. 134 00:10:17,767 --> 00:10:19,234 MARRIED? 135 00:10:20,968 --> 00:10:22,501 WELL, WHAT ARE YOU DOING HERE? 136 00:10:22,501 --> 00:10:23,601 YOU SHOULD BE ON YOU HONEYMOON. 137 00:10:23,601 --> 00:10:25,634 WELL, IT KIND OF HAPPENED ALL OF A SUDDEN. 138 00:10:25,634 --> 00:10:26,968 IT WAS SPUR OF THE MOMENT, YOU KNOW? 139 00:10:26,968 --> 00:10:28,334 AND WHEN DID THIS HAPPEN? 140 00:10:28,334 --> 00:10:30,567 UH, SATURDAY. SATURDAY NIGHT. 141 00:10:30,567 --> 00:10:31,567 SATURDAY NIGHT? 142 00:10:31,567 --> 00:10:33,567 YOU JUST DECIDED TO GET MARRIED? 143 00:10:33,567 --> 00:10:35,167 YEAH, JUST DECIDED. 144 00:10:35,167 --> 00:10:37,667 WELL, I'M SURE YOU TALKED ABOUT IT FOR A WHILE. 145 00:10:37,667 --> 00:10:39,434 A COUPLE MINUTES. 146 00:10:41,300 --> 00:10:43,334 AND WHEN DID YOU SAY YOU MET THIS GIRL? 147 00:10:43,334 --> 00:10:45,567 I MET HER...FRIDAY. 148 00:10:45,567 --> 00:10:47,467 FRIDAY? 149 00:10:47,467 --> 00:10:48,467 UH-HUH. 150 00:10:48,467 --> 00:10:50,367 THE DAY BEFORE YOU GOT MARRIED. 151 00:10:50,367 --> 00:10:52,234 YEAH. 152 00:10:52,234 --> 00:10:54,000 HOW CONVENIENT. 153 00:10:54,000 --> 00:10:55,033 YEAH. 154 00:10:55,033 --> 00:10:56,934 I PROPOSE A TOAST. 155 00:10:58,467 --> 00:11:00,334 GIVE THE BOSS A LITTLE HOOCH THERE. 156 00:11:00,334 --> 00:11:03,167 TO MacGILICUDDY AND YOUR MARRIAGE. 157 00:11:03,167 --> 00:11:05,934 MAY IT BE THE FIRST OF MANY. 158 00:11:05,934 --> 00:11:07,434 WHOO! WHOO! WHOO! 159 00:11:07,434 --> 00:11:08,868 [ALL TALKING AT ONCE] 160 00:11:20,367 --> 00:11:22,367 [KNOCK ON DOOR] 161 00:11:22,367 --> 00:11:24,033 COME IN. 162 00:11:24,033 --> 00:11:26,167 SO, WHAT DO YOU WANT TO GET HIM? WHO? 163 00:11:26,167 --> 00:11:27,167 THE BLUSHING GROOM. 164 00:11:27,167 --> 00:11:28,200 HOW ABOUT A GOOD LAWYER? 165 00:11:28,200 --> 00:11:29,367 OOH. 166 00:11:29,367 --> 00:11:30,868 GIVING UP ON ROMANCE THIS WEEK? 167 00:11:30,868 --> 00:11:33,534 ROMANCE? WHAT'S ROMANCE GOT TO DO WITH IT? 168 00:11:33,534 --> 00:11:35,634 HE MET HER ON FRIDAY, HE MARRIED HER ON SATURDAY. 169 00:11:35,634 --> 00:11:37,200 THAT'S NOT ROMANTIC, IT'S RIDICULOUS. 170 00:11:37,200 --> 00:11:39,000 DID SOMEONE TURN THE HEAT DOWN IN HERE? 171 00:11:39,000 --> 00:11:40,267 DON'T GIVE ME THAT. 172 00:11:40,267 --> 00:11:42,534 I'M AS ROMANTIC AS THE NEXT PERSON, 173 00:11:42,534 --> 00:11:44,534 BUT THAT MAN HAS NO BUSINESS GETTING MARRIED. 174 00:11:44,534 --> 00:11:46,200 FORGET THAT HE JUST MET THIS WOMAN. 175 00:11:46,200 --> 00:11:47,701 I KNOW WHAT THAT MAN MAKES. 176 00:11:47,701 --> 00:11:49,200 THAT MAN HAS NO BUSINESS GETTING MARRIED. 177 00:11:49,200 --> 00:11:50,734 WHAT ABOUT IF HE WAS IN LOVE? 178 00:11:50,734 --> 00:11:52,200 IN LOVE? IN LOVE. 179 00:11:52,200 --> 00:11:54,267 IN HEAT MAYBE, BUT NOT IN LOVE. 180 00:11:54,267 --> 00:11:55,534 LOVE, HEAT-- WHAT'S THE DIFFERENCE? 181 00:11:55,534 --> 00:11:57,133 THEY'RE ALL GETTING THE FUEL INJECTED ANYWAY. 182 00:11:57,133 --> 00:11:58,567 I, FOR ONE, THINK IT'S LOVELY. 183 00:11:58,567 --> 00:12:00,067 YOU WOULD. 184 00:12:00,067 --> 00:12:01,734 HAVEN'T YOU HEARD OF SPONTANEOUS COMBUSTION? 185 00:12:01,734 --> 00:12:03,067 AN ACT OF PASSION? 186 00:12:03,067 --> 00:12:05,334 AN IMMOVABLE FORCE MARRIED TO AN IMMOVABLE OBJECT? 187 00:12:05,334 --> 00:12:07,234 YES, BUT I'VE NEVER KNOWN IT TO LAST. 188 00:12:07,234 --> 00:12:08,400 IS THAT A FACT? 189 00:12:08,400 --> 00:12:10,434 YES, THAT'S A FACT. HEAT'S CHEAP. 190 00:12:10,434 --> 00:12:13,067 THE TRICK IS GETTING TO KNOW SOMEONE. 191 00:12:13,067 --> 00:12:14,567 MAKING SURE IT'S RIGHT, 192 00:12:14,567 --> 00:12:17,367 MAKING SURE YOU'RE NOT MAKING A MISTAKE. 193 00:12:17,367 --> 00:12:18,701 REALLY? YOU CAN DO THAT? 194 00:12:18,701 --> 00:12:20,234 WHAT? BE SURE? 195 00:12:20,234 --> 00:12:21,801 SURE! SURE I CAN BE SURE. 196 00:12:21,801 --> 00:12:24,234 ALL IT TAKES IS TIME AND A LITTLE THOUGHT. 197 00:12:24,234 --> 00:12:25,901 YOU CAN'T JUST FLY HELL'S BELLS... 198 00:12:25,901 --> 00:12:27,067 HELL'S WHAT? 199 00:12:27,067 --> 00:12:28,400 INTO THE IMPORTANT DECISIONS OF YOUR LIFE. 200 00:12:28,400 --> 00:12:29,901 YOU HAVE TO GIVE THEM CONSIDERATION. 201 00:12:29,901 --> 00:12:31,934 YOU HAVE TO WEIGH THE PROS AND THE CONS, 202 00:12:31,934 --> 00:12:33,634 THEN YOU CAN MAKE AN EDUCATED JUDGMENT. 203 00:12:33,634 --> 00:12:36,100 WELL, THAT DOESN'T LEAVE MUCH ROOM FOR SPONTANEITY, DOES IT? 204 00:12:36,100 --> 00:12:39,267 SPONTANEITY IS JUST AN EXCUSE DREAMED UP BY PEOPLE 205 00:12:39,267 --> 00:12:41,267 WHO ARE TOO LAZY TO THINK THINGS THROUGH 206 00:12:41,267 --> 00:12:43,601 AND THEN NEED A REASON WHEN THEY DISCOVER THEY'VE MADE A MISTAKE. 207 00:12:43,601 --> 00:12:44,634 REALLY? 208 00:12:44,634 --> 00:12:46,267 AND ALL THIS TIME I WAS THINKING 209 00:12:46,267 --> 00:12:48,267 THAT THE PEOPLE WHO WASTE THEIR TIME THINKING THINGS THROUGH 210 00:12:48,267 --> 00:12:49,434 ARE JUST AFRAID OF LIFE. 211 00:12:49,434 --> 00:12:51,434 I MEAN, CONSIDERING 212 00:12:51,434 --> 00:12:53,767 AND WEIGHING THE PROS AND CONS 213 00:12:53,767 --> 00:12:55,334 AND MAKING AN EDUCATED JUDGMENT 214 00:12:55,334 --> 00:12:56,601 IS JUST ANOTHER WAY 215 00:12:56,601 --> 00:12:57,767 OF MAKING NO DECISION AT ALL. 216 00:12:57,767 --> 00:12:59,734 AND BY THE TIME YOU GET THROUGH ALL THAT JUNK, 217 00:12:59,734 --> 00:13:02,067 ANYONE OR ANYTHING WORTH WAITING AROUND FOR 218 00:13:02,067 --> 00:13:03,567 IS ON TO SOMEONE ELSE ANYWAY. 219 00:13:05,467 --> 00:13:06,968 JUST AN OPINION. 220 00:13:06,968 --> 00:13:08,133 WHAT ARE YOU ACCUSING ME OF? 221 00:13:08,133 --> 00:13:09,934 I'M NOT ACCUSING YOU OF ANYTHING. 222 00:13:09,934 --> 00:13:11,367 THEN WHAT ARE YOU TRYING 223 00:13:11,367 --> 00:13:14,133 IN YOUR OWN PRE-MESOZOIC WAY TO SAY? 224 00:13:14,133 --> 00:13:15,968 I SAID EXACTLY WHAT I WANTED TO SAY. 225 00:13:15,968 --> 00:13:17,434 ARE YOU SAYING I'M TOO RIGID? 226 00:13:17,434 --> 00:13:19,467 I'M NOT SAYING THAT AT ALL! 227 00:13:19,467 --> 00:13:22,434 I'M AS LOOSEY-GOOSEY AS THE NEXT PERSON! 228 00:13:22,434 --> 00:13:25,334 ALL I'M SAYING IS THAT SPONTANEITY HAS ITS TIME AND PLACE! 229 00:13:25,334 --> 00:13:26,367 HAVEN'T YOU BEEN IN A STORE 230 00:13:26,367 --> 00:13:28,067 AND SEEN SOMETHING YOU REALLY WANTED, 231 00:13:28,067 --> 00:13:30,667 AND YOU KNEW YOU CAN'T AFFORD IT, RIGHT? 232 00:13:30,667 --> 00:13:32,167 FOR EXAMPLE, A CAR, RIGHT? 233 00:13:32,167 --> 00:13:35,200 THERE IT IS, YOU SEE IT IN THE SHOW ROOM, YOU HAVE TO HAVE IT. 234 00:13:35,200 --> 00:13:36,634 WHAT WOULD YOU DO IN A SITUATION LIKE THAT? 235 00:13:36,634 --> 00:13:38,667 WHAT WOULD I DO? YES, WHAT WOULD YOU DO? 236 00:13:38,667 --> 00:13:40,567 I WOULD READ CONSUMER REPORTS. I TEST DRIVE IT. 237 00:13:40,567 --> 00:13:42,601 DO YOU RUSH RIGHT IN? DO YOU BUY IT OFF THE FLOOR? 238 00:13:42,601 --> 00:13:43,934 THEN I'D MAKE A LIST OF THE CARS. 239 00:13:43,934 --> 00:13:45,868 PROS AND CONS. PROS AND CONS. 240 00:13:47,334 --> 00:13:49,133 THERE'S NOTHING WRONG WITH THAT. 241 00:13:49,133 --> 00:13:51,400 WELL, THERE'S NOTHING GREAT ABOUT THAT, EITHER. 242 00:13:51,400 --> 00:13:53,868 YOU LIKE SPONTANEITY? YES. 243 00:13:53,868 --> 00:13:55,033 YOU WANT SPONTANEITY FROM ME? 244 00:13:55,033 --> 00:13:56,467 FINE. I'LL GIVE YOU SPONTANEITY. 245 00:13:56,467 --> 00:13:57,801 HOW'S THIS FOR SPONTANEITY? 246 00:13:57,801 --> 00:13:59,133 OUT OF MY... 247 00:13:59,133 --> 00:14:02,634 MISS HAYES, MR. ADDISON. 248 00:14:02,634 --> 00:14:04,300 I NEED YOU TO FIND MY WIFE. 249 00:14:04,300 --> 00:14:07,000 YOU PLANNED THAT, DIDN'T YOU? 250 00:14:13,734 --> 00:14:15,667 DON'T BE DEPRESSED, WE'LL FIND HER. 251 00:14:15,667 --> 00:14:16,968 WE'LL FIND HER, WE'LL FIND HER! 252 00:14:16,968 --> 00:14:18,100 HOW CAN YOU SAY WE'LL FIND HER? 253 00:14:18,100 --> 00:14:19,901 YOU DON'T KNOW IF WE'RE GONNA FIND HER. 254 00:14:19,901 --> 00:14:21,033 SHE RAN OFF, LEFT HER HUSBAND. 255 00:14:21,033 --> 00:14:23,701 SHE OBVIOUSLY DOESN'T WANT TO BE FOUND. 256 00:14:23,701 --> 00:14:25,901 I'M NOT EVEN SURE IT'S RIGHT TO BE LOOKING FOR HER. 257 00:14:25,901 --> 00:14:27,501 HER HUSBAND'S PAYING AMERICAN DOLLARS? 258 00:14:27,501 --> 00:14:29,400 YES. IT'S ALL RIGHT TO BE LOOKING FOR HER. 259 00:14:29,400 --> 00:14:30,501 WHERE DO WE STOP NEXT? 260 00:14:30,501 --> 00:14:32,501 THEIR SUMMER HOUSE, A CABIN IN THE WOODS. 261 00:14:32,501 --> 00:14:35,200 A CABIN IN THE WOODS, REALLY? 262 00:14:35,200 --> 00:14:36,667 REALLY. 263 00:14:36,667 --> 00:14:38,300 WELL, THAT'S IT, THEN. THAT'S WHERE SHE IS, 264 00:14:38,300 --> 00:14:39,601 A CABIN IN THE WOODS. 265 00:14:39,601 --> 00:14:41,033 HOW CAN YOU BE SO SURE? 266 00:14:41,033 --> 00:14:43,000 COME ON, MADDIE, DON'T YOU READ? 267 00:14:43,000 --> 00:14:44,868 THEY'RE ALWAYS IN A CABIN IN THE WOODS! 268 00:14:44,868 --> 00:14:46,534 THEY ARE? THEY WHO? WHO ARE THEY? 269 00:14:46,534 --> 00:14:48,501 YOUR FEMALE PROTAGONISTS-- 270 00:14:48,501 --> 00:14:50,701 LITTLE RED RIDING HOOD, SNOW WHITE, 271 00:14:50,701 --> 00:14:52,701 GRETEL OF "HANSEL AND" FAME. 272 00:14:52,701 --> 00:14:55,467 YOU REALLY DID READ DURING YOUR VACATION, DIDN'T YOU? 273 00:15:08,234 --> 00:15:10,067 NICE CRIB. 274 00:15:10,067 --> 00:15:11,868 WELL, LET'S ROCK. 275 00:15:11,868 --> 00:15:12,901 WHAT DO WE SAY? 276 00:15:12,901 --> 00:15:14,901 MOTHER, MAY I PLEASE ROCK? 277 00:15:14,901 --> 00:15:16,033 NO, I MEAN IF SHE'S IN THERE. 278 00:15:16,033 --> 00:15:17,801 WHAT DO WE SAY TO HER? SHE'S A GROWN WOMAN, 279 00:15:17,801 --> 00:15:19,367 SHE HAS EVERY RIGHT TO LEAVE HER HUSBAND. 280 00:15:19,367 --> 00:15:21,067 I'VE NEVER BEEN IN A SITUATION LIKE THIS BEFORE. 281 00:15:21,067 --> 00:15:22,834 I'M NOT SURE WHAT TO SAY. 282 00:15:22,834 --> 00:15:24,767 ALL YOU CAN SAY IS WHAT THE CLIENT SAID. 283 00:15:24,767 --> 00:15:26,868 YOUR HUSBAND IS VERY WORRIED ABOUT YOU. 284 00:15:26,868 --> 00:15:27,934 HE'D LIKE TO TALK TO YOU, 285 00:15:27,934 --> 00:15:29,234 BUT IF YOU CAN'T, HE UNDERSTANDS. 286 00:15:29,234 --> 00:15:31,300 HE JUST WANTS TO KNOW THAT YOU'RE ALIVE AND WELL. 287 00:15:31,300 --> 00:15:32,234 OK? 288 00:15:33,901 --> 00:15:35,534 OK. 289 00:15:48,601 --> 00:15:50,934 OH, IT'S A GREAT PLACE. 290 00:15:50,934 --> 00:15:53,067 I BET THEY EVEN GOT AN INDOOR OUTHOUSE. 291 00:15:53,067 --> 00:15:55,200 MRS. BOWER? 292 00:15:55,200 --> 00:15:58,901 YOU WANT TO BUY SOME SEEDS SO I CAN WIN A BIKE? 293 00:15:58,901 --> 00:16:01,067 GIVE ME THAT KEY BOWER GAVE YOU. 294 00:16:25,834 --> 00:16:27,734 DOESN'T LOOK LIKE ANYBODY'S HOME. 295 00:16:27,734 --> 00:16:29,901 OR HAS BEEN FOR A WHILE. 296 00:16:29,901 --> 00:16:31,667 LET'S CHECK OUT THE BALCONY. 297 00:16:31,667 --> 00:16:34,000 UPSTAIRS? WHY? WHAT ARE WE LOOKING FOR? 298 00:16:35,400 --> 00:16:36,868 I'LL GIVE YOU A HINT. 299 00:16:36,868 --> 00:16:38,334 IT STARTS WITH A "C," ENDS WITH A "LUES." 300 00:16:38,334 --> 00:16:40,234 CLUES, MADDIE. WE'RE LOOKING FOR CLUES. 301 00:16:40,234 --> 00:16:41,667 WHERE SHE MIGHT HAVE GONE. 302 00:16:41,667 --> 00:16:42,701 WHO SHE MIGHT HAVE GONE WITH. 303 00:16:42,701 --> 00:16:44,167 A LETTER. 304 00:16:44,167 --> 00:16:46,234 A PHONE NUMBER. HOTEL TOWEL. 305 00:16:58,534 --> 00:16:59,868 NOT BAD. 306 00:16:59,868 --> 00:17:01,367 YEAH. 307 00:17:01,367 --> 00:17:03,400 THIS IS ABOUT AS WELL-FEATHERED A LOVE NEST 308 00:17:03,400 --> 00:17:05,434 AS I'VE EVER SEEN. 309 00:17:06,901 --> 00:17:09,267 SAY, GOLDILOCKS, WHAT DO YOU SAY AS LONG AS WE'RE HERE 310 00:17:09,267 --> 00:17:11,033 WE EAT SOME PORRIDGE AND CHECK OUT THE BED? 311 00:17:11,033 --> 00:17:12,200 [GUN COCKING] 312 00:17:12,200 --> 00:17:14,033 WHAT DO YOU SAY YOU PUT YOUR HANDS IN THE AIR 313 00:17:14,033 --> 00:17:15,567 AND TELL ME WHAT YOU'RE DOING HERE? 314 00:17:16,901 --> 00:17:18,434 I'M WAITING. 315 00:17:18,434 --> 00:17:19,534 WE'RE PRIVATE DETECTIVES. 316 00:17:19,534 --> 00:17:21,033 WE'RE LOOKING FOR MELISSA BOWER. 317 00:17:21,033 --> 00:17:23,167 YOU MEAN FOLLOWING MELISSA BOWER, DON'T YOU? 318 00:17:23,167 --> 00:17:25,200 YOU'RE WORKING FOR HER HUSBAND, RIGHT? 319 00:17:25,200 --> 00:17:29,334 RIGHT, BUT HE HIRED US TO FIND HER, NOT FOLLOW HER. 320 00:17:29,334 --> 00:17:31,000 DO YOU KNOW WHERE SHE IS? 321 00:17:32,667 --> 00:17:34,267 YOU'RE SERIOUS. 322 00:17:34,267 --> 00:17:36,968 SHE'S BEEN MISSING FOR ABOUT A WEEK NOW. 323 00:17:36,968 --> 00:17:38,234 I'M SORRY, BUT SOMEWHERE BETWEEN 324 00:17:38,234 --> 00:17:39,434 YOU COCKING THAT THING 325 00:17:39,434 --> 00:17:40,667 AND US PUTTING OUR HANDS IN THE AIR, 326 00:17:40,667 --> 00:17:42,367 I DIDN'T CATCH YOUR NAME. 327 00:17:42,367 --> 00:17:44,467 DANIEL. 328 00:17:46,634 --> 00:17:48,100 DAN. 329 00:17:49,567 --> 00:17:51,734 I LIVE NEXT DOOR. 330 00:17:51,734 --> 00:17:53,033 SHE'S MISSING? 331 00:17:53,033 --> 00:17:55,200 YEAH. YOU KNOW HER? 332 00:17:55,200 --> 00:17:56,968 YEAH. 333 00:17:56,968 --> 00:17:59,300 MELISSA AND I... 334 00:17:59,300 --> 00:18:02,567 WELL, IF YOU'VE MET HER HUSBAND... 335 00:18:02,567 --> 00:18:05,467 WELL, IT WASN'T A VERY FRIENDLY MARRIAGE. 336 00:18:05,467 --> 00:18:07,501 I GUESS YOU'RE A REAL FRIENDLY NEIGHBOR. 337 00:18:07,501 --> 00:18:09,267 I LIVE NEXT DOOR. 338 00:18:09,267 --> 00:18:11,267 I'D HEAR MELISSA'S CAR PULL IN AT NIGHT. 339 00:18:11,267 --> 00:18:13,934 SHE'D BE CRYING, THEY'D HAVE BEEN FIGHTING. 340 00:18:13,934 --> 00:18:15,367 SHE'D TAKE OFF FOR THIS PLACE. 341 00:18:15,367 --> 00:18:16,934 ONE THING LED TO ANOTHER. 342 00:18:16,934 --> 00:18:18,834 I GUESS I'M A GOOD LISTENER. 343 00:18:18,834 --> 00:18:21,501 I GUESS YOU MUST BE. 344 00:18:21,501 --> 00:18:24,267 BUT I HAVEN'T HEARD FROM HER IN A WEEK. 345 00:18:24,267 --> 00:18:26,100 DID HE KNOW WHERE SHE MIGHT HAVE GONE 346 00:18:26,100 --> 00:18:27,234 AFTER HE CAME UP HERE? 347 00:18:27,234 --> 00:18:28,901 AFTER WHO WENT WHERE? 348 00:18:28,901 --> 00:18:30,934 BOWER. HERE. 349 00:18:30,934 --> 00:18:33,667 SHE AND I WERE TOGETHER A WEEK AGO TODAY. 350 00:18:33,667 --> 00:18:35,767 THE PHONE RANG, IT WAS HIM. 351 00:18:35,767 --> 00:18:36,934 HE WAS ON HIS WAY UP HERE. 352 00:18:36,934 --> 00:18:38,133 HE WAS VERY UPSET. 353 00:18:38,133 --> 00:18:39,133 HOW DO YOU KNOW THAT? 354 00:18:39,133 --> 00:18:40,868 I HEARD HIM. 355 00:18:40,868 --> 00:18:42,701 WAIT A SECOND. 356 00:18:42,701 --> 00:18:44,767 YOU WERE ON THE PHONE TALKING TO BOWER 357 00:18:44,767 --> 00:18:46,634 WHILE YOU AND THE MISSUS WERE HEADBOARD BOUNCING? 358 00:18:46,634 --> 00:18:50,534 MELISSA WAS SCREENING HER CALLS ON THE ANSWERING MACHINE. 359 00:18:57,000 --> 00:18:59,200 Man: DAMN IT, MELISSA! ANSWER THE PHONE! 360 00:18:59,200 --> 00:19:01,534 PICK IT UP! YOU HEAR ME? PICK IT-- 361 00:19:03,334 --> 00:19:05,434 MISS HAYES. MR. ADDISON. 362 00:19:05,434 --> 00:19:08,000 MR. BOWER, YOU LIED TO US. 363 00:19:10,100 --> 00:19:11,834 LIEUTENANT, YOU'VE SPENT A WEEK 364 00:19:11,834 --> 00:19:13,501 QUOTING ME STATISTICS. 365 00:19:13,501 --> 00:19:15,968 MEANWHILE, MY SISTER IS STILL MISSING. 366 00:19:15,968 --> 00:19:18,734 I KNOW THAT YOU'RE DOING THE BEST YOU CAN. 367 00:19:18,734 --> 00:19:22,634 FINE. WE'LL SPEAK AGAIN TOMORROW. 368 00:19:22,634 --> 00:19:25,367 THIS IS MY SISTER-IN-LAW CLAIRE. 369 00:19:25,367 --> 00:19:26,868 MADDIE HAYES. DAVID ADDISON. 370 00:19:26,868 --> 00:19:28,367 THE DETECTIVES I HIRED. 371 00:19:28,367 --> 00:19:30,501 NEWS ABOUT MELISSA? 372 00:19:30,501 --> 00:19:33,367 I'M AFRAID NOT. 373 00:19:33,367 --> 00:19:34,667 CLAIRE, WOULD YOU MIND IF I SPOKE 374 00:19:34,667 --> 00:19:36,834 TO THE DETECTIVES ALONE, PLEASE? 375 00:19:43,601 --> 00:19:46,834 I'VE MADE SOME LISTS OF PEOPLE, PLACES. 376 00:19:46,834 --> 00:19:50,934 THOSE ARE MELISSA'S ADDRESS BOOKS AND DESK CALENDARS. 377 00:19:50,934 --> 00:19:52,601 SHE'S MY ONLY SISTER. 378 00:20:00,701 --> 00:20:02,534 HAVE A SEAT. 379 00:20:02,534 --> 00:20:04,701 WHY DIDN'T YOU TELL US YOU WENT UP TO THE CABIN 380 00:20:04,701 --> 00:20:06,601 TO SEE MELISSA THE NIGHT SHE DISAPPEARED? 381 00:20:09,734 --> 00:20:11,000 WHO TOLD YOU THAT? 382 00:20:11,000 --> 00:20:12,367 A FRIEND OF YOUR WIFE'S WHO WAS 383 00:20:12,367 --> 00:20:14,033 AT THE CABIN THAT NIGHT ALSO. 384 00:20:14,033 --> 00:20:15,567 THERE WAS NO ONE THERE. 385 00:20:15,567 --> 00:20:17,901 NO, NOT BY THE TIME YOU ARRIVED. 386 00:20:19,868 --> 00:20:21,400 FOR FUTURE REFERENCE, 387 00:20:21,400 --> 00:20:23,067 IF YOU WANT TO CATCH YOUR WIFE IN THE ACT, 388 00:20:23,067 --> 00:20:24,868 YOU GOTTA SKIP THE PART WHERE YOU CALL 389 00:20:24,868 --> 00:20:26,667 AND SAY YOU'RE ON YOUR WAY OVER. 390 00:20:30,200 --> 00:20:33,968 SO THERE WAS SOMEONE ELSE. 391 00:20:33,968 --> 00:20:36,834 I DON'T KNOW WHY I'M SURPRISED, SHE ALL BUT TOLD ME. 392 00:20:38,000 --> 00:20:39,634 WHEN I GOT TO THE CABIN AND SHE WAS ALONE, 393 00:20:39,634 --> 00:20:41,133 I THOUGHT MAYBE NOT, BUT... 394 00:20:41,133 --> 00:20:42,734 WHY DID YOU GO TO THE CABIN? 395 00:20:42,734 --> 00:20:45,033 I WANTED TO TALK TO HER. 396 00:20:46,734 --> 00:20:48,634 I DIDN'T MEAN TO DO IT. 397 00:20:50,400 --> 00:20:53,267 I DON'T EVEN KNOW HOW IT HAPPENED. 398 00:20:53,267 --> 00:20:54,634 I REMEMBER THINKING I DIDN'T CARE 399 00:20:54,634 --> 00:20:56,067 WHAT A FOOL I WAS MAKING OF MYSELF. 400 00:20:56,067 --> 00:20:58,033 THE ONLY THING THAT MATTERED WAS FOR HER TO KNOW 401 00:20:58,033 --> 00:20:59,601 HOW MUCH I WANTED HER BACK, 402 00:20:59,601 --> 00:21:02,167 BUT SHE KEPT TAUNTING ME. 403 00:21:02,167 --> 00:21:05,667 SHE WAS SO COLD, SO MUCH CONTEMPT. 404 00:21:05,667 --> 00:21:07,968 SOMETHING INSIDE ME WENT CRAZY. 405 00:21:07,968 --> 00:21:10,767 I DON'T KNOW WHAT I WAS THINKING. 406 00:21:10,767 --> 00:21:12,267 I REMEMBER SEEING HER FACE. 407 00:21:12,267 --> 00:21:14,234 SHE HAD THIS LOOK, AND I-- 408 00:21:17,767 --> 00:21:19,400 YOU HIT HER. 409 00:21:23,100 --> 00:21:25,234 WHAT HAPPENED TO HER, MR. BOWER? 410 00:21:27,300 --> 00:21:30,868 WHAT HAPPENED TO HER? WHERE IS SHE? 411 00:21:30,868 --> 00:21:32,400 IS SHE ALIVE? 412 00:21:36,133 --> 00:21:37,634 YOU KILLED HER, DIDN'T YOU? 413 00:21:37,634 --> 00:21:38,968 AND THEN YOU HIRED US 414 00:21:38,968 --> 00:21:40,834 TO KEEP YOURSELF FROM LOOKING LIKE A SUSPECT. 415 00:21:40,834 --> 00:21:42,133 THAT'S IT, ISN'T IT, MR. BOWER? 416 00:21:42,133 --> 00:21:44,801 NO. I HIRED YOU BECAUSE I THINK 417 00:21:44,801 --> 00:21:46,534 SHE'S TRYING TO DRIVE ME CRAZY. 418 00:21:46,534 --> 00:21:48,300 WHO'S TRYING TO DRIVE YOU CRAZY? 419 00:21:48,300 --> 00:21:49,501 MELISSA. 420 00:21:52,634 --> 00:21:56,167 YOU THINK THAT YOUR DEAD WIFE IS TRYING TO DRIVE YOU CRAZY? 421 00:21:56,167 --> 00:21:58,667 I THINK SO. YEAH. 422 00:21:58,667 --> 00:22:01,400 I DON'T KNOW. ALL I KNOW IS... 423 00:22:01,400 --> 00:22:03,501 SHE WAS DEAD. 424 00:22:03,501 --> 00:22:05,334 I TOOK HER INTO THE WOODS, 425 00:22:05,334 --> 00:22:07,133 I DUG A GRAVE, AND I BURIED HER. 426 00:22:09,200 --> 00:22:10,734 AND THEN? 427 00:22:10,734 --> 00:22:13,601 SHE CALLED ME THE NEXT DAY. 428 00:22:13,601 --> 00:22:15,534 OH. 429 00:22:17,567 --> 00:22:18,567 NO. NO? 430 00:22:18,567 --> 00:22:19,567 NO! NO? 431 00:22:19,567 --> 00:22:20,901 YES, I MEAN, NO. 432 00:22:20,901 --> 00:22:21,901 PUTTING MY FOOT DOWN, 433 00:22:21,901 --> 00:22:23,234 STANDING MY GROUND, DIGGING MY HEELS IN. 434 00:22:23,234 --> 00:22:24,367 GONNA CREATE A LOT OF WEAR AND TEAR-- 435 00:22:24,367 --> 00:22:26,067 THIS TIME YOU'RE NOT TALKING ME OUT OF IT. 436 00:22:26,067 --> 00:22:27,267 THIS TIME I MEAN WHAT I SAY. 437 00:22:27,267 --> 00:22:28,968 FINE. JUST SAY WHAT YOU MEAN. 438 00:22:28,968 --> 00:22:30,167 WE ARE NOT HELPING THAT MAN! 439 00:22:30,167 --> 00:22:32,033 WE ARE NOT HAVING ANYTHING TO DO WITH THAT MAN. 440 00:22:32,033 --> 00:22:33,067 THAT MAN IS A MURDERER! 441 00:22:33,067 --> 00:22:34,067 MAYBE. 442 00:22:34,067 --> 00:22:36,467 MURDERER! MURDERER, MAYBE. FINE. 443 00:22:36,467 --> 00:22:37,734 I DON'T CARE! 444 00:22:37,734 --> 00:22:39,067 WE DON'T HELP MURDERERS, 445 00:22:39,067 --> 00:22:40,400 WE DON'T HELP MURDERER-MAYBES! 446 00:22:40,400 --> 00:22:42,100 WILL YOU RELAX? RELAX? 447 00:22:42,100 --> 00:22:43,734 THAT MAN HIT HIS WIFE! HIT HIS WIFE! 448 00:22:43,734 --> 00:22:45,000 FINE. FINE? 449 00:22:45,000 --> 00:22:46,534 I DON'T MEAN FINE-- FINE? 450 00:22:46,534 --> 00:22:48,234 I MEAN FINE, YES, AGREED. 451 00:22:48,234 --> 00:22:49,434 THE MAN HIT HIS WIFE. 452 00:22:49,434 --> 00:22:51,167 AHA! 453 00:22:51,167 --> 00:22:52,834 LET ME TALK! 454 00:22:52,834 --> 00:22:55,534 YES, HE HIT HER, AND THAT'S A TERRIBLE THING. 455 00:22:55,534 --> 00:22:56,901 BUT HE DIDN'T MEAN TO DO IT-- 456 00:22:56,901 --> 00:22:58,267 AND THAT MAKES IT ALL RIGHT? 457 00:22:58,267 --> 00:22:59,901 NO, I DON'T THINK THAT MAKES IT ALL RIGHT. 458 00:22:59,901 --> 00:23:01,334 BUT EVEN THE LAW ACKNOWLEDGES 459 00:23:01,334 --> 00:23:02,734 THERE'S SUCH A THING AS LOSING YOUR TEMPER, 460 00:23:02,734 --> 00:23:03,901 BECOMING IRRATIONAL, 461 00:23:03,901 --> 00:23:04,934 COMMITTING AN ACT OF PASSION. 462 00:23:04,934 --> 00:23:07,601 PASSION? YOU CALL HITTING YOUR WIFE, 463 00:23:07,601 --> 00:23:09,567 BACKING HER DOWN THE STEPS AND BURYING HER BODY 464 00:23:09,567 --> 00:23:11,100 IN THE BACKYARD PASSION? 465 00:23:11,100 --> 00:23:12,601 I DON'T CALL IT PASSION, NO! 466 00:23:12,601 --> 00:23:14,367 BUT YOU THINK IT'S OK! 467 00:23:14,367 --> 00:23:16,634 NO, I DON'T THINK IT'S OK, BUT IT HAPPENS. 468 00:23:16,634 --> 00:23:18,067 PEOPLE DO THINGS AND SAY THINGS 469 00:23:18,067 --> 00:23:19,734 THAT THEY WOULD NEVER DO IF THEY THOUGHT THEM THROUGH. 470 00:23:19,734 --> 00:23:21,367 THEY REACT EMOTIONALLY, SPONTANEOUSLY. 471 00:23:21,367 --> 00:23:23,100 OH, YES, SPONTANEOUSLY. 472 00:23:23,100 --> 00:23:24,601 PEOPLE ACTING SPONTANEOUSLY. 473 00:23:24,601 --> 00:23:25,801 LOT OF THAT GOING AROUND LATELY. 474 00:23:25,801 --> 00:23:27,734 EVERY TIME SOME DAMN FOOL 475 00:23:27,734 --> 00:23:29,567 MARRIES SOMEONE HE HAS NO BUSINESS MARRYING, 476 00:23:29,567 --> 00:23:31,300 AND HITS SOMEONE HE HAS NO BUSINESS HITTING, 477 00:23:31,300 --> 00:23:33,701 ALL THE BOYS GET TOGETHER AND SAY, 478 00:23:33,701 --> 00:23:35,100 "WE'RE SORRY, WE DIDN'T MEAN TO DO IT. 479 00:23:35,100 --> 00:23:36,200 IT WAS JUST SPONTANEOUS." 480 00:23:36,200 --> 00:23:37,634 FORGET I SAID "SPONTANEOUS." 481 00:23:37,634 --> 00:23:39,534 THE ISSUE HERE IS ARE WE GOING TO HELP THIS MAN? 482 00:23:39,534 --> 00:23:40,801 THE MAN NEEDS OUR HELP. 483 00:23:40,801 --> 00:23:42,634 THE MAN NEEDS HELP, PERIOD, DAVID, 484 00:23:42,634 --> 00:23:44,534 AND NOT THE KIND HE CAN GET FROM YOU AND ME. 485 00:23:49,234 --> 00:23:51,334 [STARTS ENGINE] 486 00:23:53,167 --> 00:23:55,133 WILL YOU GET IN THE CAR PLEASE, DAVID? 487 00:23:56,667 --> 00:23:58,100 YOU GO ON AHEAD. 488 00:23:58,100 --> 00:23:59,634 I'M GONNA HANG AROUND HERE FOR A WHILE 489 00:23:59,634 --> 00:24:00,968 AND WORK ON THE CASE SOME MORE. 490 00:24:00,968 --> 00:24:02,400 BUT THERE IS NO CASE. 491 00:24:02,400 --> 00:24:03,801 I THINK THERE IS. 492 00:24:03,801 --> 00:24:05,734 I THINK NOT. 493 00:24:25,267 --> 00:24:27,200 [FOREIGNER'S I'VE BEEN WAITING FOR A GIRL LIKE YOU PLAYING] 494 00:25:04,667 --> 00:25:09,567 * OOH * 495 00:25:09,567 --> 00:25:12,200 * I'VE BEEN WAITING * 496 00:25:13,934 --> 00:25:17,834 * I'VE BEEN WAITING * 497 00:25:17,834 --> 00:25:20,501 * YEAH * 498 00:25:21,868 --> 00:25:24,701 * I'VE BEEN WAITING... ** 499 00:25:24,701 --> 00:25:26,200 [DOOR OPENS] 500 00:25:26,200 --> 00:25:27,734 David: * MAKES ME NO DIFFERENCE * 501 00:25:27,734 --> 00:25:29,968 * WHO YOU DO YOUR THANG TO * 502 00:25:31,400 --> 00:25:34,267 * WHAT'S YOUR THING * 503 00:25:34,267 --> 00:25:36,501 * DO WHAT YOU WANNA DO * 504 00:25:36,501 --> 00:25:38,133 * UN, UH BOOM BOOM BA BA * 505 00:25:38,133 --> 00:25:39,868 * I CAN'T TELL YOU * 506 00:25:39,868 --> 00:25:42,367 * WHO TO SOCK IT TO * 507 00:25:42,367 --> 00:25:44,601 * IF YOU WANT ME TO LOVE YOU * 508 00:25:44,601 --> 00:25:47,400 * MAYBE I WILL * 509 00:25:47,400 --> 00:25:49,267 * BELIEVE ME, WOMAN... ** 510 00:25:49,267 --> 00:25:52,567 OH, GOOD EVENING, POLICE. THIS IS DAVID ADDISON. 511 00:25:52,567 --> 00:25:53,901 I WAS WONDERING IF YOU COULD TELL ME 512 00:25:53,901 --> 00:25:55,534 IF THERE'S SOMEONE I COULD TALK TO 513 00:25:55,534 --> 00:25:57,067 ABOUT GETTING THE EQUIPMENT AND THE PAPERWORK, 514 00:25:57,067 --> 00:25:58,567 I NEED TO DO A PHONE TRACE-- 515 00:26:01,601 --> 00:26:03,501 I'M GONNA HAVE TO GET BACK TO YOU. 516 00:26:03,501 --> 00:26:06,067 I THINK I HAVE A 9-1-1 OF MY OWN HERE. 517 00:26:12,000 --> 00:26:15,434 EVENING. PULL UP A CHAIR. 518 00:26:15,434 --> 00:26:16,734 TURN ON A KEY LIGHT. 519 00:26:16,734 --> 00:26:19,167 YOU STAYED THERE AND WORKED ON THIS CASE 520 00:26:19,167 --> 00:26:21,100 ALL THIS TIME AFTER I ASKED YOU-- 521 00:26:21,100 --> 00:26:22,767 TOLD ME. REQUESTED. 522 00:26:22,767 --> 00:26:24,467 ORDERED ME. AFTER I MADE IT CLEAR-- 523 00:26:24,467 --> 00:26:25,734 YOUR HIGH AND MIGHTY-- 524 00:26:25,734 --> 00:26:28,033 I HAD NO INTEREST IN THIS CASE. 525 00:26:31,634 --> 00:26:33,934 WELL, I DID. 526 00:26:33,934 --> 00:26:35,033 AND I DO. 527 00:26:38,300 --> 00:26:39,968 FOR YOUR INFORMATION, 528 00:26:39,968 --> 00:26:43,434 WHILE I WAS OUT THERE, OUR CLIENT--MY CLIENT-- 529 00:26:43,434 --> 00:26:45,834 MR. BOWER RECEIVED A PHONE CALL-- 530 00:26:45,834 --> 00:26:48,567 A PHONE CALL FROM HIS SUPPOSEDLY DEAD WIFE. 531 00:26:48,567 --> 00:26:51,501 NOW, IN MY BOOK, THAT MEANS EITHER ONE OF TWO THINGS. 532 00:26:51,501 --> 00:26:54,200 EITHER "A," HIS WIFE IS NOT DEAD, 533 00:26:54,200 --> 00:26:58,000 OR "B," THEY'VE GOT A HELL OF A WATTS LINE IN HEAVEN. 534 00:26:58,000 --> 00:27:00,968 DID YOU HEAR WHAT I SAID? 535 00:27:00,968 --> 00:27:03,133 THE LATE MRS. BOWER 536 00:27:03,133 --> 00:27:04,968 TRIED TO REACH OUT AND TOUCH SOMEONE, 537 00:27:04,968 --> 00:27:06,167 AND I WAS THERE TO HEAR IT. 538 00:27:06,167 --> 00:27:08,133 AND I DON'T CARE IF SHE RISES FROM THE DEAD 539 00:27:08,133 --> 00:27:10,868 AND SIGNS AN AFFIDAVIT NOT TO PRESS CHARGES. 540 00:27:10,868 --> 00:27:13,734 I WANT NOTHING, NOTHING TO DO 541 00:27:13,734 --> 00:27:16,567 WITH A MAN WHO WOULD STRIKE HIS WIFE! 542 00:27:18,167 --> 00:27:19,534 IN A FIT OF ANGER! 543 00:27:19,534 --> 00:27:20,667 IRRELEVANT! 544 00:27:20,667 --> 00:27:23,334 TO WHO? TO YOU? WHAT ABOUT THE REST OF THE WORLD? 545 00:27:23,334 --> 00:27:24,834 HOW ABOUT THE STATE LICENSING BOARD? 546 00:27:24,834 --> 00:27:27,000 HOW'S IT GONNA LOOK WHEN YOU TAKE A CASE AND THEN DROP IT? 547 00:27:27,000 --> 00:27:28,200 AND WHY DO WE DROP IT? 548 00:27:28,200 --> 00:27:30,000 NOT BECAUSE THE CLIENT DOESN'T PAY, 549 00:27:30,000 --> 00:27:31,634 NOT BECAUSE WE REACHED A DEAD END, 550 00:27:31,634 --> 00:27:33,000 BUT BECAUSE YOU HAPPEN TO DISAPPROVE 551 00:27:33,000 --> 00:27:34,200 OF THE CLIENT'S BEHAVIOR-- 552 00:27:34,200 --> 00:27:35,467 BEHAVIOR HE HIMSELF REGRETS 553 00:27:35,467 --> 00:27:37,033 AND WHICH THE LAW MAKES PROVISIONS FOR. 554 00:27:37,033 --> 00:27:39,701 WELL, THE LAW'S WRONG! HE'S VILE, 555 00:27:39,701 --> 00:27:41,234 AND I DON'T WANT ANYTHING TO DO WITH HIM, 556 00:27:41,234 --> 00:27:42,834 AND SINCE I DON'T WANT ANYTHING TO DO WITH HIM, 557 00:27:42,834 --> 00:27:44,400 YOU CAN'T HAVE ANYTHING TO DO WITH HIM. 558 00:27:44,400 --> 00:27:45,968 IS THAT CLEAR? 559 00:27:47,267 --> 00:27:49,767 IS THAT CLEAR? 560 00:27:51,400 --> 00:27:52,934 WELL, IS IT? 561 00:27:54,834 --> 00:27:56,834 YOU KNOW, YOU'RE REALLY LUCKY 562 00:27:56,834 --> 00:27:58,501 YOU'RE SO DAMN GOOD-LOOKING. 563 00:27:58,501 --> 00:28:00,834 OH, REALLY? AND WHY IS THAT? 564 00:28:00,834 --> 00:28:02,834 BECAUSE YOU REALLY ARE A HELL OF A LOT OF WORK, 565 00:28:02,834 --> 00:28:04,300 MADELYN HAYES. 566 00:28:06,334 --> 00:28:07,601 AND WHAT DOES THAT MEAN? 567 00:28:07,601 --> 00:28:09,868 WHAT DOES THAT MEAN? 568 00:28:09,868 --> 00:28:11,367 THAT MEANS YOU'RE VERY FORTUNATE 569 00:28:11,367 --> 00:28:13,200 THAT THE PACKAGE IS SO ATTRACTIVE, 570 00:28:13,200 --> 00:28:15,033 BECAUSE OTHERWISE, I DON'T THINK THE REST OF US 571 00:28:15,033 --> 00:28:16,801 WOULD PUT UP WITH ALL THAT CRAP INSIDE. 572 00:28:19,801 --> 00:28:21,100 HERE. LET ME. 573 00:28:25,667 --> 00:28:27,767 DAVID, I... 574 00:28:30,701 --> 00:28:31,968 FORGIVE ME. 575 00:28:33,934 --> 00:28:36,367 DAVID, IT WAS AN ACCIDENT! 576 00:28:36,367 --> 00:28:37,868 YOU'RE GONNA TELL ME YOU DIDN'T PLAN 577 00:28:37,868 --> 00:28:39,367 FOR THAT TO HAPPEN? 578 00:28:39,367 --> 00:28:41,234 THAT IT WAS SPONTANEOUS? 579 00:28:41,234 --> 00:28:42,701 AN ACT OF PASSION? 580 00:28:42,701 --> 00:28:44,767 I KNOW YOU BETTER THAN THAT, MADDIE HAYES. 581 00:28:44,767 --> 00:28:46,667 YOU DON'T BELIEVE IN SPONTANEITY, 582 00:28:46,667 --> 00:28:49,400 AND YOU DAMN SURE DON'T BELIEVE IN PASSION. 583 00:28:49,400 --> 00:28:50,534 IF YOU'LL EXCUSE ME, 584 00:28:50,534 --> 00:28:52,234 I HAVE A TELEPHONE CALL FROM A DEAD WOMAN 585 00:28:52,234 --> 00:28:54,033 TO TRACE TOMORROW MORNING. 586 00:29:01,701 --> 00:29:03,400 [DOOR SLAMS] 587 00:29:03,400 --> 00:29:05,167 [TELEPHONE RINGS] 588 00:29:07,701 --> 00:29:09,701 HELLO. 589 00:29:09,701 --> 00:29:12,367 NO. I HAVEN'T FORGOTTEN. 590 00:29:12,367 --> 00:29:14,767 APPOINTMENT. 9:30 TOMORROW MORNING. 591 00:29:14,767 --> 00:29:17,000 YES, I'VE BEEN BRUSHING. 592 00:29:17,000 --> 00:29:18,267 FORGIVE ME, DOCTOR, 593 00:29:18,267 --> 00:29:19,968 I'M SORT OF EXPECTING ANOTHER CALL. 594 00:29:19,968 --> 00:29:21,734 YES, YES, I'LL SEE YOU THEN. 595 00:29:23,934 --> 00:29:28,033 GENTLEMEN. THERE ARE 768 FLOWERS IN THOSE DRAPES 596 00:29:28,033 --> 00:29:30,267 BEHIND YOUR HEAD. 597 00:29:30,267 --> 00:29:34,634 I KNOW BECAUSE I'VE COUNTED THEM ALL. 598 00:29:34,634 --> 00:29:36,601 CALL ME IF ANYTHING HAPPENS. 599 00:29:36,601 --> 00:29:38,701 WELL, I DON'T KNOW WHAT TO SAY 600 00:29:38,701 --> 00:29:41,000 EXCEPT PERHAPS NOW SHE KNOWS I'VE GONE TO SOMEONE, 601 00:29:41,000 --> 00:29:44,200 SO SHE'S NOT CALLING TO MAKE ME LOOK FOOLISH. 602 00:29:44,200 --> 00:29:45,934 [DOORBELL RINGS] 603 00:29:45,934 --> 00:29:48,133 OR MAYBE SHE WAS JUST IN THE NEIGHBORHOOD 604 00:29:48,133 --> 00:29:49,534 AND FIGURED SHE'D POP IN. 605 00:29:52,200 --> 00:29:53,501 HELLO. 606 00:29:53,501 --> 00:29:54,701 MISS HAYES. 607 00:29:54,701 --> 00:29:56,334 MR. BOWER. CLAIRE. 608 00:29:56,334 --> 00:29:58,133 I KEPT WAITING FOR SOME NEWS. 609 00:29:58,133 --> 00:29:59,501 HOURS WERE GOING BY. 610 00:29:59,501 --> 00:30:03,467 FINALLY, I WAS IN MY CAR. 611 00:30:03,467 --> 00:30:05,801 AND NEXT THING I KNEW, I WAS IN YOUR NEIGHBORHOOD. 612 00:30:05,801 --> 00:30:08,467 KIND OF--I DON'T KNOW... 613 00:30:08,467 --> 00:30:09,834 SPONTANEOUS? 614 00:30:12,200 --> 00:30:13,801 MY SISTER-IN-LAW WAS JUST LEAVING. 615 00:30:13,801 --> 00:30:16,734 HER CHAIR IS STILL WARM IF YOU WANT TO SIT VIGIL WITH US. 616 00:30:18,934 --> 00:30:21,067 YEAH. WELL... 617 00:30:21,067 --> 00:30:23,868 AS LONG AS YOU'RE IN THE NEIGHBORHOOD, 618 00:30:23,868 --> 00:30:25,901 WHY DON'T YOU? 619 00:30:25,901 --> 00:30:27,834 [SNORING] 620 00:30:43,467 --> 00:30:45,234 [TELEPHONE RINGS] HELLO. 621 00:30:45,234 --> 00:30:47,801 WHERE'S MY PANTS? WHERE'S THE FIRE ESCAPE? 622 00:30:47,801 --> 00:30:49,133 HELLO. 623 00:30:51,000 --> 00:30:53,000 NO. 624 00:30:54,734 --> 00:30:56,534 I DIDN'T MEAN TO LEAVE YOU THERE-- 625 00:30:56,534 --> 00:30:58,167 TELL HIM TO TALK MORE. 626 00:30:58,167 --> 00:31:00,367 UNDER ALL THAT DIRT. 627 00:31:00,367 --> 00:31:03,334 NO, I KNOW YOU COULDN'T BREATHE. 628 00:31:03,334 --> 00:31:05,534 MELISSA. 629 00:31:05,534 --> 00:31:07,400 MELISSA, YOU HAVE TO BELIEVE ME. 630 00:31:07,400 --> 00:31:09,033 YOU HAVE TO BELIEVE ME. 631 00:31:09,033 --> 00:31:10,868 IF I COULD FIGURE OUT A WAY 632 00:31:10,868 --> 00:31:14,968 TO TAKE BACK THAT NIGHT, UNDO THAT NIGHT, 633 00:31:14,968 --> 00:31:16,234 I WOULD, I WOULD. 634 00:31:16,234 --> 00:31:18,167 GOT IT! 635 00:31:18,167 --> 00:31:20,267 I WOULD. 636 00:31:20,267 --> 00:31:22,167 HUH? 637 00:31:22,167 --> 00:31:23,868 LET'S GO. 638 00:31:33,901 --> 00:31:36,167 YOU KNOW WHAT'S GOING TO HAPPEN, DON'T YOU? 639 00:31:38,067 --> 00:31:39,534 SHE'S GOING TO KILL ME. 640 00:31:44,033 --> 00:31:46,100 SHE'S GONNA SEE ME AND SHE'S GONNA KILL ME. 641 00:31:47,901 --> 00:31:49,400 I MEAN, IT'S PERFECT, ISN'T IT? 642 00:31:49,400 --> 00:31:51,300 I MEAN... 643 00:31:51,300 --> 00:31:53,601 I KILLED HER... 644 00:31:53,601 --> 00:31:55,501 NOW SHE'S GONNA KILL ME. 645 00:31:57,133 --> 00:32:00,267 WHICH IS FINE 'CAUSE, I MEAN... 646 00:32:00,267 --> 00:32:02,534 I SORT OF DESERVE TO DIE, DON'T I? 647 00:32:05,100 --> 00:32:06,834 MR. BOWER, PERHAPS WHEN WE GET THERE 648 00:32:06,834 --> 00:32:08,267 IT'D BE BEST IF YOU WAITED IN THE CAR 649 00:32:08,267 --> 00:32:10,234 WHILE MR. ADDISON AND I SPOKE TO YOUR WIFE. 650 00:32:13,434 --> 00:32:15,300 I WONDER HOW SHE'S GONNA DO IT? 651 00:32:17,434 --> 00:32:19,634 DO EITHER OF YOU HAVE A COMB I CAN BORROW? 652 00:32:29,300 --> 00:32:30,434 WELL... 653 00:32:30,434 --> 00:32:31,434 WELL... 654 00:32:31,434 --> 00:32:32,767 MY GOD. 655 00:32:32,767 --> 00:32:34,634 THERE'S HER CAR. 656 00:32:34,634 --> 00:32:36,701 GUESS THAT MEANS WE'RE ON. 657 00:32:39,200 --> 00:32:41,000 DAVID, WHAT WILL WE SAY TO THIS WOMAN? 658 00:32:41,000 --> 00:32:43,300 I MEAN, HOW DO YOU THINK SHE'LL REACT TO HIS BEING HERE? 659 00:32:43,300 --> 00:32:45,300 LOOK, ALL HE DID WAS TRY TO BURY HER ALIVE. 660 00:32:45,300 --> 00:32:47,067 YOU THINK SHE'S GOING TO HOLD A GRUDGE? 661 00:32:53,200 --> 00:32:55,167 MRS. BOWER? 662 00:32:56,567 --> 00:32:58,300 MRS. BOWER, WE'RE PRIVATE INVESTIGATORS. WE WERE-- 663 00:32:58,300 --> 00:32:59,434 [ENGINE STARTS] 664 00:32:59,434 --> 00:33:00,400 DAVID! 665 00:33:02,801 --> 00:33:05,000 NOW THAT'S WHAT I CALL AN AUTOMATIC TRANSMISSION. 666 00:33:12,067 --> 00:33:13,267 COME ON! 667 00:33:25,968 --> 00:33:27,901 IS YOUR WIFE A GOOD DRIVER? 668 00:33:27,901 --> 00:33:29,634 NEVER MIND. WE'LL ALL FIND OUT TOGETHER. 669 00:33:35,968 --> 00:33:38,234 DID WE LOSE HER? WE DIDN'T LOSE HER, DID WE? 670 00:33:38,234 --> 00:33:40,634 I'M DOING 85 MILES AN HOUR, FOR THE LOVE OF MIKE! 671 00:33:40,634 --> 00:33:41,834 SHE'S GOTTA BE UP THERE SOMEWHERE. 672 00:33:50,334 --> 00:33:52,067 THERE SHE IS! 673 00:33:53,267 --> 00:33:54,434 HANG ON, MELISSA. 674 00:34:30,868 --> 00:34:33,033 [WHISTLING] 675 00:34:33,033 --> 00:34:35,033 MY THOUGHT, EXACTLY. 676 00:34:35,033 --> 00:34:37,467 YOU PRAYING? YOU LOSE SOMETHING? 677 00:34:37,467 --> 00:34:39,534 OR DID YOU FINALLY COME TO YOUR SENSES? 678 00:34:39,534 --> 00:34:41,033 BOWER'S CHECK? 679 00:34:42,734 --> 00:34:45,100 HO-HO-HOLY NYLONS, BATMAN! 680 00:34:45,100 --> 00:34:47,834 I KNOW, 3 TIMES THE NEGOTIATED FEE. NOT BAD, HUH? 681 00:34:47,834 --> 00:34:49,834 NOT BAD, UH-HUH. 682 00:34:49,834 --> 00:34:51,100 ESPECIALLY SINCE THE GUY'S OLD LADY 683 00:34:51,100 --> 00:34:53,234 KICKED OFF 5 MINUTES AFTER WE FOUND HER. 684 00:34:53,234 --> 00:34:55,067 I WAS AFRAID HE WAS GONNA PRORATE THE FEE. 685 00:34:55,067 --> 00:34:56,234 [KNOCK ON DOOR] 686 00:34:56,234 --> 00:34:57,601 OOPS, SPOKE TOO SOON. THAT'S PROBABLY HIM NOW 687 00:34:57,601 --> 00:34:58,634 LOOKING FOR HIS CHANGE. 688 00:34:58,634 --> 00:34:59,634 DON'T BE SILLY. YES? 689 00:34:59,634 --> 00:35:00,901 MR. ADDISON, MISS HAYES, 690 00:35:00,901 --> 00:35:01,901 MR. BOWER'S HERE. 691 00:35:01,901 --> 00:35:04,033 SEE WHAT I MEAN? 692 00:35:04,033 --> 00:35:06,133 LOOK UP THERE. 693 00:35:06,133 --> 00:35:08,601 MR. ADDISON, MISS HAYES... 694 00:35:08,601 --> 00:35:11,100 I'M SORRY TO BURST IN WITHOUT AN APPOINTMENT. 695 00:35:11,100 --> 00:35:12,767 OH, NO, THAT'S ALL RIGHT. 696 00:35:12,767 --> 00:35:14,467 SPONTANEITY'S OUR MIDDLE NAME. 697 00:35:14,467 --> 00:35:15,734 WE LOVE SPONTANEITY, DON'T WE, DAVID? 698 00:35:15,734 --> 00:35:17,067 YES, WE DO, YES, WE DO. 699 00:35:17,067 --> 00:35:18,601 EXCEPT IN CASES OF BILLING PROBLEMS. 700 00:35:18,601 --> 00:35:20,734 WITH BILLING PROBLEMS, WE'D LIKE YOU TO MAKE AN APPOINTMENT, 701 00:35:20,734 --> 00:35:22,367 AND AS IT STANDS NOW, WE DON'T REALLY 702 00:35:22,367 --> 00:35:23,667 HAVE ANY FREE TIME UNTIL-- 703 00:35:23,667 --> 00:35:25,534 WHAT'D YOU SAY, MISS DIPESTO? 1999? 704 00:35:25,534 --> 00:35:27,100 SO, YOU SEE, THE PROBLEM WE'RE HAVING-- 705 00:35:27,100 --> 00:35:28,200 YOU CALLED ME, MR. ADDISON? 706 00:35:28,200 --> 00:35:29,534 EVERYTHING'S JUST FINE, MISS DIPESTO. 707 00:35:29,534 --> 00:35:30,634 VAMOOSE, WILL YOU? 708 00:35:30,634 --> 00:35:32,400 WE HAVE YOU PENCILED IN FOR AROUND 709 00:35:32,400 --> 00:35:33,434 THE TURN OF THE CENTURY. 710 00:35:33,434 --> 00:35:35,033 BUT THIS ISN'T ABOUT MONEY. 711 00:35:35,033 --> 00:35:36,601 IT ISN'T? NO. 712 00:35:36,601 --> 00:35:38,267 GET THIS MAN-- 713 00:35:38,267 --> 00:35:41,601 GET THIS MAN A CHAIR. 714 00:35:41,601 --> 00:35:43,801 I JUST CAME FROM THE FUNERAL. 715 00:35:46,400 --> 00:35:48,234 MELISSA'S FUNERAL. 716 00:35:50,534 --> 00:35:53,567 I LEFT IN THE MIDDLE. 717 00:35:53,567 --> 00:35:56,167 I HAD NO BUSINESS BEING THERE. 718 00:35:56,167 --> 00:35:57,167 WHAT DO YOU MEAN? 719 00:35:57,167 --> 00:36:00,667 I MEAN, NO MATTER WHAT THE EVIDENCE, 720 00:36:00,667 --> 00:36:02,501 NO MATTER HOW MANY PHONE CALLS 721 00:36:02,501 --> 00:36:04,834 IN THE MIDDLE OF THE NIGHT, 722 00:36:04,834 --> 00:36:08,234 NO MATTER THAT HER CAR WENT OVER THAT CLIFF, 723 00:36:08,234 --> 00:36:10,067 I KILLED HER. 724 00:36:11,868 --> 00:36:13,667 I KNOW I DID. 725 00:36:15,167 --> 00:36:16,467 I WAS THERE. 726 00:36:16,467 --> 00:36:17,868 BUT MR. BOWER-- 727 00:36:17,868 --> 00:36:19,701 SHE HAD NO PULSE. 728 00:36:21,400 --> 00:36:24,501 I CARRIED HER DEAD BODY INTO THE WOODS. 729 00:36:26,868 --> 00:36:29,734 I BURIED HER WITH MY OWN HANDS. 730 00:36:32,834 --> 00:36:35,434 David: BUT WE SAW HER. YOU SAW HER. 731 00:36:35,434 --> 00:36:37,868 THE ACCIDENT, THE DENTAL RECORDS PROVED THAT-- 732 00:36:37,868 --> 00:36:39,868 I KNOW. 733 00:36:39,868 --> 00:36:43,367 I KNOW ALL THAT, YET I... 734 00:36:43,367 --> 00:36:44,901 KNOW... 735 00:36:44,901 --> 00:36:46,534 Maddie: BUT MR. BOWER, WHAT YOU'RE SAYING, 736 00:36:46,534 --> 00:36:48,200 IT DOESN'T MAKE SENSE. 737 00:36:48,200 --> 00:36:50,000 HOW COULD YOUR WIFE DIE TWICE? 738 00:36:50,000 --> 00:36:51,734 IF YOU HAD KILLED YOUR WIFE, 739 00:36:51,734 --> 00:36:53,868 IN ORDER FOR THOSE DENTAL RECORDS TO MATCH UP, 740 00:36:53,868 --> 00:36:55,734 SOMEONE WOULD HAVE HAD TO DIG THE BODY UP AND HIDE IT SOMEWHERE. 741 00:36:55,734 --> 00:36:57,200 AND LURE US TO THAT CLIFF 742 00:36:57,200 --> 00:36:59,400 TO SEE HER DIE A SECOND TIME IN THAT CRASH. 743 00:36:59,400 --> 00:37:02,534 WHY? WHY WOULD ANYBODY WANT TO DO THAT? 744 00:37:02,534 --> 00:37:04,734 THE ONLY ONE WITH A MOTIVE IS YOU. 745 00:37:04,734 --> 00:37:06,100 THE ONLY ONE WHO COMES OUT AHEAD 746 00:37:06,100 --> 00:37:08,934 IF YOUR WIFE WASN'T DEAD AT THAT CABIN IS YOU. 747 00:37:08,934 --> 00:37:10,634 BUT YOU SIT HERE CONFESSING ANYWAY. 748 00:37:14,300 --> 00:37:16,501 I'M VERY, VERY SORRY, MR. BOWER, 749 00:37:16,501 --> 00:37:19,868 BUT YOUR WIFE DIED IN THAT CRASH. 750 00:37:19,868 --> 00:37:21,834 WHY DON'T YOU LET US TAKE YOU HOME? 751 00:37:26,834 --> 00:37:28,167 HOME? 752 00:37:34,033 --> 00:37:36,334 JIM? 753 00:37:36,334 --> 00:37:38,501 MISS HAYES, MR. ADDISON. 754 00:37:39,934 --> 00:37:42,334 LET'S ALL GO INTO THE DEN WHERE THERE'S SOME QUIET. 755 00:37:56,601 --> 00:37:59,634 JIM, I KNOW HOW BAD THIS IS, 756 00:37:59,634 --> 00:38:02,267 HOW AWFUL THIS IS. 757 00:38:02,267 --> 00:38:03,767 I LOST HER, TOO. 758 00:38:03,767 --> 00:38:04,934 BUT YOU-- 759 00:38:04,934 --> 00:38:06,167 BUT I KILLED HER. 760 00:38:06,167 --> 00:38:08,767 BUT YOU DIDN'T. I SAW THE ACCIDENT. 761 00:38:08,767 --> 00:38:10,400 WE ALL SAW THE ACCIDENT. 762 00:38:10,400 --> 00:38:12,300 TOUGH BREAK, BUCKO. YOU'RE INNOCENT. 763 00:38:12,300 --> 00:38:13,968 LISTEN TO THEM. 764 00:38:13,968 --> 00:38:15,701 THEY KNOW WHAT THEY'RE TALKING ABOUT. 765 00:38:15,701 --> 00:38:17,834 THIS ISN'T YOUR FAULT, JIM. 766 00:38:17,834 --> 00:38:19,133 IT ISN'T. 767 00:38:19,133 --> 00:38:21,367 NOW, PULL YOURSELF TOGETHER. 768 00:38:21,367 --> 00:38:23,534 THERE ARE A LOT OF PEOPLE OUT THERE. 769 00:38:23,534 --> 00:38:26,701 AND WHILE YOU MAY NOT THINK THAT YOU DESERVE THEIR SYMPATHIES, 770 00:38:26,701 --> 00:38:28,701 I THINK THEY DESERVE YOURS. 771 00:38:30,501 --> 00:38:32,000 PLEASE. 772 00:38:48,367 --> 00:38:50,534 SHE REALLY CARES ABOUT YOU, DOESN'T SHE? 773 00:38:50,534 --> 00:38:53,667 OH, YEAH. 774 00:38:53,667 --> 00:38:56,968 SHE'S A GREAT LADY. ONE OF THE GREATEST. 775 00:38:56,968 --> 00:38:59,667 A GREAT CARETAKER, TOO. 776 00:38:59,667 --> 00:39:02,000 SHE TAKES CARE OF EVERYTHING AND EVERYBODY, 777 00:39:02,000 --> 00:39:03,367 ALWAYS HAS. 778 00:39:03,367 --> 00:39:06,868 YOU KNOW, IT WAS CLAIRE WHO INTRODUCED ME TO MELISSA. 779 00:39:06,868 --> 00:39:10,868 WELL, NOT INTRODUCED, REALLY, BUT... 780 00:39:10,868 --> 00:39:12,634 I WAS GOING OUT WITH CLAIRE. 781 00:39:12,634 --> 00:39:15,067 ONE NIGHT I WAS PICKING HER UP, 782 00:39:15,067 --> 00:39:18,000 WAITING IN THE LIVING ROOM AT THE BOTTOM OF THE STAIRS, 783 00:39:18,000 --> 00:39:19,701 AND I LOOKED UP... 784 00:39:19,701 --> 00:39:21,734 THERE WAS MELISSA. 785 00:39:21,734 --> 00:39:25,868 THAT WAS 16 YEARS AGO. 786 00:39:25,868 --> 00:39:28,501 OH, I DON'T KNOW HOW IN THE HELL I'M GOING TO TELL HER. 787 00:39:30,334 --> 00:39:32,367 WAIT A SECOND. 788 00:39:32,367 --> 00:39:33,501 TELL HER WHAT? 789 00:39:33,501 --> 00:39:36,267 WHAT DO YOU MEAN, WHAT? 790 00:39:36,267 --> 00:39:38,067 ABOUT THAT NIGHT AT THE CABIN. 791 00:39:38,067 --> 00:39:39,534 YOU MEAN SHE DOESN'T KNOW? 792 00:39:39,534 --> 00:39:42,234 KNOW? 793 00:39:42,234 --> 00:39:43,634 KNOW WHAT? 794 00:39:45,334 --> 00:39:46,801 I NEVER TOLD HER. 795 00:39:46,801 --> 00:39:48,434 AND WE NEVER... 796 00:39:48,434 --> 00:39:49,567 TOLD HER. 797 00:39:49,567 --> 00:39:51,501 Both: AHH! 798 00:39:53,400 --> 00:39:55,234 MR. BOWER, DON'T YOU SEE? 799 00:39:55,234 --> 00:39:56,901 IF SHE DIDN'T KNOW ABOUT WHAT HAPPENED 800 00:39:56,901 --> 00:39:58,133 AT THE CABIN THAT NIGHT, 801 00:39:58,133 --> 00:40:00,067 THEN WHAT WAS ALL THAT HAND-HOLDING ABOUT? 802 00:40:00,067 --> 00:40:02,133 WHY WAS SHE SITTING THERE TELLING YOU YOU WERE WRONG 803 00:40:02,133 --> 00:40:03,534 WHEN YOU INSISTED YOU HAD KILLED HER SISTER? 804 00:40:03,534 --> 00:40:05,100 SHE SHOULD HAVE BEEN SHOCKED, 805 00:40:05,100 --> 00:40:06,734 AT THE VERY LEAST, ANGRY. 806 00:40:06,734 --> 00:40:08,534 SHE DIDN'T EVEN ACT SURPRISED. 807 00:40:08,534 --> 00:40:11,467 BECAUSE SHE WASN'T SURPRISED. 808 00:40:11,467 --> 00:40:12,501 BECAUSE SHE WAS THE ONE... 809 00:40:12,501 --> 00:40:14,734 WHO DUG THE BODY UP AND HID IT SOMEWHERE. 810 00:40:14,734 --> 00:40:15,834 LURED US TO THE CLIFF SO WE COULD 811 00:40:15,834 --> 00:40:17,467 SEE HER DIE A SECOND TIME IN THAT CRASH. 812 00:40:17,467 --> 00:40:18,734 WAIT A SECOND, WAIT A SECOND. 813 00:40:18,734 --> 00:40:20,501 WE ALL SAW THAT CRASH. 814 00:40:20,501 --> 00:40:22,968 NO, WE SAW A WOMAN DRIVE AROUND A BEND OUT OF SIGHT. 815 00:40:22,968 --> 00:40:24,901 THEN WE SAW A CAR AT THE BOTTOM OF THE CLIFF. 816 00:40:24,901 --> 00:40:26,100 HOLD IT, HOLD IT, HOLD IT. 817 00:40:26,100 --> 00:40:27,734 WHAT ABOUT THE PHONE CALLS? 818 00:40:27,734 --> 00:40:29,467 I KNOW MY WIFE'S VOICE. 819 00:40:29,467 --> 00:40:31,868 I KNOW WHAT SHE SOUNDS LIKE. 820 00:40:31,868 --> 00:40:35,400 Claire: YOU WEREN'T GOING TO LEAVE ME OUT THERE, WERE YOU? 821 00:40:35,400 --> 00:40:37,868 MELISS. 822 00:40:40,300 --> 00:40:42,868 I'VE BEEN WAITING FOR FIVE MINUTES. 823 00:40:42,868 --> 00:40:45,400 ALL THESE PEOPLE, THEY'RE OUT THERE 824 00:40:45,400 --> 00:40:46,968 BECAUSE THEY CARE ABOUT YOU. 825 00:40:55,634 --> 00:40:57,667 I NEVER NOTICED IT BEFORE. 826 00:40:59,467 --> 00:41:01,234 YOU SOUND JUST LIKE HER. 827 00:41:11,033 --> 00:41:13,334 YOU MADE THOSE CALLS, DIDN'T YOU? 828 00:41:13,334 --> 00:41:15,167 YOU KNEW THE WHOLE TIME, DIDN'T YOU? 829 00:41:15,167 --> 00:41:18,067 THE TWO OF YOU, STOP. 830 00:41:20,534 --> 00:41:23,300 I'VE DONE NOTHING WRONG, 831 00:41:23,300 --> 00:41:25,234 AND NOW THERE'S ABUNDANT EVIDENCE 832 00:41:25,234 --> 00:41:28,067 THAT JIM'S DONE NOTHING WRONG, SO-- 833 00:41:28,067 --> 00:41:30,734 DON'T YOU SEE? YOU HAVEN'T DONE NOTHING WRONG. 834 00:41:30,734 --> 00:41:32,167 REVENGE IS GONNA DRIVE THIS MAN MAD-- 835 00:41:32,167 --> 00:41:33,934 STOP IT! 836 00:41:35,367 --> 00:41:38,334 I THOUGHT YOU TWO WANTED TO HELP HIM. 837 00:41:40,634 --> 00:41:43,100 I DIDN'T DO ANYTHING TO HIM. 838 00:41:45,100 --> 00:41:47,267 I DID IT FOR HIM. 839 00:41:54,534 --> 00:41:56,767 AFTER YOU CALLED MELISSA, 840 00:41:56,767 --> 00:41:59,334 SHE CALLED ME. 841 00:41:59,334 --> 00:42:02,467 SHE TOLD ME THAT YOU TWO HAD BEEN FIGHTING. 842 00:42:02,467 --> 00:42:07,133 SHE SOUNDED SCARED, SO I DROVE UP TO THE CABIN. 843 00:42:07,133 --> 00:42:10,934 AND WHEN I GOT THERE, I SAW YOUR CAR. 844 00:42:10,934 --> 00:42:13,000 AND THEN I SAW YOU... 845 00:42:13,000 --> 00:42:15,701 DRAGGING MY SISTER INTO THE WOODS. 846 00:42:15,701 --> 00:42:17,400 I KNOW YOU. 847 00:42:17,400 --> 00:42:20,801 I KNEW YOU COULDN'T HAVE DONE IT ON PURPOSE. 848 00:42:20,801 --> 00:42:24,701 AND I ALSO KNEW YOU COULDN'T LIVE WITH IT. 849 00:42:24,701 --> 00:42:27,033 ISN'T THAT FUNNY? 850 00:42:27,033 --> 00:42:29,300 I WASN'T THINKING ABOUT MY SISTER AT ALL. 851 00:42:32,234 --> 00:42:35,067 I WASN'T THINKING ABOUT MUCH OF ANYTHING 852 00:42:35,067 --> 00:42:38,501 EXCEPT DIGGING HER UP 853 00:42:38,501 --> 00:42:41,067 AND CONVINCING YOU THAT SHE WAS STILL ALIVE 854 00:42:41,067 --> 00:42:42,801 SO THAT YOU COULD GO ON. 855 00:42:45,534 --> 00:42:48,200 AND SO THAT MAYBE WE COULD... 856 00:42:51,834 --> 00:42:54,667 I DIDN'T PLAN IT. 857 00:42:54,667 --> 00:42:57,601 IT JUST SORT OF HAPPENED. 858 00:42:57,601 --> 00:42:59,734 ONE THING AFTER ANOTHER. 859 00:42:59,734 --> 00:43:01,133 SUDDENLY. 860 00:43:01,133 --> 00:43:02,501 SPONTANEOUSLY. 861 00:43:06,734 --> 00:43:10,067 WHY THE GRIN? DON'T YOU GET IT? 862 00:43:10,067 --> 00:43:11,434 YOU'RE JUMPING OUT OF THE FRYING PAN 863 00:43:11,434 --> 00:43:12,601 INTO THE DEEP FREEZE. 864 00:43:12,601 --> 00:43:15,467 BUT IT'S OK, 865 00:43:15,467 --> 00:43:18,501 'CAUSE NOW I KNOW I'M NOT CRAZY. 866 00:43:18,501 --> 00:43:21,033 I DID KILL HER. 867 00:43:26,501 --> 00:43:27,834 I'M SO SORRY. 868 00:43:27,834 --> 00:43:29,534 NO, I'M OK. REALLY, I'M OK. 869 00:43:29,534 --> 00:43:31,000 SHE WAS A WONDERFUL WOMAN. 870 00:43:31,000 --> 00:43:32,200 YES, SHE WAS, WASN'T SHE? 871 00:43:32,200 --> 00:43:33,267 IF THERE'S ANYTHING YOU NEED-- 872 00:43:33,267 --> 00:43:35,033 NO, I'M GREAT. REALLY, I'M GREAT. 873 00:43:35,033 --> 00:43:36,567 I JUST HEARD THAT IT MIGHT HAVE BEEN MURDER. 874 00:43:36,567 --> 00:43:39,467 THAT ISN'T SO, IS IT? I MEAN, IT COULDN'T HAVE BEEN MURDER. 875 00:43:39,467 --> 00:43:41,100 NEVER SAY NEVER. 876 00:43:41,100 --> 00:43:42,901 [SIRENS] 877 00:43:47,634 --> 00:43:50,334 HOLD THAT ELEVATOR, PLEASE! 878 00:43:50,334 --> 00:43:51,601 MORNING. 879 00:43:51,601 --> 00:43:53,100 RIGHT YOU ARE. 880 00:43:54,834 --> 00:43:56,100 SO WHAT DID YOU GET ME? 881 00:43:56,100 --> 00:43:58,267 WEDDING PRESENT FOR MacGILLICUDY. 882 00:43:58,267 --> 00:44:00,300 OUR MacGILLICUDY? 883 00:44:00,300 --> 00:44:02,300 OLD "LOVE THEM AND MARRY THEM" MacGILLICUDY? 884 00:44:02,300 --> 00:44:04,133 MR. SPONTANEOUS. THAT BASTARD! 885 00:44:04,133 --> 00:44:05,634 WHY DID YOU GET HIM ANYTHING? 886 00:44:05,634 --> 00:44:07,634 YOU'RE JUST GONNA COMPLICATE DIVORCE PROCEEDINGS. 887 00:44:07,634 --> 00:44:09,167 I MAY HAVE BEEN WRONG. 888 00:44:11,801 --> 00:44:14,667 I'M SORRY, THE BATTERY ON MY HEARING AID IS A LITTLE ON THE FRITZ. 889 00:44:14,667 --> 00:44:17,000 YOU WANNA RUN THAT BY ME WITH A SHOT MORE CONVICTION? 890 00:44:17,000 --> 00:44:19,167 I JUST THINK THAT MAYBE I WAS WRONG. 891 00:44:19,167 --> 00:44:21,501 ABOUT MacGILLICUDY. ABOUT SPONTANEITY. 892 00:44:21,501 --> 00:44:22,667 ABOUT A LOT OF THINGS. 893 00:44:22,667 --> 00:44:24,033 NO KIDDING? NO KIDDING. 894 00:44:24,033 --> 00:44:25,367 WOW. 895 00:44:25,367 --> 00:44:26,701 SO TELL ME, THIS CHANGE OF ATTITUDE, 896 00:44:26,701 --> 00:44:27,701 WAS IT SOMETHING YOU HAD TO WORK 897 00:44:27,701 --> 00:44:28,834 LONG AND HARD AT, OR WAS IT-- 898 00:44:28,834 --> 00:44:30,167 SPONTANEOUS? SPONTANEOUS. 899 00:44:30,167 --> 00:44:32,501 THAT'S ONE OF MY FAVORITE THINGS ABOUT YOU-- 900 00:44:32,501 --> 00:44:33,667 TELL ME. 901 00:44:33,667 --> 00:44:35,601 YOUR RELENTLESS UNPLEASANTNESS. 902 00:44:35,601 --> 00:44:38,467 WELL, SOME GOT IT, SOME DON'T. 903 00:44:38,467 --> 00:44:40,467 NO, I JUST REALIZED THAT, FOR ONCE, 904 00:44:40,467 --> 00:44:43,033 MIRACLE OF MIRACLES, YOU MIGHT BE RIGHT. 905 00:44:43,033 --> 00:44:45,133 IT JUST MIGHT BE THAT CONSIDERING, 906 00:44:45,133 --> 00:44:46,767 WEIGHING THE PROS AND CONS, 907 00:44:46,767 --> 00:44:48,767 MAKING EDUCATED JUDGMENTS 908 00:44:48,767 --> 00:44:51,334 ARE WAYS OF AVOIDING DECISIONS, 909 00:44:51,334 --> 00:44:53,934 TAKING CHANCES, LIVING YOUR LIFE. 910 00:44:53,934 --> 00:44:56,133 YOU THINK SO, HUH? 911 00:44:57,367 --> 00:44:59,100 YEAH. 912 00:45:09,167 --> 00:45:13,067 ONE THING ABOUT SPONTANEITY THOUGH. 913 00:45:13,067 --> 00:45:15,033 WHAT'S THAT? 914 00:45:15,033 --> 00:45:17,167 A LITTLE GOES A LONG WAY. 915 00:45:26,267 --> 00:45:29,234 I'LL KEEP THAT IN MIND. 916 00:45:29,234 --> 00:45:30,501 YEAH. 917 00:45:32,367 --> 00:45:34,434 WELL... 918 00:45:34,434 --> 00:45:36,334 YOU DO THAT. 919 00:45:38,400 --> 00:45:40,968 YEAH. WELL... 920 00:45:40,968 --> 00:45:43,100 I'LL DO THAT. 921 00:45:43,100 --> 00:45:46,100 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 922 00:45:46,100 --> 00:45:49,033 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 923 00:46:02,834 --> 00:46:07,234 * SOME WALK BY NIGHT * 924 00:46:07,234 --> 00:46:12,100 * SOME FLY BY DAY * 925 00:46:12,100 --> 00:46:16,133 * NOTHING COULD CHANGE YOU * 926 00:46:16,133 --> 00:46:21,434 * SET AND SURE OF THE WAY * 927 00:46:21,434 --> 00:46:26,400 * THERE IS THE SUN AND THE MOON * 928 00:46:26,400 --> 00:46:31,234 * THEY SING THEIR OWN SWEET TUNE * 929 00:46:31,234 --> 00:46:35,767 * WATCH THEM WHEN DAWN IS DUE * 930 00:46:35,767 --> 00:46:40,133 * SHARING ONE SPACE * 931 00:46:40,133 --> 00:46:45,133 * WE'LL WALK BY NIGHT, BABE * 932 00:46:45,133 --> 00:46:49,400 * WE'LL FLY BY DAY * 933 00:46:49,400 --> 00:46:53,868 * MOONLIGHTING STRANGERS * 934 00:46:53,868 --> 00:47:00,267 * WHO JUST MET ON THE WAY ** 935 00:47:01,000 --> 00:47:04,128 Best watched using Open Subtitles MKV Player 936 00:47:04,178 --> 00:47:08,728 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 64481

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