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So now that we're more familiar
with the resolve color interface,
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I want to pause for a second and show you
how to open up, get your hands dirty,
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and start messing with things
in the next few lessons.
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Because in the next couple of lessons,
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we're going to be talking
about some kind of higher level concepts.
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And it's really good
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to kind of grab sliders and play around
with things as you learn them.
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So if you already have resolve open,
you might have a blank project open
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or maybe something else
you've been working on.
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But let's go ahead and open up
the same project here.
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Let's go down to our project manager.
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That's this little house icon down here.
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And you should see a window,
something like this.
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If you've been working in resolve, you
probably have your other projects here,
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but you can right
click anywhere in the blank
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space and select Restore Project Archive.
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Now navigate
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to the work files and links
which you should have downloaded
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from the site and find something called
Pro Color Work Files.
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Dot Dark.
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Select that and go ahead and hit open.
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You can also double click
the DRA in the Finder
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or Explorer
to just open it up here and resolve.
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But that should load up our project here.
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We can double click on it
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and it should open up.
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If we go over to the media pool,
we see we have two major projects here.
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We have smoke cheesecake
and Tuesday on Earth,
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and each folder
is going to have two timelines.
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One of them is start
and the other one as cases grade cases,
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grade will be the finished product
of what we make here during the training.
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Of course, I'm recording this and I can't
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I don't have a time machine,
so it isn't there yet.
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But the start timeline
should be all ungraded clips.
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So if you want to poke around
at kind of where
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we're going,
you can open up the cases grade.
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If you want to do stuff yourself,
double click on the start timeline.
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I'm going to be working on a version
of this timeline from Tuesday on Earth,
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and I'll have some basic color
correction on it just so we aren't looking
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at these kind of ugly, gray,
untouched images for our entire training.
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But the big key here is don't be nervous.
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Don't be afraid to grab a slider
and drag it back and forth, move
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things around and break stuff
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because you can really only mess
something up so much and you can always
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just right click here in the node
graph and say reset all grades and nodes
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for whatever shot you're on.
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And the very, very worst case scenario,
if you just ruin things,
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you can always go back
to your project manager, right click
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and restore the Project Archive again,
because this is always going to be a copy.
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It's always going to be
a backup of what we're doing
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and so we can just import this again,
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maybe name it a new version,
name and head.
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Okay.
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And now you can go right back
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to the untouched project,
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like I said.
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And the next couple of lessons
we're going to be going over are color
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scopes, as well as some details on nodes
and some strategies for color management.
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And while we're going through this,
if you see me grab a slider
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and move it around
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or even go into some part of the interface
you've never been before.
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Feel free to poke around and break things
because that's how you learn.
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