Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:46,959 --> 00:00:49,701
MOMMY GOT SICK
2
00:00:49,832 --> 00:00:52,835
AND IT HAPPENED
JUST LIKE THAT.
3
00:00:52,965 --> 00:00:56,186
THERE WAS NOTHING
ANYBODY COULD DO.
4
00:00:56,317 --> 00:00:58,319
IT ISN'T FAIR.
5
00:00:58,449 --> 00:01:00,234
THERE'S NO REASON.
6
00:01:00,364 --> 00:01:03,411
BUT IF WE START
ASKING WHY
7
00:01:03,541 --> 00:01:05,587
WE'LL GO CRAZY.
8
00:01:28,610 --> 00:01:30,264
FIVE MINUTES
IN THE MICROWAVE...
9
00:01:30,394 --> 00:01:31,482
ANY ONE OF THEM...
10
00:01:31,613 --> 00:01:33,615
FIVE MINUTES AND DONE,
READY TO EAT.
11
00:01:35,443 --> 00:01:37,488
DO YOU KNOW
HOW TO MAKE JUICE?
12
00:01:41,405 --> 00:01:44,278
MICROWAVE. FIVE MINUTES.
13
00:02:00,816 --> 00:02:01,773
HERE.
14
00:02:02,861 --> 00:02:04,254
MY SHRINK.
15
00:02:04,385 --> 00:02:05,734
CALL HIM.
16
00:02:14,612 --> 00:02:18,877
"LOSS OF SPOUSE
SUPPORT GROUP."
17
00:02:19,008 --> 00:02:21,706
"CHICAGO CANCER
FAMILY NETWORK."
18
00:02:21,837 --> 00:02:23,360
"PARENTS
WITHOUT PARTNERS."
19
00:02:23,491 --> 00:02:24,448
"PARTNERS
WITHOUT PARENTS."
20
00:02:24,579 --> 00:02:26,058
"HUG YOURSELF."
21
00:02:26,189 --> 00:02:27,625
"HUG A FRIEND."
"HUG A SHRINK."
22
00:02:27,756 --> 00:02:29,758
OR "WORK. WORK HARD."
23
00:02:29,888 --> 00:02:31,412
"WORK WILL SAVE YOU."
24
00:02:31,542 --> 00:02:34,284
"WORK IS THE ONLY THING
THAT WILL SEE YOU
THROUGH THIS."
25
00:02:40,072 --> 00:02:43,815
DON'T MIND HIM.
HE'S JUST THE GUY
WHO'S LOST HIS WIFE.
26
00:02:49,169 --> 00:02:51,301
WHAT I THINK
WE REALLY NEED IS...
27
00:02:51,910 --> 00:02:53,390
CHANGE.
28
00:02:53,521 --> 00:02:54,652
GOOD IDEA.
29
00:02:54,783 --> 00:02:56,654
TAKE A COUPLE OF WEEKS OFF,
GET SOME SUN
30
00:02:56,785 --> 00:02:58,178
TAKE JONAH FISHING.
31
00:03:00,919 --> 00:03:02,617
NO. REAL CHANGE.
32
00:03:03,444 --> 00:03:05,315
A NEW CITY.
33
00:03:06,708 --> 00:03:08,013
SOMEPLACE WHERE EVERY TIME
I GO AROUND A CORNER
34
00:03:08,144 --> 00:03:09,754
I DON'T THINK OF MAGGIE.
35
00:03:13,149 --> 00:03:16,544
[ORGAN PLAYING "TAKE ME OUT
TO THE BALL GAME"]
36
00:03:19,068 --> 00:03:20,852
WHERE ARE YOU
GOING TO GO?
37
00:03:25,727 --> 00:03:27,903
I WAS THINKING ABOUT SEATTLE.
38
00:03:28,033 --> 00:03:30,514
EVENTUALLY,
IN A FEW MONTHS
39
00:03:30,645 --> 00:03:32,516
YOU'LL START
SEEING WOMEN.
40
00:03:32,647 --> 00:03:33,909
YOU'LL MEET
SOMEONE.
41
00:03:34,039 --> 00:03:35,432
RIGHT, RIGHT.
MOVE ON.
42
00:03:35,563 --> 00:03:36,999
THAT'S WHAT
I'M GOING TO DO.
43
00:03:37,129 --> 00:03:38,043
AND THEN
IN A FEW MONTHS
44
00:03:38,174 --> 00:03:39,436
BOOM,
I'LL BE FINE.
45
00:03:39,567 --> 00:03:41,003
I'LL JUST GROW
A NEW HEART.
46
00:03:41,133 --> 00:03:42,309
SAM, I'M SORRY.
I DIDN'T MEAN THAT.
47
00:03:42,439 --> 00:03:43,658
I KNOW, I KNOW.
48
00:03:43,788 --> 00:03:47,488
LOOK, IT JUST DOESN'T
HAPPEN TWICE.
49
00:03:47,618 --> 00:03:50,404
♪ YOU MUST REMEMBER THIS
50
00:03:50,534 --> 00:03:53,450
♪ A KISS IS STILL A KISS
51
00:03:53,581 --> 00:03:56,236
♪ A SIGH IS JUST A SIGH
52
00:03:59,630 --> 00:04:04,548
♪ THE FUNDAMENTAL
THINGS APPLY
53
00:04:04,679 --> 00:04:06,855
♪ AS TIME GOES BY
54
00:04:11,207 --> 00:04:14,123
♪ AND WHEN TWO LOVERS WOO
55
00:04:14,254 --> 00:04:17,126
♪ THEY STILL SAY "I LOVE YOU"
56
00:04:17,257 --> 00:04:20,260
♪ ON THAT YOU CAN RELY
57
00:04:23,306 --> 00:04:28,398
♪ NO MATTER
WHAT THE FUTURE BRINGS
58
00:04:28,529 --> 00:04:31,706
♪ AS TIME GOES BY
59
00:04:35,144 --> 00:04:38,103
♪ MOONLIGHT AND LOVE SONGS
60
00:04:38,234 --> 00:04:41,498
♪ NEVER OUT OF DATE
61
00:04:41,629 --> 00:04:43,805
♪ HEARTS FULL OF PASSION
62
00:04:43,935 --> 00:04:46,895
♪ JEALOUSY AND HATE
63
00:04:47,025 --> 00:04:49,506
♪ WOMAN NEEDS MAN
64
00:04:49,637 --> 00:04:52,379
♪ AND MAN MUST HAVE HIS MATE
65
00:04:52,509 --> 00:04:54,859
♪ THAT NO ONE
66
00:04:54,990 --> 00:04:58,080
♪ CAN DENY
67
00:04:58,210 --> 00:05:01,039
♪ IT'S STILL
THE SAME OLD STORY
68
00:05:01,170 --> 00:05:03,999
♪ A FIGHT FOR LOVE AND GLORY
69
00:05:04,129 --> 00:05:07,307
♪ A CASE OF DO OR DIE
70
00:05:10,179 --> 00:05:16,141
♪ THE WORLD
WILL ALWAYS WELCOME LOVERS
71
00:05:16,272 --> 00:05:23,061
♪ AS TIME GOES BY
72
00:05:36,814 --> 00:05:39,208
THE TALL ONE WITH RED HAIR
IS YOUR COUSIN IRENE...
73
00:05:39,339 --> 00:05:41,558
YOU'LL RECOGNIZE HER
BY THE DISAPPOINTED LOOK
ON HER FACE.
74
00:05:41,689 --> 00:05:42,951
...WHO'S MARRIED
TO HAROLD
75
00:05:43,081 --> 00:05:44,866
WHO RAN OFF
WITH HIS SECRETARY.
76
00:05:44,996 --> 00:05:46,824
BUT CAME BACK
BECAUSE IRENE THREATENED
TO PUT THE DOG TO SLEEP
77
00:05:46,955 --> 00:05:49,000
IF HE DIDN'T.
78
00:05:49,131 --> 00:05:51,873
YOUR BROTHER DENNIS
IS A PROFESSOR
AT JOHNS HOPKINS.
79
00:05:53,962 --> 00:05:57,008
HE'S MARRIED
TO, UM... BETSY.
80
00:05:57,139 --> 00:05:59,359
THE MOST COMPETITIVE WOMAN
IN THE WORLD.
81
00:05:59,489 --> 00:06:01,186
I DON'T SEE HOW I'M GOING
TO REMEMBER ALL THIS.
82
00:06:01,317 --> 00:06:03,841
OH. WELL...
WALTER, YOU WILL.
83
00:06:16,201 --> 00:06:18,856
AND YOUR UNCLE MILTON
LOST ALL OF HIS MONEY...
84
00:06:18,987 --> 00:06:20,597
AND SOME OTHER PEOPLE'S.
85
00:06:20,728 --> 00:06:22,382
...IN A PYRAMID SCHEME.
86
00:06:22,512 --> 00:06:25,210
DON'T MENTION THE I.R.S.
OR THE FEDERAL PRISON SYSTEM.
87
00:06:25,341 --> 00:06:28,910
YOUR MOTHER'S BARBARA,
YOUR FATHER'S CLIFF...
88
00:06:29,040 --> 00:06:30,781
MY FATHER HAS
ELECTRIC TRAINS.
89
00:06:30,912 --> 00:06:33,131
REALLY?
90
00:06:33,262 --> 00:06:36,352
AM I WHAT
THEY HAD IN MIND?
91
00:06:36,483 --> 00:06:39,660
OH, WALTER,
THEY'RE GOING TO LOVE YOU!
92
00:06:41,879 --> 00:06:42,924
[CLINKING ON GLASS]
93
00:06:43,054 --> 00:06:44,621
WOMAN:
EVERYBODY...
94
00:06:44,752 --> 00:06:46,536
ANNIE HAS
AN ANNOUNCEMENT.
95
00:06:46,667 --> 00:06:48,103
OH...
96
00:06:48,233 --> 00:06:51,193
WALTER AND I ARE ENGAGED!
97
00:06:51,323 --> 00:06:52,847
[SCREAMING]
98
00:06:52,977 --> 00:06:56,720
[EXCITED CHATTERING]
99
00:06:56,851 --> 00:06:58,156
THANK YOU.
100
00:06:58,287 --> 00:06:59,680
THANK YOU.
101
00:06:59,810 --> 00:07:00,811
MOM KNEW.
102
00:07:00,942 --> 00:07:02,639
DAD, MOM KNEW.
103
00:07:02,770 --> 00:07:04,598
I DON'T SEE
YOUR RING, ANNIE.
104
00:07:05,729 --> 00:07:07,035
CONGRATULATIONS,
WALTER.
105
00:07:07,165 --> 00:07:08,732
[SNEEZING]
106
00:07:08,863 --> 00:07:09,777
BLESS YOU.
107
00:07:09,907 --> 00:07:10,908
BLESS YOU.
108
00:07:11,039 --> 00:07:12,562
[SNEEZING]
109
00:07:12,693 --> 00:07:13,737
[SNEEZING]
110
00:07:13,868 --> 00:07:15,565
ARE YOU
ALL RIGHT?
111
00:07:15,696 --> 00:07:17,132
IT'S NOTHING.
112
00:07:17,262 --> 00:07:18,220
MAYBE IT'S THE FLOWERS.
113
00:07:18,350 --> 00:07:19,917
I'LL GET THEM.
114
00:07:20,048 --> 00:07:21,919
NO, DON'T TOUCH THEM!
115
00:07:22,050 --> 00:07:24,313
I FEEL TERRIBLE
SNEEZING AT A TIME LIKE THIS.
116
00:07:24,444 --> 00:07:26,620
THIS IS A VERY
IMPORTANT MOMENT.
117
00:07:26,750 --> 00:07:27,795
HE'S ALLERGIC
TO EVERYTHING.
118
00:07:27,925 --> 00:07:29,057
DON'T WORRY
ABOUT IT.
119
00:07:29,187 --> 00:07:31,842
BEES. I'M ALLERGIC
TO BEES.
120
00:07:31,973 --> 00:07:34,802
HAROLD IS ALLERGIC
TO EVERY TYPE OF BEE.
121
00:07:34,932 --> 00:07:36,804
WE ALWAYS HAVE TO CARRY
A HYPODERMIC OF ADRENALINE
122
00:07:36,934 --> 00:07:38,370
WHEREVER WE GO.
123
00:07:38,501 --> 00:07:41,112
ANNIE: IF HE EATS
EVEN ONE PIECE
OF A NUT...
124
00:07:41,243 --> 00:07:42,940
MY HEAD SWELLS UP
LIKE A WATERMELON
125
00:07:43,071 --> 00:07:44,464
AND I DROP DEAD.
126
00:07:44,594 --> 00:07:46,944
IRENE:
IT'S THE SAME
WITH HAROLD AND BEES.
127
00:07:47,075 --> 00:07:49,077
YOUR MOTHER AND I
HAD SALMON
AT OUR WEDDING
128
00:07:49,207 --> 00:07:51,993
AND A WEDDING
WITHOUT COLD SALMON...
129
00:07:52,123 --> 00:07:53,690
I'M NOT ALLERGIC
TO SALMON.
130
00:07:53,821 --> 00:07:54,952
OH! HE'S NOT ALLERGIC
TO SALMON.
131
00:07:55,083 --> 00:07:56,127
I DON'T THINK.
132
00:07:56,258 --> 00:07:57,999
BUT YOU NEVER KNOW.
133
00:07:58,129 --> 00:07:59,435
YOU NEVER KNOW.
134
00:07:59,566 --> 00:08:01,263
HAROLD WASN'T ALWAYS
ALLERGIC TO BEES.
135
00:08:01,393 --> 00:08:02,307
OH, HONEY,
WHAT A SHAME,
136
00:08:02,438 --> 00:08:03,918
WE HAD
SOME CHAMPAGNE
137
00:08:04,048 --> 00:08:05,267
AND WHAT DID
WE USE IT FOR?
138
00:08:05,397 --> 00:08:06,747
UNCLE MILTON'S
PAROLE.
139
00:08:06,877 --> 00:08:08,096
IT WAS DELICIOUS.
140
00:08:08,226 --> 00:08:10,098
IT WAS, WASN'T IT,
MILTON, DARLING?
141
00:08:10,228 --> 00:08:12,143
WHEN ARE YOU
GETTING MARRIED, ANNIE?
142
00:08:12,274 --> 00:08:14,581
IN EARLY JUNE,
IN THE GARDEN.
143
00:08:14,711 --> 00:08:15,973
OH!
144
00:08:16,104 --> 00:08:17,235
HAROLD:
DOES IT HAVE TO BE
IN THE GARDEN?
145
00:08:17,366 --> 00:08:18,715
WHAT ABOUT HAROLD
AND BEES?
146
00:08:18,846 --> 00:08:20,151
I'M ALLERGIC TO BEES.
147
00:08:20,282 --> 00:08:21,631
BARBARA:
WE'LL SPRAY YOU.
148
00:08:21,762 --> 00:08:23,024
COLD SALMON
149
00:08:23,154 --> 00:08:25,156
A LOVELY
CUCUMBER SALAD
150
00:08:25,287 --> 00:08:26,767
STRAWBERRIES...
151
00:08:26,897 --> 00:08:30,640
I'M AFRAID I AM ALLERGIC
TO STRAWBERRIES.
152
00:08:32,250 --> 00:08:35,297
IS THIS ALL RIGHT
WITH YOU, WALTER?
153
00:08:35,427 --> 00:08:38,735
TODAY I CONSIDER MYSELF
THE LUCKIEST MAN-MAN-MAN
154
00:08:38,866 --> 00:08:41,346
ON THE FACE-FACE-FACE
OF THE EARTH-EARTH-EARTH.
155
00:08:41,477 --> 00:08:43,044
THE LOU GEHRIG LINE!
156
00:08:43,174 --> 00:08:45,655
REMEMBER, DAD,
THE LOU GEHRIG LINE
157
00:08:45,786 --> 00:08:47,135
FROM, UH...
158
00:08:47,265 --> 00:08:49,311
-PRIDE OF THE YANKEES.
-PRIDE OF THE YANKEES.
159
00:08:49,441 --> 00:08:50,704
[ALL CHATTERING]
160
00:08:50,834 --> 00:08:51,835
IT'S BASEBALL.
161
00:08:51,966 --> 00:08:53,141
HISTORICAL REFERENCE.
162
00:08:53,271 --> 00:08:55,143
I WOULD LIKE
TO PROPOSE A TOAST.
163
00:08:55,273 --> 00:08:56,361
HEAR, HEAR.
164
00:08:56,492 --> 00:08:58,015
TO MY KID SISTER.
165
00:08:58,146 --> 00:09:00,191
TO WALTER
AND MY BABY.
166
00:09:00,322 --> 00:09:02,063
TO WALTER
AND ANNIE.
167
00:09:05,196 --> 00:09:06,720
BARBARA:
EVERYONE,
PLEASE EAT
168
00:09:06,850 --> 00:09:08,765
BEFORE IT GETS COLD.
169
00:09:11,768 --> 00:09:13,335
HERE IT IS.
170
00:09:13,465 --> 00:09:15,816
THE HISTORICAL SOCIETY
WANTED THIS
171
00:09:15,946 --> 00:09:17,687
AND I NEVER WOULD
GIVE IT TO THEM.
172
00:09:17,818 --> 00:09:19,863
ANNIE:
OH, MOM!
173
00:09:19,994 --> 00:09:22,736
I NOTICED THESE THINGS
ARE BACK IN FASHION.
174
00:09:22,866 --> 00:09:24,215
GRANDMOTHER'S DRESS.
175
00:09:24,346 --> 00:09:25,303
OH, HONEY.
176
00:09:25,434 --> 00:09:27,131
OH!
177
00:09:27,262 --> 00:09:29,046
HE'S
A LOVELY MAN, ANNIE.
178
00:09:29,177 --> 00:09:30,787
I KNOW!
179
00:09:30,918 --> 00:09:33,007
HE IS WONDERFUL,
ISN'T HE?
180
00:09:33,137 --> 00:09:34,748
AND HE'S SUCH
A WONDERFUL ATHLETE.
181
00:09:34,878 --> 00:09:36,227
ARE HIS FOLKS
NICE?
182
00:09:36,358 --> 00:09:38,447
YOU'LL LOVE THEM.
WE'RE GOING TO D.C. TONIGHT
183
00:09:38,578 --> 00:09:39,927
TO BE WITH THEM
CHRISTMAS MORNING.
184
00:09:40,057 --> 00:09:41,058
HOW DID IT HAPPEN?
185
00:09:41,189 --> 00:09:42,712
WELL... SILLY, REALLY.
186
00:09:44,888 --> 00:09:46,498
I'D SEEN HIM
AT THE OFFICE...
187
00:09:46,629 --> 00:09:49,066
HE'S THE ASSOCIATE
PUBLISHER...
188
00:09:49,197 --> 00:09:50,590
AND THEN ONE DAY
189
00:09:50,720 --> 00:09:53,070
WE'D ORDERED SANDWICHES
FROM THE SAME PLACE
190
00:09:53,201 --> 00:09:55,246
AND HE GOT MY LETTUCE
AND TOMATO ON WHOLE WHEAT
191
00:09:55,377 --> 00:09:57,422
WHICH HE WAS ALLERGIC TO
192
00:09:57,553 --> 00:09:59,816
AND I GOT HIS LETTUCE
AND TOMATO ON WHITE.
193
00:09:59,947 --> 00:10:02,166
-HOW AMAZING.
-IT IS, ISN'T IT?
194
00:10:02,297 --> 00:10:04,342
YOU MAKE A MILLION DECISIONS
THAT MEAN NOTHING
195
00:10:04,473 --> 00:10:06,127
AND ONE DAY
YOU ORDER TAKEOUT
196
00:10:06,257 --> 00:10:07,171
AND IT CHANGES
YOUR LIFE.
197
00:10:07,302 --> 00:10:09,173
DESTINY TAKES A HAND.
198
00:10:09,304 --> 00:10:10,392
MOM...
199
00:10:10,522 --> 00:10:12,176
DESTINY IS SOMETHING
WE'VE INVENTED
200
00:10:12,307 --> 00:10:13,613
BECAUSE WE CAN'T
STAND THE FACT
201
00:10:13,743 --> 00:10:15,919
THAT EVERYTHING
THAT HAPPENS
IS ACCIDENTAL.
202
00:10:16,050 --> 00:10:17,442
THEN HOW DO YOU EXPLAIN
203
00:10:17,573 --> 00:10:19,444
THAT YOU BOTH ORDERED
THE SAME SANDWICH
204
00:10:19,575 --> 00:10:21,229
EXCEPT FOR
THE BREAD?
205
00:10:21,359 --> 00:10:23,274
HOW MANY PEOPLE
IN THIS WORLD
206
00:10:23,405 --> 00:10:24,885
LIKE LETTUCE AND TOMATO
207
00:10:25,015 --> 00:10:27,104
WITHOUT SOMETHING ELSE
LIKE TUNA?
208
00:10:27,235 --> 00:10:28,758
WELL...
209
00:10:28,889 --> 00:10:30,107
IT WASN'T A SIGN.
210
00:10:30,238 --> 00:10:32,849
IT WAS A COINCIDENCE.
211
00:10:32,980 --> 00:10:35,025
I WAS
IN ATLANTIC CITY
WITH MY FAMILY.
212
00:10:35,156 --> 00:10:36,897
CLIFF
WAS A WAITER.
213
00:10:37,027 --> 00:10:39,247
HE WASN'T EVEN SUPPOSED
TO WORK THAT NIGHT
214
00:10:39,377 --> 00:10:41,597
AND SUPPOSE
HE HADN'T?
215
00:10:41,728 --> 00:10:43,773
HE ASKED ME TO TAKE
A MIDNIGHT WALK
216
00:10:43,904 --> 00:10:46,080
ON THE STEEL PIER.
217
00:10:46,210 --> 00:10:48,212
I'VE PROBABLY TOLD YOU
THIS A MILLION TIMES,
BUT I DON'T CARE.
218
00:10:50,127 --> 00:10:52,260
THEN HE HELD
MY HAND.
219
00:10:52,390 --> 00:10:54,349
AT ONE POINT,
I LOOKED DOWN
220
00:10:54,479 --> 00:10:58,048
AND I COULDN'T TELL
WHICH FINGERS WERE HIS
AND WHICH WERE MINE
221
00:10:58,179 --> 00:10:59,441
AND I KNEW.
222
00:11:01,051 --> 00:11:02,270
WHAT?
223
00:11:02,400 --> 00:11:04,185
YOU KNOW.
224
00:11:04,838 --> 00:11:05,926
WHAT?
225
00:11:06,056 --> 00:11:08,145
MAGIC.
226
00:11:08,276 --> 00:11:09,930
IT WAS MAGIC.
227
00:11:11,061 --> 00:11:12,454
MAGIC?
228
00:11:12,584 --> 00:11:14,630
I KNEW WE'D BE TOGETHER
FOREVER
229
00:11:14,761 --> 00:11:16,937
AND THAT EVERYTHING
WOULD BE WONDERFUL...
230
00:11:17,067 --> 00:11:19,504
JUST THE WAY
YOU FEEL ABOUT WALTER.
231
00:11:19,635 --> 00:11:25,032
WALTER... IT'S QUITE
A FORMAL NAME, ISN'T IT?
232
00:11:25,162 --> 00:11:28,252
ONE OF THE THINGS I TRULY KNEW
WAS THAT YOUR FATHER AND I
233
00:11:28,383 --> 00:11:31,081
WERE GOING TO HAVE
A WONDERFUL TIME IN...
234
00:11:31,212 --> 00:11:32,822
THE SACK,
I BELIEVE YOU CALL IT?
235
00:11:33,388 --> 00:11:34,606
MOM!
236
00:11:34,737 --> 00:11:36,130
OF COURSE, IT TOOK
SEVERAL YEARS
237
00:11:36,260 --> 00:11:38,959
BEFORE EVERYTHING
WORKED LIKE CLOCKWORK
238
00:11:39,089 --> 00:11:40,874
SO DON'T BE WORRIED
IF IT TAKES A WHILE.
239
00:11:41,004 --> 00:11:42,136
WELL, WE ALREADY...
240
00:11:42,266 --> 00:11:44,312
FINE, FINE.
FIDDLEDEEDEE.
241
00:11:44,442 --> 00:11:46,314
HOW'S IT WORKING?
242
00:11:46,444 --> 00:11:47,968
-LIKE... CLOCKWORK.
-AH.
243
00:11:48,925 --> 00:11:50,710
OH, HONEY.
244
00:11:52,102 --> 00:11:53,843
[GASPING]
245
00:11:53,974 --> 00:11:55,323
IT'S A SIGN!
246
00:11:55,453 --> 00:11:57,804
YOU DON'T BELIEVE
IN SIGNS.
247
00:12:01,503 --> 00:12:03,548
[LAUGHING]
248
00:12:03,679 --> 00:12:06,247
THEY LOVED YOU.
I TOLD YOU
THEY WOULD LOVE YOU
249
00:12:06,377 --> 00:12:07,857
AND THEY LOVED YOU.
250
00:12:07,988 --> 00:12:09,163
I LOVE YOU.
251
00:12:09,293 --> 00:12:11,165
I LOVE YOU, WALTER.
252
00:12:13,515 --> 00:12:16,126
DID ANYONE EVER CALL YOU
ANYTHING OTHER THAN WALTER?
253
00:12:16,257 --> 00:12:17,475
NOPE.
254
00:12:17,606 --> 00:12:20,957
OH. NOT EVEN WHEN
YOU WERE YOUNG?
255
00:12:21,088 --> 00:12:22,480
NOPE. NOT EVEN WHEN
I WAS YOUNG.
256
00:12:22,611 --> 00:12:24,047
HUH.
257
00:12:25,440 --> 00:12:27,094
YOU SURE YOU DON'T
WANT TO DRIVE WITH ME?
258
00:12:27,224 --> 00:12:29,139
HOW WILL I GET BACK
TO BALTIMORE ON FRIDAY?
259
00:12:29,270 --> 00:12:31,011
OOH! I FORGOT
THE PRESENT.
260
00:12:31,141 --> 00:12:33,274
I LEFT YOUR STEPMOTHER'S
PRESENT INSIDE.
261
00:12:34,449 --> 00:12:36,103
WHEN WE'RE OLD AND GRAY
262
00:12:36,233 --> 00:12:38,018
REMIND ME
TO PUT MY TEETH IN.
263
00:12:38,148 --> 00:12:39,454
I'LL BE WALKING
ALL OVER TOWN
264
00:12:39,584 --> 00:12:41,499
SMACKING MY GUMS
TOGETHER
AND NOT EVEN NOTICING.
265
00:12:42,283 --> 00:12:43,588
I'LL WAIT.
266
00:12:43,719 --> 00:12:45,547
YOU'LL WAIT...
OH, RIGHT.
267
00:12:45,677 --> 00:12:47,505
NO, DON'T WAIT.
REALLY, IT'S SILLY.
268
00:12:47,636 --> 00:12:49,159
YOU GO AHEAD.
269
00:12:49,290 --> 00:12:52,293
I'LL BE TEN MINUTES
BEHIND YOU.
270
00:12:52,423 --> 00:12:56,384
♪ SLEIGH BELLS JING-A-LING,
RING-TING-TING-A-LING TOO
271
00:12:56,514 --> 00:12:58,081
♪ LOVELY WEATHER
FOR A SLEIGH RIDE
272
00:12:58,212 --> 00:13:00,475
♪ TOGETHER WITH YOU
273
00:13:00,605 --> 00:13:03,695
♪ THE SNOW IS FALLING
AND FRIENDS
ARE CALLING "YOO-HOO"
274
00:13:03,826 --> 00:13:05,306
♪ FRIENDS ARE CALLING
"YOO-HOO"
275
00:13:05,436 --> 00:13:07,047
♪ DING-A-LING-A-LING!
276
00:13:07,177 --> 00:13:09,484
♪ HORSES, HORSES
HORSES, HORSES
277
00:13:09,614 --> 00:13:11,138
♪ HORSES, HORSES, HORSES
278
00:13:11,268 --> 00:13:15,229
♪ JINGLE BELLS
JINGLE BELLS,
JINGLE ALL THE WAY
279
00:13:15,359 --> 00:13:18,580
♪ OH, WHAT FUN IT IS TO RIDE
IN A ONE-HORSE OPEN SLEIGH
280
00:13:18,710 --> 00:13:20,277
♪ HEY!
281
00:13:20,408 --> 00:13:22,453
[CHANGING THE STATION]
282
00:13:22,584 --> 00:13:24,238
WOMAN ON RADIO:
WELCOME BACK TO
"YOU AND YOUR EMOTIONS."
283
00:13:24,368 --> 00:13:27,676
I'M DR. MARCIA FIELDSTONE,
BROADCASTING LIVE
ACROSS AMERICA
284
00:13:27,807 --> 00:13:30,635
FROM SEARS TOWER
IN CHICAGO.
285
00:13:30,766 --> 00:13:34,378
TONIGHT, WE'RE TALKING ABOUT
WISHES AND DREAMS.
286
00:13:34,509 --> 00:13:36,250
WHAT'S YOUR WISH
THIS CHRISTMAS EVE?
287
00:13:36,380 --> 00:13:37,555
WHAT'S YOUR WISH?
288
00:13:37,686 --> 00:13:41,559
MY WISH IS TO TURN
THE RADIO STATION.
289
00:13:41,690 --> 00:13:43,257
MAN:
THE SUBJECT OF THIS EVENING'S
MEDICAL UPDATE
290
00:13:43,387 --> 00:13:45,302
IS "YOU AND YOUR SPLEEN."
291
00:13:45,433 --> 00:13:46,695
NOT ON YOUR LIFE.
292
00:13:46,826 --> 00:13:49,089
WOMAN:
COMING UP, "JINGLE BELLS"
BACKWARDS
293
00:13:49,219 --> 00:13:51,569
SUNG BY
THE NEW JERSEY CAPE MAYETTES.
294
00:13:51,700 --> 00:13:52,832
FIELDSTONE:
SEATTLE, GO AHEAD.
295
00:13:52,962 --> 00:13:55,356
BOY:
HELLO. THIS IS
JONAH [BLEEP].
296
00:13:55,486 --> 00:13:57,053
WOMAN:
NO LAST NAMES, JONAH.
297
00:13:57,184 --> 00:14:00,491
YOU SOUND YOUNGER
THAN OUR CALLERS.
HOW OLD ARE YOU?
298
00:14:00,622 --> 00:14:02,102
BOY:
I'M EIGHT.
299
00:14:02,232 --> 00:14:03,668
WOMAN:
HOW COME YOU'RE UP SO LATE?
300
00:14:03,799 --> 00:14:05,453
BOY:
IT'S NOT THAT LATE IN SEATTLE.
301
00:14:05,583 --> 00:14:07,411
WOMAN:
YOU'RE ABSOLUTELY RIGHT.
302
00:14:07,542 --> 00:14:09,631
WHAT'S YOUR CHRISTMAS WISH,
JONAH?
303
00:14:09,761 --> 00:14:11,502
BOY:
IT'S NOT FOR ME.
IT'S FOR MY DAD.
304
00:14:11,633 --> 00:14:13,330
HE NEEDS A NEW WIFE.
305
00:14:13,461 --> 00:14:15,724
WOMAN:
YOU DON'T LIKE
THE ONE HE HAS NOW?
306
00:14:15,855 --> 00:14:18,248
BOY:
HE DOESN'T HAVE ONE NOW.
THAT'S THE PROBLEM.
307
00:14:18,379 --> 00:14:19,467
WOMAN:
WHERE'S YOUR MOM?
308
00:14:19,597 --> 00:14:20,772
BOY:
SHE DIED.
309
00:14:20,903 --> 00:14:22,426
WOMAN:
OH, I'M SO SORRY
TO HEAR THAT.
310
00:14:22,557 --> 00:14:25,690
WELL, WHO CAN BELIEVE THIS?
311
00:14:25,821 --> 00:14:29,259
BOY:
I'VE BEEN PRETTY SAD,
BUT I THINK MY DAD'S WORSE.
312
00:14:29,390 --> 00:14:31,435
WOMAN:
HAVE YOU TALKED TO YOUR DAD
ABOUT THIS?
313
00:14:31,566 --> 00:14:33,742
-BOY: NO.
-WOMAN: WHY NOT?
314
00:14:33,873 --> 00:14:35,744
BOY:
IT'S LIKE IT MAKES HIM SADDER.
315
00:14:35,875 --> 00:14:39,182
WOMAN:
I CAN UNDERSTAND THAT.
IS YOUR DAD HOME RIGHT NOW?
316
00:14:39,313 --> 00:14:41,750
-BOY: YEAH.
-WOMAN: WHAT'S HE DOING?
317
00:14:41,881 --> 00:14:43,621
BOY:
HE'S OUT ON THE DECK.
318
00:14:43,752 --> 00:14:45,536
WOMAN:
I'M SURE THAT I CAN HELP
319
00:14:45,667 --> 00:14:48,017
BUT I'M GOING TO NEED YOU
TO HELP ME HELP HIM.
320
00:14:48,148 --> 00:14:49,540
WRETCHED WOMAN!
321
00:14:49,671 --> 00:14:51,673
WOMAN:
BRING YOUR DAD TO THE PHONE.
322
00:14:51,803 --> 00:14:53,718
BOY:
NO WAY. HE'D KILL ME.
323
00:14:53,849 --> 00:14:54,981
WOMAN:
TRUST ME, JONAH.
324
00:14:55,111 --> 00:14:56,634
HE WON'T BE ANGRY
325
00:14:56,765 --> 00:14:59,072
WHEN HE REALIZES HOW CONCERNED
YOU ARE ABOUT HIM.
326
00:14:59,202 --> 00:15:00,290
OH, WANT TO BET?
327
00:15:00,421 --> 00:15:01,509
BOY:
IF I GET YELLED AT
328
00:15:01,639 --> 00:15:03,467
I'LL NEVER LISTEN
TO YOUR SHOW AGAIN.
329
00:15:03,598 --> 00:15:05,295
WOMAN:
OKAY. FAIR ENOUGH.
330
00:15:06,514 --> 00:15:08,037
JONAH:
DAD?
331
00:15:08,168 --> 00:15:09,691
YEAH.
332
00:15:09,821 --> 00:15:12,433
THERE'S SOMEONE
ON THE PHONE FOR YOU.
333
00:15:15,349 --> 00:15:17,873
HIS NAME'S SAM.
334
00:15:18,004 --> 00:15:20,745
WOMAN:
IF YOU'VE JUST TUNED IN,
THIS IS DR. MARCIA FIELDSTONE
335
00:15:20,876 --> 00:15:23,139
AND TONIGHT'S TOPIC IS
"YOUR WISHES AND DREAMS."
336
00:15:23,270 --> 00:15:24,793
OKAY, I GOT IT.
337
00:15:24,924 --> 00:15:26,795
WOMAN:
WE'RE ON THE LINE NOW
WITH SOMEONE FROM SEATTLE.
338
00:15:26,926 --> 00:15:28,275
-HELLO.
-WOMAN:
HELLO, SAM.
339
00:15:28,405 --> 00:15:32,322
THIS IS DR. MARCIA FIELDSTONE
ON NETWORK AMERICA.
340
00:15:32,453 --> 00:15:34,585
OKAY. WHAT ARE YOU
SELLING TONIGHT?
341
00:15:34,716 --> 00:15:36,718
IS IT THE MICRO-HIBACHIS
OR THE GINZA KNIVES?
342
00:15:36,848 --> 00:15:38,763
WOMAN:
I'M NOT SELLING ANYTHING.
343
00:15:38,894 --> 00:15:41,070
I JUST WANT TO HELP.
344
00:15:41,201 --> 00:15:42,332
YOUR SON CALLED
345
00:15:42,463 --> 00:15:43,855
AND HE ASKED ME
FOR SOME ADVICE
346
00:15:43,986 --> 00:15:46,032
ON HOW YOU MIGHT
FIND A NEW WIFE.
347
00:15:46,162 --> 00:15:47,555
WHO IS THIS?
348
00:15:47,685 --> 00:15:51,602
WOMAN:
DR. MARCIA FIELDSTONE
OF NETWORK AMERICA
349
00:15:51,733 --> 00:15:53,213
AND YOU ARE ON THE AIR.
350
00:15:53,343 --> 00:15:54,736
YOU CALLED A RADIO STATION?
351
00:15:54,866 --> 00:15:57,347
WOMAN:
SAM... SAM, ARE YOU WITH ME?
352
00:15:57,478 --> 00:15:59,567
YEAH.
YES.
353
00:15:59,697 --> 00:16:01,525
WOMAN:
YOUR SON FEELS THAT
SINCE YOUR WIFE'S DEATH
354
00:16:01,656 --> 00:16:03,919
YOU'VE BEEN VERY UNHAPPY
355
00:16:04,050 --> 00:16:07,270
AND HE'S GENUINELY WORRIED
ABOUT YOU.
356
00:16:07,401 --> 00:16:09,316
OH, HEY.
GET OUT HERE.
357
00:16:09,446 --> 00:16:12,188
GET OUT HERE.
I'M NOT GOING
TO GO THROUGH THIS ALONE.
358
00:16:12,319 --> 00:16:14,364
WOMAN:
IT'S VERY HARD FOR HIM
359
00:16:14,495 --> 00:16:16,540
TO TALK TO YOU ABOUT ALL THIS
360
00:16:16,671 --> 00:16:18,238
AND I THOUGHT
MAYBE YOU AND I COULD TALK.
361
00:16:18,368 --> 00:16:20,283
JONAH WOULD FEEL
A LITTLE BETTER.
362
00:16:21,632 --> 00:16:23,895
TALK TO HER, DAD.
SHE'S A DOCTOR.
363
00:16:24,026 --> 00:16:26,986
OF WHAT?
HER FIRST NAME
COULD BE DOCTOR.
364
00:16:27,421 --> 00:16:28,596
PLEASE?
365
00:16:28,726 --> 00:16:30,250
WOMAN:
SAM...
366
00:16:30,380 --> 00:16:33,775
SAM, IT'S HIS CHRISTMAS WISH.
367
00:16:33,905 --> 00:16:35,472
OKAY.
368
00:16:35,603 --> 00:16:37,561
WOMAN:
OKAY. GOOD.
369
00:16:37,692 --> 00:16:39,520
NOW, I KNOW THIS IS DIFFICULT
370
00:16:39,650 --> 00:16:43,437
BUT HOW LONG AGO
DID YOUR WIFE DIE?
371
00:16:43,567 --> 00:16:45,787
ABOUT A YEAR AND A HALF AGO.
372
00:16:45,917 --> 00:16:49,399
WOMAN:
OH. HAVE YOU HAD
ANY RELATIONSHIPS SINCE?
373
00:16:49,530 --> 00:16:51,140
NO.
374
00:16:51,271 --> 00:16:52,489
WOMAN:
NO?
375
00:16:52,620 --> 00:16:55,318
WHY NOT?
376
00:16:55,449 --> 00:16:56,928
UH, MARCIA...
377
00:16:57,059 --> 00:16:58,843
OR SHOULD I CALL YOU
DR. FIELDSTONE?
378
00:16:58,974 --> 00:17:00,497
WOMAN:
DR. MARCIA.
379
00:17:00,628 --> 00:17:01,759
-SAM: DR. MARCIA...
-DR. MARCIA...
380
00:17:01,890 --> 00:17:03,892
SAM:
I DON'T MEAN TO BE RUDE.
381
00:17:04,023 --> 00:17:06,460
WOMAN:
OH, AND I DON'T WANT TO
INVADE YOUR PRIVACY.
382
00:17:06,590 --> 00:17:08,462
-SAM: SURE YOU DO.
-SURE YOU DO.
383
00:17:08,592 --> 00:17:10,420
WOMAN:
GO ON, SAM.
I'M LISTENING.
384
00:17:11,769 --> 00:17:14,772
SAM?
385
00:17:14,903 --> 00:17:18,167
WE HAD A PRETTY TOUGH TIME
THERE AT FIRST...
386
00:17:18,298 --> 00:17:19,386
WOMAN:
MMM-HMM.
387
00:17:19,516 --> 00:17:22,389
...BUT WE'RE DEALING WITH IT.
388
00:17:22,519 --> 00:17:27,698
AND JONAH AND I WILL GET ALONG
JUST FINE AGAIN
389
00:17:27,829 --> 00:17:31,789
-AS SOON AS I BREAK HIS RADIO.
-[FIELDSTONE LAUGHING]
390
00:17:31,920 --> 00:17:34,879
WOMAN:
I HAVE NO DOUBT THAT
YOU'RE A WONDERFUL FATHER.
391
00:17:35,010 --> 00:17:37,360
YOU CAN TELL A LOT
FROM A PERSON'S VOICE.
392
00:17:37,491 --> 00:17:38,796
YOU CERTAINLY CAN.
393
00:17:38,927 --> 00:17:40,711
WOMAN:
BUT SOMETHING MUST BE MISSING
394
00:17:40,842 --> 00:17:43,584
IF JONAH STILL FEELS
THAT YOU'RE UNDER A CLOUD.
395
00:17:43,714 --> 00:17:46,804
NOW JUST A FEW QUESTIONS.
ARE YOU SLEEPING AT NIGHT?
396
00:17:46,935 --> 00:17:48,719
JONAH:
HE DOESN'T SLEEP AT ALL.
397
00:17:48,850 --> 00:17:50,243
HOW DO YOU KNOW THAT?
398
00:17:50,373 --> 00:17:52,158
I LIVE HERE, DAD.
399
00:17:55,378 --> 00:17:59,382
LOOK, IT'S CHRISTMAS.
400
00:18:01,906 --> 00:18:06,215
UH, MAGGIE..
UH, MY WIFE...
401
00:18:06,346 --> 00:18:08,739
SHE REALLY DID IT UP.
402
00:18:08,870 --> 00:18:12,395
I MEAN, SHE LOVED...
403
00:18:12,526 --> 00:18:16,486
SHE MADE EVERYTHING
BEAUTIFUL...
404
00:18:16,617 --> 00:18:19,750
SAM:
AND IT'S JUST TOUGH
THIS TIME OF YEAR.
405
00:18:19,881 --> 00:18:22,101
ANY KID
NEEDS A MOTHER.
406
00:18:22,231 --> 00:18:24,581
WOMAN:
COULD IT BE THAT
YOU NEED SOMEONE
407
00:18:24,712 --> 00:18:26,670
JUST AS MUCH AS JONAH DOES?
408
00:18:29,760 --> 00:18:31,371
YES.
409
00:18:31,501 --> 00:18:32,633
WOMAN:
DON'T ANSWER THAT.
410
00:18:32,763 --> 00:18:34,939
LET'S GET INTO THAT
AFTER THESE MESSAGES.
411
00:18:35,070 --> 00:18:36,811
SAM, JONAH, DON'T GO AWAY.
412
00:18:36,941 --> 00:18:38,552
IF YOU'VE JUST TUNED IN
413
00:18:38,682 --> 00:18:41,468
WE'RE TALKING
TO SLEEPLESS IN SEATTLE
414
00:18:41,598 --> 00:18:43,600
AND WE'LL BE RIGHT BACK
AFTER THIS BREAK
415
00:18:43,731 --> 00:18:45,254
WITH YOUR LISTENER RESPONSE.
416
00:18:46,386 --> 00:18:47,517
WHAT IS SHE
TALKING ABOUT?
417
00:18:47,648 --> 00:18:49,345
THIS IS WHEN
OTHER PEOPLE CALL IN
418
00:18:49,476 --> 00:18:50,564
AND DUMP ON
WHAT YOU SAID.
419
00:18:50,694 --> 00:18:52,696
OH... OH.
420
00:18:52,827 --> 00:18:54,133
WELL, THIS IS
REALLY FUN.
421
00:18:54,698 --> 00:18:55,830
AND HELPFUL.
422
00:19:02,271 --> 00:19:04,491
WOMAN:
I'LL BET HE'S TALL
WITH A CUTE BUTT.
423
00:19:04,621 --> 00:19:06,710
BET HE HASN'T
BATHED IN WEEKS
AND HE STINKS.
424
00:19:06,841 --> 00:19:07,972
HARRIET, SHUT UP.
425
00:19:08,103 --> 00:19:09,452
HI. CAN I HELP YOU?
426
00:19:09,583 --> 00:19:11,019
TEA WITH
THE BAG OUT.
427
00:19:11,150 --> 00:19:13,543
MAYBE I'LL HUSTLE
TO SEATTLE...
428
00:19:13,674 --> 00:19:14,936
GIVE HIM A LITTLE GIFT
FOR NEW YEAR'S EVE.
429
00:19:15,066 --> 00:19:16,677
YEAH, YOU GO
430
00:19:16,807 --> 00:19:18,896
BUT DON'T OPEN
HIS REFRIGERATOR.
431
00:19:19,027 --> 00:19:21,595
NOTHING'S COVERED.
432
00:19:21,725 --> 00:19:23,031
THEY JUST STICK IT
IN THERE AND LEAVE IT
433
00:19:23,162 --> 00:19:24,685
TILL IT WALKS OUT
BY ITSELF.
434
00:19:24,815 --> 00:19:25,990
WHAT I'M SAYING IS
435
00:19:26,121 --> 00:19:27,601
I WOULDN'T KICK THIS GUY
OUT OF MY BED
436
00:19:27,731 --> 00:19:28,863
FOR EATING CRACKERS.
437
00:19:28,993 --> 00:19:31,257
65 CENTS.
438
00:19:31,387 --> 00:19:32,997
FIELDSTONE:
LET'S TAKE A CALL BEFORE
WE GET BACK TO SLEEPLESS.
439
00:19:33,128 --> 00:19:36,827
KNOXVILLE, TENNESSEE,
YOU'RE ON THE AIR.
440
00:19:36,958 --> 00:19:40,831
WOMAN:
YES. WHERE COULD I GET
THIS MAN'S ADDRESS?
441
00:19:40,962 --> 00:19:43,051
HUMPH. HONEY,
GET IN LINE.
442
00:19:43,182 --> 00:19:44,705
FIELDSTONE:
WE DON'T GIVE ADDRESSES
OUT ON THE AIR.
443
00:19:44,835 --> 00:19:47,229
NEXT CALLER. OAKLAND...
444
00:19:47,360 --> 00:19:50,493
IF THERE WAS ONE QUESTION
I WAS ALLOWED TO ASK...
445
00:19:50,624 --> 00:19:52,495
OH, GO AHEAD.
446
00:19:52,626 --> 00:19:54,149
FIELDSTONE:
PEOPLE WHO TRULY LOVED ONCE
447
00:19:54,280 --> 00:19:56,760
ARE FAR MORE LIKELY
TO LOVE AGAIN.
448
00:19:56,891 --> 00:19:59,459
SAM, DO YOU THINK
THAT THERE'S SOMEONE OUT THERE
449
00:19:59,589 --> 00:20:01,504
YOU COULD LOVE
AS MUCH AS YOUR WIFE?
450
00:20:03,985 --> 00:20:08,685
WELL, DR. MARCIA FIELDSTONE,
IT'S HARD TO IMAGINE.
451
00:20:08,816 --> 00:20:11,514
FIELDSTONE:
MM-HMM.
WHAT ARE YOU GOING TO DO?
452
00:20:11,645 --> 00:20:16,737
WELL, I'M GOING
TO GET OUT OF BED
EVERY MORNING
453
00:20:16,867 --> 00:20:19,870
BREATHE IN AND OUT
ALL DAY LONG
454
00:20:20,001 --> 00:20:23,874
AND THEN AFTER A WHILE
I WON'T HAVE TO REMIND MYSELF
455
00:20:24,005 --> 00:20:26,703
TO GET OUT OF BED
IN THE MORNING
456
00:20:26,834 --> 00:20:29,532
AND BREATHE IN AND OUT
457
00:20:29,663 --> 00:20:32,579
AND THEN AFTER A WHILE
I WON'T HAVE TO THINK ABOUT
458
00:20:32,709 --> 00:20:37,671
HOW I HAD IT GREAT AND PERFECT
FOR A WHILE.
459
00:20:37,801 --> 00:20:42,153
FIELDSTONE:
SAM, TELL ME WHAT WAS
SO SPECIAL ABOUT YOUR WIFE.
460
00:20:42,284 --> 00:20:46,723
SAM:
WELL, HOW LONG
IS YOUR PROGRAM?
461
00:20:46,854 --> 00:20:52,729
OH... WELL, IT WAS
A MILLION TINY LITTLE THINGS.
462
00:20:52,860 --> 00:20:54,862
WHEN YOU ADD THEM ALL UP...
463
00:20:54,992 --> 00:20:57,343
IT JUST MEANT THAT WE WERE
SUPPOSED TO BE TOGETHER.
464
00:20:57,473 --> 00:20:58,735
AND I KNEW IT.
465
00:20:58,866 --> 00:21:02,652
I KNEW IT THE VERY FIRST TIME
I TOUCHED HER.
466
00:21:02,783 --> 00:21:08,136
IT WAS LIKE COMING HOME,
ONLY TO NO HOME
I'D EVER KNOWN.
467
00:21:08,267 --> 00:21:14,316
I WAS JUST TAKING HER HAND
TO HELP HER OUT OF A CAR
468
00:21:14,882 --> 00:21:16,971
AND I KNEW IT.
469
00:21:17,101 --> 00:21:19,626
IT WAS LIKE...
470
00:21:19,756 --> 00:21:23,151
-SAM: MAGIC.
-MAGIC.
471
00:21:23,282 --> 00:21:25,936
FIELDSTONE:
WELL, FOLKS, IT'S
TIME TO WRAP IT UP.
472
00:21:26,067 --> 00:21:28,852
I'M DR. MARCIA FIELDSTONE
IN CHICAGO
473
00:21:28,983 --> 00:21:33,204
AND TO ALL MY LISTENERS,
A MAGICAL AND MERRY CHRISTMAS.
474
00:21:33,335 --> 00:21:36,382
AND TO YOU,
SLEEPLESS IN SEATTLE
475
00:21:36,512 --> 00:21:40,560
WE HOPE YOU'LL CALL AGAIN
SOON AND LET US KNOW
HOW IT'S GOING.
476
00:21:40,690 --> 00:21:42,910
SAM:
OH, YOU CAN COUNT ON IT.
477
00:21:43,040 --> 00:21:47,480
♪ THAT'S WHERE
YOU'LL FIND ME
478
00:21:47,610 --> 00:21:52,441
♪ I KNOW SOMEWHERE
479
00:21:52,572 --> 00:21:58,534
♪ OVER THE RAINBOW
480
00:21:58,665 --> 00:22:05,454
♪ THE BLUEBIRDS GLIDE
481
00:22:08,065 --> 00:22:11,939
♪ BIRDS FLY
482
00:22:12,069 --> 00:22:16,552
♪ OVER THE RAINBOW
483
00:22:16,683 --> 00:22:21,905
♪ WHY, THEN, OH, WHY
484
00:22:22,036 --> 00:22:26,606
♪ CAN'T I?
485
00:22:32,002 --> 00:22:33,264
MAN:
THIS MAN SELLS
486
00:22:33,395 --> 00:22:34,831
THE GREATEST SOUP
YOU'VE EVER EATEN
487
00:22:34,962 --> 00:22:36,964
AND HE IS
THE MEANEST MAN IN AMERICA.
488
00:22:37,094 --> 00:22:38,966
I FEEL VERY STRONGLY
ABOUT THIS, BECKY.
489
00:22:39,096 --> 00:22:40,489
IT'S NOT JUST
ABOUT THE SOUP.
490
00:22:40,620 --> 00:22:41,838
WHAT ELSE?
491
00:22:41,969 --> 00:22:45,538
NEW YEAR'S EVE.
PLEASE DON'T MAKE ME WRITE IT.
492
00:22:45,668 --> 00:22:47,670
"PHONE SERVICE
IN THE CHICAGO AREA
493
00:22:47,801 --> 00:22:49,106
"WAS TIED UP FOR TWO HOURS
CHRISTMAS EVE
494
00:22:49,237 --> 00:22:51,021
"WHEN SOME KID
CALLS A RADIO SHOW
495
00:22:51,152 --> 00:22:53,546
"AND SAYS HIS DAD
NEEDS A NEW WIFE.
496
00:22:53,676 --> 00:22:55,243
"2,000 WOMEN
CALLED THE STATION
497
00:22:55,374 --> 00:22:57,158
"ASKING FOR
THE GUY'S NUMBER."
498
00:22:57,288 --> 00:22:58,681
I HEARD IT.
499
00:22:58,812 --> 00:23:01,031
THIS KID SAYS,
"MY DAD NEEDS A WIFE"
500
00:23:01,162 --> 00:23:03,382
AND THE SHRINKETTE
PRACTICALLY FORCES
THE GUY ONTO THE PHONE
501
00:23:03,512 --> 00:23:04,731
AND SAYS, "DO YOU WANT
TO TALK ABOUT IT?"
502
00:23:04,861 --> 00:23:07,081
AND HE SAYS, "NO"
503
00:23:07,211 --> 00:23:10,824
AND SUDDENLY,
HE STARTS TALKING
ABOUT HIS WIFE
504
00:23:10,954 --> 00:23:12,826
AND HOW HE JUST
FELL IN LOVE WITH HER
505
00:23:12,956 --> 00:23:14,958
LIKE HE WAS ONE
OF THOSE COWS IN MICHIGAN.
506
00:23:15,089 --> 00:23:16,525
WHAT COWS
IN MICHIGAN?
507
00:23:16,656 --> 00:23:17,657
IT WAS ON 60 MINUTES...
508
00:23:17,787 --> 00:23:20,616
THOSE COWS GOT ZAPPED
BY VOLTAGE.
509
00:23:20,747 --> 00:23:22,662
MAYBE IT WAS WISCONSIN.
510
00:23:22,792 --> 00:23:25,795
ANYWAY, I WAS
LISTENING TO HIM TALK
511
00:23:25,926 --> 00:23:27,231
ABOUT HOW MUCH
HE LOVED HIS WIFE
512
00:23:27,362 --> 00:23:29,451
AND SUDDENLY,
I WAS CRYING.
513
00:23:29,582 --> 00:23:31,758
IT'S WHAT HAPPENS
WHEN I WATCH THOSE
PHONE COMPANY ADS.
514
00:23:31,888 --> 00:23:33,150
I DON'T HAVE TO SEE
THE WHOLE THING...
515
00:23:33,281 --> 00:23:34,587
JUST THE PART
WHERE THE DAUGHTER
516
00:23:34,717 --> 00:23:35,849
GIVES THE MOTHER
THE REFRIGERATOR
517
00:23:35,979 --> 00:23:37,546
WITH THE BIG RED BOW.
RED BOW.
518
00:23:37,677 --> 00:23:39,026
THE POLAROID COMMERCIAL?
519
00:23:39,156 --> 00:23:40,984
TWO FIVE-YEAR-OLDS AT THEIR
GRANDFATHER'S BIRTHDAY.
520
00:23:41,115 --> 00:23:42,246
THEY'RE MAKING THE ALBUM.
521
00:23:42,377 --> 00:23:43,552
BECKY:
WITH THE GLUE...
522
00:23:43,683 --> 00:23:44,553
THAT KILLS ME.
523
00:23:46,947 --> 00:23:48,514
YOU SHOULD WRITE
SOMETHING ABOUT THIS.
524
00:23:48,644 --> 00:23:49,776
ABOUT WHAT?
525
00:23:49,906 --> 00:23:52,126
WHATEVER IT IS.
526
00:23:52,256 --> 00:23:54,868
2,000 WOMEN
CALLING A RADIO STATION
FOR A HUSBAND?
527
00:23:54,998 --> 00:23:56,870
A LOT OF DESPERATE WOMEN
ARE LOOKING FOR LOVE.
528
00:23:57,000 --> 00:23:58,785
ESPECIALLY OVER
A CERTAIN AGE.
529
00:23:58,915 --> 00:24:00,395
IT'S EASIER TO BE KILLED
BY A TERRORIST
530
00:24:00,526 --> 00:24:02,266
THAN IT IS
TO GET MARRIED OVER 40.
531
00:24:02,397 --> 00:24:04,007
THAT STATISTIC
IS NOT TRUE.
532
00:24:04,138 --> 00:24:05,835
THAT'S RIGHT.
IT'S NOT TRUE.
533
00:24:05,966 --> 00:24:07,054
BUT IT FEELS TRUE.
534
00:24:07,184 --> 00:24:08,359
BECAUSE IT IS TRUE.
535
00:24:08,490 --> 00:24:09,926
THERE'S PRACTICALLY
A WHOLE BOOK
536
00:24:10,057 --> 00:24:11,188
ABOUT HOW THAT STATISTIC
IS NOT TRUE.
537
00:24:11,319 --> 00:24:12,929
CALM DOWN.
YOU BROUGHT IT UP.
538
00:24:13,060 --> 00:24:15,410
I DID NOT, WYATT.
DID YOU EVEN READ
THAT BOOK?
539
00:24:15,541 --> 00:24:17,978
DID ANYBODY READ THAT BOOK
ALL THE WAY THROUGH?
540
00:24:19,283 --> 00:24:21,111
NOW, WHERE WERE WE?
541
00:24:21,242 --> 00:24:22,852
IF SOMEONE IS A WIDOWER
542
00:24:22,983 --> 00:24:24,898
WHY DO THEY SAY
THAT HE WAS WIDOWED?
543
00:24:25,028 --> 00:24:27,204
WHY DON'T THEY SAY
HE WAS WIDOWERED?
544
00:24:29,380 --> 00:24:32,819
I WAS JUST WONDERING.
545
00:24:32,949 --> 00:24:34,081
WHAT WAS THAT ABOUT
UP THERE?
546
00:24:34,211 --> 00:24:35,822
WHAT WAS WHAT?
547
00:24:35,952 --> 00:24:37,171
WHAT'S WITH YOU?
548
00:24:37,301 --> 00:24:38,607
NOTHING'S WITH ME.
549
00:24:39,390 --> 00:24:41,001
SOMETHING'S WITH YOU.
550
00:24:41,131 --> 00:24:42,916
WHAT ARE YOU SAYING?
551
00:24:43,046 --> 00:24:44,874
WHATEVER IT IS,
YOU CAN TELL ME.
552
00:24:45,005 --> 00:24:46,136
SLEEPLESS IN SEATTLE?
553
00:24:46,267 --> 00:24:47,877
SHE CALLED HIM THAT
554
00:24:48,008 --> 00:24:49,226
BECAUSE HE CAN'T SLEEP.
555
00:24:49,357 --> 00:24:52,186
AND NOW 2,000 WOMEN
WANT HIS NUMBER.
556
00:24:52,316 --> 00:24:54,101
THE GUY COULD BE
A CRACK-HEAD
557
00:24:54,231 --> 00:24:58,192
A TRANSVESTITE, A FLASHER,
A JUNKIE, A CHAIN SAW MURDERER
558
00:24:58,322 --> 00:25:00,063
OR SOMEONE REALLY SICK...
559
00:25:00,194 --> 00:25:01,238
SOMEONE LIKE MY RICK.
560
00:25:03,023 --> 00:25:04,851
ACTUALLY, HE SOUNDED NICE.
561
00:25:04,981 --> 00:25:06,896
OH?
562
00:25:07,027 --> 00:25:08,985
OH, REALLY.
563
00:25:09,116 --> 00:25:11,814
NOW WE'RE GETTING DOWN TO IT.
564
00:25:11,945 --> 00:25:14,556
PLEASE, BECKY.
I'M MADLY IN LOVE WITH WALTER.
565
00:25:14,687 --> 00:25:17,167
HE DID THE CRAZIEST
THING THE OTHER NIGHT.
WHAT WAS THAT?
566
00:25:19,387 --> 00:25:22,912
OH, IT WAS SO FUNNY.
WE WERE HYSTERICAL.
WHAT WAS THAT?
567
00:25:26,742 --> 00:25:28,483
HMM.
568
00:25:28,614 --> 00:25:32,705
[ORCHESTRA PLAYING
"JEEPERS, CREEPERS"]
569
00:25:35,272 --> 00:25:37,405
YOU KNOW, I'M THINKING
570
00:25:37,536 --> 00:25:39,668
I'VE GOT TO GO UP TO BOSTON
FOR THE A.A.B. CONVENTION
571
00:25:39,799 --> 00:25:40,930
RIGHT?
572
00:25:41,061 --> 00:25:42,410
THEN I'VE GOT TO VISIT
WINSTON HUGHES
573
00:25:42,541 --> 00:25:45,108
ABOUT SWITCHING OVER
OUR COMPUTERS.
574
00:25:45,239 --> 00:25:47,241
WHY DON'T WE MEET
IN NEW YORK
575
00:25:47,371 --> 00:25:49,373
VALENTINE'S DAY WEEKEND?
576
00:25:49,504 --> 00:25:52,768
WALTER, I'D LOVE TO.
577
00:25:52,899 --> 00:25:55,336
HMM? WE CAN STAY
AT THE PLAZA.
578
00:25:55,466 --> 00:25:57,730
ICE-SKATE
IN CENTRAL PARK.
579
00:25:57,860 --> 00:25:59,993
REGISTER.
580
00:26:00,123 --> 00:26:02,169
REGISTER?
581
00:26:02,299 --> 00:26:05,041
YOU KNOW, FOR DISHES,
GLASSES, SILVER...
582
00:26:05,172 --> 00:26:07,304
EVERYTHING. HMM?
583
00:26:09,480 --> 00:26:11,221
HOW ABOUT IT?
584
00:26:14,137 --> 00:26:16,792
I'LL TAKE YOU
TO CHINATOWN
FOR DIM SUM.
585
00:26:16,923 --> 00:26:18,228
DOES IT HAVE WHEAT
IN IT?
586
00:26:18,359 --> 00:26:20,056
I DON'T THINK SO.
587
00:26:23,233 --> 00:26:26,236
♪ DIM SUM, DIM SUM
588
00:26:26,367 --> 00:26:28,412
♪ DO, BE, DO, BAH
589
00:26:28,543 --> 00:26:30,763
CROWD:
TEN... NINE...
590
00:26:30,893 --> 00:26:33,374
EIGHT... SEVEN... SIX...
591
00:26:33,504 --> 00:26:37,813
FIVE... FOUR... THREE...
TWO... ONE...
592
00:26:37,944 --> 00:26:40,120
HEY, JONAH. WAKE UP.
WAKE UP.
593
00:26:40,250 --> 00:26:42,078
THE BALL'S DROPPING.
594
00:26:42,209 --> 00:26:44,559
CROWD:
HAPPY NEW YEAR!
595
00:26:44,690 --> 00:26:47,910
[ORCHESTRA PLAYING
"AULD LANG SYNE"]
596
00:26:51,000 --> 00:26:53,873
OKAY, PAL.
597
00:26:54,003 --> 00:26:56,615
IT'S OKAY.
OH, HERE WE GO.
598
00:26:59,052 --> 00:27:01,141
OH, YEAH.
599
00:27:30,213 --> 00:27:32,259
HAPPY NEW YEAR.
600
00:27:33,303 --> 00:27:35,175
HAPPY NEW YEAR.
601
00:27:38,178 --> 00:27:40,484
KISS HOWARD.
602
00:27:40,615 --> 00:27:42,269
GOOD NIGHT, HOWARD.
603
00:27:56,979 --> 00:28:02,332
♪ SOMETIMES I WONDER
604
00:28:02,463 --> 00:28:05,814
♪ WHY I SPEND
605
00:28:05,945 --> 00:28:10,210
♪ THE LONELY NIGHT
606
00:28:10,340 --> 00:28:13,343
♪ DREAMING OF A SONG
607
00:28:13,474 --> 00:28:16,085
♪ THE MELODY
608
00:28:16,216 --> 00:28:19,959
♪ HAUNTS MY REVERIE
609
00:28:20,089 --> 00:28:25,094
♪ AND I AM ONCE AGAIN WITH YOU
610
00:28:25,225 --> 00:28:29,185
♪ WHEN OUR LOVE WAS NEW
611
00:28:30,447 --> 00:28:34,713
♪ AND EACH KISS AN INSPIRATION
612
00:28:38,064 --> 00:28:41,894
♪ BUT THAT WAS LONG AGO
613
00:28:42,024 --> 00:28:45,506
♪ NOW MY CONSOLATION
614
00:28:45,636 --> 00:28:50,467
♪ IS IN THE STARDUST OF A SONG
615
00:28:50,598 --> 00:28:53,253
♪ BESIDE
616
00:28:53,383 --> 00:28:56,604
♪ A GARDEN WALL
617
00:28:56,735 --> 00:29:00,390
♪ WHEN STARS ARE BRIGHT
618
00:29:00,521 --> 00:29:04,090
♪ YOU ARE IN MY ARMS
619
00:29:04,220 --> 00:29:07,223
♪ THE NIGHTINGALE
620
00:29:07,354 --> 00:29:10,705
♪ TELLS HIS FAIRY TALE
621
00:29:10,836 --> 00:29:14,927
♪ OF PARADISE
WHERE ROSES BLOOM ♪
622
00:29:15,057 --> 00:29:17,581
CAN I HAVE
HALF YOUR BEER?
623
00:29:17,712 --> 00:29:19,888
SURE. GO AHEAD.
624
00:29:22,499 --> 00:29:25,285
WHAT DID I USE TO SAY?
625
00:29:25,415 --> 00:29:27,940
"HERE'S LOOKING AT YOU"?
626
00:29:28,070 --> 00:29:29,593
"HERE'S MUD IN YOUR EYE."
627
00:29:29,724 --> 00:29:31,421
"HERE'S TO US."
628
00:29:33,336 --> 00:29:35,948
YOU USED TO SAY,
"HERE'S TO US."
629
00:29:40,517 --> 00:29:43,346
OH, BABE
I MISS YOU SO MUCH, IT HURTS.
630
00:30:01,800 --> 00:30:04,106
WE'LL TELL HIM
WHEN HE GETS HERE.
631
00:30:04,237 --> 00:30:05,368
YOU WANT TO TELL HIM?
632
00:30:05,499 --> 00:30:06,892
I DON'T MIND...
633
00:30:07,022 --> 00:30:07,980
HE'S BACK.
634
00:30:08,110 --> 00:30:09,198
SHE HAS ANOTHER IDEA.
635
00:30:09,329 --> 00:30:10,547
NO, NO...
636
00:30:10,678 --> 00:30:12,245
SAM, I'M SO GLAD
YOU'RE HERE.
637
00:30:12,375 --> 00:30:13,637
I HEARD YOU
ON THE RADIO.
638
00:30:13,768 --> 00:30:15,378
I TOLD EVERYONE
ABOUT IT.
639
00:30:15,509 --> 00:30:17,293
WE ALREADY KNEW.
640
00:30:17,424 --> 00:30:18,599
-HOW?
-GRACE.
641
00:30:18,729 --> 00:30:19,992
THE DISPATCHER?
642
00:30:20,122 --> 00:30:21,297
ALL OF SEATTLE KNOWS.
643
00:30:21,428 --> 00:30:24,605
I WAS BRUSHING MY TEETH,
AND SUDDENLY THERE YOU WERE.
644
00:30:24,735 --> 00:30:27,086
I CALLED MY MOTHER
IN LAS VEGAS.
645
00:30:27,216 --> 00:30:29,653
I SAID, "MOTHER,
TURN ON THE RADIO.
646
00:30:29,784 --> 00:30:32,613
"THAT'S MY ARCHITECT."
647
00:30:32,743 --> 00:30:37,661
IT IS SO NICE WHEN A MAN
CAN EXPRESS HIS FEELINGS.
648
00:30:37,792 --> 00:30:39,272
IT'S WONDERFUL.
649
00:30:39,402 --> 00:30:40,708
YEAH, I WISH I COULD
EXPRESS MY FEELINGS.
650
00:30:40,839 --> 00:30:42,841
SO, CLAIRE,
IS THERE A PROBLEM?
651
00:30:42,971 --> 00:30:45,017
I WAS JUST TOSSING
AND TURNING LAST NIGHT...
652
00:30:45,147 --> 00:30:46,409
YOU KNOW
WHAT THAT'S LIKE...
653
00:30:46,540 --> 00:30:49,717
BECAUSE I REALIZED
I'LL NEVER FIT MY PLATTERS
654
00:30:49,848 --> 00:30:51,719
IN THAT REFRIGERATOR
WE ORDERED.
655
00:30:51,850 --> 00:30:53,764
AND WHEN I GIVE PARTIES,
I ALWAYS PUT IN PLATTERS.
656
00:30:53,895 --> 00:30:56,680
SO, I THOUGHT I WOULD GET THE
SUB ZERO REFRIGERATOR INSTEAD.
657
00:30:56,811 --> 00:30:58,247
THE ONLY PROBLEM...
658
00:30:58,378 --> 00:31:01,033
WE HAVE TO REDO
ALL THE CABINETS.
659
00:31:01,163 --> 00:31:02,469
WE'LL BE INTO THIS WALL.
660
00:31:02,599 --> 00:31:04,036
THAT'S A BEARING WALL.
661
00:31:04,166 --> 00:31:05,602
THAT'S A DELAY...
662
00:31:05,733 --> 00:31:07,735
-OF TWO, THREE...
-FIVE, SIX...
663
00:31:07,866 --> 00:31:09,650
-12 WEEKS.
-I DON'T MIND.
664
00:31:09,780 --> 00:31:12,000
THE IMPORTANT THING
IS TO GET IT RIGHT.
665
00:31:12,131 --> 00:31:13,567
ABSOLUTELY.
666
00:31:13,697 --> 00:31:15,177
I'VE GOT TO RUSH.
667
00:31:15,308 --> 00:31:16,570
LA DECORATEUR CALLS.
668
00:31:16,700 --> 00:31:18,093
BYE.
669
00:31:18,224 --> 00:31:19,529
BYE.
BYE-BYE.
BYE.
670
00:31:22,619 --> 00:31:24,665
WELL, THIS IS FATE.
671
00:31:24,795 --> 00:31:27,668
SHE'S DIVORCED. WE DON'T
WANT TO REDO THE CABINETS.
AND YOU NEED A WIFE.
672
00:31:27,798 --> 00:31:30,279
WHAT DO THEY CALL THAT
WHEN EVERYTHING INTERSECTS?
673
00:31:30,410 --> 00:31:31,890
THE BERMUDA TRIANGLE.
674
00:31:41,551 --> 00:31:43,510
MAN:
AND THERE'S
ANOTHER ONE.
675
00:31:43,640 --> 00:31:45,512
YOU GOT ROOM
FOR ONE MORE HERE?
676
00:31:45,642 --> 00:31:47,253
THERE YOU GO.
677
00:31:47,383 --> 00:31:48,341
LOOK AT THIS, DAD.
678
00:31:48,471 --> 00:31:49,385
THEY'RE ALL FOR YOU.
679
00:31:49,516 --> 00:31:50,909
HERE YOU GO.
680
00:31:55,000 --> 00:31:57,437
"SLEEPLESS IN SEATTLE,
CARE OF DR. MARCIA
FIELDSTONE."
681
00:31:57,567 --> 00:31:59,091
IF YOU'RE HAVING
TROUBLE SLEEPING
682
00:31:59,221 --> 00:32:01,093
TRY DRINKING
A GLASS OF WATER
683
00:32:01,223 --> 00:32:02,311
FROM THE OTHER SIDE.
684
00:32:02,442 --> 00:32:03,617
I THOUGHT THAT
WAS FOR HICCUPS.
685
00:32:03,747 --> 00:32:05,184
DOES IT WORK
FOR HICCUPS?
686
00:32:05,314 --> 00:32:06,925
FOR HICCUPS,
TAKE A SPOONFUL OF SUGAR
687
00:32:07,055 --> 00:32:08,404
AND HOLD IT IN YOUR MOUTH
FOR A MINUTE.
688
00:32:10,232 --> 00:32:12,582
THANK YOU.
689
00:32:12,713 --> 00:32:15,150
WHAT POSSESSED YOU
TO GIVE THEM OUR ADDRESS?
690
00:32:15,281 --> 00:32:18,327
THEY CALLED AND ASKED FOR IT.
691
00:32:18,458 --> 00:32:20,460
"DEAR SLEEPLESS IN SEATTLE
692
00:32:20,590 --> 00:32:23,593
"YOU'RE THE MOST ATTRACTIVE
MAN I EVER LAID EARS ON."
693
00:32:23,724 --> 00:32:25,204
WAIT, WAIT, WAIT.
694
00:32:25,334 --> 00:32:27,858
THEY CALLED?
HOW DID THEY GET OUR NUMBER?
695
00:32:27,989 --> 00:32:30,078
OH, LET ME GUESS...
YOU GAVE IT TO THEM.
696
00:32:30,209 --> 00:32:31,340
YOU HAVE TO
697
00:32:31,471 --> 00:32:33,516
OR THEY WON'T
LET YOU ON THE AIR.
698
00:32:33,647 --> 00:32:34,691
"DEAR SLEEPLESS IN SEATTLE
699
00:32:34,822 --> 00:32:36,258
"I LIVE IN TULSA."
700
00:32:36,389 --> 00:32:37,433
WHERE'S THAT?
701
00:32:37,564 --> 00:32:39,218
IT'S IN OKLAHOMA.
702
00:32:39,348 --> 00:32:41,481
DO YOU KNOW WHERE OKLAHOMA IS?
703
00:32:41,611 --> 00:32:43,265
SOMEWHERE IN THE MIDDLE?
704
00:32:43,396 --> 00:32:44,658
I WON'T EVEN THINK
705
00:32:44,788 --> 00:32:47,574
ABOUT WHAT THEY'RE NOT
TEACHING IN SCHOOL.
706
00:32:47,704 --> 00:32:49,445
YEAH, SOMEWHERE IN THE MIDDLE.
707
00:32:49,576 --> 00:32:50,794
GENERALLY SPEAKING
708
00:32:50,925 --> 00:32:53,710
WE SHOULD RULE OUT ANYONE
THAT DOESN'T LIVE NEAR HERE.
709
00:32:53,841 --> 00:32:56,017
SHE'S WILLING TO FLY ANYWHERE.
710
00:32:57,845 --> 00:32:59,673
SHE LOOKS LIKE
MY THIRD GRADE TEACHER
711
00:32:59,803 --> 00:33:01,849
AND I HATED
MY THIRD GRADE TEACHER.
WAIT A MINUTE.
712
00:33:01,980 --> 00:33:05,113
SHE IS MY THIRD GRADE TEACHER!
713
00:33:05,244 --> 00:33:07,289
WON'T YOU READ ANY OF THESE?
714
00:33:07,420 --> 00:33:09,639
NO, BECAUSE THIS
IS NOT HOW IT'S DONE.
715
00:33:09,770 --> 00:33:13,078
I'D MUCH RATHER
JUST SEE SOMEBODY I LIKE
716
00:33:13,948 --> 00:33:15,950
AND GET A FEELING ABOUT THEM
717
00:33:16,081 --> 00:33:18,474
AND ASK THEM IF THEY
WANT TO HAVE A DRINK.
718
00:33:18,605 --> 00:33:20,389
OR A SLICE OF PIZZA?
719
00:33:20,520 --> 00:33:23,479
NOT DINNER ON THE FIRST DATE,
BECAUSE HALFWAY THROUGH DINNER
720
00:33:23,610 --> 00:33:25,438
YOU COULD BE SORRY
YOU ASKED THEM TO DINNER.
721
00:33:25,568 --> 00:33:28,745
IF IT'S JUST A DRINK,
IF YOU LIKE THEM
722
00:33:28,876 --> 00:33:30,486
YOU CAN ALWAYS
ASK THEM TO DINNER
723
00:33:30,617 --> 00:33:32,619
BUT IF NOT, YOU CAN JUST SAY,
"WELL, THAT WAS GREAT"
724
00:33:32,749 --> 00:33:33,837
AND GO HOME.
725
00:33:33,968 --> 00:33:35,361
SEE WHAT I MEAN?
726
00:33:37,798 --> 00:33:39,843
I WONDER IF IT
STILL WORKS THIS WAY.
727
00:33:39,974 --> 00:33:41,889
IT DOESN'T. THEY ASK YOU.
728
00:33:42,020 --> 00:33:44,631
I'M STARTING TO NOTICE THAT.
729
00:33:44,761 --> 00:33:47,329
IF YOU GET A NEW WIFE
I GUESS YOU'LL
HAVE SEX WITH HER, HUH?
730
00:33:48,591 --> 00:33:51,246
I CERTAINLY HOPE SO.
731
00:33:51,377 --> 00:33:53,466
WILL SHE
SCRATCH UP YOUR BACK?
732
00:33:53,596 --> 00:33:55,903
WHAT?
733
00:33:56,034 --> 00:33:58,340
IN MOVIES, WOMEN ARE ALWAYS
SCRATCHING UP THE MEN'S BACK
734
00:33:58,471 --> 00:34:00,516
AND SCREAMING AND STUFF
WHEN THEY'RE HAVING SEX.
735
00:34:00,647 --> 00:34:01,691
HOW DO YOU KNOW THIS?
736
00:34:01,822 --> 00:34:03,215
JED'S GOT CABLE.
737
00:34:03,780 --> 00:34:05,086
OH, JED'S...
738
00:34:07,784 --> 00:34:09,743
HAND ME THAT TOWEL
BEHIND YOU.
739
00:34:14,704 --> 00:34:15,662
THANK YOU.
740
00:34:15,792 --> 00:34:16,880
I NEED IT TOO.
741
00:34:17,011 --> 00:34:18,186
HERE, LET ME GET YOU.
742
00:34:18,317 --> 00:34:19,492
[GROANING]
743
00:34:19,622 --> 00:34:20,884
"JED'S GOT CABLE..."
744
00:34:21,015 --> 00:34:23,409
♪ ANOTHER BRIDE
745
00:34:23,539 --> 00:34:26,281
♪ ANOTHER GROOM
746
00:34:26,412 --> 00:34:31,591
♪ ANOTHER SUNNY HONEYMOON
747
00:34:31,721 --> 00:34:34,594
♪ ANOTHER SEASON
748
00:34:34,724 --> 00:34:39,207
♪ AND THAT'S THE REASON
FOR MAKING WHOOPEE ♪
749
00:34:41,514 --> 00:34:44,212
[SNORING]
750
00:34:54,527 --> 00:34:59,575
♪ WHEN THE SUN IS HIGH
IN THE AFTERNOON SKY
751
00:34:59,706 --> 00:35:03,840
♪ YOU CAN ALWAYS
FIND SOMETHING TO DO
752
00:35:03,971 --> 00:35:06,626
♪ BUT FROM DUSK TILL DAWN
753
00:35:06,756 --> 00:35:09,759
♪ AS THE CLOCK TICKS ON
754
00:35:09,890 --> 00:35:16,592
♪ SOMETHING HAPPENS TO YOU
755
00:35:16,723 --> 00:35:23,382
♪ IN THE WEE, SMALL HOURS
OF THE MORNING
756
00:35:24,905 --> 00:35:32,739
♪ WHILE THE WHOLE, WIDE WORLD
IS FAST ASLEEP
757
00:35:32,869 --> 00:35:39,659
♪ YOU LIE AWAKE
AND THINK ABOUT THE BOY
758
00:35:41,051 --> 00:35:48,885
♪ AND NEVER, EVER THINK
OF COUNTING SHEEP ♪
759
00:35:49,016 --> 00:35:51,845
ANNOUNCER:
WELCOME BACK TO THE BEST
OF DR. MARCIA FIELDSTONE
760
00:35:51,975 --> 00:35:54,021
CLINICAL PSYCHOLOGIST
AND THE FRIEND YOU NEVER HAD.
761
00:35:54,152 --> 00:35:56,415
REMEMBER "MAROONED IN MIAMI"?
762
00:35:56,545 --> 00:35:58,634
WOMAN:
HE SAYS HE DOESN'T
LOVE ME ANYMORE.
763
00:35:58,765 --> 00:36:00,375
FIELDSTONE:
WHY WOULD YOU WANT
TO BE WITH SOMEONE
764
00:36:00,506 --> 00:36:01,724
WHO DOESN'T LOVE YOU?
765
00:36:01,855 --> 00:36:03,596
ANNOUNCER:
"DISAPPOINTED IN DENVER."
766
00:36:03,726 --> 00:36:05,641
WOMAN:
EVERY TIME I COME CLOSE
TO ORGASM
767
00:36:05,772 --> 00:36:07,774
HE GOES TO MAKE HIMSELF
A SANDWICH.
768
00:36:07,904 --> 00:36:09,950
FIELDSTONE:
WHY DON'T YOU MAKE HIM
A SANDWICH BEFOREHAND?
769
00:36:10,080 --> 00:36:11,995
ANNOUNCER:
"SLEEPLESS IN SEATTLE."
770
00:36:12,126 --> 00:36:17,523
SAM:
WELL, I'M GOING TO GET
OUT OF BED EVERY MORNING...
771
00:36:17,653 --> 00:36:21,570
BREATHE IN AND OUT
ALL DAY LONG
772
00:36:21,701 --> 00:36:26,227
AND THEN AFTER A WHILE,
I WON'T HAVE TO REMIND MYSELF
773
00:36:26,358 --> 00:36:31,798
TO GET OUT OF BED
IN THE MORNING
AND BREATHE IN AND OUT.
774
00:36:31,928 --> 00:36:36,019
AND THEN AFTER A WHILE,
I WON'T HAVE TO THINK
775
00:36:36,150 --> 00:36:41,721
ABOUT HOW I HAD IT GREAT
AND PERFECT FOR A WHILE.
776
00:36:41,851 --> 00:36:46,029
FIELDSTONE:
SAM, TELL ME WHAT WAS
SO SPECIAL ABOUT YOUR WIFE.
777
00:36:46,160 --> 00:36:48,554
SAM:
WELL, HOW LONG
IS YOUR PROGRAM?
778
00:36:50,991 --> 00:36:56,692
OH, WELL, IT WAS A MILLION
TINY LITTLE THINGS
779
00:36:56,823 --> 00:36:59,129
AND WHEN YOU ADD THEM ALL UP
780
00:36:59,260 --> 00:37:01,393
IT JUST MEANT WE WERE SUPPOSED
TO BE TOGETHER, THAT'S ALL.
781
00:37:01,523 --> 00:37:03,177
AND I KNEW IT.
782
00:37:03,308 --> 00:37:06,659
I KNEW IT THE VERY FIRST TIME
I TOUCHED HER.
783
00:37:06,789 --> 00:37:12,534
IT WAS LIKE COMING HOME...
ONLY TO NO HOME
I'D EVER KNOWN.
784
00:37:12,665 --> 00:37:17,974
I WAS JUST TAKING HER HAND
TO HELP HER OUT OF A CAR
785
00:37:18,845 --> 00:37:21,108
AND I KNEW IT.
786
00:37:21,239 --> 00:37:25,982
IT WAS LIKE... MAGIC.
787
00:37:47,787 --> 00:37:49,919
WELL, I THINK
I'M GOING CRAZY, DENNIS.
I REALLY DO.
788
00:37:50,050 --> 00:37:51,399
ARE YOU HAPPILY MARRIED?
789
00:37:51,530 --> 00:37:52,661
WHAT?
790
00:37:52,792 --> 00:37:54,707
I MEAN,
WHY DID YOU GET MARRIED?
791
00:37:54,837 --> 00:37:57,623
WAS IT ALL TRUMPETS
AND FIREWORKS?
792
00:37:57,753 --> 00:37:59,233
I GOT MARRIED
BECAUSE BETSY SAID
793
00:37:59,364 --> 00:38:01,757
WE HAD TO BREAK UP
OR GET MARRIED.
794
00:38:02,889 --> 00:38:04,630
BUT WHEN YOU FIRST MET HER
795
00:38:04,760 --> 00:38:06,936
DID YOU BELIEVE THAT SHE
WAS THE ONLY PERSON FOR YOU
796
00:38:07,067 --> 00:38:10,940
THAT IN SOME, MYSTICAL,
COSMIC WAY, IT WAS FATED?
797
00:38:11,071 --> 00:38:14,466
ANNIE, WHEN YOU'RE
ATTRACTED TO SOMEONE
798
00:38:14,596 --> 00:38:15,945
IT JUST MEANS
THAT YOUR SUBCONSCIOUS
799
00:38:16,076 --> 00:38:17,556
IS ATTRACTED
TO THEIR SUBCONSCIOUS...
800
00:38:17,686 --> 00:38:18,948
SUBCONSCIOUSLY.
801
00:38:19,079 --> 00:38:21,081
SO "FATE" IS JUST TWO NEUROSES
802
00:38:21,211 --> 00:38:22,996
KNOWING THEY'RE
A PERFECT MATCH.
803
00:38:23,126 --> 00:38:24,780
[PIANO PLAYS DISCORDANTLY]
804
00:38:24,911 --> 00:38:26,521
I DON'T EVEN KNOW HIM.
805
00:38:26,652 --> 00:38:29,568
I AM HAVING ALL OF THESE
FANTASIES ABOUT SOME MAN
806
00:38:29,698 --> 00:38:33,572
I HAVE NEVER EVEN MET,
WHO LIVES IN SEATTLE.
807
00:38:33,702 --> 00:38:35,530
IT RAINS NINE MONTHS
STRAIGHT THERE.
808
00:38:35,661 --> 00:38:37,576
I KNOW, I KNOW.
809
00:38:37,706 --> 00:38:39,621
I DO NOT WANT
TO MOVE TO SEATTLE.
810
00:38:43,364 --> 00:38:45,192
BUT WHAT I REALLY
DON'T WANT TO DO
811
00:38:45,323 --> 00:38:48,064
IS END UP ALWAYS WONDERING
WHAT MIGHT HAVE HAPPENED
812
00:38:48,195 --> 00:38:50,023
AND KNOWING I COULD
HAVE DONE SOMETHING.
813
00:38:50,153 --> 00:38:52,547
WHAT DO YOU THINK?
814
00:38:52,678 --> 00:38:54,549
IT'S JUST COLD FEET
ISN'T IT?
815
00:38:54,680 --> 00:38:56,769
EVERYBODY PANICS
BEFORE THEY GET MARRIED.
816
00:38:56,899 --> 00:38:58,118
DIDN'T YOU?
817
00:38:58,248 --> 00:38:59,946
YES, I DID.
818
00:39:00,076 --> 00:39:01,643
THANK YOU VERY MUCH.
819
00:39:01,774 --> 00:39:04,124
I FEEL SO MUCH BETTER
HAVING BLOWN THIS OFF.
820
00:39:04,254 --> 00:39:05,778
ANYTIME.
821
00:39:05,908 --> 00:39:07,823
SANDY HAS
A GIRLFRIEND, GLENDA.
822
00:39:07,954 --> 00:39:09,347
SHE'S A WEIGHT LIFTER.
823
00:39:09,477 --> 00:39:12,219
IT'S NOT LIKE HER NECK
IS BIGGER THAN HER HEAD...
824
00:39:12,350 --> 00:39:15,178
I'M NOT ASKING YOU
TO SET ME UP.
825
00:39:15,309 --> 00:39:18,617
I JUST WANT TO KNOW
WHAT IT'S LIKE OUT THERE.
826
00:39:18,747 --> 00:39:19,748
THAT'S WHAT I'M TRYING
TO TELL YOU...
827
00:39:19,879 --> 00:39:20,967
WHAT WOMEN ARE LOOKING FOR.
828
00:39:21,097 --> 00:39:23,796
PECS AND A CUTE BUTT.
829
00:39:23,926 --> 00:39:26,233
YOU MEAN, LIKE,
"HE HAS THE CUTEST BUTT."
830
00:39:26,364 --> 00:39:29,236
WHERE DID I
HEAR THAT RECENTLY?
831
00:39:29,367 --> 00:39:30,890
YOU CAN'T EVEN
TURN ON THE NEWS
832
00:39:31,020 --> 00:39:32,979
WITHOUT HEARING
ABOUT HOW SOME BABE
833
00:39:33,109 --> 00:39:35,068
THOUGHT SOME GUY'S
BUTT WAS CUTE.
834
00:39:35,198 --> 00:39:36,896
WHO THE FIRST WOMAN
TO SAY THIS WAS, I DON'T KNOW
835
00:39:37,026 --> 00:39:38,680
BUT SOMEHOW IT CAUGHT ON.
836
00:39:38,811 --> 00:39:40,508
SO HOW'S MY BUTT?
837
00:39:43,598 --> 00:39:44,556
NOT BAD.
838
00:39:44,686 --> 00:39:45,687
-REALLY?
-YEAH.
839
00:39:45,818 --> 00:39:47,080
IS IT CUTE THOUGH?
840
00:39:47,210 --> 00:39:49,169
ARE WE GRADING ON A CURVE?
841
00:39:50,953 --> 00:39:54,087
WHEN'S THE LAST TIME
YOU WERE OUT THERE?
842
00:39:54,217 --> 00:40:00,180
UH... UH...
UH, JIMMY CARTER.
843
00:40:00,310 --> 00:40:02,748
THINGS ARE
A LITTLE DIFFERENT NOW.
844
00:40:02,878 --> 00:40:04,271
FIRST, YOU
HAVE TO BE FRIENDS.
845
00:40:04,402 --> 00:40:06,186
YOU HAVE TO LIKE EACH OTHER.
846
00:40:06,316 --> 00:40:07,796
THEN YOU NECK.
847
00:40:07,927 --> 00:40:10,146
THIS COULD GO ON FOR YEARS.
848
00:40:10,277 --> 00:40:13,193
THEN YOU HAVE TESTS.
THEN YOU GET TO DO IT
WITH A CONDOM.
849
00:40:13,323 --> 00:40:15,891
THE GOOD NEWS
IS YOU SPLIT THE CHECK.
850
00:40:16,022 --> 00:40:19,373
I DON'T THINK I COULD
LET A WOMAN PAY FOR DINNER.
851
00:40:19,504 --> 00:40:21,201
THEY'LL THROW
A PARADE IN YOUR HONOR.
852
00:40:21,331 --> 00:40:23,943
YOU'LL BE MAN OF THE YEAR
IN SEATTLE MAGAZINE.
853
00:40:25,684 --> 00:40:27,599
TIRAMISU.
854
00:40:27,729 --> 00:40:28,861
WHAT IS TIRAMISU?
855
00:40:28,991 --> 00:40:30,689
YOU'LL FIND OUT.
856
00:40:30,819 --> 00:40:32,342
-WELL, WHAT IS IT?
-YOU'LL SEE.
857
00:40:32,473 --> 00:40:34,083
SOME WOMAN IS GOING
TO WANT ME TO DO IT
858
00:40:34,214 --> 00:40:35,607
AND I WON'T KNOW WHAT IT IS.
859
00:40:35,737 --> 00:40:37,696
YOU'LL LOVE IT.
860
00:40:37,826 --> 00:40:40,220
THIS IS GOING TO BE
MUCH TOUGHER
861
00:40:40,350 --> 00:40:43,049
THAN I THOUGHT
IT WAS GOING TO BE.
862
00:40:43,179 --> 00:40:46,139
WHAT ABOUT THAT DECORATOR
ON THE BENNETT JOB?
863
00:40:46,269 --> 00:40:47,967
-VICTORIA.
-YEAH, SHE'S PERKY.
864
00:40:49,359 --> 00:40:50,709
AW, NO...
865
00:40:50,839 --> 00:40:52,841
WHAT? WHAT?
866
00:40:52,972 --> 00:40:55,801
I'M FAR AWAY FROM THAT.
867
00:40:55,931 --> 00:40:57,846
HOW WOULD I DO THAT?
868
00:40:57,977 --> 00:40:59,021
YOU CALL HER UP AND SAY
869
00:40:59,152 --> 00:41:00,806
"LET'S LOOK AT SWATCHES."
870
00:41:00,936 --> 00:41:03,678
CALL HER AND SAY,
"COME, LET'S LOOK
AT SWATCHES."
871
00:41:03,809 --> 00:41:04,897
YEAH, COLOR SCHEMES.
872
00:41:05,027 --> 00:41:07,900
SHE'S NOT GOING TO SEE
THROUGH THAT?
873
00:41:08,030 --> 00:41:09,902
DO IT IN YOUR OWN
SUAVE WAY.
874
00:41:10,032 --> 00:41:12,034
THINK CARY GRANT.
875
00:41:12,165 --> 00:41:13,949
CARY GRANT WOULD CALL UP
876
00:41:14,080 --> 00:41:17,779
AND SAY, "COME OVER
AND LOOK AT MY SWATCHES"?
877
00:41:17,910 --> 00:41:19,825
I KNOW HE DIDN'T
DO IT IN THE MOVIE.
878
00:41:19,955 --> 00:41:21,479
GUNGA DIN?
879
00:41:21,609 --> 00:41:24,917
GUNGA DIN IS NOT
A SWATCH KIND OF MOVIE.
880
00:41:25,047 --> 00:41:26,309
WHO KNOWS WHAT
HE DID IN REAL LIFE?
881
00:41:26,440 --> 00:41:28,486
HE DID THAT
WITH DYAN CANNON?
882
00:41:28,616 --> 00:41:31,750
[IMITATING GRANT]
HELLO, DYAN...
LOOK AT THESE SWATCHES.
883
00:41:50,812 --> 00:41:52,771
JONAH, I'M HOME.
884
00:41:56,035 --> 00:41:58,037
HEY, JONAH.
885
00:42:04,783 --> 00:42:06,654
JONAH?
886
00:42:08,917 --> 00:42:10,919
HEY, JONAH?
887
00:42:12,268 --> 00:42:14,009
HEY, JONAH?
888
00:42:16,534 --> 00:42:18,666
HI, DAD.
THIS IS JESSICA.
889
00:42:20,494 --> 00:42:22,844
IT'S NICE TO MEET YOU.
890
00:42:22,975 --> 00:42:24,193
DAD, THIS
IS AMAZING.
891
00:42:24,324 --> 00:42:26,065
IF YOU PLAY THIS
BACKWARDS
892
00:42:26,195 --> 00:42:28,110
IT SAYS, "PAUL IS DEAD."
893
00:42:28,241 --> 00:42:31,200
UH, YEAH, YEAH, I KNOW.
894
00:42:31,331 --> 00:42:33,202
HOW DO YOU KNOW?
895
00:42:35,030 --> 00:42:37,293
DAD, COULD YOU
SHUT THE DOOR?
896
00:42:37,424 --> 00:42:40,122
SURE, SURE.
897
00:42:40,253 --> 00:42:41,950
"H" AND "G."
898
00:42:43,125 --> 00:42:45,693
HI AND GOOD-BYE.
899
00:43:13,895 --> 00:43:16,942
[WESTERN SONG INTRO]
900
00:43:30,651 --> 00:43:35,177
♪ I'M BACK IN
THE SADDLE AGAIN
901
00:43:35,308 --> 00:43:39,225
♪ OUT WHERE A FRIEND
IS A FRIEND
902
00:43:39,355 --> 00:43:43,490
♪ WHERE THE LONGHORN CATTLE
FEED ON THE LOWLY
JIMSON WEED
903
00:43:43,621 --> 00:43:47,886
♪ BACK IN THE SADDLE AGAIN
904
00:43:48,016 --> 00:43:51,150
♪ RIDING THE RANGE ONCE MORE
905
00:43:51,933 --> 00:43:55,589
♪ TOTIN' MY OLD .44
906
00:43:55,720 --> 00:43:58,810
♪ WHERE YOU SLEEP OUT
EVERY NIGHT ♪
907
00:43:58,940 --> 00:44:00,638
HELLO, VICTORIA?
[CLEARS THROAT]
908
00:44:01,595 --> 00:44:03,205
THIS IS SAM BALDWIN.
909
00:44:03,336 --> 00:44:06,905
I DON'T KNOW
IF YOU REMEMBER ME, BUT...
910
00:44:07,035 --> 00:44:08,646
OH. OH, GREAT.
911
00:44:08,776 --> 00:44:12,911
HI. UH... I, UH...
I WAS WONDERING IF, UH...
912
00:44:13,041 --> 00:44:15,087
IF... IF, UH...
913
00:44:15,217 --> 00:44:18,090
IF YOU WOULD LIKE
TO HAVE A DRINK WITH ME.
914
00:44:18,220 --> 00:44:19,874
DINNER?
915
00:44:21,267 --> 00:44:24,226
DINNER WOULD BE EVEN BETTER.
916
00:44:24,357 --> 00:44:27,534
FRIDAY WOULD BE GREAT, YEAH.
917
00:44:27,665 --> 00:44:30,058
I HEAR THAT'S A GOOD PLACE.
918
00:44:33,279 --> 00:44:36,064
7:30 WOULD BE... WOULD BE FINE
919
00:44:36,195 --> 00:44:39,807
AND I'LL, UH... I'LL, UH...
920
00:44:39,938 --> 00:44:41,853
OKAY
I'LL MEET YOU THERE.
921
00:44:41,983 --> 00:44:43,028
OKAY, ALL RIGHT.
922
00:44:43,158 --> 00:44:45,204
UM, SO THIS...
923
00:44:45,334 --> 00:44:48,207
UH... IT'S FRIDAY AT 7:30.
924
00:44:48,337 --> 00:44:49,774
FOR DINNER.
GREAT.
925
00:44:52,211 --> 00:44:54,039
ME TOO. BYE.
926
00:44:54,169 --> 00:44:57,695
♪ BACK IN THE SADDLE AGAIN
927
00:44:59,305 --> 00:45:01,176
[TYPEWRITER KEYS CLICKING]
928
00:45:01,307 --> 00:45:02,743
Are you in love with him?
929
00:45:06,094 --> 00:45:08,357
I'm not now.
930
00:45:08,488 --> 00:45:10,316
NOW THOSE WERE THE DAYS
931
00:45:10,446 --> 00:45:12,274
WHEN PEOPLE KNEW
HOW TO BE IN LOVE.
932
00:45:12,405 --> 00:45:13,319
YOU'RE A BASKET CASE.
933
00:45:13,449 --> 00:45:14,407
THEY KNEW IT.
934
00:45:14,537 --> 00:45:16,148
TIME, DISTANCE...
935
00:45:16,278 --> 00:45:17,627
NOTHING COULD
SEPARATE THEM
936
00:45:17,758 --> 00:45:21,066
BECAUSE THEY KNEW
IT WAS RIGHT,
IT WAS REAL, IT WAS...
937
00:45:21,196 --> 00:45:23,198
A MOVIE.
938
00:45:23,329 --> 00:45:25,113
THAT'S YOUR PROBLEM.
YOU DON'T WANT
TO BE IN LOVE.
939
00:45:25,244 --> 00:45:27,072
YOU WANT TO BE IN LOVE
IN A MOVIE.
940
00:45:27,202 --> 00:45:29,117
READ IT TO ME.
941
00:45:30,728 --> 00:45:32,642
"DEAR SLEEPLESS AND SON
942
00:45:32,773 --> 00:45:34,906
"I HAVE NEVER
WRITTEN A LETTER
LIKE THIS IN MY LIFE..."
943
00:45:35,036 --> 00:45:36,298
THAT'S WHAT
EVERYONE WRITES
944
00:45:36,429 --> 00:45:38,474
AT THE BEGINNING
OF LETTERS TO STRANGERS.
945
00:45:38,605 --> 00:45:40,825
YOU THINK
I DON'T KNOW THAT?
946
00:45:42,043 --> 00:45:43,044
WHAT ABOUT WALTER?
947
00:45:44,350 --> 00:45:45,960
WALTER.
948
00:45:46,091 --> 00:45:48,571
OH, I WOULD GIVE ANYTHING
TO MARRY WALTER.
949
00:45:48,702 --> 00:45:51,009
HE'S SO... UNEXPECTED.
950
00:45:51,139 --> 00:45:52,619
YOU THINK YOU CAN TELL
WHAT HE'S LIKE
951
00:45:52,750 --> 00:45:55,970
BY JUST LOOKING AT HIM,
BUT YOU CAN'T.
952
00:45:56,101 --> 00:45:57,102
I SHOULD WRITE
SOMETHING IN THIS
953
00:45:57,232 --> 00:45:58,494
ABOUT MAGIC.
954
00:45:58,625 --> 00:45:59,626
WHAT?
955
00:45:59,757 --> 00:46:01,410
WHAT IF I NEVER MEET HIM?
956
00:46:01,541 --> 00:46:04,109
WHAT IF THIS MAN
IS MY DESTINY
AND I NEVER MEET HIM?
957
00:46:04,239 --> 00:46:05,850
YOUR DESTINY
CAN BE YOUR DOOM.
958
00:46:05,980 --> 00:46:07,242
LOOK AT ME AND RICK.
959
00:46:07,373 --> 00:46:08,853
I WANT TO MEET YOU...
960
00:46:08,983 --> 00:46:10,768
MAN ON TV:
HOW ABOUT THE TOP OF
THE EMPIRE STATE BUILDING.
961
00:46:10,898 --> 00:46:12,291
ON THE TOP
OF THE EMPIRE STATE
BUILDING.
962
00:46:14,249 --> 00:46:16,077
SUNSET, VALENTINE'S DAY.
963
00:46:18,253 --> 00:46:22,344
I'LL BE IN NEW YORK
WITH WALTER.
I CAN SQUEEZE IT IN.
964
00:46:22,475 --> 00:46:25,217
I'LL BE IN NEW YORK
WITH WALTER.
965
00:46:32,572 --> 00:46:34,356
DO YOU WANT TO HEAR
ABOUT DESTINY?
966
00:46:34,487 --> 00:46:36,097
IF I HADN'T MARRIED MARTIN
967
00:46:36,228 --> 00:46:38,360
I NEVER WOULD HAVE BOUGHT
THE HOUSE WITH THE DEAD TREE.
968
00:46:38,491 --> 00:46:40,319
ON ACCOUNT OF WHICH,
I GOT DIVORCED.
969
00:46:40,449 --> 00:46:41,799
ON ACCOUNT OF WHICH
970
00:46:41,929 --> 00:46:44,366
I HIT A CAR AND MET RICK
WHILE BUYING A NECK BRACE.
971
00:46:46,151 --> 00:46:49,589
YOU NEVER TOLD ME
YOU GOT A DIVORCE
BECAUSE OF A DEAD TREE.
972
00:46:49,719 --> 00:46:51,591
THE TREE MAN.
973
00:46:51,721 --> 00:46:53,288
YOU FELL IN LOVE
WITH THE TREE MAN?
974
00:46:53,419 --> 00:46:54,942
I DID NOT SAY "LOVE."
975
00:46:55,073 --> 00:46:56,509
DID I SAY "LOVE"?
976
00:46:56,639 --> 00:47:00,469
THIS IS MY FAVORITE PART.
977
00:47:00,600 --> 00:47:03,429
IT'S NOW OR NEVER.
978
00:47:03,559 --> 00:47:07,259
"NEVER" IS
A FRIGHTENING WORD.
979
00:47:07,389 --> 00:47:11,132
-WE'D BE FOOLS TO LET
HAPPINESS PASS US BY.
-MMM-HMM.
980
00:47:12,830 --> 00:47:14,483
KERR:
WINTER MUST BE COLD
981
00:47:14,614 --> 00:47:17,269
FOR THOSE WITH NO
WARM MEMORIES.
982
00:47:19,488 --> 00:47:23,231
WE'VE ALREADY
MISSED THE SPRING.
983
00:47:24,537 --> 00:47:26,321
MEN NEVER GET THIS MOVIE.
984
00:47:26,452 --> 00:47:28,541
I KNOW.
985
00:47:30,804 --> 00:47:33,851
JONAH:
MOMMY! MOMMY!
986
00:47:35,722 --> 00:47:37,506
-MOMMY!
-IT'S OKAY. IT'S OKAY.
987
00:47:37,637 --> 00:47:39,465
-I'M HERE.
-DAD!
988
00:47:39,595 --> 00:47:40,683
I'M COMING.
989
00:47:40,814 --> 00:47:42,033
IT'S ALL RIGHT.
990
00:47:42,163 --> 00:47:44,470
IT'S OKAY. IT'S OKAY.
991
00:47:44,600 --> 00:47:45,471
IT'S ALL RIGHT.
992
00:47:47,342 --> 00:47:48,517
WHAT WAS THAT ABOUT, HMM?
993
00:47:48,648 --> 00:47:49,910
IT WAS SINKING.
994
00:47:50,041 --> 00:47:51,694
WHAT WAS?
995
00:47:51,825 --> 00:47:53,305
OUR HOUSE.
THERE WAS WATER COMING
IN ALL THE WINDOWS.
996
00:47:53,435 --> 00:47:55,133
OH.
997
00:47:56,743 --> 00:47:59,180
IT'S OKAY NOW.
998
00:47:59,311 --> 00:48:01,443
IT'S ALL RIGHT.
999
00:48:01,574 --> 00:48:03,271
SO WHAT SHOULD WE DO?
1000
00:48:03,402 --> 00:48:08,711
YOUR MOTHER USED TO SING TO
YOU WHEN YOU HAD BAD DREAMS.
1001
00:48:08,842 --> 00:48:11,540
"BYE-BYE, BLACKBIRD."
1002
00:48:12,541 --> 00:48:14,021
YEAH.
1003
00:48:14,152 --> 00:48:16,545
I MISS HER.
1004
00:48:16,676 --> 00:48:20,027
WHAT DO YOU THINK HAPPENS
TO SOMEONE AFTER THEY DIE?
1005
00:48:20,636 --> 00:48:21,768
I DON'T KNOW.
1006
00:48:21,899 --> 00:48:24,902
LIKE, DO YOU BELIEVE
IN HEAVEN?
1007
00:48:28,122 --> 00:48:30,777
I NEVER DID.
1008
00:48:30,908 --> 00:48:34,172
OR THE WHOLE IDEA
OF AN AFTERLIFE
BUT NOW I DON'T KNOW
1009
00:48:35,651 --> 00:48:39,090
'CAUSE I HAVE THESE DREAMS
ABOUT HER...
1010
00:48:39,220 --> 00:48:41,440
ABOUT YOUR MOM...
1011
00:48:42,920 --> 00:48:46,227
AND WE HAVE LONG TALKS...
1012
00:48:47,185 --> 00:48:48,360
ABOUT YOU.
1013
00:48:48,490 --> 00:48:50,840
HOW YOU'RE DOING.
1014
00:48:50,971 --> 00:48:55,106
SHE SORT OF KNOWS,
BUT I TELL HER ANYWAY.
1015
00:48:55,236 --> 00:48:57,238
SO WHAT IS THAT?
1016
00:48:58,979 --> 00:49:02,156
IT'S SORT
OF AN AFTERLIFE, ISN'T IT?
1017
00:49:02,287 --> 00:49:04,985
I'M STARTING TO FORGET HER.
1018
00:49:07,683 --> 00:49:10,295
OH, NO.
1019
00:49:20,522 --> 00:49:27,094
SHE COULD PEEL AN APPLE
IN ONE LONG, CURLY STRIP.
1020
00:49:31,664 --> 00:49:33,840
THE WHOLE APPLE.
1021
00:49:33,971 --> 00:49:37,583
♪ PACK UP ALL
MY CARES AND WOE
1022
00:49:37,713 --> 00:49:39,411
♪ FEELING LOW
1023
00:49:40,064 --> 00:49:42,414
♪ HERE I GO
1024
00:49:42,544 --> 00:49:46,461
♪ I SAY BYE-BYE,
BLACKBIRD ♪
1025
00:49:46,592 --> 00:49:48,724
I LOVE YOU, JONAH.
1026
00:49:48,855 --> 00:49:50,639
I LOVE YOU, DAD.
1027
00:49:55,383 --> 00:49:57,429
♪ WHERE SOMEBODY
WAITS FOR ME ♪
1028
00:49:57,559 --> 00:49:59,605
SEE YOU TOMORROW.
1029
00:50:00,736 --> 00:50:05,828
♪ SUGAR'S SWEET,
AND SO IS SHE
1030
00:50:05,959 --> 00:50:11,660
♪ SAY BYE-BYE, BLACKBIRD
1031
00:50:18,841 --> 00:50:25,500
♪ NO ONE SEEMS TO LOVE
OR UNDERSTAND ME
1032
00:50:30,766 --> 00:50:34,335
♪ OH, AND HARD LUCK STORIES
1033
00:50:35,336 --> 00:50:38,687
♪ THEY KEEP HANDING ME, YEAH
1034
00:50:42,517 --> 00:50:45,520
♪ WHERE SOMEBODY
SHINES A LIGHT
1035
00:50:47,957 --> 00:50:51,048
♪ I'M COMING ON HOME
TONIGHT NOW
1036
00:50:52,571 --> 00:50:56,270
♪ OH, LORD, YEAH, DARLIN'
1037
00:50:56,401 --> 00:51:00,405
♪ I WANT TO SAY
BYE-BYE, BLACKBIRD
1038
00:51:00,535 --> 00:51:03,669
♪ LORD HAVE MERCY
1039
00:51:03,799 --> 00:51:07,064
♪ SOMEBODY LOVE ME NOW
1040
00:51:13,287 --> 00:51:14,549
LAURIE?
1041
00:51:14,680 --> 00:51:16,421
HI, IT'S ANNIE.
1042
00:51:16,551 --> 00:51:18,597
FINE, FINE, I'M FINE.
1043
00:51:18,727 --> 00:51:22,470
LISTEN, I'M DOING AN ARTICLE
ON CALL-IN RADIO SHOWS.
1044
00:51:22,601 --> 00:51:24,255
DO YOU KNOW ANYONE WHO WORKS
FOR SOMEONE
1045
00:51:24,385 --> 00:51:26,561
NAMED DR. MARCIA FIELDSTONE?
1046
00:51:26,692 --> 00:51:29,564
I'M A WRITER FOR THE BALTIMORE
SUN AND A FRIEND OF
LAURIE JOHNSON.
1047
00:51:29,695 --> 00:51:32,263
I'M DOING A PIECE ON HOW
PEOPLE HANDLE BEREAVEMENT.
1048
00:51:32,393 --> 00:51:34,700
YOU HAD A CALLER
THE OTHER NIGHT...
1049
00:51:34,830 --> 00:51:36,223
SOME GUY FROM SEATTLE.
1050
00:51:44,623 --> 00:51:45,754
THIS IS JONAH BALDWIN.
1051
00:51:45,885 --> 00:51:48,453
WE'RE NOT IN RIGHT NOW,
BUT YOU CAN LEAVE...
1052
00:51:48,583 --> 00:51:49,715
BALDWIN.
1053
00:52:52,430 --> 00:52:53,605
ARCHITECT.
1054
00:53:26,768 --> 00:53:27,987
PSST.
1055
00:53:28,117 --> 00:53:30,294
OKAY, CLARISE,
I'M GOING TO BE BACK
1056
00:53:30,424 --> 00:53:31,599
EITHER BY MIDNIGHT
1057
00:53:31,730 --> 00:53:33,993
OR 8:30 IF DISASTER STRIKES.
1058
00:53:34,123 --> 00:53:36,300
HERE'S ONE
FOR THE BOTH OF US.
1059
00:53:36,430 --> 00:53:37,823
"SLEEPLESS AND SON."
1060
00:53:37,953 --> 00:53:39,477
BALTIMORE.
1061
00:53:39,607 --> 00:53:42,567
I LEFT THE NUMBER
OF THE RESTAURANT I'LL BE AT.
1062
00:53:42,697 --> 00:53:45,047
HERE'S A BOTTLE OF IPECAC
IF ANYBODY DRINKS POISON.
1063
00:53:45,178 --> 00:53:47,224
IT'S RIGHT HERE
NEXT TO THE JUICE GLASSES.
1064
00:53:47,789 --> 00:53:48,834
HOW DO I LOOK?
1065
00:53:48,964 --> 00:53:49,878
GREAT.
1066
00:53:52,707 --> 00:53:54,405
I LOOK STUPID.
1067
00:53:54,535 --> 00:53:56,668
I LOOK LIKE I'M
TRYING TOO HARD.
1068
00:53:56,798 --> 00:53:58,887
I WAS GOING TO GET A HAIRCUT
BUT THEN I'D JUST LOOK
LIKE I GOT A HAIRCUT.
1069
00:53:59,018 --> 00:54:00,672
THIS IS A GOOD LETTER.
1070
00:54:00,802 --> 00:54:02,151
THESE SHOES
ARE GROTESQUE.
1071
00:54:02,282 --> 00:54:04,023
I LOOK LIKE I'M TRYING
TO BE TALL.
1072
00:54:04,153 --> 00:54:06,982
HER NAME IS ANNIE.
ANNIE REED.
1073
00:54:07,113 --> 00:54:08,984
DAD, READ THIS!
READ THIS.
1074
00:54:11,944 --> 00:54:13,380
"DEAR SLEEPLESS AND SON...
1075
00:54:15,904 --> 00:54:17,515
"...AN EXCELLENT THIRD BASEMAN
1076
00:54:17,645 --> 00:54:18,777
"FOR AS LONG AS ANYONE
CAN REMEMBER
1077
00:54:18,907 --> 00:54:20,953
"AND WHILE WE'RE
ON THE SUBJECT
1078
00:54:21,083 --> 00:54:23,608
"BROOKS ROBINSON WAS
THE BEST THIRD BASEMAN EVER.
1079
00:54:23,738 --> 00:54:24,957
"IT'S IMPORTANT
THAT YOU AGREE ON THAT
1080
00:54:25,087 --> 00:54:26,132
"BECAUSE I'M FROM BALTIMORE."
1081
00:54:26,263 --> 00:54:28,482
SHE THINKS
HE'S THE GREATEST.
1082
00:54:28,613 --> 00:54:30,049
EVERYONE THINKS HE IS.
1083
00:54:30,179 --> 00:54:31,703
IT'S A SIGN.
1084
00:54:31,833 --> 00:54:33,922
COME HERE.
1085
00:54:34,053 --> 00:54:35,576
I'LL SHOW YOU A SIGN.
1086
00:54:35,707 --> 00:54:36,838
HERE IS A SIGN.
1087
00:54:36,969 --> 00:54:40,581
ALL RIGHT,
WHERE IS SEATTLE?
1088
00:54:40,712 --> 00:54:43,105
RIGHT.
WHERE IS BALTIMORE?
1089
00:54:43,236 --> 00:54:44,933
IT'S RIGHT THERE.
1090
00:54:45,064 --> 00:54:46,979
LOOK, ONE, TWO, THREE...
1091
00:54:47,109 --> 00:54:49,111
THERE'S LIKE 26 STATES
BETWEEN HERE AND THERE.
1092
00:54:49,242 --> 00:54:50,374
NOW THAT'S A SIGN.
1093
00:54:50,504 --> 00:54:51,766
I'M OUT OF HERE.
1094
00:54:51,897 --> 00:54:54,595
GOOD-BYE,
GOOD NIGHT.
I LOVE YOU.
1095
00:54:58,817 --> 00:55:00,514
CLARISE, DID YOU MOVE
YOUR CAR?
1096
00:55:00,645 --> 00:55:01,733
HUH?
1097
00:55:10,785 --> 00:55:12,439
THANK YOU, DERRICK.
1098
00:55:12,918 --> 00:55:13,962
I'LL HAVE A...
1099
00:55:14,093 --> 00:55:15,050
WHITE WINE SPRITZER.
1100
00:55:15,181 --> 00:55:16,138
AND YOU, SIR?
1101
00:55:16,269 --> 00:55:17,923
I'M FINE, THANK YOU.
1102
00:55:18,053 --> 00:55:19,490
-HI.
-HI.
1103
00:55:19,620 --> 00:55:20,882
YOU LOOK GOOD.
1104
00:55:21,013 --> 00:55:23,842
YOU LOOK GOOD YOURSELF.
1105
00:55:28,020 --> 00:55:30,196
I THOUGHT YOU WERE NEVER
GOING TO CALL ME.
1106
00:55:30,327 --> 00:55:31,850
-YOU DID?
-I REALLY WANTED YOU TO
1107
00:55:31,980 --> 00:55:34,156
AND I THOUGHT
YOU WERE NEVER GOING TO.
1108
00:55:34,287 --> 00:55:35,941
EXCUSE ME,
MR. BALDWIN?
1109
00:55:36,071 --> 00:55:38,596
-YES?
-THERE'S A PHONE CALL
FOR YOU.
1110
00:55:39,771 --> 00:55:41,338
EXCUSE ME.
1111
00:55:45,254 --> 00:55:46,473
THANK YOU.
1112
00:55:46,604 --> 00:55:48,257
HELLO?
1113
00:55:48,388 --> 00:55:50,651
JONAH:
DAD, CAN WE GO TO NEW YORK
FOR VALENTINE'S DAY?
1114
00:55:51,260 --> 00:55:52,479
WHAT?
1115
00:55:52,610 --> 00:55:54,786
ANNIE REED FROM BALTIMORE
WANTS TO MEET US
1116
00:55:54,916 --> 00:55:56,178
AT THE TOP
OF THE EMPIRE STATE BUILDING
1117
00:55:56,309 --> 00:55:57,745
ON VALENTINE'S DAY.
1118
00:55:58,833 --> 00:55:59,834
JONAH?
1119
00:55:59,965 --> 00:56:01,140
WHAT?
1120
00:56:01,270 --> 00:56:02,489
HAVE YOU FALLEN?
1121
00:56:02,620 --> 00:56:03,708
ARE YOU BLEEDING?
1122
00:56:03,838 --> 00:56:04,926
IS CLARISE THERE?
1123
00:56:05,057 --> 00:56:06,885
-HAS SHE BEEN STRANGLED?
-NO.
1124
00:56:07,015 --> 00:56:08,887
THIS IS THE ONLY REASON
FOR THIS CALL.
1125
00:56:09,017 --> 00:56:11,977
IF WE BOOK NOW
WE CAN GET AN EXCURSION FARE.
1126
00:56:12,107 --> 00:56:14,762
JESSICA'S PARENTS ARE
TRAVELS AGENTS
AND JESSICA SAYS...
1127
00:56:14,893 --> 00:56:18,984
I'M NOT GOING TO HAVE
THIS CONVERSATION RIGHT NOW.
WE'LL TALK LATER.
1128
00:56:19,114 --> 00:56:20,681
I CAN'T BELIEVE
THIS CONVERSATION
HAS LASTED THIS LONG.
1129
00:56:20,812 --> 00:56:22,030
YOU GO TO BED.
1130
00:56:30,038 --> 00:56:31,170
EVERYTHING ALL RIGHT?
1131
00:56:31,300 --> 00:56:32,563
OH, YEAH.
1132
00:56:32,693 --> 00:56:33,999
-DO YOU HAVE KIDS?
-NO.
1133
00:56:34,129 --> 00:56:35,522
YOU WANT MINE?
1134
00:56:38,438 --> 00:56:40,745
I WILL HAVE AN ABSOLUT
STRAIGHT UP, PLEASE.
1135
00:56:40,875 --> 00:56:41,920
CERTAINLY.
1136
00:56:42,050 --> 00:56:43,008
[LAUGHING]
1137
00:56:43,922 --> 00:56:47,447
[MECHANICAL WHIRRING]
1138
00:56:49,841 --> 00:56:51,059
[SHUTTER CLICKS]
1139
00:56:51,190 --> 00:56:52,626
[CLICK]
1140
00:56:52,757 --> 00:56:54,106
[CLICK]
1141
00:56:54,236 --> 00:56:55,890
[CLICK]
1142
00:56:56,325 --> 00:56:57,544
[CLICK]
1143
00:56:57,675 --> 00:56:59,372
[WHIRRING]
1144
00:56:59,503 --> 00:57:01,635
HEY, HEY, HEY,
PUT THAT DOWN.
STOP IT.
1145
00:57:02,854 --> 00:57:03,898
THERE SHE IS.
1146
00:57:05,900 --> 00:57:07,206
WHY IS SHE
BRINGING GROCERIES?
1147
00:57:07,336 --> 00:57:08,729
SHE'S GOING TO COOK
SOMETHING FOR US
1148
00:57:08,860 --> 00:57:09,774
SO BE PREPARED.
1149
00:57:09,904 --> 00:57:12,864
HI, SAM. THANKS
1150
00:57:12,994 --> 00:57:15,170
AND LET ME GUESS.
YOU MUST BE JONAH.
1151
00:57:17,695 --> 00:57:19,740
HI.
1152
00:57:19,871 --> 00:57:21,133
-SO, THIS IT?
-YEAH.
1153
00:57:21,263 --> 00:57:24,963
-THE CAR'S DOWN THIS WAY.
-GREAT.
1154
00:57:25,093 --> 00:57:28,836
SHE'S ON HER SIXTH PAINTER
AND WE'RE NEVER GOING
TO FINISH THIS JOB.
1155
00:57:28,967 --> 00:57:31,622
SHE WANTS
THE FIREPLACE REBRICKED.
1156
00:57:31,752 --> 00:57:33,450
I COULD GIVE HER A CALL.
1157
00:57:33,580 --> 00:57:36,235
NO, I'LL JUST HIT HER
WITH ONE OF THOSE BRICKS.
1158
00:57:36,365 --> 00:57:40,108
[LAUGHING]
1159
00:57:40,239 --> 00:57:42,241
OH, THAT IS SO FUNNY.
1160
00:57:42,371 --> 00:57:43,851
YOU ARE SO FUNNY.
1161
00:57:43,982 --> 00:57:46,071
SHE GOES THROUGH
THIS SONG AND DANCE,
1162
00:57:46,201 --> 00:57:47,855
"OH, I DON'T KNOW,
I'M STUPID.
1163
00:57:47,986 --> 00:57:52,120
"YOU KNOW BETTER, BUT COULDN'T
WE FLIP THE HOUSE AROUND
1164
00:57:52,251 --> 00:57:53,339
"SO EVERYTHING ON ONE SIDE
IS ON THE OTHER
1165
00:57:53,470 --> 00:57:55,210
"AND THE BACK
IS IN FRONT?
1166
00:57:55,341 --> 00:57:57,082
"AND COULD THE FRONT
OF THE HOUSE
1167
00:57:57,212 --> 00:57:59,867
"OPEN
ON ONE GREAT BIG HINGE."
1168
00:58:01,390 --> 00:58:04,089
I SAID "YEAH,
WE CAN DO THAT.
1169
00:58:04,219 --> 00:58:05,351
"WE'RE JUST GOING
TO HAVE TO..."
1170
00:58:05,482 --> 00:58:06,918
MOVE THE KITCHEN CABINETS.
1171
00:58:07,048 --> 00:58:10,095
[LAUGHING]
1172
00:58:15,317 --> 00:58:18,799
HEY, JONAH, BRING SOME
OF THAT STUFF AROUND,
ALL RIGHT?
1173
00:58:18,930 --> 00:58:21,498
DO YOU LIKE BASEBALL?
1174
00:58:22,063 --> 00:58:23,500
UH, YES, I DO.
1175
00:58:23,630 --> 00:58:26,024
IN FACT, MY FIRM
HAS BOX SEATS TO THE MARINERS.
1176
00:58:26,154 --> 00:58:27,199
WHY DON'T WE ALL GO SOMETIME?
1177
00:58:27,329 --> 00:58:28,853
HEY!
1178
00:58:28,983 --> 00:58:30,289
WHAT ABOUT CAMPING?
1179
00:58:30,419 --> 00:58:31,856
WHAT ABOUT IT?
1180
00:58:31,986 --> 00:58:33,335
DO YOU LIKE CAMPING?
1181
00:58:33,466 --> 00:58:35,599
I WENT CAMPING ONCE.
1182
00:58:36,469 --> 00:58:37,818
YOU KNOW WHAT, DAD?
1183
00:58:37,949 --> 00:58:39,124
WE OUGHT TO START
CAMPING MORE OFTEN.
1184
00:58:39,254 --> 00:58:41,126
YOU'RE RIGHT.
CAMPING IS GOOD.
1185
00:58:41,256 --> 00:58:42,693
TIME FOR BED.
1186
00:58:42,823 --> 00:58:43,694
IT'S ONLY 10:00.
1187
00:58:43,824 --> 00:58:44,956
YEAH, 10:00.
1188
00:58:45,086 --> 00:58:46,174
TIME FOR BED.
1189
00:58:47,132 --> 00:58:48,829
GOOD-NIGHT.
1190
00:58:52,093 --> 00:58:53,355
WELL, HEY, HEY, HEY.
1191
00:58:53,486 --> 00:58:54,661
DON'T YOU WANT
TO THANK VICTORIA
1192
00:58:54,792 --> 00:58:56,010
FOR THIS
DELICIOUS DINNER?
1193
00:58:56,141 --> 00:58:57,403
THANKS FOR DINNER.
1194
00:58:57,534 --> 00:59:00,058
I NEVER SAW ANYBODY
COOK POTATOES THAT WAY.
1195
00:59:02,103 --> 00:59:04,845
I'M GLAD YOU LIKED IT.
GOOD-NIGHT, JONAH.
1196
00:59:06,412 --> 00:59:08,762
[DOOR SHUTS]
1197
00:59:08,893 --> 00:59:11,199
YEAH, WE DON'T SEE A LOT
OF POTATOES AROUND HERE.
1198
00:59:11,330 --> 00:59:12,766
WE'RE RICE MEN.
1199
00:59:12,897 --> 00:59:14,855
[VICTORIA LAUGHING]
1200
00:59:57,115 --> 01:00:00,031
[PHONE RINGING]
1201
01:00:03,948 --> 01:00:04,992
UGH.
1202
01:00:05,123 --> 01:00:06,211
OH...
1203
01:00:06,341 --> 01:00:08,256
OH...
1204
01:00:08,387 --> 01:00:09,954
I'M SORRY, WALTER.
1205
01:00:10,084 --> 01:00:12,130
I'M SORRY.
1206
01:00:15,089 --> 01:00:16,177
HELLO.
1207
01:00:16,308 --> 01:00:17,222
BECKY:
TURN ON YOUR RADIO.
1208
01:00:17,352 --> 01:00:19,224
WHAT?
1209
01:00:19,354 --> 01:00:21,139
THE KID IS ON.
YOU'VE GOT ME LISTENING
TO THIS GARBAGE.
1210
01:00:21,269 --> 01:00:22,183
GO. TURN IT ON.
1211
01:00:22,314 --> 01:00:23,402
WHO IS IT?
1212
01:00:24,533 --> 01:00:26,231
IT'S BECKY.
1213
01:00:26,361 --> 01:00:28,929
SHE'S... SHE'S HAVING TROUBLE
WITH RICK AGAIN.
1214
01:00:29,060 --> 01:00:30,322
I'LL GO DOWNSTAIRS.
1215
01:00:30,452 --> 01:00:32,280
BECKY, I'LL CALL YOU BACK.
1216
01:00:34,239 --> 01:00:36,023
I'M SORRY, WALTER.
1217
01:00:36,154 --> 01:00:37,764
ARE YOU BLEEDING?
1218
01:00:37,895 --> 01:00:40,158
[MOANING]
1219
01:00:40,288 --> 01:00:43,291
[GASPING]
1220
01:00:58,480 --> 01:01:00,526
JONAH:
HE'S OUTSIDE KISSING HER
RIGHT THIS MINUTE.
1221
01:01:00,657 --> 01:01:02,136
FIELDSTONE:
OH, REALLY?
1222
01:01:02,267 --> 01:01:03,877
JONAH, TELL THE TRUTH.
1223
01:01:04,008 --> 01:01:05,444
ARE YOU SPYING ON YOUR FATHER?
1224
01:01:05,574 --> 01:01:08,577
WHO'S HE KISSING
RIGHT THIS MINUTE?
1225
01:01:08,708 --> 01:01:10,492
JONAH:
I HAVE TO MAKE THEM STOP.
1226
01:01:10,623 --> 01:01:14,366
HOW AM I GOING TO EXPLAIN THIS
TO WALTER?
1227
01:01:14,496 --> 01:01:16,107
JONAH:
SHE BROUGHT TWO
BAGS OF GROCERIES
1228
01:01:16,237 --> 01:01:18,065
LIKE SHE WAS STAYING HERE
FOR A YEAR.
1229
01:01:18,196 --> 01:01:20,241
FIELDSTONE:
IT'S GOOD THAT
YOUR FATHER'S DATING.
1230
01:01:20,372 --> 01:01:22,156
IT'S JUST HARD ON YOU.
1231
01:01:22,287 --> 01:01:24,028
IT'S SOMETHING
THAT YOU THINK YOU WANT
1232
01:01:24,158 --> 01:01:25,333
BUT THEN WHEN IT
ACTUALLY HAPPENS
1233
01:01:25,464 --> 01:01:26,552
IT SCARES YOU.
1234
01:01:26,683 --> 01:01:28,989
JONAH:
THAT'S NOT TRUE.
1235
01:01:29,120 --> 01:01:31,209
FIELDSTONE:
SHOULDN'T YOUR FATHER
BE THE JUDGE
1236
01:01:31,339 --> 01:01:34,038
OF WHETHER SOMEONE IS RIGHT
OR WRONG FOR HIM?
1237
01:01:34,168 --> 01:01:36,214
JONAH:
HE'S NOT SANE ENOUGH
TO JUDGE ANYTHING.
1238
01:01:36,344 --> 01:01:38,303
NOW HE'S KISSING HER
ON THE LIPS.
1239
01:01:38,433 --> 01:01:40,218
MY DAD'S BEEN CAPTURED
BY A HO.
1240
01:01:40,348 --> 01:01:41,915
WHAT AM I GOING TO DO?
1241
01:01:42,046 --> 01:01:43,787
FIELDSTONE:
CALM DOWN, JONAH.
1242
01:01:43,917 --> 01:01:46,877
TOMORROW WHEN YOU'RE SITTING
DOWN TO BREAKFAST
WITH YOUR DAD
1243
01:01:47,007 --> 01:01:49,183
TELL HIM HOW YOU FEEL.
1244
01:01:49,314 --> 01:01:52,796
IT'S NOT GOOD TO KEEP
YOUR FEELINGS INSIDE YOU.
1245
01:01:52,926 --> 01:01:54,319
[SCREAMING]
1246
01:01:54,449 --> 01:01:57,235
[SCREAMING]
1247
01:01:57,365 --> 01:01:59,367
MISS SCARLET,
IN THE BROOM CLOSET
1248
01:01:59,498 --> 01:02:01,021
WITH THE RADIO.
1249
01:02:01,892 --> 01:02:03,632
WALTER.
1250
01:02:03,763 --> 01:02:06,244
YOU SCARED ME.
DON'T EVER DO THAT AGAIN.
1251
01:02:10,509 --> 01:02:12,293
I THOUGHT I SAW
A BLACK WIDOW SPIDER.
1252
01:02:12,424 --> 01:02:14,208
YOU SCARED US TO DEATH.
1253
01:02:15,514 --> 01:02:16,689
IT WAS RIGHT OVER THERE.
1254
01:02:16,820 --> 01:02:20,562
THE NEXT TIME YOU THINK
YOU SEE A BLACK WIDOW SPIDER
1255
01:02:20,693 --> 01:02:22,347
SAY, "DAD, EXCUSE ME
1256
01:02:22,477 --> 01:02:24,001
"BUT I BELIEVE
A POISONOUS INSECT
1257
01:02:24,131 --> 01:02:27,047
"IS IN THE HOUSE."
1258
01:02:27,178 --> 01:02:28,570
YOU SCREAM LIKE THAT AGAIN,
I'LL KILL YOU.
1259
01:02:28,701 --> 01:02:30,355
BECKY HEARD THIS GUY
ON THE RADIO
1260
01:02:30,485 --> 01:02:32,009
SHE WAS SURE WAS RICK.
1261
01:02:32,139 --> 01:02:33,532
SHE WAS COMPLETELY HYSTERICAL
1262
01:02:33,662 --> 01:02:37,231
AND THEN IT TURNED OUT
THE GUY LIVED IN DULUTH.
1263
01:02:37,362 --> 01:02:39,146
WHERE IS DULUTH?
1264
01:02:39,277 --> 01:02:40,365
THAT DOESN'T MAKE ANY SENSE.
1265
01:02:40,495 --> 01:02:42,149
I KNOW, WALTER.
1266
01:02:42,280 --> 01:02:43,977
IT DOESN'T MAKE
ANY SENSE AT ALL.
1267
01:02:44,108 --> 01:02:46,545
THANK GOD MY LIFE
IS IN PLACE.
1268
01:02:46,675 --> 01:02:49,287
DULUTH. THAT'S IN,
UH, NORTH DAKOTA.
1269
01:03:04,171 --> 01:03:05,477
I LOVE THIS LETTER.
1270
01:03:05,607 --> 01:03:07,522
YOU HAVE TO WRITE TO HER.
1271
01:03:07,653 --> 01:03:09,046
YOU THINK SO?
1272
01:03:09,176 --> 01:03:10,612
IT'S Y-O-H.
1273
01:03:10,743 --> 01:03:12,919
YEAH. WHAT'S THAT?
1274
01:03:13,050 --> 01:03:14,442
YOUR ONLY HOPE.
1275
01:03:26,759 --> 01:03:28,630
I THOUGHT I WOULD LOOK
INTO DOING A STORY
1276
01:03:28,761 --> 01:03:31,590
ON THOSE RADIO SHOWS.
1277
01:03:31,720 --> 01:03:34,201
YOU'D PROBABLY HAVE
TO GO SOMEWHERE
TO REALLY LOOK INTO IT.
1278
01:03:34,332 --> 01:03:35,855
DEFINITELY.
1279
01:03:55,396 --> 01:03:57,355
COULDN'T YOU DO
A PHONE INTERVIEW?
1280
01:03:57,485 --> 01:03:59,705
NOT FOR THE KIND
OF PIECE I WANT TO DO.
1281
01:03:59,836 --> 01:04:02,099
I WON'T BE IN CHICAGO
THAT LONG.
1282
01:04:02,229 --> 01:04:04,275
WHEN YOU GET BACK,
I'LL BE GONE.
1283
01:04:04,405 --> 01:04:06,494
AND THEN I'LL SEE YOU
IN NEW YORK.
1284
01:04:06,625 --> 01:04:08,496
I'LL GET IT. I'LL...
1285
01:04:13,197 --> 01:04:14,981
THIS IS CAPTAIN BROWNING
1286
01:04:15,112 --> 01:04:18,158
AND WE'RE AT OUR
CRUISING ALTITUDE
OF APPROXIMATELY 35,000 FEET.
1287
01:04:18,289 --> 01:04:19,856
THE WEATHER LOOKS CLEAR
TO THE WEST
1288
01:04:19,986 --> 01:04:21,858
AND WE EXPECT TO ARRIVE
IN SEATTLE ON SCHEDULE.
1289
01:04:23,555 --> 01:04:25,296
DON'T YOU HATE FLYING?
1290
01:04:25,426 --> 01:04:26,601
YES, I DO
1291
01:04:26,732 --> 01:04:29,039
AND I JUST TOLD
THE MOST TERRIBLE ONE
1292
01:04:29,169 --> 01:04:31,737
TO THE MAN
I'M ABOUT TO MARRY.
1293
01:04:31,868 --> 01:04:35,175
DO YOU FEEL THAT ANY LIE
IS A BETRAYAL?
1294
01:04:35,306 --> 01:04:37,221
I SAID "FLYING."
1295
01:04:37,351 --> 01:04:39,614
OH... OH.
1296
01:04:40,354 --> 01:04:42,879
[SIGHS]
1297
01:04:45,403 --> 01:04:47,057
THANKS FOR BRINGING ME
OUT HERE.
1298
01:04:47,187 --> 01:04:49,581
OH, WELL,
HE LIKES THE PLANES.
1299
01:04:49,711 --> 01:04:52,453
CAN I BRING SOMETHING BACK
FOR YOU? SOUVENIR?
1300
01:04:52,584 --> 01:04:54,281
DOES HE LIKE
THOSE LITTLE SNOW GLOBES?
1301
01:04:54,412 --> 01:04:56,631
YOU SHAKE THEM UP
AND THEN THE SNOW FLOATS DOWN.
1302
01:04:56,762 --> 01:04:58,459
SURE. I'D REALLY
LIKE THAT.
1303
01:04:58,590 --> 01:05:00,418
THANK YOU SO MUCH.
1304
01:05:04,509 --> 01:05:06,032
HE'S EIGHT.
1305
01:05:06,163 --> 01:05:07,207
HE'S GOOD AT IT.
1306
01:05:07,338 --> 01:05:08,687
I READ AN ARTICLE ABOUT THIS.
1307
01:05:08,817 --> 01:05:11,603
ALL CHILDREN ARE HIDEOUS
AT THE AGE OF EIGHT.
1308
01:05:11,733 --> 01:05:14,475
WELL, MAYBE WHEN I COME BACK
1309
01:05:14,606 --> 01:05:17,478
THE TWO OF US OUGHT TO SPEND
SOME TIME TOGETHER ON OUR OWN.
1310
01:05:17,609 --> 01:05:19,306
WHAT DO YOU THINK?
1311
01:05:23,441 --> 01:05:25,008
BYE.
1312
01:05:25,138 --> 01:05:26,270
BYE, JONAH.
1313
01:05:26,400 --> 01:05:27,575
BYE.
1314
01:05:31,884 --> 01:05:35,279
JONAH...
LISTEN TO ME.
1315
01:05:36,454 --> 01:05:37,803
YOU DON'T KNOW VICTORIA.
1316
01:05:37,934 --> 01:05:39,674
I HARDLY
KNOW HER MYSELF.
1317
01:05:39,805 --> 01:05:42,634
SHE IS, IN FACT,
A MYSTERY TO ME.
1318
01:05:42,764 --> 01:05:44,418
SHE TOSSES HER HAIR.
1319
01:05:44,549 --> 01:05:46,159
WHY DOES SHE DO THIS?
1320
01:05:46,290 --> 01:05:47,595
I HAVE NO IDEA.
1321
01:05:47,726 --> 01:05:49,728
IS IT A TWITCH?
DOES SHE NEED A HAIRCUT?
1322
01:05:49,858 --> 01:05:54,254
SHOULD SHE USE A BARRETTE
TO KEEP HER HAIR
OUT OF HER FACE?
1323
01:05:54,385 --> 01:05:57,475
THESE ARE THINGS I'M WILLING
TO GET TO THE BOTTOM OF
1324
01:05:57,605 --> 01:06:00,565
AND THAT IS WHY
I AM DATING HER.
1325
01:06:01,914 --> 01:06:04,134
THAT'S ALL I'M DOING.
1326
01:06:04,264 --> 01:06:05,657
I'M NOT LIVING WITH HER.
1327
01:06:05,787 --> 01:06:07,267
I'M NOT MARRYING HER.
1328
01:06:07,398 --> 01:06:10,836
CAN YOU APPRECIATE
THE DIFFERENCE?
1329
01:06:10,967 --> 01:06:12,794
THIS IS WHAT
SINGLE PEOPLE DO.
1330
01:06:12,925 --> 01:06:15,275
THEY TRY OTHER PEOPLE ON
AND SEE HOW THEY FIT.
1331
01:06:15,406 --> 01:06:18,800
BUT EVERYBODY'S AN ADJUSTMENT.
NOBODY'S PERFECT.
1332
01:06:18,931 --> 01:06:22,065
THERE'S NO SUCH THING
AS A PERFECT...
1333
01:06:37,689 --> 01:06:39,430
COME ON.
1334
01:06:41,823 --> 01:06:45,305
DAD, I WAS TALKING TO JESSICA
ABOUT REINCARNATION.
1335
01:06:45,436 --> 01:06:47,655
SHE SAYS YOU KNEW ANNIE
IN ANOTHER LIFE.
1336
01:06:47,786 --> 01:06:49,744
-WHO'S ANNIE?
-THE ONE WHO WROTE US.
1337
01:06:49,875 --> 01:06:51,877
BUT JESSICA SAYS
YOU AND ANNIE
1338
01:06:52,008 --> 01:06:53,705
NEVER GOT TOGETHER
IN THAT LIFE
1339
01:06:53,835 --> 01:06:56,316
SO YOUR HEARTS
ARE LIKE PUZZLES
WITH MISSING PIECES
1340
01:06:56,447 --> 01:06:58,492
AND WHEN YOU GET TOGETHER,
THE PUZZLE'S COMPLETE.
1341
01:06:58,623 --> 01:07:00,233
GODDAMN IT.
1342
01:07:00,364 --> 01:07:01,843
THE REASON I KNOW THIS
AND YOU DON'T
1343
01:07:01,974 --> 01:07:03,454
IS BECAUSE
I'M YOUNGER AND PURE
1344
01:07:03,584 --> 01:07:06,370
SO I'M MORE IN TOUCH
WITH COSMIC FORCES.
1345
01:07:06,500 --> 01:07:07,806
WHO TOLD YOU THIS STUFF?
1346
01:07:07,936 --> 01:07:09,025
JESSICA.
1347
01:07:09,155 --> 01:07:12,158
I SINCERELY HOPE
YOU'RE NOT MARRYING JESSICA.
1348
01:07:18,773 --> 01:07:23,387
♪ I REMEMBER THE DAYS
OF JUST KEEPING TIME
1349
01:07:23,517 --> 01:07:25,432
♪ OF HANGING AROUND
1350
01:07:25,563 --> 01:07:29,697
♪ IN SLEEPY TOWNS FOREVER
1351
01:07:29,828 --> 01:07:31,308
♪ BACK ROADS
1352
01:07:31,438 --> 01:07:35,660
♪ EMPTY FOR MILES
1353
01:07:35,790 --> 01:07:38,228
♪ WELL, YOU CAN'T
HAVE A DREAM
1354
01:07:38,358 --> 01:07:40,404
♪ AND CUT IT TO FIT
1355
01:07:40,534 --> 01:07:43,885
♪ BUT WHEN I SAW YOU I KNEW
1356
01:07:44,016 --> 01:07:47,367
♪ WE'D GO TOGETHER
1357
01:07:47,498 --> 01:07:50,718
♪ LIKE A WINK AND A SMILE
1358
01:07:53,765 --> 01:07:56,637
♪ LEAVE YOUR OLD JALOPY
1359
01:07:57,769 --> 01:08:02,034
♪ BY THE RAILROAD TRACK
1360
01:08:02,165 --> 01:08:06,256
♪ WE'LL GET A HIP,
DOUBLE-DIP, TIP-TOPPY
1361
01:08:06,386 --> 01:08:10,347
♪ TWO-SEAT PONTIAC
1362
01:08:12,000 --> 01:08:14,699
♪ SO YOU CAN REV HER UP
1363
01:08:14,829 --> 01:08:16,788
♪ DON'T GO SLOW
1364
01:08:16,918 --> 01:08:19,617
♪ IT'S ONLY GREEN LIGHTS
AND ALL RIGHTS
1365
01:08:20,400 --> 01:08:22,489
♪ LET'S GO TOGETHER
1366
01:08:23,795 --> 01:08:27,277
♪ WITH A WINK AND A SMILE
1367
01:08:40,942 --> 01:08:43,858
♪ GIVE ME A WINK AND A SMILE
1368
01:08:55,827 --> 01:08:57,829
♪ WE GO TOGETHER
1369
01:08:57,959 --> 01:09:01,137
♪ LIKE A WINK AND A SMILE
1370
01:09:04,618 --> 01:09:07,969
♪ NOW MY HEART HEARS MUSIC
1371
01:09:08,100 --> 01:09:11,277
♪ SUCH A SIMPLE SONG
1372
01:09:12,626 --> 01:09:14,454
♪ SING IT AGAIN
1373
01:09:14,585 --> 01:09:16,717
♪ THE NOTES NEVER END
1374
01:09:16,848 --> 01:09:20,591
♪ THIS IS WHERE I BELONG
1375
01:09:20,721 --> 01:09:22,941
♪ JUST THE SOUND
OF YOUR VOICE
1376
01:09:23,071 --> 01:09:25,335
♪ THE LIGHT IN YOUR EYES
1377
01:09:25,465 --> 01:09:29,469
♪ WE'RE SO FAR AWAY
FROM YESTERDAY
1378
01:09:29,600 --> 01:09:32,037
♪ TOGETHER
1379
01:09:32,168 --> 01:09:35,345
♪ WITH WINK AND A SMILE
1380
01:09:38,130 --> 01:09:42,003
♪ WE GO TOGETHER
1381
01:09:42,134 --> 01:09:46,660
♪ LIKE A WINK AND A SMILE
1382
01:09:55,974 --> 01:09:58,585
ANNIE:
I WATCHED HIM PLAY
WITH HIS SON AT THE BEACH.
1383
01:09:58,716 --> 01:10:00,674
BECKY:
DID YOU TALK TO HIM?
1384
01:10:00,805 --> 01:10:04,635
I COULDN'T DO IT.
[SIGHS]
1385
01:10:04,765 --> 01:10:06,202
HOW DID I GET HERE?
1386
01:10:06,332 --> 01:10:08,595
BECKY:
YOU TOLD A LIE
AND GOT ON A PLANE.
1387
01:10:08,726 --> 01:10:11,642
THAT'S NOT WHAT I MEAN.
1388
01:10:11,772 --> 01:10:13,731
I'M GOING BACK
OVER THERE TOMORROW
1389
01:10:13,861 --> 01:10:15,646
AND TALK TO HIM. I AM.
1390
01:10:15,776 --> 01:10:16,777
OKAY.
1391
01:10:16,908 --> 01:10:18,736
GOOD.
GOOD-BYE.
1392
01:10:18,866 --> 01:10:21,304
-BECK...
-WHAT?
1393
01:10:23,001 --> 01:10:24,829
IS THIS CRAZY?
1394
01:10:24,959 --> 01:10:28,746
NO. THAT'S THE WEIRDEST PART
ABOUT IT.
1395
01:10:28,876 --> 01:10:31,052
THANK YOU.
1396
01:10:31,183 --> 01:10:33,490
-I LOVE YOU.
-I LOVE YOU TOO.
1397
01:10:33,620 --> 01:10:34,882
-GOOD NIGHT.
-GOOD NIGHT.
1398
01:10:41,498 --> 01:10:43,587
[SIGHS]
1399
01:11:37,815 --> 01:11:39,860
OH, IT'S SO GOOD TO SEE YOU.
1400
01:11:39,991 --> 01:11:41,079
WHERE'S GREG?
1401
01:11:42,036 --> 01:11:43,908
[HORN BLOWING]
1402
01:12:04,842 --> 01:12:06,452
HELLO.
1403
01:12:07,671 --> 01:12:09,325
HELLO.
1404
01:12:11,936 --> 01:12:13,416
[HORN BLARING]
1405
01:12:13,546 --> 01:12:15,679
[TIRES SQUEALING]
1406
01:12:15,809 --> 01:12:17,202
BECKY:
SO THEN WHAT HAPPENED?
1407
01:12:17,333 --> 01:12:19,987
ANNIE:
SO THEN I LEFT, OBVIOUSLY.
1408
01:12:20,118 --> 01:12:22,033
YOU WERE IN THE MIDDLE
OF THE STREET?
1409
01:12:22,163 --> 01:12:25,863
YOU KNOW THAT DREAM WHEN
YOU'RE WALKING
THE STREET NAKED?
1410
01:12:25,993 --> 01:12:27,821
I LOVE THAT DREAM.
1411
01:12:27,952 --> 01:12:31,521
THAT WAS NOTHING COMPARED
TO THIS HUMILIATION, NOTHING.
1412
01:12:31,651 --> 01:12:33,000
BUT HE SAW YOU?
1413
01:12:33,131 --> 01:12:34,175
ANNIE:
HE SAW ME.
1414
01:12:34,306 --> 01:12:35,960
YOU WERE FACE-TO-FACE.
1415
01:12:36,090 --> 01:12:37,004
HE SAID HELLO.
1416
01:12:37,135 --> 01:12:38,745
AND WHAT DID YOU SAY?
1417
01:12:38,876 --> 01:12:41,095
ALL I COULD SAY WAS HELLO.
1418
01:12:41,226 --> 01:12:43,968
OH, MY GOD.
1419
01:12:44,098 --> 01:12:47,493
AND ALL I COULD SAY WAS...
HELLO.
1420
01:12:47,624 --> 01:12:49,626
IT'S A SIGN.
1421
01:12:49,756 --> 01:12:51,062
IT'S A SIGN
1422
01:12:51,192 --> 01:12:53,804
THAT I HAVE WATCHED THIS MOVIE
TOO MANY TIMES.
1423
01:12:53,934 --> 01:12:54,935
OH, ANNIE.
1424
01:12:55,066 --> 01:12:56,589
SO STUPID.
1425
01:12:56,720 --> 01:12:58,069
FROM THE MINUTE I LISTENED
1426
01:12:58,199 --> 01:13:01,638
TO THAT STUPID PROGRAM
I'VE BEEN A COMPLETE JERK.
1427
01:13:01,768 --> 01:13:02,943
YOU ARE NOT A JERK.
1428
01:13:03,074 --> 01:13:04,423
THANK YOU.
1429
01:13:04,554 --> 01:13:05,642
IDIOT.
1430
01:13:05,772 --> 01:13:07,992
YOU DON'T KNOW
WHO SHE WAS, ANNIE.
1431
01:13:08,122 --> 01:13:09,776
I SAW HER.
I HAVE A PICTURE OF HER.
1432
01:13:11,822 --> 01:13:14,564
THAT DETECTIVE IN SEATTLE
SENT ME A PICTURE OF HER.
1433
01:13:14,694 --> 01:13:16,783
HERE. SEE, HUH?
1434
01:13:16,914 --> 01:13:18,916
THAT'S EXACTLY
WHAT SHE LOOKS LIKE.
1435
01:13:19,046 --> 01:13:21,266
THIS IS A PICTURE
OF SOMEONE'S BACK.
1436
01:13:21,397 --> 01:13:24,530
WELL, IT'S HER, AND HE
WAS CRAZY ABOUT HER.
1437
01:13:24,661 --> 01:13:26,227
WHAT'S THIS?
1438
01:13:26,358 --> 01:13:28,534
THIS IS FROM SEATTLE.
1439
01:13:36,194 --> 01:13:37,761
BECKY...
1440
01:13:40,111 --> 01:13:42,113
SO, I MAILED YOUR LETTER.
1441
01:13:44,115 --> 01:13:45,986
"DEAR ANNIE
1442
01:13:46,117 --> 01:13:47,553
"THANKS FOR YOUR LETTER.
1443
01:13:47,684 --> 01:13:48,728
"IT WAS GREAT.
1444
01:13:48,859 --> 01:13:50,687
"YOU SOUND NEAT.
1445
01:13:53,690 --> 01:13:55,300
"WE'RE VERY EXCITED
1446
01:13:55,431 --> 01:13:57,302
"ABOUT MEETING YOU IN NEW YORK
ON VALENTINE'S DAY
1447
01:13:57,433 --> 01:14:02,220
"AND SEEING IF WE ARE...
M.F.E.O.
1448
01:14:03,177 --> 01:14:05,136
"SEE YA SOON.
1449
01:14:05,266 --> 01:14:07,921
"SLEEPLESS IN SEATTLE."
1450
01:14:08,052 --> 01:14:09,836
M.F.E.O.?
1451
01:14:13,840 --> 01:14:16,103
MADE FOR EACH OTHER.
1452
01:14:17,322 --> 01:14:19,063
IT'S CUTE.
1453
01:14:19,193 --> 01:14:21,108
IT'S LIKE A LITTLE CLUE.
1454
01:14:23,981 --> 01:14:25,286
AH!
1455
01:14:25,417 --> 01:14:27,506
SO, HE CAN'T WRITE.
1456
01:14:27,637 --> 01:14:28,899
BIG DEAL.
1457
01:14:29,029 --> 01:14:31,684
VERBAL ABILITY IS HIGHLY
OVERRATED IN A GUY
1458
01:14:31,815 --> 01:14:33,338
AND OUR PATHETIC
NEED FOR IT
1459
01:14:33,469 --> 01:14:34,861
IS WHAT GETS US
INTO TROUBLE.
1460
01:14:34,992 --> 01:14:36,950
I AM GOING TO RUN
BACK TO WALTER'S ARMS
1461
01:14:37,081 --> 01:14:38,604
IF HE'LL HAVE ME.
1462
01:14:38,735 --> 01:14:40,127
WHAT ABOUT THE LETTER?
1463
01:14:40,258 --> 01:14:42,086
IT WAS WRITTEN
BEFORE I WENT OUT THERE
1464
01:14:42,216 --> 01:14:43,696
BEFORE THE HO.
1465
01:14:47,613 --> 01:14:51,008
THE ONLY THING IS,
SHE DIDN'T LOOK LIKE A HO.
1466
01:14:51,138 --> 01:14:55,012
SHE LOOKED LIKE SOMEBODY
WE WOULD HAVE BEEN
FRIENDS WITH.
1467
01:14:56,143 --> 01:14:58,494
[GROANS]
1468
01:14:58,624 --> 01:15:00,887
YOU SAW HER IN THE AIRPORT
AND THEN HERE?
1469
01:15:01,018 --> 01:15:02,976
SAM:
I TRIED TO TALK TO HER.
IT WAS LIKE I KNEW HER.
1470
01:15:03,977 --> 01:15:05,457
LIKE A DEJA VU THING?
1471
01:15:05,588 --> 01:15:08,634
A VERY FRENCH
DEJA VU-ISH KIND OF THING.
1472
01:15:08,765 --> 01:15:10,070
-OUI.
-OUI.
1473
01:15:10,201 --> 01:15:13,247
AT LEAST YOU'RE OUT THERE
SEEING PEOPLE.
1474
01:15:13,378 --> 01:15:15,554
THERE'S REALLY
JUST THE ONE.
1475
01:15:15,685 --> 01:15:18,078
VICTORIA.
1476
01:15:18,209 --> 01:15:19,732
YOU DON'T LIKE VICTORIA?
1477
01:15:19,863 --> 01:15:21,691
SHE LAUGHS
LIKE A HYENA.
1478
01:15:21,821 --> 01:15:23,823
-IS THIS TRUE?
-NO.
1479
01:15:24,955 --> 01:15:26,043
SORT OF.
1480
01:15:26,173 --> 01:15:28,654
HEY, TELL THEM
WHAT YOU DID.
1481
01:15:28,785 --> 01:15:29,916
DAD...
1482
01:15:30,047 --> 01:15:31,831
-ABOUT THE RADIO SHOW.
-DAD.
1483
01:15:31,962 --> 01:15:33,354
TELL THEM.
1484
01:15:33,485 --> 01:15:36,793
CHRISTMAS EVE, HE PHONES
IN ONE OF THOSE RADIO
CALL-IN SHOWS
1485
01:15:36,923 --> 01:15:40,100
AND TELLS THEM
I NEED A NEW WIFE.
1486
01:15:40,231 --> 01:15:41,972
OH, YOU'RE KIDDING.
1487
01:15:42,102 --> 01:15:43,843
THAT'S SO SWEET.
1488
01:15:43,974 --> 01:15:46,716
NOW HE'S OBSESSED
WITH THIS WOMAN
WHO WROTE ME.
1489
01:15:46,846 --> 01:15:48,065
ARE YOU SERIOUS?
1490
01:15:48,195 --> 01:15:51,068
SHE WANTS TO MEET
AT THE EMPIRE STATE BUILDING.
1491
01:15:51,198 --> 01:15:53,766
ON VALENTINE'S DAY.
1492
01:15:53,897 --> 01:15:55,333
IT'S LIKE THAT MOVIE.
1493
01:15:55,463 --> 01:15:56,247
WHAT MOVIE?
1494
01:15:56,377 --> 01:15:57,988
AN AFFAIR
TO REMEMBER.
1495
01:15:58,118 --> 01:15:59,206
DID YOU EVER SEE IT?
1496
01:15:59,337 --> 01:16:01,165
OH, GOD.
1497
01:16:01,295 --> 01:16:03,384
CARY GRANT AND DEBORAH KARR.
1498
01:16:03,515 --> 01:16:04,908
IS IT KARR OR KERR?
1499
01:16:05,038 --> 01:16:06,649
KARR.
KERR.
1500
01:16:06,779 --> 01:16:10,783
OKAY, SHE'S GOING TO MEET HIM
AT THE TOP
OF THE EMPIRE STATE BUILDING.
1501
01:16:10,914 --> 01:16:13,220
ONLY SHE GOT HIT BY A TAXI
1502
01:16:13,351 --> 01:16:16,006
AND HE WAITED AND WAITED
1503
01:16:16,136 --> 01:16:18,051
AND IT WAS RAINING
I THINK AND THEN
1504
01:16:19,966 --> 01:16:23,056
SHE'S TOO PROUD TO TELL HIM
1505
01:16:23,187 --> 01:16:29,628
THAT SHE'S, UH...
CRIPPLED
1506
01:16:29,759 --> 01:16:33,763
AND HE'S TOO PROUD TO FIND OUT
WHY SHE DOESN'T COME
1507
01:16:33,893 --> 01:16:35,416
BUT HE COMES
TO SEE HER ANYWAY.
1508
01:16:35,547 --> 01:16:38,071
I FORGET WHY, BUT, OH...
1509
01:16:38,202 --> 01:16:41,205
OH, IT'S SO AMAZING
WHEN HE COMES TO SEE HER
1510
01:16:41,335 --> 01:16:44,208
BECAUSE HE DOESN'T
EVEN NOTICE
1511
01:16:44,338 --> 01:16:46,906
SHE DOESN'T GET UP
TO SAY HELLO
1512
01:16:47,037 --> 01:16:48,908
AND HE'S VERY BITTER
1513
01:16:50,518 --> 01:16:52,869
AND YOU THINK
THAT HE'S JUST GOING TO
1514
01:16:52,999 --> 01:16:56,612
WALK OUT THE DOOR
AND NEVER KNOW WHY.
1515
01:16:56,742 --> 01:16:59,876
SHE'S JUST LYING THERE,
YOU KNOW, LIKE ON THE COUCH
1516
01:17:00,006 --> 01:17:03,357
WITH THIS BLANKET OVER
HER SHRIVELED LITTLE LEGS
1517
01:17:03,488 --> 01:17:04,663
AND...
1518
01:17:06,186 --> 01:17:07,753
ARE YOU ALL RIGHT?
1519
01:17:07,884 --> 01:17:10,103
SHE'S FINE.
1520
01:17:10,234 --> 01:17:11,322
SUZY:
AND HE GOES...
[GASPING]
1521
01:17:11,452 --> 01:17:13,019
"I SAW THE PAINTING"
1522
01:17:13,150 --> 01:17:16,109
AND HE, LIKE,
GOES TO THE BEDROOM
1523
01:17:16,240 --> 01:17:18,416
AND HE LOOKS,
AND HE COMES OUT,
AND HE LOOKS AT HER
1524
01:17:18,546 --> 01:17:22,246
AND HE KIND OF JUST,
THEY KNOW, AND THEN THEY HUG
1525
01:17:22,376 --> 01:17:23,290
AND IT'S SO...
1526
01:17:24,901 --> 01:17:26,772
THAT'S A CHICK'S MOVIE.
1527
01:17:28,426 --> 01:17:30,210
WHAT KIND OF A PERSON
1528
01:17:30,341 --> 01:17:31,995
WOULD WRITE TO SOMEONE
THEY HEARD ON THE RADIO?
1529
01:17:32,125 --> 01:17:33,083
I GOT
HUNDREDS OF LETTERS
1530
01:17:33,213 --> 01:17:34,780
FROM ALL OVER.
1531
01:17:34,911 --> 01:17:36,173
DESPERATE WOMEN.
1532
01:17:36,303 --> 01:17:38,479
BECAUSE SOMEONE
IS LOOKING FOR A GUY
1533
01:17:38,610 --> 01:17:40,090
THEY'RE NOT DESPERATE.
1534
01:17:40,220 --> 01:17:42,092
HOW ABOUT RAPACIOUS
AND LOVE-STARVED?
1535
01:17:42,222 --> 01:17:44,181
IT IS EASIER TO BE KILLED
BY A TERRORIST
1536
01:17:44,311 --> 01:17:46,009
THAN FIND A HUSBAND AFTER 40.
1537
01:17:46,139 --> 01:17:47,271
ABSOLUTELY UNTRUE!
1538
01:17:47,401 --> 01:17:50,056
RIGHT.
1539
01:17:50,187 --> 01:17:52,015
I'M NOT LOOKING
FOR A MAIL-ORDER BRIDE.
1540
01:17:52,145 --> 01:17:53,451
I JUST WANT SOMEBODY
1541
01:17:53,581 --> 01:17:55,453
THAT I CAN HAVE A DECENT
CONVERSATION
1542
01:17:55,583 --> 01:17:58,586
WITHOUT IT
FALLING DOWN INTO WEEPY TEARS
1543
01:17:58,717 --> 01:18:00,327
OVER SOME MOVIE
YOU JUST SAW.
1544
01:18:00,458 --> 01:18:01,851
SHE'S VERY EMOTIONAL.
1545
01:18:01,981 --> 01:18:03,983
I CRIED AT THE END
OF THE DIRTY DOZEN.
1546
01:18:04,114 --> 01:18:07,117
JIM BROWN WAS THROWING
THESE HAND GRENADES
1547
01:18:07,247 --> 01:18:09,206
AND RICHARD JAECKEL
AND LEE MARVIN
1548
01:18:09,336 --> 01:18:12,165
WERE SITTING ON THIS
ARMORED PERSONNEL CARRIER
1549
01:18:12,296 --> 01:18:13,297
DRESSED LIKE NAZIS...
1550
01:18:13,427 --> 01:18:15,081
[GREG SOBBING]
1551
01:18:15,212 --> 01:18:16,474
TRINI LOPEZ...
1552
01:18:17,997 --> 01:18:19,390
HE BUSTED HIS NECK
1553
01:18:19,520 --> 01:18:21,174
WHEN THEY WERE PARACHUTING
BEHIND NAZI LINES.
1554
01:18:21,305 --> 01:18:22,915
STOP IT.
1555
01:18:23,046 --> 01:18:25,918
RICHARD JAECKEL
HAD ON THIS SHINY HELMET
1556
01:18:26,049 --> 01:18:28,573
'CAUSE HE WAS THE M.P.
1557
01:18:28,704 --> 01:18:31,489
OH... OH, GOD,
I LOVE THAT MOVIE.
1558
01:18:40,411 --> 01:18:42,282
THIS IS THE BEST MOVIE
1559
01:18:42,413 --> 01:18:43,414
I'VE EVER SEEN IN MY LIFE.
1560
01:18:43,544 --> 01:18:45,024
WHAT'S SO GREAT
ABOUT IT?
1561
01:18:45,155 --> 01:18:47,548
YOU HAVE TO FIND HER.
1562
01:18:47,679 --> 01:18:50,203
DO YOU KNOW
HOW MUCH IT COSTS
TO GO TO NEW YORK?
1563
01:18:50,334 --> 01:18:51,944
NOBODY KNOWS.
1564
01:18:52,075 --> 01:18:53,990
IT CHANGES
PRACTICALLY EVERY DAY.
1565
01:18:55,121 --> 01:18:56,427
HOW MUCH MONEY DO YOU HAVE?
1566
01:18:56,557 --> 01:18:58,255
EIGHTY DOLLARS.
1567
01:18:58,385 --> 01:19:01,301
I HAVE 42.
THAT WOULD PROBABLY
COVER TAXICABS.
1568
01:19:01,432 --> 01:19:03,695
BUT HOW WOULD I GET THERE?
1569
01:19:03,826 --> 01:19:06,219
WOMAN: HONEY...
I HAVE TO RUN THESE TICKETS
OVER.
1570
01:19:06,350 --> 01:19:08,352
KEEP AN EYE ON THINGS.
1571
01:19:08,482 --> 01:19:09,832
SURE, MOM.
1572
01:19:20,668 --> 01:19:22,192
WINDOW SEAT
OR AN AISLE?
1573
01:19:22,322 --> 01:19:23,584
WINDOW.
1574
01:19:23,715 --> 01:19:25,369
WANT A FRUIT PLATE?
1575
01:19:25,499 --> 01:19:27,023
DO I?
1576
01:19:27,153 --> 01:19:29,242
I'D RATHER DIE
THAN EAT AIRPLANE FOOD.
1577
01:19:29,373 --> 01:19:33,681
I'M TELLING THEM YOU'RE 12
SO YOU CAN FLY UNACCOMPANIED.
1578
01:19:33,812 --> 01:19:36,641
ARE YOU CRAZY?
WHO WOULD BELIEVE I'M 12?
1579
01:19:36,772 --> 01:19:39,165
IF IT'S IN THE COMPUTER,
THEY BELIEVE ANYTHING.
1580
01:19:39,296 --> 01:19:41,298
ARE YOU SURE?
1581
01:19:41,428 --> 01:19:43,691
DO YOU WANT ME TO SAY
THAT YOU'RE SHORT
FOR YOUR AGE
1582
01:19:43,822 --> 01:19:46,346
AND THEY SHOULDN'T
SAY ANYTHING?
1583
01:19:46,477 --> 01:19:48,435
YEAH. THAT'S A GREAT IDEA.
1584
01:19:48,566 --> 01:19:55,181
♪ SOMETIMES IT'S HARD
TO BE A WOMAN
1585
01:19:58,532 --> 01:20:04,060
♪ GIVIN' ALL YOUR LOVE
TO JUST ONE MAN ♪
1586
01:20:05,583 --> 01:20:06,976
WALTER!
1587
01:20:08,542 --> 01:20:10,153
YOU'RE GOING
TO MISS THE TRAIN.
1588
01:20:10,283 --> 01:20:12,329
NO, I'M NOT.
1589
01:20:12,459 --> 01:20:14,200
I'M SO HAPPY, BECKY.
1590
01:20:14,331 --> 01:20:16,202
FINALLY I FEEL HAPPY.
1591
01:20:16,333 --> 01:20:18,117
THIS IS RIGHT.
THIS IS REAL.
1592
01:20:18,248 --> 01:20:19,336
EVERYTHING ELSE
IS WHAT HAPPENS
1593
01:20:19,466 --> 01:20:21,077
WHEN YOU WATCH
TOO MANY MOVIES.
1594
01:20:21,207 --> 01:20:23,470
AND YOU COMPLETELY LOSE SIGHT
OF WHAT COUNTS.
1595
01:20:23,601 --> 01:20:26,386
PLEASE, DON'T TELL
ANYBODY WHAT HAPPENED
1596
01:20:26,517 --> 01:20:29,868
BECAUSE I WOULD BE
MORTIFIED IF ANYONE KNEW.
1597
01:20:32,610 --> 01:20:33,611
DO YOU PROMISE?
1598
01:20:33,741 --> 01:20:35,091
I PROMISE.
1599
01:20:35,221 --> 01:20:37,310
"SLEEPLESS IN SEATTLE"
IS HISTORY.
1600
01:20:37,441 --> 01:20:40,836
♪ EVEN THOUGH HE'S
HARD TO UNDERSTAND
1601
01:20:43,664 --> 01:20:48,408
♪ AND IF YOU LOVE HIM
1602
01:20:48,539 --> 01:20:53,109
♪ OH, BE PROUD OF HIM
1603
01:20:53,239 --> 01:20:58,505
♪ 'CAUSE, AFTER ALL,
HE'S JUST A MAN
1604
01:21:02,509 --> 01:21:05,512
♪ STAND BY YOUR MAN
1605
01:21:08,254 --> 01:21:10,474
-I WAS JUST...
-I WAS JUST...
1606
01:21:10,604 --> 01:21:11,649
GO AHEAD.
1607
01:21:11,779 --> 01:21:12,911
YOU GO.
1608
01:21:13,042 --> 01:21:14,260
OKAY.
1609
01:21:14,391 --> 01:21:15,696
WELL, I WAS JUST
GOING TO SAY
1610
01:21:15,827 --> 01:21:18,482
THAT EVER SINCE CHRISTMAS
1611
01:21:18,612 --> 01:21:22,268
YOU'VE BEEN DIFFERENT,
KIND OF DISTRACTED, DISTANT
1612
01:21:22,399 --> 01:21:26,446
BUT NOW IT FEELS
AS IF YOU'RE COMING BACK
1613
01:21:26,577 --> 01:21:28,361
FROM WHEREVER YOU WERE.
1614
01:21:29,275 --> 01:21:30,537
I AM.
1615
01:21:32,626 --> 01:21:35,499
I WAS JUST, UH...
1616
01:21:35,629 --> 01:21:39,546
I JUST... I JUST GOT...
I THINK I GOT NERVOUS.
1617
01:21:39,677 --> 01:21:41,853
BUT THAT'S NORMAL, RIGHT?
1618
01:21:41,984 --> 01:21:45,465
I MEAN, DON'T YOU EVER
FEEL NERVOUS ABOUT...
1619
01:21:45,596 --> 01:21:47,511
YOU KNOW?
1620
01:21:47,641 --> 01:21:50,035
WHAT?
1621
01:21:50,166 --> 01:21:51,167
FOREVER.
1622
01:21:53,256 --> 01:21:54,518
NO.
1623
01:21:58,304 --> 01:21:59,566
WELL...
1624
01:22:00,959 --> 01:22:04,310
I DID, AND YOU KNOW
WHAT I THINK?
1625
01:22:04,441 --> 01:22:09,272
I THINK I THOUGHT
IT WAS TOO PERFECT, YOU KNOW?
1626
01:22:09,402 --> 01:22:12,318
I STARTED TO WONDER
IF WE WERE
THE HUMAN EQUIVALENT
1627
01:22:12,449 --> 01:22:14,581
OF TWO RIGHTS MAKING A WRONG.
1628
01:22:14,712 --> 01:22:16,409
YOU KNOW WHAT IT WAS?
1629
01:22:16,540 --> 01:22:20,326
IT WAS LIKE KISMET, BUT NOT,
IF YOU SEE WHAT I MEAN.
1630
01:22:21,501 --> 01:22:22,850
YOU HAVE TO GROW UP.
1631
01:22:22,981 --> 01:22:26,202
YOU CAN'T KEEP HAVING
THESE ADOLESCENT FANTASIES
1632
01:22:26,332 --> 01:22:28,465
ABOUT HOW EXCITING
YOUR LIFE IS GOING TO BE.
1633
01:22:28,595 --> 01:22:31,120
DON'T HATE ME,
BUT I LOVE THIS PATTERN.
1634
01:22:31,250 --> 01:22:33,383
-YOU COULDN'T.
-I DO.
1635
01:22:33,513 --> 01:22:36,125
THIS IS JUST LIKE
MY GRANDMOTHER'S CHINA.
1636
01:22:36,255 --> 01:22:38,301
HOW MANY PLACE SETTINGS?
1637
01:22:38,431 --> 01:22:40,259
TEN.
TEN.
1638
01:22:43,132 --> 01:22:44,176
EXACTLY.
1639
01:22:44,307 --> 01:22:45,699
EIGHT IS TOO FEW.
1640
01:22:45,830 --> 01:22:47,527
TWELVE IS...
1641
01:22:47,658 --> 01:22:49,965
TOO MANY.
TOO MANY.
1642
01:23:12,378 --> 01:23:13,814
WALTER!
1643
01:23:13,945 --> 01:23:16,078
IT WAS MY MOTHER'S.
1644
01:23:18,297 --> 01:23:20,386
I HAD THEM SIZE IT DOWN.
1645
01:23:21,692 --> 01:23:23,999
SHE HAD REALLY FAT FINGERS.
1646
01:23:26,305 --> 01:23:27,915
IT'S SO BEAUTIFUL.
1647
01:23:28,046 --> 01:23:30,657
IT'S EXACTLY
WHAT I WOULD PICK OUT
1648
01:23:30,788 --> 01:23:34,313
IF I HAD EVERY RING
IN THE WHOLE WORLD
TO CHOOSE FROM.
1649
01:23:36,924 --> 01:23:37,969
YOU SEE WHAT I MEAN?
1650
01:23:38,100 --> 01:23:40,580
THERE ARE PEOPLE
WHO WOULD LIKE A RELATIONSHIP
1651
01:23:40,711 --> 01:23:41,799
TO BE FULL OF SURPRISES
1652
01:23:41,929 --> 01:23:44,280
BUT I AM NOT ONE
OF THOSE PEOPLE.
1653
01:23:44,410 --> 01:23:46,630
NO, SIRREE.
1654
01:23:46,760 --> 01:23:49,285
SURPRISES ARE
HIGHLY OVERRATED.
1655
01:23:51,330 --> 01:23:53,506
[PHONE RINGING]
1656
01:23:53,637 --> 01:23:55,682
I'LL ONLY BE GONE
ONE NIGHT
1657
01:23:55,813 --> 01:23:57,989
AND CLARISE WILL BE HERE,
SO YOU CAN SEE
1658
01:23:58,120 --> 01:24:01,253
GERALDO AND
NIGHTMARE ON ELM STREET 12.
1659
01:24:01,384 --> 01:24:03,125
ARE YOU GOING WITH HER?
1660
01:24:04,430 --> 01:24:06,693
I'M GOING WITH VICTORIA, YES.
1661
01:24:08,782 --> 01:24:11,350
AND DON'T TRY
ANYTHING TRICKY, UNDERSTAND?
1662
01:24:11,481 --> 01:24:12,917
[DOOR SLAMS]
1663
01:24:14,571 --> 01:24:18,053
DON'T GO ROLLING IN POISON IVY
AS SOON AS I LEAVE THE HOUSE
1664
01:24:18,183 --> 01:24:21,447
OR DO ANYTHING
THAT MAKES YOU NEED STITCHES.
1665
01:24:21,578 --> 01:24:23,449
IF YOUR FINGER FALLS OFF
IT'S STAYING OFF.
1666
01:24:23,580 --> 01:24:25,582
NO ONE WILL TAKE YOU
TO THE HOSPITAL
1667
01:24:25,712 --> 01:24:28,889
FOR LASER SURGERY.
1668
01:24:29,020 --> 01:24:30,848
IS THIS ABOUT
THAT WOMAN IN BALTIMORE?
1669
01:24:30,978 --> 01:24:32,371
ANNIE.
1670
01:24:36,680 --> 01:24:39,552
-I DON'T CARE WHAT YOU DO!
-GOOD! FINE!
1671
01:24:39,683 --> 01:24:42,599
I'LL TELL YOU
WHAT I'M DOING THIS WEEKEND.
I'M GETTING LAID.
1672
01:24:42,729 --> 01:24:44,688
1990S AND NOBODY'S
GETTING LAID.
1673
01:24:44,818 --> 01:24:47,604
I'M THE ONLY MAN IN AMERICA
GETTING LAID THIS WEEKEND.
1674
01:24:47,734 --> 01:24:48,996
I HAVEN'T BEEN LAID
THAT MUCH.
1675
01:24:49,127 --> 01:24:51,303
SIX GIRLS IN COLLEGE,
MAYBE SEVEN.
1676
01:24:53,000 --> 01:24:54,437
HOW LONG HAVE YOU
BEEN STANDING THERE?
1677
01:24:54,567 --> 01:24:55,786
FOREVER.
1678
01:24:55,916 --> 01:24:57,440
WHAT DID I SAY?
1679
01:24:57,570 --> 01:24:59,790
SIX GIRLS IN COLLEGE,
MAYBE SEVEN.
1680
01:24:59,920 --> 01:25:02,532
SEVEN.
EIGHT! MARY KELLY!
1681
01:25:02,662 --> 01:25:04,229
I LIKE THIS ONE.
1682
01:25:07,058 --> 01:25:09,321
JONAH, THE FACT IS
1683
01:25:09,452 --> 01:25:10,844
YOU'RE NOT GOING
TO LIKE ANY WOMAN
1684
01:25:10,975 --> 01:25:12,411
BECAUSE IT ISN'T YOUR MOTHER.
1685
01:25:12,542 --> 01:25:13,934
HOW DO YOU KNOW?
1686
01:25:14,065 --> 01:25:15,501
WHAT'S WRONG WITH ANNIE?
1687
01:25:15,632 --> 01:25:17,938
OH, JONAH, SHUT UP!
1688
01:25:18,069 --> 01:25:20,506
SHUT UP? SHUT UP?
1689
01:25:20,637 --> 01:25:22,334
MOM NEVER SAID
SHUT UP TO ME!
1690
01:25:22,465 --> 01:25:23,770
MOM NEVER YELLED AT ME!
1691
01:25:23,901 --> 01:25:25,337
THE CONVERSATION
IS FINISHED.
1692
01:25:25,468 --> 01:25:27,470
WHY CAN'T WE GO TO NEW YORK?
1693
01:25:27,600 --> 01:25:30,516
WE ARE NOT GOING ON A PLANE
TO MEET SOME WOMAN
1694
01:25:30,647 --> 01:25:32,344
WHO COULD BE
A CRAZY LUNATIC.
1695
01:25:32,475 --> 01:25:33,737
DIDN'T YOU SEE
FATAL ATTRACTION?
1696
01:25:33,867 --> 01:25:34,955
YOU WOULDN'T LET ME!
1697
01:25:35,086 --> 01:25:36,348
WELL, I SAW IT!
1698
01:25:41,701 --> 01:25:44,182
I'M NOT LEAVING
TILL YOU SAY YES.
1699
01:25:49,840 --> 01:25:51,581
I HATE YOU!
I HATE YOU! I HATE YOU!
1700
01:25:51,711 --> 01:25:52,669
THAT'S GOOD!
1701
01:25:52,799 --> 01:25:54,497
YOU CAN TELL OPRAH
1702
01:25:54,627 --> 01:25:55,976
HOW YOUR DAD
DESTROYED YOUR LIFE
1703
01:25:56,107 --> 01:25:59,589
BECAUSE HE HAD A WEEKEND
SPECIAL AT THE HOLIDAY INN.
1704
01:26:14,952 --> 01:26:18,825
JONAH, CLARISE IS HERE
AND I GOT TO GO.
1705
01:26:20,436 --> 01:26:22,177
HEY, JONAH.
1706
01:26:24,657 --> 01:26:25,832
JONAH?
1707
01:26:28,966 --> 01:26:30,794
ALL RIGHT, JONAH.
1708
01:26:30,924 --> 01:26:34,363
LISTEN, I GOT
TO GO, AND I'M...
1709
01:26:36,103 --> 01:26:37,540
JONAH?
1710
01:26:37,670 --> 01:26:38,802
JONAH?
1711
01:26:41,457 --> 01:26:42,632
HEY, JONAH?
1712
01:26:46,549 --> 01:26:48,507
JONAH?
1713
01:26:49,682 --> 01:26:51,858
JONAH?
1714
01:26:53,469 --> 01:26:54,818
JONAH?
1715
01:27:02,304 --> 01:27:04,741
JESSICA, HONEY, YOU HAVE
TO TELL US WHERE HE IS.
1716
01:27:04,871 --> 01:27:07,700
JONAH'S DADDY IS VERY UPSET.
1717
01:27:07,831 --> 01:27:09,920
JESSICA, THIS IS YOUR FATHER.
1718
01:27:10,050 --> 01:27:11,878
TELL US WHERE HE IS
RIGHT THIS MINUTE.
1719
01:27:15,491 --> 01:27:16,883
N.Y.
1720
01:27:17,014 --> 01:27:18,668
-WHAT IS THAT?
-NO WAY.
1721
01:27:18,798 --> 01:27:20,452
THAT'S N.W.
1722
01:27:22,149 --> 01:27:25,892
NEW YORK. HE'S ON HIS WAY
TO NEW YORK.
1723
01:27:26,023 --> 01:27:27,503
-WHAT?
-HOW?
1724
01:27:27,633 --> 01:27:29,505
UNITED 597.
1725
01:27:29,635 --> 01:27:30,723
JESSICA'S MOTHER:
JESSICA...
1726
01:27:30,854 --> 01:27:32,464
-WHEN DOES IT LEAVE?
-7:30.
1727
01:27:33,030 --> 01:27:34,379
[CLOCK CHIMING]
1728
01:27:39,950 --> 01:27:41,560
HERE YOU GO.
1729
01:27:41,691 --> 01:27:43,432
HERE'S A NICE PEN FOR YOU
FOR FLYING WITH US.
1730
01:27:43,562 --> 01:27:44,781
-THANK YOU.
-YOU'RE WELCOME.
1731
01:27:44,911 --> 01:27:45,825
CAN I TAKE THIS FOR YOU?
1732
01:27:45,956 --> 01:27:47,349
NO.
1733
01:28:03,234 --> 01:28:04,888
-WHERE TO, KID?
-EMPIRE STATE BUILDING.
1734
01:28:05,018 --> 01:28:05,932
HOLD ON.
1735
01:28:06,890 --> 01:28:08,239
EMPIRE STATE BUILDING.
1736
01:28:08,370 --> 01:28:10,502
GET FURTHER AWAY
FROM THE CURB NEXT TIME, MAC.
1737
01:28:13,592 --> 01:28:15,551
DRIVER:
THERE IT IS.
1738
01:28:15,681 --> 01:28:17,466
WHAT YOU GOING
TO DO UP THERE?
1739
01:28:17,596 --> 01:28:18,641
SPIT OFF THE TOP?
1740
01:28:18,771 --> 01:28:20,643
NO.
1741
01:28:20,773 --> 01:28:21,992
I'M GOING TO MEET
MY NEW MOTHER.
1742
01:28:42,055 --> 01:28:43,927
EXCUSE ME.
I'M JONAH.
1743
01:28:44,057 --> 01:28:45,102
ARE YOU ANNIE?
1744
01:28:45,232 --> 01:28:46,756
NO, I'M CYNTHIA.
1745
01:28:54,764 --> 01:28:55,765
EXCUSE ME.
1746
01:28:55,895 --> 01:28:57,636
ARE YOU ANNIE?
1747
01:29:35,108 --> 01:29:36,675
MMM... GREAT TABLE.
1748
01:29:36,806 --> 01:29:37,937
THANKS.
1749
01:29:39,983 --> 01:29:41,637
SOMETHING WRONG?
1750
01:29:42,855 --> 01:29:44,727
CAN I GET YOU A DRINK?
1751
01:29:44,857 --> 01:29:46,076
SOME CHAMPAGNE?
1752
01:29:47,120 --> 01:29:48,644
FINE.
FINE.
1753
01:29:49,993 --> 01:29:53,431
CAN WE HAVE A BOTTLE
OF DOM DELUISE?
1754
01:29:56,782 --> 01:29:58,218
-JUST KIDDING.
-IT WAS A JOKE.
1755
01:29:58,349 --> 01:29:59,829
HE MEANT DOM PERIGNON.
1756
01:29:59,959 --> 01:30:01,396
I GOT IT.
1757
01:30:03,615 --> 01:30:04,747
WHOO.
1758
01:30:04,877 --> 01:30:06,705
BEAUTIFUL VIEW,
ISN'T IT?
1759
01:30:06,836 --> 01:30:08,446
WALTER...
1760
01:30:10,187 --> 01:30:11,580
THERE'S SOMETHING
I HAVE TO TELL YOU.
1761
01:30:26,203 --> 01:30:27,117
HEY, I'M SORRY.
1762
01:30:27,247 --> 01:30:28,901
I HAVE AN EMERGENCY!
1763
01:30:29,032 --> 01:30:30,773
MONEY! MONEY, ALL RIGHT?
1764
01:30:30,903 --> 01:30:32,165
MONEY, MONEY, SEE?
1765
01:30:32,905 --> 01:30:34,516
THANK YOU!
1766
01:30:34,646 --> 01:30:36,082
[YELLING]
1767
01:30:37,083 --> 01:30:38,084
COME ON.
1768
01:31:49,460 --> 01:31:51,114
SO, HE COULD BE
1769
01:31:51,244 --> 01:31:54,204
ON TOP OF THE
EMPIRE STATE BUILDING NOW.
1770
01:31:54,334 --> 01:31:56,032
NO.
1771
01:31:56,162 --> 01:32:00,950
I GUESS HE COULD BE,
BUT NO.
1772
01:32:01,080 --> 01:32:03,518
IT'S NOT HIM, WALTER.
IT'S ME.
1773
01:32:04,954 --> 01:32:07,173
I CAN'T DO THIS.
1774
01:32:08,435 --> 01:32:11,003
LOOK, ANNIE...
1775
01:32:11,134 --> 01:32:13,049
I LOVE YOU
1776
01:32:13,179 --> 01:32:16,313
BUT LET'S LEAVE THAT
OUT OF THIS.
1777
01:32:16,443 --> 01:32:19,055
I DON'T WANT TO BE SOMEONE
THAT YOU'RE SETTLING FOR.
1778
01:32:19,185 --> 01:32:23,102
I DON'T WANT TO BE SOMEONE
THAT ANYONE SETTLES FOR.
1779
01:32:25,191 --> 01:32:26,845
MARRIAGE IS HARD ENOUGH
1780
01:32:26,976 --> 01:32:30,588
WITHOUT BRINGING
SUCH LOW EXPECTATIONS INTO IT.
1781
01:32:30,719 --> 01:32:32,895
ISN'T IT?
1782
01:32:33,025 --> 01:32:36,072
WALTER, I DON'T DESERVE YOU.
1783
01:32:36,202 --> 01:32:38,553
NAW, I WOULDN'T
PUT IT THAT WAY.
1784
01:32:40,119 --> 01:32:42,557
BUT... OKAY.
1785
01:32:58,747 --> 01:33:00,096
YOU OKAY?
1786
01:33:00,836 --> 01:33:01,924
YEAH.
1787
01:33:05,275 --> 01:33:06,668
[SIGHING]
1788
01:33:06,798 --> 01:33:07,799
[GASPS]
1789
01:33:07,930 --> 01:33:08,931
WHAT?
1790
01:33:09,061 --> 01:33:10,976
LOOK.
1791
01:33:18,854 --> 01:33:20,072
IT'S A SIGN.
1792
01:33:20,203 --> 01:33:22,161
WHO NEEDED A SIGN?
1793
01:33:22,292 --> 01:33:26,339
WALTER... I HAVE TO GO.
1794
01:33:39,962 --> 01:33:42,051
JONAH!
1795
01:33:43,139 --> 01:33:44,749
JONAH?
1796
01:33:45,576 --> 01:33:47,752
-DAD! DAD!
-JONAH?
1797
01:33:51,974 --> 01:33:52,888
OH...
1798
01:34:02,027 --> 01:34:04,464
WHAT IF SOMETHING
HAD HAPPENED TO YOU?
1799
01:34:04,595 --> 01:34:06,423
WHAT IF I
COULDN'T GET TO YOU?
1800
01:34:06,553 --> 01:34:08,643
I'M SORRY. I'M SORRY.
1801
01:34:10,949 --> 01:34:14,083
OH, WHAT WOULD
I HAVE DONE? HUH?
1802
01:34:14,213 --> 01:34:17,216
YOU ARE MY FAMILY.
YOU'RE ALL I'VE GOT.
1803
01:34:17,347 --> 01:34:19,175
I THOUGHT SHE'D BE HERE.
I THOUGHT SHE'D COME.
1804
01:34:19,305 --> 01:34:21,481
AREN'T WE OKAY?
1805
01:34:21,612 --> 01:34:23,919
HAVE I DONE
ANYTHING REALLY STUPID?
1806
01:34:24,049 --> 01:34:25,398
NO.
1807
01:34:25,529 --> 01:34:27,009
HAVE I SCREWED IT UP
FOR THE BOTH OF US?
1808
01:34:27,139 --> 01:34:28,793
NO.
1809
01:35:21,193 --> 01:35:22,455
OBSERVATION DECK?
1810
01:35:22,586 --> 01:35:24,370
SORRY, MA'AM,
BUT IT'S TOO LATE.
1811
01:35:25,632 --> 01:35:28,157
NO. PLEASE, I REALLY
NEED TO GET UP THERE.
1812
01:35:28,287 --> 01:35:30,115
WE'RE CLOSING UP.
NO MORE RUNS TONIGHT.
1813
01:35:36,295 --> 01:35:40,691
LISTEN, CAN I JUST
TAKE A LOOK?
1814
01:35:40,822 --> 01:35:42,301
THERE'S SOMEONE
I WAS SUPPOSED TO MEET.
1815
01:35:42,432 --> 01:35:43,650
HE'S PROBABLY NOT THERE
1816
01:35:43,781 --> 01:35:47,306
BUT IF I DON'T AT LEAST LOOK
I'LL ALWAYS WONDER ABOUT IT.
1817
01:35:47,437 --> 01:35:49,178
CARY GRANT, RIGHT?
1818
01:35:49,308 --> 01:35:51,615
YOU KNOW THAT MOVIE?
1819
01:35:51,746 --> 01:35:53,399
ONE OF MY WIFE'S FAVORITES.
1820
01:36:02,800 --> 01:36:05,281
HEY, MAYBE WHEN WE GET HOME
WE'LL GET A DOG.
1821
01:36:05,977 --> 01:36:07,326
OKAY.
1822
01:36:07,457 --> 01:36:09,328
WHAT DO YOU MEAN, "OKAY"?
1823
01:36:09,459 --> 01:36:11,200
WOULDN'T YOU LIKE
TO HAVE A DOG?
1824
01:36:11,330 --> 01:36:12,854
SURE.
1825
01:36:25,301 --> 01:36:28,043
I'M SORRY, MA'AM. EMPTY.
1826
01:36:31,046 --> 01:36:33,178
CAN I TAKE A MINUTE?
1827
01:36:33,309 --> 01:36:35,441
GO AHEAD.
1828
01:37:48,601 --> 01:37:51,256
I LEFT IT
BY THE TELESCOPES...
1829
01:38:17,630 --> 01:38:18,675
IT'S YOU.
1830
01:38:18,805 --> 01:38:20,198
IT'S ME.
1831
01:38:20,329 --> 01:38:23,288
I SAW YOU...
IN THE STREET.
1832
01:38:23,419 --> 01:38:25,029
ARE YOU ANNIE?
1833
01:38:26,422 --> 01:38:28,380
YES.
1834
01:38:30,513 --> 01:38:32,297
YOU'RE ANNIE?
1835
01:38:35,344 --> 01:38:37,085
THIS MUST BE YOURS.
1836
01:38:37,215 --> 01:38:39,348
I'M JONAH.
1837
01:38:39,478 --> 01:38:40,740
THIS IS MY DAD.
1838
01:38:40,871 --> 01:38:42,046
HIS NAME'S SAM.
1839
01:38:42,177 --> 01:38:43,265
HI, JONAH.
1840
01:38:45,441 --> 01:38:47,008
SAM.
1841
01:38:51,534 --> 01:38:52,535
AND WHO'S THIS?
1842
01:38:52,665 --> 01:38:53,797
HOWARD.
1843
01:38:53,928 --> 01:38:56,191
OH, HOWARD.
HELLO, HOWARD.
1844
01:39:02,545 --> 01:39:04,373
[GUARD CLEARING THROAT]
1845
01:39:12,250 --> 01:39:13,686
WE'D BETTER GO.
1846
01:39:21,129 --> 01:39:22,391
SHALL WE?
1847
01:39:54,727 --> 01:39:58,470
♪ IT'S SO IMPORTANT
TO MAKE SOMEONE HAPPY
1848
01:39:58,601 --> 01:40:02,997
♪ MAKE JUST ONE
SOMEONE HAPPY
1849
01:40:03,127 --> 01:40:07,523
♪ MAKE JUST ONE HEART
THE HEART YOU
1850
01:40:07,653 --> 01:40:09,090
♪ YOU SING TO
1851
01:40:09,220 --> 01:40:10,221
SAM.
1852
01:40:11,788 --> 01:40:13,268
IT'S NICE TO MEET YOU.
1853
01:40:14,356 --> 01:40:15,966
♪ SMILE THAT CHEERS YOU
1854
01:40:16,097 --> 01:40:19,578
♪ ONE FACE THAT LIGHTS
WHEN IT NEARS YOU
1855
01:40:19,709 --> 01:40:26,281
♪ ONE GIRL YOU'RE,
YOU'RE EVERYTHING TO
1856
01:40:27,499 --> 01:40:30,372
♪ FAME, IF YOU WIN IT
1857
01:40:31,677 --> 01:40:32,809
♪ COMES AND GOES
1858
01:40:32,939 --> 01:40:35,855
♪ COMES AND GOES IN A MINUTE
1859
01:40:35,986 --> 01:40:42,688
♪ WHERE'S THE REAL STUFF
IN LIFE TO CLING TO?
1860
01:40:42,819 --> 01:40:44,386
♪ THERE'S ONLY
1861
01:40:44,516 --> 01:40:48,694
♪ LOVE IS THE ANSWER
1862
01:40:48,825 --> 01:40:53,264
♪ SOMEONE TO LOVE
IS THE ANSWER
1863
01:40:53,395 --> 01:40:56,920
♪ ONCE YOU'VE FOUND HER
1864
01:40:57,051 --> 01:41:01,577
♪ BUILD YOUR WORLD
AROUND HER
1865
01:41:01,707 --> 01:41:05,842
♪ MAKE SOMEONE HAPPY
1866
01:41:05,972 --> 01:41:10,325
♪ MAKE JUST ONE
SOMEONE HAPPY
1867
01:41:10,455 --> 01:41:17,114
♪ AND YOU WILL BE HAPPY TOO.
119569
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof