All language subtitles for Chuck S05E13

Mr. Quinn,
I understand you are interested

in purchasing The Key.

Ted Roark gave this to me.

I worked at FULCRUM
for ten years

and this is all I have
to show for it.

Of course, the only person
who can use it is

someone with an Intersect.

I have one of my very own,

but the damn
thing's glitchy;

either it cooks
your brain

or it steals your memories.

And I need The Key to fix it.

Interesting.

Edgar, keep that
to yourself.

I have a few enemies.

You do realize that's only one
part of The Key?

There are two other pieces.

I do.

My sources tell me
a former member of The Ring

acquired one from Volkoff
a few years back.

The Ring.

What amateurs.

Edgar...

...do you still carry that
Walther under your jacket?

Of course.
Why do you ask?

Sarah...

You're upset... I can tell.

You stole my memories

and you ruined my life.

Sarah...

I'm still alive.

Come on.

Go for the gun.

You're so close.

Go for the gun.

Good morning.

Morgan...
I know you're feeling down

and I know
you miss Sarah,

but it's time to
get out of bed.

She's gone, man.

Sarah's gone.

Out of bed, Chuck.

You are getting
Sarah back today.

What? What?

She doesn't
remember me, okay?

Or you or us or any of it.

How many people are in
my room right now?

Dude...

you can do this.

You can get Sarah back.

Even Clara agrees.

Hi, Clara.

Think about it.

Every impossible mission
starts with what?

James Bond taking that giant
step and getting out of bed.

First of all, you're mixing
your spy metaphors.

Second, if you haven't noticed,
I'm not exactly James Bond.

I'm actually no longer a spy
and I lost my wife.

I'm back where
I was before:

alone in Burbank.

You are not alone.

You have us.

And you are not the person
you were five years ago.

You are so much more.
Yeah, there you go, big guy.

One sit-up closer
to getting the girl back.

Guys, this is crazy, okay?

I tried to get her to
remember me and it didn't work.

I can't get her to fall in love
with me again.

Chuck, it's clear
that we can't

force Sarah to remember--
but emotions, feelings,

those are powerful things.

And if you can
find Sarah,

maybe you can spark
some of these memories.

Really?

She fell in love
with you before, Chuck.

You can do it again.

She'll remember.

Do you really think
it could work?

That she could just...

snap out of it?

Yeah, you know what?

You're right.

I-I... I-I can do this.

I took down
The Ring, FULCRUM,

I'm a very impressive
spy for hire.

We fell in love once,
we can do it again.

She'll remember.

That's what I'm
talking about.

That's the spirit.

Wow, I just said that.

I mean, she may be
the best spy in the world,

but I'm Chuck Bartowski.

It's not like
she's out of my league.

I can do it.

I can get Sarah Walker back.

♪ Chuck 5x13 ♪
Chuck Versus the Goodbye
Original Air Date on January 27, 2012

== sync, corrected by elderman ==

Your target is Nicholas Quinn.

I take it you don't want
him alive.

No, I want him very dead.

Done.

I'm ready to go.

Are you?

Carmichael Industries dropped
the ball on this already.

Five years in Burbank
could turn a man into butter.

But for this job,
I need you ruthless.

Anything less
and you'll get killed.

I need Old Casey,
my best agent.

I need the Colonel.

I can do it.

Yeah, but look, it's not just
about finding Sarah,

it's about finding her
and having a plan

for what to do next.

Chuck, this is
your mission, okay?

Find Sarah, be yourself.

Be myself? Be myself?

Okay, well...

what version of myself?

Lord of the Nerd Herd or
charming Charles Carmichael?

No, the guy
that she fell for.

Yeah,
I agree with that.

Also, I have
another notion.

I think that you
should kiss her.

Did you...

I'm sorry, what?

Kiss her.

Grab this woman
and kiss her.

Just kiss her.

That's the whole plan?

Yeah, pretty much.
And, yes, I've been watching

a ton of Disney princess
movies with baby Clara, but...

I firmly believe,
with all my heart,

that one magical kiss from you

could unlock
all of Sarah's memories. I do.

Enough with the crazy.

- Exactly.
- We're wagging the dog here.

Okay, we got
to find Sarah first.

But how do you find a woman
who doesn't want to be found?

Can we find women?

Can we find women?

Are you kidding me?

We can find a woman
off the discarded remnants

of an Outback
Bloomin' Onion.

Unleash the perverts.

Stalk, it's Gawk,
I got your specs.

Gawker, it's Stalker.

We need a bead on a big,
blonde bird, please.

Sounds like a job
for the DirtDog.

Up and hot, Gawk; I'll
get a bead on your bird.

Go Twinkie.
Go Twinkie.

My Twitter feed shows
multiple reports...

Use the breadcrumbs,
nab that Gretel.

Sniff it out. Sniff it out.
You got it.

You heard him,
use your sniffers.

Tall blonde with amazing...

...falsely I.D.'d
as Uma Thurman...

...gorgeous profile...

Follow that bird in flight.

Thank you, Jeffery.

Okay, Lester.
Jeffery.

Lester.
Jeffery.

What's happening here?

She landed

at LAX at 9:34 last night.

She's en route to Burbank.

In tight blue jeans
and a cleavage-enhancing top.

Meow.

H-How do you know that?

Target spotted

at an Internet cafe.
Sh, sh, sh!

Web history shows search
for a Carmichael industries.

Positive I.D. on one
Sarah Walker in this Buy More,

at the Nerd Herd Desk.

I'm sorry...

no nipslips
nor pokey peaks.

I'm sorry, wait, what?

She's here now?

Mm-hmm.
No nipslips.

Hi, Sarah.

Hi.

I didn't know whether
I should ring the bell.

What are you, what are you,
what are you doing here?

I'm sorry, let me
try that one again.

It is really great to see you.

It really, really, really is.

You look fantastic.

Of course, you always
look fantastic.

That's-that's-that's
kind of your thing.

So, with that,

what are you doing here?

Your spy base.

Castle? Yeah?

I need it.

I lost track of Quinn,
but I know what he wants.

A device called The Key.

An ex-FULCRUM agent
had the first piece.

And a former Ring operative,
Renny Deutch, has the second.

I, uh, read your profile, and
you're good with computers?

Yeah, I can... I can hack
with the best of them.

In fact, back in the day,
they used to call me the...

Doesn't-doesn't really
matter, not important.

You need me to
find Renny? Done.

Great. Thank you.

Hey, there, stranger,
aren't you...

Hi, Sarah.

Morgan. Hi.

I'm-I'm sorry about that.

No, no, it's-it's actually...
it's... it's my fault.

We've actually danced
that dance before,

and I should know...

I should know better
than to sneak up on you.

Can I help you?

No, no, I just wanted
to tell you that, um...

There was a time I was Chuck's
number one go-to best friend.

And then you came along,

and things changed.

I just...if I was to hand

the title off to anyone,

I was always really happy
it was you.

I just wanted you
to know that.

Found him.

Renny Deutch.

German arms dealer,
sets up shop in Berlin.

He's there now,
so we find him, we find Quinn.

All right, looks like
I need a ticket to Berlin.

Mm-hmm.

Go! You gotta
be on this mission.

Uh...

Sarah-- hey-- quick,
quick, uh, quick question

before you go.

Uh, what's your plan
once you find Quinn?

I kill him.

And then I...

I disappear forever.

Really? Really? Wow.

Okay, well, then,
my second question...

I-I-I can't be here.

I don't know how
to be the woman

that you
remember me as.

All I remember is being a spy--
a good one.

It's all I know how to do.

I understand that.

I-I-I get that,
but... I can help.

If you go
to Berlin alone,

you're just going
to get yourself killed,

but me and my team,
we-we can...

Yes, I'm small,

but I'm worth three spies
on a mission

and I'm a very
good listener.

With us, you stand a chance.

Look, you don't have
the Intersect anymore,

and you haven't been trained.

am trained.
I have been trained.

You trained me.
You were my handler.

Okay.

Do you know how
to use this?

Uh...

Yeah, I can handle
a Desert Eagle,

'cause I'm
a stone-cold spy.

That's me. I'm lethal.

You'll need to be.

Let's go.

What if I have
to use this thing?

Don't do that.

Sarah fell in love with you--

in part--
for not shooting people.

Please remember that.

Okay, Renny just arrived.

We need to follow him until
he makes contact with Quinn,

then we take them both out.

Great. Cool.
Sounds like a plan.

Okay, let's go.

Was that okay?

Yeah. Do me a favor.

Don't worry about anything.
Be yourself, okay?

Under no circumstances
do you shoot anybody,

no matter how
dangerous it gets.

El Compadre.
What?

This place looks
just like El Compadre.

It's a...
a Mexican restaurant in L.A.

We went there when we first met.

Buenas noches.

Danke.
Danke.

Perfect, Chuck. This is fate.

See? Maybe Sarah
will remember something.

Just use the old Chuck charm.

So we're just going to follow
these schmucks around?

That's how we're
going to find Quinn?

Don't you sell
Chuck and Sarah short.

They're damn fine operatives.

Yes, sir.

Sarah, this has got to
be some kind of sign.

I mean, think about it--
El Compadre was...

sort of our first date.

Not for you so much.

You were still
just, you know,

being a spy
back then,

but for me, yeah, totally.

I mean, I...

somehow thought
I stumbled on a date

with the most beautiful
woman in the world.

I was so nervous.

And you were so amazing.

We talked and laughed and
had such a great time.

We went dancing afterwards,
and you were doing

these crazy, sexy dance moves.

Chuck, stop.

But it's our story.

Don't you want to hear it?

Chuck, we're on a mission, okay?

The focus is Renny.

That's okay, buddy.

If Sarah doesn't want
to hear the story,

then... then you just focus
on tonight.

You make this mish
as romantic as you can.

You make that girl fall in love
with you all over again.

You're right.

No more stories.

Let's focus on the op.

The buyer's
changing location.

Cancel my enchiladas
rancheros.

We're leaving.

The target's on the move.

Morgan, track
where he's going.

We may need a wardrobe change.

♪

You look beautiful,
by the way.

Thank you.

Your tie just needs
a little fixing.

You look great.

Thanks.

Oh, Chuck, this is great.

Russian Consulate mission,
right?

There'll be music and dancing
and sexy outfits.

Listen to me.

You grab her, and you look
in each other's eyes,

and you kiss.

And she'll remember
the last five years, okay?

I promise you.
Now, you can do this!

Okay, I need
to find somebody

to dance with.

I'm gonna get
close to Renny...

Sarah. Please.

You taught me how to dance.

♪

Get me close.

To Renny.

Close to Renny.

Renny. Right.

Our buyer's paranoid.

He's changing
the location again.

We have to go.

New location.

Morgan, we're on
the move again.

Danke.

This place is disgusting.

What? What is it?

Nothing.

Nothing at all.

Attaboy, Chuck.
Play it cool.

Quinn must be running late.

Looks like we have
to do some waiting around.

Sarah, what are you doing?

They're in the wrong order.

What?

Well, that's not how
it should be.

You know this place?

Uh...

No. No, I don't.

No, no, Sarah,

it's-it's... it's okay.

It's, actually,
it's-it's important.

You used to work here.

I mean, not-not
here in Berlin,

but the Wienerlicious
in Burbank.

It was your first cover job.

Come on, you can remember.

Please. Please try.

Touching.

Excuse me.

Mr. Deutch, did you
bring The Key?

I did.

It's going to cost you.

Oh.

The Ring spent a lot of money
acquiring this.

Danke schoen.

Hey!

I never liked The Ring.

One more to go.

I got more targets

inside the Wienerlicious.

Quinn's made his move.

Let's get down there.

This one was in a spy
van across the street.

Spy van?

Really?
It's that obvious?

Drop your guns.

It's Morgan.

Oh, Sarah,

you really don't
remember, do you?

Relax, boys;
these two are mine.

Your husband

is one of the
world's greatest...

What's the word?

Pussies.

Aah!

Chuck, stop him!

Stop!

Stop, Quinn!

Stop!

Don't!
I will shoot you!

Chuck!

Shoot him!

I don't have a clean shot.

Chuck,

shoot him!

Stop!

Hey, we're hit.

Get us down!

Brace! Brace!

Hey.

Is that my Desert Eagle?

You shot down my helicopter
with my own damn gun!

It was more of a warning shot

than anything else.

Sorry, Casey.

Dude, uncuff me!

I want you to tell Alex
something for me.

Tell her I'm going away
for a while.

What the hell is going on here?

Bartowski and
Walker screwed up.

So you arrest your own team?

Old team.

You had him in your sights.

All you had to do
was pull the trigger.

What do you want me to say?

Your mistake cost us
this mission.

You let Quinn get one step
closer to assembling The Key.

Fine, I'll take the hit,

but in my defense,
killing was never thing.

You're a spy, aren't you?

It was actually one of
the things you liked about me--

the fact that I wouldn't
pull the trigger.

Tell me why you're not returning
Alex's phone calls, okay?

She is worried sick about you.

All she knows is you're gone,
running covert missions.

They call 'em covert,
numb nuts,

because you don't
tell anyone about them.

She's your daughter!

She's a liability.

Wow.

I don't mean that.

Just, I have to be ruthless.

Well, at first, you
thought I was weak

or scared,
and maybe I was.

But you taught me
how to be a spy, Sarah.

And after we...

you know...

After we fell in love,
you stood up for me.

You didn't want me
to be any other spy.

You didn't want
me to change.

What about Chuck and Sarah?

Liability, too, right?

Good. By all means, lock
'em up, throw away the key,

lock away your feelings, too;
forget everything

that we've been through,
and you be ruthless.

You just don't
understand, do you?

I got soft.

I lost my edge.

Your team was your edge,
you giant jackass!

What is wrong with you, man?

You want to find Quinn?

You know who to call,

but don't you dare try
to blame this on us

because you're afraid.

That's right, you're
afraid that, with us,

that's when you're the best,
and that's the truth, man.

That's it?

No response or anything?

Screw it.

Screw what, John?

The court-martial.

I'm in.

What are you...?

I'm free?

You, your wife,
and my little roommate

are going to help me
track down Quinn.

Walker.

You're escaping without me?

Look, I heard your pep talk.

I think I'm better off
hunting Quinn on my own.

No, we're doing
this together.

I'm leaving.

No, no, you're not.

Why?

Because of my mother.

What?
She's a spy.

So?

And she's standing
right behind you with a gun.

Sarah.

Relax.

Chuck, I asked Mom to come...

Mom, why is
there a gun out?

Sorry, dear, old habits.

It's good to see
you again, Sarah.

My name is Mary.

Grandma, what did we say

about Baby Clara
seeing firearms?

It's a no-no.

I am sorry.

Your Mimi loves you.

Chuck, I have
intel on The Key.

Are you staying, Sarah?

Your father originally developed
the Intersect

as a teaching tool.

The Key was the matrix
for programming

the system.

So it could do anything.

Roark, Hartley,

and Stephen split
the pieces

so that no one could alter
the Intersect

without their
agreement.

Your father gave his piece
to someone in the government.

If Quinn puts all three pieces
together, he could fix the bug

that blitzed Sarah
and Morgan's memories

and then upload it into himself.

He could also add
new skills,

new information.

Chuck, we need to talk.

What Mom is talking about
down there is an Intersect

that can create a new identity
or restore an old one.

Oh, my God, you're right.

We could load Sarah's memories
onto The Key.

This could work.

We create a file
on Sarah, okay?

Your wedding album,
her dossier, everything.

All you have to do is get
the Intersect glasses

back from Quinn.

Okay? It's gonna
take a few days,

but I can reprogram
them for Sarah.

You just have to convince her

it's the right
thing to do.

Sis, you're amazing.
This is fantastic news.

Ooh.

Hey.

Chuck.

Quinn was spotted entering
the Pacific Concert Hall.

Beckman's there to meet
with her Chinese counterpart.

Your mother says
Stephen gave The Key

to someone in government.

She's the target.

Beckman has The Key.

We found Quinn.

He's at the
Pacific Concert Hall.

We gotta go.

Pacific Concert Hall.

They need us.

Let's go.

♪

Please sit still,
General.

The bomb is
pressure sensitive.

And if you don't
mind, Diane...

...the badge of
the person

in charge of the
Intersect Project.

The designers
gave it to you.

What an honor.

And all these years,

you never knew
it was the third part

of The Key.

Hey, General, it's Chuck.

We think you might be in danger.

She's in more danger
than you know, Chuck.

It's over.

I win.

General, what have we got here?

There is a bomb
under my chair.

I can't stand up.

Morgan, get the Chinese
delegation out of here.

- Yeah, yeah.
- Mom,

pull up the blueprints to
the hall; we need to evacuate.

Wait, guys,

it looks like a sonic trigger,

probably tied
to the performance.

When the music stops, it goes.
Exactly.

Get everybody
out of here.

No, no, no, no.

We disrupt the performance,
it'll blow up.

That is an order.

General, with all due respect,
shut up.

We're saving you.

I've got something.

Ooh.

Well, if that's the bomb, these
are the brains, and it's locked.

Any ideas?

No, not yet.

Chuck,

I just picked up Quinn

on the internal security feed.

He's heading to the roof.

I'll get Quinn.

Chuck, he has
the Intersect glasses.

Sarah.

No, let her go.

We don't have time.

Well, get me more time,
Casey, okay?

I need Quinn
to stop this bomb

and I need
those glasses for Sarah.

Go, go.

I'm ready for extraction.

- We're on our way, sir.
- Three minutes.

Morgan.
Yeah.

We gotta keep
the music going.

We can't let it stop.

What are we going to do?

Casey, Morgan.

Okay, we're here.

Who do we shoot first?

What are they
doing here?

Okay, hold on a second,
hold on a second, Casey.

I got a plan.

You're not going to like it,

but I got a plan.

Quinn!

Sarah!

W-W-W-Wait, wait.

Don't kill him.

We need him to disarm the bomb.

The bomb?

It can't be stopped.

And it's wired
to explode

when the music ends.

Which is right about... now.

("Take on Me" by A-ha playing)

What's happening?

Jeffster!

♪

♪ We're talking away

♪ I don't know

♪ What I'm to say
We're doomed.

♪ I'll say it anyway

♪ Today is not my day
to find you... ♪

I've been doing this
for too long now.

But not tonight,
not again.

♪ Take on me

Take on me ♪

♪ Take me on

Take on me ♪

♪ I'll be gone...

You're done, Quinn.

Then we die together.

Oh, God.

What are you doing?

I had a plan, Sarah,
a really... a really good plan.

There's one upload left.

Ellie and I were going
to use these glasses

to help save your memories.

Will it work?

Yeah.

I don't know how to disarm the
bomb without the Intersect.

There's only
one upload left.

Sarah, I'm sorry.

I can't help you get
your memories back.

I can't get you back.

I have to save them.

Let's go.

♪ Take on me

Take on me ♪

♪ Take me on

Take on me ♪

♪ I'll be gone

♪ In a day...

Let me in.

Oh, it's been a while
since I've done that.

What's the matter?

This, this laptop is
an old Prism Express.

Configuration
could be tricky.

Okay, what about Irene Demova?

Sarah, that's brilliant.

That's brilliant.

The, the virus
could circumvent

the system and
disarm the bomb.

That was five years ago;
you remembered.

Chuck, Chuck, find the
porn virus, find it now.

Right, right, right,
okay, okay.

♪ I'll be gone...

Five-year-old porn virus,

mere seconds
until certain death.

Can I do it?

Am I sexy?

Yeah.

Run that again.

Who is sexy?

Am I sexy?

Am I sexy? Sexy? Sexy? Sexy?

Good work team.

On behalf of the United
States government

and the great people
we serve, thank you.

Just happy to be doing
good works, ma'am.

I understand

this is the end.

Yes, it is, General.

I think we...
It's me.

I, um...

I need to go find myself.

We all do.

If you ever want to save
the world again,

you know where I am.

So, here we are.

The original band.

Gotta go.

What? Wait, really?

Really?

I can smell it coming.

You're gonna get weepy
and emotional.

I'll just skip that part.

I'll see you when I see
you, Bartowski, huh?

Good-bye, Casey.

There's one thing
Russians do well--

it's give good hugs.

Walker.

Colonel.

So, Irene Demova...

I, um...

I'm not really
sure what it meant.

Or maybe it's a fresh
start, a new beginning.

I need some time to think.

To be alone.

I'm sorry.

You know, Morgan had this idea.

It's nutty, really.

That if we...

You have to go; I understand.

So the moment the music stopped,
the bomb would blow up.

So, Chuck calls us.

So we could save the day.

So Jeffster! could rock again!

So what you're saying is
Chuck Bartowski is a spy

who runs a spy company
underneath the store.

The exciting part of the story

is that we saved the day.

You didn't get that?
We'll go again.

I got it.

But do I believe it?

Not a word, boys.

Not a word.

Things, though,
are a-changin'.

New owners moving in.

Yep. Looking fresh.

I'm gonna be eating fresh.

We gotta get back to work.

Excuse me.

Are you Scheffester!?

I saw your performance
last night

at the Pacific
Concert Hall.

I'm a very important
record executive from Germany.

You're gonna be stars there.

Women and men will adore you.

Women and men?

Wait... wait a minute.

You want us to leave this store?

Yes. Right now.

Come with me.

Jeffrey...

Are you ready?

Let's rock.

Wunderbar. Come on.

What's the big surprise?

You two moving in together?

We're moving in together!

It's not fun with you.

It was supposed
to be a surprise.

How did you know?

Hello? Spy.

And you're...

Happy that we're
finally taking

this nice, giant
step and...?

Or you're going to shoot me?

Heads up.

The place all is yours.

We're all going
to live together?

No, just the two of you.

I have, uh...
someplace I need to be.

You're going after Gertrude.

I was going to ask you.

Dad, you don't have to ask.

You deserve to be happy.

Go.

Run to her.
Run to her.

I'm a Casey; I don't run.

I stalk my prey.

Oh, my precious Clara.

You are going
to love Chicago.

And Mimi is gonna come
and see you all the time.

I don't know how I'm supposed
to leave you like this.

Ellie, you have to.

You've taken care
of me for far too long.

You have Clara and Devon.

I'm fine.

I'm all grown up now.

My little brother.

Aces, Charles.

You're aces.

What about Sarah, Chuck?

I don't know.

Morgan, she could
be anywhere.

Okay, you know
where she is.

You told me to
listen to our hearts,

because our brains
only screw us up.

I was in love then.

You're still in love.

I want you to imagine
something for me, okay?

Where is she right now?

Don't think.

Use your heart.

Where is she?

I was hoping you'd be here.

This place is
important, isn't it?

Yeah, yeah, very much.

This is actually where you
told me I was going to be okay.

That I could trust you.

And that's exactly
what I'm doing now.

I'm asking you to trust me.

Sarah, I don't... I don't
want anything from you.

I-I just need you to know
that wherever you go,

I'll always be
there to help you.

Someone you can call.

Whenever.

Trust me, Sarah.

I'm here for you always.

Chuck?

Tell me our story.

Yeah, yeah, uh...

Where to begin?

Well, uh, it started

with a guy who worked
at Buy More.

And then, one day, an old
college friend of his

sent him an e-mail that
was filled with secrets.

And then, the next day,

his life really changed

when he met a spy named Sarah,

and he fell in love.

♪

♪

You know, Morgan...

has this crazy idea.

What is it?

He thinks that, with one kiss,

you'll remember everything.

One magical kiss?

Yeah.

I know it's...

Chuck?

Yeah?

Kiss me.

♪

== sync, corrected by elderman ==