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So contrast is just that.
2
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It's the difference between the brightest
parts and the darkest parts of the image.
3
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So any contrast would be on the left here
4
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we're staring
pretty much directly at the sun,
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which is about as bright as you can get.
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And we have this dark
silhouette of our guy here.
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And this is using up
pretty much the full range of brightness
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that we can have in an image
from all the way bright white in the sun,
9
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too, down here, pretty much close
to black for the shadows.
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Same thing here on this side.
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Pretty much all of the shadows
are crushed out here into black.
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And we have a lot of the kind of grayish
skin tones here.
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And then there's also some bright white
kind of blown out highlights.
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So this is, again,
just maximized contrast.
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And generally the higher contrast
you have, the more interesting
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something is
17
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it doesn't mean you should always
pump up your contrast, but things usually
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look better when they take up
that full range of light to dark.
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On the other side of things,
we have low contrast.
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It's actually kind of hard to find low
contrast examples of nice photography
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because people generally
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don't like low contrast
because it just doesn't look as good.
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So here
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the difference between the brightest parts
and the darkest parts is a lot less.
25
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We have some highlights here
and kind of the bouquet of the grass,
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but about as dark as it gets
27
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is probably right up here in this corner,
which is only 30 or 40% brightness.
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Everything is
pretty much at gray or above.
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So because there is
less of that dynamic range being taken up,
30
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this is called low contrast.
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And we have an interesting example
over here where we actually have quite
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a bit of low contrast stuff
all around in the blankets and everything.
33
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But then we have a really high contrast
plate here in the middle,
34
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and this is actually really good
to illustrate
35
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a point about contrast
is because contrast is more interesting.
36
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You generally want your subject
to contrast with the rest of your shot.
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So this coffee has this black ring.
38
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Here we have the high contrast
of the white plate and the dark leaves.
39
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This is obviously the subject of the shot,
whereas in this shot
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everything is so low contrast,
41
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it's kind of hard to figure out
what we're really supposed to look at.
42
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I would say maybe this plant here
just because it's in focus.
43
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And even though the contrast
isn't huge in the picture as a whole,
44
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this is probably the highest contrast
piece of the picture here.
45
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It's really easy to find our subject.
46
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It's obviously this guy and obviously
her face and skin right here.
47
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And so that is the basics of contrast.
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It's the difference between the brightest
parts and the darkest parts in an image.
4517
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