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Downloaded from
YTS.MX
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00:00:02,335 --> 00:00:04,671
[ SILENCE ]
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
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00:00:11,444 --> 00:00:13,480
[MAN]
PICTURE THIS.
5
00:00:13,480 --> 00:00:15,248
HA HA HA.
6
00:00:15,548 --> 00:00:18,685
YOU'RE LYING
ON A DESERTED BEACH.
7
00:00:18,685 --> 00:00:20,920
THE SAND IS SOFT.
8
00:00:21,688 --> 00:00:23,256
SUN FEELS GOOD.
9
00:00:23,256 --> 00:00:28,628
YOU SLIP OUT OF YOUR BIKINI
AND JUST LIE THERE...
10
00:00:28,628 --> 00:00:30,997
ALL NAKED AND WARM.
11
00:00:30,997 --> 00:00:32,732
HA HA HA.
12
00:00:32,732 --> 00:00:35,602
I REACH OVER
TO THAT DRINK
BESIDE YOU
13
00:00:35,602 --> 00:00:38,605
AND TAKE OUT
AN ICE CUBE,
14
00:00:38,605 --> 00:00:40,940
PUT IT
IN YOUR MOUTH...
15
00:00:40,940 --> 00:00:45,278
TWIRL IT AROUND
WITH YOUR TONGUE
A LITTLE BIT.
16
00:00:45,278 --> 00:00:46,813
[WOMAN LAUGHS]
17
00:00:46,813 --> 00:00:48,615
YOU'D LIKE THAT.
18
00:00:48,615 --> 00:00:50,950
NOW SLIDE IT
OUT OF YOUR MOUTH.
19
00:00:50,950 --> 00:00:55,622
LET THE COOL WATER
RUN DOWN ALL OVER
YOUR LIPS.
20
00:00:55,622 --> 00:00:56,623
[WOMAN MOANS]
21
00:00:56,623 --> 00:00:58,558
TAKE THE ICE.
22
00:00:58,558 --> 00:00:58,858
O.K.
23
00:00:58,858 --> 00:01:00,627
RUN IT DOWN YOUR NECK,
24
00:01:00,627 --> 00:01:02,495
ACROSS YOUR BREAST
TO YOUR NIPPLE.
25
00:01:02,495 --> 00:01:03,897
TO MY NIPPLE.
O.K.
26
00:01:03,897 --> 00:01:05,732
OH, IT'S COLD.
27
00:01:05,732 --> 00:01:06,900
HA HA!
28
00:01:06,900 --> 00:01:07,834
AHEM.
29
00:01:07,834 --> 00:01:10,003
IT'S COLD.
30
00:01:10,003 --> 00:01:11,671
HA HA!
HA HA!
31
00:01:11,671 --> 00:01:14,074
NOW RUN IT DOWN
YOUR STOMACH,
32
00:01:14,074 --> 00:01:16,042
AROUND YOUR BELLYBUTTON.
33
00:01:16,042 --> 00:01:17,010
MY STOMACH?
34
00:01:17,010 --> 00:01:17,577
OH, OOH.
35
00:01:17,577 --> 00:01:20,547
THEN ACROSS YOUR HIP
TO YOUR THIGH.
36
00:01:20,547 --> 00:01:21,815
I AM. I AM. O.K.
37
00:01:21,815 --> 00:01:23,416
OH, IT FEELS GOOD.
38
00:01:23,416 --> 00:01:24,984
OH, IT'S WET.
39
00:01:24,984 --> 00:01:28,388
WHAT DO I DO NOW?
40
00:01:28,388 --> 00:01:29,322
[SIGHS]
41
00:01:29,322 --> 00:01:32,325
NOW RUN IT
ALL THE WAY UP
42
00:01:32,325 --> 00:01:34,394
THE INSIDE
OF YOUR THIGH.
43
00:01:34,394 --> 00:01:35,361
OHH.
44
00:01:35,361 --> 00:01:36,362
OH, GOD.
45
00:01:36,362 --> 00:01:37,330
OH, YES.
46
00:01:37,330 --> 00:01:38,298
[BEEPING]
47
00:01:38,298 --> 00:01:39,299
SHIT.
48
00:01:39,299 --> 00:01:40,333
SHIT?
49
00:01:40,333 --> 00:01:40,867
NO.
50
00:01:40,867 --> 00:01:42,569
LISTEN, HONEY, UM...
51
00:01:42,569 --> 00:01:45,672
GO GRAB...GO GRAB
ANOTHER ICE CUBE, O.K.?
52
00:01:45,672 --> 00:01:46,639
NO.
53
00:01:46,639 --> 00:01:47,340
HELLO?
54
00:01:47,340 --> 00:01:48,074
[MAN]
JOEY.
55
00:01:48,074 --> 00:01:48,875
HEY, MICKEY.
56
00:01:48,875 --> 00:01:51,311
HEY, LISTEN, MICK, I'M
A LITTLE BUSY RIGHT NOW.
57
00:01:51,311 --> 00:01:53,012
ARE YOU
ON THE OTHER LINE?
58
00:01:53,012 --> 00:01:53,913
YEAH.
59
00:01:53,913 --> 00:01:55,415
ALL RIGHT.
LISTEN TO ME.
60
00:01:55,415 --> 00:01:56,783
YOU GOT A PROBLEM,
KID.
61
00:01:56,783 --> 00:01:58,618
HARVEY'S
OUT OF JAIL,
62
00:01:58,618 --> 00:02:00,753
AND HE'S
LOOKING FOR YOU.
63
00:02:00,753 --> 00:02:01,955
SHIT.
DID YOU TALK TO HIM?
64
00:02:01,955 --> 00:02:03,857
NO, BUT I'M
WORKING ON IT.
65
00:02:03,857 --> 00:02:05,959
HE JUST GOT OUT
LAST NIGHT,
66
00:02:05,959 --> 00:02:06,860
AND HE'S REALLY ANGRY.
67
00:02:06,860 --> 00:02:09,629
GOD DAMN IT.
WHAT'S HIS PROBLEM?
68
00:02:09,629 --> 00:02:10,730
YOU'RE HIS PROBLEM.
69
00:02:10,730 --> 00:02:13,900
THIS GUY STILL THINKS
YOU SET HIM UP.
70
00:02:13,900 --> 00:02:14,667
[SIGHS]
71
00:02:14,667 --> 00:02:16,970
LOOK, JUST BE CAREFUL
TILL I FIX IT.
72
00:02:16,970 --> 00:02:19,372
THIS GUY'S
LIABLE TO KILL YOU.
73
00:02:19,372 --> 00:02:21,074
WHAT DO YOU GOT
FOR TONIGHT?
74
00:02:21,074 --> 00:02:22,675
WHAT IS IT?
WEDNESDAY?
75
00:02:22,675 --> 00:02:24,077
I GOT ISABELLA.
76
00:02:24,077 --> 00:02:25,011
BELLA ISABELLA.
77
00:02:25,011 --> 00:02:27,547
LOOK, DROP BY TOMORROW,
WE'LL HAVE LUNCH,
78
00:02:27,547 --> 00:02:29,649
WE'LL STRAIGHTEN
THIS HARVEY THING OUT.
79
00:02:29,649 --> 00:02:31,117
ALL RIGHT.
THAT SOUNDS GREAT.
80
00:02:31,117 --> 00:02:32,819
THANKS FOR THE WARNING.
81
00:02:32,819 --> 00:02:34,454
I'LL TAKE CARE OF IT.
82
00:02:34,454 --> 00:02:35,922
ALL RIGHT. BYE.
83
00:02:35,922 --> 00:02:38,491
[TELEPHONE RINGS]
84
00:02:38,491 --> 00:02:39,058
HELLO?
85
00:02:39,058 --> 00:02:40,460
YOU SON OF A BITCH.
86
00:02:40,460 --> 00:02:42,095
OH, JEEZ.
ELENA, I'M SORRY.
87
00:02:42,095 --> 00:02:43,096
UH, DID YOU
GET THE ICE?
88
00:02:43,096 --> 00:02:48,468
YEAH. I'D LIKE TO PACK
YOUR HEAD IN IT, PRICK.
89
00:02:48,468 --> 00:02:50,837
[DIAL TONE]
90
00:02:51,938 --> 00:02:54,407
SO YOU'RE
TELLING ME NOW?
91
00:02:54,407 --> 00:02:56,009
IN THE PARK?
92
00:02:56,009 --> 00:02:56,910
WELL, I'M SORRY.
93
00:02:56,910 --> 00:02:58,778
I THOUGHT
IT WOULD BE BETTER
94
00:02:58,778 --> 00:03:00,647
THAN HAVING A SCENE
IN THE APARTMENT.
95
00:03:00,647 --> 00:03:01,447
OR EASIER FOR YOU,
96
00:03:01,447 --> 00:03:03,049
BECAUSE
I'D BE TOO EMBARRASSED
TO MAKE A SCENE
97
00:03:03,049 --> 00:03:05,518
IN FRONT OF
THE DAMN WORLD,
IS THAT IT?
98
00:03:05,518 --> 00:03:07,921
NO. CONNIE...
99
00:03:09,088 --> 00:03:11,891
EXCUSE ME, WORLD!
100
00:03:11,891 --> 00:03:14,160
I JUST WANT
YOU ALL TO KNOW
101
00:03:14,160 --> 00:03:17,764
THAT MY GIRLFRIEND
IS TEARING MY HEART OUT
102
00:03:17,764 --> 00:03:18,565
HERE TODAY,
103
00:03:18,565 --> 00:03:20,667
BECAUSE
SHE SUDDENLY DECIDED
104
00:03:20,667 --> 00:03:22,735
SHE NEEDS MORE SPACE.
105
00:03:22,735 --> 00:03:23,770
O.K.?
106
00:03:23,770 --> 00:03:25,738
SO WOULD EVERYBODY
107
00:03:25,738 --> 00:03:27,807
PLEASE GIVE HER
108
00:03:27,807 --> 00:03:30,443
SOME MORE SPACE?
109
00:03:30,777 --> 00:03:31,611
RIGHT, RIGHT.
110
00:03:31,611 --> 00:03:33,780
I SHOULD'VE
DONE THIS IN PRIVATE.
111
00:03:33,780 --> 00:03:34,647
LISTEN, HONEY,
112
00:03:34,647 --> 00:03:36,716
YOU COULD LEARN
THE FUCKING
CODE OF SILENCE,
113
00:03:36,716 --> 00:03:37,884
AND IT
WOULDN'T MATTER.
114
00:03:37,884 --> 00:03:39,786
SO, WHAT,
YOU DUMPING ME?
115
00:03:39,786 --> 00:03:40,853
ARE YOU DUMPING ME?
116
00:03:40,853 --> 00:03:42,622
NO, I'M NOT.
I--I JUST...
117
00:03:42,622 --> 00:03:45,959
I JUST NEED SOME TIME
TO SORT THINGS OUT.
118
00:03:45,959 --> 00:03:48,661
I'VE FELT THIS WAY
FOR A LONG TIME.
119
00:03:48,661 --> 00:03:49,195
I GUESS...
120
00:03:49,195 --> 00:03:52,699
I DIDN'T SAY ANYTHING
'CAUSE I HOPED
IT WOULD CHANGE.
121
00:03:52,699 --> 00:03:54,467
IT WILL.
IT WILL CHANGE.
122
00:03:54,467 --> 00:03:56,135
WE HAVEN'T
GOTTEN OUT OF TOWN.
123
00:03:56,135 --> 00:03:58,705
WE'VE GOT CABIN FEVER.
LET'S TAKE A VACATION.
124
00:03:58,705 --> 00:03:59,772
LET'S GO
TO THE POCONOS.
125
00:03:59,772 --> 00:04:00,707
THAT'S NOT IT, CONNIE.
126
00:04:00,707 --> 00:04:04,043
IT'S THE WEDDING?
WE DON'T HAVE TO GO
TO THEIR WEDDING.
127
00:04:04,043 --> 00:04:05,011
MY PARENTS WILL LIVE.
128
00:04:05,011 --> 00:04:08,848
IT WAS A PERFECT TIME
TO TELL THEM ABOUT US--
129
00:04:08,848 --> 00:04:11,584
IT'S NOT THAT.
IT'S US.
130
00:04:11,584 --> 00:04:13,720
IT'S US.
131
00:04:13,720 --> 00:04:16,923
LOOK, I DON'T WANT
TO HURT YOU.
132
00:04:16,923 --> 00:04:17,991
JUST PLEASE...
133
00:04:17,991 --> 00:04:20,526
PLEASE TRY
AND UNDERSTAND.
134
00:04:20,526 --> 00:04:22,829
I--I--I
HAVE TO DO THIS.
135
00:04:22,829 --> 00:04:24,964
I LOVE YOU.
136
00:04:26,633 --> 00:04:30,637
PLEASE DON'T DO THIS
TO ME, O.K.?
137
00:04:32,805 --> 00:04:34,173
I HAVE TO.
138
00:04:34,173 --> 00:04:37,543
I NEED TO FIGURE
A FEW THINGS OUT.
139
00:04:37,543 --> 00:04:40,613
I HAVE TO BE
AWAY FROM YOU
TO DO THAT.
140
00:04:40,613 --> 00:04:42,515
WHERE ARE YOU GOING?
141
00:04:42,515 --> 00:04:43,950
I FOUND
AN APARTMENT.
142
00:04:43,950 --> 00:04:44,651
WHAT?
143
00:04:44,651 --> 00:04:47,020
HOW LONG HAVE YOU
PLANNED THIS?
144
00:04:47,020 --> 00:04:48,688
I HAVE TO GO.
145
00:04:48,688 --> 00:04:51,190
NO! ELLEN, WAIT!
146
00:04:51,190 --> 00:04:52,492
OH...
147
00:04:52,492 --> 00:04:54,027
WAIT!
148
00:05:01,501 --> 00:05:02,735
I DON'T FEEL PRETTY,
149
00:05:02,735 --> 00:05:05,104
AND I DON'T FEEL SEXY.
150
00:05:05,104 --> 00:05:06,105
AND, UH...
151
00:05:06,105 --> 00:05:08,241
I DON'T FEEL DESIRABLE.
152
00:05:09,042 --> 00:05:12,178
AND SOMEHOW
I THINK IT'S...
153
00:05:12,178 --> 00:05:13,012
ALL MY FAULT,
154
00:05:13,012 --> 00:05:15,882
LIKE I MUST'VE
DONE SOMETHING
REAL WRONG.
155
00:05:15,882 --> 00:05:18,918
ISABELLA,
YOU'RE WRONG.
156
00:05:18,918 --> 00:05:21,721
DON'T YOU SEE
HE DID THIS TO YOU?
157
00:05:21,721 --> 00:05:25,024
YOU KNOW YOU'RE
BEAUTIFUL AND SEXY.
158
00:05:25,024 --> 00:05:27,160
IT'S, UM...
159
00:05:27,960 --> 00:05:31,664
JUST THAT I'M AFRAID
I'M NOT GOING TO HAVE...
160
00:05:31,664 --> 00:05:35,168
YOU KNOW,
THOSE--THOSE FEELINGS.
161
00:05:36,069 --> 00:05:38,571
CLOSE YOUR EYES.
162
00:05:38,571 --> 00:05:40,106
WHY?
163
00:05:40,540 --> 00:05:41,841
JUST DO IT.
164
00:05:41,841 --> 00:05:43,676
TRUST ME.
165
00:05:48,281 --> 00:05:52,151
DO YOU REMEMBER
YOUR FIRST BOYFRIEND...
166
00:05:53,653 --> 00:05:55,688
YOUR FIRST LOVER?
167
00:05:56,689 --> 00:05:57,990
DO YOU?
168
00:05:58,825 --> 00:05:59,325
YES.
169
00:05:59,325 --> 00:06:02,228
EXPLORING
ONE ANOTHER'S BODIES,
170
00:06:02,228 --> 00:06:04,163
SKIN AGAINST SKIN,
171
00:06:04,163 --> 00:06:06,232
KISSING EACH OTHER...
172
00:06:07,767 --> 00:06:09,635
FOREVER AND EVER.
173
00:06:09,635 --> 00:06:13,272
DO YOU REMEMBER
HOW THAT MADE YOU FEEL?
174
00:06:13,272 --> 00:06:14,307
YES.
175
00:06:14,307 --> 00:06:17,210
YOU STILL HAVE
ALL THOSE FEELINGS.
176
00:06:20,646 --> 00:06:21,180
OHH.
177
00:06:21,180 --> 00:06:25,752
GOD, IT'S JUST
BEEN SO LONG SINCE
ANYONE'S TOUCHED ME.
178
00:06:26,786 --> 00:06:28,287
I WANT TO TOUCH YOU.
179
00:06:28,287 --> 00:06:30,056
WE'RE BACK
AT HER PLACE,
180
00:06:30,056 --> 00:06:31,357
I'M ON TOP OF HER,
181
00:06:31,357 --> 00:06:32,959
THE BED'S ROCKING
LIKE A HORSE,
182
00:06:32,959 --> 00:06:34,127
HER TITS WHACK ME.
183
00:06:34,127 --> 00:06:35,261
THE LIGHT FLICKS ON.
184
00:06:35,261 --> 00:06:38,064
GUESS WHO'S THERE
WITH MY PANTS
IN HIS HANDS?
185
00:06:38,064 --> 00:06:39,132
HER HUSBAND.
186
00:06:39,132 --> 00:06:40,299
YEAH. HOW'D
YOU KNOW THAT?
187
00:06:40,299 --> 00:06:43,269
SHIT. YOU DIDN'T KNOW
SHE HAD A HUSBAND?
188
00:06:43,269 --> 00:06:43,836
NO.
189
00:06:43,836 --> 00:06:46,906
SO I'M STANDING THERE,
SCRAMBLING FOR MY SHOES.
190
00:06:46,906 --> 00:06:48,975
I TURN AROUND,
AND SHE'S YELLING,
191
00:06:48,975 --> 00:06:51,611
"IRV, IRV,
TODAY'S WEDNESDAY.
192
00:06:51,611 --> 00:06:52,678
WHAT ARE YOU
DOING HERE?"
193
00:06:52,678 --> 00:06:55,114
JOEY, HOW MANY TIMES
DO I GOT TO TELL YOU,
194
00:06:55,114 --> 00:06:57,683
THE FIRST THING YOU DO
WHEN YOU GO IN
195
00:06:57,683 --> 00:07:00,219
IS YOU LOOK AT
THE WEDDING PICTURES
ON THE WALL.
196
00:07:00,219 --> 00:07:02,989
THAT'S HOW YOU KNOW
IF SHE'S MARRIED.
197
00:07:02,989 --> 00:07:05,358
HOW DO YOU STAY
SO FUCKING TRIM?
198
00:07:05,358 --> 00:07:08,161
DO ME A FAVOR.
TAKE THIS SHIT.
199
00:07:08,161 --> 00:07:09,295
I DON'T WANT IT.
200
00:07:09,295 --> 00:07:11,898
I'M GOING ON A DIET
RIGHT NOW.
201
00:07:11,898 --> 00:07:14,100
SO, WHAT'S
THE PUNCH LINE?
202
00:07:14,100 --> 00:07:16,702
WHAT'S THE PUNCH LINE?
THERE'S NO PUNCH LINE.
203
00:07:16,702 --> 00:07:18,104
THE HUSBAND WALKS IN--
204
00:07:18,104 --> 00:07:20,039
YOU GET THE MONEY?
205
00:07:20,039 --> 00:07:20,673
WHAT?
206
00:07:20,673 --> 00:07:22,241
THE MONEY
FROM ISABELLA.
207
00:07:22,241 --> 00:07:25,311
NO, I DIDN'T
GET THE MONEY.
208
00:07:25,311 --> 00:07:27,847
WHAT DO I TELL YOU,
JOEY?
209
00:07:27,847 --> 00:07:29,949
GET THE MONEY FIRST.
210
00:07:29,949 --> 00:07:30,683
JESUS CHRIST.
211
00:07:30,683 --> 00:07:31,984
YOU MIND ME
ASKING YOU ONE THING?
212
00:07:31,984 --> 00:07:34,720
HOW AM I
SUPPOSED TO DO THAT?
213
00:07:34,720 --> 00:07:37,089
YOU GOT TO GET
THE MONEY FIRST.
214
00:07:37,089 --> 00:07:42,128
YOU'RE GOING
TO GIVE YOURSELF
A FUCKING HEART ATTACK.
215
00:07:42,128 --> 00:07:43,062
THAT'S RIGHT.
216
00:07:43,062 --> 00:07:45,164
YOU SAY IT AFTER ME.
217
00:07:45,164 --> 00:07:45,965
THAT'S RIGHT.
218
00:07:45,965 --> 00:07:47,233
I DIDN'T WEAR
ANY PANTIES.
219
00:07:47,233 --> 00:07:49,402
OH, COME ON.
YOU CAN TELL ME MORE.
220
00:07:49,402 --> 00:07:52,071
WHAT THE HELL
IS THIS CRAP?
221
00:07:52,071 --> 00:07:53,806
DON'T START WITH ME.
222
00:07:53,806 --> 00:07:54,807
SOUNDS DELICIOUS.
223
00:07:54,807 --> 00:07:57,043
YOU LOVE THAT,
DON'T YOU?
224
00:07:57,043 --> 00:07:59,011
COME ON, BABY.
225
00:07:59,011 --> 00:08:01,013
WHAT THE HELL
ARE YOU DOING?
226
00:08:01,013 --> 00:08:01,914
CHRIST ALMIGHTY.
227
00:08:01,914 --> 00:08:04,083
DO IT AGAIN, BABY.
228
00:08:04,083 --> 00:08:05,651
JOEY...
229
00:08:06,085 --> 00:08:06,986
THAT'S RIGHT.
230
00:08:06,986 --> 00:08:09,055
HOW ARE WE
DOING HERE?
231
00:08:09,055 --> 00:08:11,958
HARDER, BABY.
232
00:08:11,958 --> 00:08:12,758
OHH.
233
00:08:12,758 --> 00:08:14,827
OH, IT'S TOO BIG.
234
00:08:14,827 --> 00:08:15,795
OH, BABY.
235
00:08:15,795 --> 00:08:17,230
[MOANING]
236
00:08:17,230 --> 00:08:18,898
IT'S TOO BIG.
237
00:08:18,898 --> 00:08:20,266
OH, IT HURTS.
238
00:08:20,266 --> 00:08:22,068
OH, OH, BABY.
239
00:08:22,068 --> 00:08:23,402
JOEY.
240
00:08:31,844 --> 00:08:33,746
HEY, WHAT'S UP?
241
00:08:33,746 --> 00:08:35,848
ARE YOU CHEATING ME?
242
00:08:36,449 --> 00:08:38,017
WHAT?
243
00:08:38,284 --> 00:08:40,453
ARE YOU
CHEATING ME?
244
00:08:40,453 --> 00:08:41,487
'CAUSE IF
YOU'RE CHEATING ME,
245
00:08:41,487 --> 00:08:44,190
THAT WOULD HURT ME...
VERY BAD.
246
00:08:44,190 --> 00:08:46,893
I MEAN, CONSIDERING
OUR RELATIONSHIP,
247
00:08:46,893 --> 00:08:47,960
CONSIDERING
THAT I'M THE GUY
248
00:08:47,960 --> 00:08:50,997
THAT'S GOING
TO STRAIGHTEN OUT
THIS MESS WITH HARVEY.
249
00:08:50,997 --> 00:08:52,064
YOU REMEMBER HARVEY.
250
00:08:52,064 --> 00:08:56,202
HE THINKS
YOU WENT TO THE COPS
AND SENT HIM AWAY.
251
00:08:56,202 --> 00:08:58,237
YOU KNOW I HAD NOTHING
TO DO WITH THAT.
252
00:08:58,237 --> 00:09:02,241
WHAT'S THIS CHEATING?
I WOULDN'T RIP YOU OFF.
253
00:09:02,241 --> 00:09:03,376
I KNOW.
254
00:09:03,376 --> 00:09:06,979
AND I'M SURE
YOU APPRECIATE EVERYTHING
I'VE DONE FOR YOU.
255
00:09:06,979 --> 00:09:08,781
I POLISHED YOU
LIKE A DIAMOND
256
00:09:08,781 --> 00:09:13,152
SO YOU COULD SPARKLE
FOR ALL THOSE RICH BITCHES
ON PARK AVENUE.
257
00:09:13,853 --> 00:09:16,622
LOOK, I APPRECIATE
WHAT YOU'VE DONE, O.K.?
258
00:09:16,622 --> 00:09:19,325
IT WON'T HAPPEN AGAIN.
YOU WERE RIGHT.
I'M WRONG.
259
00:09:19,325 --> 00:09:22,295
IT WON'T HAPPEN AGAIN.
I PROMISE.
260
00:09:24,830 --> 00:09:26,499
ALL RIGHT.
261
00:09:26,499 --> 00:09:27,800
HEY.
262
00:09:27,800 --> 00:09:29,869
I'M JUST CHECKING.
263
00:09:30,736 --> 00:09:32,138
ALL RIGHT.
264
00:09:34,040 --> 00:09:35,808
SO WHAT'S UP
FOR TONIGHT?
265
00:09:35,808 --> 00:09:38,277
YOU GOT SOMETHING
FOR ME?
266
00:09:46,485 --> 00:09:49,255
IT'S A GOOD SPACE.
IT FEELS GOOD,
DOESN'T IT?
267
00:09:49,255 --> 00:09:50,656
YES, IT FEELS GREAT.
268
00:09:50,656 --> 00:09:52,091
IT REMINDS ME
OF THAT MOVIE,
269
00:09:52,091 --> 00:09:56,262
THAT MOVIE WITH
THE PUERTO RICAN GIRL
AND THE INDUSTRIALIST,
270
00:09:56,262 --> 00:09:57,964
OFF-THE-SHOULDER
SWEATSHIRT.
271
00:09:57,964 --> 00:09:59,065
WHAT WAS THAT?
272
00:09:59,065 --> 00:10:00,066
FLASHDANCE.
273
00:10:00,066 --> 00:10:03,169
YOU KNOW, ELLEN,
IT'S VERY ARCHITECTURAL.
274
00:10:03,169 --> 00:10:04,136
YOU HATE IT.
275
00:10:04,136 --> 00:10:05,972
I DON'T HATE IT.
276
00:10:05,972 --> 00:10:06,539
IT'S O.K.
277
00:10:06,539 --> 00:10:09,008
IT'S NOT WEST PORT,
BUT WHAT IS?
278
00:10:09,008 --> 00:10:09,809
[TELEPHONE RINGS]
279
00:10:09,809 --> 00:10:10,443
DON'T BE NASTY.
280
00:10:10,443 --> 00:10:12,979
YOU JUST
SOUNDED LIKE MOM
WHEN YOU SAID THAT.
281
00:10:12,979 --> 00:10:17,216
"GIRLS, GOOD MANNERS
ARE THE BACKBONE
OF SOCIETY."
282
00:10:17,216 --> 00:10:18,217
[BEEP]
283
00:10:18,217 --> 00:10:20,052
[CONNIE]
ELLEN?
284
00:10:20,052 --> 00:10:22,121
ELLEN, ARE YOU THERE?
285
00:10:22,121 --> 00:10:23,656
THIS IS SO WEIRD.
286
00:10:23,656 --> 00:10:26,058
HONEY, PLEASE PICK UP.
287
00:10:26,058 --> 00:10:29,261
I NEED TO TALK
TO YOU, O.K.?
288
00:10:29,261 --> 00:10:30,930
I LOVE YOU.
289
00:10:30,930 --> 00:10:32,398
[BEEP]
290
00:10:32,398 --> 00:10:33,933
I JUST THINK
IT'S BETTER
291
00:10:33,933 --> 00:10:36,068
IF WE DON'T TALK
FOR A WHILE.
292
00:10:36,068 --> 00:10:36,936
GOOD IDEA.
293
00:10:36,936 --> 00:10:38,037
DOES THIS NEED LIGHT?
294
00:10:38,037 --> 00:10:40,006
I CAN NEVER REMEMBER
IF IT'S...
295
00:10:40,006 --> 00:10:42,408
A LOT OF LIGHT
AND A LITTLE WATER
296
00:10:42,408 --> 00:10:45,111
OR A LITTLE LIGHT
AND A LOT OF WATER.
297
00:10:45,111 --> 00:10:46,445
EITHER WAY,
I'LL KILL IT.
298
00:10:46,445 --> 00:10:50,016
WE'VE NEVER
REALLY TALKED ABOUT
THIS BEFORE, BUT--
299
00:10:50,016 --> 00:10:52,985
I REALLY APPRECIATE
EVERYTHING, BUT I'M FINE.
300
00:10:52,985 --> 00:10:55,588
WELL, NOT FINE,
BUT I'M HERE.
301
00:10:55,588 --> 00:10:57,356
I'M ABOUT
TO HUMILIATE MYSELF
302
00:10:57,356 --> 00:11:00,426
IN FRONT OF A CLASS
FULL OF ENGLISH MAJORS,
303
00:11:00,426 --> 00:11:03,095
BUT I'M...I'M
MOVING FORWARD, RIGHT?
304
00:11:03,095 --> 00:11:05,131
ELLEN, I CARE ABOUT YOU.
305
00:11:05,131 --> 00:11:05,965
I'M YOUR SISTER.
306
00:11:05,965 --> 00:11:09,468
I'M NOT JUST SOME BITCH
FROM CONNECTICUT.
307
00:11:09,468 --> 00:11:11,070
I LOVE YOU.
308
00:11:11,070 --> 00:11:11,637
I KNOW.
309
00:11:11,637 --> 00:11:14,940
I UNDERSTAND ABOUT
THIS HOMOSEXUAL--
310
00:11:14,940 --> 00:11:15,908
BISEXUAL--
311
00:11:15,908 --> 00:11:16,509
WHATEVER THING.
312
00:11:16,509 --> 00:11:18,344
NO, YOU DON'T
UNDERSTAND.
313
00:11:18,344 --> 00:11:19,412
YES, I DO.
314
00:11:19,412 --> 00:11:21,380
I WASN'T WITH CONNIE
BECAUSE...
315
00:11:21,380 --> 00:11:25,418
IT'S NOT LIKE
I WAS TRYING A NEW PERM
OR SOMETHING.
316
00:11:25,418 --> 00:11:27,586
SHE TOOK ADVANTAGE
OF YOU.
317
00:11:27,586 --> 00:11:28,421
YOU WERE WEAK.
318
00:11:28,421 --> 00:11:30,156
YOU WERE
AN EMOTIONAL MESS.
319
00:11:30,156 --> 00:11:31,390
I REMEMBER.
I WAS THERE.
320
00:11:31,390 --> 00:11:34,593
CONNIE
JUST SWOOPED IN
AND TOOK CONTROL.
321
00:11:34,593 --> 00:11:36,295
THAT IS BULLSHIT, O.K.?
322
00:11:36,295 --> 00:11:39,298
CONNIE LOVED ME,
AND I LOVED HER.
323
00:11:39,298 --> 00:11:40,032
GET IT?
324
00:11:40,032 --> 00:11:42,935
CONNIE HELPED ME,
ALLISON.
325
00:11:42,935 --> 00:11:44,170
SHE...
326
00:11:44,170 --> 00:11:46,205
LOOK, LET'S JUST
FORGET IT, O.K.?
327
00:11:46,205 --> 00:11:46,672
I DON'T--
328
00:11:46,672 --> 00:11:51,911
LET'S NOT TALK ABOUT
WHAT YOU DON'T UNDERSTAND.
329
00:11:53,212 --> 00:11:54,313
O.K.
330
00:11:54,313 --> 00:11:55,981
I'M SORRY.
331
00:11:55,981 --> 00:11:56,415
BESIDES,
332
00:11:56,415 --> 00:11:58,050
I DECIDED NO DATING,
333
00:11:58,050 --> 00:12:00,086
NO MORE RELATIONSHIPS,
334
00:12:00,086 --> 00:12:01,454
NOTHING.
335
00:12:03,255 --> 00:12:05,624
[SIREN]
336
00:12:08,094 --> 00:12:09,595
IT'LL BE FUN.
337
00:12:09,595 --> 00:12:10,329
NO.
338
00:12:10,329 --> 00:12:11,497
NO, IT WON'T BE FUN.
339
00:12:11,497 --> 00:12:14,366
IT'LL BE THE COMPLETE
OPPOSITE OF FUN.
340
00:12:14,366 --> 00:12:16,335
IT'LL BE
A LIVING HELL.
341
00:12:16,335 --> 00:12:18,404
IT'S JUST A WEDDING.
342
00:12:18,404 --> 00:12:20,106
LORENZO, PLEASE.
343
00:12:20,106 --> 00:12:21,540
MY YOUNGER SISTER'S
GETTING MARRIED
344
00:12:21,540 --> 00:12:23,442
IN FRONT OF
HALF OF KRAKOW.
345
00:12:23,442 --> 00:12:25,277
YOU EVER BEEN
TO A POLISH WEDDING?
346
00:12:25,277 --> 00:12:26,679
I'VE BEEN
TO BAPTIST WEDDINGS.
347
00:12:26,679 --> 00:12:28,748
FAMILY IS WEIRD SHIT,
YOU KNOW?
348
00:12:28,748 --> 00:12:32,184
BUT YOU SURVIVE IT.
THAT'S THE THING
ABOUT FAMILY.
349
00:12:32,184 --> 00:12:33,185
THEY'RE EXPECTING--
350
00:12:33,185 --> 00:12:35,121
I PROMISED THEM
SOMETHING.
351
00:12:35,121 --> 00:12:35,654
OH, WHAT?
352
00:12:35,654 --> 00:12:39,458
THE WHOLE FAMILY'S
GOING TO BE THERE,
SO I--I...
353
00:12:39,458 --> 00:12:42,428
I TOLD THEM
I WAS GOING TO
BRING MY FIANCE.
354
00:12:42,428 --> 00:12:44,196
IT WAS
TO BE MY MOMENT.
355
00:12:44,196 --> 00:12:45,231
I WAS GOING
TO COME OUT.
356
00:12:45,231 --> 00:12:50,970
I WAS TO SAY,
"THIS IS THE GIRL
I'M IN LOVE WITH."
357
00:12:50,970 --> 00:12:51,470
OPEN.
358
00:12:51,470 --> 00:12:55,007
I WANTED THEM TO SEE
ME AND ELLEN TOGETHER.
359
00:12:55,007 --> 00:12:56,575
I CAN'T DO THIS ALONE.
360
00:12:56,575 --> 00:12:58,177
THEY DON'T KNOW
ABOUT YOU?
361
00:12:58,177 --> 00:12:59,044
THEY'RE OLD-WORLD
POLACKS.
362
00:12:59,044 --> 00:13:03,482
MY FATHER LOOKS AT ME
AND SEES AN AGING NURSE
WITHOUT HER DOCTOR.
363
00:13:03,482 --> 00:13:06,352
BLOW IT OFF.
SAY YOU'RE SICK.
364
00:13:07,586 --> 00:13:10,489
MY...MY MOTHER
IS SUCH A--
365
00:13:10,489 --> 00:13:12,291
IF I WAS
ON LIFE-SUPPORT,
366
00:13:12,291 --> 00:13:15,060
MY MOTHER WOULD
RIP OUT THE I.V.
367
00:13:15,060 --> 00:13:17,696
AND DRAG ME
TO THE CHURCH.
368
00:13:17,696 --> 00:13:18,464
HA HA HA.
369
00:13:18,464 --> 00:13:20,366
HEY.
WHY DON'T YOU DO IT?
370
00:13:20,366 --> 00:13:24,603
YOUR FAMILY WOULD SHIT
IF YOU BROUGHT HOME
A BLACK MAN.
371
00:13:24,603 --> 00:13:27,039
DON'T YOU KNOW
ANY OTHER GUYS?
372
00:13:27,039 --> 00:13:29,275
WHAT,
LIKE NORMAL GUYS?
373
00:13:29,275 --> 00:13:30,209
I DON'T KNOW.
374
00:13:30,209 --> 00:13:31,177
HOW ABOUT, UH...
375
00:13:31,177 --> 00:13:32,711
WELL, THERE'S
MR. GOODWRENCH.
376
00:13:32,711 --> 00:13:34,814
HOW ABOUT
THE ALLSTATE AGENT?
377
00:13:34,814 --> 00:13:37,316
PERHAPS
THE TIDYBOWL MAN.
378
00:13:38,117 --> 00:13:39,418
I KNOW.
379
00:13:39,418 --> 00:13:40,252
WAIT.
380
00:13:40,252 --> 00:13:42,621
WHY DON'T YOU
RENT A GUY?
381
00:13:42,621 --> 00:13:45,391
HIRE A MALE ESCORT.
382
00:13:46,592 --> 00:13:48,093
HEY.
383
00:14:11,250 --> 00:14:12,351
HOW ARE YA?
384
00:14:12,351 --> 00:14:13,719
I'M JOE CASELLA.
385
00:14:13,719 --> 00:14:15,154
I'M CONNIE.
386
00:14:15,154 --> 00:14:18,724
I'LL BE WITH YOU
IN A SEC.
387
00:14:24,830 --> 00:14:27,132
NICE PLACE YOU GOT HERE.
388
00:14:27,132 --> 00:14:28,500
THANKS.
389
00:14:46,785 --> 00:14:48,320
YOU LOOK GREAT.
390
00:14:48,320 --> 00:14:49,521
YEAH?
391
00:14:50,322 --> 00:14:50,856
YEAH.
392
00:14:50,856 --> 00:14:53,659
I LIKE THE, UH...
THE LEATHER.
393
00:14:53,659 --> 00:14:55,227
LOOKS GOOD?
394
00:14:58,364 --> 00:15:00,499
I DON'T THINK SO.
395
00:15:01,166 --> 00:15:02,201
OH, YEAH.
396
00:15:02,201 --> 00:15:03,569
UM...
397
00:15:03,569 --> 00:15:04,570
BEFORE I FORGET, UH...
398
00:15:04,570 --> 00:15:07,373
THERE'S A LITTLE
FINANCIAL MATTER
WE NEED TO DISCUSS.
399
00:15:07,373 --> 00:15:10,876
YOU KNOW,
I DON'T MEAN
TO RUSH YOU, BUT...
400
00:15:10,876 --> 00:15:13,712
I GOT TO GET PAID
UP-FRONT.
401
00:15:13,712 --> 00:15:14,647
YEAH?
402
00:15:14,647 --> 00:15:15,848
YOU KNOW,
403
00:15:15,848 --> 00:15:17,683
BEFORE.
404
00:15:17,683 --> 00:15:19,385
OHH.
405
00:15:20,519 --> 00:15:22,588
BEFORE WHAT?
406
00:15:22,588 --> 00:15:24,323
AHEM.
407
00:15:24,323 --> 00:15:26,392
WHATEVER YOU LIKE.
408
00:15:30,462 --> 00:15:32,765
YEAH, RIGHT.
409
00:15:33,432 --> 00:15:36,635
COULD YOU
TAKE MY KEYS?
410
00:15:40,406 --> 00:15:44,610
[SINGING IN LATIN]
411
00:15:53,819 --> 00:15:56,588
[SPEAKING POLISH]
412
00:16:08,500 --> 00:16:10,202
Don't say a word,
413
00:16:10,202 --> 00:16:12,171
especially
to my mother.
414
00:16:12,171 --> 00:16:15,774
Just do what I tell you
and follow my lead.
415
00:16:15,774 --> 00:16:17,276
Got it?
416
00:16:17,810 --> 00:16:19,378
Got it.
417
00:16:21,714 --> 00:16:24,316
[SPEAKING POLISH]
418
00:16:32,458 --> 00:16:34,793
Who is she with?
419
00:16:47,740 --> 00:16:49,308
Weirdo.
420
00:16:50,376 --> 00:16:51,510
From high school.
421
00:16:51,510 --> 00:16:53,245
The high school weirdo.
422
00:16:53,245 --> 00:16:55,314
He gives me the creeps.
423
00:16:55,314 --> 00:16:57,783
[SPEAKING POLISH]
424
00:17:22,408 --> 00:17:25,277
YOU HAVE A LOVELY FAMILY.
THANKS FOR HAVING ME.
425
00:17:25,277 --> 00:17:26,879
YOU'RE MISSING
THE BEST PART.
426
00:17:26,879 --> 00:17:27,713
THE RECEPTION.
427
00:17:27,713 --> 00:17:29,982
I NEED THE BRIDESMAIDS
A LITTLE CLOSER.
428
00:17:29,982 --> 00:17:30,716
A LITTLE CLOSER.
429
00:17:30,716 --> 00:17:34,019
HEY, FELLAS, THIS IS
NOT THE TIME TO SMOKE.
430
00:17:34,019 --> 00:17:37,523
OH, YOU'RE TAKING
A PICTURE?
431
00:17:37,790 --> 00:17:41,693
JOE, MY MAMA WANTS YOU
IN THE PICTURE.
432
00:17:41,693 --> 00:17:42,861
OH, YOU WANT ME--
433
00:17:42,861 --> 00:17:45,397
YOU WANT ME
IN THE PHOTOGRAPH?
434
00:17:45,397 --> 00:17:46,231
[SPEAKING POLISH]
435
00:17:46,231 --> 00:17:47,499
I WANT YOU
FOR PHOTOGRAPH.
436
00:17:47,499 --> 00:17:49,401
WHERE DID YOU
MEET HIM?
437
00:17:49,401 --> 00:17:51,570
WHAT DIFFERENCE
DOES IT MAKE?
438
00:17:51,570 --> 00:17:53,305
WE MET
AT A MUSEUM.
439
00:17:53,305 --> 00:17:53,705
OH.
440
00:17:53,705 --> 00:17:57,309
WHEN I TURNED AND SAW
YOUR BEAUTIFUL DAUGHTER
STANDING THERE...
441
00:17:57,309 --> 00:17:59,912
WHEN SHE TOLD ME
SHE WAS POLISH,
FORGET IT.
442
00:17:59,912 --> 00:18:01,814
IT WAS
LOVE AT FIRST SIGHT.
443
00:18:01,814 --> 00:18:03,615
I'M PART POLISH, TOO.
444
00:18:03,615 --> 00:18:04,683
YOU POLISH?
445
00:18:04,683 --> 00:18:06,385
OH, YOU DIDN'T KNOW?
446
00:18:06,385 --> 00:18:07,586
W-W-WAIT A SEC.
447
00:18:07,586 --> 00:18:10,823
CONNIE,
TOO BAD YOU BROUGHT
MR. ATTITUDE WITH YOU.
448
00:18:10,823 --> 00:18:12,591
I MEAN, YOU AND ME,
449
00:18:12,591 --> 00:18:14,126
WE COULD'VE
HAD SOME FUN.
450
00:18:14,126 --> 00:18:16,361
WHAT IS THAT?
"I'M PART POLISH."
451
00:18:16,361 --> 00:18:18,530
WHAT IS THAT,
YOU KNOW?
452
00:18:18,530 --> 00:18:21,233
GET YOUR HANDS OFF ME.
453
00:18:21,967 --> 00:18:22,801
HEY.
454
00:18:22,801 --> 00:18:23,635
WHAT?
455
00:18:23,635 --> 00:18:25,404
WE GOT A PROBLEM
HERE?
456
00:18:25,404 --> 00:18:26,338
EXCUSE ME?
457
00:18:26,338 --> 00:18:27,106
NO PROBLEM.
458
00:18:27,106 --> 00:18:30,409
SAY YOU'RE SORRY.
459
00:18:30,409 --> 00:18:31,076
I'M SORRY.
460
00:18:31,076 --> 00:18:33,278
PADRE,
CAN WE GET A SMILE?
461
00:18:33,278 --> 00:18:34,713
IT'S A HAPPY OCCASION.
462
00:18:34,713 --> 00:18:36,048
O.K., I'M GOING.
463
00:18:36,048 --> 00:18:36,782
GET OVER HERE.
464
00:18:36,782 --> 00:18:37,749
WE'RE TAKING A PICTURE.
465
00:18:37,749 --> 00:18:40,886
EVERYONE,
LOOK THIS WAY.
466
00:18:40,886 --> 00:18:41,954
THIS WAY.
467
00:18:41,954 --> 00:18:43,689
1...2...
468
00:18:43,689 --> 00:18:44,523
3.
469
00:18:44,523 --> 00:18:45,491
NICE.
470
00:18:45,491 --> 00:18:46,458
VERY NICE.
471
00:18:46,458 --> 00:18:47,326
THANK YOU.
472
00:18:47,326 --> 00:18:48,794
♪ GIRL, GIRL, GIRL ♪
473
00:18:48,794 --> 00:18:51,029
♪ YOU GOTTA
MAKE UP YOUR MIND ♪
474
00:18:51,029 --> 00:18:52,631
♪ MAKE UP YOUR MIND ♪
475
00:18:52,631 --> 00:18:55,400
♪ GIRL, GIRL, GIRL ♪
476
00:18:55,400 --> 00:18:57,536
♪ YOU GOTTA
MAKE UP YOUR MIND ♪
477
00:18:57,536 --> 00:18:59,138
♪ MAKE UP YOUR MIND ♪
478
00:18:59,138 --> 00:19:00,706
♪ GIRL, GIRL ♪
479
00:19:00,706 --> 00:19:01,507
♪ GIRL ♪
480
00:19:01,507 --> 00:19:03,542
♪ YOU GOTTA
MAKE UP YOUR MIND ♪
481
00:19:03,542 --> 00:19:05,477
♪ MAKE UP YOUR MIND ♪
482
00:19:05,477 --> 00:19:08,647
♪ AHH ♪
483
00:19:08,647 --> 00:19:09,948
♪ AHH... ♪
484
00:19:09,948 --> 00:19:11,917
[TELEPHONE RINGS]
485
00:19:11,917 --> 00:19:12,951
HI. IT'S ELLEN.
486
00:19:12,951 --> 00:19:15,787
PLEASE LEAVE A MESSAGE,
AND I'LL RETURN THE CALL.
487
00:19:15,787 --> 00:19:17,789
THANKS.
488
00:19:22,127 --> 00:19:24,796
[SINGING IN POLISH]
489
00:19:37,776 --> 00:19:40,646
[SPEAKING POLISH]
490
00:19:45,717 --> 00:19:47,486
HEY.
491
00:19:55,761 --> 00:19:57,863
[SPEAKING POLISH]
492
00:19:57,863 --> 00:20:00,032
PLAY THE SAMBA
FOR ME.
493
00:20:00,032 --> 00:20:02,734
[SPEAKING POLISH]
494
00:20:07,472 --> 00:20:10,475
[SINGING IN PORTUGUESE]
495
00:20:37,636 --> 00:20:40,906
[SPEAKING POLISH]
496
00:21:00,859 --> 00:21:02,427
WHOO!
497
00:21:20,712 --> 00:21:23,081
CATCH IT!
498
00:21:32,124 --> 00:21:33,191
NO!
499
00:21:33,191 --> 00:21:35,961
[CHANTING IN POLISH]
500
00:21:43,535 --> 00:21:44,202
KISS HER!
501
00:21:44,202 --> 00:21:47,172
KISS HER! KISS HER!
502
00:21:47,172 --> 00:21:49,207
KISS HER!
503
00:21:52,010 --> 00:21:54,946
[CHANTING IN POLISH]
504
00:22:18,170 --> 00:22:20,639
[SINGING]
505
00:22:26,778 --> 00:22:31,683
♪ AH, BUT MY HEART
BELONGS TO SOMEONE ELSE ♪
506
00:22:31,683 --> 00:22:35,721
♪ HOW COULD
I BE SO BOLD... ♪
507
00:22:38,690 --> 00:22:41,059
THAT WAS SOME KISS.
508
00:22:43,228 --> 00:22:44,763
YEAH, WELL,
WE, UH...
509
00:22:44,763 --> 00:22:48,834
STILL GOT
A COUPLE HOURS LEFT.
510
00:22:48,834 --> 00:22:51,570
ANYTHING ELSE
YOU MIGHT WANT TO DO?
511
00:22:51,570 --> 00:22:52,838
I DON'T KNOW.
512
00:22:52,838 --> 00:22:56,108
WHAT DO YOU
HAVE IN MIND?
513
00:22:56,108 --> 00:22:58,009
ANYTHING YOU WANT.
514
00:22:58,009 --> 00:23:01,713
HOW DO YOU
FEEL ABOUT TWO WOMEN?
515
00:23:01,713 --> 00:23:02,314
SOUNDS GREAT.
516
00:23:02,314 --> 00:23:03,915
THE MORE
THE MERRIER.
517
00:23:03,915 --> 00:23:05,984
SURE YOU CAN
HANDLE IT?
518
00:23:05,984 --> 00:23:09,654
THERE'S ONLY ONE WAY
TO FIND OUT.
519
00:23:10,922 --> 00:23:15,694
I DIDN'T HIRE YOU
FOR THE REASONS
YOU THINK.
520
00:23:16,962 --> 00:23:17,629
OHH.
521
00:23:17,629 --> 00:23:20,632
SO WHAT'D YOU
HIRE ME FOR THEN, HUH?
522
00:23:20,632 --> 00:23:23,735
BECAUSE MY GIRLFRIEND
DUMPED ME.
523
00:23:33,712 --> 00:23:36,114
[HORN HONKS]
524
00:23:37,716 --> 00:23:40,719
IT'S RIGHT UP HERE
ON THE CORNER.
525
00:23:45,791 --> 00:23:46,892
HEY, THANKS.
526
00:23:46,892 --> 00:23:48,794
I HAD A GREAT TIME.
527
00:23:48,794 --> 00:23:49,728
YOU SURE I, UH...
528
00:23:49,728 --> 00:23:52,230
CAN'T CONVINCE YOU
TO COME UPSTAIRS?
529
00:23:52,230 --> 00:23:54,766
GET OUT OF HERE.
530
00:23:56,835 --> 00:23:59,604
IT WAS NICE MEETING YOU.
I'LL SEE YOU AROUND.
531
00:23:59,604 --> 00:24:01,139
O.K.
532
00:24:01,139 --> 00:24:02,774
ALL RIGHT.
533
00:24:02,774 --> 00:24:04,242
I'LL SEE YA.
534
00:24:04,242 --> 00:24:05,744
BYE.
535
00:24:11,750 --> 00:24:13,652
OH, SHIT. MY KEYS.
536
00:24:13,652 --> 00:24:15,153
J-JUST WAIT.
537
00:24:15,153 --> 00:24:17,389
KEEP THE METER
RUNNING, O.K.?
538
00:24:17,389 --> 00:24:19,324
SHIT.
539
00:24:31,303 --> 00:24:33,271
JOE.
540
00:24:33,839 --> 00:24:36,641
JOE, YOU
HAVE MY KEYS.
541
00:24:37,642 --> 00:24:38,944
JOE.
542
00:24:40,946 --> 00:24:43,748
OH, MY.
543
00:25:19,851 --> 00:25:22,787
OH, MY GOD.
544
00:25:32,464 --> 00:25:35,834
YOU SHOULD
CALL THE POLICE.
545
00:25:37,002 --> 00:25:39,004
NO, NO. NO COPS.
546
00:25:49,481 --> 00:25:51,116
THEY CUT
THE LINES.
547
00:25:51,116 --> 00:25:54,452
L-LET'S GET
OUT OF HERE, O.K.?
548
00:25:54,452 --> 00:25:57,489
YOU CAN COME
TO MY PLACE
AND USE THE PHONE.
549
00:25:57,489 --> 00:26:00,225
IT'S O.K.
COME ON.
550
00:26:11,436 --> 00:26:13,405
WHAT'S THIS,
THE HAMPTONS?
551
00:26:13,405 --> 00:26:15,006
JERSEY SHORE.
552
00:26:15,006 --> 00:26:16,374
CAPE MAY.
553
00:26:17,776 --> 00:26:18,977
IS THAT YOU?
554
00:26:18,977 --> 00:26:20,378
YEAH. WHY?
555
00:26:20,378 --> 00:26:23,815
'CAUSE IT LOOKS
A LITTLE LIKE
AXL ROSE.
556
00:26:23,815 --> 00:26:25,417
THANKS.
557
00:26:26,384 --> 00:26:29,387
THAT WAS UP
IN THE CATSKILLS.
558
00:26:29,955 --> 00:26:33,425
SHE LOOKS LIKE
A MOVIE STAR,
DOESN'T SHE?
559
00:26:33,425 --> 00:26:35,827
LIKE VIVIEN LEIGH.
560
00:26:35,827 --> 00:26:37,395
AUDREY HEPBURN.
561
00:26:39,464 --> 00:26:40,966
SHIT.
562
00:26:40,966 --> 00:26:44,302
I'M NOT GOING
TO GET THROUGH THIS.
563
00:26:44,302 --> 00:26:47,272
I'M NOT GOING
TO BE ABLE TO.
564
00:26:47,272 --> 00:26:50,508
I CAN'T IMAGINE MY LIFE
WITHOUT HER.
565
00:26:50,508 --> 00:26:53,178
HEY, HEY, HEY.
566
00:26:53,178 --> 00:26:54,279
IT'S ALL RIGHT.
567
00:26:54,279 --> 00:26:55,480
SHE'S GOING
TO COME BACK.
568
00:26:55,480 --> 00:26:57,315
SHE'S GOING TO
COME RUNNING BACK.
569
00:26:57,315 --> 00:27:00,352
HOW THE HELL
DO YOU KNOW?
570
00:27:02,454 --> 00:27:03,555
I DON'T,
BUT, YOU KNOW,
571
00:27:03,555 --> 00:27:05,423
SHE'S--SHE'S
ON THE REBOUND,
572
00:27:05,423 --> 00:27:06,858
SHE'S VULNERABLE,
SO...
573
00:27:06,858 --> 00:27:10,128
ANY ASSHOLE THAT'S
NICE TO HER GETS HER?
574
00:27:10,128 --> 00:27:12,163
NO, BUT...
575
00:27:12,530 --> 00:27:14,833
LOOK, DON'T GET MAD,
BUT...
576
00:27:14,833 --> 00:27:19,304
YOU KNOW, IS SHE...
SHE ONLY INTO GIRLS,
OR WHAT?
577
00:27:19,304 --> 00:27:20,505
GIRLS?
578
00:27:20,505 --> 00:27:23,208
LADIES, WOMEN.
579
00:27:23,208 --> 00:27:24,909
WELL...NO.
580
00:27:24,909 --> 00:27:27,545
SHE HAD A BOYFRIEND
BEFORE ME.
581
00:27:27,545 --> 00:27:28,413
BINGO.
582
00:27:28,413 --> 00:27:30,415
PERFECT. I MEAN...
WHO KNOWS?
583
00:27:30,415 --> 00:27:32,017
MAYBE
SHE'LL TRY A GUY.
584
00:27:32,017 --> 00:27:33,318
SINCE MOST GUYS
ARE ASSHOLES,
585
00:27:33,318 --> 00:27:34,252
IT'S ONLY
A MATTER OF TIME
586
00:27:34,252 --> 00:27:35,854
BEFORE ONE OF THEM
FUCKS HER OVER,
587
00:27:35,854 --> 00:27:40,058
SO SHE'LL BE BACK
IN YOUR ARMS SOON.
588
00:27:40,058 --> 00:27:42,494
[TELEPHONE RINGS]
589
00:27:43,028 --> 00:27:43,895
HOW DO YOU KNOW?
590
00:27:43,895 --> 00:27:46,531
'CAUSE IT'S MY JOB.
I KNOW WOMEN.
591
00:27:46,531 --> 00:27:48,233
[RING]
592
00:27:48,233 --> 00:27:49,134
HELLO.
593
00:27:49,134 --> 00:27:49,968
JOEY THERE?
594
00:27:49,968 --> 00:27:51,136
YEAH.
HE'S RIGHT HERE.
595
00:27:51,136 --> 00:27:52,437
PUT HIM ON. JOEY.
596
00:27:52,437 --> 00:27:54,873
HEY, MICK. YOU
GOT THE MESSAGE.
597
00:27:54,873 --> 00:27:55,607
I GOT THE MESSAGE.
598
00:27:55,607 --> 00:27:57,475
I'LL BET YOU ANYTHING
HARVEY DID THIS.
599
00:27:57,475 --> 00:27:59,044
OF COURSE
IT WAS HARVEY.
600
00:27:59,044 --> 00:28:00,478
ALL RIGHT, WAIT.
WHERE ARE YOU?
601
00:28:00,478 --> 00:28:03,014
TALK TO THIS GUY.
HE'S A FUCKING
PSYCHO.
602
00:28:03,014 --> 00:28:06,184
I'LL TAKE CARE OF IT.
WHERE ARE YOU?
603
00:28:06,184 --> 00:28:07,218
I DON'T KNOW.
604
00:28:07,218 --> 00:28:08,653
YOU CAN STAY WITH ME.
605
00:28:08,653 --> 00:28:10,522
IF I COME
TO YOUR PLACE,
606
00:28:10,522 --> 00:28:13,258
HE'LL BE WAITING
WITH A BLOWTORCH.
607
00:28:13,258 --> 00:28:14,359
WHERE WILL YOU STAY?
608
00:28:14,359 --> 00:28:16,394
I DON'T KNOW.
HOTEL, I GUESS.
609
00:28:16,394 --> 00:28:17,629
NO. COME TO MY HOUSE.
610
00:28:17,629 --> 00:28:19,564
STAY HERE.
STAY HERE TONIGHT.
611
00:28:19,564 --> 00:28:23,601
JOEY, YOU COME
TO MY--HELLO!
612
00:28:23,601 --> 00:28:24,569
JOE!
613
00:28:24,569 --> 00:28:25,737
HEY, MICK,
614
00:28:25,737 --> 00:28:28,339
I'M GOING TO STAY
HERE TONIGHT.
615
00:28:28,339 --> 00:28:30,141
WHERE'S HERE?
616
00:28:30,141 --> 00:28:31,342
A GIRL--A FRIEND.
617
00:28:31,342 --> 00:28:32,610
SHE A CLIENT?
618
00:28:32,610 --> 00:28:33,278
A FRIEND.
619
00:28:33,278 --> 00:28:34,946
SHE'D BETTER NOT
BE A CLIENT.
620
00:28:34,946 --> 00:28:36,614
YOU GOT THE NUMBER?
621
00:28:36,614 --> 00:28:38,416
TAKE CARE OF THIS
FOR ME. CALL HIM.
622
00:28:38,416 --> 00:28:40,418
YEAH.
DON'T GO OUT.
623
00:28:40,418 --> 00:28:42,020
TALK TO YOU TOMORROW.
624
00:28:42,020 --> 00:28:43,855
LATER.
625
00:28:44,456 --> 00:28:45,256
THANKS.
626
00:28:45,256 --> 00:28:48,326
YOU KNOW, IT'S ONLY
FOR A DAY OR TWO,
627
00:28:48,326 --> 00:28:50,361
TOPS.
628
00:28:51,529 --> 00:28:52,430
WHAT?
629
00:28:52,430 --> 00:28:54,466
YOU COULD DO IT,
JOE.
630
00:28:54,466 --> 00:28:55,233
EXCUSE ME?
631
00:28:55,233 --> 00:28:57,368
YOU GET ELLEN
BACK FOR ME.
632
00:28:57,368 --> 00:28:58,970
WHAT ARE YOU
TALKING ABOUT?
633
00:28:58,970 --> 00:29:00,371
ARE YOU
GOOD WITH WOMEN?
634
00:29:00,371 --> 00:29:02,474
ARE YOU GOOD
WITH YOUR JOB?
635
00:29:02,474 --> 00:29:03,141
YEAH.
636
00:29:03,141 --> 00:29:04,309
YOU CAN
BREAK HER HEART
637
00:29:04,309 --> 00:29:07,879
AND SEND HER
RUNNING BACK TO ME.
638
00:29:09,314 --> 00:29:13,251
LOOK, I'M GOING
TO STAY HERE
ON THE COUCH, O.K.?
639
00:29:13,251 --> 00:29:15,420
NO, JOE, LOOK,
IT'LL WORK.
640
00:29:15,420 --> 00:29:16,621
I GOT
NOTHING TO LOSE.
641
00:29:16,621 --> 00:29:18,456
YOU KNOW,
SHE ALREADY LEFT ME.
642
00:29:18,456 --> 00:29:21,359
JUST GO M--SEE HER.
UH, MEET WITH HER.
643
00:29:21,359 --> 00:29:23,261
YOU CAN
SIT IN HER CLASS.
644
00:29:23,261 --> 00:29:25,597
ALL RIGHT, ALL RIGHT,
ALL RIGHT.
645
00:29:25,597 --> 00:29:26,664
O.K.
646
00:29:26,664 --> 00:29:30,101
I'LL SLEEP ON IT,
ALL RIGHT?
647
00:29:30,101 --> 00:29:30,602
GREAT!
648
00:29:30,602 --> 00:29:32,370
UH, GREAT.
I MEAN, SLEEP ON IT.
649
00:29:32,370 --> 00:29:33,738
THAT'LL--THAT'S--
THAT'LL WORK.
650
00:29:33,738 --> 00:29:35,140
THAT'S--
THAT'S PERFECT.
651
00:29:35,140 --> 00:29:37,475
SO LET'S START
WITH INSPIRATION.
652
00:29:37,475 --> 00:29:38,309
I'VE GOT SOMETHING
653
00:29:38,309 --> 00:29:39,644
I'D LIKE TO READ
FOR YOU TODAY.
654
00:29:39,644 --> 00:29:40,845
IT'S FROM A NOVEL
CALLED VICTORIA,
655
00:29:40,845 --> 00:29:44,649
WRITTEN BY NEWT HAMPSON AROUND
THE TURN OF THE CENTURY.
656
00:29:44,649 --> 00:29:46,351
YOU MINIMALIST GUYS
WILL THINK
657
00:29:46,351 --> 00:29:47,719
IT'S A LITTLE
OVER THE TOP,
658
00:29:47,719 --> 00:29:49,387
BUT THAT'S THE POINT.
659
00:29:49,387 --> 00:29:51,456
IT'S A LOVE STORY,
660
00:29:51,456 --> 00:29:53,691
A TRAGIC LOVE STORY.
661
00:29:53,691 --> 00:29:56,628
THE BEST KIND, RIGHT?
662
00:29:58,696 --> 00:30:00,165
"DEAR JOHANN,
663
00:30:00,165 --> 00:30:04,102
WHEN YOU READ THIS LETTER,
I SHALL BE DEAD."
664
00:30:12,043 --> 00:30:14,512
"EVERYTHING
SEEMS SO STRANGE NOW.
665
00:30:14,512 --> 00:30:17,816
"I DON'T FEEL ASHAMED
TO WRITE TO YOU ANYMORE,
666
00:30:17,816 --> 00:30:21,152
"AND I'M WRITING
JUST AS IF NOTHING HAPPENED
667
00:30:21,152 --> 00:30:23,655
TO PREVENT IT."
668
00:30:29,561 --> 00:30:33,198
"BEFORE, WHEN I WAS
FULLY ALIVE..."
669
00:30:33,198 --> 00:30:35,834
"I WOULD RATHER
HAVE SUFFERED NIGHT AND DAY
670
00:30:35,834 --> 00:30:37,302
"THAN WRITTEN TO YOU AGAIN,
671
00:30:37,302 --> 00:30:39,270
"BUT NOW I'VE
STARTED TO DIE,
672
00:30:39,270 --> 00:30:43,308
AND I DON'T THINK
IN THAT WAY ANY LONGER."
673
00:30:44,142 --> 00:30:46,511
"STRANGERS HAVE
SEEN ME BLEED.
674
00:30:46,511 --> 00:30:48,580
"FORGIVE ME FOR THE WRONG
I'VE DONE YOU
675
00:30:48,580 --> 00:30:51,716
"AND FOR NEVER HAVING
THROWN MYSELF AT YOUR FEET
676
00:30:51,716 --> 00:30:53,051
"AND BEGGED
YOUR FORGIVENESS.
677
00:30:53,051 --> 00:30:56,387
"I DO SO NOW
WITH ALL MY HEART.
678
00:30:56,387 --> 00:30:59,324
"BE HAPPY, JOHANN,
AND GOODBYE FOREVER.
679
00:30:59,324 --> 00:31:01,492
YOURS, VICTORIA."
680
00:31:03,461 --> 00:31:04,495
SO YOUR FIRST ASSIGNMENT
681
00:31:04,495 --> 00:31:07,131
IS TO WRITE A LETTER
TO A LOVER.
682
00:31:07,131 --> 00:31:10,368
IT CAN BE A REAL
OR IMAGINARY PERSON.
683
00:31:11,169 --> 00:31:12,270
WELL...
684
00:31:12,270 --> 00:31:15,406
GOOD. SO...
HAVE A GOOD WEEK.
685
00:31:30,388 --> 00:31:33,157
THAT, UH...
686
00:31:33,157 --> 00:31:35,560
JOHANN WAS
A LUCKY GUY, HUH?
687
00:31:35,560 --> 00:31:37,595
LUCKY?
688
00:31:37,595 --> 00:31:40,231
VICTORIA DIES.
689
00:31:40,231 --> 00:31:42,267
OH, SHE DIES? OH.
690
00:31:42,267 --> 00:31:44,702
WELL, YOU KNOW...
691
00:31:45,637 --> 00:31:48,239
AT LEAST HE WAS LOVED.
692
00:31:50,842 --> 00:31:52,410
UH...
693
00:31:53,411 --> 00:31:54,846
I'LL SEE YOU NEXT WEEK.
694
00:31:54,846 --> 00:31:56,781
YEAH.
695
00:31:56,781 --> 00:31:58,283
O.K.
696
00:31:58,283 --> 00:32:00,351
BYE-BYE.
697
00:32:00,351 --> 00:32:01,653
BYE.
698
00:32:11,396 --> 00:32:12,497
JOE?
699
00:32:12,497 --> 00:32:15,833
YEAH. I'M
IN THE BATHROOM.
700
00:32:17,835 --> 00:32:18,670
HEY.
701
00:32:18,670 --> 00:32:20,104
HEY, HOW YOU DOING?
702
00:32:20,104 --> 00:32:21,539
ALL RIGHT.
703
00:32:21,539 --> 00:32:23,441
SO DID YOU FIND HER?
704
00:32:23,441 --> 00:32:25,376
RIGHT ON SCHEDULE.
705
00:32:25,376 --> 00:32:28,146
HOW DID SHE LOOK?
DID SHE LOOK HAPPY?
706
00:32:28,146 --> 00:32:29,414
HAPPY? I DON'T KNOW.
707
00:32:29,414 --> 00:32:30,548
SHE LOOKED NERVOUS.
708
00:32:30,548 --> 00:32:32,617
IT WAS THE FIRST
DAY OF CLASS.
709
00:32:32,617 --> 00:32:35,720
WANT TO GRAB MY SUIT
FOR ME?
710
00:32:35,720 --> 00:32:37,455
SO W-WHAT DID YOU
SAY TO HER?
711
00:32:37,455 --> 00:32:41,826
I SAID I'D
FUCK HER LIGHTS OUT
AND BREAK HER HEART.
712
00:32:41,826 --> 00:32:43,428
YOU GOT ANY DEODORANT?
713
00:32:43,428 --> 00:32:45,196
YOU'RE
SUCH AN ASSHOLE.
714
00:32:45,196 --> 00:32:47,665
WHAT WAS--
WHAT WAS SHE WEARING?
715
00:32:47,665 --> 00:32:51,569
WHAT IS THIS,
20 QUESTIONS HERE?
JESUS.
716
00:32:51,569 --> 00:32:52,570
WHAT
WAS SHE WEARING?
717
00:32:52,570 --> 00:32:55,606
SHE WAS
ALL DRESSED UP.
SHE LOOKED GREAT.
718
00:32:55,606 --> 00:32:56,841
SLUT.
719
00:32:56,841 --> 00:32:58,509
LISTEN, DO ME A FAVOR
AND GRAB MY SHOES.
720
00:32:58,509 --> 00:33:01,245
THEY'RE
OUT IN THE HALLWAY.
721
00:33:01,245 --> 00:33:02,613
GOD, I'M LATE.
722
00:33:02,613 --> 00:33:06,718
WHAT'S THE BIG HURRY?
WHERE ARE YOU GOING?
723
00:33:06,718 --> 00:33:08,720
I'M GOING TO WORK.
724
00:33:08,720 --> 00:33:09,754
TO WORK?
725
00:33:09,754 --> 00:33:10,488
YEAH.
726
00:33:10,488 --> 00:33:11,589
WHAT ABOUT ME?
727
00:33:11,589 --> 00:33:13,491
WHAT ABOUT ME
AND ELLEN?
728
00:33:13,491 --> 00:33:15,727
WHAT ABOUT ELLEN?
WHAT ABOUT ELLEN?
729
00:33:15,727 --> 00:33:17,495
PIECE OF CAKE.
NO PROBLEM.
730
00:33:17,495 --> 00:33:20,698
LISTEN, I--
I GOT TO RUN.
731
00:33:20,698 --> 00:33:21,666
WHAT?
732
00:33:21,666 --> 00:33:22,800
YOU--SHAVING CREAM.
733
00:33:22,800 --> 00:33:24,369
OH, YEAH. O.K. THANKS.
734
00:33:24,369 --> 00:33:25,203
BYE.
735
00:33:25,203 --> 00:33:27,372
BYE. HAVE FUN.
736
00:33:30,775 --> 00:33:32,410
SHIT.
737
00:33:34,912 --> 00:33:36,714
I'M SORRY.
738
00:33:38,249 --> 00:33:40,385
YOU WANT HER?
739
00:33:40,918 --> 00:33:41,819
YEAH?
740
00:33:41,819 --> 00:33:43,488
YOU GOT HER.
741
00:33:43,788 --> 00:33:46,190
YOU O.K.?
I GOT TO RUN.
742
00:33:46,190 --> 00:33:47,692
O.K.
743
00:33:48,393 --> 00:33:49,694
BYE.
744
00:33:50,862 --> 00:33:52,530
YES.
745
00:34:05,710 --> 00:34:06,644
GOOD EVENING.
746
00:34:06,644 --> 00:34:09,647
BILLY, TOTO NEEDS
A LITTLE TREAT.
747
00:34:09,647 --> 00:34:11,949
THINK OF
SOMETHING SPECIAL.
748
00:34:11,949 --> 00:34:12,650
SURE WILL.
749
00:34:12,650 --> 00:34:13,818
GOOD EVENING,
MISS THOMAS.
750
00:34:13,818 --> 00:34:16,421
GOOD EVENING, MITCH.
751
00:34:51,022 --> 00:34:52,457
GOOD NIGHT, MITCH.
752
00:34:52,457 --> 00:34:55,460
HAVE A NICE NIGHT,
MISS THOMAS.
753
00:34:58,696 --> 00:35:00,364
THAT'S NOT FUNNY.
754
00:35:00,364 --> 00:35:02,600
IT'S NOT LOADED.
755
00:36:25,917 --> 00:36:27,485
[GUNSHOT]
756
00:36:27,485 --> 00:36:28,786
AAH!
757
00:36:30,821 --> 00:36:31,756
"NOT LOADED"?
758
00:36:31,756 --> 00:36:34,792
GOD, YOU DIDN'T THINK
I KNEW IT WAS LOADED.
759
00:36:34,792 --> 00:36:38,462
DO YOU HAVE ANY IDEA
WHERE THAT GUN'S BEEN?
760
00:36:50,007 --> 00:36:51,609
ROOM SERVICE.
761
00:36:51,609 --> 00:36:53,077
HOLD ON!
762
00:36:53,077 --> 00:36:54,045
HELP!
763
00:36:54,045 --> 00:36:56,914
HA HA HA HA HA HA!
764
00:36:56,914 --> 00:36:59,083
HELP ME!
765
00:36:59,083 --> 00:37:01,018
FAKE IT.
766
00:37:02,587 --> 00:37:05,790
LIFESTYLES OF THE RICH
AND FAMOUS BITCHES.
767
00:37:05,790 --> 00:37:09,060
LIFESTYLES OF THE BITCHY
AND THE FAMOUS,
768
00:37:09,060 --> 00:37:11,028
OR THE INFAMOUS.
769
00:37:11,028 --> 00:37:13,598
HA HA HA HA!
770
00:37:28,579 --> 00:37:30,748
SHIT.
771
00:37:31,782 --> 00:37:34,418
HAVING TROUBLE,
LORD BYRON?
772
00:37:34,418 --> 00:37:34,819
YEAH.
773
00:37:34,819 --> 00:37:37,455
YOU DIDN'T SAY
NOTHING ABOUT HOMEWORK.
774
00:37:37,455 --> 00:37:40,658
LOOKS LIKE
STUDY HALL FOR YOU.
775
00:37:40,658 --> 00:37:42,126
YEAH, RIGHT.
776
00:37:42,126 --> 00:37:44,895
I SPENT MY WHOLE
SENIOR YEAR IN DETENTION.
777
00:37:44,895 --> 00:37:46,497
YOU WENT
TO HIGH SCHOOL?
778
00:37:46,497 --> 00:37:48,766
YEAH.
WHAT DID YOU THINK?
779
00:37:48,766 --> 00:37:49,634
I DON'T KNOW.
780
00:37:49,634 --> 00:37:53,070
I THOUGHT
YOU WERE ONE OF
THOSE STREET KIDS.
781
00:37:53,070 --> 00:37:55,339
WHO FOUGHT HIS WAY
OUT OF THE GHETTO?
782
00:37:55,339 --> 00:37:59,543
YOU'VE BEEN WATCHING
TOO MANY EPISODES
OF MACGYVER.
783
00:37:59,543 --> 00:38:01,779
I GREW UP OVER THE BRIDGE
IN HACKENSACK.
784
00:38:01,779 --> 00:38:05,449
MY OLD MAN RAN
A LINCOLN MERCURY
DEALERSHIP,
785
00:38:05,449 --> 00:38:07,518
AND MY MOM...
786
00:38:08,919 --> 00:38:11,155
SHE SPLIT.
787
00:38:12,857 --> 00:38:13,824
THAT'S IT.
788
00:38:13,824 --> 00:38:15,960
THE AMERICAN DREAM.
789
00:38:16,160 --> 00:38:19,797
HOW DID YOU
BECOME AN ESCORT?
790
00:38:21,599 --> 00:38:24,769
I WATCHED TOO MANY
MACGYVER EPISODES.
791
00:38:25,903 --> 00:38:29,173
ALL RIGHT. SO WHAT'S
THIS ASSIGNMENT?
792
00:38:30,608 --> 00:38:34,211
SHE WANTS US TO WRITE
SOME KIND OF LOVE LETTER.
793
00:38:34,211 --> 00:38:36,180
BITCH.
794
00:38:37,081 --> 00:38:38,849
ALL RIGHT.
LET'S GIVE HER ONE
795
00:38:38,849 --> 00:38:41,886
THAT WILL MAKE HER
BEAUTIFUL CHEEKS
BLUSH.
796
00:38:41,886 --> 00:38:43,187
GREAT.
797
00:38:43,187 --> 00:38:44,555
UM...
798
00:38:44,555 --> 00:38:46,090
SHOOT.
799
00:38:46,390 --> 00:38:48,125
AS YOU CAME
FROM THE HOT BATH,
800
00:38:48,125 --> 00:38:50,528
I TOOK YOU
BEFORE THE LONG MIRROR--
801
00:38:50,528 --> 00:38:52,663
WHOA, WHOA.
802
00:38:53,497 --> 00:38:55,166
AS...
803
00:38:55,166 --> 00:38:56,334
OH.
804
00:38:56,334 --> 00:38:59,837
"AS YOU CAME
FROM THE HOT BATH,
805
00:38:59,837 --> 00:39:03,107
"I TOOK YOU BEFORE
THE LONG MIRROR.
806
00:39:03,107 --> 00:39:05,976
"YOUR BREASTS
QUIVERED IN MY HANDS.
807
00:39:05,976 --> 00:39:09,213
"YOUR BUTTOCKS
SHIVERED AGAINST ME.
808
00:39:09,213 --> 00:39:11,849
"MY TONGUE MOVES INTO YOU...
809
00:39:11,849 --> 00:39:14,151
"AND YOU BECOME HOLLOW,
810
00:39:14,151 --> 00:39:16,220
"ABLAZE
WITH WHIRLING LIGHT,
811
00:39:16,220 --> 00:39:20,691
LIKE THE INSIDE
OF A VAST, EXPANDING PEARL."
812
00:39:25,296 --> 00:39:27,131
UM...
813
00:39:27,131 --> 00:39:30,034
"I CANNOT FORGET
THE PERFUMED DUSK
814
00:39:30,034 --> 00:39:33,637
"INSIDE THE TENT
OF YOUR BLACK HAIR,
815
00:39:33,637 --> 00:39:36,774
"AS WE AWOKE IN THE DAWN
TO THE LOVE
816
00:39:36,774 --> 00:39:39,009
"AFTER A NIGHT OF LOVE.
817
00:39:39,009 --> 00:39:39,844
"AT THIS MOMENT,
818
00:39:39,844 --> 00:39:43,381
WE ARE THE HAPPIEST
PEOPLE IN THE WORLD."
819
00:39:43,381 --> 00:39:49,720
"BUT NOW, EVERY MORNING,
I WAKE ALONE..."
820
00:39:51,055 --> 00:39:53,557
"DREAMING..."
821
00:39:53,557 --> 00:39:55,960
UM...
822
00:39:55,960 --> 00:40:00,297
"MY ARM IS YOUR SWEET FLESH
PRESSING MY LIPS.
823
00:40:00,297 --> 00:40:02,867
"WHAT CAN I WRITE TO YOU?
824
00:40:02,867 --> 00:40:05,136
"SICK WITH LOVE,
I LONG TO SEE YOU.
825
00:40:05,136 --> 00:40:08,139
"I CAN WRITE
ONLY I LOVE YOU,
826
00:40:08,139 --> 00:40:10,574
I LOVE YOU..."
827
00:40:10,574 --> 00:40:12,109
UM...
828
00:40:12,109 --> 00:40:14,845
"I LOVE--I LOVE YOU."
829
00:40:21,619 --> 00:40:23,154
THAT'S IT.
830
00:40:27,158 --> 00:40:27,858
O.K.
831
00:40:27,858 --> 00:40:31,595
THAT'S IT FOR TODAY.
CLASS DISMISSED.
832
00:40:33,030 --> 00:40:36,066
MR. CASELLA, COULD YOU
STAY FOR A MINUTE?
833
00:40:36,066 --> 00:40:37,902
UH, SURE. SURE.
834
00:40:37,902 --> 00:40:41,038
THAT WAS A VERY
BEAUTIFUL LETTER.
835
00:40:43,140 --> 00:40:45,042
THANKS.
836
00:40:46,644 --> 00:40:48,112
YOU KNOW,
YOU'VE VERY IN TOUCH
837
00:40:48,112 --> 00:40:51,749
WITH THE FEMININE
SIDE OF YOURSELF.
838
00:40:53,651 --> 00:40:55,186
I NEVER KNEW THAT.
839
00:40:55,186 --> 00:41:01,392
IN FACT, YOU WOULD
HAVE TO HAVE BEEN
A JAPANESE WOMAN.
840
00:41:01,392 --> 00:41:03,327
UM...
841
00:41:03,327 --> 00:41:04,395
I DON'T UNDERSTAND.
842
00:41:04,395 --> 00:41:06,730
YOUR LETTER WAS
WRITTEN BY A POET--
843
00:41:06,730 --> 00:41:09,767
A JAPANESE POET
NAMED MARAKIKO.
844
00:41:10,701 --> 00:41:12,236
MR. CASELLA,
845
00:41:12,236 --> 00:41:14,972
YOU'RE A PLAGIARIST.
846
00:41:14,972 --> 00:41:16,841
GOODBYE.
847
00:41:21,846 --> 00:41:24,815
SON OF A BITCH.
848
00:41:26,283 --> 00:41:28,686
THAT'S JUST IT.
849
00:41:28,686 --> 00:41:31,689
I AM
A JAPANESE WOMAN.
850
00:41:31,956 --> 00:41:32,790
WHAT DO YOU THINK,
851
00:41:32,790 --> 00:41:36,694
IT'S FUN BEING TRAPPED
INSIDE THIS BODY?
852
00:41:36,694 --> 00:41:38,195
ALL RIGHT. O.K.
I'M SORRY.
853
00:41:38,195 --> 00:41:40,164
ALL I WANTED TO DO
WAS IMPRESS YOU.
854
00:41:40,164 --> 00:41:42,733
YOU'RE LATE
TO MY FIRST CLASS,
855
00:41:42,733 --> 00:41:43,367
YOU PLAGIARIZE.
856
00:41:43,367 --> 00:41:44,802
MAYBE YOU SHOULD
TRY ANOTHER TEACHER.
857
00:41:44,802 --> 00:41:47,271
I DON'T WANT ANOTHER TEACHER.
I WANT YOU.
858
00:41:47,271 --> 00:41:49,306
LOOK, JUST GIVE ME
FIVE MINUTES.
859
00:41:49,306 --> 00:41:51,909
FIVE MINUTES
OUT OF YOUR DAY.
860
00:41:51,909 --> 00:41:53,777
COME ON.
861
00:41:53,777 --> 00:41:55,713
PLEASE?
862
00:41:56,080 --> 00:41:56,914
I DON'T KNOW,
863
00:41:56,914 --> 00:41:59,817
I MUST
HAVE BEEN 6 OR 7.
864
00:41:59,817 --> 00:42:02,186
I WAS 6. I WAS
IN FIRST GRADE,
865
00:42:02,186 --> 00:42:05,155
AND I WAS SITTING
ON THE LIVING ROOM
FLOOR
866
00:42:05,155 --> 00:42:07,291
WATCHING BATMAN,
AND I WAS STARVING.
867
00:42:07,291 --> 00:42:08,225
IT WAS AFTER SCHOOL,
868
00:42:08,225 --> 00:42:10,027
AND I WAS
REALLY HUNGRY,
869
00:42:10,027 --> 00:42:12,863
SO, UH...I GOT UP,
870
00:42:12,863 --> 00:42:16,133
AND I--I WALKED
INTO THE KITCHEN,
871
00:42:16,133 --> 00:42:18,068
AND, UH...
872
00:42:19,370 --> 00:42:21,939
UH...
873
00:42:21,939 --> 00:42:23,407
THERE SHE WAS.
874
00:42:23,407 --> 00:42:25,342
UH, MY MOTHER WAS...
875
00:42:25,342 --> 00:42:28,012
LAYING ON
THE KITCHEN FLOOR.
876
00:42:30,314 --> 00:42:32,149
SHE HAD, UH...
877
00:42:32,149 --> 00:42:34,084
SHE--SHE HAD DIED.
878
00:42:34,885 --> 00:42:37,354
SHE WAS--
SHE WAS DEAD.
879
00:42:37,922 --> 00:42:40,057
SHE WAS INTO
THIS COMBINATION
880
00:42:40,057 --> 00:42:41,992
OF BOOZE AND SMACK.
881
00:42:41,992 --> 00:42:44,995
REALLY KNOCKED HER
FOR A LOOP.
882
00:42:46,163 --> 00:42:47,898
BUT THIS TIME,
883
00:42:47,898 --> 00:42:51,135
YOU KNOW,
WAS THE LAST TIME.
884
00:42:51,135 --> 00:42:52,436
I'M SORRY.
885
00:42:52,436 --> 00:42:54,405
ANYWAY, COME ON.
886
00:42:54,405 --> 00:42:56,073
YOU GOT
TO PLAY FAIR.
887
00:42:56,073 --> 00:42:58,342
YOU OWE ME
A PERSONAL ANSWER.
888
00:42:58,342 --> 00:42:59,376
COME ON.
889
00:42:59,376 --> 00:43:00,344
O.K.
890
00:43:00,344 --> 00:43:01,779
ONE...
891
00:43:01,779 --> 00:43:03,747
AND NOT TOO PERSONAL.
892
00:43:03,747 --> 00:43:04,848
O.K.
893
00:43:04,848 --> 00:43:06,784
UM...
894
00:43:07,184 --> 00:43:09,787
SEEING THAT
I'M...AUDITING
895
00:43:09,787 --> 00:43:12,790
AND, UH, YOU KNOW,
NOT A REAL STUDENT,
896
00:43:12,790 --> 00:43:13,891
YOU KNOW,
IF IT'S NOT ILLEGAL,
897
00:43:13,891 --> 00:43:16,226
I THOUGHT
MAYBE WE COULD, UH,
898
00:43:16,226 --> 00:43:18,262
GET TOGETHER
FOR DINNER
899
00:43:18,262 --> 00:43:19,830
OR, UH, A MOVIE,
900
00:43:19,830 --> 00:43:21,398
MAYBE ANOTHER CUP
OF COFFEE SOMETIME.
901
00:43:21,398 --> 00:43:25,436
WELL, ACTUALLY, I'M--
I'M INVOLVED WITH SOMEBODY.
902
00:43:25,436 --> 00:43:31,175
I DON'T KNOW. I DON'T
THINK IT'S THE RIGHT TIME.
903
00:43:31,175 --> 00:43:31,875
UH...
904
00:43:31,875 --> 00:43:34,345
WHAT'S--WHAT'S,
UH, HIS NAME?
905
00:43:34,345 --> 00:43:35,512
CONRAD.
906
00:43:35,512 --> 00:43:38,048
HIS NAME'S CONRAD.
907
00:43:57,501 --> 00:43:59,169
CONRAD!
908
00:44:00,137 --> 00:44:03,841
OH, CONRAD, BABY.
909
00:44:04,074 --> 00:44:05,943
SHE SAID
YOUR NAME WAS CONRAD
910
00:44:05,943 --> 00:44:07,945
AND YOU TWO
WERE STILL AN ITEM.
911
00:44:07,945 --> 00:44:09,513
THAT LYING BITCH.
912
00:44:09,513 --> 00:44:10,948
I GOT HER
AGAINST THE ROPES.
913
00:44:10,948 --> 00:44:13,217
SHE CAN'T KEEP LYING
TO ME FOREVER.
914
00:44:13,217 --> 00:44:14,852
DID SHE READ
MY LOVE LETTER?
915
00:44:14,852 --> 00:44:18,422
YEAH. SHE BUSTED ME
FOR PLAGIARISM.
NICE GOING.
916
00:44:18,422 --> 00:44:21,992
FUCK.
SHE KNEW THAT ONE.
917
00:44:21,992 --> 00:44:23,260
CAN'T BELIEVE IT.
918
00:44:23,260 --> 00:44:24,995
THEN IT TOOK ME
15 MINUTES
919
00:44:24,995 --> 00:44:27,331
TO CONVINCE HER
TO HAVE COFFEE.
920
00:44:27,331 --> 00:44:29,400
THANKS.
921
00:44:29,400 --> 00:44:31,201
AND?
922
00:44:31,201 --> 00:44:33,237
AND...
923
00:44:33,237 --> 00:44:34,571
HOW DOES
A GUY LIKE ME
924
00:44:34,571 --> 00:44:36,306
CHARM A GIRL
LIKE HER?
925
00:44:36,306 --> 00:44:36,940
HOW?
926
00:44:36,940 --> 00:44:39,543
I MADE UP
THIS TOTALLY
OUTRAGEOUS STORY
927
00:44:39,543 --> 00:44:41,512
ABOUT MY FUCKED-UP
CHILDHOOD.
928
00:44:41,512 --> 00:44:42,646
SHE ATE IT UP.
929
00:44:42,646 --> 00:44:45,416
THE TWO OF YOU ARE
FRIENDS NOW OR SOMETHING?
930
00:44:45,416 --> 00:44:48,886
YOU SHOULD HAVE
SEEN HER EYES.
SHE LOVED IT.
931
00:44:48,886 --> 00:44:50,921
OH, GOD, I CAN'T
TAKE THIS ANYMORE.
932
00:44:50,921 --> 00:44:52,956
I'M GOING
TO GO CRAZY.
933
00:44:52,956 --> 00:44:54,058
WOULD YOU RELAX?
934
00:44:54,058 --> 00:44:56,460
I KNOW WHAT I'M
DOING, ALL RIGHT?
935
00:44:56,460 --> 00:44:59,163
I GOT EVERYTHING
UNDER CONTROL, O.K.?
936
00:44:59,163 --> 00:45:00,931
HA.
LOOK AT YOUR FACE.
937
00:45:00,931 --> 00:45:03,267
WHY DON'T YOU
FINISH WHATEVER
YOU'RE DOING?
938
00:45:03,267 --> 00:45:06,303
WE'LL GO
DROWN SOME OLIVES.
939
00:45:06,303 --> 00:45:08,238
O.K.
940
00:45:08,939 --> 00:45:11,308
I KNOW JUST THE PLACE.
941
00:45:11,308 --> 00:45:13,577
J. EDGAR HOOVER.
942
00:45:13,577 --> 00:45:15,312
THE FBI GUY?
943
00:45:15,312 --> 00:45:16,480
THAT'S IMPOSSIBLE.
944
00:45:16,480 --> 00:45:17,381
YOU'RE TRYING TO TELL ME
945
00:45:17,381 --> 00:45:20,384
THE GUY WHO FOUNDED
THE FBI IS GAY?
946
00:45:20,384 --> 00:45:21,618
TOTAL SCREAMER.
947
00:45:21,618 --> 00:45:26,290
HE HAD EVEN
BUGGED HIS OWN
SWING PARTIES.
948
00:45:26,290 --> 00:45:27,925
I HEARD THE TAPES.
949
00:45:27,925 --> 00:45:30,561
MAMIE EISENHOWER.
950
00:45:30,561 --> 00:45:32,429
GET OUT OF HERE!
951
00:45:32,429 --> 00:45:34,398
ABBOTT AND COSTELLO.
952
00:45:34,398 --> 00:45:35,733
NO WAY, ALL RIGHT?
953
00:45:35,733 --> 00:45:39,036
YOU EVER SEEN HOW THEY
LOOKED AT EACH OTHER?
954
00:45:39,036 --> 00:45:39,970
I'M TELLING YOU,
955
00:45:39,970 --> 00:45:41,371
BABY, YOU GOT
TO BELIEVE ME.
956
00:45:41,371 --> 00:45:43,073
IT'S INSTINCT.
YOU CAN TELL.
957
00:45:43,073 --> 00:45:45,542
IT'S IN THEIR EYES--
THE LOOK.
958
00:45:45,542 --> 00:45:47,377
REALLY?
959
00:45:55,486 --> 00:45:57,454
HI THERE.
960
00:46:00,524 --> 00:46:03,494
YOU AIN'T THE ONLY KING
IN THIS JOINT, SWEETHEART.
961
00:46:03,494 --> 00:46:05,129
WANT TO DANCE?
962
00:46:05,129 --> 00:46:06,263
AH, COME ON.
963
00:46:06,263 --> 00:46:08,031
COME ON, DANCE,
CONNIE.
964
00:46:08,031 --> 00:46:09,666
DANCE WITH HIM.
965
00:46:09,666 --> 00:46:10,434
COME ON.
966
00:46:10,434 --> 00:46:13,070
♪ HIGHER ♪
967
00:46:16,340 --> 00:46:18,709
♪ WHEN YOU SHAKE
WHAT YOU GOT ♪
968
00:46:18,709 --> 00:46:20,844
♪ AND, GIRL,
YOU'VE GOT A LOT ♪
969
00:46:20,844 --> 00:46:23,080
♪ YOU'RE REALLY
SOMETHIN', CHILD ♪
970
00:46:23,080 --> 00:46:25,682
♪ YES, YA ARE ♪
971
00:46:25,682 --> 00:46:26,450
AAH!
972
00:46:26,450 --> 00:46:28,418
♪ WHEN YOU'RE HOT,
YOU'RE HOT ♪
973
00:46:28,418 --> 00:46:31,321
♪ YOU REALLY
SHOOT YOUR SHOT ♪
974
00:46:31,321 --> 00:46:32,356
OH, YEAH!
975
00:46:32,356 --> 00:46:33,056
YEAH!
976
00:46:33,056 --> 00:46:36,593
♪ THE WAY YOU WALK,
YOU TALK ♪
977
00:46:36,593 --> 00:46:40,030
♪ REALLY TURNS ME ON ♪
978
00:46:40,030 --> 00:46:42,266
SO YOU HAD
A GOOD TIME?
979
00:46:42,266 --> 00:46:43,066
ABSOLUTELY.
980
00:46:43,066 --> 00:46:46,003
YOU'D SAY I'M
A PRETTY GOOD DATE?
981
00:46:46,003 --> 00:46:46,970
THE BEST.
982
00:46:46,970 --> 00:46:49,406
ATTRACTIVE TO LOOK AT?
983
00:46:49,406 --> 00:46:50,541
SENSATIONAL.
984
00:46:50,541 --> 00:46:53,177
ALL-AROUND FUN GAL?
985
00:46:53,177 --> 00:46:54,144
A BLAST, WHY?
986
00:46:54,144 --> 00:46:56,313
I'M THINKING ABOUT
GETTING OUT OF MEDICINE,
987
00:46:56,313 --> 00:46:59,550
GOING INTO THE LESBIAN
ESCORT BUSINESS.
988
00:47:00,250 --> 00:47:01,185
WELL, YOU KNOW WHAT?
989
00:47:01,185 --> 00:47:06,223
YOU'RE GOING
TO HAVE TO LEARN
THE TRICKY PART.
990
00:47:06,223 --> 00:47:07,991
THE SEX?
991
00:47:07,991 --> 00:47:10,060
IT'S A TOTALLY
SEPARATE NEGOTIATION.
992
00:47:10,060 --> 00:47:13,297
IT'S WHERE
THE BIG BUCKS ARE AT.
993
00:47:13,297 --> 00:47:15,732
HOW MUCH CAN YOU MAKE?
994
00:47:15,732 --> 00:47:17,467
I'VE BEEN TIPPED
A GRAND.
995
00:47:17,467 --> 00:47:20,270
A THOUSAND DOLLARS?
WHOA.
996
00:47:20,270 --> 00:47:21,638
WHAT DID YOU DO?
997
00:47:21,638 --> 00:47:25,375
I HAD TO DRESS UP
LIKE A CUB SCOUT.
998
00:47:27,077 --> 00:47:27,644
WHAT DO YOU DO
999
00:47:27,644 --> 00:47:29,012
IF THEY'RE OLD
AND WRINKLED AND UGLY?
1000
00:47:29,012 --> 00:47:33,717
MAKE THEM FEEL LIKE
THEY'RE THE HOTTEST
WOMAN IN THE WORLD.
1001
00:47:33,717 --> 00:47:35,152
YOU CAN DO THAT?
1002
00:47:35,152 --> 00:47:41,592
ANY WOMAN, ANYTIME,
ANYPLACE, GUARANTEED.
1003
00:47:42,259 --> 00:47:44,161
YOU'RE
FULL OF SHIT.
1004
00:47:44,161 --> 00:47:48,999
ANY WOMAN, ANYTIME,
ANYPLACE.
1005
00:47:49,666 --> 00:47:53,203
I'M GOING TO BE
SO HUNG OVER TOMORROW.
1006
00:47:53,203 --> 00:47:55,505
I HARDLY HAVE A VOICE.
1007
00:47:55,505 --> 00:47:57,441
IT WAS GREAT.
1008
00:47:58,542 --> 00:48:02,479
WOW. YOU GOT
BEAUTIFUL EYES.
1009
00:48:02,479 --> 00:48:04,648
THEY'RE HUGE.
1010
00:48:04,848 --> 00:48:06,750
HEY, THEY CHANGE
COLOR, DON'T THEY?
1011
00:48:06,750 --> 00:48:09,453
LIKE BLUE TO GREEN.
WHAT ARE THEY NOW?
1012
00:48:09,453 --> 00:48:11,088
THEY'RE KIND OF
SILVERY RIGHT NOW.
1013
00:48:11,088 --> 00:48:14,324
YEAH. THERE'S
LIKE A LITTLE BROWN
AROUND THE CENTER.
1014
00:48:14,324 --> 00:48:16,193
YEAH.
1015
00:48:32,643 --> 00:48:35,012
YOU KNOW, CONNIE...
1016
00:48:35,012 --> 00:48:40,217
I REALLY DON'T KNOW QUITE
HOW TO SAY THIS, BUT...
1017
00:48:41,418 --> 00:48:43,387
I DON'T THINK
I REALLY MET
1018
00:48:43,387 --> 00:48:45,555
A WOMAN QUITE
LIKE YOU BEFORE.
1019
00:48:45,555 --> 00:48:46,490
NO SHIT.
1020
00:48:46,490 --> 00:48:48,659
NO, I MEAN IT.
I'M SERIOUS.
1021
00:48:48,659 --> 00:48:49,660
I KNOW WE JUST MET--
1022
00:48:49,660 --> 00:48:52,129
WE'RE PRACTICALLY
STRANGERS, BUT,
YOU KNOW,
1023
00:48:52,129 --> 00:48:53,397
I FEEL
LIKE I KNOW YOU,
1024
00:48:53,397 --> 00:48:57,134
LIKE THERE'S SOME
KIND OF CONNECTION.
1025
00:48:58,235 --> 00:49:00,404
I KNOW WHAT YOU MEAN.
1026
00:49:00,404 --> 00:49:01,705
IT'S REALLY WEIRD.
1027
00:49:01,705 --> 00:49:02,406
EVERYTHING
ABOUT YOU--
1028
00:49:02,406 --> 00:49:05,642
THE WAY YOU TALK,
THE WAY YOU DRESS,
THE WAY YOU DANCE.
1029
00:49:05,642 --> 00:49:07,477
ANYWAY, I JUST
WANTED TO TELL YOU
1030
00:49:07,477 --> 00:49:09,846
I THINK YOU GOT
A LOT OF STYLE.
1031
00:49:09,846 --> 00:49:12,482
JOEY,
YOU'RE SO SWEET.
1032
00:49:20,424 --> 00:49:21,792
THAT'S HOW I DO IT.
1033
00:49:21,792 --> 00:49:23,860
OH, YOU BASTARD.
1034
00:49:24,561 --> 00:49:28,198
ANY WOMAN, ANYTIME,
ANYPLACE,
1035
00:49:28,198 --> 00:49:29,733
GUARANTEED.
1036
00:49:29,733 --> 00:49:31,535
STOP.
1037
00:49:31,535 --> 00:49:33,403
TOLD YOU.
1038
00:49:33,403 --> 00:49:36,740
YOU DON'T NEED TO BE
SUCH A SEX MACHINE.
1039
00:49:36,740 --> 00:49:37,874
WHY DO YOU SAY THAT?
1040
00:49:37,874 --> 00:49:39,543
BECAUSE YOU'RE
A NICE GUY, JOE.
1041
00:49:39,543 --> 00:49:43,847
PEOPLE LIKE YOU
FOR MORE REASONS
THAN YOU THINK.
1042
00:49:49,319 --> 00:49:50,654
THANKS.
1043
00:49:50,654 --> 00:49:52,489
SLEEP TIGHT.
1044
00:50:06,970 --> 00:50:13,510
1, 2, 3, 4, 5...
1045
00:50:13,710 --> 00:50:16,413
WHAT IS THIS?
WHAT IS THIS,
JACK LALANNE?
1046
00:50:16,413 --> 00:50:18,248
THIS IS NOT
AN AEROBICS CLASS.
1047
00:50:18,248 --> 00:50:20,450
OH, I'M SORRY.
I--I'M SORRY.
1048
00:50:20,450 --> 00:50:22,619
I JUST WASN'T
SURE EXACTLY
WHAT YOU WANTED.
1049
00:50:22,619 --> 00:50:25,288
LET ME EXPLAIN
SOMETHING TO YOU,
JACKIE.
1050
00:50:25,288 --> 00:50:28,425
THE CUSTOMERS
THAT YOU'RE GOING
TO BE DEALING WITH,
1051
00:50:28,425 --> 00:50:30,427
THEY'RE LIKE, THEY'RE--
THEY'RE--THEY'RE LONELY,
1052
00:50:30,427 --> 00:50:31,928
THEY'RE
DESPERATE PEOPLE.
1053
00:50:31,928 --> 00:50:33,930
THEY'RE PAYING
A BUCK A MINUTE
1054
00:50:33,930 --> 00:50:35,599
FOR SOME EMOTION.
1055
00:50:35,599 --> 00:50:37,334
YOU WANT THIS JOB?
1056
00:50:37,334 --> 00:50:38,301
OH, YES.
1057
00:50:38,301 --> 00:50:40,904
YOU GOT
TO MAKE ME COME.
1058
00:50:41,438 --> 00:50:42,906
I'VE GOT TO--I'VE GOT--
1059
00:50:42,906 --> 00:50:43,874
NOT--NOT LIKE THAT.
1060
00:50:43,874 --> 00:50:45,876
YOU KNOW, LIKE,
YOU KNOW, FIGURATIVELY
1061
00:50:45,876 --> 00:50:47,544
ON THE COUNT. ONE FRY.
1062
00:50:47,544 --> 00:50:49,746
HE WANTS YOU
TO TURN HIM ON
1063
00:50:49,746 --> 00:50:50,580
BY COUNTING TO 10.
1064
00:50:50,580 --> 00:50:52,549
YOU GOT TO DO IT
SEXY--1, 2--
1065
00:50:52,549 --> 00:50:56,586
HOT, HOT, HOT.
LIKE THIS. LOOK AT ME.
1066
00:50:56,586 --> 00:50:57,888
OH...
1067
00:50:57,888 --> 00:51:01,658
2, 3. GO AHEAD.
1068
00:51:02,659 --> 00:51:04,761
1...
1069
00:51:04,761 --> 00:51:06,329
2...
1070
00:51:06,329 --> 00:51:07,931
[GASP]
1071
00:51:07,931 --> 00:51:09,399
3...
1072
00:51:09,399 --> 00:51:10,434
YEAH.
1073
00:51:10,434 --> 00:51:11,401
4...
1074
00:51:11,401 --> 00:51:12,569
FASTER.
1075
00:51:12,569 --> 00:51:13,370
5...
1076
00:51:13,370 --> 00:51:14,037
FASTER.
1077
00:51:14,037 --> 00:51:17,741
MICKEY, IT'S HARVEY
ON LINE 2.
1078
00:51:19,409 --> 00:51:19,876
7!
1079
00:51:19,876 --> 00:51:21,011
YOU GOT THE JOB.
1080
00:51:21,011 --> 00:51:22,479
THANK YOU!
1081
00:51:22,479 --> 00:51:23,713
TALK TO DORIS OVER THERE.
1082
00:51:23,713 --> 00:51:24,981
SHE'LL HANDLE
THE FORMALITIES.
1083
00:51:24,981 --> 00:51:26,917
I WANT
TO TALK TO HIM.
1084
00:51:26,917 --> 00:51:28,285
LET ME HANDLE THIS.
1085
00:51:28,285 --> 00:51:30,587
I CAN TAKE CARE
OF MYSELF.
1086
00:51:30,587 --> 00:51:32,556
LET ME HANDLE IT.
1087
00:51:33,790 --> 00:51:35,659
SHUT UP.
1088
00:51:37,761 --> 00:51:38,929
HARVEY, WHAT IS IT?
1089
00:51:38,929 --> 00:51:40,797
I WAS ON MY WAY OUT.
1090
00:51:40,797 --> 00:51:41,932
I'M LOOKING FOR CASELLA.
1091
00:51:41,932 --> 00:51:43,733
YEAH, RIGHT,
JOE'S STILL WITH ME.
1092
00:51:43,733 --> 00:51:45,936
HE'S BEEN HAVING
SOME PROBLEMS LATELY.
1093
00:51:45,936 --> 00:51:49,272
MICKEY, I'M ASKING YOU
AS A PERSONAL FAVOR--
1094
00:51:49,272 --> 00:51:51,441
DON'T GET INVOLVED
WITH THIS.
1095
00:51:51,441 --> 00:51:52,843
HEY, HARVEY,
GO FUCK YOURSELF.
1096
00:51:52,843 --> 00:51:55,078
I KNOW YOU TRASHED
THE KID'S APARTMENT.
1097
00:51:55,078 --> 00:51:56,446
WHAT'S THE MATTER
WITH YOU?
1098
00:51:56,446 --> 00:51:57,614
THAT--THAT'S
YOUR WEAKNESS, HARVEY.
1099
00:51:57,614 --> 00:52:00,617
YOU JUMP TO CONCLUSIONS
WITHOUT ANY EVIDENCE.
1100
00:52:00,617 --> 00:52:01,551
YOU'RE BLAMING THIS KID
1101
00:52:01,551 --> 00:52:03,653
FOR SOMETHING HE HAD
NOTHING TO DO WITH.
1102
00:52:03,653 --> 00:52:05,088
THE PRICK SET ME UP.
1103
00:52:05,088 --> 00:52:09,526
I'LL USE HIS BALLS
AS A FUCKIN' NECKLACE.
1104
00:52:10,660 --> 00:52:11,495
JESUS.
1105
00:52:11,495 --> 00:52:12,929
LISTEN TO ME,
YOU COCKSUCKER.
1106
00:52:12,929 --> 00:52:15,632
YOU TOUCH THIS KID,
YOU TOUCH ME.
1107
00:52:15,632 --> 00:52:17,934
YOU GOT IT?
IF HE COMES IN HERE
1108
00:52:17,934 --> 00:52:19,736
WITH EVEN
A FUCKING BRUISE,
1109
00:52:19,736 --> 00:52:21,004
YOU DEAL WITH ME.
1110
00:52:21,004 --> 00:52:22,506
LEAVE HIM
THE FUCK ALONE!
1111
00:52:22,506 --> 00:52:24,841
WHY WON'T YOU LET ME
TALK TO HIM?
1112
00:52:24,841 --> 00:52:26,977
YOU WANT TO REASON
WITH HIM?
1113
00:52:26,977 --> 00:52:29,779
SHUT THE FUCK UP.
LET ME HANDLE IT!
1114
00:52:29,779 --> 00:52:33,483
GODDAMN KID WANTS TO
BE A FUCKIN' HERO!
1115
00:52:39,089 --> 00:52:43,326
O.K. ALSO--ALSO,
THE MAN NEVER
READ A BOOK.
1116
00:52:43,326 --> 00:52:44,361
EVER.
1117
00:52:44,361 --> 00:52:45,929
AND BECAUSE...
1118
00:52:45,929 --> 00:52:48,365
BECAUSE
HE HAD WET HANDS.
1119
00:52:48,365 --> 00:52:49,533
YOU MADE HIM NERVOUS.
1120
00:52:49,533 --> 00:52:52,602
ALL I'M SAYING IS
YOU CAN DO WHAT YOU WANT,
1121
00:52:52,602 --> 00:52:54,371
BUT HE LIVES
IN THE CITY,
1122
00:52:54,371 --> 00:52:56,506
AND HE'S GOT THE BEST JOB
ON WALL STREET,
1123
00:52:56,506 --> 00:53:00,477
AND BRIAN WEARS THE CUTEST
LITTLE HORN-RIMMED GLASSES.
1124
00:53:00,477 --> 00:53:04,514
MMM. GREAT. YOU DATE
HIM, ALLY, O.K.?
1125
00:53:04,514 --> 00:53:07,384
WHAT, DID MOM
WRITE THIS UNDERWATER?
1126
00:53:07,384 --> 00:53:10,820
SHE PROBABLY
JUST WEPT ALL OVER IT.
1127
00:53:10,820 --> 00:53:11,621
[KNOCK ON DOOR]
1128
00:53:11,621 --> 00:53:14,958
OH, THAT'S
THE GUY FROM
THE WINE STORE.
1129
00:53:14,958 --> 00:53:16,092
GOOD.
1130
00:53:16,092 --> 00:53:17,093
LOOK. LOOK AT ME.
1131
00:53:17,093 --> 00:53:18,528
YOU'RE TURNING ME
INTO PAT NIXON.
1132
00:53:18,528 --> 00:53:26,136
ALL I WANT IS FOR YOU
TO MEET A NICE, CHARMING,
INTELLIGENT, SEXY--
1133
00:53:26,136 --> 00:53:28,405
DO I HAVE
THE RIGHT APARTMENT?
1134
00:53:28,405 --> 00:53:29,039
MAN.
1135
00:53:29,039 --> 00:53:30,707
I'M LOOKING FOR
ELLEN ARMSTRONG.
1136
00:53:30,707 --> 00:53:32,776
AND WHOM SHALL I
SAY IS CALLING?
1137
00:53:32,776 --> 00:53:36,079
JOE. CASELLA.
I'M A STUDENT
IN HER CLASS.
1138
00:53:36,079 --> 00:53:40,383
ELLEN. ELLEN. ELLEN.
1139
00:53:40,817 --> 00:53:43,520
ELLEN, DARLIN',
JOE'S HERE.
1140
00:53:43,520 --> 00:53:44,754
I HEARD.
1141
00:53:44,754 --> 00:53:46,990
Get a grip.
1142
00:53:46,990 --> 00:53:48,658
HI, JOE.
1143
00:53:48,658 --> 00:53:49,693
HI.
1144
00:53:49,693 --> 00:53:50,794
SO,
WHAT'S GOING ON?
1145
00:53:50,794 --> 00:53:52,562
WHAT ARE YOU
DOING HERE?
1146
00:53:52,562 --> 00:53:53,830
WELL, THAT WAS POLITE.
1147
00:53:53,830 --> 00:53:55,465
WOULD YOU
LIKE TO COME IN?
1148
00:53:55,465 --> 00:53:58,568
I DIDN'T MEAN
TO CATCH YOU
AT A BAD TIME.
1149
00:53:58,568 --> 00:54:03,006
NO, NO, NO. JUST TWO SISTERS
TORTURING EACH OTHER.
1150
00:54:03,006 --> 00:54:04,808
IS EVERYTHING O.K.?
1151
00:54:04,808 --> 00:54:05,875
WELL, YEAH, SURE.
1152
00:54:05,875 --> 00:54:07,978
I, UH, I--I
FINISHED THAT PAPER
1153
00:54:07,978 --> 00:54:10,780
WE WERE
TALKING ABOUT
IN THE COFFEE SHOP--
1154
00:54:10,780 --> 00:54:13,483
THE ONE ABOUT
WHEN I WAS A KID.
1155
00:54:13,483 --> 00:54:14,084
OH, GREAT.
1156
00:54:14,084 --> 00:54:15,952
I THINK
IT TURNED OUT GOOD.
1157
00:54:15,952 --> 00:54:18,822
I JUST HAPPENED TO BE
IN THE NEIGHBORHOOD.
1158
00:54:18,822 --> 00:54:21,191
I FIGURED
I'D JUST DROP IT OFF.
1159
00:54:21,191 --> 00:54:22,292
I THINK YOUR...
1160
00:54:22,292 --> 00:54:24,094
I THINK YOUR
GARLIC'S BURNING.
1161
00:54:24,094 --> 00:54:24,894
YEAH. EXCUSE ME.
1162
00:54:24,894 --> 00:54:26,730
ELLEN'S WORKING
ON A NEW RECIPE.
1163
00:54:26,730 --> 00:54:30,100
WE'RE
ALL VERY CONCERNED.
1164
00:54:30,100 --> 00:54:31,901
HERE IT IS.
1165
00:54:31,901 --> 00:54:33,203
READ IT AND WEEP.
1166
00:54:33,203 --> 00:54:35,005
GREAT. THANKS.
1167
00:54:35,005 --> 00:54:39,476
I, UH, BETTER RUN.
YOU TWO ENJOY DINNER.
1168
00:54:39,476 --> 00:54:40,477
DID YOU SCRUB THOSE?
1169
00:54:40,477 --> 00:54:41,011
SHOULD YOU?
1170
00:54:41,011 --> 00:54:43,013
OH, YEAH. IT'S
SHELLFISH. SURE.
1171
00:54:43,013 --> 00:54:44,447
UM...
1172
00:54:44,447 --> 00:54:45,015
SCRUB.
1173
00:54:45,015 --> 00:54:47,217
SCRUB AND THEN EAT.
1174
00:54:47,217 --> 00:54:49,119
LET ME DO THAT
FOR YOU.
1175
00:54:49,119 --> 00:54:50,387
I, ON THE OTHER HAND,
1176
00:54:50,387 --> 00:54:53,490
I'VE GOT TO PICK UP KEVIN
FROM NINJA CLASS.
1177
00:54:53,490 --> 00:54:58,061
IF I'M NOT THERE, HE'LL
HURT THE OTHER CHILDREN.
1178
00:54:58,061 --> 00:54:59,929
NO--
1179
00:55:02,799 --> 00:55:04,534
JOE, NICE TO MEET YOU.
1180
00:55:04,534 --> 00:55:06,836
NICE TO MEET YOU.
1181
00:55:06,836 --> 00:55:10,540
YOU'RE SURE THIS IS,
UH, ALL RIGHT
1182
00:55:10,540 --> 00:55:12,142
WITH, UH, CONRAD?
1183
00:55:12,142 --> 00:55:12,842
WHO?
1184
00:55:12,842 --> 00:55:14,644
CONRAD'S ON DUTY
AT THE HOSPITAL.
1185
00:55:14,644 --> 00:55:16,913
BESIDES, I HAVE
MY OWN LIFE.
1186
00:55:16,913 --> 00:55:21,284
UH, I'LL CALL YOU TOMORROW,
LITTLE SISTER.
1187
00:55:21,284 --> 00:55:23,453
ENJOY YOUR DINNER.
1188
00:55:24,587 --> 00:55:27,991
ALL RIGHT, WHAT
HAVE WE GOT HERE?
1189
00:55:27,991 --> 00:55:29,926
OREGANO.
1190
00:55:33,229 --> 00:55:36,032
I HAD A FRIEND
WHO TOLD ME ONCE--
1191
00:55:36,032 --> 00:55:38,902
SHE SAID THAT IF
YOU REALLY LOVE
SOMEBODY--
1192
00:55:38,902 --> 00:55:42,072
I MEAN, REALLY,
LIKE, WHERE YOU
CAN'T BREATHE--
1193
00:55:42,072 --> 00:55:45,175
IF YOU REALLY
LOVE SOMEBODY
LIKE THAT,
1194
00:55:45,175 --> 00:55:47,877
THEN
THEY'RE PROBABLY
LOVING YOU BACK.
1195
00:55:47,877 --> 00:55:49,979
DO YOU BELIEVE THAT?
1196
00:55:53,616 --> 00:55:55,819
WHAT DO YOU WANT?
1197
00:55:56,586 --> 00:55:57,187
EXCUSE ME?
1198
00:55:57,187 --> 00:55:59,556
WHAT DO YOU WANT
FROM MY CLASS?
1199
00:55:59,556 --> 00:56:02,025
I MEAN, I DON'T KNOW
ANYTHING ABOUT YOU.
1200
00:56:02,025 --> 00:56:03,093
YOU COOK
LIKE A CHEF,
1201
00:56:03,093 --> 00:56:06,696
YOU LOOK LIKE
A MOVIE STAR
OR SOMETHING.
1202
00:56:06,696 --> 00:56:08,098
MOVIE STAR.
1203
00:56:08,098 --> 00:56:09,999
YOU DO.
1204
00:56:11,301 --> 00:56:14,704
WELL, ACTUALLY...
1205
00:56:14,704 --> 00:56:15,605
I'M A MALE ESCORT.
1206
00:56:15,605 --> 00:56:19,943
SOMEBODY HIRED ME
TO SHOW YOU A GOOD TIME.
1207
00:56:19,943 --> 00:56:22,612
MY SISTER'S TOO CHEAP.
1208
00:56:32,722 --> 00:56:34,624
WELL...
1209
00:56:34,958 --> 00:56:38,328
I'VE GOT A HELL
OF A DAY TOMORROW.
1210
00:56:38,328 --> 00:56:39,329
THANK YOU FOR DINNER.
1211
00:56:39,329 --> 00:56:42,332
I HAD A...
VERY NICE TIME.
1212
00:56:42,332 --> 00:56:46,202
HEY, YOU SCRUBBED
MY CLAMS, YOU KNOW.
1213
00:56:46,970 --> 00:56:48,171
I WHAT?
1214
00:56:48,171 --> 00:56:50,073
MY GOD!
1215
00:56:51,074 --> 00:56:54,244
GET OUT.
YOU BETTER GO.
1216
00:56:55,879 --> 00:56:57,714
YEAH.
1217
00:56:59,849 --> 00:57:01,885
WELL,
I'LL SEE YOU SOON.
1218
00:57:07,357 --> 00:57:09,726
DO YOU LIKE THEATER?
1219
00:57:12,028 --> 00:57:13,196
SURE.
1220
00:57:13,196 --> 00:57:14,431
WELL,
'CAUSE THERE IS--
1221
00:57:14,431 --> 00:57:18,735
THERE'S THIS PLAY
ON WEDNESDAY
NIGHT...
1222
00:57:19,035 --> 00:57:22,238
YOU KNOW, IF YOU'RE
INTERESTED.
1223
00:57:26,876 --> 00:57:28,077
IT'S A DATE.
1224
00:57:28,077 --> 00:57:29,913
GREAT.
1225
00:57:35,251 --> 00:57:38,021
SO RALPH RUNS OFF
SCREAMING LIKE A WOMAN,
1226
00:57:38,021 --> 00:57:39,022
LOOKING FOR A DOCTOR,
1227
00:57:39,022 --> 00:57:42,258
AND THIS STUPID IDIOT
FROM ADMITTING
IS THERE.
1228
00:57:42,258 --> 00:57:43,259
SHE'S FREAKING OUT.
1229
00:57:43,259 --> 00:57:45,061
THE WHOLE ROOM
IS STARING AT ME.
1230
00:57:45,061 --> 00:57:47,096
I GRABBED
THIS GUY'S COAT,
1231
00:57:47,096 --> 00:57:48,264
LAID THE WOMAN
ON THE FLOOR.
1232
00:57:48,264 --> 00:57:50,133
SHE'S SCREAMING,
"MY, GOD, IT'S COMING."
1233
00:57:50,133 --> 00:57:52,402
THE NEXT THING YOU KNOW,
THE BABY'S HEAD--
1234
00:57:52,402 --> 00:57:53,803
IT WAS LIKE A FOOTBALL.
1235
00:57:53,803 --> 00:57:56,306
IT JUST CAME RIGHT OUT,
AND I CAUGHT IT.
1236
00:57:56,306 --> 00:57:58,341
YOU DID THIS
ALL BY YOURSELF?
1237
00:57:58,341 --> 00:58:00,109
WHERE THE HELL
WAS RALPH?
1238
00:58:00,109 --> 00:58:03,146
I SAID HE WAS LOOKING
FOR THE DOCTOR.
1239
00:58:03,146 --> 00:58:05,281
ALL BY YOURSELF, HUH?
1240
00:58:06,649 --> 00:58:08,384
PRETTY GOOD.
1241
00:58:08,952 --> 00:58:11,888
HEY, CON, DID YOU SEE
MY MONEY CLIP?
1242
00:58:11,888 --> 00:58:15,325
OH, NEVER MIND.
I GOT IT RIGHT HERE.
1243
00:58:21,064 --> 00:58:23,132
7, ALL RIGHT.
1244
00:58:28,938 --> 00:58:30,740
I'M CALLING IT OFF.
1245
00:58:30,740 --> 00:58:31,307
CALLING OFF WHAT?
1246
00:58:31,307 --> 00:58:35,345
OUR DEAL OR WHATEVER
YOU WANT TO CALL IT.
IT'S WRONG.
1247
00:58:35,345 --> 00:58:37,113
WHAT ARE YOU
TALKING ABOUT?
1248
00:58:37,113 --> 00:58:40,316
YOU CAN'T BAIL OUT ON ME.
WE'RE WINNING.
1249
00:58:40,316 --> 00:58:43,419
I DON'T FEEL
LIKE I'M WINNING.
1250
00:58:43,419 --> 00:58:45,822
ALL I NEED IS
A LITTLE MORE TIME.
1251
00:58:45,822 --> 00:58:49,125
COME ON, NOT LONG.
JUST A FEW MORE DAYS.
1252
00:58:49,125 --> 00:58:51,828
YOU KNOW
SHE'S WORTH IT.
1253
00:58:51,828 --> 00:58:53,997
YEAH, SHE IS.
1254
00:58:54,797 --> 00:58:56,099
SO WHERE ARE YOU
GOING?
1255
00:58:56,099 --> 00:59:00,003
I'M GOING TO WORK.
I'LL BE HOME LATE.
1256
00:59:00,837 --> 00:59:02,906
THANKS.
1257
00:59:03,139 --> 00:59:04,407
BYE.
1258
00:59:14,017 --> 00:59:15,919
HELLO, THIS IS YVONNE.
1259
00:59:15,919 --> 00:59:17,353
I'M NOT AT HOME.
1260
00:59:17,353 --> 00:59:19,022
LEAVE A MESSAGE.
1261
00:59:19,022 --> 00:59:19,455
[BEEP]
1262
00:59:19,455 --> 00:59:21,891
HI, YVONNE.
IT'S JOE CALLING.
1263
00:59:21,891 --> 00:59:23,993
LISTEN, I'M NOT
FEELING TOO GOOD
TONIGHT,
1264
00:59:23,993 --> 00:59:27,797
SO I'M GOING
TO HAVE TO CANCEL
FOR LATER ON,
1265
00:59:27,797 --> 00:59:30,934
AND I'LL GIVE YOU
A RAIN CHECK.
1266
00:59:30,934 --> 00:59:32,268
O.K.
1267
00:59:35,505 --> 00:59:37,240
IS EVERYTHING O.K.?
1268
00:59:37,240 --> 00:59:38,274
GREAT.
1269
00:59:38,274 --> 00:59:39,909
AFTER YOU.
1270
00:59:40,343 --> 00:59:43,079
[MODERN MUSIC PLAYING]
1271
01:00:33,463 --> 01:00:36,032
[THUNDER]
1272
01:00:43,973 --> 01:00:47,410
IT WAS SIMPLE,
BUT IT WAS LOVED.
1273
01:00:47,410 --> 01:00:53,583
AND NOW IT STANDS COLD AND
SHRIVELED WITH LONELINESS
1274
01:00:53,583 --> 01:00:57,053
AT THE EDGE OF TIME.
1275
01:01:00,456 --> 01:01:04,861
I DON'T THINK
THESE PEOPLE
EVEN LIKED IT.
1276
01:01:12,969 --> 01:01:16,372
LET'S GO.
1277
01:01:21,277 --> 01:01:23,279
ELLEN!
1278
01:01:27,016 --> 01:01:28,584
ELLEN.
1279
01:01:28,584 --> 01:01:30,853
HI.
1280
01:01:30,853 --> 01:01:32,622
YOU LOOK BEAUTIFUL.
1281
01:01:32,622 --> 01:01:35,391
OH, YOU LOOK AMAZING.
1282
01:01:39,562 --> 01:01:42,298
JOE, THIS IS
MY FRIEND CONNIE.
1283
01:01:42,298 --> 01:01:45,201
HEY, CONNIE,
HOW ARE YOU DOING?
1284
01:01:45,201 --> 01:01:46,602
FINE.
1285
01:01:46,602 --> 01:01:48,037
PLEASURE.
1286
01:01:48,037 --> 01:01:49,205
AHEM.
1287
01:01:49,205 --> 01:01:52,909
SO YOU GUYS KNOW
WHAT THAT WAS ABOUT?
1288
01:01:52,909 --> 01:01:54,243
IT WAS LIKE...
1289
01:01:54,243 --> 01:01:56,179
REALLY SILLY.
1290
01:01:58,514 --> 01:02:01,517
WELL...WE SHOULD
GET GOING.
1291
01:02:01,517 --> 01:02:04,420
GUESS YOU GOT, WHAT,
DINNER PLANS OR SOMETHING?
1292
01:02:04,420 --> 01:02:07,423
YEAH.
IT'S A PLEASURE
TO MEET YOU.
1293
01:02:07,423 --> 01:02:08,191
YEAH.
1294
01:02:08,191 --> 01:02:11,227
WAIT. THERE'S THIS GREAT
NEW CUBAN RESTAURANT
1295
01:02:11,227 --> 01:02:12,528
DOWN ON CORNELIA.
1296
01:02:12,528 --> 01:02:13,463
OH, GREAT.
1297
01:02:13,463 --> 01:02:15,598
DO YOU STILL
LOVE PLANTAINS?
1298
01:02:15,598 --> 01:02:17,133
YEAH, I DO.
1299
01:02:17,133 --> 01:02:18,668
THAT SOUNDS GREAT.
THANKS.
1300
01:02:18,668 --> 01:02:20,069
YOU READY?
1301
01:02:20,069 --> 01:02:22,438
YEAH. TAKE CARE.
1302
01:02:22,438 --> 01:02:24,107
EXCUSE ME.
1303
01:02:32,148 --> 01:02:33,916
I NEED A STORY,
YOU KNOW.
1304
01:02:33,916 --> 01:02:35,585
THERE WAS NO STORY.
1305
01:02:35,585 --> 01:02:38,254
COULD YOU TELL ME
WHAT THAT WAS ALL ABOUT?
1306
01:02:38,254 --> 01:02:40,289
THAT'S WHY
I'M TAKING YOUR CLASS,
1307
01:02:40,289 --> 01:02:42,658
BECAUSE I'VE ALWAYS
READ A LOT,
1308
01:02:42,658 --> 01:02:46,229
BUT I REALLY WANT
TO LEARN HOW TO WRITE.
1309
01:02:46,229 --> 01:02:49,632
JOE, I NEED TO TELL
YOU SOMETHING.
1310
01:02:50,366 --> 01:02:52,001
THAT WOMAN
BACK THERE,
1311
01:02:52,001 --> 01:02:54,203
THAT WOMAN
WE JUST MET...
1312
01:02:54,203 --> 01:02:55,371
YEAH, SURE.
1313
01:02:55,371 --> 01:02:58,441
SHE--SHE AND I
WERE A COUPLE.
1314
01:02:58,441 --> 01:02:59,475
WE WERE A COUPLE.
1315
01:02:59,475 --> 01:03:01,644
WE WERE
LIVING TOGETHER.
1316
01:03:03,679 --> 01:03:05,548
UH, CONNIE.
1317
01:03:05,548 --> 01:03:08,451
YEAH. CONRAD.
1318
01:03:08,451 --> 01:03:09,719
STUPID.
1319
01:03:09,719 --> 01:03:12,455
I DON'T KNOW WHY
I LIED ABOUT THAT,
YOU KNOW.
1320
01:03:12,455 --> 01:03:13,589
I GUESS...
I DON'T KNOW.
1321
01:03:13,589 --> 01:03:17,960
I'M GOING TO HAVE TO
THINK ABOUT THAT.
1322
01:03:19,495 --> 01:03:20,696
BUT, UM...
1323
01:03:20,696 --> 01:03:24,233
YOU KNOW,
I'M--I'M SORRY.
1324
01:03:24,233 --> 01:03:27,537
SO WHAT ARE YOU, UH...
1325
01:03:27,537 --> 01:03:31,307
WHAT ARE YOU,
ARE YOU STILL TOGETHER?
1326
01:03:34,110 --> 01:03:35,378
NO.
1327
01:03:35,711 --> 01:03:37,213
DO YOU, UH...
1328
01:03:37,213 --> 01:03:39,816
WHAT, DO YOU STILL
LOVE HER?
1329
01:03:39,816 --> 01:03:41,784
YEAH, I DO.
1330
01:03:41,784 --> 01:03:43,686
I LOVE HER.
1331
01:03:46,689 --> 01:03:49,392
CONNIE'S
IN MY HEART.
1332
01:03:53,696 --> 01:03:56,432
UH, BUT IT'S
NOT LIKE YOU CAN
1333
01:03:56,432 --> 01:03:59,402
MAKE YOURSELF
STAY IN LOVE.
1334
01:04:00,837 --> 01:04:02,672
YOU CAN'T.
1335
01:04:05,474 --> 01:04:07,343
IT'S NOT LIKE
YOU CAN--
1336
01:04:07,343 --> 01:04:10,046
IT'S NOT LIKE YOU
CAN TAKE SOME PILL
1337
01:04:10,046 --> 01:04:11,447
THAT KEEPS YOU
IN LOVE FOREVER.
1338
01:04:11,447 --> 01:04:16,719
HEY, HEY, HEY.
COME HERE.
1339
01:04:16,719 --> 01:04:19,088
IT'S O.K.
1340
01:04:37,373 --> 01:04:40,476
CAN I ASK YOU
SOMETHING?
1341
01:04:40,476 --> 01:04:43,212
SURE.
1342
01:04:45,214 --> 01:04:50,019
WHAT IS THIS THING
ON TOP OF YOUR HEAD?
1343
01:04:50,353 --> 01:04:52,822
I'M SERIOUS.
WHAT HAVE YOU
GOT IN THERE?
1344
01:04:52,822 --> 01:04:54,257
ARE YOU STORING
CHANGE IN THERE?
1345
01:04:54,257 --> 01:04:55,558
YOUR LIPSTICK
UP THERE?
1346
01:04:55,558 --> 01:04:58,394
THIS IS A VERY
SOPHISTICATED HAIR STYLE.
1347
01:04:58,394 --> 01:04:59,695
HELLO.
1348
01:04:59,695 --> 01:05:03,165
IT ONLY TOOK ME
HALF THE DAY, CREEP.
1349
01:05:03,165 --> 01:05:03,699
[MUMBLING]
1350
01:05:03,699 --> 01:05:05,668
YOU WANT ME
TO TAKE IT DOWN?
1351
01:05:05,668 --> 01:05:07,703
I CAN TAKE IT DOWN.
1352
01:05:07,703 --> 01:05:11,507
NO,
I'M ONLY KIDDING.
1353
01:05:11,507 --> 01:05:14,310
YOU HATE IT.
1354
01:05:15,811 --> 01:05:18,047
I LOVE IT.
1355
01:05:21,884 --> 01:05:24,153
YOU'RE BEAUTIFUL.
1356
01:05:25,421 --> 01:05:29,358
YOU'RE SO BEAUTIFUL
YOU MAKE MY HEART
STOP.
1357
01:05:37,833 --> 01:05:42,405
♪ SUMMER GREEN
TURNS GRAY COLD ♪
1358
01:05:42,405 --> 01:05:45,775
♪ THE BOYS WERE LEAVIN'
WE WERE TOLD ♪
1359
01:05:45,775 --> 01:05:50,813
♪ AND SO WE SAID GOODBYE ♪
1360
01:05:50,813 --> 01:05:52,748
JOE...
1361
01:05:52,748 --> 01:05:55,551
JOE, I WANT YOU
TO STAY HERE TONIGHT.
1362
01:05:55,551 --> 01:05:58,621
♪ PLAYIN' WITH US
IN THE STREAM ♪
1363
01:05:58,621 --> 01:06:00,489
O.K., STAY WITH ME.
1364
01:06:00,489 --> 01:06:04,393
♪ TO ALL OUR HEROES... ♪
1365
01:06:07,363 --> 01:06:10,266
I CAN'T, UM...
1366
01:06:13,536 --> 01:06:15,604
I'M SORRY.
IT'S JUST...
1367
01:06:15,604 --> 01:06:19,342
I CAN'T STAY
TONIGHT.
1368
01:06:19,342 --> 01:06:21,410
WELL, WHAT'S WRONG?
1369
01:06:22,645 --> 01:06:25,514
NOTHING. IT'S, UM...
1370
01:06:26,582 --> 01:06:30,720
IT'S NOT YOU,
IT'S ME.
1371
01:06:30,720 --> 01:06:34,423
I JUST CAN'T...
STAY HERE...
1372
01:06:34,423 --> 01:06:37,426
UH, NOW, TONIGHT.
1373
01:06:39,395 --> 01:06:42,331
THIS IS CRAZY.
1374
01:06:42,698 --> 01:06:45,134
I'M SORRY.
1375
01:06:52,575 --> 01:06:56,145
I BETTER--
I BETTER GO.
1376
01:06:58,381 --> 01:07:00,282
SORRY.
1377
01:07:02,518 --> 01:07:04,453
GOOD NIGHT.
1378
01:07:20,836 --> 01:07:23,639
COME ON. OOH.
1379
01:07:23,639 --> 01:07:25,374
I'LL SEDUCE
YOUR FOOT.
1380
01:07:25,374 --> 01:07:27,877
COME TO BED.
1381
01:07:27,877 --> 01:07:30,646
I'LL KISS
YOUR TOES.
1382
01:07:30,646 --> 01:07:33,149
I'LL KISS
YOUR LITTLE TOES.
1383
01:07:33,149 --> 01:07:36,786
ALL RIGHT,
NOW GO BACK TO THE CAMERA
1384
01:07:36,786 --> 01:07:38,320
LIKE YOU WERE.
1385
01:07:38,320 --> 01:07:39,789
GO LIKE THIS.
1386
01:07:39,789 --> 01:07:41,357
THAT CLOSE, O.K.
1387
01:07:41,357 --> 01:07:45,061
NOW TELL ME
WHAT YOU LIKE ABOUT ME.
1388
01:07:45,061 --> 01:07:48,898
COME ON, DO IT.
DO IT.
1389
01:07:48,898 --> 01:07:51,033
COME ON, O.K.
TELL ME.
1390
01:07:51,033 --> 01:07:52,701
THINK OF SOMETHING.
1391
01:07:52,701 --> 01:07:53,736
I'M THINKING.
1392
01:07:53,736 --> 01:07:55,104
NO, NO, NO. COME ON.
1393
01:07:55,104 --> 01:07:56,639
OFF THE TOP
OF YOUR HEAD.
1394
01:07:56,639 --> 01:08:00,042
YOU'RE SWEET,
AND YOU'RE FUNNY,
AND YOU'RE LOVING,
1395
01:08:00,042 --> 01:08:01,744
AND YOU'RE WARM...
1396
01:08:01,744 --> 01:08:03,412
ISN'T SHE BEAUTIFUL?
1397
01:08:03,412 --> 01:08:05,181
AND YOU'RE
MY BEST FRIEND,
1398
01:08:05,181 --> 01:08:06,549
AND
YOU'RE BEAUTIFUL,
1399
01:08:06,549 --> 01:08:08,918
AND YOU HAVE LEGS
FOR DAYS,
1400
01:08:08,918 --> 01:08:13,422
AND YOU'RE
A GREAT KISSER.
1401
01:08:13,422 --> 01:08:15,357
WHEN ARE YOU GOING
TO GET OVER THIS--
1402
01:08:15,357 --> 01:08:15,925
THIS OBSESSION,
1403
01:08:15,925 --> 01:08:17,626
THESE STUPID,
FUCKING VIDEOS?
1404
01:08:17,626 --> 01:08:18,828
IT'S PATHETIC.
1405
01:08:18,828 --> 01:08:22,398
WHAT THE HELL DO YOU CARE
WHAT VIDEOS I WATCH?
1406
01:08:22,398 --> 01:08:24,500
I CAN WATCH
WHATEVER VIDEOS
I WANT TO.
1407
01:08:24,500 --> 01:08:25,868
WHAT THE HELL WERE
YOU DOING THERE?
1408
01:08:25,868 --> 01:08:28,337
WHAT WAS THAT
ALL ABOUT?
1409
01:08:28,337 --> 01:08:30,372
I WANTED
TO SEE HER.
1410
01:08:30,372 --> 01:08:32,808
WELL, YOU SAW HER,
ALL RIGHT?
1411
01:08:32,808 --> 01:08:35,344
YOU FEEL BETTER?
1412
01:08:35,344 --> 01:08:36,378
WHAT HAPPENED
TONIGHT?
1413
01:08:36,378 --> 01:08:39,615
WHAT HAPPENED?
YOU ALMOST FUCKED
EVERYTHING UP.
1414
01:08:39,615 --> 01:08:41,484
THAT'S ALMOST WHAT
HAPPENED TONIGHT.
1415
01:08:41,484 --> 01:08:44,453
I THOUGHT YOU SAID
YOU WERE GOING TO WORK.
1416
01:08:44,453 --> 01:08:47,056
I WAS WORKING,
REMEMBER?
1417
01:08:47,056 --> 01:08:49,625
HOW COULD
THEY NOT LOVE YOU?
1418
01:08:49,625 --> 01:08:50,426
I DON'T KNOW.
1419
01:08:50,426 --> 01:08:51,160
I'M EXHAUSTED.
1420
01:08:51,160 --> 01:08:54,897
MAYBE ONCE
THEY GET OVER
THEIR SHOCK.
1421
01:08:54,897 --> 01:08:56,365
I'M GOING TO BED.
1422
01:08:56,365 --> 01:08:58,000
IT'LL BE O.K.
1423
01:08:58,000 --> 01:09:00,870
I KNOW, IT'S LIKE
THE UNSPOKEN THING.
1424
01:09:00,870 --> 01:09:03,038
WE'RE ALL PASSIVE,
AGGRESSIVE,
1425
01:09:03,038 --> 01:09:07,042
AND CRAZY AND POLISH
AND CATHOLIC,
1426
01:09:07,042 --> 01:09:08,944
AND WE'RE PRETTY FUNNY.
1427
01:09:08,944 --> 01:09:11,413
THEY'RE GOING TO LOVE YOU.
1428
01:09:11,413 --> 01:09:12,715
I KNOW IT.
1429
01:09:12,715 --> 01:09:15,718
MY MOM WILL LOVE YOU.
1430
01:09:25,861 --> 01:09:26,595
WHERE?
1431
01:09:26,595 --> 01:09:28,364
ALL RIGHT,
LOOK. WAIT HERE,
1432
01:09:28,364 --> 01:09:31,467
AND DON'T COME OVER
TILL I CALL YOU.
1433
01:09:31,467 --> 01:09:33,402
HARVEY.
1434
01:09:34,603 --> 01:09:37,606
HEY, STILL MAD AT ME?
1435
01:09:37,606 --> 01:09:39,642
HEY, WHAT IS THIS THING?
1436
01:09:39,642 --> 01:09:41,977
IS IT FOR THE ARMS?
1437
01:09:41,977 --> 01:09:44,813
GET THAT
PIECE OF SHIT
OUT OF MY SIGHT.
1438
01:09:44,813 --> 01:09:47,449
HEY, HARVEY, COME ON.
THIS IS JOEY.
1439
01:09:47,449 --> 01:09:48,951
JOEY'S COOL,
FOR CHRIST'S SAKE.
1440
01:09:48,951 --> 01:09:51,687
IF HE SAYS
HE DIDN'T TURN YOU IN,
1441
01:09:51,687 --> 01:09:53,689
HE DIDN'T TURN YOU IN.
1442
01:09:53,689 --> 01:09:55,090
YOU KNOW WHAT THIS IS?
1443
01:09:55,090 --> 01:09:59,862
THIS IS A COMMUNICATION
SITUATION HERE.
1444
01:09:59,862 --> 01:10:01,163
COME ON, DO IT FOR ME.
1445
01:10:01,163 --> 01:10:02,731
WOULD YOU GUYS
KISS AND MAKE UP?
1446
01:10:02,731 --> 01:10:05,935
I MEAN, TALK TO HIM.
HE FEELS LIKE SHIT.
1447
01:10:05,935 --> 01:10:07,937
DON'T FUCK
WITH MY MIND, MAN.
1448
01:10:07,937 --> 01:10:09,505
I KNOW
WHAT HAPPENED.
1449
01:10:09,505 --> 01:10:10,406
I KNOW WHAT HE DID.
1450
01:10:10,406 --> 01:10:11,774
WHY DO YOU WANT TO GET
IN THE MIDDLE OF THIS?
1451
01:10:11,774 --> 01:10:14,076
I DON'T KNOW
WHERE YOU GET
YOUR INFORMATION,
1452
01:10:14,076 --> 01:10:16,412
BUT IT'S WRONG, PAL.
1453
01:10:16,412 --> 01:10:18,047
TAKE IT EASY.
1454
01:10:18,047 --> 01:10:19,048
YOU THINK
I'D WASTE MY TIME
1455
01:10:19,048 --> 01:10:20,950
TALKING TO THE COPS
OR ANYBODY
ABOUT YOU?
1456
01:10:20,950 --> 01:10:25,888
YOU'D SELL YOUR MOTHER
FOR MONEY. YOU'RE A WHORE.
1457
01:10:25,888 --> 01:10:28,591
EXACTLY. EXACTLY, HARVEY.
1458
01:10:28,591 --> 01:10:31,126
HE IS. HE'S A WHORE.
1459
01:10:31,126 --> 01:10:33,729
YOU'RE A WHORE...
1460
01:10:33,729 --> 01:10:35,798
BUT HE'S MY FUCKING WHORE.
1461
01:10:35,798 --> 01:10:36,865
LOOK AT
THAT BEAUTIFUL FACE.
1462
01:10:36,865 --> 01:10:38,934
YOU FUCK WITH THAT FACE,
YOU'RE FUCKING WITH ME.
1463
01:10:38,934 --> 01:10:43,105
SO LET'S JUST
CALM THE FUCK DOWN.
1464
01:10:43,105 --> 01:10:45,174
HOW DO I MAKE THIS RIGHT
WITH YOU?
1465
01:10:45,174 --> 01:10:48,744
ALL RIGHT, ALL RIGHT.
1466
01:10:48,744 --> 01:10:51,046
I WANT TO SEE
THIS ASSHOLE
1467
01:10:51,046 --> 01:10:51,880
ON A STRETCHER.
1468
01:10:51,880 --> 01:10:54,116
I WANT TO SEE
HIS FUCKING BONES BROKEN.
1469
01:10:54,116 --> 01:10:56,652
YOU WANT TO
THROW DOWN?
FUCK YOU.
1470
01:10:56,652 --> 01:10:57,152
COME ON.
1471
01:10:57,152 --> 01:10:59,021
WHY ARE YOU PUSHING ME?
1472
01:10:59,021 --> 01:11:00,522
GET THE FUCK--
1473
01:11:00,522 --> 01:11:01,490
HEY, FUCK YOU.
1474
01:11:01,490 --> 01:11:03,892
STAY HERE. I WANT
TO TALK TO YOU.
1475
01:11:03,892 --> 01:11:07,630
GET OVER HERE.
COME HERE,
COME HERE.
1476
01:11:07,630 --> 01:11:08,998
MOTHERFUCKERS.
1477
01:11:11,934 --> 01:11:14,637
GET OUT OF HERE.
LET ME TALK TO HIM.
1478
01:11:14,637 --> 01:11:17,773
GET OUT OF HERE.
YOU GOT A DATE. GO.
1479
01:11:17,773 --> 01:11:19,642
I'M NOT WORKING.
I GOT PLANS.
1480
01:11:19,642 --> 01:11:22,111
I CALLED YOUR
MACHINE LAST NIGHT.
1481
01:11:22,111 --> 01:11:26,749
I TOLD YOU
YOU HAVE A DATE.
1482
01:11:26,749 --> 01:11:28,484
HERE.
1483
01:11:28,917 --> 01:11:30,986
YEAH, HERE. DONNA.
1484
01:11:30,986 --> 01:11:33,155
GO. JUST GO.
1485
01:11:33,155 --> 01:11:34,723
WAIT A MINUTE.
1486
01:11:34,723 --> 01:11:35,190
GO AHEAD.
1487
01:11:35,190 --> 01:11:37,593
WHAT, AM I SUPPOSED
TO GO LIKE THIS?
1488
01:11:37,593 --> 01:11:42,965
THEY DON'T CARE.
THEY CARE ABOUT
WHAT YOU DON'T WEAR.
1489
01:11:45,734 --> 01:11:50,105
HEY, WHAT ARE WE
GOING TO DO?
1490
01:11:50,105 --> 01:11:51,974
HE FUCKED ME,
MICKEY,
1491
01:11:51,974 --> 01:11:54,977
AND HE'S GOING
TO FUCK YOU.
1492
01:12:15,664 --> 01:12:16,765
I'M SORRY.
1493
01:12:16,765 --> 01:12:19,835
JOE, CUT IT OUT.
THIS IS STUPID, O.K.
1494
01:12:19,835 --> 01:12:22,304
YOU DON'T WANT
TO BE HERE, FINE,
1495
01:12:22,304 --> 01:12:24,239
JUST DON'T WASTE MY TIME.
1496
01:12:24,239 --> 01:12:28,911
I DO WANT
TO BE HERE. WHAT?
1497
01:12:31,847 --> 01:12:34,550
I WANT
TO BE WITH YOU.
1498
01:12:34,550 --> 01:12:36,752
FORGET IT.
1499
01:12:39,088 --> 01:12:40,889
ELLEN.
1500
01:12:44,860 --> 01:12:47,062
WHAT--WHAT
DO YOU WANT?
1501
01:12:47,062 --> 01:12:49,965
I WANT TO KNOW
WHO YOU ARE.
1502
01:12:53,535 --> 01:12:55,871
I DON'T GET IT.
1503
01:12:55,871 --> 01:12:57,773
WHAT DO YOU MEAN
WHO AM I?
1504
01:12:57,773 --> 01:13:00,576
LOOK, YOU'RE NOT
A WRITING STUDENT.
1505
01:13:00,576 --> 01:13:03,212
YOU'RE CERTAINLY
NOT WITH ME.
1506
01:13:03,212 --> 01:13:05,881
WHO ARE YOU?
1507
01:13:09,151 --> 01:13:10,786
I'M JUST JOE.
1508
01:13:10,786 --> 01:13:14,523
THAT'S NOT
GOOD ENOUGH, JOE.
1509
01:13:17,893 --> 01:13:19,795
DID YOU BRING
YOUR ASSIGNMENT?
1510
01:13:19,795 --> 01:13:23,332
IT WAS TO DESCRIBE
YOUR FEAR.
1511
01:13:23,332 --> 01:13:25,834
I DIDN'T DO IT.
1512
01:13:29,171 --> 01:13:30,873
DO IT NOW.
1513
01:13:36,245 --> 01:13:39,214
DO WHAT?
THIS IS...IT'S BLANK.
1514
01:13:39,214 --> 01:13:42,084
DESCRIBE YOUR FEARS.
1515
01:13:44,787 --> 01:13:47,289
LOOK, I CAN'T
DO THIS, O.K.
1516
01:13:47,289 --> 01:13:49,625
I JUST...THIS IS STUPID.
1517
01:13:49,625 --> 01:13:51,660
I FEEL LIKE AN IDIOT.
1518
01:13:51,660 --> 01:13:52,895
NO.
1519
01:13:54,663 --> 01:13:56,865
I'M THE IDIOT.
1520
01:13:59,902 --> 01:14:01,203
OH, ALL RIGHT.
1521
01:14:01,203 --> 01:14:02,905
HEY, NO, NO. WAIT.
1522
01:14:02,905 --> 01:14:05,874
HEY, COME HERE.
1523
01:14:09,111 --> 01:14:11,980
I'M...JUST,
YOU KNOW...
1524
01:14:11,980 --> 01:14:17,286
I'M AFRAID
OF...NOTHING.
1525
01:14:17,286 --> 01:14:18,887
NOT REAL.
1526
01:14:18,887 --> 01:14:23,225
I'M AFRAID
OF MYSELF, YOU KNOW,
1527
01:14:23,225 --> 01:14:24,760
WHAT I AM.
1528
01:14:24,760 --> 01:14:26,962
WHAT AM I TO DO?
1529
01:14:26,962 --> 01:14:29,932
I'M AFRAID
OF YOUR HONESTY
1530
01:14:29,932 --> 01:14:33,602
AND THE WAY
YOU MAKE ME FEEL...
1531
01:14:35,170 --> 01:14:38,106
AND THE THINGS
YOU MAKE ME SEE.
1532
01:14:48,016 --> 01:14:50,953
I FEEL SO WEAK
SOMETIMES.
1533
01:14:51,954 --> 01:14:54,289
YOU'RE NOT WEAK.
1534
01:14:57,025 --> 01:14:59,761
I'M NOT VERY GOOD
AT THIS.
1535
01:15:01,363 --> 01:15:04,800
IT'S HARD TO SAY.
THAT'S TOUGH.
1536
01:15:11,406 --> 01:15:13,242
SORRY.
1537
01:15:20,015 --> 01:15:21,650
THANK YOU.
1538
01:15:40,269 --> 01:15:42,671
[WOMAN TALKING]
1539
01:15:43,272 --> 01:15:45,741
OH, DARLING,
I COMPLETELY UNDERSTAND.
1540
01:15:45,741 --> 01:15:47,009
LAST TIME
I USED THESE PEOPLE
1541
01:15:47,009 --> 01:15:51,246
THEY PUT WAY TOO MUCH SALT
ON EVERYTHING.
1542
01:15:51,947 --> 01:15:56,418
I SPENT MORE ON WATER
THAN I DID ON THE FOOD.
1543
01:15:56,418 --> 01:16:01,924
DON'T LET THEM SELL YOU ON
THE DIM SUM OR THE CANAPES.
1544
01:16:01,924 --> 01:16:04,059
THEY'LL CHARGE YOU
A FORTUNE,
1545
01:16:04,059 --> 01:16:07,062
AND EVERYONE'S
STILL HUNGRY.
1546
01:16:07,062 --> 01:16:08,430
YEAH.
1547
01:16:09,298 --> 01:16:11,300
[SNAPS FINGERS]
1548
01:16:11,300 --> 01:16:15,404
YEAH. AH. YEAH.
1549
01:16:15,404 --> 01:16:19,541
THEY HAVE AN ABSOLUTELY
SNIPPY BARTENDER--JUAN.
1550
01:16:19,541 --> 01:16:22,110
DON'T IF THEY
GIVE YOU JUAN.
1551
01:16:22,110 --> 01:16:24,746
ASK FOR, UH...
1552
01:16:24,746 --> 01:16:25,380
ASK FOR NEIL.
1553
01:16:25,380 --> 01:16:30,152
HE'S TALL, AND HE MAKES
A PERFECT MANHATTAN.
1554
01:16:30,152 --> 01:16:32,254
YEAH, I KNOW,
1555
01:16:32,254 --> 01:16:36,058
AND THEY'RE GOING TO TRY
AND SOAK YOU ON THE WINE,
1556
01:16:36,058 --> 01:16:39,795
BUT THEY HAVE A PERFECTLY
GOOD CHARDONNAY--
1557
01:16:39,795 --> 01:16:41,964
'83. YEAH.
1558
01:16:41,964 --> 01:16:46,501
IT'S CHEAPER, AND NOBODY
WILL KNOW THE DIFFERENCE.
1559
01:16:48,103 --> 01:16:49,805
I GOT TO GET OFF.
1560
01:16:49,805 --> 01:16:52,808
I'LL CALL YOU LATER.
1561
01:16:54,076 --> 01:16:56,011
WHAT'S WRONG
WITH YOU?
1562
01:16:56,011 --> 01:16:58,180
I'M SORRY. I'M JUST...
1563
01:16:58,180 --> 01:16:59,581
I'M JUST TIRED.
1564
01:16:59,581 --> 01:17:01,049
WELL,
THAT'S ALL RIGHT.
1565
01:17:01,049 --> 01:17:04,453
I CAN HELP YOU
WITH THAT.
1566
01:17:04,987 --> 01:17:06,588
STOP IT.
DON'T TOUCH ME.
1567
01:17:06,588 --> 01:17:08,890
WHAT'S THE MATTER
WITH YOU?
1568
01:17:08,890 --> 01:17:10,092
DON'T...
1569
01:17:10,092 --> 01:17:11,460
DON'T TOUCH ME.
1570
01:17:11,460 --> 01:17:13,562
LAST TIME YOU
CANCELED ON ME,
1571
01:17:13,562 --> 01:17:15,397
AND NOW YOU'RE
PLAYING GAMES
WITH ME.
1572
01:17:15,397 --> 01:17:17,933
GET OUT
OF THOSE CLOTHES
AND INTO BED.
1573
01:17:17,933 --> 01:17:21,370
I DON'T WANT
TO TOUCH YOU.
1574
01:17:21,370 --> 01:17:23,872
YOU MAKE ME SICK.
1575
01:17:23,872 --> 01:17:25,173
I MAKE YOU SICK?
1576
01:17:25,173 --> 01:17:27,442
OH, JOE.
I'VE SPOILED YOU.
1577
01:17:27,442 --> 01:17:30,278
YOU THINK
YOU'RE SPECIAL.
YOU'RE NOT SPECIAL,
1578
01:17:30,278 --> 01:17:34,016
BUT I DO OWN YOU
TILL TOMORROW
MORNING.
1579
01:17:34,016 --> 01:17:36,852
WHERE DO YOU THINK
YOU'RE GOING?
1580
01:17:36,852 --> 01:17:40,055
JOE, GET BACK HERE.
1581
01:17:40,055 --> 01:17:42,858
YOU CAN'T WALK OUT
ON ME, JOE.
1582
01:17:42,858 --> 01:17:44,226
I'LL CALL MICKEY.
1583
01:17:44,226 --> 01:17:46,428
YOUR TROUBLE'S
JUST BEGINNING, JOE.
1584
01:17:46,428 --> 01:17:48,964
THIS ISN'T THE END
OF THIS.
1585
01:18:45,654 --> 01:18:47,255
ELLEN.
1586
01:18:50,625 --> 01:18:51,626
HEY.
1587
01:18:51,626 --> 01:18:53,328
HI.
1588
01:19:02,471 --> 01:19:03,472
WHAT'S GOING ON?
1589
01:19:03,472 --> 01:19:05,640
I HAVE TO TELL YOU
SOMETHING.
1590
01:19:05,640 --> 01:19:08,009
WHAT?
1591
01:19:08,610 --> 01:19:12,080
MY LIFE
IS SUCH A MESS.
1592
01:19:15,016 --> 01:19:16,418
IT'S O.K.
1593
01:19:16,418 --> 01:19:20,122
COME HERE. IT'S O.K.
1594
01:19:20,122 --> 01:19:21,923
♪ HE DEALS THE CARDS ♪
1595
01:19:21,923 --> 01:19:25,227
♪ AS A MEDITATION ♪
1596
01:19:25,227 --> 01:19:30,132
♪ AND THOSE HE PLAYS
NEVER SUSPECT ♪
1597
01:19:31,399 --> 01:19:36,705
♪ HE DOESN'T PLAY
FOR THE MONEY HE WINS ♪
1598
01:19:36,705 --> 01:19:41,977
♪ HE DOESN'T PLAY
FOR RESPECT ♪
1599
01:19:42,477 --> 01:19:47,616
♪ HE DEALS THE CARDS
TO FIND THE ANSWER ♪
1600
01:19:48,483 --> 01:19:53,088
♪ THE SACRED GEOMETRY
OF CHANCE ♪
1601
01:19:53,622 --> 01:19:59,995
♪ THE HIDDEN LAW
OF A PROBABLE OUTCOME ♪
1602
01:19:59,995 --> 01:20:04,166
♪ THE NUMBERS LEAD A DANCE ♪
1603
01:20:04,766 --> 01:20:07,369
♪ I KNOW THAT THE SPADES ♪
1604
01:20:07,369 --> 01:20:11,139
♪ ARE THE SWORDS
OF A SOLDIER ♪
1605
01:20:11,139 --> 01:20:16,077
♪ I KNOW THAT THE CLUBS
ARE WEAPONS OF WAR ♪
1606
01:20:16,778 --> 01:20:19,080
♪ I KNOW THAT DIAMONDS ♪
1607
01:20:19,080 --> 01:20:21,616
♪ MEAN MONEY FOR THIS ART ♪
1608
01:20:21,616 --> 01:20:27,622
♪ BUT THAT'S NOT THE SHAPE
OF MY HEART ♪
1609
01:20:28,690 --> 01:20:33,962
♪ HE MAY PLAY
THE JACK OF DIAMONDS ♪
1610
01:20:34,329 --> 01:20:39,201
♪ HE MAY LAY
THE QUEEN OF SPADES ♪
1611
01:20:40,235 --> 01:20:42,137
♪ HE MAY CONCEAL ♪
1612
01:20:42,137 --> 01:20:45,707
♪ THE KING IN HIS HAND ♪
1613
01:20:45,707 --> 01:20:49,377
♪ WHILE THE MEMORY
OF IT FADES ♪
1614
01:20:49,377 --> 01:20:51,146
I LOVE YOU.
1615
01:20:51,146 --> 01:20:53,415
♪ I KNOW THAT THE SPADES ♪
1616
01:20:53,415 --> 01:20:56,518
♪ ARE THE SWORDS
OF A SOLDIER ♪
1617
01:20:56,518 --> 01:21:01,723
♪ I KNOW THAT THE CLUBS
ARE WEAPONS OF WAR ♪
1618
01:21:03,124 --> 01:21:04,759
♪ I KNOW THAT DIAMONDS ♪
1619
01:21:04,759 --> 01:21:07,329
♪ MEAN MONEY FOR THIS ART ♪
1620
01:21:07,329 --> 01:21:13,635
♪ BUT THAT'S NOT THE SHAPE
OF MY HEART ♪
1621
01:21:13,635 --> 01:21:19,140
♪ THAT'S NOT THE SHAPE ♪
1622
01:21:19,140 --> 01:21:26,715
♪ THE SHAPE OF MY HEART ♪
1623
01:21:28,183 --> 01:21:31,152
I CAN'T BELIEVE
YOU DID THIS TO ME.
1624
01:21:31,152 --> 01:21:32,454
YVONNE'S FURIOUS.
1625
01:21:32,454 --> 01:21:35,490
SHE'S
MY BEST CLIENT.
1626
01:21:35,490 --> 01:21:37,626
DID YOU EVER THINK
ABOUT RETIRING, MICK?
1627
01:21:37,626 --> 01:21:39,227
PLEASE, PLEASE.
JOEY, JOEY.
1628
01:21:39,227 --> 01:21:42,264
WHAT THE FUCK ARE
YOU TALKING ABOUT?
1629
01:21:42,264 --> 01:21:45,200
SO SHE'S
A LITTLE CRAZY.
SO WHAT?
1630
01:21:45,200 --> 01:21:49,304
NO, IT'S NOT JUST HER.
IT'S EVERYTHING.
1631
01:21:50,238 --> 01:21:52,307
I CAN'T DO IT ANYMORE.
1632
01:21:52,307 --> 01:21:54,910
WHAT IS THIS, SOME
BULLSHIT FANTASY?
1633
01:21:54,910 --> 01:21:57,612
YOU WANT
TO PRETEND YOU'RE
SOMEBODY ELSE?
1634
01:21:57,612 --> 01:21:59,481
IS THAT IT?
1635
01:21:59,481 --> 01:22:03,084
ALL RIGHT, JUST
OUT OF CURIOSITY,
1636
01:22:03,084 --> 01:22:06,087
WHAT ARE YOU
GOING TO DO
FOR MONEY?
1637
01:22:06,087 --> 01:22:07,722
ARE YOU GOING
TO DIG DITCHES?
1638
01:22:07,722 --> 01:22:11,559
ARE YOU GOING
TO SELL NEWSPAPERS
ON THE CORNER?
1639
01:22:12,794 --> 01:22:15,263
WHAT ARE YOU
GOING TO DO?
1640
01:22:15,263 --> 01:22:18,500
HOW ARE YOU
GOING TO GET BY,
1641
01:22:18,500 --> 01:22:20,502
WITH YOUR BRAINS?
1642
01:22:20,502 --> 01:22:23,338
WITH YOUR WONDERFUL
PERSONALITY?
1643
01:22:25,440 --> 01:22:27,642
IT'S YOUR DICK, JOE.
1644
01:22:27,642 --> 01:22:28,543
YOUR DICK,
1645
01:22:28,543 --> 01:22:30,412
AND I'M THE GUY
THAT KNOWS WHERE
TO SEND IT,
1646
01:22:30,412 --> 01:22:32,614
TO MAKE YOU MORE
MONEY THAN YOU
EVER DREAMT OF.
1647
01:22:32,614 --> 01:22:34,282
I DON'T KNOW
WHAT I'M GOING TO DO,
1648
01:22:34,282 --> 01:22:36,851
BUT I'M NOT
DOING THIS ANYMORE.
1649
01:22:36,851 --> 01:22:41,256
I'LL BARTEND, WAIT TABLES,
GO TO SCHOOL. WHO KNOWS?
1650
01:22:41,256 --> 01:22:42,490
GO TO SCHOOL?
1651
01:22:42,490 --> 01:22:44,492
I'D LIKE
TO SEE THAT.
1652
01:22:44,492 --> 01:22:45,860
HERE YOU GO,
TEACHER.
1653
01:22:45,860 --> 01:22:47,262
HERE'S A NICE
SHINY APPLE,
1654
01:22:47,262 --> 01:22:49,431
OR BETTER YET,
I'M KIND OF DUMB.
1655
01:22:49,431 --> 01:22:53,501
MAYBE I CAN
FUCK YOU AFTER CLASS
FOR AN "A."
1656
01:22:53,501 --> 01:22:55,370
YOU WANT ME
TO SAY O.K.?
1657
01:22:55,370 --> 01:22:56,438
YOU'RE RIGHT.
GO AHEAD.
1658
01:22:56,438 --> 01:22:59,741
GO TO SCHOOL.
I'LL SEE YOU
AT GRADUATION.
1659
01:22:59,741 --> 01:23:02,777
YOU WERE NOTHING
WHEN I MET YOU.
1660
01:23:02,777 --> 01:23:04,713
I TURNED YOU
INTO SOMETHING,
1661
01:23:04,713 --> 01:23:08,216
AND IF YOU THINK
I'M GOING TO LET YOU
WALK AWAY
1662
01:23:08,216 --> 01:23:10,251
AFTER ALL THAT,
1663
01:23:10,251 --> 01:23:11,519
THEN YOU'RE WRONG,
1664
01:23:11,519 --> 01:23:12,787
DEAD FUCKING WRONG.
1665
01:23:12,787 --> 01:23:16,358
YOU JUST DON'T GET IT,
DO YOU?
1666
01:23:16,358 --> 01:23:18,760
I'M NOT GOING
TO APOLOGIZE TO NOBODY,
1667
01:23:18,760 --> 01:23:22,297
AND I'M NOT GOING TO BE
ANYWHERE AT 8:00 OR 9:00
OR 10:00
1668
01:23:22,297 --> 01:23:23,832
TO FUCK ANYBODY.
1669
01:23:27,202 --> 01:23:28,803
GOT IT?
1670
01:23:30,438 --> 01:23:32,273
WHERE ARE YOU GOING?
1671
01:23:32,273 --> 01:23:32,774
JOEY.
1672
01:23:32,774 --> 01:23:35,210
LOOK, WHAT THE HELL
ARE WE FIGHTING FOR?
1673
01:23:35,210 --> 01:23:36,411
COME ON BACK
IN THE OFFICE.
1674
01:23:36,411 --> 01:23:38,213
WE CAN
WORK THIS OUT.
1675
01:23:38,213 --> 01:23:39,948
JOEY.
1676
01:23:39,948 --> 01:23:42,283
[DOOR CLOSES]
1677
01:24:05,673 --> 01:24:08,476
HARVEY.
1678
01:24:23,792 --> 01:24:27,629
WE GOT TO TALK,
CONNIE.
1679
01:24:28,763 --> 01:24:31,699
WOULD YOU STOP CLEANING?
1680
01:24:34,969 --> 01:24:37,972
I SPENT THE NIGHT
WITH HER, CONNIE.
1681
01:24:37,972 --> 01:24:40,809
OH, REALLY?
1682
01:24:40,809 --> 01:24:43,978
LOOK, DO YOU HEAR
WHAT I'M SAYING?
1683
01:24:43,978 --> 01:24:45,780
DO YOU KNOW
WHAT THIS MEANS?
1684
01:24:45,780 --> 01:24:48,817
CONNIE, I CAN'T
DO THIS ANYMORE.
1685
01:24:51,019 --> 01:24:54,355
HOW DARE YOU
LIVE WITH ME
1686
01:24:54,355 --> 01:24:55,557
IN MY HOME
1687
01:24:55,557 --> 01:24:58,660
AND FUCK
MY GIRLFRIEND.
1688
01:24:58,660 --> 01:25:00,929
I TRUSTED YOU.
1689
01:25:00,929 --> 01:25:03,398
YOU ANIMAL.
1690
01:25:04,833 --> 01:25:07,569
CONNIE, LOOK,
I'M SORRY.
1691
01:25:07,569 --> 01:25:09,838
I DIDN'T
WANT TO HURT--
1692
01:25:09,838 --> 01:25:11,573
GET OUT!
1693
01:25:11,573 --> 01:25:12,874
I DIDN'T WANT
TO HURT YOU.
1694
01:25:12,874 --> 01:25:15,577
WOULD YOU STOP?
WHAT ARE YOU DOING?
1695
01:25:15,577 --> 01:25:16,511
STOP IT, WILL YOU?
1696
01:25:16,511 --> 01:25:19,380
GET OUT
OF MY HOUSE!
1697
01:25:19,380 --> 01:25:20,715
GET OUT!
1698
01:25:22,283 --> 01:25:25,453
CONNIE, OPEN THE DOOR,
WOULD YOU, PLEASE?
1699
01:25:25,453 --> 01:25:27,355
I NEED TO TALK TO YOU.
1700
01:25:27,355 --> 01:25:29,023
PLEASE, JUST OPEN UP.
1701
01:25:29,023 --> 01:25:30,692
CONNIE, OPEN THE DOOR.
1702
01:25:30,692 --> 01:25:31,326
[BANGING]
1703
01:25:31,326 --> 01:25:32,794
OPEN UP
THE GOD DAMN DOOR!
1704
01:25:32,794 --> 01:25:34,729
OPEN UP! LET ME IN!
1705
01:25:34,729 --> 01:25:36,030
AAH!
1706
01:25:39,734 --> 01:25:42,570
OH, MY GOD! STOP!
1707
01:25:46,941 --> 01:25:50,945
HI. MY NAME IS HARVEY.
1708
01:25:55,450 --> 01:25:56,751
MISS ME, FUCK HEAD?
1709
01:25:56,751 --> 01:25:58,753
[CONNIE]
OH, GOD.
1710
01:26:00,054 --> 01:26:02,457
GET HER OUT OF HERE.
1711
01:26:02,457 --> 01:26:05,760
JOE! JOE!
1712
01:26:07,996 --> 01:26:09,864
JOE!
1713
01:26:12,100 --> 01:26:16,905
NOW WE'RE GOING
TO TEACH YOU
SOME RESPECT, JOE.
1714
01:26:16,905 --> 01:26:18,106
DO HIM GOOD.
1715
01:26:18,106 --> 01:26:21,075
[CONNIE]
NO!
1716
01:26:23,778 --> 01:26:26,381
NO!
1717
01:26:29,617 --> 01:26:31,819
AAH!
1718
01:26:31,819 --> 01:26:36,457
OH, GOD!
1719
01:26:47,635 --> 01:26:50,038
WHAT'S GOING ON?
WHERE IS HE?
1720
01:26:50,038 --> 01:26:52,540
ELLEN, I'M SO GLAD
YOU'RE HERE.
1721
01:26:52,540 --> 01:26:55,076
JOE'S BEEN BEAT UP.
HE'S BEEN BEAT UP
PRETTY BAD.
1722
01:26:55,076 --> 01:26:57,946
HE'S OVER THERE.
HE'S GOING TO BE O.K.
1723
01:26:57,946 --> 01:27:02,116
ELLEN, NO MATTER WHAT,
I DID IT BECAUSE I LOVE YOU.
1724
01:27:02,116 --> 01:27:03,818
I WANTED YOU TO KNOW--
1725
01:27:03,818 --> 01:27:04,953
HOW DO YOU KNOW JOE?
1726
01:27:04,953 --> 01:27:06,588
JOE'S
A MALE ESCORT, O.K.?
1727
01:27:06,588 --> 01:27:09,023
I HIRED HIM
TO GET YOU BACK.
1728
01:27:09,023 --> 01:27:10,658
OH,
THAT'S RIDICULOUS.
1729
01:27:10,658 --> 01:27:12,560
THAT'S RIDICULOUS,
CONNIE.
1730
01:27:12,560 --> 01:27:13,428
COME ON.
1731
01:27:13,428 --> 01:27:15,496
CONNIE, STOP.
1732
01:27:25,106 --> 01:27:26,674
HI.
1733
01:27:28,943 --> 01:27:30,211
TELL HER, JOE.
1734
01:27:30,211 --> 01:27:33,147
COME ON,
TELL HER THE TRUTH.
1735
01:27:34,816 --> 01:27:38,019
SHE DOESN'T
BELIEVE ME.
COME ON.
1736
01:27:41,189 --> 01:27:42,690
GOD DAMN IT, JOE.
1737
01:27:42,690 --> 01:27:45,026
TELL HER ABOUT US.
1738
01:27:45,026 --> 01:27:46,594
IT'S NOT TRUE.
1739
01:27:46,594 --> 01:27:50,632
I KNOW IT'S NOT TRUE,
RIGHT?
1740
01:27:50,632 --> 01:27:52,934
COME ON, TELL ME.
1741
01:27:54,002 --> 01:27:55,737
I'M SORRY.
1742
01:27:55,737 --> 01:27:59,941
IS IT? IS IT TRUE?
1743
01:28:02,110 --> 01:28:05,813
I TRIED TO TELL YOU.
1744
01:28:06,614 --> 01:28:08,650
OH, GOD.
1745
01:28:23,998 --> 01:28:26,968
YOU TWO
DESERVE EACH OTHER.
1746
01:28:26,968 --> 01:28:29,971
ELLEN, WAIT, WAIT.
I CAN--
1747
01:28:40,214 --> 01:28:42,583
WE BLEW IT.
1748
01:29:05,106 --> 01:29:06,808
HEY, KID.
1749
01:29:07,141 --> 01:29:09,477
HOW ARE YOU DOING?
1750
01:29:09,877 --> 01:29:11,512
YOU LOOK LIKE SHIT.
1751
01:29:11,512 --> 01:29:15,016
THE DOC SAYS
YOU'LL BE OUT SOON.
1752
01:29:17,719 --> 01:29:18,619
FUCKING HARVEY,
1753
01:29:18,619 --> 01:29:22,590
HE CAN'T DO NOTHING
WITHOUT RESORTING
TO VIOLENCE.
1754
01:29:22,590 --> 01:29:25,159
OH, I, UH...
1755
01:29:25,159 --> 01:29:26,694
I ALSO, UH...
1756
01:29:26,694 --> 01:29:28,096
I GOT YOU...
1757
01:29:28,096 --> 01:29:29,097
A GET-WELL PRESENT,
1758
01:29:29,097 --> 01:29:33,034
BUT, UH...
WHAT DID I DO WITH IT?
1759
01:29:35,169 --> 01:29:37,672
UH...
HOPE YOU LIKE IT.
1760
01:29:37,672 --> 01:29:41,909
UH...YOU KNOW,
I FIGURED WHILE
YOU'RE RECUPERATING,
1761
01:29:41,909 --> 01:29:46,547
MAYBE, YOU KNOW,
WE'LL MAKE
A FEW BUCKS.
1762
01:29:46,547 --> 01:29:47,315
YVONNE CALLED.
1763
01:29:47,315 --> 01:29:51,652
SHE, UH...
SHE LIKES TO TALK
ON THE PHONE.
1764
01:29:51,652 --> 01:29:53,788
MAYBE YOU CAN
GIVE HER A CALL,
1765
01:29:53,788 --> 01:29:56,057
YOU KNOW, MAKE UP.
1766
01:29:59,127 --> 01:30:01,896
YOU DID THIS
TO ME, MICKEY.
1767
01:30:01,896 --> 01:30:02,697
YOU DID IT.
1768
01:30:02,697 --> 01:30:03,831
WHAT ARE YOU
TALKING ABOUT?
1769
01:30:03,831 --> 01:30:06,234
YOU WERE
THE ONLY ONE WHO
KNEW THE ADDRESS,
1770
01:30:06,234 --> 01:30:08,970
THE ONLY ONE
WHO COULD HAVE
TOLD HARVEY.
1771
01:30:08,970 --> 01:30:12,006
ARE YOU OUT
OF YOUR FUCKING MIND?
1772
01:30:12,006 --> 01:30:16,077
I WOULD NEVER
DO THAT TO YOU. NEVER.
1773
01:30:17,311 --> 01:30:19,113
I SWEAR
ON MY MOTHER
1774
01:30:19,113 --> 01:30:20,114
I WOULDN'T
DO THAT TO YOU.
1775
01:30:20,114 --> 01:30:26,087
I MEAN, I PAID
YOUR HOSPITAL BILL,
FOR CHRIST'S SAKES.
1776
01:30:27,221 --> 01:30:28,823
ALL YOU EVER
TALK ABOUT
1777
01:30:28,823 --> 01:30:31,392
IS THE THINGS
YOU DONE FOR ME,
1778
01:30:31,392 --> 01:30:33,795
HOW I NEED YOU...
1779
01:30:34,862 --> 01:30:36,931
WHEN THE TRUTH IS
YOU USED ME
1780
01:30:36,931 --> 01:30:39,300
SINCE THE FUCKING
START...
1781
01:30:40,001 --> 01:30:43,604
AND I'M THROUGH WITH
THAT, YOU HEAR ME?
1782
01:30:44,305 --> 01:30:46,574
I'M THROUGH
WITH THAT.
1783
01:30:48,109 --> 01:30:49,777
SO WHY DON'T YOU
DO ME A FAVOR
1784
01:30:49,777 --> 01:30:52,880
AND JUST GET
THE HELL OUT
OF HERE, HUH?
1785
01:30:53,314 --> 01:30:55,249
IF YOU DON'T
GET OUT OF HERE,
MICKEY,
1786
01:30:55,249 --> 01:31:00,121
I'M AFRAID OF WHAT
I MIGHT FUCKING
DO TO YOU!
1787
01:31:01,656 --> 01:31:03,257
GET OUT OF HERE!
1788
01:31:18,873 --> 01:31:21,008
WHAT THE HELL IS
TAKING SO LONG HERE?
1789
01:31:21,008 --> 01:31:22,677
A LOT
OF PAPERWORK.
1790
01:31:22,677 --> 01:31:23,277
I'LL SAY.
1791
01:31:23,277 --> 01:31:24,011
RELAX.
1792
01:31:24,011 --> 01:31:28,349
THANKS FOR COMING
AND GETTING ME
OUT OF THIS PLACE.
1793
01:31:28,349 --> 01:31:30,952
YOU'RE WELCOME.
1794
01:31:30,952 --> 01:31:32,220
WHAT'S THIS FOR?
1795
01:31:32,220 --> 01:31:34,388
HOSPITAL PROCEDURE.
1796
01:31:34,388 --> 01:31:36,324
WHAT, DO I LOOK
LIKE I CAN'T WALK?
1797
01:31:36,324 --> 01:31:40,628
IF YOU'RE CARRIED IN,
YOU WHEEL OUT.
1798
01:31:41,229 --> 01:31:42,430
THIS IS INSANE.
1799
01:31:42,430 --> 01:31:45,066
I'M AN RN.
I'LL WHEEL HIM OUT.
1800
01:31:45,066 --> 01:31:46,234
I DON'T CARE WHO PUSHES,
1801
01:31:46,234 --> 01:31:47,435
AS LONG AS YOU'RE IN IT.
1802
01:31:47,435 --> 01:31:50,104
I'LL BE BACK
WITH YOUR PAPERS.
1803
01:31:50,104 --> 01:31:53,641
WHILE WE'RE STILL YOUNG.
1804
01:32:00,848 --> 01:32:03,651
SO DID YOU TALK
TO ELLEN?
1805
01:32:07,321 --> 01:32:08,189
I TRIED.
1806
01:32:08,189 --> 01:32:10,324
I MUST HAVE CALLED HER
A MILLION TIMES,
1807
01:32:10,324 --> 01:32:14,028
BUT SHE WON'T PICK UP.
1808
01:32:14,028 --> 01:32:15,029
SO?
1809
01:32:15,029 --> 01:32:18,032
SO THAT...THAT'S IT.
1810
01:32:18,032 --> 01:32:20,167
WHAT ELSE CAN I DO?
1811
01:32:20,167 --> 01:32:23,371
GO SEE HER.
1812
01:32:23,371 --> 01:32:26,941
CONNIE, SHE DON'T
WANT TO SEE ME.
1813
01:32:26,941 --> 01:32:29,477
SHE...
SHE DON'T LOVE ME.
1814
01:32:29,477 --> 01:32:30,878
BULLSHIT.
1815
01:32:30,878 --> 01:32:33,814
SHE DOESN'T LOVE ME.
1816
01:32:34,015 --> 01:32:37,518
JESUS,
IT TOOK ME A WHILE
TO FIGURE THAT OUT.
1817
01:32:37,518 --> 01:32:40,087
I WAS TURNING INTO
THE MAD STALKER.
1818
01:32:40,087 --> 01:32:45,793
PRETTY GLAD
I DIDN'T SEND HER
MY NUDE PHOTOS.
1819
01:32:45,793 --> 01:32:48,195
OW! OW!
1820
01:32:58,940 --> 01:33:03,077
I JUST COULDN'T
LET HER GO.
1821
01:33:03,744 --> 01:33:07,381
LOVE IS LIKE
SOME FUCKING FORCE
OF NATURE.
1822
01:33:07,381 --> 01:33:10,351
YOU CAN'T TRICK IT.
1823
01:33:12,019 --> 01:33:15,756
YOU SURE
CAN'T CONTROL IT.
1824
01:33:16,490 --> 01:33:21,362
BUT THAT'S
THE GREAT PART.
THAT'S THE RIDE.
1825
01:33:22,530 --> 01:33:25,800
ENJOY IT, JOE.
1826
01:33:25,800 --> 01:33:26,467
YEAH, RIGHT.
1827
01:33:26,467 --> 01:33:30,104
IT'LL NEVER WORK
AFTER WHAT WE DID TO HER.
1828
01:33:32,206 --> 01:33:34,108
IT'LL WORK.
1829
01:33:35,142 --> 01:33:37,244
HOW DO YOU KNOW?
1830
01:33:37,244 --> 01:33:39,013
BECAUSE
I KNOW WOMEN.
1831
01:33:39,013 --> 01:33:44,218
I CAN GET ANY WOMAN,
ANYPLACE, ANYTIME.
1832
01:33:44,218 --> 01:33:46,821
GUARANTEED.
1833
01:33:48,022 --> 01:33:51,125
OW! DON'T MAKE ME LAUGH.
1834
01:33:51,125 --> 01:33:52,793
IT HURTS MY RIBS.
1835
01:33:52,793 --> 01:33:55,029
O.K., HERE YOU GO.
1836
01:33:55,296 --> 01:33:57,798
COME ON.
HOP IN, CASELLA.
1837
01:33:57,798 --> 01:34:00,234
I'LL GIVE YOU
A RIDE.
1838
01:34:00,935 --> 01:34:02,903
UH, TOUCH .
1839
01:34:02,903 --> 01:34:06,307
COME ON, I'M
A TRAINED PROFESSIONAL.
1840
01:34:07,942 --> 01:34:10,211
THAT'S WHAT
WORRIES ME.
1841
01:34:14,348 --> 01:34:15,916
SEE YOU LATER.
1842
01:34:15,916 --> 01:34:17,585
WE CAN STILL
MAKE THAT SHOW.
1843
01:34:17,585 --> 01:34:20,187
GOING UPTOWN.
1844
01:34:21,389 --> 01:34:24,291
JULIE, WAIT FOR ME.
1845
01:34:29,530 --> 01:34:31,032
I'M OUT OF HERE,
GUYS.
1846
01:34:31,032 --> 01:34:33,601
YOU WANT TO GET A CAB?
1847
01:34:33,601 --> 01:34:35,336
TAXI!
1848
01:34:46,380 --> 01:34:47,915
HEY.
1849
01:34:54,121 --> 01:34:55,856
I'M SORRY.
1850
01:34:55,856 --> 01:34:57,324
NO.
1851
01:34:59,894 --> 01:35:03,064
ELLEN, WHAT
COULD I DO? I...
1852
01:35:03,064 --> 01:35:05,066
DO?
1853
01:35:05,066 --> 01:35:07,401
WHAT CAN YOU DO?
1854
01:35:10,237 --> 01:35:11,839
NOTHING.
1855
01:35:19,447 --> 01:35:23,451
"FORGIVE ME
THE WRONG I'VE DONE YOU...
1856
01:35:23,451 --> 01:35:28,456
"AND FOR NEVER HAVING
THROWN MYSELF AT YOUR FEET
1857
01:35:28,456 --> 01:35:31,525
"AND BEGGED
YOUR FORGIVENESS.
1858
01:35:35,396 --> 01:35:39,433
I DO SO NOW
WITH ALL MY HEART."
1859
01:35:41,268 --> 01:35:42,903
YOU SEE, I...
1860
01:35:42,903 --> 01:35:44,505
I LISTENED, ELLEN.
1861
01:35:44,505 --> 01:35:46,640
I HEARD YOU.
1862
01:35:49,176 --> 01:35:50,244
ELLEN,
DON'T YOU UNDERSTAND
1863
01:35:50,244 --> 01:35:53,614
THAT EVERYTHING IN MY LIFE
IS DIFFERENT NOW?
1864
01:35:53,614 --> 01:35:56,450
I MEAN, BECAUSE OF YOU.
1865
01:35:57,017 --> 01:36:00,554
I WAS A HUSTLER.
I HUSTLED YOU.
1866
01:36:00,554 --> 01:36:02,456
YOU WERE BRILLIANT.
1867
01:36:02,456 --> 01:36:03,958
NO.
1868
01:36:05,259 --> 01:36:07,495
I SCREWED UP...
1869
01:36:07,495 --> 01:36:09,530
BECAUSE
I FELL IN LOVE,
1870
01:36:09,530 --> 01:36:13,434
AND I NEVER
EXPECTED THAT.
1871
01:36:13,434 --> 01:36:14,401
LOOK,
I KNOW YOU THINK
1872
01:36:14,401 --> 01:36:17,705
EVERY WORD
OUT OF MY MOUTH
IS A LIE.
1873
01:36:17,705 --> 01:36:20,107
WOULDN'T YOU?
1874
01:36:20,307 --> 01:36:23,344
I JUST WANT YOU
TO KNOW THE TRUTH.
1875
01:36:25,446 --> 01:36:27,515
I LOVE YOU.
1876
01:36:32,153 --> 01:36:35,122
I--I REALLY
SHOULD GET GOING.
1877
01:36:37,625 --> 01:36:39,593
O.K.
1878
01:36:39,994 --> 01:36:42,997
YOU KNOW,
I'M NOT GOING
TO CHASE YOU
1879
01:36:42,997 --> 01:36:46,367
OR, YOU KNOW,
PRESSURE YOU
OR ANYTHING...
1880
01:36:46,367 --> 01:36:48,569
IF YOU NEED TIME.
1881
01:36:49,637 --> 01:36:52,039
YEAH, O.K.
1882
01:37:04,185 --> 01:37:06,554
FUCK THIS.
1883
01:37:11,559 --> 01:37:12,626
[HONKING]
1884
01:37:12,626 --> 01:37:15,529
ELLEN!
1885
01:37:16,430 --> 01:37:21,669
ELLEN!
1886
01:37:35,616 --> 01:37:39,253
WELL,
THAT WAS IMPRESSIVE.
1887
01:37:39,253 --> 01:37:42,756
I COULD HAVE CAUGHT
THAT CAB IN HEELS.
1888
01:37:47,494 --> 01:37:49,196
YOU SEE?
1889
01:37:49,196 --> 01:37:52,566
YOU SEE WHAT HAPPENS
I TAKE YOUR ADVICE?
1890
01:37:52,566 --> 01:37:56,170
WHO KNEW YOU WERE
GOING TO BE SO SLOW?
1891
01:37:57,571 --> 01:38:01,275
WHAT THE HELL ARE YOU
DOING HERE, ANYWAY?
1892
01:38:01,275 --> 01:38:03,277
I THOUGHT YOU
GAVE UP STALKING.
1893
01:38:03,277 --> 01:38:04,812
I'M NOT STALKING.
1894
01:38:04,812 --> 01:38:06,313
I'M LURKING.
1895
01:38:06,313 --> 01:38:10,117
BESIDES, ELLEN AND I
HAD A DATE.
1896
01:38:11,085 --> 01:38:12,353
YEAH, RIGHT.
1897
01:38:12,353 --> 01:38:13,287
CALM DOWN, HANDSOME.
1898
01:38:13,287 --> 01:38:17,625
I'M JUST RETURNING
SOME OF HER STUFF.
1899
01:38:22,263 --> 01:38:24,131
SWITCHING
TO LASER DISC.
1900
01:38:24,131 --> 01:38:27,101
IT'S THE WAVE
OF THE FUTURE.
1901
01:38:31,305 --> 01:38:32,673
SO...
1902
01:38:32,673 --> 01:38:34,575
WHAT NOW, DR. LOVE?
1903
01:38:34,575 --> 01:38:36,610
I ALREADY TRIED
APOLOGIZING.
1904
01:38:36,610 --> 01:38:39,780
EVER HEAR OF
EXPENSIVE JEWELRY?
1905
01:38:39,780 --> 01:38:42,249
I'M OUT OF WORK,
REMEMBER?
1906
01:38:42,249 --> 01:38:43,250
THAT'S RIGHT.
1907
01:38:43,250 --> 01:38:44,518
THAT'S A DRAG.
1908
01:38:44,518 --> 01:38:46,754
YEAH, YOU AIN'T KIDDING.
1909
01:38:49,657 --> 01:38:51,158
SO, CON, I WAS THINKING.
1910
01:38:51,158 --> 01:38:54,395
SINCE I GOT TO GET OUT
OF MY PLACE, MAYBE--
1911
01:38:54,395 --> 01:38:55,429
OUT OF THE QUESTION.
1912
01:38:55,429 --> 01:38:56,630
COUPLE DAYS!
1913
01:38:56,630 --> 01:38:58,832
CONNIE...
1914
01:38:58,832 --> 01:39:01,268
YOU COULD GET ELLEN
BACK FOR ME.
1915
01:39:01,268 --> 01:39:02,803
YOU'RE GOOD
WITH WOMEN...
1916
01:39:02,803 --> 01:39:04,538
GET AWAY FROM ME!
1917
01:39:04,538 --> 01:39:06,507
HA HA HA HA!
1918
01:39:08,175 --> 01:39:09,209
COME HERE.
1919
01:39:09,209 --> 01:39:11,879
O.K., I'LL--
I'LL GET HER BACK...
1920
01:39:11,879 --> 01:39:14,315
UNDER ONE CONDITION.
1921
01:39:14,315 --> 01:39:15,249
WHAT'S THAT?
1922
01:39:15,249 --> 01:39:17,851
JUST DON'T INVITE ME
TO THE WEDDING.
1923
01:39:17,851 --> 01:39:19,486
I HATE WEDDINGS.
1924
01:39:19,486 --> 01:39:20,321
OH, YEAH?
1925
01:39:20,321 --> 01:39:21,455
ANYWAY, I KNOW YOU--
1926
01:39:21,455 --> 01:39:22,890
YOU'RE GOING
TO GET DRUNK,
1927
01:39:22,890 --> 01:39:26,493
YOU'RE GOING
TO WANT TO KISS ME.
1928
01:39:26,493 --> 01:39:28,295
ELLEN WILL GO MOCUS.
1929
01:39:28,295 --> 01:39:29,363
HA HA HA HA!
1930
01:39:29,363 --> 01:39:31,298
IT'LL BE A NIGHTMARE.
1931
01:39:31,298 --> 01:39:33,634
IT'LL BE ROMANTIC.
1932
01:39:56,390 --> 01:39:57,858
♪ HE DEALS THE CARDS ♪
1933
01:39:57,858 --> 01:40:01,195
♪ AS A MEDITATION ♪
1934
01:40:01,862 --> 01:40:06,166
♪ AND THOSE HE PLAYS
NEVER SUSPECT ♪
1935
01:40:07,801 --> 01:40:09,470
♪ HE DOESN'T PLAY ♪
1936
01:40:09,470 --> 01:40:13,507
♪ FOR THE MONEY HE WINS ♪
1937
01:40:13,507 --> 01:40:17,745
♪ HE DOESN'T PLAY
FOR RESPECT ♪
1938
01:40:18,879 --> 01:40:23,817
♪ HE DEALS THE CARDS
TO FIND THE ANSWER ♪
1939
01:40:24,752 --> 01:40:28,856
♪ THE SACRED GEOMETRY
OF CHANCE ♪
1940
01:40:30,691 --> 01:40:32,326
♪ THE HIDDEN LAW ♪
1941
01:40:32,326 --> 01:40:36,663
♪ OF A PROBABLE OUTCOME ♪
1942
01:40:36,663 --> 01:40:39,867
♪ THE NUMBERS
LEAD A DANCE ♪
1943
01:40:41,935 --> 01:40:43,637
♪ I KNOW THAT THE SPADES ♪
1944
01:40:43,637 --> 01:40:47,408
♪ ARE THE SWORDS
OF A SOLDIER ♪
1945
01:40:47,408 --> 01:40:51,912
♪ I KNOW THAT THE CLUBS
ARE WEAPONS OF WAR ♪
1946
01:40:53,480 --> 01:40:54,982
♪ I KNOW THAT DIAMONDS ♪
1947
01:40:54,982 --> 01:40:57,951
♪ MEAN MONEY FOR THIS ART ♪
1948
01:40:57,951 --> 01:41:03,891
♪ BUT THAT'S NOT
THE SHAPE OF MY HEART ♪
1949
01:41:04,758 --> 01:41:09,863
♪ HE MAY PLAY
THE JACK OF DIAMONDS ♪
1950
01:41:10,731 --> 01:41:16,303
♪ HE MAY LAY
THE QUEEN OF SPADES ♪
1951
01:41:16,303 --> 01:41:18,038
♪ AND HE MAY CONCEAL ♪
1952
01:41:18,038 --> 01:41:21,875
♪ THE KING IN HIS HAND ♪
1953
01:41:21,875 --> 01:41:25,946
♪ WHILE THE MEMORY
OF IT FADES ♪
1954
01:41:27,881 --> 01:41:29,516
♪ I KNOW THAT THE SPADES ♪
1955
01:41:29,516 --> 01:41:32,953
♪ ARE THE SWORDS
OF A SOLDIER ♪
1956
01:41:32,953 --> 01:41:37,925
♪ I KNOW THAT THE CLUBS
ARE WEAPONS OF WAR ♪
1957
01:41:38,992 --> 01:41:40,894
♪ I KNOW THAT DIAMONDS ♪
1958
01:41:40,894 --> 01:41:43,764
♪ MEAN MONEY FOR THIS ART ♪
1959
01:41:43,764 --> 01:41:49,770
♪ BUT THAT'S NOT
THE SHAPE OF MY HEART ♪
1960
01:41:49,770 --> 01:41:55,409
♪ THAT'S NOT THE SHAPE ♪
1961
01:41:55,409 --> 01:42:02,983
♪ THE SHAPE OF MY HEART ♪
1962
01:42:26,540 --> 01:42:30,711
♪ AND IF I TOLD HER
THAT I LOVED YOU ♪
1963
01:42:31,912 --> 01:42:36,383
♪ YOU MAYBE THINK
THERE'S SOMETHING WRONG ♪
1964
01:42:37,918 --> 01:42:39,653
♪ I MET A MAN ♪
1965
01:42:39,653 --> 01:42:43,490
♪ WITH TOO MANY FACES ♪
1966
01:42:43,490 --> 01:42:47,661
♪ THE MASK
I WEAR IS ONE ♪
1967
01:42:49,496 --> 01:42:53,867
♪ ALTHOUGH THEY SPEAK,
KNOW NOTHIN' ♪
1968
01:42:55,068 --> 01:43:00,140
♪ OR FIND OUT
TO THEIR CROSS ♪
1969
01:43:00,140 --> 01:43:03,076
♪ LIKE THOSE WHO CURSE
THEIR LUCK ♪
1970
01:43:03,076 --> 01:43:06,813
♪ IN TOO MANY PLACES ♪
1971
01:43:06,813 --> 01:43:10,784
♪ FOR THOSE
WHO FEAR ARE LOST ♪
1972
01:43:12,186 --> 01:43:13,854
♪ I KNOW THAT THE SPADES ♪
1973
01:43:13,854 --> 01:43:17,591
♪ ARE THE SWORDS
OF A SOLDIER ♪
1974
01:43:17,591 --> 01:43:23,630
♪ I KNOW THAT THE CLUBS
ARE WEAPONS OF WAR ♪
1975
01:43:23,630 --> 01:43:25,465
♪ I KNOW THAT DIAMONDS ♪
1976
01:43:25,465 --> 01:43:28,235
♪ MEAN MONEY FOR THIS ART ♪
1977
01:43:28,235 --> 01:43:33,674
♪ BUT THAT'S NOT
THE SHAPE OF MY HEART ♪
1978
01:43:34,141 --> 01:43:40,047
♪ THAT'S NOT
THE SHAPE OF MY HEART ♪
1979
01:43:40,047 --> 01:43:45,719
♪ THAT'S NOT THE SHAPE ♪
1980
01:43:45,719 --> 01:43:49,723
♪ THE SHAPE OF MY HEART ♪
119166
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