All language subtitles for Procolor_C10_L5a_Concept_Luts

Welcome back.

We're going to explore

the concept of using pre-made
looks and LUTS to stylize our footage

when we're talking about a pre-made
look that you want to put on your footage.

Oftentimes,
we'll be talking about either a preset,

which I would call a look or a lut.

So any kind of preset for resolve

usually does about the same thing as a lot
when it comes to color.

What it's really doing
is taking a certain image

and doing some color grading to it
to make it look a certain way.

And there are a couple of different
kinds of LUTS.

The first one would be a transform.

Let the idea behind

a transform light is pretty much
the same thing as a color space transform.

It takes this log flat image
and it will make the colors work for

something like rec seven or nine,

and you would use it in pretty much
the exact same way that you would use

the color space.
Transform the advantage of a color space.

Transform as you have one effect
and you can adjust all of these settings

and change your output color, space
and output gamma and everything.

Whereas a lot is built
for only one type of transform.

So you might have a lap that turns black
magic film Gen five into rec

seven or nine, but you would have to use
a totally different light to go

from this kind of color space
into something like P3.

But the idea is the same.

The next kind of category
would be a creative lot.

That would be a lot.

That adds a certain style to your image.

So back looking at what
we've been doing with creative looks

this season is doing basically
what a transform light would do.

And these three notes are look nodes

are adding style to

the image and there are lots
that will just do that.

There are also lots
that will combine those two things

like we have at ground
control takes your ungraded log footage

and it transforms it into seven or nine
and it also gives it some style.

So instead of using two lots
or doing your color correction

and then adding a lot or doing a transform
and then adding style,

it kind of does it all at once.

The third type of light would be film,
print, emulation

and what those kind of let's do are
give it kind of this subtle filmic style,

but it's based on the type of properties
that a film print has.

So it's not just kind of willy nilly,
this is what looks good.

It's kind of simulating
what your image would look like

if you were to print it
on a certain type of film.

But that's the major concept behind LUTS
and looks a look might be a preset

that somebody might make in resolve that
sort of includes everything like this.

And a lot is kind of all of that stuff
baked into a filter

that you can put on top of things
either in resolve or even in other apps.

We'll learn a little bit more about
some specific ones here in a few minutes.