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Now that we've
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learned quite a bit about what contrast is
and how to adjust it in resolve.
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Here are some of the tips that year.
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I'm going to switch over to shop 43
and load our color transform.
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And here's what I really like to do
when it comes to contrast.
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Most of the time
I'm working under a color transform,
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and so there's already
quite a bit of contrast and a built in.
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However, usually it's not quite
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poppy enough
and we'll want to add a little bit more.
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So what I'll do is go for the contrast
knob and boost that up a little bit
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until things
just feel a little bit more rich.
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But then we're losing
some of these shadows here.
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And so what sometimes we need to do
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is grab the pivot
and bring it down a little bit
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so that we're adding
more contrast overall,
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but we're keeping more of the detail
and the shadows.
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Now, here's before and here's after,
and it kind of just takes away
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that sort of grayish
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black feeling and makes
things just feel a little bit more poppy.
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I feel like that's really nice.
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The other thing that happens sometimes is
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if you're up in the contrast in something
and it's feeling dark,
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it might be just because you need to up
your exposure a little bit,
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which I like to do in a note
before our contrast.
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So let's label this contrast
and we'll call this one exposure. And
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in this exposure note, I'll grab my offset
and just boost it up a little bit.
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And this is going to do a similar thing
to adjusting my pivot,
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but it's going to bring the overall level
up while keeping that contrast
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and depending on your image
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and kind of what you're going for,
that might be a better way to go.
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The other thing I like to make sure of
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when it comes to just adding more contrast
is I want to go into the project
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settings and under master settings
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and under general options under color.
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I want to make sure to uncheck use S-curve
for contrast.
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The reason I want to do that
is because if we have this on,
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what resolves going to do when we add
contrast is kind
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of mapped the colors
and sort of an S-curve like this,
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which might look fine, but
I kind of want to be in control of that.
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I don't really want resolve to do that
under the hood without showing me.
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So now really what we're doing when we up
this contrast is we're doing something
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sort of like this
instead of having an S-curve like this.
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What's the advantage of using the contrast
knob versus the curves?
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Well, the big advantage is just that
it's quick and it's one control, right?
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So if I reset this,
I can boost my contrast up
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and play with my pivot if I need to,
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and get things dialed in by
just grabbing two sliders
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instead of moving this around,
moving this where it needs
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to be and kind of messing with this
a little bit more.
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It's also really easy
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if I have my contrast turned up
and I want to turn it down
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a little bit to just kind of take it
and turn it down with one adjustment.
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Whereas
if I had this set up in our curves,
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I would have to make two adjustments
and then probably adjust after that.
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So it's more of a speed thing, even though
you have more control and the curves,
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it's nice for kind of basic contrast,
just to use the contrast knob.
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Now if you're doing something
like building a specific kind
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of creative look,
which we'll get into in a little while,
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I do like the curves
because it gives you so much control.
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So if we want a really specific kind
of roll off in our highlights or shadows,
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we can really get detailed with our curve
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and dial in kind of every part of our shot
if we want to.
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But this is something
where you're getting a lot more creative
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than kind of
just fixing a problem of low contrast.
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So it really depends on what you're doing.
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But those are the major ways that I would
adjust.
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Contrast is just with the contrast knob,
maybe play with the pivot and make sure
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that I'm dialing in my exposure in a note
previous to the contrast note.
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