All language subtitles for 10 SIMPLE Tricks to MASTER Davinci Resolve FUSION

So you want to know how to master fusion,
but you really don't know

where to get started.

Well, you've come to the right place
because in this video we're going

to go over ten simple tricks to help

you begin to master
Da Vinci resolve fusion.

So let's get into it.

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Starting at number ten,
there is a secret menu in the Fusion tab.

If you right click on the middle
right here where the play section is,

this actually gives you the ability
to toggle on and off high quality footage

and motion blur so you can have smoother
looking video in fusion

when you're doing your effects.

So if you've done all of that

and you're still running into issues,
try using optimized media.

Alongside with this right
click on your clip.

Go to generate optimized media
and wait for this thing to render out.

So combined, all of those should give you
smooth playback in fusion.

Number nine.

Let's be honest, we all hate those messy
node trees and it really can be

confusing as crap, especially
if you're trying to know what's going on.

Well, if you right click and go to options
and go down to orthogonal pipes.

This is going to give you 90 degree bends
in all of your pipes here.

So now it looks a lot cooler,
but then it gets even better

because if you right click again
and go to a range and then select

two grid,
your nodes will be locked into the grid,

making everything easier to keep things
organized and just overall looking better

and really like who doesn't enjoy
like a nice looking node tree number

eight fusion actually doesn't allow you
to hear audio while you're adding effects.

This can be a problem
because having pop up effects that go

along with your audio is just
going to be harder to do in general.

But it can be done.

And really until this is fixed, which
I actually really do think will happen,

you can actually switch
between the edit tab and the fusion tab

and where you want to add like a word
or a pop of effect.

You leave your play
head on in the edit tab

and then just click over to Fusion tab
and your play head will be the same place.

At least you'll have a starting place.

It's probably one of the only solutions
just for an out number seven,

you can bring multiple clips
all at once into fusion.

You can do this starting in the edit tab.

If you select all of your clips
that you want to be

in the fusion composition,
you right click on one of the clips

and you go to create new fusion comp
and this is going to put all of them

into one composition
and then just jump over to Fusion

and you should have all of your media ends
right there.

You can do this manually one at a time
by actually adding in a loader node

and loading up the clip or the picture
that you want to add into your fusion cup.

It's slower, but you can do it.

Number six, any color grid you do

will not show up in fusion
unless it's done in fusion.

So I can add this really hard color
grid to this clip in the color tab

and go over to Fusion and you can see
it's still the normal raw footage.

But if you add your color correction
infusion, you could actually see it

in the color tab.

I don't suggest

doing color grades in fusion,
mainly because there's a whole color tab

that has so many more tools
than the fusion tab has.

But be aware
not to add the same color grade infusion

and the color tab at the same time
because it'll just double the colors

and it'll be like washed out
or crazy colors and all that stuff.

It's going to look ugly, really.

If you want the most accurate
representation of what your composition

is going to look like,
just checking the edit tab number five

if you're good at this program,
but you actually just can't keep anything

organized, you're going to fumble

through the whole thing
and it's going to be super annoying.

So tip number five is to use Underlay.

These things are super important.

They're really like

almost the idea of like grouping nodes,
but being able to see everything at once.

You can grab and drag new nodes into
this group can also easily

just take things out.

It really helps to visualize
different parts of your project.

Number four curves in the Spline tab.

If you want to add a curve to any of your
keyframes, open up the spline tab.

Hit this fit two zoom button
so you can see everything.

Now we have the line
we want to add the curve to.

What you're going to do
is you're going to drag over this

and then hit F, and then you'll be able
to move your curves

around and create a sharp curve
or a really subtle curve.

All of this is to make your animations
in fusion smoother

because no one likes boring, choppy,
or even just ugly animations.

Number three, merge nodes in this program.

Merge nodes are literally a way of life
like they're everywhere.

If you have any sort of composition,
you need a merge node.

And I mean on the high bar alone,
there's like three different

kinds of merge nodes.

You have like a normal merge node,
you have your particle

merge node
and then you have a 3D merge node.

And the thing is, as each of these merge
nodes are just different.

You can only merge up to four things

with a normal merge node
with a particle merge node.

You can actually only add up
to three nodes together

and with the 3D merge node
as far as I can tell,

you can add it up to unlimited nodes.

Like I just started adding in
like so many nodes here.

It's crazy.

That's also really awesome because it has
a lot of potential for you to do stuff.

Speaking of 3D,
number two is that you can literally work

in like full 3D space within the program
with like no plugins at all.

You don't need the studio version
for this.

So to begin working in 3D space, all you
really need is like a render 3D node.

Then from there you can start adding
in other nodes like 3D text, 3D cameras.

As long as it's a 3D node,
you can add it in.

And another small tip for 3D,
just learn how to use the 3D camera.

It's so awesome and it'll save you so much
time with your animations in 3D space.

It's pretty cool.

And finally is number one,
you can actually save

all the things that you do,
like all of your nodes,

all of your effects, all of your
transitions, and then just use them again.

So let's say you made a weapon transition
and you just use it all the time.

Well, instead of having to actually
just make the whole thing over again,

you're going to highlight
all of your nodes.

Aside from your media end
and your media out right click on

any new that's highlighted, go to settings
and then save all hours.

Name it, save it in your fusion templates.

So then in your

next video, when you want this
same weapon transition,

you can just go into your effects tab,

grab it and drag all of your nodes out

and it will just save you so much time,
my friends.

Did I miss something on this list?

Let me know

in the comments below, because that's
where the real conversation happens.

As usual, the video on the top is a video
all about the hologram effect

in the venture result,

and it's super sick guys,
if you haven't seen that, go check it out.

And the video on the bottom is a video
that YouTube thinks that you would like.

But until the next one piece.