All language subtitles for White Squall 1996 720p BRRip.english

♪♪♪

HERE, BESSlE. COME ON, BESSlE.
COME ON . GO GET YOUR STlCK.

CHUCK!

COME ON, BESSlE.

[Man]
CHUCK!

COME ON .
YOU READY?

- YOU ALL SET?
- YEAH, l TH lNK SO.

lT'LL ALL BE HERE
WHEN YOU GET BACK.

l KNOW.

YOU'RE NOT HAVlNG
SECOND THOUGHTS?

NO. WHY?

lT'S A YEAR OF YOUR LlFE.

AND TH lS OCEAN ACADEMY lSN'T
RECOGN lZED AS ACCREDlTED.

- BY YALE.
- BY ANY lVY LEAGUE SCHOOL.

YOU CAN'T AFFORD TWO OF US
AT YALE OR BROWN

OR ANY lVY LEAGUE SCHOOL,
ANYWAY, DAD.

YOUR BROTHER GOT A SCHOLARSH lP,
AND YOU KNOW YOU'D GET ONE TOO.

l'M NOT H lM!

l JUST DON'T CARE ABOUT
THAT STUFF RlGHT NOW.

lT'LL BE A GOOD TH lNG, DAD.

[Horns Honking]

- HERE.
- THANKS, MOM.

- YOU HAVE EVERYTH lNG?
- YES.

- PASSPORT?
- l'LL BE FlNE, MOM.

WHY DO YOU LOOK SO DOWN?
TH lS lS YOUR DREAM COME TRUE.

- THAT'S NOT WHY HE'S LETTlNG ME GO.
- OF COURSE lT lS.

NO. lT'S BECAUSE HE HOPES lT'LL
LOOK GOOD ON MY RECORD.

WELL. ElTHER WAY, YOU'RE GOlNG.

BESlDES, HE WOULD'VE LOVED
TO HAVE BEEN ABLE TO DO TH lS.

- THEN WHY DlDN'T HE?
- HE NEVER HAD THE OPPORTUN lTY.

lT HASN'T BEEN EASY FOR H lM, BOTH
H lS BOYS GOlNG OFF AT THE SAME TlME.

ALL RlGHT.

TH lS lS YOUR BUS TlCKET TO lDLEWlLD.

- SlR?
- JUST TH lS ONE.

AND, UH, TH lS WlLL GET YOU
FROM lDLEWlLD TO MlAMl .

TH lS lS YOUR PLANE TlCKET--

DAD?
l'LL BE OKAY. REALLY.

- MAKE US PROUD, SON .
- OKAY.

[Chuck Narrating]
TODAY THE ADVENTURE BEGlNS.

l'VE GlVEN UP MY LAST YEAR OF
H lGH SCHOOL TO JOlN THE CREW

OF THE BRlGANTlNE SCHOOL SH lP,
ALBATROSS,

TO SAlL HALFWAY AROUND
THE WORLD AND BACK.

DAD'S MADE ME PROMlSE
TO KEEP A JOURNAL.

lT'S LlKE A CHORE, BUT lT'S
PART OF THE DEAL l HAD TO MAKE.

BECAUSE TODAY, l LEAVE THE PATH
THAT HE HAD CHOSEN FOR ME

AND lNSTEAD TAKE MY OWN .

♪♪♪

ALBATROSS?

YEAH .

ROBERT MARCH .
WHO THE HELL ARE YOU?

UH, GlEG, CHUCK.

[Singing Hymn]

GlEG CHUCK?
WHAT ARE YOU, A NATlVE OR SOMETH lNG?

NO, lT'S JUST CHUCK.

HEY, JOHNSTONE,
l'M SURPRlSED TO SEE YOU HERE

AFTER THE OLD BOWSPRlT AFFAlR.

YEAH, WELL l'M BACK FOR SOME MORE.

[Robert]
LlSTEN TO TH lS, MAN .

ROMEO HERE WAS GOlNG AT lT WlTH
SOME LOCAL GlRL lN THE J lBSHEET.

AFTER THE DEED WAS DONE.

WHOA.

- HEY, HE SAYS THEY DlD THE DEED.
- TRUST ME. WE DlD THE DEED.

ALL RlGHT, MAN .

AFTER THE ALLEGED DEED WAS DONE,
THEY FELL ASLEEP.

MR. McCREA WALKS ON DECK AND
HEARS CASANOVA SAWlNG LOGS.

HE CALLS THE WHOLE CREW ON DECK,
UP GOES THE J lB

AND OUT ROLL TOD-O AND THE GlRL
NAKED AS GODDAMN

ADAM AND EVE, l SWEAR.

WHOA, HERE WE ARE, GUYS.
HOME, SWEET HELL ON WATER.

[Tod]
WHOO-HOO!

[Dog Barking]

SMOKED FlSH, SMOKED FlSH .

[lndistinct Talking]

LET'S GO.

l GlVE YOU ONE DOLLAR
FOR EVERY FlSH .

NO, NO.

WHAT HAPPENED TO lT?

SHE CLEANS UP.

WE'LL HAVE HER SH lPSHAPE
BEFORE SHE SHOVES OFF.

[Robert]
COME ON .

"NOW WOULD l GlVE A THOUSAND
FURLONGS OF SEA

"FOR AN ACRE OF BARREN GROUND.

OH, SH lT.

"LONG HEATH, BROWN FURZE,
ANYTH lNG. WlLL ABOVE BE DONE.

BUT l WOULD FAlN
DlE A DRY DEATH ."

[Laughing]
REMEMBER?
HELLO, ROBERT.

EXCUSE ME, SlR, BUT WHAT'S
THAT SUPPOSED TO MEAN?

lT'S SHAKESPEARE, TOD.
THE TEMPEST, ACT ONE, SCENE ONE.

- l SUGGEST YOU READ lT.
- YEAH, AND WHY lS THAT?

BECAUSE lT'S THE SONG YOU'LL ALL
BE SlNGlNG WHEN WE PUT OUT TO SEA.

ARBEDAR!

ARBEDAR.

OH, GEEZ, MAN .
l FORGOT ABOUT H lM.

- WHERE ARE YOU FROM, ROBERT?
- CALlFORN lA, MAN . HAVE A SMOKE.

HOW YOU DOlN'?
ROBERT MARCH .

DEAN PRESTON .

- H l, MY NAME lS GlL MARTlN .
- H l . CHUCK GlEG.

THAT'S MY BROTHER.
HE'S DEAD.

l'M GOlNG TO TAKE TH lS ONE.

WELL, lN CASE YOU HAVEN'T NOTlCED,
lT'S ALREADY BEEN TAKEN .

WHAT'S WRONG WlTH THAT ONE?
WHAT?

l'M SURE lT'S JUST AS COMFORTABLE
AS TH lS ONE lS,

BUT l GET NOSEBLEEDS, SO--

DOES ANYONE HAVE A PROBLEM
WlTH THAT? DO YOU?

ABSOLUTELY NOT!

OKAY, GUYS, LlSTEN UP.

SHAY JENN lNGS, FlRST MATE
OF THE ALBATROSS.

TH lS HERE lS DR. ALlCE SHELDON .

l'M SH lP'S SURGEON .

l'M lN CHARGE OF YOUR
ACHES AND PAlNS.

AND l TEACH BlOLOGY,
MATH AND SClENCE.

GlRARD PASCAL HERE lS
THE SH lP'S COOK.

YOU WANT TO KEEP ALL
YOUR FlNGERS, HUH?

STAY THE HELL OUT OF MY GALLEY
UNLESS YOU'RE lNVlTED

AND YOU HAVE CLEAN HANDS.

SOME OF YOU ALREADY
MET MR. McCREA.

lN CASE YOU HAVEN'T FlGURED lT
OUT, HE TEACHES ENGLlSH .

SO WHEN THE HECK DO WE GET
TO MEET EL CAPlTAN, HUH?

MAYBE HE'S GETTlN' H lS
WOODEN LEG WAXED.

[Shay]
SKlPPER ON DECK!
HELLO.

[Shay]
ON YOUR FEET, GENTLEMEN .
COME ON, LET'S GO!

MARTlN .
PRESTON .

JOHNSTONE.
LAPCH lCK.

GET RlD OF lT, MARCH .

DOWD.
FLAMBERG.

BURROWS.
GlEG.

YOU'RE GONNA WANNA LOSE THAT.

- WHO'D l MlSS?
- BEAUMONT, SlR.

HE'S NOT HERE YET.

THE SH lP BENEATH YOU
lS NOT A TOY,

AND SAlLlNG'S NOT A GAME.

THE ALBATROSS WlLL TAKE US FAR,
GENTLEMEN,

BUT SHE DEMANDS
CONSTANT ATTENTlON .

RESPECT THAT,
AND WE'LL DO FlNE.

[Skipper]
ONE MORE TH lNG.

NOTH lNG HAPPENS ON TH lS SH lP
THAT l DON'T KNOW ABOUT.

SHE SPEAKS TO ME lN THE N lGHT,
SO DON'T TEST ME.

NOT EVEN A LlTTLE.

[Bell Ringing]

"NO MAN lS AN lSLAND,
ENTlRE OF lTSELF.

"AND THEREFORE NEVER SEND TO
KNOW FOR WHOM THE BELL TOLLS.

lT TOLLS FOR THEE."
JOHN DONNE.

l'LL SEE YOU ON DECK.
LET'S GO!

[Shay]
ALL RlGHT!

COME ON, ROLL OUT, SAlLORS.
ALL HANDS ON DECK.

SlXTY SECONDS.
THAT'S ONE MlNUTE, JOHNSTONE.

[Shay]
GO, GO, GO!
OKAY, LET'S RUN .

RUN!
COME ON, RUN, RUN, RUN .

GUYS, LlNE UP SlNGLE FlLE, PLEASE.
SlNGLE FlLE.

OKAY, EVERYBODY, SWlM!

- WHOO!
- GUYS, l'M NOT JOKlNG.

lNTO THE WATER.

[Shay]
l'M NOT JOKlNG, BOYS.

COME ON, lNTO THE WATER.
LET'S GO!

LET'S GO! EVERYONE.
GO, GO, GO!

HEY, PRESTON,
WHAT'S THE MATTER NOW?

COME ON, EVERYONE SWlMS.

l DON'T.

YOU WlLL lF YOU WANT TO EAT.

YOU GONNA SWlM FOR YOUR
BREAKFAST, YOU LlTTLE WEASEL?

GO FOR lT, MAN!

- ALL RlGHT.
- COME ON, YOU SlSSY, GO!

[Tod]
LET'S GO, YOU LlTTLE MONKEY.

COME ON, SHAY!

[Dean]
MOVE lT, YOU MAGGOT!

SHOW 'EM WHAT YOU'RE MADE OF!

[Bird Caws]

YEAH!

[Cheering]
N lCE DlVE!

WHOO!

NOT TOO BAD.

ALL RlGHT. l'VE BEEN lN TWlCE.
SO, WHAT'S lT GONNA BE?

[Rooster Crows]

l'VE GOT FlVE BUCKS
THAT SAYS HE DOESN'T.

- l GOT TEN SAYS HE DOESN'T LlVE.
- l'LL TAKE A DOLLAR OF THAT.

- JESUS.
- l CAN'T WATCH TH lS.

SHH .

AY .

[Cheering]

[Cheering Continues]

SKlPPER ON DECK!

YOU KNOW WHAT'S OUT THERE?

WlND AND RAlN AND SOME
DAMN BlG WAVES.

REEFS AND ROCKS
AND SANDBARS

AND ENOUGH FOG AND N lGHT
TO H lDE lT ALL.

SO WHY THE HELL DO lT, THEN?

BU lLDS CHARACTER, MR. PRESTON,

OF WH lCH YOU ARE lN
DESPERATELY SHORT SUPPLY.

THE KlND YOU ONLY FlND ON
MOUNTAlNTOPS AND DESERTS,

ON BATTLEFlELDS
AND ACROSS OCEANS.

N lCE DlVE, PRESTON .

lF WE DON'T HAVE ORDER,
WE HAVE NOTH lNG.

"WHERE WE GO ONE, WE GO ALL."

[Ringing]

[Chuck Narrating]
SOME OF US ARE HERE FOR DlSClPLlNE,
SOME FOR ESCAPE.

AND THE REST DON'T
EVEN KNOW WHY.

l'M NOT SURE WHERE l FlT lN, BUT l
CAN SEE A SMALL PlECE OF MYSELF

lN EACH OF THEM.

l TH lNK l'LL HAVE FRlENDS HERE,
AND l HOPE TH lS WlLL BE HOME.

WHAT ARE YOU LOOKlNG AT?
HMM?

WHY'D YOU JUMP?

'CAUSE l FELT LlKE lT.

lT WAS SO H lGH, YOU KNOW.

LET ME TELL YOU SOMETH lNG.

AS SOON AS YOU GROW SOME BALLS,
DOUGHNUT,

LET ME KNOW AND l'LL TELL YOU
ALL ABOUT lT.

l THOUGHT lT WAS A PRETTY
STUPlD STUNT MYSELF TOO.

WHAT WAS THAT?

YOU HEARD WHAT l SAlD.

[Grunts]

DON'T EVER CALL ME STUPlD.

[Tracy Whimpers, Groans]

HE DlDN'T MEAN lT.

[Gasping, Panting]

LET ME TELL YOU GlRLS SOMETH lNG.

l DO WHAT l WANT TO DO
WHEN l WANT TO DO lT,

AND l DON'T GlVE A DAMN WHAT SOME
AHAB UP THERE SAYS OTHERWlSE.

♪♪♪

WELL, lF lT AlN'T HOWARD HUGHES
COME TO FLY ME HOME, BOYS.

[Shay]
THERE YOU GO. THAT'S lT.

NO, USE YOUR--USE YOUR WHOLE HAND,
WHOLE HAND.

WHAT'S THE MATTER WlTH YOU?
THE OTHER WAY.

AHOY THERE!

GOOD AFTERNOON!

[Chuckles]

ALBATROSS, HUH?

[Chuckling]
DOESN'T lNSPlRE A LOT
OF CONFlDENCE, DOES lT?

ON THE CONTRARY, THE ALBATROSS
lS CONSlDERED A VERY GOOD OMEN .

LEGEND HAS lT THEY EMBODY
THE SPlRlTS OF LOST SAlLORS.

ONLY BAD LUCK lF YOU KlLL ONE.

[Man]
l'M NOT lNTERESTED lN LEGENDS.

FRANClS BEAUMONT.
THAT'S MY SON BEH lND YOU . FRANK.

- FRANK.
- SlR.

YOU'RE A DAY LATE.
WE KEEP A SCHEDULE ABOARD SH lP.

LlVES DEPEND ON lT.

YOUR CABLE SAlD YOU WOULD NOT BE
PUTTlNG OUT UNTlL LATE OCTOBER.

AS YOU CAN SEE, THERE'S
A LOT OF WORK TO DO.

MM-HMM.

lNDENTURED SERVlTUDE lS NOT
WHAT MY SON HAD lN MlND.

TH lS lS A WORKlNG SH lP.

PROMPTNESS lS NOT A LUXURY,
lT'S A NECESSlTY,

AS lS THE WORK TO MAlNTAlN HER.

YOUR SON WlLL DO H lS PART lF
HE WANTS TO STAY ON BOARD.

l'LL BE HONEST WlTH YOU .
TH lS WAS H lS MOTHER'S lDEA.

A ROMP THROUGH THE CARlBBEAN
SOUNDS MORE LlKE A HOLlDAY

THAN AN EDUCATlON,
lF YOU ASK ME.

lT WlLL BE MORE THAN THAT,
l CAN PROMlSE YOU .

ALL RlGHT.

YOU TAKE GOOD CARE OF MY SON .

[Francis]
HE'LL NEED A HAND WlTH THAT.
lT'S HEAVY.

WELL, FRANK.
WE'LL DO OUR BEST.

ALL RlGHT, TAKE H lM BELOW,
SHAY.

SlNG ALONG. GO!

♪ ME WAY, HEY, HEY, YA ♪

YOU GOT lT. HE'S GOT lT.
ATTA BOY!

HEAD UP, EYES UP.
THEN THE LEG.

KEEP MOVlNG UP.
LOOK UP WHEN YOU'RE GOlNG UP.

NOT SO FAST, FRANK.
THAT'S lT!

KEEP YOUR ARMS STRAlGHT,
SHOULDER LENGTH .

[Alice]
OKAY, NOW l WANT YOU
OUT ON THESE SPARS

BUT l DON'T WANT YOU TO RELEASE
THE GASKETS UNTlL l TELL YOU .

THAT'S GOOD.

JUST KEEP YOUR BACK
lNSlDE THE BACKROPE.

OKAY, NOW REMEMBER,
THESE ARE THE SAlLS.

THEY CAN SH lFT.
THEY'RE NOT LOCKED.

AVAST HAULlNG.

- OVER.
- STOP!

GENTLEMEN, WHEN YOU HEAR
AN ORDER, SHOUT lT OUT!

l WANT TO KNOW YOU'VE HEARD
AND UNDERSTAND.

- SET THE MAlN .
- SET THE MAlN!

[Together]
SET THE MAlN!
SET THE MAlN!

MAlN!

[McCrea]
HEAVE!
HEAVE!

[Screams, Gagging]

SHAY! SKlPPER!
SKlPPER!

[Gagging]

GET H lM!

GET H lM! SOMEBODY, GET TO H lM!

EXCUSE ME!

[Gagging]

COME HERE! AAH .

PUT YOUR FEET ON HERE.

[Panting]

ALL RlGHT, COME ON .

WATCH YOURSELF NOW.

OKAY, TAKE lT EASY.
ARE YOU ALL RlGHT?

[Coughing]
YEAH . HUH?

lT WAS MY FAULT.

l WAS REACH lNG FOR THE--

WHY DlDN'T YOU CLlMB
UP THERE, SON?

SPEAK UP.

'CAUSE HE'S AFRAlD TO CLlMB.

lS THAT TRUE?

SHAY, WHY WASN'T l
MADE AWARE OF TH lS?

lT'S YOUR JOB TO KNOW!

lF SOMETH lNG GOES WRONG UP THERE,
THE OTHER 1 6 PEOPLE ON BOARD

CAN'T BE WONDERlNG lF HE'S
GOlNG TO DO H lS JOB OR NOT.

- SWlNG UP, SON .
- WHAT?

UP YOU GO RlGHT NOW.

[Snickers]

- YOU GOT SOMETH lNG TO SAY?
- NO.

THEN KEEP YOUR MOUTH SHUT!

lT TAKES DlSClPLlNE
TO MAKE lT OUT HERE.

THERE ARE NO SPEClAL CASES.

- NOW, WHAT'S lT GONNA BE?
- l'M SORRY.

SORRY'S NOT GONNA CUT lT.

NOW, GET UP THERE!
GET GOlN'!

THAT'S lT.

ONE HAND lN FRONT
OF THE OTHER, SON .

WE'LL DO lT TOGETHER.

AND DON'T LOOK DOWN .
YOU LOOK lN MY EYES.

LOOK lN MY EYES!
CLlMB.

- COME ON . WE'LL DO lT TOGETHER.
- l CAN'T.

YOU CLlMB, DAMN lT!

[Screaming]
THAT'S lT.

[Screaming Continues]

ARE YOU HATlNG TH lS?
HUH, ARE YOU?

l HATE YOU, YOU SON OF A BlTCH .

GOOD!
GOOD!

HATE YOUR WAY UP ANOTHER RUNG.

DO lT RlGHT NOW!

[Screaming]

[Both Screaming]

[Whimpers]

ALL RlGHT, ALL RlGHT.
ALL RlGHT, COME DOWN .

- OH, GOD.
- STAY THERE.

YOU'RE ALL RlGHT.
THAT'S lT.

[Skipper]
COME ON .
THAT'S lT.

lT'S ALL RlGHT.

[Crying]

- lT'S ALL RlGHT.
- l'M SORRY.

[Crying]

l'M ONLY GOlNG TO SAY TH lS
ONE TlME.

l'M NOT HERE TO WlPE YOUR
NOSES AND YOUR ASSES.

l'M NOT YOUR MOTHER.
HE CAN TAKE CARE OF H lMSELF.

[Crying]

ARE THERE ANY OTHER PHOBlAS
l NEED TO KNOW ABOUT?

- NO, SlR.
- EXCELLENT!

SHAY, FlND MR. MARTlN A POSlTlON
TO SU lT H lS CONDlTlON .

AND REMEMBER SOMETH lNG.

SOONER OR LATER,
WE ALL HAVE TO FACE lT.

[Bell Ringing]

HEY.

WE'RE AWFULLY QU lET TON lGHT.

SOMETH lNG ON YOUR MlND, GlRARD?

l TH lNK YOU WERE TOO TOUGH
ON MARTlN .

- YOU DO, HUH?
- YES, l DO.

THEY'RE GREEN, ALL OF 'EM,
AND FULL OF THEMSELVES.

THAT'S A DANGEROUS COMBlNATlON .

- HE PlSSED ON H lS PANTS.
- MMM, AND ALL OVER ME.

WHAT DO YOU CALL THAT?
HUMlLlATlON TRAlN lNG?

BECAUSE l'M PRETTY FAMlLlAR
WlTH PSYCHOLOGlCAL THEORY.

THERE'S NOTH lNG l'VE READ--

WHAT YOU DO, YOU TRAUMATlZE THE KlD--

THE POlNT lS!

WE'RE AS STRONG AS OUR WEAKEST LlNK.

l DON'T WANT TO FlND
THAT OUT THE HARD WAY.

SO l WlLL CHALLENGE THEM
AS WlLL YOU .

AND THEY WlLL COME TOGETHER.

AND l DON'T CARE lF THEY LlKE
ME OR NOT.

DOES THAT APPLY TO
THE STAFF, TOO, SlR?

l'LL TELL YOU WHAT, GlRARD.

l'LL STAY OUT OF YOUR GALLEY,
YOU STAY OFF MY POOP DECK.

WE'LL GET ALONG FlNE THAT WAY.

OTHERWlSE, lT'S GOlNG TO BE
A LONG RlDE.

l WANT A HEAD COUNT
WHEN THEY'RE lN THE RACKS.

WE'RE PUTTlNG OUT lN THE MORN lNG.

- GOOD N lGHT.
- GOOD N lGHT, SKlPPER.

- GOOD N lGHT, ALlCE.
- GOOD N lGHT.

[Swearing ln Spanish]

[Sighs]

l'VE SEEN H lM SNATCH THE TAlL
OF A TEMPEST AND STUFF lT

SCREAMlNG lNTO A BOTTLE.

THE BlLGES ARE FULL OF 'EM.

McCREA, WHAT DO YOU MEAN
BY THAT?

HE'S BEEN BEYOND THE REACH .

HE'LL DO WELL BY US ALL, GlRARD.
HE'S A REAL SALT.

GOT ONE FOR ME?

NO, THESE l PAlD TWO DOLLARS
FOR. . .HAVANA.

OH!

♪♪♪

HOW YOU DOlN'?

LOOK, l APPREClATE, YOU KNOW,
YOUR CONCERN AND ALL.

BUT, UH, LlKE SKlPPER SAlD,
l CAN TAKE CARE OF MYSELF.

l KNOW.

JUST BROUGHT YOU A COKE.

♪♪♪

l FEEL LlKE l GOT YOU
lNTO TH lS.

FORGET lT.

MY OWN BROTHER AND l USED
TO CLlMB TO THE TOP

OF TH lS OLD BEECH TREE lN
THE BACKYARD AND WATCH

THE SUN GO DOWN LlKE TH lS.

MY, UM, PARENTS, THEY'D, UH,
THEY'D FlGHT A LOT,

SO WE'D SNEAK OUT THERE
WHERE WE COULDN'T HEAR 'EM.

DO YOU BELlEVE l MlSS lT?

l MEAN, ALL THE CRAP l HAD TO PUT UP
WlTH AT HOME AND l'M STlLL HOMESlCK.

WELL, l WOULDN'T WORRY.

l'M SURE THEY'LL HAVE SOME FlGHT
LEFT lN 'EM BY THE TlME WE GET BACK.

THAT'S A FACT.

[Chuck Narrating]
AND SO lT WAS THAT
AFTER WEEKS OF TRAlN lNG

WlTH THE HURRlCANE SEASON
BEH lND US,

THE ALBATROSS TOOK
TO THE OPEN SEA.

lN EACH OF US WERE FEELlNGS
OF EXClTEMENT AND HESlTATlON

FOR THE MAN AT THE HELM
AND THE UNFAMlLlAR WORLD

HE WOULD BE LEADlNG US lNTO.

[Skipper]
GlEG. COME HERE.
TAKE THE WHEEL.

C'MERE.

HOLD HER STEADY lNTO THE WlND.
SOUTHWEST BY WEST.

YES, SlR.

AH, HOLDlNG HER STEADY
SOUTHWEST BY WEST SlR.

♪ lN SOUTH AUSTRALlA
'ROUND CAPE HORN ♪

WHAT'S WRONG, MR. McCREA?

SEEMS LlKE WE'RE SHORT
ON SlNGERS, SKlPPER.

EVERYONE SlNGS ABOARD
A WlNDJAMMER, GENTLEMEN .

LETS EVERYONE KNOW
YOU'RE lN SYNC.

lT SHOWS UN lTY, THAT ALL
THOUGHTS ARE ONE.

BESlDES, l LlKE lT.

♪ HEAVE AWAY, YOU ROLLlNG KlNGS
HEAVE AWAY, HAUL AWAY ♪

♪ HEAVE AWAY
YOU'LL HEAR ME SlNG ♪

WE'LL BEAR OFF TO PORT
AND RUN DOWNWlND.

OKAY, MR. McCREA, STAND BY
TO EASE THE MAlN SHEET.

[Shay]
ROBERT, GET ON THE J lBSHEET.

FALL OFF TO PORT.

EASE HER AROUND TO
A HEADlNG OF NORTHEAST.

- SlNG OUT WHEN YOU'RE THERE.
- YES, SlR.

[Shay]
ALL RlGHT, STAND BY
TO LOOSE THE SQUARES.

- NORTHEAST, SlR.
- SPEAK UP, BOY!

- NORTHEAST, SlR!
- LOOSE THE SQUARES!

[Tod]
LOOSE THE SQUARES!
LOOSE THE SQUARES!

[Shouts]

ALL RlGHT, LOOSEN THOSE GASKETS.
ALL THE OTHER SAlLS UP.

WHAT'S TAKlNG SO LONG, HUH?

KEEP YOUR EYE ON
THE PENNANT, CHUCK.

lF YOU J lB NOW WE'LL HAVE
PEOPLE lN THE WATER.

[Chuck]
YES, SlR!

[McCrea]
STORM AT SEA!

ALL STOP ON THE ENGlNE.

[Bell Ringing]

♪♪♪

BEHOLD THE POWER
OF THE WlND.

[Bell Ringing]

SKlPPER, THE CREW lS DOlNG
GROUP BOOT OVER THE SlDE.

[McCrea]
ALL RlGHT, KEEP lT OVER THE SlDE.

THAT'S lT. COME ON .
OKAY.

WHOA, BOY.
WATCH YOUR STEP.

SHOULD WE TURN AWAY?

YOU CAN'T RUN FROM THE WlND, SON .

YOU TRlM YOUR SAlLS, FACE THE MUSlC,
AND KEEP GOlNG.

TH lS GUY'S CERTlFlABLE.

NO, HE'S SU lClDAL, MAN .

WE WON'T HAVE ANY
CREW LEFT, SKlPPER.

EXCELLENT POlNT!

HOW'D YOU LlKE TO HAVE TO BET ON
TRACY HERE GETTlNG US HOME TODAY?

EACH ONE OF YOU lS
RESPONSlBLE FOR THE REST.

lT'S UP TO YOU .

NOTH lNG LlKE A LlTTLE EXPERlENCE
TO PUT TH lNGS lN PERSPECTlVE, HUH?

l WANT YOU ALL TO MAKE SURE
YOUR GEAR lS STOWED.

McCREA, YOUR TEAM WlLL STAND WATCH .
EVERYONE ELSE H lT THE RACK.

[Frank]
HEY, SKlPPER?

LlSTEN, l'M NOT STAYlNG
OUT HERE, OKAY?

ROBERT, TAKE H lS PLACE.

ROBERT, l GOT AN lDEA.

WHY DON'T YOU HELP ME
SWAB THE DECKS?

[Shay]
STAND BY TO GO ABOUT.

OH, GOD. WATCH YOURSELF.
GET lN YOUR BUNK.

[Frank]
CHECKED OUT.

[Boys Grunting, Groaning]

[Bell Ringing]

- HARDEN UP THE MAlN STAYSAlL.
- AYE, SKlPPER.

HARDEN UP THE MAlN STAYSAlL.

WHOA!

JESUS! SKlPPER! SKlPPER,
THE J lB'S BLOWN OUT!

BRlNG lT lN AND RUN UP THE STORM J lB.
STAY OUT OF REACH OF THE BLOCKS!

[McCrea]
HAUL ON THE DOWN HAUL.

LET GO OF YOUR SHEETS.

HOLD ON TO YOUR CLEWS
AND BLOCKS.

WELL, WE'RE lN lT NOW.

[Alice]
LOOK OUT!

WHOA!

- WHAT DO WE DO?
- GET BLOCK AND TACKLE!

l'LL GO TO BLOCK AND TACKLE.
ROBERT, HERE.

HOLD ON, DEAN .
l'M GOlNG lN .

[McCrea]
GET H lM.
EASY OVER, ALlCE.

- HOLD HER STEADY!
- HOLDlNG HER STEADY, SlR!

[McCrea]
YOU ALL RlGHT?

HANG ON, DEAN!
MORE LlNE!

HOLD ON!

GRAB THE LlNE!

NOW THE LADDER.

[Yells]
AH!

ALL RlGHT, TAKE lT.

COME ON lN, DEAN .
SWlNG AROUND, ALL RlGHT?

COME ON .
YOU ALL RlGHT?

[McCrea]
THERE YOU GO.
THERE YOU GO, ALL RlGHT.

[Robert]
YOU ALL RlGHT?

N lCE DlVE, PRESTON .
YOU ALL RlGHT?

[Skipper]
NOW YOU GOT SOMETH lNG
TO WRlTE HOME ABOUT.

LEAVE MY WlFE ALONE AND GO lN
AND GET WARM.

ALL RlGHT, LET'S BRlNG HER lN
AND RUN UP THE STORM J lB.

LET'S BRlNG THE STORM J lB UP.
LET'S GO.

♪♪♪

- N lCELY DONE.
- THANK YOU, SlR.

YOU'RE ENJOYlNG TH lS.

YES, SlR.

[Chuck Narrating]
THE SEAS LASTED 1 6 HOURS

AND WHEN WE WEREN'T THROWlNG UP,
lT SCARED THE HELL OUT OF US.

SKlPPER NEVER LEFT THE DECK.
NOT ONCE.

l TH lNK HE LOVED EVERY MlNUTE
OUT THERE.

HE'S STRONG, TOUGH, AND HE
WON'T TAKE NO FOR AN ANSWER.

BUT HE MAKES YOU WANT
TO PLEASE H lM.

l WONDER lF WE'LL EVER LlVE UP
TO H lS EXPECTATlONS.

[Whimpering]
HELP ME!

GlL, HEY, GlL.
WAKE UP!

WAKE UP, WAKE UP!
HEY, HEY, EASY, EASY.

[Panting]
lT'S OKAY.

[Panting]
YOU'RE OKAY.

- l WAS FALLlNG.
- lT WAS JUST A BAD DREAM.

lT WAS SO REAL.
HERE'S THE TH lNG.

WHENEVER YOU'RE HAVlNG
A N lGHTMARE LlKE THAT

AND YOU CAN'T GET OUT OF lT,
ALL YOU HAVE TO DO lS SAY,

"ONE, TWO, THREE, WAKE UP."

ONE, TWO, THREE, WAKE UP.

THAT'S lT, AND YOU JUST
COME OUT OF lT.

- WHO TOLD YOU THAT?
- MY DAD.

lT'S THE ONLY GOOD ADVlCE
HE EVER GAVE ME.

[Chuck]
lS THAT HOW HE DlED?

HE FELL OUT OF THE BEECH TREE
lN THE BACKYARD,

AND UM, BROKE H lS NECK.

l WAS ON A CAMP OUT
AWAY FROM HOME.

l--

THEY MUST'VE BEEN GOlNG AT lT,

YOU KNOW, THROWlNG TH lNGS,
PUSH lNG.

[Gil]
A REAL KNOCKDOWN .

THEY DlDN'T FlND H lM
UNTlL THE NEXT MORN lNG.

THEY DlDN'T EVEN KNOW
WHY HE WAS UP THERE.

[Sobbing]

YOU NEVER TOLD THEM
WHY HE WAS THERE?

[Sighs]

l COULDN'T.
l COULDN'T.

[Skipper]
REMEMBER, BE BACK BY 7:00 P.M.

WE GOT A SHALLOW REEF TO CROSS,
AND l'M NOT GOlNG TO WAlT.

[Chatting]

l COULD GO FOR THAT
lN A HEARTBEAT.

YEAH, MAN, THAT WAS
A MATCHED SET FOR SURE.

YOU'RE GONNA BE PAYlNG FOR lT,
BECAUSE SHE'S A PROFESSlONAL, BOYS.

YEAH? HOW DO YOU KNOW?

'CAUSE l KNOW, MAN .
l KNOW.

NOW BELlEVE ME, l KNOW.

l'LL TELL YOU WHO'S GOT
SOME N lCE ONES.

WHO?

DR. ALlCE SHELDON, THAT'S WHO.

[Frank]
OH, YEAH? HOW THE--
HOW DO YOU KNOW THAT?

DOGWATCH, N lGHT AFTER THE STORM,
l'M LOOKlNG

lN THE SKlPPER'S SKYLlGHT.

AND THERE THEY WERE,
DOlNG THE NASTY DANCE.

[Frank]
YOU JUST HAPPENED
TO BE STANDlNG THERE?

[Gil]
WHAT'D THEY LOOK LlKE?

WHAT?

YOU KNOW, HER, UH, HER HOOTERS.

COME ON, MAN, YOU SOUND LlKE
YOU NEVER EVEN SEEN A PAlR.

SHUT UP. l'VE SEEN 'EM.

WELL, EVEN CONSlDERlNG THAT
SHE'S 30, BONER ClTY, FELLAS.

NO FOOLlN', MAN?

BUT, SERlOUSLY, WHAT'D
THEY LOOK LlKE FOR REAL?

- YOU'RE A DAMN VlRGlN, AREN'T YOU?
- NO.

[Laughing]

♪♪♪

COME ON, GlVE ME WHAT YOU GOT.
WHAT YOU GOT THERE?

HERE YOU GO.
THAT'S A DOLLAR.

- TOD?
- A DOLLAR FROM ROBERT.

- LET'S GO.
- YEAH, ALL RlGHT.

[Dean]
TH lS lSN'T ENOUGH .
COME ON, TH lS lS PATHETlC.

YOU GOT SOMETH lNG, BEAUMONT?

l'M NOT GONNA SPEND MY MONEY SO
GlL CAN GET H lS CHERRY BROKEN .

DADDY'S MONEY.

ALL RlGHT, DADDY'S BOY, DADDY'S BOY.
HOLD THAT, GlEG.

WE'RE GONNA SPlN FOR lT THEN, JUST
TO MAKE MR. DADDY'S BOY HAPPY.

ALL RlGHT?
HERE YOU GO.

THE WlNNER GETS
A 1 5-MlNUTE HONEYMOON .

GATHER 'ROUND.

[Cheering, Laughing]

[Dean]
ALL RlGHT, GO GET 'EM, TlGER!

HEY, MAN .

[Boys Chatting, Laughing]

- l GOT SEVEN DOLLARS.
- YOU MUST BE lN A HURRY.

COME ON .

MONEY?
OH, RlGHT.

WAlT HERE.

OKAY.
OKAY.

HEY, FRANK, WHAT'S TAKlNG YOU
SO LONG?

WE'RE WAlTlNG ON YOU, BRO.
LET'S GET OUTTA HERE.

HEY, FRANK!

[Door Opens]

H l, BABY.

UM. . .

WHAT YOU WAlTlNG FOR?

WHOA!
WHOA!

[Laughing]
HEY, WHAT HAPPENED?

NOTH lNG, NOTH lNG HAPPENED.
ALL RlGHT?

[Boys Laughing]

WHY NOT? OH, l DON'T KNOW.
LET'S SEE.

PERHAPS BECAUSE SHE WAS
OLDER THAN MOSES?

YOU OWE US SEVEN BUCKS.

YOU SET ME UP.
ALL RlGHT?

YOU SET ME UP.

DON'T LOOK AT ME, BUDDY.

YOU'RE THE ONE WlTH THE--

SEE YOU LATER, LlMPDlCK!

[Chuck]
l RAN OUTTA THERE.

l TURNED AND RAN AND SLAMMED
THE DOOR BEH lND ME.

MY PARENTS DON'T DO lT ANYMORE.

[Laughing]

THEY DON'T. l SWEAR.
MY PARENTS DON'T DO lT ANYMORE.

THEY TELL YOU THAT?

NO. l FlGURED lT OUT.

[Bell Ringing]
WHAT TlME lS lT?

[Chuck]
WHAT TlME lS lT?
OH, SH lT, MAN!

[Bell Ringing]

[Chuck]
WHERE lS lT?
JESUS H . CHRlST.

[Tod]
YOU GUYS, WE'RE SCREWED.

l KNEW WE SHOULDN'T'VE GONE.
l KNEW lT.

SHUT UP!
YOU SOUND LlKE MY SlSTER.

HOW THE HELL DO YOU lDlOTS SUPPOSE
WE'RE GOlNG TO GET OUT OF HERE?

WE'LL TH lNK OF SOMETH lNG.
DON'T WORRY.

OH, YEAH?

l FEEL SO MUCH BETTER NOW THAT
YOU'RE HERE BECAUSE LUGHEAD

OVER HERE'S GOlNG TO TH lNK--

NO, NO, NO, NO!

[Gagging]

GET OFF H lM!

[Chuck]
DEAN!

DEAN!

YES, CHUCK, N lCE.

[McCrea Kicking On Boat]
UP! UP! COME ON!

GET UP!
LET'S GO!

COME ON, GET UP.
LET'S GO! LET'S GO! LET'S GO!

SKlPPER?

YOU KNOW WHAT
A LOOSE CANNON lS?

A COUPLE OF THOUSAND POUNDS
OF PlG lRON CRASH lNG AROUND

THE DECK lN A STORM.

MAYBE TAKE OUT A MAST, PUNCH
A HOLE RlGHT THROUGH THE HULL.

SEND A MAN-OF-WAR STRAlGHT
TO THE BOTTOM.

PEOPLE ARE LlKE THAT SOMETlMES.

BEFORE YOU KNOW lT, THEY'RE
PUNCH lNG HOLES lN EVERYTH lNG.

l'M TH lNKlNG OF SHUTTlNG
TH lS WHOLE TH lNG DOWN .

[Rooster Crowing]

l CAN FLY YOU ALL HOME
FROM GRENADA.

lT'S GONNA BE NEW YEARS BY
THE TlME WE H lT PORT.

l WANT A TlGHT SH lP.

l WANT THEM ALL SHAVED
AND lN CLEAN CLOTHES

WHEN WE GET THERE.

WE HAVE AN OBLlGATlON
TO HOST A CRU lSE

FOR SOME DUTCH STUDENTS THERE.

EACH ONE OF YOU lS GOlNG TO BE
RESPONSlBLE FOR A STUDENT.

l EXPECT YOU TO BE
COURTEOUS AND THOUGHTFUL.

lF EVERYTH lNG GOES WELL AND YOUR
TEST SCORES ARE ACCEPTABLE,

l MlGHT RECONSlDER.

ALL RlGHT.
THAT'S lT.

GET 'EM ON BOARD, McCREA.

RlGHT, SKlPPER.

ALL RlGHT, COME ON, SHAKE lT OFF.
WHAT HAPPENED, HUH?

[Bell Ringing]

[John Kennedy On Radio]
UNLlKE THAT OF THE SOVlETS
SlNCE THE END OF WORLD WAR l l,

DEMONSTRATES THAT WE HAVE NO
DESlRE TO DOMlNATE OR CONQUER

ANY OTHER NATlON .

JOHNSTONE, WHAT DO YOU SAY l
HAVE A CRACK AT THE WHEEL THERE?

NEGATlVE, TWERP.

AND YOU STlLL OWE ME
TWO BUCKS.

[Kennedy Continues]
AND BECOME ADJUSTED
TO LlVlNG DAlLY ON THE BULL'S-EYE

OF SOVlET MlSSlLES

LOCATED lNSlDE THE U .S.S.R.
OR lN SUBMARlNES.

lN THAT SENSE, MlSSlLES lN CUBA
ADD TO AN ALREADY

CLEAR AND PRESENT DANGER,
ALTHOUGH lT SHOULD BE NOTED

THE NATlONS OF LATlN AMERlCA
HAVE NEVER PREVlOUSLY BEEN

SUBJECTED TO A POTENTlAL
NUCLEAR THREAT.

BUT TH lS SECRET, SWlFT EXTRAORDlNARY
BU lLDUP OF COMMUN lST MlSSlLES

lN AN AREA WELL-KNOWN TO HAVE
A SPEClAL AND H lSTORlCAL RELATlONSH lP

TO THE UN lTES STATES
AND THE NATlONS

OF THE WESTERN HEMlSPHERE lN
VlOLATlON OF SOVlET ASSURANCES,

AND lN DEFlANCE WlTH AMERlCAN
AND HEMlSPHERlC POLlCY--

♪♪♪

FlFTEEN MlNUTES, GENTLEMEN .
FlFTEEN MlNUTES.

WHERE'RE YOU GOlNG?

- TO TAKE A PlSS.
- OH, REALLY?

YEAH, YOU WANNA COME lN
AND SHAKE lT FOR ME?

[Dean]
WHAT ARE YOU DOlN'?

YOU WERE CHEATlNG.

- l DON'T WANT TO LlSTEN TO TH lS.
- YES, YOU DO, STUPlD!

YOU GET CAUGHT CHEATlNG,
YOUR ASS lS ON THE FlRST PLANE

BACK TO lDlOTVlLLE.

CUT lT OUT!
CUT lT OUT, DEAN!

CUT lT OUT!

lF FRANK HAD CAUGHT YOU,
HE WOULD HAVE RATTED YOU OUT

lN A SECOND.

LlSTEN TO US.

YOU GET CAUGHT CHEATlNG
AND YOU'RE OFF THE BOAT!

[Dean]
l CHEATED TO GET
ON THE BOAT, DAMN lT!

l DOCTORED THE GRADES SO l
COULD MAKE THE CUT.

l'M A MORON, ALL RlGHT?
ARE YOU SATlSFlED NOW?

YOU'RE NOT A MORON, DEAN .

BET?

lT TAKES ME HALF A DAY TO GET
THROUGH ONE CHAPTER OF McCREA,

AND l STlLL DON'T HAVE ANY lDEA
WHAT HE'S TALKlNG ABOUT.

KNOW WHY lT TAKES ME SO LONG
TO WRlTE ALL THOSE PAPERS?

BECAUSE l CAN'T SPELL.

THEY EVEN KlCKED ME OUT OF VO-TECH
BECAUSE l COULDN'T READ A SLlDE RULE.

THAT'S RlGHT.

l COULD SHOW YOU HOW
TO READ A SLlDE RULE.

[Whispering]
OH, WHAT THE FUCK?

[Crying]

HOW LONG HAVE YOU
BEEN STANDlNG THERE?

LONG ENOUGH .

l'M NEVER GONNA
PASS THE BOARDS.

l'LL TELL YOU WHAT.

YOU DON'T CHEAT ANYMORE,
AND WE'LL MAKE SURE

YOU GET THE GRADES, OKAY?

WE'LL START OUR OWN
PRlVATE STUDY GROUP.

NOBODY ELSE KNOWS.
YOU'LL ACE THAT TEST.

- l'M lN .
- ME TOO.

WHY WOULD YOU GUYS DO THAT?
YOU GUYS DON'T HAVE TO DO THAT.

'CAUSE, MAN, WE, UM--

WE GOT A HARD-ON
FOR YOU, PANSY.

[Laughing]

[Sea Gulls Squawking]

♪♪♪

WHOA!
OH, NO, WAlT.

[Dean]
WHAT DO YOU GOT?

[Tod]
WHOA!

[Robert]
WAlT, WAlT, WAlT.

[Tod]
ALL RlGHT, FELLAS.

WE GOT WOMEN .

[Laughing]
YES!

[Shouting]

HOLD YOUR HEAD LlNE!
SLACK YOUR SPRlNG!

MlDSH lPS.

TAKE A TURN ON THE STERN LlNE.

[McCrea]
GET THE HEAVlN' LlNES READY.

STAND BY THE FENDERS!
GO ON, GET UP THERE.

[Robert]
READY THE LlNE
FOR THE PORT SlDE.

ALL RlGHT, ALL RlGHT,
ALL RlGHT.

BE CALM, GENTLEMEN .
BE CALM.

SLACK YOUR SPRlNG!

GODDAMN--

AH, GOOD MORN lNG, LADlES.

[Together]
GOOD MORN lNG.

ALL SECURE ALONGSlDE.
FlN lSH WlTH ENGlNES.

FlN lSH ALL ENGlNES.

ONE TH lNG, THOUGH .

WHAT ARE WE SUPPOSED
TO SAY TO 'EM?

ARE YOU SERlOUS, MAN?
COME ON, GET lN THE GAME.

THEY DON'T SPEAK ENGLlSH .

WELL, THERE ARE SOME
TH lNGS EVERYBODY DOES

lN THE SAME LANGUAGE.

HOW ARE YOU SUPPOSED
TO MAKE THE FlRST MOVE?

WELL. . .BE BOLD.

HOW YOU DOlN', LADlES?

DEAN PRESTON .
HERE YOU GO.

MRS. JENSEN?
JENSEN .

[Jensen]
THE GlRLS HAVE BEEN LOOKlNG
FORWARD TO TH lS FOR SOME TlME.

HELLO, TH lS lS MY WlFE ALlCE.
HOW DO YOU DO?

[Skipper]
SHAY, HELP THESE
LADlES ON BOARD.

l TH lNK WE'RE GOlNG TO HAVE
A WONDERFUL SAlL TOMORROW.

YOU MlGHT HAVE YOUR GlRLS
DRESS, UH, YOU KNOW, CASUAL.

THANK YOU, CAPTAlN .
THEY WlLL.

- TH lS lS GlRARD, OUR CHEF.
- WELCOME.

LADlES, TH lS AREA OF THE SH lP
lS THE BOW.

TH lS lS THE FOREMAST AND THE
FOREMAST FlFE RAlL WlTH PlNS,

HOLDlNG LlNES WE USE TO CONTROL
THE SAlLS ALONG THE FOREMAST.

THERE ARE SHEETS USED
TO SET THE SAlLS,

AND THERE ARE CLEW LlNES USED
TO HAUL THE SAlLS BACK lN .

EVERY LlNE ALONG THE FlFE RAlL
SERVES A SPEClFlC PURPOSE.

THE SH lP BENEATH YOU
lS NOT A TOY, LADlES.

RESPECT THAT,
AND WE'LL ALL DO FlNE.

lF YOU'LL FOLLOW ME TH lS WAY.

[Girls Giggling]

♪♪♪

SO ONE FULL TURN OF THE WHEEL
lS lNDlCATED BY THE KlNGSPOKE,

WH lCH lS TH lS RlGHT HERE WlTH--

[Sniffs]
UM, LADlES.

THE WHEEL, ALL RlGHT?

UM, THEN, UH--
THAT'S---

WE WERE WALKlNG AROUND
AND SOMEBODY'S CLEVER lDEA.

l GUESS WE SAW TH lS BROTHEL.

TH lS REALLY PRETTY WOMAN .
AND SHE WAS A WOMAN!

[Bell Ringing]

KEEP lT UP, FRANKlE.
COME ON .

AHOY THERE!

SURPRlSE!
SURPRlSE!

FRANK!
OOH!

OH, FRANK!

[Francis]
WELL, WELL.
WHAT DO WE HAVE HERE?

GOOD AFTERNOON, CAPTAlN .

TH lS lS MY WlFE, MRS. BEAUMONT.

- HELLO.
- HELLO.

PLEASURE TO MEET YOU .

[Francis]
WE THOUGHT WE WOULD
DROP BY AND SEE

lF YOU WERE ALL STlLL lN ONE PlECE.

AND OF COURSE WE ARE.

[Francis]
WELL, YOU NEVER CAN
TELL, CAN YOU?

WHAT CAN WE DO FOR YOU TODAY?

WE JUST THOUGHT WE'D GlVE
OUR LlTTLE BOY A BREAK

FROM THE MONOTONY.

lT'S NOT MONOTONOUS.

NEVERTHELESS.

COME ON! HOP TO, BOY.
WE HAVEN'T GOT ALL DAY.

WHAT'S TH lS?

ALL RlGHT, GENTLEMEN .
BEST BEHAVlOR, PLEASE.

WE SAlL WlTH THE TlDE.
THAT'S 6:00 A.M SHARP.

ARE YOU LlSTEN lNG TO ME?

TRACY, WHAT TlME
ARE WE LEAVlNG?

SlX O'CLOCK.

ALL RlGHT, HAVE A GOOD TlME
BUT DON'T BE LATE.

ALL RlGHT.
THANKS, DAD.

♪♪♪

- PLEASE COME lN .
- THANK YOU .

lT'S MAGN lFlCENT.

[Chatting, Giggling]

lT'S GOT LOTS OF RUM lN lT.

♪♪♪

FRANK.
FRANK!

HEY. WHAT'S WRONG?

YOU DON'T LlKE STEAK?
HMM?

l SHOULD BE EATlNG
WlTH THE CREW.

WELL, YOU'RE NOT.
YOU'RE EATlNG WlTH US.

SO, SlT UP, HUMOR ME
AND EAT YOUR STEAK.

- WHY DlD YOU COME HERE?
- WHY AM l HERE?

WE MlSSED YOU, SWEETHEART.

WHY lN THE SAM H lLL
DO YOU TH lNK l'M HERE?

WE JUST WANTED
TO CHECK ON YOU .

THAT'S ALL.

- STAY OUT OF TH lS.
- l DON'T NEED YOU SPYlNG ON ME.

- SPYlNG?
- FRANK!

THANKS A LOT, SON .

- l CAN TAKE CARE OF MYSELF.
- OH, REALLY? HUH .

l CAN'T WAlT FOR THAT, SON .

YOU PUT ME ON TH lS STUPlD
BOAT lN THE FlRST PLACE.

l DlDN'T WANT TO GO,
BUT l DlD.

WHY DO YOU HAVE
TO EMBARRASS ME?

WHY CAN'T YOU JUST
LEAVE ME ALONE?

YOU COME OUTSlDE WlTH ME.

BUT, FRANClS--

STAY HERE.

lT'S ALL RlGHT.

[Horn Honking]

FRANK.
FRANK!

GET YOUR HANDS OFF ME!
FRANClS, STOP lT!

SETTLE DOWN .
LET GO OF H lM.

LET GO OF ME!

FRANClS, JUST--
TAKE YOUR HANDS OFF OF H lM!

LlSTEN TO ME, YOU LlTTLE--

FRANClS, YOU'RE HURTlNG H lM!
NOW, STOP lT!

YOU HEAR ME?

DON'T YOU DARE EVER
TALK TO ME LlKE THAT.

FRANClS!
MY GOD!

MY GOD!

NOW, FRANK.
FRANK!

[Panting]

OH, CHRlST!

WHAT lS THE MATTER WlTH YOU?

♪♪♪

DO YOU WANT TO DANCE?

YEAH, YEAH .

l CAN'T EVER REMEMBER FEELlNG
TH lS WAY ABOUT MYSELF,

OR A PLACE,
OR SOMEONE LlKE YOU .

WE'VE COME SUCH A LONG WAY
AND WE'VE SEEN SO MANY TH lNGS,

BUT--
TH lS lS--

[Speaking Danish]

WHAT?

[Danish]

l'M NOT, UM, l'M NOT SO GREAT
AT EXPRESSlNG MYSELF.

AND MAYBE THE ONLY REASON
l CAN DO lT RlGHT NOW

lS BECAUSE l KNOW YOU DON'T
UNDERSTAND A WORD l'M SAYlNG.

RlGHT.

ROGER MARlS STEPS UP
TO THE PLATE!

lT'S A CORKER DOWN THE PlPE!

[Screams]
lT'S OUTTA HERE!

[Yelling]
FRANK, WHAT'S GOlNG ON?
FRANK!

COME ON!

lT'S A CORKER DOWN THE PlPE!
FRANK, WHAT'S GOlN' ON?

FRANK, WHAT THE HELL
ARE YOU DOlNG?

[Yelling]

lT'S OUTTA HERE!

TALK TO ME.
TELL ME WHAT HAPPENED.

l JUST DON'T CUT THE MUSTARD.

COME ON .
LET'S GO.

l DON'T HOLD UP UNDER SCRUTlNY.

CHUCK!
CHUCK!

- GlEG!
- WHAT?

OH, YOU--

DOUBLE-TlME lT, MAN .
FRANK'S lN TROUBLE.

[Sighs]
l GOTTA GO. l'M SORRY.

l'LL SEE YOU .

COME ON .

♪♪♪

TOD, DANCE.

ONE, TWO, THREE, FOUR.

HEY, BUDDY, HOW YA DOlN'?

YOU KNOW YOU'RE GONNA
WORK FOR ME SOMEDAY.

FRANK? WHY DON'T WE GO?
WHY DON'T WE GO?

LET ME GO. l WAS lNVlTED TOO!

LOOK AT THESE GUYS.
THEY'RE HOMOS.

FRANK, WE'RE GONNA GO.
GET OFF ME!

l'M FlNE, ALL RlGHT?

FRANK? STOP DOlNG THAT.
WHAT ARE YOU GUYS, HOMOS?

HEY, HEY, HEY, HEY!
CALM DOWN .

SHH . lF YOU DON'T CALM DOWN,
l'M GONNA HAVE TO HURT YOU .

lT'S OKAY. WE GOT YOU .
GET H lM UP.

GET H lM OUTTA HERE.
GET H lM OUTTA HERE.

♪♪♪

DO YOU REMEMBER THE LAST TlME
YOU AND l DANCED?

YOU'RE GONNA TELL ME
AGAlN ANYWAY.

lT WAS ON THE DECK
OF THE YANKEE

THE N lGHT YOU ASKED ME
TO MARRY YOU .

l WASN'T MUCH OLDER
THAN THEY ARE.

- SHALL WE?
- l DON'T WANNA.

OKAY.

MAY l?

DON'T SLlP, CAPTAlN .
YOUR STUDENTS ARE WATCH lNG.

GOTTA GET MY SEA LEGS HERE.

[Sighs]

COMlNG ABOUT.

- YOU READY?
- l'M READY.

[Laughs]
YOU KNOW, SHELDON,

SOMETlMES, NOT OFTEN,
YOU ACT ALMOST HALF HUMAN .

l AM HALFWAY HUMAN .

LOOK AT THOSE TWO OVER THERE.

[Whispering]

"MUCH HAVE l TRAVELED
lN REALMS OF GOLD.

"AND MANY GOODLY STATES
AND KlNGDOMS SEEN .

"'ROUND WESTERN lSLANDS
l'VE BEEN,

WH lCH BARDS lN FEALTY
TO APOLLO HOLD."

DO YOU KNOW WHAT
HE'S TALKlNG ABOUT HERE?

[Snickering]
AH, HUMlLlTY.

HE'S SAYlNG HE HAS TRAVELED
THE SEAS AS HOMER DlD,

AS ULYSSES BEFORE H lM.

"THAT DEEP-BROWED HOMER."

BRlLLlANT, SEASONED,
WlSE OF THE MlND.

HE COMMANDS THE VOYAGE
OF THE lMAGlNATlON

LlKE A GOD.

PlSS ON HOMER, SlR.
WE'RE LlVlN' lT.

[Boys Laughing]

THAT'S THE SPlRlT, DEAN .

DOLPH lNS OFF THE STERN!

AW, DOLPH lNS.

OKAY.
COME ON .

COME ON! LOOK!
THERE'S ONE OVER THERE!

[Boys Cheering]
BEAUTlFUL!

- OH, WOW! TH lS lS lNCREDlBLE!
- OH, SHE'S BEAUTlFUL.

[Shouting]

LOWER H lM DOWN .

COME ON!
YES!

[Squealing]

WHAT THE HELL, GUYS?

WHAT HAPPENED?
WHAT'S GOlNG ON?

GU lDE HER ALONGSlDE.
THAT'S lT.

ALL RlGHT, EASE HER AWAY.

BRlNG THE NOSE UP ONTO
THE SLED. OKAY.

- DEAN, WATCH THE SPEAR.
- ALL RlGHT.

HAUL AWAY.

EASY.
EASY.

TlGHTEN lT OFF, TlM.

THAT'S lT.

WHOA!

ALL RlGHT, EASE AWAY.

EASY.

KEEP lT COMlNG.

WHAT DO YOU TH lNK?

HE'S PUNCTURED HER LUNG.

N lCE SHOT.

MAN, l'M NOT GONNA KlLL lT.

YOU ALREADY HAVE.
GO ON, DO lT.

NO WAY.

- WHAT THE HELL'S WRONG WlTH YOU?
- BACK OFF, MAN!

YOU WANNA KlLL
SOMETH lN' SO BAD?

lT'S JUST A FlSH .
lT'S JUST A FlSH!

COME ON!
LET'S SEE WHAT YOU'VE GOT!

THAT'S WHAT l THOUGHT.

YOU'RE DONE HERE.
YOU'RE GOlNG HOME.

[Tracy]
THE GUY'S GONE BALLlSTlC,
ALL RlGHT?

l'M TELLlNG YOU,
HE'S GONE MENTALLY lNSANE.

lT'S LlKE CABlN FEVER
OR SOMETH lNG LlKE THAT.

ALL RlGHT, MAN . ENOUGH .
lT'S STlLL NOT RlGHT.

THEY SHOULDN'T BE PUTTlN' H lM
OFF THE BOAT.

- THE GUY'S OUTTA CONTROL.
- WE'VE ALL BEEN OUT OF CONTROL.

BUT WE'RE A CREW.
NO, WAlT, WAlT.

THAT'S WHAT TH lS WHOLE TH lNG
lS SUPPOSED TO BE ABOUT.

YOU'RE THE LAST PERSON THAT
SHOULD BE WH lN lNG ABOUT US

BElNG A CREW RlGHT NOW.

OH YEAH?
HOW DO YOU FlGURE THAT?

l'D LOVE TO GO lNTO THE SUBJECT
OF VERTlGO AND EVERYTH lNG,

BUT l WOULDN'T WANT YOU
TO PlSS YOUR PANTS.

YOU KNOW WHAT l'M SAYlN'?

OH, YEAH, TRACY?

COME ON!

GET-- STOP lT!

YOU'RE A REAL JERK.
YOU KNOW THAT?

TELL lT TO THE DOLPH lN,
PRESTON .

HE DESERVES ANOTHER CHANCE.

WE'D DO THE SAME FOR YOU .
YOU KNOW THAT.

YOU DO WHATEVER YOU WANT, GlL.
ALL RlGHT?

lT'S NOT GONNA MAKE ANY
DlFFERENCE ANYWAY.

- THE DOLPH lN WAS A SYMPTOM.
- OF WHAT?

OF A FlGHT HE CAN'T WlN
OUT HERE.

- BUT, SlR, lT'S H lS FATHER.
- lT'S H lS FATHER, SlR.

OH, lT'S H lS FATHER.
MM-HMM.

HE SENT H lM DOWN HERE.
ALL OF THEM.

THEY SENT US DOWN HERE
BECAUSE THEY WANT US TO CHANGE

OR GROW UP OR SOMETH lNG,

AND ALL THEY DO lS TRY
AND KEEP US THE SAME.

l MEAN, HE HAS ALL
THESE EXPECTATlONS

ABOUT WHO H lS SON SHOULD BE,
AND HE DOESN'T EVEN KNOW

WHO FRANK lS.

HOW DO YOU TH lNK
YOU GOT HERE?

DO YOU TH lNK THEY
OWE YOU SOMETH lNG?

DO YOU TH lNK THEY ENJOY RlDlNG
SUBWAYS AND COMMUTER TRAlNS?

THE SAME REPETlTlON DAY lN
AND DAY OUT JUST TO KEEP YOU

lN TENN lS SHOES
AND PRlVATE SCHOOL?

YOU KNOW, THERE ARE
GROUND RULES lN FAMlLlES

JUST LlKE ON TH lS SH lP.

YOU CAN UNDERSTAND THAT.

DOES FRANK KNOW
HOW YOU GUYS FEEL?

l DON'T KNOW.

WELL, SOMEBODY SHOULD TELL H lM.

THAT'S lT.

WELL, l'M ALL EARS.

- YOU MAY NOT LlKE WHAT YOU HEAR.
- OH, l CAN TAKE lT.

CHRlS, THEY'VE BECOME
WHAT WE WANTED.

THEY'RE A CREW.
THAT'S WHY THEY CAME.

DO YOU REMEMBER WHY
WE BEGAN TH lS?

SELF-RELlANCE AND DlSClPLlNE
TO THE COMMUN lTY OF SAlLlNG.

- l HAVEN'T FORGOTTEN .
- MMM. COMMUN lTY.

THAT BOY DOESN'T KNOW
THE MEAN lNG OF THE WORD.

SO, THE BEST TH lNG YOU CAN DO
lS TO KEEP H lM RlGHT HERE.

HE HAS A LOT OF PROBLEMS.

HE BETTER START TO LEARN
TO DEAL WlTH THEM.

[Sighs]
OH, CAPTAlN
COMPASSlONATE SPEAKS.

lT'S NOT ABOUT COMPASSlON .

lT'S NOT ABOUT WHAT
HAPPENS HERE.

lT'S ABOUT WHAT THEY
TAKE AWAY WlTH THEM.

HE WAS COMlNG AROUND.

HE WAS COMlNG APART!
HE LOST CONTROL OUT THERE!

AND WHAT lS SO lMPORTANT
ABOUT BElNG lN CONTROL?

HE'S JUST GONNA HAVE TO FlGURE
THAT OUT, lSN'T HE?

l'M NOT TALKlNG ABOUT H lM.

[Horn Honking]

[Chuck Narrating]
WE WATCHED lN
SlLENT PROTEST.

ABOARD SH lP, THE LOW MORALE
WAS MATCHED ONLY BY THE FEELlNG

THAT MAYBE SKlPPER WAS NO DlFFERENT
THAN OUR OWN FATHERS BACK HOME.

WE'LL MlSS FRANK.

JESUS!

YEAH, l'M--l'M SORRY.

[Gil]
FRANKlE!

[Bell Ringing]

BYE, BYE!

[Bell Ringing]

BYE, FRANKlE!

WHOO-OO-OO!

BYE, BUDDY!

THEY NEVER GAVE UP ON YOU,
YOU KNOW.

[Gil]
BYE, FRANKlE!

l GOT A PROBLEM, MAN .

- WE ALL HAVE PROBLEMS.
- NO. A BlG PROBLEM.

l'M PlSSlNG FlRE.

- FlRE?
- FlRE.

HMM.

HAD A GOOD TlME lN GRENADA,
DlD YOU, TOD?

YEAH . l DlD, ACTUALLY.
THANKS FOR ASKlN'.

TURN AROUND.

OW! OW.

OW.

[Groans]

HOLD THAT.

NEXT!

[Groaning]

ROBERT!
DROP YOUR PANTS.

WAY TO GO, VALENTlNO.

l NEVER EVEN COPPED A FEEL
lN GRENADA.

WELL, YOUR SEXUAL ORlENTATlON
lS NOT MY PROBLEM.

[McCrea]
WHAT DO YOU MAKE OF lT, SKlPPER?

"VENCEREMOS."

CUBANS.

l'LL GET THE HORN .

JESUS! SHE'S GOT GUNS.

[Gunfire]

GET DOWN!
EVERYBODY DOWN!

RUN UP THE COLORS.

WE'RE AMERlCANS, DAMN lT!

SHAY! RUN UP THE COLORS!

JESUS CHRlST!
ARE THEY GONNA SlNK US?

- TAKE lN ALL SAlL! DO lT NOW.
- SAlLS DOWN! GET GOlNG! GO ON!

HERE'S THE HORN, SKlPPER.

WHO THE HELL DO THEY
TH lNK THEY ARE?

[Commander Speaking Spanish]

THEY WANT US TO
lDENTlFY OURSELVES.

TELL THEM WE'RE THE AMERlCAN
SCHOOL SH lP ALBATROSS.

USE YOUR BEST
PUERTO RlCAN ACCENT.

[Spanish]

[Girard]
THEY TH lNK WE'RE CARRYlNG
CUBAN REFUGEES, CAPTAlN .

l DON'T TH lNK THEY'RE GOlNG
TO TAKE lT LlGHTLY

THAT l'M A CUBAN NATlONAL.

NOTH lNG'S GOlNG TO HAPPEN .

REMlND THEM THAT ACCORDlNG
TO THE GENEVA CONVENTlON

FlRlNG ON ClTlZENS ON
THE H lGH SEAS lS AN ACT OF WAR.

[Spanish]

THEY SAY THEY'RE ACTlNG ON
THE DlRECT ORDER OF FlDEL CASTRO.

[Spanish]

[Continues ln Spanish]

TELL THEM TO COME ABOARD.

DO lT!
COME ON!

[Spanish]

GlVE ME YOUR PASSPORT.
GlVE lT TO ME. COME ON, DO lT.

l DON'T TH lNK--

YOU'VE COME A LONG WAY,
GENTLEMEN,

BUT TH lS lS NO TlME FOR HEROES.

l NEED YOU TO BE BOYS RlGHT NOW.
THAT'S AN ORDER.

GET BELOW.
FlND YOUR PASSPORTS.

BRlNG 'EM ON DECK.

[McCrea]
ALL RlGHT, LET'S GO.

ON THE DOUBLE!

LET'S GO FlND THOSE LlTTLE BlTS.

ON DECK RlGHT NOW!
COME ON, GET YOUR STUFF.

GO, GO, GO, GO!

DON'T WORRY.
NOTH lNG'S GONNA HAPPEN .

PRESTON, GOT lT?
LET'S GO.

LET'S GET OUTTA HERE.
TRACE! TRACE, COME ON!

DAMN lT!
WHAT?

l CAN'T FlND MY PASSPORT.
OH, NO!

lS TH lS YOUR STUFF HERE?

JESUS, WHAT A--

COME ON, WE GOTTA GO.

- l CAN'T FlND MY PASSPORT!
- DON'T WORRY ABOUT lT.

LET'S GO!
NOW, DAMN lT!

[Spanish]

HE'S PUERTO RlCAN .

YOU KNOW, CAPTAlN, PLAYlNG CAT
AND MOUSE lS NOT VERY SMART.

NOT FOR THE MOUSE.

DO YOU KNOW YOU'RE VlOLATlNG
lNTERNATlONAL LAW BY

BOARDlNG MY SH lP?

BUT YOU lNVlTED US.

THAT'S BULLSH lT, MAN .
SHH .

YOUR CANNONS MADE
A COMPELLlNG ARGUMENT.

[Spanish]

[McCrea?]
lT'S OKAY. HE'S GOT ONE.

l'VE GOT A PASSPORT.
l SWEAR TO GOD.

A STOW AW AY?

HE LEFT H lS PASSPORT lN GRENADA.
lT'S BElNG MAlLED TO H lM lN PANAMA.

l LEFT lT LAST TlME WE BOARDED.

THAT lS UNFORTUNATE.

WE'LL HAVE TO TAKE H lM WlTH US.

NO!
NO!

ALL RlGHT, ALL RlGHT,
ALL RlGHT.

lF HE'S CUBAN,
CASTRO WEARS A DRESS!

ALL RlGHT.

NOW WE'VE SEEN WHAT
YOU CAN DO WlTH A BOY.

HOW WOULD YOU LlKE TO GO A FEW
ROUNDS WlTH A GROWN-UP?

NONE OF MY CREW
lS LEAVlNG TH lS SH lP.

SEVENTH CAVALRY.

WHAT ARE YOU LOOKlNG AT?

YOU WANT TO TAKE A SOUVEN lR,
YOU TAKE ME.

[Spanish]

ALL RlGHT, THAT'S lT.
LET'S MOVE, GENTLEMEN .

NOW YOU WlLL REALLY HAVE SOMETH lNG
TO TEACH YOUR STUDENTS, CAPTAlN .

LAS ESTRELLAS ES LO UN lCO QUE
UN MARlNERO NECESSlTA PARA NAVEGAR.

WHAT'D HE SAY?

HE SAYS A REAL SAlLOR ONLY NEEDS
THE STARS TO NAVlGATE WlTH .

[Chuckles]

[Chuck Narrating]
AND SO HE GU lDED US SlLENTLY
THROUGH THE CONVOY OF WARSH lPS.

AND WE LATER LEARNED
THEY WERE BOUND

FOR A LlTTLE-KNOWN DESTlNATlON
CALLED THE BAY OF PlGS.

AS WE RODE THE TRADES, HE
SHARED THE ANClENT SECRETS

OF HOW TO READ THE WAVES
AND FOLLOW THE STARS.

PANAMA AND THE AMERlCAS ROSE
AND FELL AWAY AGAlN .

WlTH THE LOCKS OF MlRAFLORES
AND A CONTlNENT BEH lND US,

WE ENTERED lNTO A NEW OCEAN
AND A NEW WORLD

THAT WE WOULD STAKE
AND CLAlM AS OUR OWN .

ALL RlGHT, PENS DOWN .

TlME'S UP.
LEAVE YOUR PAPERS.

[Skipper]
CONGRATULATlONS, GENTLEMEN .

ALL HANDS MAY GO ASHORE
lF YOU PLEASE.

[Cheering]
YOU'RE ON YOUR OWN .
BE CAREFUL.

[Skipper]
BUZZER'S GONE OFF, DEAN .

[Chuck Narrating]
WE HAD TRAVELED OVER 6,000 MlLES

AND SLlPPED PAST THE EQUATOR
TO THE VERY EDGE OF THE EARTH .

LlKE DARWlN BEFORE US, WE WOULD
SEE THE BLlSS OF NATURE

lN THE ABSENCE OF MAN .

lT WAS AS lF THE ALBATROSS HAD
TAKEN US TO ANOTHER TlME.

TODAY l FlNALLY UNDERSTAND HOMER.
THE JOURNEY'S THE TH lNG.

♪♪♪

[Shouting]

[Shouting Continues]

♪♪♪

SHOULD BE A PENClL lN THERE.
HOLD THAT.

"WHERE WE GO ONE,
WE GO ALL.

"BRlGANTlNE ALBATROSS.

N lNETEEN HUNDRED AND SlXTY-ONE."

THAT ABOUT SAYS lT ALL, HUH?

[Shay]
GET lN THERE, GUYS.
CHUCK GlEG.

TOD JOHNSTONE.

GlL MARTlN .

DEAN PRESTON .

TRACY LAPCH lCK.

WHAT ARE THEY DOlNG?

CLAlMlNG THElR PLACE
lN THE WORLD.

WHY DlDN'T YOU GO?

l COULDN'T.
lT'S MY WATCH .

UH-UH .
l COULD'VE STAYED.

- LlSTEN . YOU HEAR THAT?
- WHAT?

THE SOUND OF AN EMPTY SH lP.

[Boys Chanting]

[Chanting Continues]

[Bell Ringing]

HOW YOU DOlNG?

OKAY. HOW'D YOU DO?

730 VERBAL. 61 0 MATH .

CONGRATULATlONS.
WHAT ABOUT YOU?

lT'S 1 1 00!

[Laughs]
DEAN, YOU GOT AN 1 1 00!
THAT'S GREAT!

l KNOW.

[Gil]
YOU KNOW?

l JUST CAN'T BELlEVE lT, YOU KNOW?

l COULDN'T HAVE DONE lT
WlTHOUT YOU GUYS, THOUGH .

- l REALLY COULDN'T.
- YOU DlD.

TH lS lS YOU, DEAN .

ALL YOU . NOBODY ELSE.

THANK YOU .

YOU'RE WELCOME, STUPlD.
l'M JUST TESTlNG.

WHEN ARE YOU GONNA LEARN,
YOU LlTTLE WlSE ASS?

- HERE.
- THANKS.

FEELS DlFFERENT, DOESN'T lT?

- WHAT?
- GOlN' BACK.

[Sighs]
l DON'T WANT lT TO END.

l DON'T WANNA BE WHAT
l WAS WHEN l LEFT.

- WHAT WAS THAT?
- ANONYMOUS.

[Sighing]

l'VE BEEN AClNG TESTS
MY WHOLE LlFE

AND l STlLL HAVEN'T
FlGURED lT OUT.

FlGURED WHAT OUT?

WHO l AM.

[Dean]
ARE YOU KlDDlNG?

l'LL TELL YOU WHO YOU ARE.

GLUE.

YOU'RE THE GLUE THAT HOLDS
EVERYONE AROUND YOU TOGETHER.

TH lNK l'M GONNA CHOKE
ON THE "FEEL GOOD."

[Laughing]

♪♪♪

[Thunderclaps]

[Radio]
ON THE PlLOT.
HE NEEDS HELP.

THERE GOES THE UMBlLlCAL CORD
FROM THE REDSTONE ROCKET.

WE'RE lNTO COUNTDOWN .

HOW ARE YOU, ROBERT?

[Radio]
WE'RE lNTO THE TWO-MlNUTE POlNT

AND AT TH lS POlNT lN THE SPACECRAFT
ALL THE lNTERlOR CAMERAS ARE STARTED.

TWO MlNUTES AND COUNTlNG.

EVERYTH lNG lS WORKlNG FlNE
AT THE MOMENT.

THE RADlO MlKES ARE NOW ON
lN THE SPACE CAPSULES.

- SHEPARD CAN TALK TO CONTROL.
- HERE WE GO.

GOOD LUCK, HUH?

[Radio]
ONE MlNUTE AND 30 SECONDS
TO BLASTOFF

lF NO FURTHER HOLDS
BOTHER US AT TH lS POlNT.

THE MERCURY CONTROL COUNT OF
THE LAST MlNUTE YOU WlLL HEAR

lN JUST A MOMENT, BUT l NOTlCE
THAT THE CHERRY PlCKER

lS BElNG MOVED THROUGH,
AND WE ARE COMlNG UP TO--

THE MORN lNG WATCH?

BELOW.

[Radio]
COUNTDOWN, WH lCH YOU WlLL
HEAR lN TEN-SECOND BREAKS.

WE HAVE JUST PASSED
THE 92nd MARK.

THE CHERRY PlCKER,
THE SAFETY DEVlCE--

[Bell Ringing]

"lF YOU CAN KEEP YOUR HEAD WH lLE
ALL ABOUT YOU ARE LOSlNG THElRS

"AND BLAMlNG lT ON YOU;

"lF YOU CAN TRUST YOURSELF
WHEN ALL MEN DOUBT YOU,

BUT MAKE ALLOWANCE FOR
THElR DOUBTlNG TOO."

MORN lNG WATCH lS ON!

"YOURS lS THE EARTH
AND EVERYTH lNG lN lT,

WH lCH lS MORE,
YOU'LL BE A MAN, MY SON ."

[Bell Ringing]
OKAY!

YOU HAVE FUN .

[Radio]
FlFTY SECONDS AND COUNTlNG.

SWEET DREAMS, MARTlN .

[Radio]
HAS BEEN CUT OFF.

lT lS NOW AUTOMATlCALLY lSOLATED
FROM THE REST OF THE ATMOSPHERE.

lT HAS lTS OWN .

[Volume lncreased]

THE TEST CONDUCTOR lN THE SPACE
CONTROL CENTER HAS TAKEN OVER.

[Shay]
BlLL, BOB, TlM, CHARLlE,
GO ALOFT!

GET THOSE LATCHES CLOSED!

[Radio Continues]

- MORN lNG, SHAY.
- HEY, TRACY.

- WOULD YOU TRlM THE MAlN, PLEASE?
- TRlMMlNG THE MAlN!

- NORTH BY WEST.
- NORTH BY WEST.

GET OUT OF HERE, BOB.
LET THE REAL MEN TAKE OVER.

LOOKS LlKE WE'RE GONNA GET WET.

YEAH, WE NEED lT.
l'M GONNA TAKE A N lCE LONG BATH .

CATCH SOME WATER FOR MY LAUNDRY.
SAVE SOME FOR ME, BUDDY, HUH?

YEAH . YEAH, YOU GOT lT.

GOlN' BELOW!

EVERYBODY OKAY?

ALL HANDS, KEEP OUT
OF THE RlGGlNG.

STAY CLEAR OF THE MASTS.

ALL RlGHT, GENTLEMEN .
THOR'S HAD H lS FUN .

LET'S KEEP A SHARP EYE.

[Wind blowing]

[Radio]
WE'RE COMlNG UP TO COUNTDOWN
WH lCH GOES lN FlVE SECONDS.

NO, SHAY! DOG HER DOWN!

STAY OUT OF THE RlGGlNG!
DOG HER DOWN!

[Laughing, Cheering]

[Ringing]

[Alarm Sounding]
BATTEN DOWN ALL HATCHES!

[Yelling]

SKlPPER!

WH lTE SQUALL.
HOLD TlGHT!

HOLD TlGHT!

[Chuck]
SHAY!

[Shay Groans]

- WE'RE LOSlN' lT!
- TURN lT OVER!

LOOK OUT!

[Screaming]

[Radio]
AGON lZlNGLY SLOWLY.

GET OUTTA HERE!
GET OUTTA HERE!

HELP!

[Tracy]
TOD!

TOD! TOD!
TURN TO PORT!

TURN TO PORT!
TURN TO PORT!

NO! STARBOARD! STARBOARD!

PORT, TOD! PORT!

PORT! PORT, DAMN lT!
TURN TO PORT!

LOOK OUT!

LEAVE lT, TOD!
GET OUT!

BACK!
BACK!

COME ON, TOD.
GRAB ON!

GRAB ON!

COME ON!

GlL, COME ON . LET'S GO.
LET'S GET OUTTA HERE.

[Ship Creaking]
NOW, GlL! COME ON!

COME ON, LET'S GO.

EVERYBODY OUT!
KEEP MOVlNG.

WE'VE LOST HER!

FREE THE STAYSAlL.
YES, SlR!

FREE THE STAYSAlL!

GRAB A LlFEBOAT.

- SKlPPER!
- RlGHT HERE.

COME ON, OUT.
OUT TH lS WAY.

GET OUT.

ANYBODY lN HERE?
ANYBODY lN HERE?

HEY!

GET 'EM OUTTA THERE.

SHAY!

SAHLER!

[Screaming]

[Skipper]
GlRARD!

GlRARD!

[Rings]

[Radio]
AMERlCA'S FASTEST TRAVELlNG MAN--

[Skipper]
SHAY!

SHAY!

GlRARD!

OH!

[Screaming]
ALlCE!

GET BACK, GUYS! GET BACK!
SHE'S GONNA ROLL!

- GET lN THE LlFEBOAT, NOW!
- HOLD ON .

GlRARD!

- DEAN!
- YEAH . YEAH . OVER HERE.

[Skipper]
SAHLER! MARSH! GlL!

GlL! WHERE'S GlL?

[Screaming]
HELP!

ONE, TWO, THREE. WAKE UP.
ONE, TWO, THREE. WAKE UP.

- WHERE'S ALlCE?
- l TH lNK THEY'RE lNSlDE.

COME ON!

NO! STAY BACK!
SHE'S ROLLlNG!

[Groaning]

SHE'S DOWN THERE!

GlL!

SKlPPER, l'LL TRY FORWARD.

GlL!
GlL!

GlL, YOU GOTTA GET OUTTA HERE.
SHE'S GOlN' DOWN!

THERE'S SOMETH lNG DOWN THERE
BLOCKlNG THE DOOR!

GET ME OUTTA HERE, CHUCK.
GET ME OUT, PLEASE!

COME ON, CHUCK.
l WANT OUT.

GlL, l CAN'T MOVE lT.
YOU GOTTA PUSH HARDER.

PUSH FROM YOUR SlDE!
GlL!

- PUSH HARDER FROM YOUR SlDE!
- l DON'T WANNA DlE!

CHUCK! CHUCK! CHUCK!

WE GOTTA GO, CHUCK!
COME ON!

- SHE'S GOlN' DOWN .
- COME ON, CHUCK! LET'S GO!

GlL, YOU'VE GOTTA PUSH
FROM YOUR SlDE.

NO, GlL!

CHUCK, WE'VE GOTTA GO!

HELP ME WlTH TH lS DOOR!
HE'S DROWN lNG!

[Gagging, Coughing]

lT'S TOO LATE!
lT'S GOlNG OVER!

SKlPPER, lT'S TOO LATE!

WE CAN'T STAY ON--

GET OFF THE SH lP!
GET 'EM lN THE BOAT!

- DO lT!
- ALL RlGHT, SKlPPER.

[Crying]
OH, PLEASE!

[Grunting]

♪♪♪

DEAN!

[Bell Rings]

[Ringing]

♪♪♪

[Chuck Narrating]
GlRARD, ALlCE, DEAN, GlL.

TODAY l HATE THE SEA.

lT WlLL NEVER LOOK
THE SAME AGAlN .

LOOK.

SHEPARD.

[Crying]

♪♪♪

SKlPPER! SKlPPER! SKlPPER,
LOOK! LOOK!

McCREA!

♪♪♪

CAPTAlN SHELDON, CAN YOU
GlVE US A STATEMENT?

[Excited Chatting]
WHAT THE HELL
WENT ON OUT THERE?

[Excited Chatting]

GET AWAY FROM ME.

DO YOU HAVE ANYTH lNG TO SAY
TO THESE PARENTS?

YES, AND lT'S PRlVATE.

[Siren Wailing]

- SON!
- DAD?

♪♪♪

[Charles]
THOUGHT WE'D FlND A STORE.

GET YOU FlXED UP AND GET YOU
SOMETH lNG TO EAT.

SOUND GOOD?

HEY! YOUR SlZE RlGHT ON TOP.
HERE.

WHY DON'T YOU TAKE THESE lN THE BACK
THERE AND SEE HOW THEY FlT?

MA'AM, DO YOU HAVE
BOXER SHORTS?

- RlGHT OVER THERE, SlR.
- OKAY.

[Panting]

[Crying]

[Gil's Voice]
COME ON! CHUCK,
GRAB MY ARM!

GRAB MY ARM!

[Gil's Voice Continues]

[Sea Water Roaring]

[Charles]
CHUCK, YOU OKAY lN THERE?

UH, l-l'M SORRY.

WE'LL BE RlGHT BACK
FOR THE CLOTHES.

[Shay]
THEY'RE GONNA TRY
TO TAKE H lS LlCENSE.

[Tod]
WHY?

BECAUSE THEY NEED lT
TO BE SlMPLE.

THEY NEED A REASON .

- WHO?
- ALL OF THEM.

- EVERYONE ON THAT DOCK.
- WHAT ARE WE SUPPOSED TO DO?

TELL 'EM WHAT WE KNOW.
THE TRUTH .

- l MEAN, THAT'S WHAT HE'D WANT.
- THE TRUTH .

WE WENT OVER lN A SQUALL.
WHAT'S WRONG WlTH THAT?

EVERYBODY KNOWS WHY
WE WENT OVER, TOD.

lT WASN'T FROM THE SQUALL.
YOU J lBED THE BOAT.

LOOK, l WAS TRYlNG
TO GET HER UPWlND, ALL RlGHT?

l MEAN, THAT'S WHAT
YOU'RE SUPPOSED TO DO!

THAT'S NOT WHAT
THE SKlPPER THOUGHT.

NOT WHEN YOU GOT
THE SQUARES UP.

HE WAS TRYlNG TO SPlLL
OUT THE AlR FROM THE MAlN .

lT WAS COMlN' FOUR POlNTS
OFF THE BOW, TRACY.

lT NEVER WOULD'VE--

WERE YOU ON THE DECK?

BECAUSE l WAS STANDlNG
RlGHT THERE!

ALL l KNOW lS THAT TOD
DlSOBEYED AN ORDER TWlCE.

LOOK, lT DlDN'T--

THAT'S WHEN THE BOAT WENT OVER.

lT DlDN'T GO OVER UNTlL
l TURNED HER PORT!

MAN, YOU'RE ALL MlSSlNG
THE POlNT, ANYWAY.

TH lS lS BECAUSE OF FRANK.

- FRANK AND DEAR OLD DAD.
- WHAT ARE YOU TALKlNG ABOUT?

l'M TALKlNG ABOUT, THEY'RE HERE,
STAYlNG AT THE DAMN RHETT HOUSE.

HOW DO YOU TH lNK TH lS TH lNG GOT
PUT TOGETHER SO FAST?

THE OLD MAN'S BEEN OUT
FOR SKlPPER SlNCE DAY ONE.

THE SKlPPER BOOTED H lS
KlD OFF THE BOAT!

WHAT DlD YOU EXPECT?

l TOLD YOU HE WAS A TURNCOAT
THE DAY WE KlCKED H lM OFF, MAN .

DAMN KlD.

[Bell Ringing]

FRANK?

[Francis]
FRANK!

CAN WE TALK?

YEAH, l GUESS.

WHAT ARE YOU DOlNG HERE?

FRANK, WHO ARE YOU TALKlNG TO?

[Frank]
YEAH, lT'S ALL RlGHT.
l'LL BE lN lN A MlNUTE.

WHAT DO YOU WANT?

EVERYONE'S SAYlNG THAT THAT
TH lS WHOLE TRlBUNAL lS HAPPEN lNG

BECAUSE OF YOUR OLD MAN .

AND BECAUSE OF YOU .

lS THAT TRUE?

lT'S JUST TYPlCAL, lSN'T lT?

- lS lT TRUE, FRANK?
- l GOTTA GO.

FRANK, HE WAS NOT
OUT ON THAT SH lP!

HE DOESN'T KNOW WHAT HAPPENED.
YOU DON'T KNOW WHAT HAPPENED!

- l KNOW ENOUGH!
- FRANK, PLEASE!

FRANK, GET H lM TO CALL lT OFF.

l'M SORRY.

WAlT.

WHAT lS TH lS?

YOU DO WHAT YOU'VE GOTTA DO,
FRANK.

[Tyler]
THE UN lTED STATES COAST GUARD
HAS BEEN ASKED

TO CONDUCT TH lS MARlTlME HEARlNG
TO CONSlDER THE REVOCATlON

OF CAPTAlN CHRlSTOPHER SHELDON'S
U .S. MASTER SEAMAN'S CERTlFlCATE.

ALL RlGHT, CAPTAlN SANDERS,
YOU MAY BEGlN .

THE ALBATROSS.

BY ALL ACCOUNTS,
A SOUND VESSEL.

AN EXPERlENCED CAPTAlN,
AN ABLE CREW.

AND YET lT LlES OUT THERE
ON THE BOTTOM

lN 2,000 FATHOMS WlTH
lTS BACK BROKEN .

THERE ARE SERlOUS QUESTlONS

THAT DEMAND OUR MOST
SERlOUS CONSlDERATlON

SO THAT WE MlGHT UNDERSTAND,
SO THAT PERHAPS

WE MAY PREVENT SUCH A SAD EVENT
FROM EVER TAKlNG PLACE AGAlN .

A FREAK ACClDENT?

A ONE lN A MlLLlON
METEOROLOGlCAL ANOMALY?

OR WAS lT lNEXPERlENCE,
MlSJUDGMENT?

NEGLlGENCE?
WE'LL SEE.

PLEASE.

THANK YOU .

[Sanders]
CAPTAlN SHELDON . . .
CAPTAlN SHELDON,

WOULD YOU CONSlDER YOURSELF
A GOOD JUDGE OF CHARACTER

WHEN lT CAME TO THE BOYS?

[Skipper]
YES.

AND lT WOULD BE lMPORTANT,
WOULD lT NOT, lN YOUR POSlTlON

TO HAVE SOME SENSE OF THElR
STRENGTHS AND WEAKNESSES?

YES, OF COURSE.

DO YOU RECALL AN lNClDENT
lNVOLVlNG GlL MARTlN?

WHAT lNClDENT WOULD YOU
BE REFERRlNG TO?

WELL, lS lT TRUE THAT YOU FORCED
GlL MARTlN TO CLlMB THE MAST

WHEN lT WAS CLEAR THAT
HE WAS ACROPHOBlC?

HE CLlMBED WHEN HE WAS READY.

WERE YOU AWARE THAT H lS BROTHER
WAS KlLLED lN A FALL?

YES, l WAS.

SlR, WERE YOU AWARE AT ANY TlME
OF THE USE OF ALCOHOL

AMONG YOUR CREW?

YES, l WAS.

- YOU DlDN'T DO ANYTH lNG ABOUT lT?
- NO, l DlD NOT.

HAD YOU EVER SEEN A WH lTE SQUALL
BEFORE TH lS lNClDENT?

NO.

AND WHAT MAKES YOU SO SURE
lT WAS ONE?

l CAN'T BE SURE.

YOU REALLY FELT THAT YOUR CREW
WAS UP TO THE CONDlTlONS?

WE HAD COME 1 2,000 MlLES
TOGETHER THROUGH EVERY KlND

OF SEAS lMAGlNABLE.

EXCEPT A WH lTE SQUALL.

NOW, WlTH ALL DUE RESPECT,
CAPTAlN, THEY'RE ONLY BOYS.

THEY'RE MUCH MORE
THAN THAT, SlR.

lS lT TRUE THAT THE REASON
YOU EXPELLED FRANK BEAUMONT--

FOR KlLLlNG A DOLPH lN .

AND THAT YOU lNVlTED
H lM TO STRlKE YOU,

TO FlGHT lT OUT ON THE DECK
OF THE SH lP?

YES, THAT lS TRUE.

SO, YOU ALLOWED THE USE OF ALCOHOL,
AMONG TH lNGS, TO GO UNPUN lSHED

AND YET YOU EXPELLED TH lS BOY
FOR KlLLlNG A FlSH .

- A MAMMAL.
- A MAMMAL.

lT WOULD APPEAR TO ME SlR,
WlTH ALL DUE RESPECT,

THAT YOUR STEWARDSH lP AS
CAPTAlN OF THE ALBATROSS

COULD BE CHARACTERlZED
AS RECKLESS, UNBALANCED,

WlTH NO DlSClPLlNE WHATSOEVER.

[Chuckles]

DO YOU FlND TH lS FUNNY?
SOME KlND OF JOKE?

l DON'T TH lNK ONE SECOND
OF TH lS lS FUNNY SlR.

THE NATlONAL WEATHER SERVlCE
SAYS WH lTE SQUALLS

ARE A METEOROLOGlCAL PHENOMENON
OF THE lMAGlNATlON .

WHAT DO YOU SAY TO THAT?

WHAT HAPPENED TO MY SH lP
WAS NOT lMAGlNED.

lT WAS NOT A DREAM SlR.

NO, CAPTAlN SHELDON, lT WAS NOT.
lT WAS A N lGHTMARE.

[Sanders]
NOW, SHAY, l NEED YOU
TO HELP ME OUT.

ON THE DAY OF THE ACClDENT,

DO YOU REMEMBER WHERE YOU WERE
WHEN THE LlGHTN lNG FlRST STRUCK?

l WAS ON DECK.
MMM, MlDSH lPS.

DURlNG TH lS SQUALL THAT ENSUED,

WHY DlDN'T YOU DROP ANY SAlL?

[Shay]
SKlPPER CALLED US
OUT OF THE RlGGlNG.

[Sanders]
BUT YOUR lNSTlNCT
WAS TO LOSE SAlL?

SKlPPER'S lNSTlNCT WAS TO NOT
GET ANY ANY OF US ELECTROCUTED.

HOW OLD ARE YOU, SON?

FlFTEEN .

[Gallery Murmuring]

AND YOU WERE THE FlRST MATE OF
THE ALBATROSS, lS THAT CORRECT?

l AM THE FlRST MATE OF THE ALBATROSS.
THAT'S CORRECT.

AND ARE YOU
A PROFESSlONAL SAlLOR, SON?

NO, l'M NOT A PROFESSlONAL SAlLOR.

[Murmuring]

YOU SAY YOU TURNED HARD TO
STARBOARD WHEN THE GUST H lT.

l THOUGHT WE'D HAVE A BETTER
CHANCE lF l HEADED lNTO THE WlND.

BUT THE CAPTAlN ORDERED YOU
HARD TO PORT.

- TWlCE.
- l'M SORRY?

TWlCE!

lS THAT WHAT YOU WERE
TRAlNED TO DO?

NO.

SPEAK UP, SON . l CAN'T HEAR YOU .

l SAlD NO.

AND WHAT DlD YOU TH lNK HE
WAS TRYlNG TO DO?

PUT HER OFF.

TO LET THE BLOW DRlVE
THE BOAT DOWNWlND.

BY THE "BLOW" YOU'RE REFERRlNG
TO THE FORCE OF THE STORM.

lS THAT RlGHT?

LET THE BLOW DRlVE
THE BOAT DOWNWlND,

AND NEUTRALlZE OUR CANVAS.

SO WHEN THE CAPTAlN GAVE YOU
AN ORDER CONTRARY

TO YOUR TRAlN lNG,

YOU THOUGHT HE WAS
MAKlNG A MlSTAKE.

NO.

THEN WHY SON?

WHY DlDN'T YOU
FOLLOW H lS ORDER?

BECAUSE. . .

[Crying]

l PAN lCKED.

YOU KNOW THAT'S NOT TRUE, TOD!

[Gallery Murmuring]

- DO YOU BELlEVE HE PAN lCKED?
- WHAT THE HELL lS HE DOlNG?

[Tyler]
QU lET, PLEASE.

[Gavel Bangs]

MAYBE YOU CAN'T SEE WHAT'S
HAPPEN lNG HERE, BUT l CAN .

TOD, l APPREClATE WHAT YOU'RE
TRYlNG TO DO HERE.

MAYBE YOU COULD LlVE WlTH lT,
BUT l COULDN'T.

lF YOU TH lNK l'M GONNA LET
A 1 7-YEAR-OLD TAKE RESPONSlBlLlTY,

THEN YOU UNDERESTlMATE ME.

THE ALBATROSS WAS MY SH lP.
THE OCEAN ACADEMY WAS MY SCHOOL.

HER RESPONSlBlLlTY lS MlNE
AND MlNE ALONE.

l CAN'T BRlNG YOUR SONS BACK.

lF YOU WANT MY TlCKET,
lF THAT WlLL EASE YOUR PAlN,

THAT'S THE LEAST THAT l CAN DO.

- TH lS, TH lS lS EASY.
- CAPTAlN SHELDON?

- CAPTAlN?
- NO.

ORDER, PLEASE, ORDER.

TH lS PROCEEDlNG lS NOT OVER.
l HAVE FURTHER QUESTlONS

- NO.
- FOR TH lS WlTNESS.

ORDER!

DON'T YOU WALK OUT ON US,
SKlPPER! YOU DON'T!

[Panting]

YOU TELL ME.

WAS lT ALL JUST A LlE?
WAS lT?

BECAUSE WE LlSTENED TO YOU,
WE BELlEVED YOU!

AND WE ARE STlLL HERE.

BAD TH lNGS HAPPEN SOMETlMES,
AND THERE lS NOTH lNG

THAT YOU CAN DO ABOUT lT.

lT WASN'T YOU OR TOD.
lT WASN'T YOU, TOD.

lT WAS ALL OF US,
EVERYONE lN TH lS ROOM.

BECAUSE WE ALL KNEW THE RlSKS
WE WERE TAKlNG GOlNG OUT THERE.

YOU PAlD OUR TU lTlON,
AND YOU TOLD US TO GO.

SO WHY DO WE JUST HAVE
TO lNVENT SOME REASON NOW

FOR WHY TH lS HAPPENED?

JUST PlN lT ON ONE PERSON?
WHY?

THEN SHAME ON YOU, SKlPPER.
SHAME ON YOU!

[Tyler]
MR. GlEG.

l WAS lN COMMAND
OF THE ALBATROSS.

AND l WAS RESPONSlBLE
FOR PREClOUS CARGO.

lT WAS MY JOB TO GET
YOU ALL HOME SAFELY

WlTH MY KNOWLEDGE AND MY SKlLL.

THAT'S THE CONTRACT THAT l MADE
WlTH YOUR PARENTS.

BUT SOMETH lNG HAPPENED OUT THERE.
l LOST CONTROL.

MAYBE JUST FOR AN lNSTANT,
MAYBE ALL ALONG. l'M NOT SURE.

BUT l KNOW TH lS.
l NEVER SAW lT COMlNG.

lT WAS LlKE l JUST WOKE UP
AND A HAND CAME DOWN

AND PUSHED MY SAlLS lNTO THE SEA.

lT GOT AWAY FOR ME,
THE WHOLE TH lNG.

AND PEOPLE DlED.

NOW YOU'RE YOUNG AND STRONG.
EVERYTH lNG'S AHEAD OF YOU .

YOU TOLD US, "WHERE WE GO ONE,
WE GO ALL."

WELL, WE BELlEVED YOU .
WE LlVED BY lT, SlR.

AND--AND NOW YOU'RE SAYlNG THAT
WHERE YOU GO, WE CAN'T FOLLOW.

MR. GlEG.

THE ALBATROSS WASN'T JUST
A SH lP OR A SCHOOL.

lT WAS SOMETH lNG THAT WE MADE.
SOMETH lNG THAT'S lNSlDE OF US.

THAT'S WHO YOU ARE, SKlPPER.

WHAT YOU GAVE US.
YOU CARRlED US.

NOW LET US CARRY TH lS TOGETHER.
LET US CARRY TH lS TOGETHER.

LET lT GO.
JUST GO HOME.

[Bell Ringing]

[Ringing]

♪♪♪

[Chuck Narrating]
THEY DlDN'T TAKE H lS TlCKET TODAY.

BUT l WONDER lF HE'LL
EVER GO TO SEA AGAlN .

l KNOW ONE TH lNG.

lF HE DlD, WE'D ALL GO WlTH H lM.

TO A MAN . NO DOUBT.
NOT EVEN A QUESTlON .

TODAY HE JOlNED THE ClRCLE
HE CREATED BY ALLOWlNG US

TO SHARE H lS BURDEN .

THE BURDEN OF SEA CAPTAlNS
AND FATHERS,

THE BURDEN OF MEN .

lN THE END, lT JUST COMES DOWN
TO ONE TH lNG.

YOU CAN'T RUN FROM THE WlND.

YOU FACE THE MUSlC, YOU TRlM
YOUR SAlLS, AND KEEP GOlNG.

♪ SHE'S THE DARK STAR
OVER THE SEA ♪

♪ GO WHERE MY TRUE LOVE
lS WAlTlNG FOR ME ♪

♪ RODE THE SOUTH WlND
CANVAS THE STARS ♪

♪ HARNESS THE MOONLlGHT
SO SHE CAN SAFELY GO ♪

♪ 'ROUND THE CAPE HORN
TO VALPARlSO ♪

♪ RED THE PORT LlGHT
STARBOARD THE GREEN ♪

♪ HOW WlLL SHE KNOW
OF THE DEVlLS l'VE SEEN ♪

♪ CROSS lN THE SKY ♪

♪ STAR OF THE SEA ♪

♪ UNDER THE MOONLlGHT
THERE SHE CAN SAFELY GO ♪

♪ 'ROUND THE CAPE HORN
TO VALPARlSO ♪

♪ VALPARlSO ♪

♪ THOUGH EVERY ROAD l WALK
WlLL TAKE ME DOWN TO THE SEA ♪

♪ WlTH EVERY BREATH OF PROMlSE
lN MY SACK ♪

♪ EVERY LOVE WlLL ALWAYS SEND
THE SH lP OF MY HEART ♪

♪ OVER THE ROLLlNG SEA ♪

♪ lF l SHOULD DlE ♪

♪ WATER'S MY GRAVE ♪

♪ SHE'LL NEVER KNOW lF l'M
DAMNED OR l'M SAVED ♪

♪ SEE THE GHOSTS FLY
OVER THE SEA ♪

♪ UNDER THE MOONLlGHT
THERE SHE CAN SAFELY GO ♪

♪ 'ROUND THE CAPE HORN
TO VALPARlSO ♪

♪ VALPARlSO ♪

♪ VALPARlSO ♪♪