All language subtitles for The Love Boat S03E15 Aprils Love 1080p WEB-DL AAC2 0 H 264-squalor_track3_[eng]

[Theme - Jack Jones, "the love
boat theme"]

Theme song: Love,
exciting and new.

Come aboard.

We're expecting you.

And love, life's
sweetest reward.

Let it flow.

It floats back to you.

The love boat soon will
be making another run.

The love boat promises
something for everyone.

Set a course for adventure,
your mind on a new romance.

And love won't hurt anymore.

It's an open smile
on a friendly shore.

It's love.

Welcome aboard, it's love.

Now that's aloha
deck, cabin 117.

Dinner seating's
at 6:30 and 8:00.

But don't come to
both, or we'll catch you.

[Laughter]

Hey, guys, is April here yet?

- Not yet.
- Oh.

You suppose her
English has improved any?

About as much as
your Spanish has.

Guess who?

And no fair peek-a-booie!

[Laughter]

Don't help him, Julie.

Oh, this is too hard.

Give me a hint.

Ok, coochie choochie.

Oh oh, yeah, queen Elizabeth.

No, but you're getting warm.

It's me!

[Interposing voices]

How you doing?

I'm so glad to see all of you.

Thank you.

You bed.

Oh, we're glad to see you.

We've been expecting you.

April!

Captain!

[Interposing voices]

We've missed you!

[Inaudible]

This is my daughter, Vicki.

My goodness.

Any Vicky of yours,
captain, is a Vicki of mine.

I've heard a lot about you.

It better be good.

[Laughter]

Well, we'll see you at my
table for dinner tonight.

I see you tonight.

Thank you.

Bye-bye.

April Lopez: Goodbye.

Well, so April, tell
us what's been going on?

How are you?

How is she?

Well, why don't we let
honest Tex answer that.

The little lady is
fine, just fine.

And speaking as honest Tex,
who sold a few used cars,

in his time, I want to tell you
that she's worth every red cent

of the blue book value
plus about a million bucks

for added accessories.

My good friends,
this is honest Tex.

Hey, howdy do, friends.

[Interposing voices]

Yeah, April's has told me how
helpful y'all have been getting

her singing career started.

Oh well, April, how
is your singing career?

[Inaudible]

It's going just
fine, just fine, just

first class, isn't it, hon?

Excuse me, Mr.
honest Tex, but we've

been very excitedly waiting
for April to come aboard.

Would it be possible to hear
a few words from her directly?

Well, why not?

[Inaudible] Here, little hon.

Why don't you talk to these nice
folks directly from yourself?

Ok, directly from myself.

I met honest Tex
three weeks ago.

And guess what?

He's now my finance,
and I am his financee.

Your fiancee?

You're engaged?

After knowing him
only three weeks?

No, we get engaged
the first night.

Honest Tex: I always wanted
to marry gal just like the gal

that married dear old dad.

I'm speaking of dad's
fifth wife, of course, yes.

[Laughter]

I'm going to go check
out that bunkhouse now.

Here, come along, child.

Yes, indeed.

Well, I see you tonight.

Bye.

Even though that cowboy's
wearing a white hat,

I'm not all that
sure he's a good guy.

Miss Rogers, you
and your daughter

are on the promenade
deck, cabin 340.

And that's right up those
stairs and to the left.

Thank you.

Oh, I see you're
from Vancouver.

That's one of my
favorite cities.

Are you natives?

Well, I guess I qualify.

We moved there when I was one.

And she's getting
married there in two weeks.

How nice!

I wish you all the
happiness in the world.

Well, mom thought this cruise
would be a good time to explain

the facts of life to me.

(Laughing) She's the
greatest, really.

[Phone ringing]

Maybe we better
find our cabin.

Enjoy your cruise.

Bye.

Excuse me.

Yes?

Do you have a
Mrs. Rogers sailing

with you, Martha Rogers?

Yes, with her daughter, Laura.

They just boarded.

Excuse me.

Thank you.

I know our marriage
got to heavy for you.

But did the typewriter
get too heavy too?

Look, Betty, in all the
years that we've been married,

and all the years that
we've been writing together,

I never carried the typewriter.

And if I didn't carry the
typewriter when I loved you,

why should I carry it
now that I hate you?

I'm just kidding,
I don't hate you.

How do you feel about me?

Other than wanting to
divorce me, of course.

There you go with that
fuzzy dialogue again.

I don't want to divorce you.

We want to divorce each other.

Well, when we finish writing
this movie script together,

you won't have to
see me anymore.

Mr. and Mrs. William
Robinson, for the moment.

Cabin 124.

And cabin 126.

Adjoining.

124 and 126?

Don't you have adjoining cabins
not quite so close together?

Don't try to figure it out.

She's not too bright.

That's why she's
carrying the typewriter.

Remember, if we split up,
you carry the clipboard.

[Ship's horn]

Hi, guys, what are you doing?

Well, we decided
to talk to April

about the foolishness of
getting engaged to somebody

she doesn't even know.

Especially a jerk
like honest Tex.

Come on, she's alone.

No look, let's not start
to talk about honest Tex

right away.

That'd be too obvious.

Oh, right.

Ok, first we'll ask her to sing
a song in the show tomorrow

night.

I have an idea.

Maybe if I tell her that
if she'll sing a song,

I'll play my flute?

No, we're trying to convince
her, not discourage her.

Hola, April.

- Hola!
- Hello!

Hi!

[Interposing voices]

You know something?

I was wondering where
all of you were.

But now you are here.

So I can start wondering
where you were.

April, we were wondering if
maybe you'd like to sing a song

for our show tomorrow night?

Sure.

Sure, I'd love to sing a
song for all of you, buddies,

for my friends, for my family.

Ah, April, that's what we
wanted to talk to you about.

You know, sometimes a husband is
considered part of the family.

No kidding?

Right.

April, you see, what
gopher's trying to say is--

hey!

Here you are, hon.

Yes, a little
toddy for the body.

Say, this is a nice canoe
you got here, friends.

Yes indeedy.

You ever decide to go into used
ship [inaudible] let me know.

I pay top dollar on a trade in.

And you got a good heater and
radio, paid extra cash, yes.

[Laughter]

April Lopez: He's
so full of humor.

Honest Tex, honey, my friends
want me to sing a song

in the show tomorrow night.

Oh, I'm sorry, that'd
be impossible, hon.

See, singing for free--
that's a bad precedent.

No, no, you've got to put
up the do re mi you want

to hear the fa, so, la, ti do.

You see what I mean?

Now listen, Tex, we realize
you're April's fiance but--

ah, no, no, no.

You see, I'm her manager, yes!

[Inaudible] You see,
yes, I'm her manager.

I've got a 10-year contract
with that young lady.

10 years?

Yes 10 years.

April, why did you
sign a 10-year contract?

Well, I was going to
sign a one-year contract.

But then honest
Tex explained to me

that if I sign a
10-year contract,

it will save me signing my
name every year for nine year.

What a genius.

(Laughing) Yes,
I didn't want her

to get writer's cramp on
her wedding ring hand,

you see what I mean?

Come along, darling, I don't
want you to be in the sun

too long.

Yes, indeedy, that'll scramble
your-- oh, my goodness,

it's warm out here, ain't it?

Bye.

That's a nice hat, Tex.

You got it in black?

Ok, then what?

So then, when the
boss asks the guy

if he's willing to risk
losing his job for the sake

of the girl, he says, maybe.

Perhaps.

I didn't say
perhaps, I said maybe.

Well, perhaps is better.

Maybe you're right.

Perhaps you're right.

Now should we get
on with the script?

Maybe.

All right, you know
the scene where

we couldn't figure
out how the guy would

pick up the girl in the bar?

Well, I think I've
got it figured out.

The guy goes under the bar.

He's all by himself.

Now he sits down at the bar.

Now a couple of stools
away is sitting the girl.

The guy sees her.

There's a bowl of peanuts on
the bar in front of the guy.

He reaches into the bowl of
peanuts, takes out a peanut,

throws it in the air,
catches it in his mouth

to attract her attention.

Well, what do you think?

It's dumb.

Catching peanuts in his mouth.

Even if she did notice him,
she's just think he was dumb.

Really?

Really.

Come on.

Where?

We're going to the bar.

I'm going to show
you how dumb it is.

Maybe it isn't dumb,
it's just stupid.

[Music playing]

Hello, Martha.

Where did you come from?

[Laughs] That's hardly
the way to greet a man

you haven't seen in 20 years.

May I?

Thank you.

I must say, you look wonderful.

So does Laura.

How's Burt?

Burt and I were divorced
when Laura was five.

Tom, I don't want any trouble.

You promised me
never to contact.

Martha, I have kept that
promise for more than 20 years.

This meeting was pure chance.

I raised her alone, Tom.

She's all I've got.

She's my life.

But she's my daughter.

Hello.

[Laughter]

Oh, hi.

This is Mr. Thorton,
an old friend of mine.

- Oh, hello.
- Hello.

Excuse me.

Sit down.

Thank you.

You know, I was a neighbor of
your mother's 20 years ago.

Laura: You were?

Are you alone?

Yes.

Well, why don't you
join us for dinner?

I'm sure my mom would love it.

Oh, yes.

Please do.

I'd love to.

Thank you.

Good.

[Music playing]

Wait a minute.

This looks like a good one.

Now, if I charm them with
the old peanut trick,

it goes into the script.

Agreed?

Agreed.

[Music playing]

[Smacks]

Terrific.

[Music playing]

So what does your
husband to be do?

He's a doctor.

An obstetrician.

Oh, wonderful.

There's nothing more beautiful
than the birth of a child.

Unless of course, it happens
in the middle of the night.

[Laughs] You know,
there's something

I don't understand about you.

I always thought that
stockbrokers were frenzied,

you know?

You seem like the calm type.

Well, that's because i'm
dining with two lovely ladies.

You should see me with
the bulls and the bears.

[Growls]

[Laughs] I bet.

[Laughs] Oh, is it 9:00 yet?

9:05.

[Gasps] I told Jim
I'd call him at 9:00.

I'll be right back.

Send my love.

Ok.

[Laughs]

It's amazing.

Here I am dining
with my own daughter,

almost a total stranger to me.

Yet I love her as if I've
known her all her life.

Stop torturing yourself,
Tom, and stop torturing me.

I don't mean to.

It's just I feel she
has a right to know,

and I have a right to tell her.

No, you don't.

You gave up that
right when you asked

Burt and me to adopt Laura.

I was 21 when Laura was born.

No job, no money.

And when Claire
died in childbirth,

I just fell apart, that's all.

I went to pieces.

I remember.

It was a sad time.

I tried raising
Laura by myself.

I couldn't.

It's hard for a single
parent, and especially a father.

All I wanted to do was
what was best for her.

And you did.

Don't spoil it now.

Don't take the chance
of hurting her.

She's so happy.

You can see that, can't you?

Oh, yes.

You both done a wonderful job.

She's happy, secure.

She really knows who she is.

Not yet, she doesn't.

Ok, Betty.

I'll admit I was wrong about the
old peanut in the mouth trick.

But I am not wrong about this.

I'm telling you that if we
write a hand-holding scene

into this script,
they're going to laugh

us right out of the business.

Will you just
give it a chance?

Now, give me your hat.

I'm telling you, couples
don't hold hands anymore.

We don't, but couples do!

I'm telling you,
it won't work.

It will work.

Give me your stupid hand!

Well, here's to April,
who started as a stowaway

and ended up stealing
our hearts away.

- April!
- Hey!

To April!

April!

If I steal your heart, you
don't have to steal mine.

I give it to you.

[Laughter]

Well, now, I sure
hate to be the one

to cut short a good party,
but you come along, hon.

We got to send a telegram to my
friend over there in Las Vegas.

See, we're going to make a
big store out [inaudible]..

We'll have her name up in lights
taller than she is herself.

Oh?

Yeah.

Well, the entertainment
director over at brutus palace

is a pal of mine, see.

I guess you know him
personally, of course.

Well, I sure enough do.

I sold him a used car once.

You know, it's a funny thing.

I sent him a telegram
a few days ago.

I never got no answer.

Well, maybe he was on his
way to answer the telegram,

and the car you
sold him broke down.

Cute little rascal, ain't he?

[Laughs] Well, come on.

We've got to pick you
a big [inaudible] out.

[Laughs] Don't worry.

I will still talk with all
of you when I am a big star.

I love you!

What are we going
to do about him?

I don't know,
you little rascal.

Well, I think one of
us is just going to have

to take her aside and tell her.

And tell her what, exactly?

That she wound up
with a phony fiance

and even a phonier manager.

You mean one of
us has to tell her?

Oh, no.

No way!

I'm not going to be
the patsy on this one.

No, and that's final!

Period, exclamation point.

Question, love?

[Music playing]

[Music playing]

[Piano music playing]

[Applause]

[Inaudible] You know.

Oh, thanks.

That was nice.

Would you care for a refill?

- Yes, thank you.
- How about you?

No.
No, thanks.

Sure.

[Laughs]

Mom, you ok?

Oh, I'm sorry, dear.

I was just planning
your wedding in my head.

Oh, don't be silly!

Don't worry about that.

It's going to be fine.

[Laughs] Mr. Thorton
is such a nice man.

Yes, he is.

What were you two talking
about when you were dancing?

Oh, married life, mostly.

He was advising me in
a fatherly sort of way.

[Laughs]

I see.

I think he likes you, though.

Really!

If you don't mind my
saying so, I think you're

being a little cool to him.

How come?

Here we are.

Sure you wouldn't want mother?

No.

[Laughs]

I may just have one
more dance left in me.

Well, I'd love-

uh, sweetheart, you've
been on the go for weeks.

Why don't you get some sleep?

I think it would
be better for you.

Oh, come on, Martha.

It's not that late.

No, actually, Mr. Thornton,
I think my mom's right.

I really could use the sleep.

Goodnight, mom.

[Laughs] Goodnight, Mr. Thorton.
I'll see you tomorrow.

You bet.

[Piano music playing]

Hi, Isaac.

Hi.

Give me a double anything.

I think I'm going
to need it before I

tackle a typewriter again.

Still having trouble
with the script?

Not really.

One more big scene,
and it's finished.

Great!

Not great.

I'm not sure I want
to finish the script.

But I thought that's
why you and your wife

came on the cruise?

We did.

But when the script is
finished, so is the marriage.

And you don't want
to finish the marriage.

Well, I thought I did.

But, well, now I'm not sure.

You've agreed to stay
together until you've

finished the script, right?

Uh-huh.

Well, don't finish the script.

Just keep shoveling
rotten ideas out,

and you'll never
get it finished.

Isaac, you're a genius.

That's fantastic!

Rotten ideas.

I got a million of those.

Hey.

[Speaking Spanish]

Yeah, of course.

[Interposing voices]

I'd just like to [inaudible].

I was wondering if gopher and
I could talk to you alone.

How could we be alone when
you both are going to be there?

And if you both are going to
be there, why can't I be there?

Well, it's, uh--

man talk.

Yeah, it's man talk.

Let the man talk, April.

Come on.

Let's go for a stroll.

What is a stroll?

If it's fattening,
I don't want any.

Bye!

Yeah, well, gentlemen,
what's the man talk here, huh?

Uh, you tell him, doc.

No, no.
That's ok.

Here.

Don't be fighting.

Speak up, boys.

Ok.

Well, we were wondering--

say, where did you
get that really

marvelous looking tuxedo?

He's putting me on.

No.

Is it a copy or an original?

Who's your [inaudible]?

[Laughs] Well, now, if
this is man talk, maybe

we better go rejoin the ladies.

No, no, no.

We haven't [inaudible]
Your boots yet.

Say, you wear
garters with the boots?

Tell us about your home.

April, I want to talk
to you about honest Tex.

Oh, he were just here.

Why didn't you talk
to him about him?

Well, um--

Julie, isn't he
something special?

Honest Tex was the assistant
manager of a used car lot.

And he gave it up
all to manage me.

But April, to be a
performance manager,

a person has to have a
certain amount of experience.

Honest Tex has a
lot of experience

as a performance manager.

He managed me for
the whole week now!

But April, honest
Tex just doesn't

seem to have the qualifications
to manage your career.

Besides that, he may
be Tex, but I don't

know about the honest part.

Julie, honest
Tex is very honest,

or people wouldn't have
called him honest Tex.

If he wasn't honest, people
would call him dishonest Tex.

But April, he calls
himself honest Tex.

No, Julie.

He's not the only one who
calls himself honest Tex.

I also him honest Tex.

If you don't call
him honest Tex,

then you are no
friend of mine, Julie.

[Typing]

[Knocking]

Come in.

I've got it.

I finally got the ending.

Are you ready?
- Ready.

Ok, sit down.

I am sitting down.

Yes, you are sitting down.

Well, I mean, when someone
gets an extraordinary idea

like I have, they really
don't know whether a person

is standing up or sitting down.

I mean, for example, when
Alexander Graham bell invented

the telephone, i'm
sure that he did not

know whether Mrs.
Alexander Graham bell was

standing up or sitting down.

Well, probably sitting down.

Later on, she'd be getting
up a lot to answer the phone,

but she didn't know that then.

Right.

Ok.

Are you ready for the ending?

The ending of all time.

Ok.

What is it?

Yeah, what is it?

Yes.

Well, we do a complete
switch on everything

that we've been
doing, everything

that we've been
thinking, everything

that we've been feeling.

You see, what we're
dealing with here

is all light, romantic comedy,
and the audience expects

the typical romantic ending.

But that's where we
fool the audience.

We do not give them a
typical romantic ending.

We give them a tragic ending.

As the two lovers wander
off into the night

never to see each other again,
as they go their separate ways,

their story expresses the
futility of the human condition

as we know it today in society.

Complex and mysterious.

The audience will not laugh.

The audience will not cry.

The audience will not
even be entertained!

The audience will just
sit there and stare.

Well, what do you think?

I like it.

You do?

You really like it?

I love it!

Oh, we've got our ending!

[Music playing]

I'd have an alternate ending.

Surely you must see
my side of this, Martha.

That's my daughter.

It is wrong to tell her.

Utterly wrong.

Why?

She knows she's
adopted, doesn't she?

Well, doesn't she?

Of course.

Well, then what's the problem?

I haven't been
tracking you down.

I haven't been
following you for years.

Well, there's something
I haven't told you.

Laura knows she's adopted.

But when she was growing
up, I told her that--

well, I felt it was
for her own good.

What?

I told her that I adopted
her from a hospital,

that I didn't know her parents
name, and that both of them

were dead.

[Soft music playing]

[Music playing]

[Playing "what child is this" on
flute]

Julie--

[continues playing flute]

Julie--

[continues playing flute]

Julie, will you put
that flute down a minute

so we can talk to you?

We have nothing to talk about.

Y'all made me the
goat who had to talk

to April about her boyfriend.

Well, now she hates me!

And I hate everybody.

[Plays note on flute]
Hate, hate, hate!

[Continues playing flute]

[Knocking]

You know, up til now, I
always though of you as just one

of miss April's best friends.

But you know, I was
taking my morning walk

and exercises out there, and
I heard that beautiful flute

music, and I said
to myself, "Tex, you

are listening to an artist."

Me?

Yes.

I mean, you just--

well, you just
play like an angel.

Well, that knocks the
"honest" out of his name.

Let the man talk.

I don't have
time to talk about

it right now, little lady.

But if you're interested
in a show business career,

I'd be most interested in
being your personal manager.

What?

[Inaudible].

We'll talk about
the contract later.

I got to go find
miss April right now.

She seems a little
upset about something

that happened last
evening, but she

wouldn't tell me what it was.

You see-- she didn't happen
to mention it to you, did she?

Uh, no, I haven't
seen her today.

Yeah, I'll just go
talk to miss April

because I always seem to be able
to make her feel a little bit

better when I talk to her.

Now, well, you just keep
practicing on that flute.

You remember what
happened to Isaac stern.

Isaac stern plays the violin.

Well, I know that.

But you see, that's
because he didn't

practice on the flute enough.

Yeah, you just stay
right here and try, ok?

[Inaudible]

That phony.

Wait till April finds
out he's trying to sign

up a no talent flute player!

Yeah.

Goodbye, gentlemen.

[Plays flute]

C sharp.

[Plays flute]

[Music playing]

Hey.

I think you're the
one that should have

gone to bed early last night.

You look tired.

[Laughs] Oh, well, I had a
very strange dream last night.

Yeah?

I dreamed that your
natural father came and tried

to take you away from me.

Oh, mom.

[Laughs] Hey, I
think Freud would

say that is a very normal
reaction for any mother who's

daughter's about to be married.

You just substituted my
father for the husband role.

I guess you're right.

Hey, honest, mom.

You're not losing me.

[Laughs] We're only going
to live three blocks away.

I'm sure you're
going to be very happy.

You know, I haven't wondered
about my natural parents

much since you
told me they died.

Being adopted hasn't always
been easy for you, has it?

[Soft music playing]

Well, I knew a girl who
spent years trying to track

down her natural parents.

When she found them, it
was very disillusioning.

It can be pretty traumatic.

I'm sure.

Besides, even if my natural
parents were still alive,

I'm not even sure
I'd want to know.

I mean, even if they
were nice and everything,

I'd be afraid it
would change my life.

My life is just
perfect the way it is.

[Sighs] Mine too.

[Laughs]

Of course, sometimes
I wonder, you know,

what they might look
like or what my name was.

Stuff like that.

[Music playing]

[Knocking]

I can't find the script.

Did you take it last night?

No, I left it with you.

Are you sure?

Of course, I'm sure.

No, you took it.

I'm positive you took it.

If you are so positive
I took the script,

then why did you ask me if I
was sure I left it with you?

Oh, I don't know.

All I know is the
script is gone.

Does that mean we're going to
have to start all over again?

Oh, no.

We've got to find it.

I couldn't go through
all that again.

It would take ages.

Well, maybe somebody came in.

How about a steward?

The maid.

The maid came in when
I was taking a shower.

Of course.

Of course, the maid.

Why didn't I think of that?

The maid came in and took the
script because she's going

into motion picture production.

Well, maybe the script
fell on the floor,

and the maid took it
thinking it was rubbish.

When we wrote it, I
knew it was rubbish.

But I expected an
inexperienced maid to know it.

I'm going to the rubbish room.

[Music playing]

[Laughs] Oh boy.

I'm glad I wasn't
playing you for money.

You're great at shuffleboard.

Oh, thanks.

You're lucky to have a mom and
dad to take you on this cruise.

Oh, I'm always here.

Captain stubing's my father.

He is?

How nice.

My mom died last year.

Oh, I'm sorry.

My mom and dad died
too a long time ago.

[Laughs] I'm real lucky though.

This wonderful lady adopted me
when I was just a teeny baby.

She's the best mom in the world.

She looks like
she's very nice.

Vicki, this is my
mother, Mrs. Rogers.

Hello, Vicki.

And this is our
friend, Mr. Thorton.

How do you do, miss stubing?

Won't you join us?

Oh, thank you.

See, well, my real
name isn't stubing.

Oh?

It's sort of confusing.

But after my mom and
my other dad died,

I found out that my real
father was captain stubing.

All that must have been
quite a surprise for you.

It was.

At first, when I found
out that captain merrill--

that's what I call him--

was my real father, I was
sort of scared and mixed up.

But the minute I met him,
I knew that I loved him,

and that I'd be the
happiest girl in the world.

That's just the way
he makes me feel.

How great to have a dad
who loves you so much.

[Soft music playing]

I bet having you makes
him feel pretty happy too.

I think it does.

Do you want to meet him?

He's super.

Sure.

I bet you'll love him too.

But I can't let you borrow him.

Ok.
Excuse us.

- Sure.
- See you later.

Meeting her real father
certainly hasn't hurt Vicki.

[Music playing]

[Laughs] My
honest Tex is going

to manage Julie and her flute?

No way.

Because I will kill him!

April, I think
you're overreacting.

I mean, actually, I didn't
hear him say it myself.

I'm just telling
you what I heard.

Who told you that?

Doc.

Gopher!

Julie.

Julie.

Julie, Julie, Julie.

[Speaking Spanish]
No wonder she was

saying to me to stay
away from honest Tex

so she can be around him.

When the mice eats away,
the rat thing will play.

The cat will play.

I don't know about
a cat, but I know two

rats playing when I see them.

One rat plays the flute, and the
other rat wears a cowboy hat.

Well, there y'all are!

Hi, hon.

[Laughs]

[Dramatic music playing]

Why'd you do that, hon?

Because orange
juice is good for you!

Where you going, hon?

[Speaking Spanish]

[Music playing]

I'm telling you,
it's not in here.

[Rattling]

Is this the only day
you clean this ship?

Betty, this is a
total waste of time.

Oh, I'm sorry.

That's ok.

I'm beginning to like it.

Oh, we're never going to
find the script in here.

Now, let's see.

If I were a script,
where would I go?

Oh, bill, look at this.

You remember the time you gave
me a heart shaped box of candy?

Oh, yes, of course.

You never gave me a
heart shaped box of candy,

and you're a liar.

Yes, that's what I said.

I never gave you a heart
shaped box of candy.

Well, why didn't you?

Yeah, why didn't I?

Yes.

Well, it wasn't because
I didn't love you enough.

It was because I
loved you too much.

I didn't want to insult
your intelligence by giving

you something like this.

Besides, we both know that our
heart isn't shaped like this.

A heart is shaped like a fist.

And I love you too much to give
you a fist shaped box of candy.

[Music playing]

You want to go back to the
cabin and look for the script?

Oh, I've already looked
everywhere in the cabin.

It's not there.

Did you look in the bed?

In the bed?

Uh-huh.

Under the blankets.

Under the blankets?

Oh, no.

That's the one place
I forgot to look.

Well, I certainly sympathize
with you, Mrs. Rogers.

You have a monumental
decision to make.

[Sighs] Well, I'm sorry to
have imposed on you, captain.

But when I heard Vicki
telling my daughter that--

yes, there are
similarities in their lives.

I only want what's
best for Laura.

Well, that's all
I wanted for Vicki.

Fortunately, everything
turned out fine.

Obviously, I can't make
the decision for you.

All I can do is tell
you to do what you feel.

But I'm frightened.

So was I. But I
found that all of us,

adults and children alike, have
this incredible inner strength,

a resiliency to
help us bounce back.

How we bounce back
depends on the love

and support of those around us.

Oh, Vicki introduced me
to Laura this afternoon.

She's a lovely girl.

Thank you.

Now, just remember, if
you do decide to tell her,

there may be tears.

But those tears could lead to
a greater joy for all of you.

Thank you.

I hope I've been of some help.

Oh, you have.

You really have.

[Soft music playing]

Tom thorton: Martha?

Are you all right?

Tell her tonight.

[Music playing]

Well, we still haven't
found the script yet.

I was almost sure it would
be under the blankets.

[Laughs] Well, we may
not have found it, but it

was sure fun looking for it.

You know, it was almost as
much fun looking for the script

as it was writing it.

Oh, poo.

[Music playing]

[Band playing music]

[Applause]

Really, April, you
don't have to perform

if you don't want to.

No.

I made my friends a promise.

It's not nice to
break a promise.

The show must go on.

Excuse me.

Ladies and gentlemen, we
have a very special friend

sailing with us this cruise.

I'm very happy to say she's
going to perform for us.

Believe me, you're in
for a wonderful treat.

So let's welcome our
good friend, April Lopez.

[Applause]

[Plays guitar]

Captain.

Yes.

Would you see that miss
April gets this, please?

Sure.

Uh, you tell her
I'm sorry things

didn't work out just right.

[April continues playing]

[Applause]

Merrill stubing:
Ladies and gentlemen, I

have some good news for you and
for this lovely and talented

young lady.

I want to read this.

"Dear honest Tex, loved
April's record you sent me.

Knowing you're a
man of your word,

I'm sure she looks
as good as you say.

Consider this
telegram a contract

for a two week
engagement [inaudible]

Brutus palace, Las Vegas."

[Squeals]

[Cheering]

Ok, April.

Let's hear what las
Vegas is in for.

[Inaudible] Let's do it!

Whoa!

[Band plays]

All right!

[Trilling] Woo!

Everybody happy!

[Sings in Spanish]

Everybody, arriba!

[Sings in Spanish]

Uh-huh.

[Scatting]
[Speaking Spanish] [Trilling]

[Speaking Spanish]

[Cheering]

[Yells]

[Music playing]

Mom.

Mom, guess what Mr.
thorton just told me?

He said if he ever
had a daughter,

he'd want her to
be exactly like me.

What a beautiful thing to say.

Well, why don't you two take
a stroll in the moonlight?

Goodnight.

Thank you.

What more can a
man ask than to see

his daughter completely happy?

I just realized to tell
her would be selfish.

I would like to ask
a favor, though.

Yes?

I'd like to come
visit from time to time.

I would like that very much.

[Music playing]

It's nice of you
to invite me back.

Nice of you to accept.

Now, bill, what
about the script?

Hmm?

The script?

What script?

Well, it's too
bad that we lost it.

I mean, I suppose the
only thing we can do

is start writing the
whole thing over again.

Yeah.

And it'll take months.

Perhaps it would make the work
seem a little less dreary if we

went out to that country
house where we first

started writing
together, you know,

and work together up there?

Oh, yeah.

We had some great times
up there, remember?

[Laughs] Yes, I do remember.

What's that?

Hmm?

That?

Oh.

That's just the script.

Uh, the script.

You dog!

You had the script all the time.

How deceitful can a person be?

You really take the cake.

Now, wait a minute, Betty.

I can explain anything--

I mean, everything.

Look, Betty, try and
understand why I did it.

I did it because I wanted
us to spend some more time

together, because I love you.

You love me?

More than ever.

I love you, too.

That's why I didn't tell you
that I made a carbon copy.

You made a carbon
copy of the script?

[Laughs]

You rat.

[Laughs] You devil.

You witch.

[Music playing]

Tex.

Oh, hi there, little lady.

[Laughs]

I'm so sorry I got
myself mad at you.

Oh, that's all
right, little lady.

Yes.

I was going crazy with
jealous because the crew

told me you told
Julie that you will

now make her a bigger star.

Oh, no, no.

I just told her that
because you told me how

nice they'd all been to you.

I was trying to be
nice to you, see.

Besides, she does play
the flute pretty good.

Not as good as a
Shepherd, but pretty.

But you're my only star.

Yeah.

Tex, do you really
think I'm going to be

good enough for Las Vegas?

Las Vegas?

My little honey,
you're good enough

for the whole, wide world.

You make the man
in the moon smile.

You know, it would have been the
proudest day in my whole life

if I could have taken
you back to my hometown

and introduce you as my bride.

Mrs. Honest Tex.

Mm, what a beautiful name.

Wait a minute now.

Do you mean that--

I will be the happiest man
in the whole, wide world!

[Laughs] But now, wait
a minute, little honey.

I got to tell you the truth.

Old honest Tex did tell you
one just teeny weeny lie.

See, my hometown is New Jersey.

Mrs. Honest New Jersey.

I still like it!

[Laughs]

[Music playing]

[Music playing]

Hey.

I just wanted to say
goodbye and wish you

good luck on your movie script.

Thank you.

Thank you, Isaac.

Did you find another
ending for the script?

No.

But we've got enough of
beginning for our marriage.

Yes.

Now, for one thing, I get
to carry the typewriter.

[Laughs] Bye.

Bye.

Oh, Mr. Thorton, it's so
wonderful to have met you.

I feel like I've made
a friend for life.

You have.

Goodbye, Laura.

Goodbye.

Goodbye, Tom.

Bye bye.

Please let me
hear from you soon.

Oh, that's a promise.

Bye bye.

Bye.

I hope you don't
think I'm crazy,

but would you come
to my wedding?

[Laughs] I'd love to.

[Laughs] Good.

Honest Tex, I
hope you'll accept

our apologies for doubting
your honesty even for a minute.

It's just that we're
very protective of April.

Oh, that's all right.

I understand, captain.

Of course, there's some days I
don't even believe me myself.

[Laughter]

Oh, he understand.

I explain it
[Inaudible] anything.

[Speaking Spanish]

What does that mean, hon?

I don't know.

I say it so fast, I
couldn't understand myself.

[Music playing]

[Theme music]

[Paramount pictures theme]