Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,047 --> 00:00:15,347
UH, HON, YOU OK?
2
00:00:15,349 --> 00:00:17,282
THIS MOTION SENSOR
ALERT ON MY WATCH,
3
00:00:17,284 --> 00:00:19,585
IT KEEPS GOING OFF.
OHH...
4
00:00:19,587 --> 00:00:22,154
TURN THOSE NOTIFICATIONS
OFF, WOULD YOU?
5
00:00:22,156 --> 00:00:24,590
WHAT IF SOMEBODY'S
OUTSIDE?
6
00:00:24,592 --> 00:00:28,160
IT'S THE CAT.
IT'S ALWAYS THE CAT.
7
00:00:28,162 --> 00:00:31,330
I DON'T UNDERSTAND
HOW IT'S NOT THE DAMN CAT.
8
00:00:31,332 --> 00:00:33,365
OHH, IT'S 3:30
IN THE MORNING.
9
00:00:35,202 --> 00:00:38,237
THAT'S NOT THE CAT.
CALL 911.
10
00:00:38,239 --> 00:00:40,539
WAIT, TIM. LET'S CHECK.
11
00:00:40,541 --> 00:00:44,176
COME ON!
PLEASE LET ME IN!
12
00:00:44,178 --> 00:00:46,445
PLEASE LET ME IN!
PLEASE...
13
00:00:46,447 --> 00:00:48,213
HNA SECURITY. HOW CAN WE HELP?
14
00:00:48,215 --> 00:00:50,082
WE HAVE A--
I DON'T KNOW--
15
00:00:50,084 --> 00:00:52,251
SOME CRAZY MAN
BANGING ON OUR DOOR.
16
00:00:52,253 --> 00:00:53,585
OK.
WE HAVE AN OFFICER
17
00:00:53,587 --> 00:00:54,753
ON THE WAY
TO YOUR ADDRESS.
18
00:00:54,755 --> 00:00:55,921
THIS LOOKS LIKE
HE'S IN TROUBLE,
19
00:00:55,923 --> 00:00:56,889
LIKE, REAL TROUBLE.
20
00:00:56,891 --> 00:00:57,990
MAYBE WE SHOULD
TRY TO HELP HIM.
21
00:00:57,992 --> 00:00:59,258
- NO.
- NO.
22
00:00:59,260 --> 00:01:01,060
FOR YOUR SAFETY,
DO NOT OPEN THE DOOR
23
00:01:01,062 --> 00:01:03,062
OR ENGAGE WITH THIS MAN.
24
00:01:03,064 --> 00:01:05,297
OH, MY GOD, TIM.
SOMEBODY IS AFTER HIM.
25
00:01:05,299 --> 00:01:06,265
WE HAVE TO--
26
00:01:06,267 --> 00:01:08,233
WE ARE NOT
OPENING THE DOOR.
27
00:01:08,235 --> 00:01:10,202
HE'S COMING!
PLEASE OPEN THE DOOR!
28
00:01:10,204 --> 00:01:12,771
PLEASE OPEN THE DOOR!
HE'S GONNA KILL US!
29
00:01:12,773 --> 00:01:18,043
PLEASE SAVE US!
30
00:01:18,045 --> 00:01:21,480
I'M TELLING
YOU, I DON'T WANT
A HOUSEWARMING PARTY.
31
00:01:21,482 --> 00:01:23,015
WHAT IS WRONG
WITH YOU?
32
00:01:23,017 --> 00:01:25,984
WHO DOESN'T LIKE
RIBBON-ADORNED
33
00:01:25,986 --> 00:01:27,820
POTTED PLANTS
AND VEGGIE CRUDITé
34
00:01:27,822 --> 00:01:29,655
AND HUMMUS WITH
YOUR FACE CARVED IN IT?
35
00:01:29,657 --> 00:01:32,157
DO YOU EVEN
FONDUE, BRO?
36
00:01:32,159 --> 00:01:34,693
WE'VE GOT BIGGER
FISH TO FRY HERE.
37
00:01:34,695 --> 00:01:36,829
IT'S LIFE AND DEATH,
38
00:01:36,831 --> 00:01:39,131
AND A HOUSEWARMING PARTY
JUST SEEMS STUPID.
39
00:01:39,133 --> 00:01:40,999
OOH, WHO'S THROWING
A HOUSEWARMING PARTY?
40
00:01:41,001 --> 00:01:42,434
OH, PLEASE SAY IT'S YOU.
41
00:01:42,436 --> 00:01:44,837
I'M DYING
FOR SOME FRIVOLITY, JOY,
AND SOME OVERPRICED SNACKS.
42
00:01:44,839 --> 00:01:49,208
NOT ME, OK?
LISA WANTS ONE.
43
00:01:49,210 --> 00:01:50,709
SHE WANTS TO GET TO KNOW
44
00:01:50,711 --> 00:01:52,177
ALL OF YOU GUYS
A LITTLE BETTER.
45
00:01:52,179 --> 00:01:54,246
IN FACT, YOU'RE THE
ONLY ONES INVITED.
46
00:01:54,248 --> 00:01:57,449
I THINK SOMEONE IS
AFRAID OF FORMAL GESTURES
47
00:01:57,451 --> 00:01:59,885
THAT MIGHT INSINUATE
A COMMITMENT.
48
00:01:59,887 --> 00:02:02,788
OH, IS THAT
NOT THE KETEL ONE
49
00:02:02,790 --> 00:02:04,423
CALLING
THE POT BLACK?
50
00:02:04,425 --> 00:02:07,159
HEY, I'M A REFORMED KETTLE,
AND WHAT IS IT THEY SAY?
51
00:02:07,161 --> 00:02:09,795
THE FOURTH TIME'S
THE CHARM.
52
00:02:09,797 --> 00:02:11,597
WHAT ARE YOU
GUYS TALKING ABOUT?
53
00:02:11,599 --> 00:02:13,198
OH, HEY, LUKE'S
THROWING A HOUSEWARMING PARTY.
54
00:02:13,200 --> 00:02:15,834
NO. I'M NOT HAVING
A HOUSEWARMING PARTY.
55
00:02:15,836 --> 00:02:18,170
WHAT? I LOVE A GOOD
HOUSEWARMING PARTY.
56
00:02:18,172 --> 00:02:20,839
MATT, HELP ME OUT, PLEASE.
57
00:02:20,841 --> 00:02:23,442
UH, WHAT DOES
LISA WANT?
58
00:02:25,980 --> 00:02:27,679
LISA WANTS
A PARTY.
59
00:02:27,681 --> 00:02:29,414
YEAH. YOU'RE THROWING
THE PARTY, DUDE.
60
00:02:29,416 --> 00:02:31,216
MM-HMM.
OH...
61
00:02:31,218 --> 00:02:32,484
LET'S MEET
IN THE ROUND TABLE.
62
00:02:32,486 --> 00:02:34,253
WE HAVE A CASE.
63
00:02:34,255 --> 00:02:36,288
LISA PUT YOU UP
TO THIS, DIDN'T SHE?
64
00:02:36,290 --> 00:02:38,490
MM! MM!
65
00:02:38,492 --> 00:02:40,492
TAKE A LOOK AT THIS.
66
00:02:40,494 --> 00:02:42,294
HE'S COMING! HE'S COMING!
PLEASE OPEN THE DOOR!
67
00:02:42,296 --> 00:02:44,463
PLEASE HELP US!
HE'S GONNA KILL US!
68
00:02:44,465 --> 00:02:46,999
PLEASE SAVE US!
69
00:02:47,001 --> 00:02:48,500
PORTLAND, OREGON, PD
NEEDS OUR HELP
70
00:02:48,502 --> 00:02:49,902
LOCATING THIS MAN.
71
00:02:49,904 --> 00:02:51,770
THEY BELIEVE THE ABDUCTION
MIGHT BE CONNECTED
72
00:02:51,772 --> 00:02:53,372
TO A LOCAL COUPLE
WHO WERE KILLED
73
00:02:53,374 --> 00:02:54,973
IN THEIR HOME LAST WEEK.
74
00:02:54,975 --> 00:02:56,875
THAT FIRST COUPLE
WAS FOUND BOUND
75
00:02:56,877 --> 00:02:58,844
WITH DUCT TAPE ON
THEIR HEADS, NECKS,
76
00:02:58,846 --> 00:03:00,379
WRISTS, AND HANDS.
77
00:03:00,381 --> 00:03:03,115
BOTH CRIMES INVOLVE DUCT TAPE,
AND DUCT TAPE IS PRETTY COMMON.
78
00:03:03,117 --> 00:03:05,384
YEAH, BUT ABDUCTING
COUPLES ISN'T.
79
00:03:05,386 --> 00:03:07,452
I MEAN, “SAVE US.
HELP US”?
80
00:03:07,454 --> 00:03:09,788
THERE'S DEFINITELY
ANOTHER ABDUCTEE
81
00:03:09,790 --> 00:03:11,356
ASSOCIATED WITH
THIS SECOND VICTIM.
82
00:03:11,358 --> 00:03:12,691
WELL, THIS GUY IS BAREFOOT
83
00:03:12,693 --> 00:03:14,126
AND WEARING BOXER SHORTS,
84
00:03:14,128 --> 00:03:15,460
SO EITHER THE UNSUB
SURPRISED THEM IN BED
85
00:03:15,462 --> 00:03:17,262
OR THIS COULD BE
A SEXUAL ENCOUNTER GONE WRONG.
86
00:03:17,264 --> 00:03:18,964
IF THIS STARTS
AS CONSENSUAL,
87
00:03:18,966 --> 00:03:20,532
IT CERTAINLY
DOESN'T STAY THAT WAY.
88
00:03:20,534 --> 00:03:21,867
THIS GUY FIGHTS
FOR HIS FREEDOM,
89
00:03:21,869 --> 00:03:23,235
FLED FOR HIS LIFE
INSTEAD OF GOING BACK
90
00:03:23,237 --> 00:03:24,803
FOR HIS PARTNER.
91
00:03:24,805 --> 00:03:27,339
MUST BE SOME SADISTIC GAMES
THIS UNSUB'S PLAYING.
92
00:03:27,341 --> 00:03:29,141
OK. I HATE TO SAY IT,
93
00:03:29,143 --> 00:03:31,643
BUT THE OTHER VICTIM
COULD BE DEAD,
94
00:03:31,645 --> 00:03:33,645
OR MAYBE THEY SPLIT
UP, AND THIS GUY
95
00:03:33,647 --> 00:03:35,781
WAS LUCKY ENOUGH
TO GET ON CAMERA.
96
00:03:35,783 --> 00:03:37,816
DID THEY USE
FACIAL RECOGNITION
TO I.D. THE VICTIM?
97
00:03:37,818 --> 00:03:39,718
YEAH, BUT
NOTHING'S COME UP YET.
98
00:03:39,720 --> 00:03:40,953
SO WE HAVE
TWO CONFIRMED MURDERS
99
00:03:40,955 --> 00:03:42,321
AND TWO MORE
POTENTIAL ONES.
100
00:03:42,323 --> 00:03:43,989
WE'RE GONNA HAVE TO MOVE
FAST TO STOP HIM.
101
00:03:43,991 --> 00:03:46,558
FORTUNATELY, WE WILL HAVE
REINFORCEMENTS ON THIS CASE.
102
00:03:46,560 --> 00:03:48,026
WHEELS UP.
103
00:03:48,028 --> 00:03:50,429
REINFORCEMENTS?
WHAT REINFORCEMENTS?
HIM.
104
00:03:50,431 --> 00:03:52,197
WAIT. YOU'RE BACK?
105
00:03:52,199 --> 00:03:53,532
WHY ARE YOU BACK?
WHAT HAPPENED?
106
00:03:53,534 --> 00:03:54,900
NOTHING HAPPENED.
107
00:03:54,902 --> 00:03:56,034
THE SEMINAR WRAPPED EARLY,
AND I MISSED YOU GUYS.
108
00:03:56,036 --> 00:03:57,502
WELL, YOU'RE JUST
IN TIME TO HELP US
109
00:03:57,504 --> 00:03:59,071
REEL IN A NASTY ONE.
110
00:03:59,073 --> 00:04:00,472
WE'LL BRIEF YOU ON
THE WAY TO THE JET. LET'S GO.
111
00:04:00,474 --> 00:04:01,707
AND WE'LL
CATCH UP LATER.
112
00:04:01,709 --> 00:04:03,909
GO, MIGHTY
PROFESSOR. GO!
113
00:04:10,117 --> 00:04:15,153
J.P., ARE YOU AWAKE?
CAN YOU HEAR ME?
114
00:04:15,155 --> 00:04:17,155
YEAH.
115
00:04:17,157 --> 00:04:19,491
DID ANYONE SEE YOU?
116
00:04:19,493 --> 00:04:22,160
WHEN YOU
GOT OUT, DID ANYONE--
117
00:04:22,162 --> 00:04:24,396
PLEASE SAY YES.
118
00:04:24,398 --> 00:04:26,798
I--I DON'T KNOW.
119
00:04:26,800 --> 00:04:29,768
I TRIED.
I TRIED, I SWEAR.
120
00:04:29,770 --> 00:04:32,638
HOW BAD DOES IT HURT?
121
00:04:32,640 --> 00:04:34,539
IT'S BAD.
122
00:04:34,541 --> 00:04:39,344
OHH. I'M REALLY SCARED.
123
00:04:39,346 --> 00:04:43,015
I AM, TOO.
124
00:04:43,017 --> 00:04:46,251
I LOVE YOU. I NEED
YOU TO KNOW THAT.
125
00:04:46,253 --> 00:04:48,287
IF WE DON'T GET OUT OF HERE,
I NEED YOU TO KNOW THAT, OK?
126
00:04:48,289 --> 00:04:50,322
DON'T SAY THAT.
127
00:04:50,324 --> 00:04:52,724
OH, NO. WAIT.
128
00:04:52,726 --> 00:04:55,694
WAIT. IS THAT--
OH, GOD.
129
00:04:58,132 --> 00:05:02,067
DON'T DO THIS. WAIT.
OH, WAIT. DON'T--
130
00:05:02,069 --> 00:05:04,469
NOT AGAIN.
NOT AGAIN.
131
00:05:04,471 --> 00:05:06,805
NO, NO, NO.
NOT AGAIN.
132
00:05:06,807 --> 00:05:09,441
NIK, NIK, LOOK AT ME.
133
00:05:09,443 --> 00:05:10,909
NO. THIS ISN'T FAIR.
WE DIDN'T DO ANYTHING.
134
00:05:10,911 --> 00:05:12,210
NIK, LOOK AT ME,
PLEASE!
135
00:05:12,212 --> 00:05:13,612
NIK, LOOK AT ME.
136
00:05:13,614 --> 00:05:16,948
YOU'RE THE LAST THING
THAT I WANT TO SEE, OK,
137
00:05:16,950 --> 00:05:20,786
YOU'RE THE LAST THING
THAT I WANT TO SEE.
138
00:05:20,788 --> 00:05:22,654
NO. THIS ISN'T FAIR.
139
00:05:22,656 --> 00:05:24,323
DON'T DO THIS.
JUST DON'T DO THIS.
DON'T. PLEASE.
140
00:05:24,325 --> 00:05:26,325
DON'T DO THIS.
141
00:05:28,662 --> 00:05:32,731
STOP!
AAH! AAH...
142
00:05:57,658 --> 00:06:00,959
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
143
00:06:07,807 --> 00:06:09,240
J.J., VOICE-OVER:
“REVENGE, THE SWEETEST MORSEL
144
00:06:09,242 --> 00:06:12,643
TO THE MOUTH THAT
EVER WAS COOKED IN HELL.”
145
00:06:12,645 --> 00:06:14,445
SIR WALTER SCOTT.
146
00:06:14,447 --> 00:06:16,614
STILL NO I.D. ON THE MAN
IN THE VIDEO
147
00:06:16,616 --> 00:06:18,549
OR ANY OTHER POTENTIAL
VICTIMS,
148
00:06:18,551 --> 00:06:20,651
SO WE SHOULD START
BY LOOKING AT THE FILES
149
00:06:20,653 --> 00:06:23,254
ON OUR MURDERED COUPLE
FROM A WEEK AGO.
150
00:06:23,256 --> 00:06:25,055
WE NEED TO CONFIRM
A CONNECTION.
151
00:06:25,057 --> 00:06:26,457
GARCIA, ON VIDEO CONFERENCE:
ON YOUR TABLETS, YOU'LL SEE
152
00:06:26,459 --> 00:06:29,527
WILLIAM AND SARAH MENDELBAUM
OF PERRI PARK.
153
00:06:29,529 --> 00:06:32,863
WILLIAM WAS A BELOVED
DOCTOR IN THE COMMUNITY.
154
00:06:32,865 --> 00:06:34,398
HE RETIRED 3 YEARS AGO.
155
00:06:34,400 --> 00:06:37,935
AND SARAH VOLUNTEERED AT
A LOCAL BIRD SANCTUARY.
156
00:06:37,937 --> 00:06:40,037
BOTH OF THEM WERE
IN THEIR EARLY 60s.
157
00:06:40,039 --> 00:06:42,239
DRASTICALLY DIFFERENT
PHYSICAL VICTIMOLOGY
158
00:06:42,241 --> 00:06:44,241
THAN THE GUY
WE SAW LAST NIGHT,
159
00:06:44,243 --> 00:06:45,843
WHO WAS--
I DON'T KNOW--
160
00:06:45,845 --> 00:06:47,745
IN HIS LATE 20s,
EARLY 30s.
161
00:06:47,747 --> 00:06:49,613
THE DUCT TAPE
TELLS THE TALE.
162
00:06:49,615 --> 00:06:51,649
THE FIRST COUPLE WAS
BOUND AROUND THE WRIST,
163
00:06:51,651 --> 00:06:53,150
ANKLES, AND NECK.
164
00:06:53,152 --> 00:06:54,985
SO WAS OUR GUY
IN THE VIDEO.
165
00:06:54,987 --> 00:06:56,587
THIS HAD GOT TO BE
THE SAME UNSUB.
166
00:06:56,589 --> 00:06:58,055
THE M.E. DETERMINED
THE WEAPON TO BE
167
00:06:58,057 --> 00:06:59,356
SOME KIND OF
A HUNTING KNIFE.
168
00:06:59,358 --> 00:07:01,425
ON THE MENDELBAUMS,
WE HAVE 5 STAB WOUNDS
169
00:07:01,427 --> 00:07:04,595
ON EACH--3 ON THE TORSO
AND TWO ON THEIR NECKS.
170
00:07:04,597 --> 00:07:05,930
THEIR EYEBROWS
WERE SINGED,
171
00:07:05,932 --> 00:07:07,364
THEIR EYELASHES
COMPLETELY BURNED OFF.
172
00:07:07,366 --> 00:07:09,433
THE TIPS OF THEIR EYEBALLS
WERE SEVERELY BURNED,
173
00:07:09,435 --> 00:07:11,335
AND THE SKIN AROUND THEIR EYES
SUSTAINED SECOND-DEGREE BURNS
174
00:07:11,337 --> 00:07:12,736
ANTEMORTEM.
175
00:07:12,738 --> 00:07:14,138
WHATEVER IT WAS
THAT BURNED THEM
176
00:07:14,140 --> 00:07:15,806
COULDN'T BE FOUND
AT THE SCENE.
177
00:07:15,808 --> 00:07:17,107
YEAH. MUST BE
178
00:07:17,109 --> 00:07:18,742
FROM SOME KIND OF
LOCALIZED HEAT SOURCE,
179
00:07:18,744 --> 00:07:20,778
MAYBE A LIGHTER
OR BUTANE TORCH,
180
00:07:20,780 --> 00:07:24,281
SOMETHING SO FINITE
AND PRECISE THAT HE
181
00:07:24,283 --> 00:07:27,952
DIDN'T MELT THE EYEBALLS
OR DESTROY THE EYE SOCKETS.
182
00:07:27,954 --> 00:07:30,521
GARCIA, CAN YOU SHOW US
THE VIDEO FROM LAST NIGHT?
183
00:07:30,523 --> 00:07:33,023
UNFORTUNATELY, I CAN.
184
00:07:33,025 --> 00:07:36,493
HELP! HELP!
PLEASE LET ME IN!
185
00:07:36,495 --> 00:07:38,629
PAUSE IT
RIGHT THERE.
186
00:07:38,631 --> 00:07:40,698
HIS LEFT CORNEA.
YOU GUYS SEE THAT?
187
00:07:40,700 --> 00:07:42,666
EASILY WRITTEN OFF
AS REFLECTOR GLOW
188
00:07:42,668 --> 00:07:44,134
FROM LOW-LIGHT
VIDEO CONDITIONS,
189
00:07:44,136 --> 00:07:45,936
BUT I THINK
THE UNSUB BURNED IT,
190
00:07:45,938 --> 00:07:47,204
AND THE SKIN
AROUND THE AREA
191
00:07:47,206 --> 00:07:48,806
ISN'T AFFECTED LIKE
ON THE MENDELBAUMS.
192
00:07:48,808 --> 00:07:50,307
HE'S GETTING
BETTER AT THIS.
193
00:07:50,309 --> 00:07:51,775
EXCEPT HE LOST CONTROL
OF HIS VICTIM LAST NIGHT,
194
00:07:51,777 --> 00:07:53,177
SO HE'S NOT THAT GOOD.
195
00:07:53,179 --> 00:07:54,712
WHEN WE LAND,
SPENCER, J.J., MATT,
196
00:07:54,714 --> 00:07:56,180
GO TO THE MENDELBAUM
CRIME SCENE.
197
00:07:56,182 --> 00:07:57,881
THE REST OF US WILL SET UP
AT THE LOCAL PD.
198
00:07:57,883 --> 00:07:59,783
LET'S HOPE WE FIND
THIS UNSUB
199
00:07:59,785 --> 00:08:01,952
BEFORE HE PERFECTS
HIS TECHNIQUE.
200
00:08:03,990 --> 00:08:06,056
SO THE FIRST VICTIMS,
THE MENDELBAUMS,
201
00:08:06,058 --> 00:08:07,725
THEY LIVED UP HERE
IN THE WEST,
202
00:08:07,727 --> 00:08:10,260
AND THEN THE ALDRIDGE HOUSE,
WHERE THE SECOND VICTIM
203
00:08:10,262 --> 00:08:12,830
RANG THE DOORBELL
WAS DOWN HERE IN THE SOUTH,
204
00:08:12,832 --> 00:08:14,865
SO WHAT ARE THESE
TWO NEIGHBORHOODS LIKE?
205
00:08:14,867 --> 00:08:16,467
BOTH QUIET.
206
00:08:16,469 --> 00:08:18,402
THE SOUTH PART IS
ADJACENT TO DOWNTOWN,
207
00:08:18,404 --> 00:08:20,170
AND THE WEST PART
IS MORE WELL-TO-DO
208
00:08:20,172 --> 00:08:21,605
AND SECLUDED
IN THE HILLS.
209
00:08:21,607 --> 00:08:23,507
BUT THE BLOOD TRAIL
FOUND AT THE ALDRIDGES'
210
00:08:23,509 --> 00:08:25,109
WENT FROM THE PORCH
TO THE CURB,
211
00:08:25,111 --> 00:08:27,611
SO OUR UNSUB HAD
A WAITING VEHICLE,
212
00:08:27,613 --> 00:08:29,713
BUT WHICH DIRECTION DID
OUR VICTIM COME FROM?
213
00:08:29,715 --> 00:08:31,815
WELL, OUR GUY HAD MUD
ON HIS FEET.
214
00:08:31,817 --> 00:08:34,852
HOW HE GOT THAT WOULD
ANSWER YOUR QUESTION, EMILY.
215
00:08:34,854 --> 00:08:36,754
THE WEST
PART IS RIGHT AT THE EDGE
216
00:08:36,756 --> 00:08:38,656
OF A HUGE
WOODED FOREST.
217
00:08:38,658 --> 00:08:40,457
ALL RIGHT. SO THAT MEANS
OUR VICTIM WOULD HAVE HAD
218
00:08:40,459 --> 00:08:42,660
TO HAVE APPROACHED
THROUGH HERE
219
00:08:42,662 --> 00:08:44,628
FROM THIS NEIGHBORHOOD,
I'M ASSUMING. ROXY HEIGHTS?
220
00:08:44,630 --> 00:08:45,996
THAT WOULD TRACK.
221
00:08:45,998 --> 00:08:47,965
WAIT. IF HE WOULD'VE
JUST MADE A RIGHT
222
00:08:47,967 --> 00:08:49,667
WHEN HE CAME OUT
OF THE CUL-DE-SAC,
223
00:08:49,669 --> 00:08:52,169
HE WOULD'VE RUN SMACK DAB
INTO A POLICE SUBSTATION.
224
00:08:52,171 --> 00:08:53,637
HE WOULD'VE BEEN SAVED.
225
00:08:53,639 --> 00:08:55,539
MAYBE HE
DIDN'T KNOW THE AREA.
226
00:08:55,541 --> 00:08:57,241
IT'S NOT
LIKE WE KEPT IT A SECRET.
227
00:08:57,243 --> 00:08:59,209
WE DO ALL KINDS
OF NEIGHBORHOOD OUTREACH.
228
00:08:59,211 --> 00:09:01,278
NO. IT CHANGES
OUR PROFILE.
229
00:09:01,280 --> 00:09:03,814
HE PICKED A VICTIM OR,
MORE LIKELY, A COUPLE
230
00:09:03,816 --> 00:09:05,416
THAT ISN'T LOCAL.
231
00:09:05,418 --> 00:09:07,117
IF THEY'RE HARD TO FIND,
HE'S HARD TO FIND.
232
00:09:07,119 --> 00:09:09,620
SO WAS THAT ON PURPOSE,
OR DID HE JUST GET LUCKY?
233
00:09:09,622 --> 00:09:11,655
MAYBE THE MENDELBAUM
CRIME SCENE
234
00:09:11,657 --> 00:09:14,258
WILL HELP US
FIGURE THAT OUT.
235
00:09:14,260 --> 00:09:17,928
THANK YOU FOR LETTING US
INTO YOUR PARENTS' HOME.
236
00:09:17,930 --> 00:09:19,496
ARE YOU GONNA CATCH
THE SON OF A BITCH
237
00:09:19,498 --> 00:09:21,265
THAT DID THIS TO THEM?
238
00:09:21,267 --> 00:09:24,601
WELL, WE WON'T LEAVE
UNTIL WE DO.
239
00:09:24,603 --> 00:09:27,604
SO HOW LONG DID YOUR DAD
PRACTICE MEDICINE HERE?
240
00:09:27,606 --> 00:09:31,475
35 YEARS,
RETIRED FOR ONLY 3.
241
00:09:31,477 --> 00:09:33,444
IT'S QUITE A LEGACY.
242
00:09:33,446 --> 00:09:36,513
CAN YOU THINK OF
ANYONE WHO WOULD WANT
243
00:09:36,515 --> 00:09:38,949
TO HURT HIM
OR YOUR MOM?
244
00:09:38,951 --> 00:09:41,652
NO. MY DAD WAS
A PEDIATRICIAN.
245
00:09:41,654 --> 00:09:45,956
EVERYONE LOVED HIM
AND MY MOM.
246
00:09:45,958 --> 00:09:51,061
I DON'T GET IT.
WHY--
247
00:09:52,832 --> 00:09:54,531
WHY WHAT?
248
00:09:54,533 --> 00:09:57,234
WHEN MY PARENTS WOULDN'T
ANSWER MY CALLS OR TEXTS,
249
00:09:57,236 --> 00:10:00,838
I CAME OVER
TO CHECK ON THEM, AND--
250
00:10:00,840 --> 00:10:03,640
YOU FOUND THE BODIES.
251
00:10:03,642 --> 00:10:07,544
YEAH, BUT
BEFORE I DID,
252
00:10:07,546 --> 00:10:09,980
THE WHOLE HOUSE
WAS DARK.
253
00:10:09,982 --> 00:10:12,015
I WAS STUMBLING AROUND,
TRYING TO FIND THEM,
254
00:10:12,017 --> 00:10:14,017
AND WHEN I GOT
TO THE FUSE BOX,
255
00:10:14,019 --> 00:10:16,153
ALL THE BREAKERS
WERE TRIPPED.
256
00:10:16,155 --> 00:10:19,156
SO THE KILLER TURNED OFF
ALL THE LIGHTS.
257
00:10:19,158 --> 00:10:20,858
THIS WASN'T IN
THE POLICE REPORT.
258
00:10:20,860 --> 00:10:22,793
DID YOU TELL THEM?
259
00:10:22,795 --> 00:10:25,062
IS IT IMPORTANT?
260
00:10:25,064 --> 00:10:26,864
UH, IT MIGHT BE.
261
00:10:28,734 --> 00:10:31,902
UH, EXCUSE ME.
262
00:10:36,642 --> 00:10:39,309
SO WE RULED OUT
THE SON, RIGHT?
263
00:10:39,311 --> 00:10:41,211
YEAH. HE WAS HOME
ALL NIGHT. WHY?
264
00:10:41,213 --> 00:10:43,247
WELL, THE UNSUB CUT
THE POWER TO THE HOUSE,
265
00:10:43,249 --> 00:10:45,449
AND RAY DIDN'T MENTION IT
TO THE POLICE.
266
00:10:45,451 --> 00:10:47,551
IT'S ODD, BUT HE DID JUST
LOSE BOTH HIS PARENTS.
267
00:10:47,553 --> 00:10:49,153
AND THAT TRACKS
WITH WHAT WE FOUND.
268
00:10:49,155 --> 00:10:50,320
WELL, WHAT
DID YOU FIND?
269
00:10:50,322 --> 00:10:51,588
WELL, THE UNSUB
SECURED THEM HERE
270
00:10:51,590 --> 00:10:52,956
AND NOT VERY WELL.
271
00:10:52,958 --> 00:10:54,024
HOW CAN YOU TELL?
272
00:10:54,026 --> 00:10:55,459
BUTANE BURNS
ON THE TABLE.
273
00:10:55,461 --> 00:10:57,127
THEY SQUIRMED AS HE
BROUGHT THE LIGHTER DOWN.
274
00:10:57,129 --> 00:11:01,064
OK. WELL, WHY BLIND HIM,
THEN STAB?
275
00:11:01,066 --> 00:11:03,233
HE HAS THEM SECURE.
IT'S ALREADY DARK.
276
00:11:03,235 --> 00:11:04,968
WHAT IS HE TRYING
TO ACCOMPLISH?
277
00:11:04,970 --> 00:11:08,972
THIS.
SO WE ASKED THE POLICE
278
00:11:08,974 --> 00:11:12,810
TO DUST FOR PRINTS, BUT WE
WERE NOT EXPECTING THIS.
279
00:11:12,812 --> 00:11:14,545
OH, MY GOD.
280
00:11:14,547 --> 00:11:17,114
THE PRINTS ALL BELONG TO
MR. AND MRS. MENDELBAUM.
281
00:11:17,116 --> 00:11:20,150
YEAH.
THEY WERE TRYING
282
00:11:20,152 --> 00:11:23,053
TO FEEL THEIR WAY
AROUND BLIND.
283
00:11:23,055 --> 00:11:25,956
AND HE WAS WATCHING THEM
WITH HIS GOGGLES ON.
284
00:11:25,958 --> 00:11:28,325
HE WANTED TO SEE
THEM STRUGGLE.
285
00:11:28,327 --> 00:11:31,495
NO. HE WANTED TO
SEE THEM PANIC.
286
00:11:31,497 --> 00:11:35,065
HE WANTED THEM TO KNOW
THAT AT ANY POINT,
287
00:11:35,067 --> 00:11:37,935
HE COULD STAB THEM,
WHICH HE DID
288
00:11:37,937 --> 00:11:40,637
RIGHT THERE
AND THEN HERE.
289
00:11:40,639 --> 00:11:42,606
WE THOUGHT THAT LAST
NIGHT'S VICTIM GOT
LUCKY AND ESCAPED,
290
00:11:42,608 --> 00:11:44,842
BUT THIS CRIME SCENE
TELLS AN ENTIRELY
DIFFERENT STORY.
291
00:11:44,844 --> 00:11:47,845
YEAH. HE LET THEM
GO ON PURPOSE,
292
00:11:47,847 --> 00:11:49,780
FIRST IN A CONTROLLED
SETTING LIKE THIS,
293
00:11:49,782 --> 00:11:51,815
THEN OUT
IN THE WILD.
294
00:11:51,817 --> 00:11:53,750
SO LAST NIGHT'S VICTIM
DIDN'T GET LUCKY.
295
00:11:53,752 --> 00:11:57,387
NO. OUR UNSUB'S
A HUNTER.
296
00:12:03,162 --> 00:12:05,162
IT'S OK.
297
00:12:05,164 --> 00:12:07,831
BABY, IT'S--
IT'S OK.
298
00:12:09,501 --> 00:12:12,970
NIK, I CAN'T SEE.
299
00:12:12,972 --> 00:12:15,138
JUST...
I CAN'T SEE.
300
00:12:15,140 --> 00:12:17,474
FOCUS ON MY VOICE.
301
00:12:17,476 --> 00:12:19,343
I--I--
302
00:12:19,345 --> 00:12:21,345
THINK ABOUT THE PLACE
THAT WE MET.
303
00:12:21,347 --> 00:12:23,780
REMEMBER?
304
00:12:23,782 --> 00:12:26,550
BALBOA.
BALBOA ISLAND.
305
00:12:26,552 --> 00:12:30,687
REMEMBER THAT SUNSET?
OTHERWORLDLY, RIGHT?
306
00:12:30,689 --> 00:12:34,024
THE PINKS, THE BLUES.
307
00:12:34,026 --> 00:12:36,093
YEAH.
308
00:12:36,095 --> 00:12:38,528
I WAS HOPING THAT
IF YOU NOTICED ME
309
00:12:38,530 --> 00:12:42,466
NOTICING THEM, YOU'D
HAVE COFFEE WITH ME.
310
00:12:42,468 --> 00:12:45,535
IT WORKED.
IT DID.
311
00:12:45,537 --> 00:12:47,504
WHAT WAS THE NAME
OF THAT COFFEE SHOP?
312
00:12:47,506 --> 00:12:49,273
THE BALBOA ISLAND
COFFEE COMPANY.
313
00:12:49,275 --> 00:12:50,707
WE'RE GONNA GO
BACK THERE, OK?
314
00:12:50,709 --> 00:12:51,842
YEAH.
315
00:12:51,844 --> 00:12:52,976
I PROMISE YOU, WE'RE
GONNA MAKE IT BACK.
316
00:12:54,280 --> 00:12:55,846
SHH, SHH, SHH.
SHH, SHH, SHH.
317
00:12:55,848 --> 00:12:58,181
HE'S COMING.
SHH. HE'S COMING.
318
00:12:58,183 --> 00:13:01,351
I HEAR HIM.
SHH, SHH.
319
00:13:12,998 --> 00:13:16,733
UH...UH...
320
00:13:21,507 --> 00:13:23,373
NIK. NIK?
321
00:13:23,375 --> 00:13:25,142
NO. NO.
NIK?
322
00:13:25,144 --> 00:13:27,444
NO, NO.
IT'S MY TURN. HURT ME.
323
00:13:27,446 --> 00:13:30,147
HE'S GOT A KNIFE.
WHAT?
324
00:13:30,149 --> 00:13:33,183
OH...OH...OH...
325
00:13:40,859 --> 00:13:43,360
COME ON.
326
00:13:51,136 --> 00:13:54,871
GET UP.
327
00:13:57,843 --> 00:13:59,977
NOW LET'S SEE YOU
GET OUT OF HERE.
328
00:13:59,979 --> 00:14:02,145
GO ON. GET GOING.
329
00:14:02,147 --> 00:14:03,680
J.P.
330
00:14:03,682 --> 00:14:05,649
BASED ON THE VIDEO,
THE UNSUB'S GOGGLES
331
00:14:05,651 --> 00:14:07,384
USE A PROCESS
CALLED AMPLIFICATION
332
00:14:07,386 --> 00:14:08,785
WHICH INCREASES
THE AVAILABLE LIGHT
333
00:14:08,787 --> 00:14:10,787
IN ORDER TO MAKE IT BRIGHT
ENOUGH FOR EYES TO SEE IT.
334
00:14:10,789 --> 00:14:13,357
NOW, HE CAN SEE HIS VICTIMS,
BUT THEY CAN'T SEE HIM,
335
00:14:13,359 --> 00:14:15,158
BUT HERE'S THE PART
THAT DOESN'T MAKE SENSE.
336
00:14:15,160 --> 00:14:16,927
ONCE THEY'RE BLINDED,
337
00:14:16,929 --> 00:14:19,129
HE SHOULDN'T NEED
TO WEAR THAT ANYMORE.
338
00:14:19,131 --> 00:14:22,232
OR IT COULD BE SYMBOLIC, OR
HE'S MAKING A STATEMENT--
339
00:14:22,234 --> 00:14:24,735
COLORBLIND. LOVE IS BLIND,
BLIND JUSTICE.
340
00:14:24,737 --> 00:14:26,903
GARCIA,
YOU'RE ON SPEAKER.
341
00:14:26,905 --> 00:14:28,505
GARCIA, ON PHONE:
OOH, I LIVE FOR SPEAKER. OK.
342
00:14:28,507 --> 00:14:30,640
I HAVE FOUND
ADDITIONAL SECURITY FOOTAGE
343
00:14:30,642 --> 00:14:34,011
OF OUR VIDEO GUY RUNNING--
OR SHOULD I SAY SPRINTING?--
344
00:14:34,013 --> 00:14:36,346
PAST 3 HOUSES IN ROXY HEIGHTS.
345
00:14:36,348 --> 00:14:39,883
SENT IT TO YOUR TABLETS
EXACTLY NOW.
346
00:14:39,885 --> 00:14:42,619
WOW.
BUT HE'S REALLY MOVING.
347
00:14:42,621 --> 00:14:44,688
THIS IS AFTER TWO MILES
ACROSS OPEN FOREST,
348
00:14:44,690 --> 00:14:46,256
HE'S STILL SPRINTING.
349
00:14:46,258 --> 00:14:47,491
WELL, THAT COULD BE
JUST ADRENALINE,
350
00:14:47,493 --> 00:14:49,192
BUT THIS GUY'S GOT
PERFECT FORM.
351
00:14:49,194 --> 00:14:51,561
HE'S ALSO WEARING
AN EXERCISE WATCH.
352
00:14:51,563 --> 00:14:53,830
THIS VICTIM TRAINED REGULARLY.
353
00:14:53,832 --> 00:14:55,632
WELL, MAYBE HE'S
A RUNNER FROM OUT-OF-TOWN.
354
00:14:55,634 --> 00:14:57,434
ARE THERE ANY
UPCOMING MARATHONS?
355
00:14:57,436 --> 00:14:58,902
YES, TOMORROW.
356
00:14:58,904 --> 00:15:01,271
THERE'S A HALF-MARATHON
FOR BREAST CANCER RESEARCH.
357
00:15:01,273 --> 00:15:03,140
I'VE RUN IT
A FEW TIMES MYSELF
358
00:15:03,142 --> 00:15:04,674
IN MEMORY OF
MY AUNT JOYCE.
359
00:15:04,676 --> 00:15:07,377
GARCIA, I WANT YOU TO RUN
THE ENTRANTS' NAMES.
360
00:15:07,379 --> 00:15:09,513
CROSS-REFERENCE THEM
WITH THEIR BIB PHOTOS
361
00:15:09,515 --> 00:15:11,748
AND THE VIDEO STILLS
OF OUR MISSING MAN.
362
00:15:11,750 --> 00:15:14,117
LOOK FOR
ROMANTIC COUPLES
RUNNING TOGETHER,
363
00:15:14,119 --> 00:15:15,652
MARRIED OR DOMESTIC,
364
00:15:15,654 --> 00:15:17,554
SPANNING SEXUAL
PREFERENCE LINES.
365
00:15:17,556 --> 00:15:20,290
ALL OVER IT, BOSS, LIKE BEANIES
ON MAN BUNS ON HIPSTERS.
366
00:15:22,928 --> 00:15:24,361
OH. HERE WE GO.
367
00:15:24,363 --> 00:15:27,330
J.P. McCOY--32,
NIKKI PARENO--29,
368
00:15:27,332 --> 00:15:29,366
RECENTLY ENGAGED, FROM
HUNTINGTON BEACH, CALIFORNIA.
369
00:15:29,368 --> 00:15:31,535
HE'S A FINANCIAL PLANNER.
SHE'S A VET TECH.
370
00:15:31,537 --> 00:15:34,104
LOOKS LIKE THEY WERE STAYING
AT A HOME-SHARE RENTAL
371
00:15:34,106 --> 00:15:35,872
THEY GOT OFF COZYNEST.
372
00:15:35,874 --> 00:15:37,240
IT'S JUST LIKE AIRBnB.
373
00:15:37,242 --> 00:15:39,309
IT'S TEMPORARY RENTALS,
HAVING TO TRUST STRANGERS.
374
00:15:39,311 --> 00:15:41,445
IT'S PRETTY RISKY
IF YOU THINK ABOUT IT.
375
00:15:41,447 --> 00:15:43,413
ADDRESS SENT.
376
00:15:49,688 --> 00:15:51,855
NIK...
377
00:15:51,857 --> 00:15:54,391
NIK, IS HE GONE?
378
00:15:54,393 --> 00:15:55,826
I THINK SO.
379
00:15:55,828 --> 00:15:57,060
OK. YEAH.
380
00:15:57,062 --> 00:15:58,595
I GOT TO GET
YOU FREE.
381
00:15:58,597 --> 00:15:59,729
NO, NO, NO ,NO, NO.
NO. NO.
382
00:15:59,731 --> 00:16:01,364
HE'S GONNA BE
RIGHT BACK.
383
00:16:01,366 --> 00:16:03,900
PLEASE, J.P.
NOW IS YOUR CHANCE.
384
00:16:03,902 --> 00:16:05,969
I'LL TRY AND HELP YOU.
385
00:16:05,971 --> 00:16:11,208
THERE'S A STAIRCASE ABOUT
12 FEET AHEAD OF YOU.
386
00:16:11,210 --> 00:16:14,611
KEEP GOING. THAT'S IT.
387
00:16:14,613 --> 00:16:15,879
OK.
388
00:16:22,454 --> 00:16:24,988
LEWIS, ROSSI, TAKE THE BACK.
WAIT FOR MY MARK.
389
00:16:24,990 --> 00:16:26,289
NOW BE CAREFUL.
390
00:16:26,291 --> 00:16:27,691
TAKE THE HAND RAIL
391
00:16:27,693 --> 00:16:29,726
AND JUST TAKE ONE
STEP AT A TIME, OK?
392
00:16:29,728 --> 00:16:31,661
ONE STEP AT A TIME.
393
00:16:31,663 --> 00:16:34,331
MOVING INTO
POSITION.
394
00:16:36,335 --> 00:16:39,369
NIK, NIK, NIK,
I HEAR VOICES.
395
00:16:39,371 --> 00:16:41,571
YOU CAN DO THIS, J.P.
396
00:16:41,573 --> 00:16:43,373
JUST HEAD TOWARD
THEIR VOICES.
397
00:17:00,125 --> 00:17:02,425
OK. WE'RE READY.
398
00:17:13,372 --> 00:17:16,173
1, 2, 3.
399
00:17:25,184 --> 00:17:27,651
CLEAR.
400
00:17:29,221 --> 00:17:31,154
THEY'RE NOT HERE.
401
00:17:33,759 --> 00:17:35,926
UH!
HUH...
402
00:17:43,254 --> 00:17:46,622
HE CUT OFF THE POWER
HERE, AS WELL.
403
00:17:46,624 --> 00:17:48,457
THIS IS HOW
HE GAINS CONTROL.
404
00:17:48,459 --> 00:17:50,693
RIGHT. SO THEY RUN OUTSIDE
TO CHECK THE FUSE BOX.
405
00:17:50,695 --> 00:17:51,994
HE GETS INSIDE.
406
00:17:51,996 --> 00:17:53,496
THEY COME BACK IN,
AND THEY'RE IMMEDIATELY
407
00:17:53,498 --> 00:17:54,930
AT A DISADVANTAGE
IN THE DARK.
408
00:17:54,932 --> 00:17:56,165
JUST LIKE
THE MENDELBAUMS.
409
00:17:56,167 --> 00:17:57,533
YEAH, BUT THAT'S
WHERE IT ENDS.
410
00:17:57,535 --> 00:17:59,602
I MEAN, THERE'S NO STUMBLING
AROUND IN THE DARK HERE.
411
00:17:59,604 --> 00:18:01,704
THERE'S NO HANDPRINTS
AT ALL BEYOND THE USUAL.
412
00:18:01,706 --> 00:18:04,173
HE DID NOT
KILL THEM HERE.
413
00:18:04,175 --> 00:18:08,244
SO THE UNSUB MOVED THEM
TO A SECONDARY LOCATION.
414
00:18:08,246 --> 00:18:10,045
IT'S RISKY TO MOVE
TWO PEOPLE.
415
00:18:10,047 --> 00:18:12,014
WHY DO IT,
416
00:18:12,016 --> 00:18:14,183
AND HOW DO YOU DO IT
WITHOUT BEING SEEN?
417
00:18:14,185 --> 00:18:16,852
ALL RIGHT,
SO WE KNOW THIS GUY
418
00:18:16,854 --> 00:18:19,388
LIKES TO TAKE BIG RISKS,
WHICH HE'S DONE HERE
419
00:18:19,390 --> 00:18:21,590
BY COMING ALL THE WAY
ACROSS TOWN TO THIS HOUSE,
420
00:18:21,592 --> 00:18:23,025
BUT WE STILL
DON'T KNOW
421
00:18:23,027 --> 00:18:24,527
WHY THIS HOUSE
IS SO SPECIAL.
422
00:18:24,529 --> 00:18:26,562
ISRAEL KEYES EVADED
CAPTURE FOR DECADES
423
00:18:26,564 --> 00:18:28,764
BECAUSE HE
CRACKED THE CODE.
424
00:18:28,766 --> 00:18:30,533
RIGHT. DON'T KILL ANYBODY
CONNECTED TO YOU,
425
00:18:30,535 --> 00:18:32,701
AND DON'T KILL IN A SPACE
THAT CAN BE CONNECTED TO YOU.
426
00:18:32,703 --> 00:18:34,837
WELL, MAYBE THIS UNSUB
DID HIS RESEARCH
427
00:18:34,839 --> 00:18:37,206
AND FIGURED
THAT OUT, TOO.
428
00:18:37,208 --> 00:18:39,208
ALL RIGHT, SO MAYBE
THIS GUY'S SMART ENOUGH
429
00:18:39,210 --> 00:18:41,510
TO HAVE CREATED A SPECIAL
LAYER OF PROTECTION
430
00:18:41,512 --> 00:18:43,412
BY USING COZYNEST TO
FIND AND ATTACK STRANGERS,
431
00:18:43,414 --> 00:18:45,414
OR IT'S THE OPPOSITE,
AND THERE'S SOME KIND
432
00:18:45,416 --> 00:18:48,017
OF AN EMOTIONAL TIE
AND HE CHOSE THIS
HOUSE PURPOSEFULLY.
433
00:18:48,019 --> 00:18:50,453
YOUR DADDY
SAID YOU'RE SORT OF
434
00:18:50,455 --> 00:18:52,254
A NIGHT OWL AROUND
THE NEIGHBORHOOD.
435
00:18:52,256 --> 00:18:54,657
I HAVE A HARD TIME SLEEPING,
AND I LIKE THE NIGHT.
436
00:18:54,659 --> 00:18:57,326
ANYTHING HAPPEN LAST
NIGHT THAT'S A LITTLE
437
00:18:57,328 --> 00:18:59,161
OUT OF THE NORMAL
ROUTINE FOR AROUND HERE?
438
00:18:59,163 --> 00:19:00,729
OUR NEIGHBORS LIKE
TO RENT THEIR PLACE OUT
439
00:19:00,731 --> 00:19:01,997
ON COZYNEST,
SO IT'S ALWAYS
440
00:19:01,999 --> 00:19:03,799
A MIXED BAG
NEXT DOOR.
441
00:19:03,801 --> 00:19:06,936
WELL, DID YOU SEE
ANYONE COMING OR GOING?
442
00:19:06,938 --> 00:19:09,438
WELL, EARLIER,
I WAS IN MY ROOM,
443
00:19:09,440 --> 00:19:11,207
AND I SAW THE GUY
AND A GIRL COME HOME,
444
00:19:11,209 --> 00:19:12,608
MUST HAVE BEEN
FROM A RUN.
445
00:19:12,610 --> 00:19:13,843
WHAT ABOUT AFTER THAT?
446
00:19:13,845 --> 00:19:15,511
I THOUGHT THEY INVITED
A FRIEND OVER BECAUSE
447
00:19:15,513 --> 00:19:18,647
I SAW THIS GUY HELPING
THE RUNNER DUDE INTO A CAR.
448
00:19:18,649 --> 00:19:20,850
THE NEW GUY, WHAT
DID HE LOOK LIKE?
449
00:19:20,852 --> 00:19:22,685
DARK CLOTHES, A HOODIE.
450
00:19:22,687 --> 00:19:24,854
SOMETHING ABOUT HIM MADE ME
ASSUME HE WAS A DEALER,
451
00:19:24,856 --> 00:19:26,589
YOU KNOW?
452
00:19:26,591 --> 00:19:29,425
HE HAD THESE WEIRD
SUNGLASSES ON AND EVERYTHING.
453
00:19:29,427 --> 00:19:31,927
THESE SUNGLASSES, WHAT
WAS WEIRD ABOUT THEM,
454
00:19:31,929 --> 00:19:33,863
I MEAN, OTHER THAN HE
HAD THEM ON AT NIGHT?
455
00:19:33,865 --> 00:19:36,298
HAD SOMETHING
SHINY ON THEM,
456
00:19:36,300 --> 00:19:38,400
LIKE A STRIPE
OR SOMETHING.
457
00:19:38,402 --> 00:19:40,202
IT CAUGHT MY EYE WHEN
HE OPENED THE CAR DOOR
458
00:19:40,204 --> 00:19:42,004
AND THE OVERHEAD
LIGHT WENT ON.
459
00:19:42,006 --> 00:19:43,672
IF I WERE TO SHOW
YOU A PICTURE
460
00:19:43,674 --> 00:19:45,941
OF THESE SUNGLASSES, WOULD
YOU BE ABLE TO I.D. THEM?
461
00:19:45,943 --> 00:19:48,577
YEAH. SURE.
462
00:19:49,780 --> 00:19:51,614
THAT'S THEM.
463
00:19:51,616 --> 00:19:53,949
THANKS, MAN.
464
00:19:55,319 --> 00:19:57,486
WE NEED TO DELIVER
THE PROFILE.
465
00:19:59,590 --> 00:20:02,224
THE UNSUB WE'RE LOOKING FOR
IS BELIEVED TO BE A WHITE MALE
466
00:20:02,226 --> 00:20:05,928
IN HIS LATE 20s TO EARLY 30s
WHO IS VISUALLY IMPAIRED.
467
00:20:05,930 --> 00:20:07,663
NOW, BASED ON
EYEWITNESS CONFIRMATION,
468
00:20:07,665 --> 00:20:09,098
HE'S WEARING THESE.
469
00:20:09,100 --> 00:20:11,700
THEY'RE ELECTRONIC SUNGLASSES
THAT HELP HIM SEE IN THE DARK.
470
00:20:11,702 --> 00:20:14,236
SO HE'S BLIND? THAT
SHOULD MAKE HIM EASY TO FIND.
471
00:20:14,238 --> 00:20:16,405
NO. HE'S IMPAIRED,
NOT FULLY SIGHTLESS,
472
00:20:16,407 --> 00:20:18,040
AND WITH THE AID
OF THE GLASSES
473
00:20:18,042 --> 00:20:19,642
AND THE NIGHT-VISION
GOGGLES, HE MOST LIKELY
474
00:20:19,644 --> 00:20:21,510
HAS CLOSE
TO FULL VISION.
475
00:20:21,512 --> 00:20:24,113
WHAT'S MORE RELEVANT FOR
OUR PROFILE, HOWEVER,
476
00:20:24,115 --> 00:20:25,915
IS THAT BEHIND
THIS DISABILITY LURKS
477
00:20:25,917 --> 00:20:29,218
A PSYCHOPATH INCAPABLE
OF FEELING EMPATHY.
478
00:20:29,220 --> 00:20:31,287
BUT HIS RAGE OVER
HIS CONDITION
IS NOW EXTERNALIZED
479
00:20:31,289 --> 00:20:34,323
ON HIS VICTIMS,
INCLUDING ANYONE WHO
SHOWS HIM ANY EMPATHY.
480
00:20:34,325 --> 00:20:36,559
IT'S ALSO POSSIBLE
THAT THIS UNSUB HAS LEARNED
481
00:20:36,561 --> 00:20:38,594
HOW TO WEAPONIZE
HIS DISABILITY
482
00:20:38,596 --> 00:20:40,429
IN ORDER TO MAKE
HIMSELF SEEM
483
00:20:40,431 --> 00:20:42,031
LESS THREATENING
TO HIS VICTIMS.
484
00:20:42,033 --> 00:20:44,266
HOWEVER, THIS UNSUB
HAS LIMITED SOCIAL SKILLS.
485
00:20:44,268 --> 00:20:46,769
HIS DISABILITY HAS KEPT HIM
WITHDRAWN AND ISOLATED.
486
00:20:46,771 --> 00:20:48,971
THAT'S WHY HE'S TAKEN
HIS OWN IMPAIRMENT OUT
487
00:20:48,973 --> 00:20:50,506
ON HIS VICTIMS.
488
00:20:50,508 --> 00:20:53,208
HE WANTS THEM TO KNOW
WHAT IT'S LIKE TO BE HIM.
489
00:20:53,210 --> 00:20:55,711
BRINGING THEM TO HIS LEVEL
ALLOWS HIM TO DRAW OUT
490
00:20:55,713 --> 00:20:59,782
THE TORTURE AND ENGAGE
IN CAT-AND-MOUSE-TYPE
PLAY WITH THEM.
491
00:20:59,784 --> 00:21:01,550
PSYCHOPATHS
GET BORED EASILY.
492
00:21:01,552 --> 00:21:04,219
THAT'S WHY THEY TAKE
BIGGER AND BIGGER RISKS.
493
00:21:04,221 --> 00:21:06,255
THAT'S WHY HE RELEASED J.P.,
494
00:21:06,257 --> 00:21:08,591
AND WE EXPECT HIM TO CONTINUE
TO ESCALATE WITH NIKKI.
495
00:21:08,593 --> 00:21:09,992
WHAT DOES THAT
LOOK LIKE?
496
00:21:09,994 --> 00:21:11,860
IT COULD BE PRETENDING
TO CARE ABOUT HER
497
00:21:11,862 --> 00:21:13,896
OR PRETENDING TO LET HER GO
AFTER HE BLINDS HER.
498
00:21:13,898 --> 00:21:17,099
NIKKI MIGHT HAVE A CHANCE
IF SHE CAN PROVE THAT
499
00:21:17,101 --> 00:21:19,735
SHE SEES HIM AS A HUMAN BEING
INSTEAD OF A MONSTER,
500
00:21:19,737 --> 00:21:21,770
WHICH IS HOW HE FEELS.
501
00:21:23,608 --> 00:21:26,508
J.P., YOU MADE--
502
00:21:26,510 --> 00:21:28,911
OH...OH...
503
00:21:28,913 --> 00:21:32,648
OH...DID YOU
HURT HIM?
504
00:21:32,650 --> 00:21:35,184
DID YOU?
505
00:21:35,186 --> 00:21:38,387
OH, PLEASE. NO.
506
00:21:38,389 --> 00:21:40,956
OH...
507
00:21:44,362 --> 00:21:46,795
UH...
508
00:21:46,797 --> 00:21:49,732
UH...
509
00:21:49,734 --> 00:21:52,201
YOU DON'T
HAVE TO KILL ME.
510
00:21:52,203 --> 00:21:54,403
LET ME GO. I WON'T
SAY ANYTHING.
511
00:22:02,513 --> 00:22:04,713
LOOK AT ME.
512
00:22:07,084 --> 00:22:09,418
ARE YOU REPULSED BY ME?
513
00:22:12,089 --> 00:22:14,923
WHAT HAPPENED TO YOU?
514
00:22:14,925 --> 00:22:18,127
I WANT TO KNOW.
PLEASE TELL ME.
515
00:22:31,108 --> 00:22:32,608
WHOA.
516
00:22:32,610 --> 00:22:34,143
REID, ON PHONE:
WHAT'D YOU FIND, GARCIA?
517
00:22:34,145 --> 00:22:35,978
WELL, THE FIRST
TWO VICTIMS WERE
518
00:22:35,980 --> 00:22:37,980
VERY WELL-RESPECTED, JUST
LIKE THEIR SON REPORTED,
519
00:22:37,982 --> 00:22:40,716
BUT DR. MENDELBAUM WAS NOT
WITHOUT A CHECKERED PAST.
520
00:22:40,718 --> 00:22:43,085
I'M SENDING YOU
A NEWS CLIPPING NOW.
521
00:22:43,087 --> 00:22:46,221
YOU ARE, I'M SURE,
AWARE OF EXPOSURE THERAPY.
522
00:22:46,223 --> 00:22:48,290
IT'S A FORM OF COGNITIVE
BEHAVIORAL THERAPY
523
00:22:48,292 --> 00:22:49,825
THAT'S BEEN AROUND
SINCE THE 1950s IN WHICH
524
00:22:49,827 --> 00:22:52,594
A PATIENT IS FORCED
TO CONFRONT THEIR ANXIETIES.
525
00:22:52,596 --> 00:22:54,663
TAKE ARACHNOPHOBIA,
FOR INSTANCE.
526
00:22:54,665 --> 00:22:57,533
UNDER THE GUIDANCE OF A DOCTOR
AND/OR A PSYCHOLOGIST,
527
00:22:57,535 --> 00:22:59,668
A PATIENT IS METHODICALLY
INTRODUCED TO SPIDERS
528
00:22:59,670 --> 00:23:01,303
IN A CONTROLLED SETTING,
THE IDEA BEING THAT
529
00:23:01,305 --> 00:23:03,072
THE MORE FAMILIAR
THEY ARE WITH ARACHNIDS--
530
00:23:03,074 --> 00:23:04,573
THE LESS
YOU FEAR THEM.
531
00:23:04,575 --> 00:23:05,974
WELL, IT LOOKS LIKE
DR. MENDELBAUM
532
00:23:05,976 --> 00:23:07,910
WAS TRYING THIS OUT
WITH HIS PATIENTS.
533
00:23:07,912 --> 00:23:09,244
TWO--CORRECT
ME IF I'M WRONG,
534
00:23:09,246 --> 00:23:11,647
AND I WANT TO BE WRONG--
WERE CHILDREN, NO?
535
00:23:11,649 --> 00:23:13,248
THEY WERE, AND
EXPOSURE THERAPY WITH CHILDREN
536
00:23:13,250 --> 00:23:14,950
HAS TO BE ADMINISTERED
WITH EXTREME CARE,
537
00:23:14,952 --> 00:23:16,952
OR IT CAN BE INTERPRETED
AS NEGATIVE REINFORCEMENT,
538
00:23:16,954 --> 00:23:18,921
COMPOUNDING THE PROBLEM.
539
00:23:18,923 --> 00:23:20,422
RAY WITHHELD DETAILS
540
00:23:20,424 --> 00:23:22,891
ABOUT HIS PARENTS'
MURDER FROM THE POLICE.
541
00:23:22,893 --> 00:23:24,727
CONSCIOUSLY
OR UNCONSCIOUSLY,
542
00:23:24,729 --> 00:23:26,595
HE MAY HAVE FEARED
THAT THIS PLAYED
A PART IN IT.
543
00:23:26,597 --> 00:23:28,030
WELL, IF THE UNSUB WAS
ONE OF HIS DAD'S PATIENTS,
544
00:23:28,032 --> 00:23:29,798
HE MIGHT BE RIGHT.
545
00:23:29,800 --> 00:23:31,734
ONE OF THESE KIDS
TOOK HIS OWN LIFE
546
00:23:31,736 --> 00:23:34,570
ONLY AFTER A FEW SESSIONS
OF EXPOSURE THERAPY,
547
00:23:34,572 --> 00:23:37,039
BUT THAT WAS ENOUGH FOR
YOUR FATHER TO DISCONTINUE
548
00:23:37,041 --> 00:23:39,174
HIS WORK AND TAKE
A LEAVE OF ABSENCE.
549
00:23:39,176 --> 00:23:42,578
NO. THAT CASE HAS NOTHING TO DO
WITH WHAT HAPPENED TO MY FOLKS.
550
00:23:42,580 --> 00:23:44,279
WE SETTLED
WITH THE FAMILY.
551
00:23:44,281 --> 00:23:46,014
WE AGREE, BUT YOUR
PARENTS' KILLER
552
00:23:46,016 --> 00:23:48,016
COULD HAVE BEEN
ANOTHER KID
HE TREATED.
553
00:23:50,387 --> 00:23:52,788
RAY--
554
00:23:52,790 --> 00:23:55,224
RAY, WE KNOW YOUR
FATHER WAS A GOOD MAN
555
00:23:55,226 --> 00:23:57,693
AND A GOOD DOCTOR,
556
00:23:57,695 --> 00:23:59,862
THAT HE REGULARLY
GAVE FREE CHECKUPS,
557
00:23:59,864 --> 00:24:01,730
AND MEDICAL CARE
TO AT-RISK KIDS.
558
00:24:01,732 --> 00:24:04,199
EVEN GOOD MEN
MAKE MISTAKES.
559
00:24:04,201 --> 00:24:07,369
YOU NEED TO HELP US
FIX WHAT YOUR DAD DID
560
00:24:07,371 --> 00:24:09,371
BECAUSE RIGHT NOW,
HIS KILLER
561
00:24:09,373 --> 00:24:11,707
HAS TWO MORE VICTIMS
SOMEPLACE.
562
00:24:14,845 --> 00:24:18,614
HE KEPT DETAILED RECORDS.
WE STILL HAVE THEM.
563
00:24:18,616 --> 00:24:21,049
WE'RE GONNA NEED
TO SEE THOSE.
564
00:24:21,051 --> 00:24:23,886
WHAT DO YOU
WANT FROM ME?
565
00:24:23,888 --> 00:24:27,189
IS THERE SOMETHING
I CAN HELP YOU WITH?
566
00:24:35,499 --> 00:24:37,833
AAH!
567
00:24:37,835 --> 00:24:40,202
AAH!
568
00:24:51,215 --> 00:24:54,149
IS THIS
ANOTHER GAME?
569
00:24:54,151 --> 00:24:56,919
NO.
570
00:24:56,921 --> 00:24:59,688
NO MORE GAMES.
571
00:25:02,993 --> 00:25:04,560
YOU'RE GONNA BE MY EYES.
572
00:25:10,401 --> 00:25:12,968
HE KEPT ALL OF HIS
OLD PATIENT RECORDS,
573
00:25:12,970 --> 00:25:16,572
EVEN THE NOT
SO SUCCESSFUL ONES.
574
00:25:16,574 --> 00:25:20,810
HE WAS WRITING A MEMOIR
ABOUT HIS RESEARCH,
575
00:25:20,812 --> 00:25:23,646
EVEN ADMITTING HIS FAILURES,
IN HOPES TO FIND
576
00:25:23,648 --> 00:25:26,382
A BETTER WAY
TO HELP THESE KIDS.
577
00:25:26,384 --> 00:25:29,952
IF YOU DON'T MIND,
I'LL LEAVE YOU TO IT.
578
00:25:29,954 --> 00:25:31,654
HEY, UM...
579
00:25:31,656 --> 00:25:33,956
I KNOW THIS IS
REALLY HARD FOR YOU.
580
00:25:33,958 --> 00:25:35,858
WE REALLY
APPRECIATE IT.
581
00:25:38,663 --> 00:25:41,564
OH, TALK ABOUT
A NEEDLE IN A HAYSTACK.
582
00:25:41,566 --> 00:25:43,432
AND THEY'RE ANONYMIZED,
NO NAMES.
583
00:25:43,434 --> 00:25:46,635
HUH. OK, WELL,
A NEEDLE
IN AN OCEAN.
584
00:25:46,637 --> 00:25:51,107
SO ACCORDING TO GARCIA,
THE STUDY TOOK PLACE
585
00:25:51,109 --> 00:25:54,110
FROM THE LATE NINETIES
TO THE EARLY 2000s,
586
00:25:54,112 --> 00:25:55,544
SO LET'S JUST
PULL EVERYTHING
587
00:25:55,546 --> 00:25:56,812
FROM THAT
TIME FRAME.
588
00:25:56,814 --> 00:25:58,814
DR. MENDELBAUM SEEMED
TO FOCUS ON PATIENTS
589
00:25:58,816 --> 00:26:00,916
SUFFERING FROM
SEPARATION ANXIETY,
590
00:26:00,918 --> 00:26:02,952
WHICH IS A COMMON
CONDITION IN CHILDHOOD.
591
00:26:02,954 --> 00:26:04,687
AND THIS SORT OF THERAPY
CAN BE EFFECTIVE
592
00:26:04,689 --> 00:26:06,155
WITH PROPER SUPERVISION,
593
00:26:06,157 --> 00:26:08,357
BUT WITHOUT
THE PROPER GUIDANCE,
594
00:26:08,359 --> 00:26:09,825
IT CAN HAVE
THE OPPOSITE EFFECT.
595
00:26:09,827 --> 00:26:11,694
IT CAN TAKE
AN OTHERWISE EFFECTIVE
FORM OF THERAPY
596
00:26:11,696 --> 00:26:14,230
AND TURN IT INTO
AN ENDLESS FORM OF TORTURE.
597
00:26:14,232 --> 00:26:17,133
AND HOW WOULD THAT
ANXIETY MANIFEST?
598
00:26:17,135 --> 00:26:18,901
CRYING IN SCHOOL,
FEAR OF DROWNING,
599
00:26:18,903 --> 00:26:21,337
REFUSAL
TO SLEEP ALONE.
600
00:26:21,339 --> 00:26:23,272
FEAR OF THE DARK?
601
00:26:23,274 --> 00:26:25,141
ABSOLUTELY.
NYCTOPHOBIA.
602
00:26:25,143 --> 00:26:26,976
THIS FILE MIGHT
BE OUR UNSUB--
603
00:26:26,978 --> 00:26:29,445
NUMBER 20411.
604
00:26:29,447 --> 00:26:31,814
ONE OF THE PRIMARY
TREATMENTS
IS DESENSITIZATION,
605
00:26:31,816 --> 00:26:33,282
INCREMENTAL,
NONTHREATENING INTERVALS
606
00:26:33,284 --> 00:26:35,184
OF DARKNESS,
KIND OF LIKE BEING
IN SOLITARY CONFINEMENT.
607
00:26:35,186 --> 00:26:36,719
THAT'S NOT GOOD.
608
00:26:36,721 --> 00:26:37,720
NO. IT IS NOT.
609
00:26:37,722 --> 00:26:39,121
OK, SO IT LOOKS LIKE
HE WAS A PATIENT
610
00:26:39,123 --> 00:26:41,490
FOR 14 MONTHS BEFORE
THE STUDY WAS STOPPED.
611
00:26:41,492 --> 00:26:45,928
THE DOC WAS TRYING
A MORE AGGRESSIVE
APPROACH--
612
00:26:45,930 --> 00:26:48,431
LONGER PERIODS OF
ISOLATION IN THE DARK,
613
00:26:48,433 --> 00:26:51,000
THE USE OF BLINDFOLDS
WITHIN HYPNOSIS--
614
00:26:51,002 --> 00:26:53,269
SINCE THIS PATIENT HAD
SUCH A SEVERE CASE.
615
00:26:53,271 --> 00:26:54,904
THAT'S NOT LONG ENOUGH
FOR IRREVERSIBLE
616
00:26:54,906 --> 00:26:57,606
BRAIN DAMAGE, BUT IT
THE DOCTOR STOPPED
HIS THERAPY
617
00:26:57,608 --> 00:26:59,275
AFTER HIS OTHER
PATIENT'S SUICIDE,
618
00:26:59,277 --> 00:27:00,709
THE UNSUB'S PARENTS
MIGHT HAVE DECIDED
619
00:27:00,711 --> 00:27:02,945
TO CONTINUE THE THERAPY
UNSUPERVISED.
620
00:27:02,947 --> 00:27:06,282
OR EVEN AS A WAY TO PUNISH
HIM WHEN HE ACTED OUT,
621
00:27:06,284 --> 00:27:07,850
LOCKING HIM IN THE DARK,
THINKING THEY'RE
622
00:27:07,852 --> 00:27:10,152
HELPING HIM,
TOUGHENING HIM UP--
623
00:27:10,154 --> 00:27:12,455
THEIR PSEUDO,
AMATEUR VERSION OF
624
00:27:12,457 --> 00:27:14,723
THE DOCTOR'S TREATMENT,
COMPLETELY DANGEROUS,
625
00:27:14,725 --> 00:27:16,959
UPPING THE ANTE
AND RETRAUMATIZING HIM.
626
00:27:16,961 --> 00:27:20,329
WE NEED TO CRACK THIS CODE
AND FIND PATIENT 20411.
627
00:27:23,034 --> 00:27:25,668
SO NOW THAT YOU
KNOW THE TRUTH...
628
00:27:28,206 --> 00:27:31,207
YOU STILL WANT
TO HELP ME?
629
00:27:31,209 --> 00:27:33,342
YES.
630
00:27:33,344 --> 00:27:35,311
I PROMISE THAT
I'LL HELP YOU,
631
00:27:35,313 --> 00:27:38,948
BUT FIRST, I WANT
TO SEE J.P., PLEASE.
632
00:27:43,087 --> 00:27:44,954
GO.
633
00:27:46,324 --> 00:27:48,591
GO.
634
00:27:59,504 --> 00:28:02,338
I JUST GOT
OFF THE PHONE WITH GARCIA.
635
00:28:02,340 --> 00:28:04,340
THE OWNERS OF THE COZYNEST HOUSE
WHERE J.P. AND NIKKI
636
00:28:04,342 --> 00:28:06,075
WERE ABDUCTED
ARE OUT OF TOWN.
637
00:28:06,077 --> 00:28:08,511
HOWEVER, WE WERE ABLE
TO TRACK DOWN THEIR DAUGHTER,
638
00:28:08,513 --> 00:28:10,112
WHO MANAGES THE RENTAL
IN THEIR ABSENCE.
639
00:28:10,114 --> 00:28:11,714
SHE'S ON HER WAY IN.
640
00:28:11,716 --> 00:28:12,715
GREAT.
641
00:28:12,717 --> 00:28:14,016
IT'S GOT TO BE HERE.
642
00:28:14,018 --> 00:28:15,284
I'VE APPLIED EVERY POTENTIAL
NUMERIC ALGORITHM,
643
00:28:15,286 --> 00:28:16,652
AND SO FAR, NOTHING.
644
00:28:16,654 --> 00:28:17,953
WELL, IF
THIS EXPOSURE THERAPY
645
00:28:17,955 --> 00:28:19,622
WAS THE UNSUB'S STRESSOR,
646
00:28:19,624 --> 00:28:21,824
WHY WAIT UNTIL NOW
TO TAKE HIS REVENGE?
647
00:28:21,826 --> 00:28:23,425
HE COULD HAVE
BEEN LOCKED UP.
648
00:28:23,427 --> 00:28:25,628
OR MOVED AWAY
OR HAD BEEN HOSPITALIZED.
649
00:28:25,630 --> 00:28:27,530
MORE TO THE POINT,
WHY GO AFTER
650
00:28:27,532 --> 00:28:30,165
A SEEMINGLY RANDOM COUPLE
LIKE J.P. AND NIKKI?
651
00:28:30,167 --> 00:28:33,369
IT JUST
DOESN'T ADD UP
652
00:28:33,371 --> 00:28:36,472
UNLESS IT WAS ABOUT
653
00:28:36,474 --> 00:28:38,374
THE HOME
THEY'RE STAYING IN
654
00:28:38,376 --> 00:28:40,376
AND NOT ABOUT
THEM SPECIFICALLY.
655
00:28:40,378 --> 00:28:44,313
THIS GUY ABSOLUTELY
LIVES FOR THE HUNT,
656
00:28:44,315 --> 00:28:48,150
SO WHAT IF THIS
ISN'T ONLY ABOUT
657
00:28:48,152 --> 00:28:50,753
REENACTING HIS TRAUMA
BUT IT'S ALSO
658
00:28:50,755 --> 00:28:52,655
ABOUT UNFINISHED
BUSINESS?
659
00:28:52,657 --> 00:28:54,356
BUT
WITH WHO, THOUGH?
660
00:28:54,358 --> 00:28:56,659
I MEAN, WHO'S LEFT
FOR HIM TO HUNT?
661
00:29:06,504 --> 00:29:09,238
WHERE ARE WE GOING?
662
00:29:09,240 --> 00:29:12,474
YOU HELP ME,
I'LL HELP YOU.
663
00:29:15,179 --> 00:29:18,180
THESE CODES REPRESENT CHILDREN,
BUT THEY'RE OBSCURE
664
00:29:18,182 --> 00:29:21,684
TO PROTECT THEM,
PERSONALLY CONNECTED
665
00:29:21,686 --> 00:29:24,119
BUT SUPERSEDES NUMERICAL LOGIC.
666
00:29:26,324 --> 00:29:29,258
HOME ADDRESS.
667
00:29:29,260 --> 00:29:31,460
DO YOU
RECOGNIZE THIS MAN?
668
00:29:31,462 --> 00:29:34,096
NO, BUT I'M CONFUSED.
669
00:29:34,098 --> 00:29:36,532
YOU SAID THESE PEOPLE
WERE ABDUCTED BY THIS MAN.
670
00:29:36,534 --> 00:29:38,634
ARE THEY DEAD?
671
00:29:38,636 --> 00:29:41,003
RIGHT NOW,
THEY'RE MISSING,
672
00:29:41,005 --> 00:29:43,305
BUT THE LAST PLACE THAT
THEY WERE SEEN ALIVE
673
00:29:43,307 --> 00:29:45,307
WAS AT YOUR PARENTS'
RENTAL HOUSE.
674
00:29:45,309 --> 00:29:47,309
YOU TAKE CARE
OF THAT FOR THEM?
675
00:29:47,311 --> 00:29:49,144
YEAH. I MEAN,
I JUST MAKE SURE
676
00:29:49,146 --> 00:29:50,746
PEOPLE GET
CHECKED IN AND OUT
677
00:29:50,748 --> 00:29:52,781
AND THAT THE PLACE
GETS CLEANED UP
IN BETWEEN GUESTS.
678
00:29:52,783 --> 00:29:55,050
YOU EVER HAVE ANY PROBLEMS
WITH ANY OTHER GUESTS?
679
00:29:55,052 --> 00:29:56,552
YOU EVER HAVE
TO GO OUT THERE?
680
00:29:56,554 --> 00:29:58,821
NO. WITH THE WEBSITE,
IT PRETTY MUCH RUNS ITSELF.
681
00:29:58,823 --> 00:30:01,457
THIS WAS JUST A WAY FOR THEM
TO MAKE SOME EXTRA MONEY.
682
00:30:01,459 --> 00:30:03,058
WE DON'T BELIEVE
THE SUSPECT WENT
683
00:30:03,060 --> 00:30:05,628
TO YOUR
PARENTS' HOUSE
BY COINCIDENCE.
684
00:30:05,630 --> 00:30:07,696
YOU THINK THEY
WERE THE TARGET?
685
00:30:07,698 --> 00:30:09,732
IT'S POSSIBLE.
686
00:30:09,734 --> 00:30:11,433
DID YOU
GROW UP THERE?
687
00:30:11,435 --> 00:30:15,704
YEAH, BUT MY PARENTS
ARE QUIET, HOMEBODIES.
688
00:30:15,706 --> 00:30:19,508
I DON'T KNOW WHO WOULD
EVEN DO SOMETHING LIKE THIS.
689
00:30:19,510 --> 00:30:25,814
DOES THE NUMBER
20411 MEAN ANYTHING TO YOU?
690
00:30:30,021 --> 00:30:32,054
CHRISTIAN,
WHAT DOES IT MEAN?
691
00:30:34,325 --> 00:30:36,892
I HAVEN'T TALKED
ABOUT THIS IN--
692
00:30:37,995 --> 00:30:40,629
I DON'T EVEN KNOW IF--
693
00:30:40,631 --> 00:30:44,700
IT'S ALL RIGHT.
TAKE YOUR TIME.
694
00:30:44,702 --> 00:30:47,836
IN HIGH SCHOOL, I WENT
TO THIS BONFIRE PARTY
695
00:30:47,838 --> 00:30:50,372
IN THE WOODS.
696
00:30:50,374 --> 00:30:52,675
THERE WAS A LOT
OF DRINKING, YOU KNOW,
697
00:30:52,677 --> 00:30:55,644
TYPICAL HIGH-SCHOOL
STUFF.
698
00:30:55,646 --> 00:30:59,481
THIS BOY CONVINCED ME
TO TAKE HIM
699
00:30:59,483 --> 00:31:04,653
TO INSPIRATION POINT,
THE LOCAL OVERLOOK.
700
00:31:04,655 --> 00:31:06,822
MARS WAS SUPPOSED
TO BE VISIBLE,
701
00:31:06,824 --> 00:31:10,659
AND HE WANTED ME TO
DESCRIBE IT FOR HIM.
702
00:31:10,661 --> 00:31:13,429
I FELT BAD FOR HIM,
SO I WENT.
703
00:31:13,431 --> 00:31:16,632
BECAUSE
HE WAS BLIND?
704
00:31:16,634 --> 00:31:21,837
I MEAN,
NOT COMPLETELY.
705
00:31:23,808 --> 00:31:26,108
HE--
706
00:31:33,751 --> 00:31:36,852
HE TRIED TO HOLD ME DOWN,
707
00:31:36,854 --> 00:31:38,987
EVEN WRAPPED TAPE
AROUND MY WRISTS
708
00:31:38,989 --> 00:31:42,357
AND TIED A SCARF AROUND MY EYES.
709
00:31:42,359 --> 00:31:44,760
I KEPT FIGHTING
AND MANAGED TO GET AWAY,
710
00:31:44,762 --> 00:31:47,463
BUT HE CAME AFTER ME,
711
00:31:47,465 --> 00:31:50,132
LAUGHING.
712
00:31:50,134 --> 00:31:53,135
I HAVE NEVER BEEN
SO SCARED IN MY LIFE,
713
00:31:53,137 --> 00:31:54,970
AND I STARTED SCREAMING,
AND, THANKFULLY,
714
00:31:54,972 --> 00:31:57,740
ONE OF MY FRIENDS HEARD ME
AND CAME RUNNING,
715
00:31:57,742 --> 00:32:03,011
BUT THE LOOK
ON THIS GUY'S FACE,
716
00:32:03,013 --> 00:32:05,681
HE WAS CLEARLY ENJOYING IT,
717
00:32:05,683 --> 00:32:08,517
AND HE COULD SEE BETTER
THAN HE LET ON.
718
00:32:10,187 --> 00:32:13,188
HIS HOUSE
WAS RIGHT BY MY SCHOOL,
719
00:32:13,190 --> 00:32:15,858
AND EVERY DAY, I WAS REMINDED,
720
00:32:15,860 --> 00:32:19,194
EVERY SINGLE DAY.
721
00:32:19,196 --> 00:32:22,831
IT MADE ME SICK.
722
00:32:22,833 --> 00:32:27,503
HE LIVED AT
20411 MANSARD LANE.
723
00:32:27,505 --> 00:32:30,839
WHAT WAS HIS NAME?
724
00:32:30,841 --> 00:32:33,709
COULD I POSSIBLY
EVER FORGET IT?
725
00:32:33,711 --> 00:32:36,478
IT'S DUSTIN EISWORTH.
726
00:32:36,480 --> 00:32:38,814
DUSTIN EISWORTH--SON
OF TROY AND PATRICIA EISWORTH
727
00:32:38,816 --> 00:32:42,351
OF 20411 MANSARD LANE.
728
00:32:42,353 --> 00:32:45,187
HE TICKS ALL OF
THE TROUBLED-YOUTH BOXES.
729
00:32:45,189 --> 00:32:46,755
SENDING YOU DIRECTIONS NOW.
730
00:32:46,757 --> 00:32:48,390
ALL RIGHT.
WE'RE ON OUR WAY.
731
00:32:48,392 --> 00:32:49,758
SAME.
732
00:32:49,760 --> 00:32:51,226
GARCIA, WHAT ELSE
DO WE NEED TO KNOW?
733
00:32:51,228 --> 00:32:52,761
GARCIA, ON PHONE: WELL,
HE WAS KICKED OUT OF SCHOOL
734
00:32:52,763 --> 00:32:54,630
FOR A CORNUCOPIA
OF DISCIPLINARY ISSUES,
735
00:32:54,632 --> 00:32:58,433
INCLUDING CHRISTIAN'S
ACCOUNT OF THE ASSAULT.
736
00:32:58,435 --> 00:33:00,469
THEN HE WENT TO REFORM SCHOOL.
737
00:33:00,471 --> 00:33:03,772
THEN HE WENT TO PRISON
FOR GETTING IN A BAR FIGHT
738
00:33:03,774 --> 00:33:06,875
THAT LEFT ONE MAN
PERMANENTLY BLIND.
739
00:33:06,877 --> 00:33:08,710
HE WAS ONLY SUPPOSED TO SERVE
3 YEARS IN PRISON.
740
00:33:08,712 --> 00:33:10,212
HE ENDED UP SERVING 10,
741
00:33:10,214 --> 00:33:12,347
MOST OF THOSE
IN SOLITARY CONFINEMENT,
742
00:33:12,349 --> 00:33:14,216
AFTER KILLING ANOTHER INMATE.
743
00:33:14,218 --> 00:33:15,751
LET ME GUESS.
HE JUST GOT OUT.
744
00:33:15,753 --> 00:33:16,952
GARCIA, ON PHONE.
3 WEEKS AGO.
745
00:33:16,954 --> 00:33:18,954
SO DUSTIN SAT IN PRISON
FOR OVER A DECADE,
746
00:33:18,956 --> 00:33:20,756
HIS RESENTMENT
BUILDING UP.
747
00:33:20,758 --> 00:33:22,291
REID, ON PHONE: NOT TO MENTION,
HIS VISUAL CONDITION
748
00:33:22,293 --> 00:33:23,792
WOULD BE SEVERELY
DETERIORATED
749
00:33:23,794 --> 00:33:25,327
DUE TO ALL THAT
TIME IN SOLITARY.
750
00:33:25,329 --> 00:33:26,862
ALVEZ, ON PHONE: WELL, IF HE'S
STAYING AT HIS PARENTS' HOUSE,
751
00:33:26,864 --> 00:33:28,530
HE KILLED THEM,
FIRST BLINDING THEM
752
00:33:28,532 --> 00:33:30,499
SO THAT THEY COULD
KNOW HOW HE FELT,
753
00:33:30,501 --> 00:33:32,201
THEN OFF TO
THE MENDELBAUMS'.
754
00:33:32,203 --> 00:33:34,369
NEXT, HE WENT LOOKING
FOR CHRISTIAN RUSSO
755
00:33:34,371 --> 00:33:36,672
BECAUSE SHE'S THE ONE THAT
GOT HIM KICKED OUT OF SCHOOL
756
00:33:36,674 --> 00:33:38,874
BUT FOUND NIKKI AND J.P.
INSTEAD.
757
00:33:38,876 --> 00:33:40,309
AND NOW HE'S RECREATING
758
00:33:40,311 --> 00:33:41,777
HIS CAT-AND-MOUSE POWER
PLAY WITH THEM.
759
00:33:41,779 --> 00:33:43,278
HE WON'T GO DOWN
WITHOUT A FIGHT.
760
00:33:43,280 --> 00:33:46,315
DO NOT
UNDERESTIMATE
THIS MAN.
761
00:34:04,535 --> 00:34:07,736
DO YOU SEE THEM?
762
00:34:09,340 --> 00:34:12,140
I TRIED
TO FORGIVE THEM
763
00:34:12,142 --> 00:34:14,576
JUST LIKE I TRIED TO
FORGIVE DR. MENDELBAUM.
764
00:34:14,578 --> 00:34:16,378
YOU KNOW
WHAT THEY SAID?
765
00:34:16,380 --> 00:34:19,348
DEAR OLD MOM AND DAD,
YOU KNOW WHAT THEY SAID?
766
00:34:19,350 --> 00:34:22,651
THEY SAID I WAS SICK.
767
00:34:22,653 --> 00:34:26,154
WELL, THEY
MADE ME SICK,
768
00:34:26,156 --> 00:34:31,660
AND THEN I WENT
TO GET CHRISTIAN,
769
00:34:31,662 --> 00:34:37,466
BUT I FOUND YOU THERE,
YOU AND J.P.
770
00:34:39,036 --> 00:34:44,039
NO. NO. PLEASE. J.P.--
771
00:34:44,041 --> 00:34:46,441
J.P., J.P.
772
00:34:48,178 --> 00:34:49,144
NO!
773
00:34:49,146 --> 00:34:50,345
WHAT
DID YOU THINK?
774
00:34:50,347 --> 00:34:52,915
WHAT, YOU THOUGHT
I WOULD KEEP HIM ALIVE?
775
00:34:52,917 --> 00:34:54,583
YOU THOUGHT I WOULD
LET YOU GO?
776
00:34:54,585 --> 00:34:57,352
YOU THOUGHT I NEEDED YOUR HELP?
777
00:34:57,354 --> 00:35:00,956
I MIGHT BE GOING BLIND,
BUT I'M NOT STUPID.
778
00:35:00,958 --> 00:35:03,425
I COULD SEE
RIGHT THROUGH YOU.
779
00:35:06,964 --> 00:35:09,231
EVERYONE THINKS THEY'RE
BETTER THAN DUSTIN.
780
00:35:09,233 --> 00:35:11,800
EVERYONE THINKS
THEY'RE STRONGER
THAN ME
781
00:35:11,802 --> 00:35:13,802
AND THEY'RE SMARTER THAN ME,
THAT I'M STILL
782
00:35:13,804 --> 00:35:16,538
THAT SCARED LITTLE BOY
AFRAID OF THE DARK.
783
00:35:16,540 --> 00:35:18,073
YAAH!
784
00:35:18,075 --> 00:35:20,776
AH! UH...
785
00:35:20,778 --> 00:35:23,011
UH!
786
00:35:49,197 --> 00:35:53,433
HELP! SOMEONE!
I'M IN HERE!
787
00:36:02,310 --> 00:36:04,344
HELP! I'M IN HERE!
788
00:36:04,346 --> 00:36:06,279
STAY WITH US.
WE'RE COMING IN. WHERE IS HE?
789
00:36:06,281 --> 00:36:09,215
I DON'T KNOW.
SOMEWHERE IN THE HOUSE.
790
00:36:11,887 --> 00:36:13,353
GO, GO, GO!
791
00:36:18,894 --> 00:36:21,561
CHECKING ROOMS.
792
00:36:23,565 --> 00:36:25,532
HAVE MEDICAL STANDING BY.
ALL RIGHT.
793
00:36:25,534 --> 00:36:28,435
LET'S GET HER OUT OF HERE.
THE HOUSE ISN'T SECURE.
794
00:36:28,437 --> 00:36:30,637
I'LL FINISH CHECKING
UPSTAIRS.
795
00:36:52,260 --> 00:36:54,994
FBI.
796
00:36:58,366 --> 00:37:00,867
FBI.
797
00:37:22,691 --> 00:37:24,390
THANKS.
798
00:37:28,964 --> 00:37:31,631
LEWIS, VOICE-OVER: “WE'RE ALL
GOING TO DIE, ALL OF US.
799
00:37:31,633 --> 00:37:33,166
“WHAT A CIRCUS.
800
00:37:33,168 --> 00:37:36,503
“THAT ALONE SHOULD MAKE US
LOVE EACH OTHER, BUT IT DOESN'T.
801
00:37:36,505 --> 00:37:39,372
“WE ARE TERRORIZED AND FLATTENED
BY TRIVIALITIES.
802
00:37:39,374 --> 00:37:41,908
WE ARE EATEN UP BY NOTHING.”
803
00:37:41,910 --> 00:37:43,943
CHARLES BUKOWSKI.
804
00:37:43,945 --> 00:37:46,813
♪ I ALWAYS HAD
A VISION IN MY HEAD... ♪
805
00:37:46,815 --> 00:37:48,314
DID YOU GUYS KNOW
THAT THE PRESUMPTION
806
00:37:48,316 --> 00:37:49,949
ABOUT BLINDNESS CAUSING
YOUR SENSE OF SMELL
807
00:37:49,951 --> 00:37:51,618
TO HEIGHTEN IS
ACTUALLY A MYTH?
808
00:37:51,620 --> 00:37:54,154
THE FACT IS, YOUR MEMORY
OF SMELL SHARPENS,
809
00:37:54,156 --> 00:37:55,855
BUT NOT YOUR
ACTUAL SENSE.
810
00:37:55,857 --> 00:37:57,991
WOW. KEEP GOING.
811
00:37:57,993 --> 00:37:59,659
YOU GOT ANYTHING
ELSE IN THERE
812
00:37:59,661 --> 00:38:01,227
YOU WANT
TO LET OUT?
813
00:38:01,229 --> 00:38:02,929
THERE'S NEVER BEEN
A SINGLE DOCUMENTED CASE
814
00:38:02,931 --> 00:38:05,565
OF ANYONE WHO WAS BORN BLIND
DEVELOPING SCHIZOPHRENIA.
815
00:38:05,567 --> 00:38:07,700
OH, INTERESTING FACTS
FOR 200, ALEX.
816
00:38:07,702 --> 00:38:08,968
TELL HIM WHAT HE'S WON.
817
00:38:08,970 --> 00:38:11,337
HEY, HEY, HEY!
818
00:38:11,339 --> 00:38:12,639
HEY!
HEY!
819
00:38:12,641 --> 00:38:14,507
HA HA! OK. METHINKS THOU DOST
PROTEST TOO MUCH
820
00:38:14,509 --> 00:38:18,545
ABOUT THIS WHOLE NOT LIKING
A HOUSEWARMING THING.
821
00:38:18,547 --> 00:38:20,146
WHERE'S LISA?
822
00:38:20,148 --> 00:38:22,182
SHE GOT
CALLED AWAY
823
00:38:22,184 --> 00:38:24,184
AT THE LAST MINUTE
TO COVER NIGHT SHIFT,
824
00:38:24,186 --> 00:38:26,519
SO I GUESS E.R. DOCTORS
COME WITH A PERFECTLY
825
00:38:26,521 --> 00:38:28,688
BUILT-IN,
ACCEPTABLE EXCUSE
826
00:38:28,690 --> 00:38:31,191
TO NOT BE AT THEIR OWN
PARTIES, EVEN IF IT WAS
827
00:38:31,193 --> 00:38:32,525
THEIR OWN IDEA
IN THE FIRST PLACE.
828
00:38:32,527 --> 00:38:34,127
AS DO FBI AGENTS.
ANYWAY, DON'T BE RUDE.
829
00:38:34,129 --> 00:38:37,030
OPEN MY GIFT.
OK.
830
00:38:37,032 --> 00:38:38,765
COME ON. JUST
OPEN THE GIFT.
831
00:38:38,767 --> 00:38:41,301
OOH, OK.
YAY!
832
00:38:41,303 --> 00:38:42,635
ALL RIGHT. WELL, LOOK.
833
00:38:42,637 --> 00:38:45,505
I'M BEGINNING TO UNDERSTAND
THE VALUE
834
00:38:45,507 --> 00:38:47,774
OF A HOUSEWARMING PARTY.
835
00:38:47,776 --> 00:38:49,242
THANK YOU.
836
00:38:49,244 --> 00:38:51,144
HEY. SINCE
LISA CAN'T MAKE IT,
837
00:38:51,146 --> 00:38:52,712
YOU NEED TO BE SURE
TO TELL HER
838
00:38:52,714 --> 00:38:54,380
THIS IS
FROM ALL OF US--
839
00:38:54,382 --> 00:38:56,549
BREAD, SALT, AND WINE.
840
00:38:56,551 --> 00:38:59,319
DON'T MAKE ME QUOTE
THE WHOLE MOVIE.
841
00:38:59,321 --> 00:39:01,154
UH, AM I
MISSING SOMETHING?
842
00:39:01,156 --> 00:39:02,655
I MEAN, I THOUGHT
WE WERE ALL OFF THE CARBS.
843
00:39:02,657 --> 00:39:04,557
GUYS NEVER GET THIS.
844
00:39:04,559 --> 00:39:05,925
SINCE YOU APPARENTLY
WERE SICK
845
00:39:05,927 --> 00:39:08,695
ON THE MANDATORY VIEWING DAY
OF “IT'S A WONDERFUL LIFE,”
846
00:39:08,697 --> 00:39:11,564
WE'RE ALL GONNA HELP YOU OUT.
847
00:39:11,566 --> 00:39:14,534
MAY YOUR HOME
ALWAYS HAVE...
848
00:39:14,536 --> 00:39:17,770
BREAD THAT YOUR HOUSE
MAY NEVER KNOW HUNGER...
849
00:39:17,772 --> 00:39:19,939
SALT THAT LIFE MAY
ALWAYS HAVE FLAVOR...
850
00:39:19,941 --> 00:39:21,641
AND WINE,
IN WHICH JOY
851
00:39:21,643 --> 00:39:23,676
AND PROSPERITY
MAY REIGN FOREVER.
852
00:39:23,678 --> 00:39:26,646
OH, YES. THERE WILL ALWAYS
BE WINE IN THIS HOUSE.
853
00:39:26,648 --> 00:39:28,147
TO LISA.
TO LISA.
854
00:39:28,149 --> 00:39:29,349
TO LISA.
TO LISA.
855
00:39:29,351 --> 00:39:31,684
- CHEERS.
- SALUD.
856
00:39:31,686 --> 00:39:33,586
IN 1947, THE FBI
ISSUED A STATEMENT
857
00:39:33,588 --> 00:39:35,688
DISCREDITING
“IT'S A WONDERFUL LIFE”
858
00:39:35,690 --> 00:39:37,590
BECAUSE THEY SAID
IT PROMOTED COMMUNISM.
859
00:39:37,592 --> 00:39:39,959
SO GOOD TO HAVE
YOU BACK, DOC...
70543
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Esperanto
Estonian
Finnish
Frisian
Galician
Georgian
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Khmer
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
