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1
00:00:00,580 --> 00:00:01,910
BILLY: SPENCER JAMES?
BILLY BAKER,
2
00:00:01,910 --> 00:00:02,950
VARSITY COACH,
BEVERLY HIGH.
3
00:00:03,950 --> 00:00:05,370
I’LL CUT TO
THE CHASE, SPENCER.
4
00:00:05,370 --> 00:00:06,790
I NEED YOU
TO COME PLAY FOR ME.
5
00:00:06,790 --> 00:00:08,080
BUT YOU CAN’T RECRUIT.
6
00:00:08,080 --> 00:00:09,500
I CAN GET AROUND THAT.
7
00:00:09,500 --> 00:00:11,000
WELCOME
TO BEVERLY HILLS.
8
00:00:11,000 --> 00:00:11,790
OLIVIA: LEILA KEATING,
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00:00:11,790 --> 00:00:13,750
BEVERLY HILLS’
RESIDENT SWEETHEART.
10
00:00:13,750 --> 00:00:15,700
JORDAN BAKER,
QB, TEAM CAPTAIN.
11
00:00:15,700 --> 00:00:18,120
COACH IS MY DAD.
WELL, OUR DAD.
12
00:00:18,120 --> 00:00:21,290
CHATSWORTH IS CONTESTING
YOUR TRANSFER PERMIT.
13
00:00:21,290 --> 00:00:23,040
LANDON: THEY’RE ACCUSING
OF RECRUITING.
14
00:00:23,040 --> 00:00:25,040
THAT’S NOT GONNA FLY,
NOT WITH THE BOARD.
15
00:00:25,040 --> 00:00:26,410
MAYBE THERE’S
ANOTHER WAY.
16
00:00:26,410 --> 00:00:28,250
GRACE: YOU SURE ABOUT THIS,
17
00:00:28,250 --> 00:00:29,120
LIVING IN BEVERLY HILLS?
18
00:00:29,120 --> 00:00:30,500
SPENCER: DURING THE WEEK,
WITH COACH BAKER
19
00:00:30,500 --> 00:00:32,950
AND HIS FAMILY; THAT WAY,
I QUALIFY FOR THE DISTRICT.
20
00:00:32,950 --> 00:00:34,910
ON WEEKENDS,
I’LL BE HOME WITH YOU.
21
00:00:34,910 --> 00:00:37,000
HEY, GRACIE,
WE NEED TO TALK.
22
00:00:37,000 --> 00:00:39,620
WE GOT TO TELL SPENCER
THE TRUTH.
23
00:00:39,620 --> 00:00:41,620
[WHISTLE BLOWS]
24
00:00:41,620 --> 00:00:42,790
[GRUNTING]
25
00:00:42,790 --> 00:00:44,500
[SPECTATORS CHEERING]
♪ AH ♪
26
00:00:44,500 --> 00:00:46,200
♪ GET IT, GET IT, GET IT, YO ♪
27
00:00:46,200 --> 00:00:48,040
♪ THAT BOY IS RUNNING WILD ♪
28
00:00:48,040 --> 00:00:51,040
♪ I’M ON A MISSION
AND I WON’T STOP ♪
29
00:00:51,040 --> 00:00:53,750
♪ NO DESTINATION,
BUT IT’S WORTH A SHOT ♪
30
00:00:53,750 --> 00:00:56,540
♪ YOU’VE GOT TO LET IT GO,
YOU’VE GOT TO LET IT GO ♪
31
00:00:56,540 --> 00:00:59,290
[BREATHING HEAVILY]
♪ YOU’VE GOT TO LET IT GO ♪
32
00:00:59,290 --> 00:01:00,910
[WHISTLE BLOWS]
♪ RUN WILD ♪
33
00:01:00,910 --> 00:01:03,540
♪ I’M ON A MISSION
AND I WON’T STOP ♪
34
00:01:03,540 --> 00:01:06,580
♪ NO DESTINATION,
BUT IT’S WORTH A SHOT ♪
35
00:01:06,580 --> 00:01:07,290
WHOO!
[GRUNTS]
36
00:01:07,290 --> 00:01:10,500
[WHISTLE BLOWS]
♪ YOU’VE GOT TO LET IT GO... ♪
37
00:01:10,500 --> 00:01:13,790
WHOO! SPENCER! HA HA!
38
00:01:13,790 --> 00:01:16,870
LOOK AT YOU!
YOU SCORED!
39
00:01:16,870 --> 00:01:18,790
DID HE SEE IT?
IS HE HERE?
40
00:01:18,790 --> 00:01:21,040
WHO?
DAD.
41
00:01:21,040 --> 00:01:22,200
OH, SPENCER,
42
00:01:22,200 --> 00:01:24,750
DAD TOOK A JOB COACHING
COLLEGE BALL IN NEVADA.
43
00:01:24,750 --> 00:01:28,370
HE SAID HE WAS GONNA BE
HERE FOR MY FIRST GAME. HE SAID--
44
00:01:28,370 --> 00:01:30,950
I KNOW WHAT HE SAID....
45
00:01:30,950 --> 00:01:34,200
AND, BABY, I’M SORRY,
46
00:01:34,200 --> 00:01:36,080
BUT...
47
00:01:36,080 --> 00:01:39,290
DAD’S NOT COMING BACK.
48
00:01:39,290 --> 00:01:41,790
[SIGHS]
49
00:01:42,830 --> 00:01:44,790
SPENCER!
50
00:01:48,200 --> 00:01:51,000
GRACE: SPENCER!
51
00:01:58,450 --> 00:02:01,160
SINGER:
♪ GO DOWN, GO DOWN, GO DOWN ♪
52
00:02:01,160 --> 00:02:04,450
♪ YEAH, LET ME SEE YOU
GO TO TOWN, YEAH ♪
53
00:02:04,450 --> 00:02:07,790
♪ GO DOWN, GO DOWN, GO DOWN ♪
54
00:02:07,790 --> 00:02:08,620
♪ YEAH, YEAH ♪
55
00:02:08,620 --> 00:02:12,250
♪ IF YOU’RE DOWN, BOY,
REALLY DOWN... ♪
56
00:02:12,250 --> 00:02:14,200
NICE GRAB.
57
00:02:14,200 --> 00:02:16,700
♪ IT’S YOUR ONE CHANCE,
BABY, NEVER OR NOW... ♪
58
00:02:16,700 --> 00:02:19,910
SOME SERIOUS SPIN
ON THAT THROW.
59
00:02:20,750 --> 00:02:21,330
MAN,
60
00:02:21,330 --> 00:02:24,540
WE DON’T PRACTICE LIKE THIS
IN CRENSHAW, I’LL TELL YOU THAT.
61
00:02:24,540 --> 00:02:26,790
WELL, WE LIKE
A GOOD RE-GEN DAY,
62
00:02:26,790 --> 00:02:28,910
YOU KNOW, TEAM BONDING.
63
00:02:28,910 --> 00:02:30,120
YOU SURE ABOUT THAT?
64
00:02:30,120 --> 00:02:31,700
I MEAN, WE GOT HAWTHORNE
THIS WEEK,
65
00:02:31,700 --> 00:02:32,910
AND LET ME TELL YOU,
THEM DOGS BITE.
66
00:02:32,910 --> 00:02:36,330
COME ON, TRUST ME.
HAWTHORNE WON’T KNOW WHAT HIT ’EM THIS WEEK.
67
00:02:36,330 --> 00:02:37,500
AIN’T THAT RIGHT, JJ?
68
00:02:37,500 --> 00:02:39,540
OH, YOU KNOW THAT’S RIGHT.
69
00:02:39,540 --> 00:02:41,080
♪ HEY, HEY, HEY, HEY ♪
70
00:02:41,080 --> 00:02:43,750
♪ GO DOWN, GO DOWN, GO DOWN ♪
71
00:02:43,750 --> 00:02:46,410
♪ YEAH, LET ME SEE YOU
GO TO TOWN, YEAH ♪
72
00:02:46,410 --> 00:02:48,000
HEY, I’MA
CATCH YOU LATER.
73
00:02:48,000 --> 00:02:49,950
♪ GO DOWN, GO DOWN, GO DOWN ♪
74
00:02:49,950 --> 00:02:52,620
♪ YEAH, LET ME SEE YOU
GO TO TOWN ♪
75
00:02:52,620 --> 00:02:55,040
♪ GO DOWN, GO DOWN, GO DOWN ♪
76
00:02:55,040 --> 00:02:58,290
♪YEAH, LET ME SEE YOU
GO TO TOWN ♪
77
00:02:58,290 --> 00:03:01,160
♪GO DOWN, GO DOWN, GO DOWN ♪
78
00:03:01,160 --> 00:03:02,580
[GRUNTS]
SO... HEY.
79
00:03:02,580 --> 00:03:05,450
THIS IS WHAT RICH KIDS DO
AT 5 P.M. ON A TUESDAY.
80
00:03:05,450 --> 00:03:09,120
HEY, IT’S NOT
ALL FUN AND GAMES. WE GET WORK DONE, TOO.
81
00:03:09,120 --> 00:03:10,500
LOOK, THE STUDENT
COUNCIL’S HERE.
82
00:03:10,500 --> 00:03:13,160
WE’RE PREPPING
FOR THE BIG FOOTBALL BOOSTER PARTY THIS WEEK,
83
00:03:13,160 --> 00:03:15,950
AND THIS YEAR,
THE PRESSURE’S ON BECAUSE EVERYBODY
84
00:03:15,950 --> 00:03:18,410
IS COMING TO MEET
OUR NEW STAR PLAYER.
85
00:03:18,410 --> 00:03:21,870
THAT’S YOU, IN CASE
YOU WERE CURIOUS.
86
00:03:23,250 --> 00:03:25,790
WHAT’S UP, ASH?
87
00:03:25,790 --> 00:03:27,790
YOU KNOW WHAT’S UP.
88
00:03:27,790 --> 00:03:30,290
GUY’S HITTING ON MY GIRL
LEFT AND RIGHT,
89
00:03:30,290 --> 00:03:33,410
KNOCKED ME OUT OF
THE GAME LAST WEEK.
90
00:03:33,410 --> 00:03:36,200
THAT BOY NEEDS TO GO.
SERIOUSLY?
91
00:03:36,200 --> 00:03:37,450
WE GAVE
CHATSWORTH THE TIP
92
00:03:37,450 --> 00:03:40,660
ON HIS TRANSFER PERMIT
TO GET HIM KICKED OUT, OK? WE TRIED.
93
00:03:40,660 --> 00:03:41,450
YOU TRIED.
EXACTLY.
94
00:03:41,450 --> 00:03:44,750
AND LOOK HOW THAT
TURNED OUT. HOMEBOY’S LIVING IN MY HOUSE NOW.
95
00:03:44,750 --> 00:03:47,830
FACE IT, ASH.
HE’S HERE TO STAY.
96
00:03:51,370 --> 00:03:53,750
HEY, YOU’RE NOT
LEAVING, ARE YOU?
97
00:03:53,750 --> 00:03:55,040
IT’S GETTING LATE.
98
00:03:55,040 --> 00:03:56,700
IT’S JUST GETTING STARTED.
99
00:03:56,700 --> 00:03:59,540
BEERS, A BONFIRE, S’MORES.
100
00:03:59,540 --> 00:04:02,120
JJ’S GOT HIS GUITAR OUT.
101
00:04:02,120 --> 00:04:03,620
[TUNING GUITAR]
102
00:04:03,620 --> 00:04:06,540
SANDCASTLES
AND JOHN MAYER SING-ALONGS.
103
00:04:06,540 --> 00:04:07,450
[GIGGLES]
OK.
104
00:04:07,450 --> 00:04:11,870
IT SOUNDS TEMPTING,
BUT, UH, I GOT BUSINESS TO TAKE CARE OF.
105
00:04:11,870 --> 00:04:13,000
BUSINESS?
106
00:04:13,000 --> 00:04:15,830
VERY MYSTERIOUS,
SPENCER JAMES.
107
00:04:15,830 --> 00:04:19,290
THAT’S HOW I LIKE IT.
108
00:04:41,580 --> 00:04:44,250
SPENCER: OK, SO FIND A NUMBER
YOU CAN DIVIDE BY 266.
109
00:04:44,250 --> 00:04:47,660
DILLON: 532?
THERE YOU GO, LITTLE MAN. YOU’VE GOT THIS.
110
00:04:47,660 --> 00:04:50,830
YOU KNOW, IT’D BE EASIER
IF I COULD JUST SEND MY HOMEWORK
111
00:04:50,830 --> 00:04:54,500
TO YOU IN BEVERLY HILLS,
AND YOU CAN JUST SEND IT BACK.
112
00:04:54,500 --> 00:04:57,040
WE CAN WORK OUT
SOME KIND OF SYSTEM.
113
00:04:57,040 --> 00:04:58,330
OH, A SYSTEM, HUH?
114
00:04:58,330 --> 00:05:00,080
YEAH.
YEAH? YOU’RE FUNNY.
115
00:05:00,080 --> 00:05:03,910
[LAUGHING]
NO, NO, NO! STOP. STOP, STOP, STOP.
116
00:05:07,000 --> 00:05:07,830
AGAIN?
117
00:05:07,830 --> 00:05:09,370
I JUST CAME BY TO HELP D
WITH HIS HOMEWORK,
118
00:05:09,370 --> 00:05:11,290
THAT’S ALL.
AND LAST NIGHT, IT WAS
119
00:05:11,290 --> 00:05:13,410
I HAD TO SIGN
SOME TEST.
120
00:05:13,410 --> 00:05:14,450
AND THE NIGHT
BEFORE THAT--
121
00:05:14,450 --> 00:05:16,910
HE HAD TO GET
HIS FAVORITE SWEATSHIRT,
122
00:05:16,910 --> 00:05:18,660
AND HE HAD TO--
MAN, SHUT UP.
123
00:05:18,660 --> 00:05:20,660
[GRACE SIGHS]
SPENCER,
124
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THIS WAS NOT
THE DEAL.
125
00:05:21,660 --> 00:05:25,540
YOU WERE SUPPOSED TO BE
THERE ON WEEKNIGHTS, HERE ON THE WEEKENDS.
126
00:05:25,540 --> 00:05:27,160
YEAH, I MISS YOU, TOO.
127
00:05:27,160 --> 00:05:30,410
YOU KNOW WE MISS YOU,
BUT YOU CAN’T KEEP
128
00:05:30,410 --> 00:05:32,250
GOING BACK AND FORTH
LIKE THIS.
129
00:05:32,250 --> 00:05:35,330
YOU’RE GONNA BLOW
YOUR SHOT, BABY.
130
00:05:36,080 --> 00:05:38,870
GRACE: WE’RE GOOD.
131
00:05:40,950 --> 00:05:42,950
COME HERE.
132
00:05:42,950 --> 00:05:44,410
MMM!
133
00:05:44,410 --> 00:05:45,910
[SPENCER CHUCKLES]
134
00:05:45,910 --> 00:05:47,910
RAPPER: ♪ LOOK ♪
135
00:05:47,910 --> 00:05:48,830
♪ GOT A RED... ♪
136
00:05:48,830 --> 00:05:51,290
♪ RED BOTTLES, ROLLIN’ MY WEED
WITH NO PROBLEM ♪
137
00:05:51,290 --> 00:05:53,120
♪ MY FEET UP
AND I’M SHRAGGIN’ ♪
138
00:05:53,120 --> 00:05:56,540
♪ BUT I GO HARD PUMPIN’
THAT ... ♪
139
00:05:57,040 --> 00:05:59,120
♪ OH, WHEN WILL YOU KNOW? ♪
140
00:05:59,120 --> 00:06:01,910
[SONG CONTINUES INDISTINCTLY]
141
00:06:03,080 --> 00:06:04,080
YOU BROUGHT SHAWN HERE?
142
00:06:04,080 --> 00:06:06,000
HE JUST GAVE ME
A RIDE, THAT’S ALL.
143
00:06:06,000 --> 00:06:08,290
SO YOU’RE ROLLING
WITH GANG-BANGERS NOW?
144
00:06:08,290 --> 00:06:09,620
MAN, I GOT IT HANDLED.
145
00:06:09,620 --> 00:06:11,620
NO, YOU GOT IT TWISTED
IS WHAT YOU GOT.
146
00:06:11,620 --> 00:06:12,910
SHAWN: I CAN GIVE YOU
A RIDE, TOO,
147
00:06:12,910 --> 00:06:14,700
BACK TO BEVERLY HILLS
WHERE YOU BELONG.
148
00:06:14,700 --> 00:06:15,830
LISTEN, STAY AWAY
FROM COOP,
149
00:06:15,830 --> 00:06:18,200
STAY AWAY FROM MY HOUSE,
AND STAY AWAY FROM MY FAMILY, A’IGHT?
150
00:06:18,200 --> 00:06:20,870
I’M JUST LOOKING OUT IS ALL.
AIN’T NOBODY HERE NEED LOOKING OUT FOR.
151
00:06:20,870 --> 00:06:25,200
SEEMS TO ME THEY DO.
YOU’RE EITHER HERE OR THERE. CAN’T BE EVERYWHERE.
152
00:06:25,200 --> 00:06:28,620
STAY AWAY.
YOU HEAR ME?
153
00:06:28,620 --> 00:06:31,500
YEAH, I HEAR YOU, BEVERLY.
154
00:06:31,500 --> 00:06:34,620
LET’S GO.
155
00:06:34,620 --> 00:06:37,540
RAPPER: ♪ HEY, HEY ♪
156
00:06:37,540 --> 00:06:42,000
♪ HEY, HEY, HEY ♪
157
00:06:42,330 --> 00:06:44,290
♪ BACK TO THE BASICS,
STAND AT ATTENTION ♪
158
00:06:44,290 --> 00:06:47,080
♪ YOU’RE ALL ABOUT TO WITNESS
A GENT’S ASCENSION ♪
159
00:06:47,080 --> 00:06:48,700
♪ AIN’T NO SECOND PLACE,
NO HONORABLE MENTION ♪
160
00:06:48,700 --> 00:06:53,540
♪ EVERYONE WHO SAID
WE COULDN’T SHOULD HAVE LEARNED THEIR LESSONS, SO ♪
161
00:06:53,540 --> 00:06:55,620
♪HEY, HEY,
HEY, HEY, HEY, HEY ♪
162
00:06:55,620 --> 00:06:57,540
♪ABOUT TO SHOW THE WORLD
MY GREATNESS ♪
163
00:06:57,540 --> 00:06:59,160
♪IF YOU WANT IT-- ♪
164
00:06:59,160 --> 00:07:00,910
WHOA.
OHH!
165
00:07:00,910 --> 00:07:03,040
SO SORRY!
I JUST--
166
00:07:03,040 --> 00:07:04,200
NO. YOU’RE THERE.
NO.
167
00:07:04,200 --> 00:07:05,330
JORDAN IS ALWAYS UP
BEFORE ME,
168
00:07:05,330 --> 00:07:07,370
SO I SWEAR, I--I DIDN’T
SEE ANYTHING...
169
00:07:07,370 --> 00:07:08,830
WELL, GOOD, GOOD.
MUCH.
170
00:07:08,830 --> 00:07:10,250
OK.
THERE’S--
171
00:07:10,250 --> 00:07:11,700
SHOULD BE
EXTRA TOWELS.
172
00:07:11,700 --> 00:07:12,950
NO, UH--
NOT THERE.
173
00:07:12,950 --> 00:07:15,000
THEY’RE OVER THERE,
PROBABLY. THANK YOU.
174
00:07:15,000 --> 00:07:16,750
OK. THANK YOU.
UM, I’M...
175
00:07:16,750 --> 00:07:18,200
JUST--
I’M GONNA GO. OW!
176
00:07:18,200 --> 00:07:20,290
OK. YOU--YOU GOOD?
OW!
177
00:07:20,290 --> 00:07:21,910
NO. OK.
YOU SURE?
178
00:07:21,910 --> 00:07:23,750
YOU DON’T NEED A--OK.
179
00:07:37,620 --> 00:07:38,950
MORNING, SPENCER.
180
00:07:38,950 --> 00:07:40,200
HEY, MORNING, MA’AM.
181
00:07:40,200 --> 00:07:43,500
OH, I TOLD YOU,
PLEASE CALL ME LAURA.
182
00:07:43,500 --> 00:07:45,080
NAH. IF I DID THAT,
MY MOMS WOULD REACH
183
00:07:45,080 --> 00:07:48,870
CLEAR OVER FROM CRENSHAW
TO SLAP ME UPSIDE MY HEAD, SO...
184
00:07:48,870 --> 00:07:50,910
OK. UNDERSTOOD.
185
00:07:50,910 --> 00:07:52,910
WHAT CAN I GET YOU
FOR BREAKFAST?
186
00:07:52,910 --> 00:07:54,410
WE HAVE CEREAL...
187
00:07:54,410 --> 00:07:55,330
JUICE, FRUIT.
188
00:07:55,330 --> 00:07:57,330
AND WE’RE MAKING OMELETS.
189
00:07:57,330 --> 00:07:59,160
THAT’D BE GREAT.
COOL.
190
00:07:59,160 --> 00:08:00,660
JORDAN: DAD,
HAWTHORNE’S TOO FAST
191
00:08:00,660 --> 00:08:02,250
FOR US TO PLAY LIKE
WE DID LAST WEEK, OK?
192
00:08:02,250 --> 00:08:04,040
THE ONLY CHANCE WE HAVE
IS IF WE SWITCH IT UP
193
00:08:04,040 --> 00:08:05,750
ON OFFENSE,
KEEP THEM GUESSING.
194
00:08:05,750 --> 00:08:06,790
BILLY:
WHAT ARE YOU THINKING?
195
00:08:06,790 --> 00:08:08,870
I SAY WE COME OUT WITH
A HEAVY RUN GAME OUT THE GATE.
196
00:08:08,870 --> 00:08:11,700
SPENCER: ACTUALLY,
THEIR OFFENSE IS WHERE IT’S AT RIGHT NOW.
197
00:08:11,700 --> 00:08:14,410
THEY GOT THE HIGHEST
SCORING IN THE DISTRICT.
198
00:08:14,410 --> 00:08:17,120
YOU’RE--HE’S RIGHT.
HE’S RIGHT.
199
00:08:17,120 --> 00:08:19,410
WE HAVE TO FIGURE
OUT HOW TO LOCK UP THEIR RECEIVERS.
200
00:08:19,410 --> 00:08:21,830
HAVE YOU PLAYED THEM
BEFORE? SPENCER: NO.
201
00:08:21,830 --> 00:08:23,330
I JUST BEEN DOING
SOME DIGGING.
202
00:08:23,330 --> 00:08:26,700
I STAYED UP WATCHING GAME TAPE
LAST NIGHT AFTER I GOT IN.
203
00:08:26,700 --> 00:08:28,620
YOU’VE BEEN GETTING IN
LATE OFTEN.
204
00:08:28,620 --> 00:08:30,660
YOU COOL? YOU GONNA BE
SOLID FOR THIS WEEK?
205
00:08:30,660 --> 00:08:33,910
YEAH, I’M GOOD.
BILLY: ALL RIGHT.
206
00:08:35,830 --> 00:08:37,580
OOH! GEEZ.
SORRY, MOM.
207
00:08:37,580 --> 00:08:39,330
MORNING, LIVVIE.
[SPENCER CHUCKLES]
208
00:08:39,330 --> 00:08:41,200
BILLY: GOOD MORNING.
[PLATE CLATTERS]
209
00:08:41,200 --> 00:08:43,620
I SAID, "GOOD MORNING."
MORNING, DAD.
210
00:08:43,620 --> 00:08:46,540
GREAT. SEE, NUMBER 3,
THAT’S THEIR BEST GUY
211
00:08:46,540 --> 00:08:50,290
OFFENSIVELY, BUT HE’S
THEIR PLAYMAKER RIGHT THERE.
212
00:08:50,290 --> 00:08:51,790
BUT HE DON’T LIKE
TO PLAY PHYSICAL...
213
00:08:51,790 --> 00:08:55,200
BOTH: SO WE GOT TO TAKE
ADVANTAGE OF HIM ON RUN PLAY.
214
00:08:55,200 --> 00:08:57,200
ON THE RUN PLAY.
215
00:08:57,200 --> 00:08:58,250
[CHUCKLES]
216
00:08:58,250 --> 00:09:00,290
AIN’T NO WAY
HE’S BLOCKING ME.
217
00:09:00,290 --> 00:09:01,660
ALL RIGHT.
LET’S SEE YOU.
218
00:09:01,660 --> 00:09:03,540
THAT’S WHAT I’M
TALKING ABOUT.
219
00:09:03,540 --> 00:09:05,580
YES, SIR. HA HA!
CONFIDENCE.
220
00:09:05,580 --> 00:09:07,660
CONFIDENCE.
221
00:09:07,660 --> 00:09:09,910
MY MAN.
222
00:09:09,910 --> 00:09:12,370
[BOYS SHOUTING]
223
00:09:12,370 --> 00:09:15,910
GO ON, MAN.
GET IT OVER. MAKE YOUR MARK!
224
00:09:22,660 --> 00:09:24,700
2 AND 2!
225
00:09:26,500 --> 00:09:27,790
HEY, COOP! COOP!
226
00:09:27,790 --> 00:09:31,910
COOP! HOLD UP, MAN.
WE GOT BUSINESS TO HANDLE.
227
00:09:31,910 --> 00:09:33,370
LOOK, SPENCER WAS RIGHT.
228
00:09:33,370 --> 00:09:34,660
WE HUNG OUT A FEW TIMES
AND ALL THAT,
229
00:09:34,660 --> 00:09:37,370
BUT THE GANG-BANGING?
IT AIN’T FOR ME.
230
00:09:37,370 --> 00:09:41,080
YOU NEED MY PROTECTION.
I DON’T NEED NOTHIN’.
231
00:09:41,080 --> 00:09:43,750
YOU’LL COME AROUND.
232
00:09:45,830 --> 00:09:48,040
BOY: WHOO! ALL RIGHT.
233
00:09:48,040 --> 00:09:51,290
[OVERLAPPING SHOUTING]
234
00:09:51,290 --> 00:09:52,000
[WHISTLE BLOWS]
235
00:09:52,000 --> 00:09:55,250
BILLY: EVERY TEAM IS ONLY AS
STRONG AS THEIR WEAKEST PLAYER.
236
00:09:55,250 --> 00:09:56,620
HAWTHORNE IS A POWERHOUSE.
[WHISTLE BLOWS]
237
00:09:56,620 --> 00:10:01,120
THE ONLY WAY WE WILL STOP THEM
IS IF WE KNOW OUR OWN WEAKNESSES.
238
00:10:01,120 --> 00:10:03,120
RAPPER:
♪ ...TAKE ANOTHER BREATH ♪
239
00:10:03,120 --> 00:10:05,330
BILLY: IRON-SHARP
IS HIGHEST.
240
00:10:05,330 --> 00:10:07,370
JAMES, ADAMS,
241
00:10:07,370 --> 00:10:08,620
GET IT DONE.
[BLOWS WHISTLE]
242
00:10:08,620 --> 00:10:11,330
ABOUT TIME YOU HAD
A PROPER INTRODUCTION TO BEVERLY.
243
00:10:11,330 --> 00:10:12,950
ABOUT TIME
YOU BROUGHT ONE.
244
00:10:12,950 --> 00:10:13,910
♪ PUMPING LIKE REEBOKS ♪
245
00:10:13,910 --> 00:10:16,750
♪ RALLY ROUND YOUR FAME
WITH A HUNDRED DRUMMERS ♪
246
00:10:16,750 --> 00:10:20,660
♪ YOU LOOKIN’ AT A SAVAGE,
RUN FOR COVER ♪
247
00:10:24,700 --> 00:10:27,580
[BOYS CHEERING]
248
00:10:27,580 --> 00:10:30,080
[GROANING]
[WHISTLE BLOWS]
249
00:10:30,080 --> 00:10:32,290
♪ RUN FOR COVER ♪
250
00:10:33,000 --> 00:10:34,870
♪ RUN FOR COVER ♪
251
00:10:34,870 --> 00:10:37,870
[GROANING]
OK.
252
00:10:38,450 --> 00:10:41,120
♪ RUN FOR COVER ♪
253
00:10:43,250 --> 00:10:44,620
BILLY: IT’S JUST A SPRAIN.
254
00:10:44,620 --> 00:10:47,660
HE’LL BE FINE, BUT HE’S OUT
FOR THIS WEEK’S GAME.
255
00:10:47,660 --> 00:10:49,870
AHEM. DAD, WE NEED TO
ROTATE OUR RECEIVERS.
256
00:10:49,870 --> 00:10:51,620
WHAT YOU NEED
TO DO IS PUT ME IN.
257
00:10:51,620 --> 00:10:53,870
LOOK, I CAN PLAY BOTH WAYS,
COACH, OFFENSE AND DEFENSE.
258
00:10:53,870 --> 00:10:56,250
JORDAN: AND WHAT HAPPENS
WHEN YOU GET GASSED OUT THERE, SPENCE?
259
00:10:56,250 --> 00:10:58,830
WHY DON’T YOU LET ME WORRY
ABOUT MY GAME, OK?
260
00:10:58,830 --> 00:11:00,790
YOU JUST WORRY ABOUT
GETTING ME THE BALL.
261
00:11:00,790 --> 00:11:04,700
JORDAN, WHY DON’T YOU GIVE ME
AND SPENCER A MOMENT?
262
00:11:10,790 --> 00:11:13,950
ALL RIGHT, SO WHAT
DO YOU SAY, COACH?
263
00:11:13,950 --> 00:11:16,120
UH...I SAY NO.
264
00:11:16,120 --> 00:11:17,500
LOOK, I’M THE ONLY ONE HERE
265
00:11:17,500 --> 00:11:18,700
WITH HIS FUTURE RIDING
ON THIS SEASON.
266
00:11:18,700 --> 00:11:20,500
THESE OTHER GUYS AIN’T
GOT NOTHING TO LOSE.
267
00:11:20,500 --> 00:11:22,290
I FEEL YOU ON THAT,
AND BELIEVE YOU ME,
268
00:11:22,290 --> 00:11:24,660
I GOT THE BOOSTERS AND
THE BOARD, EVERYBODY’S
269
00:11:24,660 --> 00:11:27,700
BREATHING DOWN
MY NECK, BUT I HAVE A RESPONSIBILITY TO YOU.
270
00:11:27,700 --> 00:11:31,250
YOU THINK I DON’T
NOTICE YOU GETTING IN LATE EVERY NIGHT,
271
00:11:31,250 --> 00:11:33,620
YOU GOING BACK HOME
EVERY DAY?
272
00:11:33,620 --> 00:11:36,950
AND WHAT ABOUT MY MOMS?
WHAT ABOUT DILLON?
273
00:11:36,950 --> 00:11:38,540
IF I AIN’T THERE
TO TAKE CARE OF THEM, WHO IS?
274
00:11:38,540 --> 00:11:41,250
LOOK, YOU ARE BURNING IT
AT BOTH ENDS OFF THE FIELD.
275
00:11:41,250 --> 00:11:43,080
I CAN’T HAVE YOU DOING
IT ON THE FIELD AS WELL.
276
00:11:43,080 --> 00:11:46,040
LOOK, MAN, I LEFT BEHIND
MY FAMILY, A’IGHT, MY FRIENDS, MY SCHOOL.
277
00:11:46,040 --> 00:11:48,500
I LEFT BEHIND WHO I AM.
I UNDERSTAND THAT.
278
00:11:48,500 --> 00:11:49,830
I’M TRYING
TO PROTECT YOU.
279
00:11:49,830 --> 00:11:51,790
I DIDN’T COME HERE
TO BE PROTECTED.
280
00:11:51,790 --> 00:11:55,000
I CAME HERE TO WIN,
AND THE WAY I SEE IT,
281
00:11:55,000 --> 00:11:58,620
I AIN’T THE ONLY ONE WITH IT
ALL ON THE LINE HERE.
282
00:11:58,620 --> 00:12:00,750
NOW, OUR BEST CHANCE
AT WINNING THIS GAME
283
00:12:00,750 --> 00:12:05,290
IS WITH ME ON BOTH SIDES
OF THE BALL, AND WE BOTH KNOW THAT.
284
00:12:09,750 --> 00:12:12,080
[SCOFFS]
285
00:12:17,410 --> 00:12:19,200
BILLY: ALL RIGHT, Y’ALL.
COME ON. HURRY UP.
286
00:12:19,200 --> 00:12:21,910
THE BOOSTERS DO NOT LIKE
TO BE KEPT WAITING.
287
00:12:21,910 --> 00:12:23,790
[KEYS JANGLE]
288
00:12:23,790 --> 00:12:26,370
[INDISTINCT CHATTER]
289
00:12:27,540 --> 00:12:32,660
BILLY: SPENCER, WHAT’S GOING ON?
WE’RE LEAVING. GET--GET DRESSED.
290
00:12:32,660 --> 00:12:35,250
I AM DRESSED.
291
00:12:35,700 --> 00:12:37,410
AND YOU KNOW WHAT?
YOU LOOK GREAT.
292
00:12:37,410 --> 00:12:40,000
YOU DO.
IT’S JUST THESE THINGS ARE SO--
293
00:12:40,000 --> 00:12:42,870
STUPID AND PRETENTIOUS?
HEY, EASY. YEAH, YEAH, NO.
294
00:12:42,870 --> 00:12:44,790
JUST THROW ON A BLAZER
295
00:12:44,790 --> 00:12:46,620
AND SNAZZ THAT OUTFIT UP.
296
00:12:46,620 --> 00:12:49,040
I DON’T HAVE
A BLAZER HERE.
297
00:12:49,040 --> 00:12:50,580
UH...OK, NO PROBLEM.
298
00:12:50,580 --> 00:12:53,370
WE’LL JUST SWING BY
YOUR HOUSE ON THE WAY, YOU CAN GRAB ONE,
299
00:12:53,370 --> 00:12:56,290
AND WE’LL GO
FROM THERE. BOOM.
300
00:12:56,290 --> 00:12:57,660
NO, I MEAN...
301
00:12:57,660 --> 00:13:01,790
LOOK, I AIN’T GOT ONE
THERE, EITHER.
302
00:13:03,290 --> 00:13:06,580
YOU KNOW WHAT I SAY,
HONESTLY?
303
00:13:06,580 --> 00:13:07,700
WEAR WHAT YOU WANT.
304
00:13:07,700 --> 00:13:10,120
TO HELL WITH
THE BOOSTERS, ISN’T THAT RIGHT, BOYS?
305
00:13:10,120 --> 00:13:12,000
BILLY: YES, YES, YES.
YOU’RE GOOD.
306
00:13:12,000 --> 00:13:14,830
OLIVIA: UH, YOU GUYS GO.
I’LL TAKE CARE OF IT.
307
00:13:14,830 --> 00:13:16,870
SPENCER AND I WILL
JUST MEET YOU THERE.
308
00:13:16,870 --> 00:13:18,950
DAD, I SAID I’LL
TAKE CARE OF IT.
309
00:13:18,950 --> 00:13:22,040
ARE YOU--OK,
LET’S GO, GUYS.
310
00:13:26,160 --> 00:13:28,500
WE JUST DOUBLE
THE TAPE UP,
311
00:13:28,500 --> 00:13:31,040
STICK IT
RIGHT HERE,
312
00:13:31,040 --> 00:13:32,790
AND BAM.
313
00:13:32,790 --> 00:13:34,200
WELL...
314
00:13:34,200 --> 00:13:36,080
DON’T YOU
CLEAN UP NICE?
315
00:13:36,080 --> 00:13:37,910
YOU KNOW, YOU’RE
GOOD AT THIS.
316
00:13:37,910 --> 00:13:40,000
[SNICKERS]
HAVING PANTS?
317
00:13:40,000 --> 00:13:41,120
NO...
318
00:13:41,120 --> 00:13:44,540
MAKING PEOPLE
FEEL BETTER.
319
00:13:45,830 --> 00:13:47,700
YOU SURE JORDAN
WON’T MIND?
320
00:13:47,700 --> 00:13:51,950
NO, NO.
THIS ONE’S MY DAD’S.
321
00:13:52,120 --> 00:13:55,790
LOOKS LIKE YOU TWO
ARE A PERFECT MATCH.
322
00:13:57,370 --> 00:13:59,700
SO, WHAT IS THIS
BOOSTER PARTY, ANYWAY?
323
00:13:59,700 --> 00:14:01,290
JUST A BUNCH
OF OLD BLOWHARDS
324
00:14:01,290 --> 00:14:02,830
KNOCKING BACK
CRAFT COCKTAILS
325
00:14:02,830 --> 00:14:04,410
AND CONGRATULATING
THEMSELVES ABOUT
326
00:14:04,410 --> 00:14:06,620
A FOOTBALL TEAM THEY HAD
NOTHING TO DO WITH.
327
00:14:06,620 --> 00:14:08,540
BUT THEY FUND
THE SPORTS PROGRAM,
328
00:14:08,540 --> 00:14:10,660
SO MY DAD SUCKS IT UP,
AND WITH BEVERLY
329
00:14:10,660 --> 00:14:13,870
COMING OFF YET
ANOTHER LOSING SEASON, THE PRESSURE’S ON
330
00:14:13,870 --> 00:14:15,200
AND I GUESS THAT’S
WHERE YOU COME IN.
331
00:14:15,200 --> 00:14:16,410
I DIDN’T REALIZE
IT WAS THAT BAD.
332
00:14:16,410 --> 00:14:20,580
YEAH, I DON’T REALLY
REMEMBER MUCH ABOUT MY DAD PLAYING BALL...
333
00:14:20,580 --> 00:14:25,000
BUT WHAT I DO REMEMBER
IS HOW HE WAS AFTER--
334
00:14:25,000 --> 00:14:27,540
DISTANT,
NO REAL PURPOSE,
335
00:14:27,540 --> 00:14:30,700
UNTIL MY MOM HEARD BEVERLY
NEEDED A NEW COACH,
336
00:14:30,700 --> 00:14:34,790
AND THEN THE LIGHT
CAME BACK IN HIS EYES.
337
00:14:36,330 --> 00:14:41,410
I’D JUST HATE
TO SEE HIM LOSE THAT AGAIN, YOU KNOW?
338
00:14:43,580 --> 00:14:45,250
[SIGHS]
339
00:14:45,250 --> 00:14:45,790
NOW...
340
00:14:45,790 --> 00:14:51,160
LET’S GET BEVERLY’S
NEW STAR PLAYER TO THE PARTY TO IMPRESS.
341
00:15:08,620 --> 00:15:09,580
DAMN.
342
00:15:09,580 --> 00:15:13,790
IS THAT HIM?
THAT THE BOY THAT TOOK YOU OUT?
343
00:15:14,120 --> 00:15:17,410
OLIVIA: LEAVE IT
TO BEVERLY HILLS TO KEEP IT SIMPLE.
344
00:15:17,410 --> 00:15:21,410
LEILA: SPENCER,
THANK GOD YOU’RE HERE.
345
00:15:21,410 --> 00:15:25,620
DAVID SHEA WAS
ASKING FOR...WHAT?
346
00:15:25,620 --> 00:15:27,500
I JUST DIDN’T KNOW
YOU’D BE HERE.
347
00:15:27,500 --> 00:15:29,580
I TOLD YOU,
I’M STU-CO PRESIDENT.
348
00:15:29,580 --> 00:15:31,580
WE SPONSOR ALL
THE BOOSTER EVENTS.
349
00:15:31,580 --> 00:15:35,040
OH, UH, SORRY IF I
INTERRUPTED YOU GUYS.
350
00:15:35,040 --> 00:15:37,580
I MEAN, HEY,
WHY STOP NOW?
351
00:15:37,580 --> 00:15:38,330
SPENCER: AHEM.
352
00:15:38,330 --> 00:15:40,580
WELL, YOU LOOK GREAT
IN YOUR SUIT.
353
00:15:40,580 --> 00:15:42,540
THANK YOU.
AND WHEN YOU HAVE A MINUTE,
354
00:15:42,540 --> 00:15:45,000
I KNOW THE BOOSTERS
ARE DYING TO MEET YOU.
355
00:15:45,000 --> 00:15:46,830
CAN’T WAIT.
356
00:15:46,830 --> 00:15:47,290
OK.
357
00:15:47,290 --> 00:15:52,200
MAN: YOU’VE GOT TO JAM
THE LINE TO PREVENT THEM GETTING BEHIND YOU.
358
00:15:52,200 --> 00:15:54,700
AM I RIGHT?
YES, SIR. WE’LL BE READY FOR THEM.
359
00:15:54,700 --> 00:15:57,830
WOMAN: I MEAN,
WITH ASHER ADAMS OUT, WHAT YOU NEED TO DO
360
00:15:57,830 --> 00:15:59,830
IS BRING THE NEW KID IN
ON OFFENSE.
361
00:15:59,830 --> 00:16:01,500
MAN 2: NOW, COACH,
WITH HIS STRENGTH,
362
00:16:01,500 --> 00:16:03,410
YOU MIGHT
AS WELL PUT HIM AT RUNNING BACK, TOO.
363
00:16:03,410 --> 00:16:05,250
MR. ADAMS: WHAT’S IN THOSE
WHEATIES THEY’RE FEEDING YOU
364
00:16:05,250 --> 00:16:10,120
OVER AT CRENSHAW?
ALL YOU BOYS DOWN THERE SEEM TO BE RUNNING SUB-4.5 40S.
365
00:16:10,120 --> 00:16:11,790
"YOU BOYS"?
HI.
366
00:16:11,790 --> 00:16:12,790
I’M SORRY,
MR. ADAMS.
367
00:16:12,790 --> 00:16:15,950
I NEED TO
STEAL SPENCER FOR A SECOND.
368
00:16:15,950 --> 00:16:18,330
LET’S GO.
369
00:16:26,680 --> 00:16:29,100
SO WHAT’S YOUR STORY,
ANYWAY?
370
00:16:29,100 --> 00:16:31,800
YOU AND OLIVIA?
WHAT’S THAT ALL ABOUT?
371
00:16:31,800 --> 00:16:33,680
OK, LAST TIME I ASKED YOU
TO SIZE ME UP,
372
00:16:33,680 --> 00:16:36,100
YOU CUT STRAIGHT TO MY
"LONELY RICH GIRL" CORE.
373
00:16:36,100 --> 00:16:39,510
HEY, THAT’S MY BAD, OK?
I DIDN’T MEAN TO MAKE YOU FEEL LIKE THAT.
374
00:16:39,510 --> 00:16:41,100
NO, I MEAN...
375
00:16:41,100 --> 00:16:43,350
YOU’RE RIGHT.
I AM ALONE.
376
00:16:43,350 --> 00:16:46,600
MY DAD TRAVELS A LOT
FOR WORK--NEW YORK, PARIS.
377
00:16:46,600 --> 00:16:49,350
HEY, AT LEAST YOU KNOW
WHERE HE IS.
378
00:16:49,350 --> 00:16:52,260
MY DAD LEFT
A FEW YEARS AGO.
379
00:16:52,260 --> 00:16:54,470
I AIN’T SEEN HIM SINCE.
380
00:16:54,470 --> 00:16:56,220
WHY DID HE LEAVE?
381
00:16:56,220 --> 00:16:59,680
YOUR GUESS IS
AS GOOD AS MINE.
382
00:16:59,680 --> 00:17:02,140
SAID HE GOT SOME BIG
NEW JOB SOMEWHERE,
383
00:17:02,140 --> 00:17:04,760
AND I GUESS WE WEREN’T
PART OF THE PLAN.
384
00:17:04,760 --> 00:17:08,600
WELL, MY DAD’S ALWAYS
ABOUT THE BIG PLAN--
385
00:17:08,600 --> 00:17:13,510
PRODUCING CAREER, WIFE
HE WAS MADLY IN LOVE WITH.
386
00:17:13,510 --> 00:17:16,600
I THINK THEY JUST HAD
ONE KID ’CAUSE...
387
00:17:16,600 --> 00:17:20,550
THEY ONLY HAD SO MUCH
LOVE LEFT TO GIVE.
388
00:17:20,550 --> 00:17:23,850
AND THEN...TWO YEARS AGO,
389
00:17:23,850 --> 00:17:26,890
WE WERE ALL ON VACATION
ON ASPEN AND--
390
00:17:26,890 --> 00:17:29,550
AH, LIVING
THE BOUGIE LIFE.
391
00:17:29,550 --> 00:17:32,800
UM...
392
00:17:32,800 --> 00:17:34,140
MY MOM NEVER LIKED TO SKI.
393
00:17:34,140 --> 00:17:38,930
SHE WAS MORE OF A "SIT
IN THE LOUNGE ROOM AND DRINK HOT COCOA" TYPE.
394
00:17:38,930 --> 00:17:43,260
SHE SAID SHE NEEDED
TO GO HOME, ASKED ME TO COME WITH HER.
395
00:17:43,260 --> 00:17:47,930
UM, SHE NEVER MADE IT
TO THE AIRPORT.
396
00:17:47,930 --> 00:17:50,850
CAR ACCIDENT, SO...
397
00:17:54,510 --> 00:17:58,050
SHE WAS JUST GONE.
398
00:17:58,550 --> 00:18:01,430
HEY, LOOK,
I’M SORRY, OK?
399
00:18:01,430 --> 00:18:03,180
I DIDN’T KNOW.
400
00:18:03,180 --> 00:18:04,510
IT’S OK.
401
00:18:04,510 --> 00:18:06,640
IT IS WHAT IT IS,
RIGHT?
402
00:18:06,640 --> 00:18:10,390
I GUESS I JUST THOUGHT
YOU HAD IT MADE.
403
00:18:10,760 --> 00:18:16,390
YOU CAN COME
FROM ANYWHERE AND HAVE A SAD STORY, SPENCER.
404
00:18:16,390 --> 00:18:18,680
YEAH.
405
00:18:21,680 --> 00:18:25,180
UM, WE SHOULD GET BACK
TO THE PARTY.
406
00:18:25,180 --> 00:18:27,680
YEAH.
YEAH.
407
00:18:30,050 --> 00:18:31,550
BILLY: WHEW.
408
00:18:31,550 --> 00:18:33,430
HEY, WHAT’S HAPPENING, MAN?
409
00:18:33,430 --> 00:18:35,430
ANOTHER SCOTCH
ON THE ROCKS FOR ME,
410
00:18:35,430 --> 00:18:37,220
AND WHATEVER THE COACH
IS DRINKING.
411
00:18:37,220 --> 00:18:38,930
NOT MUCH OF A GESTURE
AT AN OPEN BAR,
412
00:18:38,930 --> 00:18:41,970
BUT I’LL COVER THE TIP.
WELL, I APPRECIATE THAT.
413
00:18:41,970 --> 00:18:44,930
LET ME JUST GET
A BEER, PLEASE.
414
00:18:44,930 --> 00:18:46,180
I’M--I’M SORRY
415
00:18:46,180 --> 00:18:49,260
WE WON’T HAVE YOUR BOY
OUT THERE WITH US THIS WEEK.
416
00:18:49,260 --> 00:18:50,430
THANKS.
417
00:18:50,430 --> 00:18:52,350
ARE YOU NOW?
418
00:18:52,350 --> 00:18:53,390
YEAH, INJURIES.
419
00:18:53,390 --> 00:18:56,390
THEY’RE, UH, THEY’RE PART
OF THE GAME, YOU KNOW?
420
00:18:56,390 --> 00:18:57,760
ASHER’S THE BEST
RECEIVER YOU GOT,
421
00:18:57,760 --> 00:19:02,140
AND YOU LET THAT SOUTH
CRENSHAW THUG ROUGH HIM UP DURING PRACTICE?
422
00:19:02,140 --> 00:19:04,010
WHOA.
[SMACKS LIPS]
423
00:19:04,010 --> 00:19:06,760
MIND YOURSELF NOW,
HAROLD.
424
00:19:06,760 --> 00:19:08,760
JUST CALLING
LIKE I SEE IT.
425
00:19:08,760 --> 00:19:12,260
OK, WELL, THANKS
FOR THE DRINK.
426
00:19:12,930 --> 00:19:16,600
WHEN THEY HIRED YOU,
I HAD HIGH HOPES.
427
00:19:16,600 --> 00:19:18,600
SURE, YOUR PRO
CAREER WAS A BUST.
428
00:19:18,600 --> 00:19:21,720
HEH HEH!
BUT, HEY, THAT’S THE GAME.
429
00:19:21,720 --> 00:19:23,140
AFTER TWO LOSING SEASONS
430
00:19:23,140 --> 00:19:25,220
AND WITH ANOTHER ONE
ON THE WAY, GUESS YOU’RE
431
00:19:25,220 --> 00:19:28,510
JUST GETTING COMFORTABLE
WITH LOSING.
432
00:19:28,510 --> 00:19:29,180
HEH HEH!
UH--
433
00:19:29,180 --> 00:19:30,470
THAT’S ENOUGH.
OH, IT’S OK.
434
00:19:30,470 --> 00:19:31,890
DAD, I’M--
IT’S ALL RIGHT.
435
00:19:31,890 --> 00:19:33,260
COACH, I’M--I’M SORRY.
436
00:19:33,260 --> 00:19:34,220
WHY SHOULD YOU BE SORRY?
437
00:19:34,220 --> 00:19:35,890
HE’S THE REASON
YOU GOT HURT!
438
00:19:35,890 --> 00:19:37,850
HIM AND HIS SON!
439
00:19:37,850 --> 00:19:39,430
WHAT ARE YOU
TALKING ABOUT?
440
00:19:39,430 --> 00:19:42,300
TALKING ABOUT HOW
JORDAN WAS BEHIND THAT CONTESTED PERMIT,
441
00:19:42,300 --> 00:19:47,180
AND NOW YOUR CRENSHAW BOY
IS BRINGING HIS ANGER ABOUT THE SITUATION
442
00:19:47,180 --> 00:19:50,390
ON OUR FIELD,
INJURING MY SON!
443
00:19:50,390 --> 00:19:52,180
ASHER: DAD, WILL YOU--
HEY.
444
00:19:52,180 --> 00:19:52,890
THAT’S RIGHT!
445
00:19:52,890 --> 00:19:56,180
JORDAN BAKER’S
THE ONE THAT GAVE CHATSWORTH THE TIP.
446
00:19:56,180 --> 00:19:57,100
ARE YOU SERIOUS?
447
00:19:57,100 --> 00:19:59,760
SPENCER: YOU’RE THE REASON
I CAN’T GO HOME AT NIGHT?
448
00:19:59,760 --> 00:20:01,050
FACE IT, COACH.
OH, BOY.
449
00:20:01,050 --> 00:20:03,050
THAT BOY DOESN’T
BELONG HERE,
450
00:20:03,050 --> 00:20:04,470
AND NEITHER DO YOU.
451
00:20:04,470 --> 00:20:05,550
CALL ME BOY
ONE MORE TIME.
452
00:20:05,550 --> 00:20:06,890
CALL ME BOY
ONE MORE TIME. DAD.
453
00:20:06,890 --> 00:20:09,470
THAT’S EXACTLY WHAT
THEY WANT YOU TO DO.
454
00:20:09,470 --> 00:20:11,890
[OVERLAPPING CHATTER]
455
00:20:11,890 --> 00:20:13,010
SPENCER: YOU KNOW WHAT?
456
00:20:13,010 --> 00:20:15,140
YOU KNOW WHAT?
I’M DONE WALKING AWAY. SHH, SHH, SHH. OK.
457
00:20:15,140 --> 00:20:17,930
I SAY WE SHOW
THESE BEVERLY HILLS BOYS WHAT WE’RE MADE OF.
458
00:20:17,930 --> 00:20:21,350
LET ME PLAY BOTH WAYS,
COACH. COME ON.
459
00:20:22,680 --> 00:20:25,010
PLEASE.
460
00:20:25,470 --> 00:20:27,180
YOU THINK YOU CAN
HOLD UP
461
00:20:27,180 --> 00:20:29,600
IF I PUT YOU ON
BOTH SIDES OF THE BALL?
462
00:20:29,600 --> 00:20:31,180
I KNOW I CAN.
YOU GOT TO HAVE THAT
463
00:20:31,180 --> 00:20:33,850
OFFENSIVE PLAYBOOK DOWN
BY TOMORROW NIGHT.
464
00:20:33,850 --> 00:20:35,390
DO YOU GOT ME?
465
00:20:35,390 --> 00:20:36,100
GOT YOU.
466
00:20:36,100 --> 00:20:37,350
ALL RIGHT.
I GOT YOU, COACH.
467
00:20:37,350 --> 00:20:40,890
ALL RIGHT,
GET OUT OF HERE. GET OUT OF HERE.
468
00:20:49,970 --> 00:20:51,720
[DOOR OPENS]
469
00:20:51,720 --> 00:20:54,140
BILLY:
UH-UH, NOT SO FAST.
470
00:20:54,140 --> 00:20:56,640
WE NEED TO TALK.
471
00:20:56,640 --> 00:20:59,300
SIT DOWN.
472
00:21:00,550 --> 00:21:01,760
PLEASE, PLEASE TELL ME
473
00:21:01,760 --> 00:21:07,010
THAT YOU WEREN’T BEHIND
THIS CONTESTED PERMIT MESS.
474
00:21:10,140 --> 00:21:12,220
BILLY: COME ON, MAN.
475
00:21:12,220 --> 00:21:13,760
WITH ALL THAT YOU HAVE,
476
00:21:13,760 --> 00:21:15,260
WHY WOULD YOU TRY
TO HURT SOMEONE WITH LESS?
477
00:21:15,260 --> 00:21:19,050
LAURA: HONEY, I’M SURE
THAT’S NOT WHAT HE WAS TRYING TO DO.
478
00:21:19,050 --> 00:21:20,550
OK.
479
00:21:20,550 --> 00:21:23,390
WELL?
WHAT IS IT, THEN?
480
00:21:23,390 --> 00:21:25,890
I DON’T KNOW.
481
00:21:25,890 --> 00:21:29,720
I JUST--[SCOFFS]--
YEAH, I WAS OUT ON THAT FIELD.
482
00:21:29,720 --> 00:21:32,100
JUST SCORED, FEELING ON
TOP OF THE WORLD.
483
00:21:32,100 --> 00:21:37,600
FEEL--FEELING LIKE...
LIKE I’D FINALLY MADE YOU PROUD.
484
00:21:39,300 --> 00:21:42,260
TURNED AROUND,
AND THERE YOU WERE,
485
00:21:42,260 --> 00:21:46,260
PATTING HIS BACK,
CALLING HIM "SON,"
486
00:21:46,260 --> 00:21:49,010
AND...I JUST REACTED.
487
00:21:49,010 --> 00:21:52,680
WELL, IF YOU FELT THAT WAY,
YOU SHOULD HAVE CAME TO ME. WHY DIDN’T YOU COME TO ME?
488
00:21:52,680 --> 00:21:57,430
REALLY? BECAUSE YOU MOVED
HIM INTO THIS HOUSE WITHOUT EVEN ASKING ANY OF US.
489
00:21:57,430 --> 00:21:59,140
WITHOUT ASK--
490
00:21:59,890 --> 00:22:01,300
THAT MAY BE THE CASE,
491
00:22:01,300 --> 00:22:03,640
BUT I’M STILL DISAPPOINTED
IN YOU, JORDAN.
492
00:22:03,640 --> 00:22:04,800
WHAT’S NEW, DAD?
LAURA: JORDAN.
493
00:22:04,800 --> 00:22:07,970
JORDAN: NO, NO. YOU KNOW,
IT’S FINE. I’M ALWAYS DISAPPOINTING HIM, RIGHT?
494
00:22:07,970 --> 00:22:10,430
WAIT. THAT IS NOT TRUE.
IT IS AND YOU KNOW IT.
495
00:22:10,430 --> 00:22:12,260
WHAT IS IT YOU SAID?
HEH! OH, THAT’S RIGHT.
496
00:22:12,260 --> 00:22:18,970
"THERE’S NO ONE
ON THIS TEAM WITH EVEN HALF SPENCER’S POTENTIAL," RIGHT?
497
00:22:18,970 --> 00:22:20,680
HEY.
498
00:22:21,720 --> 00:22:23,720
JORDAN.
499
00:22:23,720 --> 00:22:26,140
JORDAN!
500
00:22:27,680 --> 00:22:30,180
LAURA: WELL,
THAT WENT GREAT.
501
00:22:30,180 --> 00:22:35,140
THIS ISN’T--THIS--
IS ALL THIS ABOUT FOOTBALL?
502
00:22:36,180 --> 00:22:36,890
DAD!
503
00:22:36,890 --> 00:22:39,180
DO YOU REALLY NOT SEE
WHAT’S HAPPENING?
504
00:22:39,180 --> 00:22:42,300
YOU HAVE A SON
WHO IS DESPERATE FOR YOUR APPROVAL.
505
00:22:42,300 --> 00:22:47,140
WHY DO YOU THINK HE EVEN
PICKED UP A FOOTBALL?
506
00:22:49,350 --> 00:22:51,180
AND YOU ALSO HAVE
A DAUGHTER
507
00:22:51,180 --> 00:22:54,300
JUST OUT OF REHAB,
AND THE ONE PERSON YOU’RE FOCUSED ON,
508
00:22:54,300 --> 00:22:57,350
THE ONE PERSON YOU’RE
TRYING TO SAVE IS SPENCER.
509
00:22:57,350 --> 00:22:58,930
BABY GIRL--
NO, LOOK,
510
00:22:58,930 --> 00:23:01,890
I AM SO HAPPY THAT YOU
CARE ABOUT SPENCER.
511
00:23:01,890 --> 00:23:04,140
IT’S THE RIGHT THING
TO DO, BUT THERE ARE
512
00:23:04,140 --> 00:23:08,930
OTHER PEOPLE
IN THIS HOUSE THAT NEED YOU, TOO, DAD.
513
00:23:10,600 --> 00:23:12,720
GOOD NIGHT.
’NIGHT.
514
00:23:12,720 --> 00:23:15,970
[FOOTSTEPS RETREATING]
515
00:23:26,180 --> 00:23:28,680
[DISTANT DOG BARKING]
[SIGHS]
516
00:23:28,680 --> 00:23:31,220
IT’S A WEEKNIGHT.
MOM’S NOT GONNA BE HAPPY.
517
00:23:31,220 --> 00:23:36,050
YEAH, I’LL HANDLE MOM.
I GOT TO LEARN THIS PLAYBOOK.
518
00:23:38,550 --> 00:23:40,640
YOU WENT TO
THE COMIC BOOK STORE?
519
00:23:40,640 --> 00:23:44,850
YOUR FRIEND SHAWN
HOOKED ME UP. YOU KNOW, HE SEEMS COOL.
520
00:23:44,850 --> 00:23:45,430
LOOK AT ME.
521
00:23:45,430 --> 00:23:47,760
HE’S NOT MY FRIEND,
AND HE’S NOT COOL, A’IGHT?
522
00:23:47,760 --> 00:23:51,800
DON’T LET ME EVER HEAR
YOU’VE BEEN TALKING TO HIM AGAIN.
523
00:23:51,800 --> 00:23:53,350
YOU UNDERSTAND ME?
524
00:23:53,350 --> 00:23:55,260
[QUIETLY]
MM-HMM.
525
00:23:55,260 --> 00:23:56,550
DILLON.
526
00:23:56,550 --> 00:23:58,850
I DO.
527
00:23:59,890 --> 00:24:02,470
[SIGHS]
LOOK, I’M SORRY, MAN.
528
00:24:02,470 --> 00:24:06,100
I AIN’T MAD AT YOU,
A’IGHT?
529
00:24:07,970 --> 00:24:09,300
WHERE YOU GOING?
530
00:24:09,300 --> 00:24:13,010
TO MAKE SURE SHAWN
LEAVES YOU THE HELL ALONE.
531
00:24:13,010 --> 00:24:15,390
[INDISTINCT CHATTER]
SPENCER: HEY!
532
00:24:15,390 --> 00:24:17,100
MAN:
HEY, HOMES.
533
00:24:17,100 --> 00:24:19,220
HEH! HEADED IN
THE WRONG DIRECTION.
534
00:24:19,220 --> 00:24:20,680
RODEO DRIVE IS
THE OTHER WAY.
535
00:24:20,680 --> 00:24:21,850
LEAVE MY BROTHER
ALONE, A’IGHT?
536
00:24:21,850 --> 00:24:24,430
WAS JUST OFFERING THE KID
A LITTLE COMMUNITY KINDNESS, THAT’S ALL.
537
00:24:24,430 --> 00:24:26,510
STOP PLAYING
LIKE YOU SOMETHING YOU’RE NOT, SHAWN.
538
00:24:26,510 --> 00:24:29,100
YOU’RE THE WORST PART OF
WHAT THIS COMMUNITY IS.
539
00:24:29,100 --> 00:24:31,260
HEY, WATCH YOURSELF.
540
00:24:31,680 --> 00:24:34,010
YOU’RE THE SAME PIECE
OF NOTHING YOU WERE
541
00:24:34,010 --> 00:24:35,680
IN GRADE SCHOOL,
YOU KNOW THAT?
542
00:24:35,680 --> 00:24:37,930
YOU’LL ALWAYS BE
NOTHING.
543
00:24:37,930 --> 00:24:40,180
[SCOFFS]
544
00:24:43,350 --> 00:24:46,300
YOU WANT TO COME
AT ME, COME AT ME.
545
00:24:46,300 --> 00:24:48,600
YEAH.
COOP: SHAWN! SHAWN!
546
00:24:48,600 --> 00:24:50,600
SPENCER:
HEY, COOP, NO.
547
00:24:50,600 --> 00:24:51,800
LISTEN, SHUT UP.
548
00:24:51,800 --> 00:24:54,470
WHAT ARE YOU DOING?
DILLON CALLED, MAN. HE WAS WORRIED.
549
00:24:54,470 --> 00:24:57,470
HEY, LOOK
WE’RE GOOD, RIGHT? JUST WALK AWAY.
550
00:24:57,470 --> 00:24:58,010
ARE WE?
551
00:24:58,010 --> 00:25:03,180
COME ON, MAN.
I’LL MEET YOU TONIGHT, JUST LIKE YOU WANT.
552
00:25:03,430 --> 00:25:07,050
LOOK WHO’S
PROTECTING WHO NOW.
553
00:25:08,470 --> 00:25:10,930
LET’S GO.
554
00:25:12,180 --> 00:25:14,010
SHAWN: HA HA HA!
555
00:25:14,010 --> 00:25:15,970
MAN: HEY, LATER, HOMIE.
556
00:25:15,970 --> 00:25:18,260
SHAWN:
I DON’T KNOW WHAT HE THOUGHT THIS WAS.
557
00:25:18,260 --> 00:25:21,260
MAN: HE NOT OVER HERE.
HA HA! EXACTLY.
558
00:25:21,260 --> 00:25:23,050
HOW COULD YOU DO THIS
TO ME RIGHT NOW?
559
00:25:23,050 --> 00:25:25,930
COOP: DO THIS TO YOU?
THIS AIN’T ABOUT YOU.
560
00:25:25,930 --> 00:25:28,470
SHAWN BEEN AT ME
EVER SINCE YOU LEFT.
561
00:25:28,470 --> 00:25:31,140
SO WHY YOU AIN’T
JUST TELL ME, HUH?
562
00:25:31,140 --> 00:25:32,260
TELL YOU FOR WHAT?
563
00:25:32,260 --> 00:25:33,890
SO YOU CAN BE CAUGHT UP
IN THIS MESS,
564
00:25:33,890 --> 00:25:37,720
GETTING BEAT UP,
GETTING A GUN PUT IN YOUR DAMN FACE?
565
00:25:37,720 --> 00:25:41,350
THIS IS EXACTLY WHAT I TRY
TO PROTECT YOU FROM.
566
00:25:41,350 --> 00:25:42,430
PROTECT ME?
567
00:25:42,430 --> 00:25:44,100
THAT’S RIGHT.
YOU AND YOUR FUTURE.
568
00:25:44,100 --> 00:25:46,010
LOOK, I DON’T WANT
ANYBODY’S PROTECTION.
569
00:25:46,010 --> 00:25:47,220
I DIDN’T ASK FOR ANY
OF THAT.
570
00:25:47,220 --> 00:25:49,760
AND I DIDN’T ASK YOU
TO PROTECT ME, NEITHER, BRO.
571
00:25:49,760 --> 00:25:52,300
BUT YOU DID,
FOR A LONG TIME.
572
00:25:52,300 --> 00:25:54,800
BUT THAT’S OVER NOW.
573
00:25:55,430 --> 00:25:59,430
YOU CANNOT SAVE
THE WORLD, SPENCER.
574
00:26:01,100 --> 00:26:04,390
YOU GOT TO SAVE YOURSELF.
575
00:26:06,300 --> 00:26:11,350
’CAUSE OUT HERE, IT’S
EVERY MAN FOR THEMSELF.
576
00:26:12,050 --> 00:26:13,720
COOP.
577
00:26:13,720 --> 00:26:15,550
HEY.
578
00:26:15,550 --> 00:26:17,850
COOP!
579
00:26:26,100 --> 00:26:28,510
[MARCHING BAND PLAYING]
580
00:26:29,300 --> 00:26:32,430
WHOSE HOUSE IS THIS?
OUR HOUSE!
581
00:26:32,430 --> 00:26:34,430
WE GONNA KICK THEM
OUT OF OUR HOUSE?
582
00:26:34,430 --> 00:26:35,890
HELL, YEAH!
GET ’EM, BOYS!
583
00:26:35,890 --> 00:26:39,510
STADIUM ANNOUNCER: OK, FOLKS,
IT’S 4TH DOWN AND 3.
584
00:26:39,510 --> 00:26:40,930
LOOKS LIKE HAWTHORNE
IS GOING FOR IT.
585
00:26:40,930 --> 00:26:44,100
THEY’VE BEEN AGGRESSIVE
ALL SEASON, AND TONIGHT’S BEEN NO DIFFERENT.
586
00:26:44,100 --> 00:26:47,510
[SHOUTING INDISTINCTLY]
587
00:26:48,760 --> 00:26:52,970
THE TEAM’S MOVING UP
TO PRESS COVERAGE NOW.
588
00:26:52,970 --> 00:26:54,550
HOPPIN’ UP ON HIS FEET.
589
00:26:54,550 --> 00:26:56,510
JAMES WITH THE STOP!
590
00:26:56,510 --> 00:26:57,760
THIS KID IS A ONE-MAN
WRECKING BALL.
591
00:26:57,760 --> 00:26:59,680
RAPPER:
♪ BREAKING OUTTA THESE WALLS ♪ [WHISTLE BLOWS]
592
00:26:59,680 --> 00:27:01,720
♪ BUSTIN’ OUTTA THIS PRISON... ♪
[SPENCER GROANS]
593
00:27:01,720 --> 00:27:03,260
♪ EITHER RISE OR YOU FALL ♪
594
00:27:03,260 --> 00:27:05,050
ANNOUNCER: JAMES STAYS OUT
ON OFFENSE AGAIN.
595
00:27:05,050 --> 00:27:08,180
HE’S BEEN PLAYING
BOTH WAYS ALL NIGHT.
596
00:27:08,180 --> 00:27:10,140
♪ AND I GOTTA DO
WHAT I GOTTA DO ♪
597
00:27:10,140 --> 00:27:12,800
♪ MASK ON MY FACE,
BLACK IN MY VEINS ♪
598
00:27:12,800 --> 00:27:14,390
♪ I GOTTA DO WHAT I GOTTA DO ♪
599
00:27:14,390 --> 00:27:16,220
♪ I PRAYED TO GOD,
HE NEVER CAME ♪
600
00:27:16,220 --> 00:27:18,890
ANNOUNCER: ANOTHER
MISCOMMUNICATION FOR THE EAGLES.
601
00:27:18,890 --> 00:27:20,930
I THINK PLAYING BOTH WAYS
IS STARTING TO TAKE A TOLL
602
00:27:20,930 --> 00:27:23,220
ON THE YOUNG TRANSFER
FROM CRENSHAW.
603
00:27:23,220 --> 00:27:26,100
[CROWD CHEERING]
604
00:27:26,890 --> 00:27:28,760
♪ I GOTTA DO WHAT I GOTTA DO ♪
605
00:27:28,760 --> 00:27:30,850
♪ MASK ON MY FACE,
BLACK IN MY VEINS ♪
606
00:27:30,850 --> 00:27:31,850
♪ I’LL NEVER CHANGE ♪
607
00:27:31,850 --> 00:27:33,390
♪ THAT’S IN MY BLOOD,
I’LL NEVER CHANGE ♪
608
00:27:33,390 --> 00:27:36,010
ANNOUNCER: AND THAT’S THE END
OF THE FIRST HALF.
609
00:27:36,010 --> 00:27:37,720
HAWTHORNE LEADS, 10-7.
610
00:27:37,720 --> 00:27:40,510
THE EAGLES HAVE A LOT TO TALK
ABOUT IN THE LOCKER ROOM.
611
00:27:40,510 --> 00:27:44,640
CHEERLEADERS:
LET’S GO! LET’S GO!
612
00:27:52,350 --> 00:27:54,470
DELIVER THAT TO APARTMENT 12.
613
00:27:54,470 --> 00:27:56,970
OR WHAT? YOUR LEGS
BROKE OR SOMETHING?
614
00:27:56,970 --> 00:28:01,010
TSK. I CAN’T GET CAUGHT
WALKING AROUND HERE AT NIGHT.
615
00:28:01,010 --> 00:28:02,050
WHAT’S IN THE BAG,
SHAWN?
616
00:28:02,050 --> 00:28:06,390
STOP ASKING QUESTIONS.
WE HAD A DEAL. JUST MAKE THE DROP.
617
00:28:06,390 --> 00:28:09,600
[INDISTINCT RAPPING]
618
00:28:17,970 --> 00:28:19,850
[GATE CREAKING]
619
00:28:19,850 --> 00:28:23,100
[DISTANT DOG BARKING]
620
00:28:26,640 --> 00:28:29,510
[KNOCKS ON DOOR]
621
00:28:29,510 --> 00:28:32,140
[DOOR UNLOCKS, CREAKS]
622
00:28:32,890 --> 00:28:35,680
YOU SHAWN’S GIRL?
623
00:28:35,680 --> 00:28:37,680
NO, I JUST, UH--
624
00:28:37,680 --> 00:28:40,100
I HOPED YOU ARE.
625
00:28:40,100 --> 00:28:43,390
WHAT’S HE GOT
FOR ME TODAY?
626
00:28:46,760 --> 00:28:49,510
EGG SALAD SANDWICH.
627
00:28:49,510 --> 00:28:51,100
MY FAVORITE. HEH HEH!
628
00:28:51,100 --> 00:28:54,050
OH, THAT SHAWN’S
SUCH A NICE BOY.
629
00:28:54,050 --> 00:28:58,850
YOU TELL HIM I SAID
THANK YOU, YOU HEAR?
630
00:29:06,180 --> 00:29:08,390
[ALL LAUGH]
631
00:29:08,390 --> 00:29:09,930
WHAT THE HELL
WAS THAT?
632
00:29:09,930 --> 00:29:12,350
THAT WAS TOMMY’S GRAN.
633
00:29:12,350 --> 00:29:16,430
HE’S ONE OF OURS,
DOING 6 TO 8 RIGHT NOW.
634
00:29:16,430 --> 00:29:18,640
WE TAKE CARE OF EACH OTHER.
635
00:29:18,640 --> 00:29:20,720
YOU AND ME,
WE NOT LIKE SPENCER.
636
00:29:20,720 --> 00:29:22,930
WE DON’T HAVE A WAY OUT.
637
00:29:22,930 --> 00:29:26,760
GOT TO MAKE THE BEST
OF WHAT WE GOT RIGHT HERE.
638
00:29:26,760 --> 00:29:29,850
[ENGINE TURNS OVER]
639
00:29:32,350 --> 00:29:34,930
[CROWD CHEERING]
640
00:29:34,930 --> 00:29:37,140
[INDISTINCT CHATTER]
641
00:29:40,470 --> 00:29:41,970
DAD, I THINK HE’S HURTING.
SAY WHAT?
642
00:29:41,970 --> 00:29:43,930
SOMETHING’S NOT RIGHT.
I THINK HE’S HURTING.
643
00:29:43,930 --> 00:29:45,510
NO, HE’S JUST WINDED.
DAD.
644
00:29:45,510 --> 00:29:46,600
LISTEN, JUST HIT
YOUR RECEIVERS.
645
00:29:46,600 --> 00:29:50,430
DON’T WORRY ABOUT ME;
I’M HITTING EVERYONE WHO KNOWS THE PLAYBOOK.
646
00:29:50,430 --> 00:29:52,600
STRONG LEFT, 26 STRETCH.
647
00:29:52,600 --> 00:29:54,760
STRONG LEFT, 26 STRETCH.
ON 1, ON 1. READY?
648
00:29:54,760 --> 00:29:57,260
ANNOUNCER: 3RD DOWN AND 8,
LATE IN THE FOURTH QUARTER,
649
00:29:57,260 --> 00:29:58,890
BEVERLY HANGING ON
TO A 3-POINT LEAD.
650
00:29:58,890 --> 00:30:04,430
IF THEY GET A FIRST DOWN HERE,
BEVERLY CAN RUN OUT THE CLOCK.
651
00:30:04,430 --> 00:30:05,350
LOOKS LIKE A BUSTED PLAY!
652
00:30:05,350 --> 00:30:07,260
WHAT’S HAPPENING?
WHAT’S HAPPENING?
653
00:30:07,260 --> 00:30:08,890
LATERALS TO JAMES.
654
00:30:08,890 --> 00:30:12,010
HE FUMBLES!
HAWTHORNE’S GOT IT!
655
00:30:12,010 --> 00:30:15,510
DOWN 3! THE 20! TOUCHDOWN!
656
00:30:15,510 --> 00:30:21,510
WITH TIME RUNNING OUT,
THE EAGLES TRAILING BY 4. IT ALL COMES DOWN TO THIS PLAY.
657
00:30:21,720 --> 00:30:25,050
COME ON, NOW.
ALL RIGHT, BOYS, 4 SECONDS LEFT.
658
00:30:25,050 --> 00:30:26,550
ONE BIG PLAY.
659
00:30:26,550 --> 00:30:28,140
DOUBLE MOVE.
GIVE IT ALL YOU GOT.
660
00:30:28,140 --> 00:30:30,010
SPENCER, YOU’RE OUT.
BUTLER, GET IN THERE.
661
00:30:30,010 --> 00:30:34,470
WHAT?
GET IN THERE, BUTLER! DOUBLE MOVE!
662
00:30:35,350 --> 00:30:37,140
BILLY: 4 SECONDS!
COACH.
663
00:30:37,140 --> 00:30:38,890
GO SEE THE TRAINER.
664
00:30:38,890 --> 00:30:42,140
HEY, COACH,
DON’T DO THIS.
665
00:30:45,260 --> 00:30:47,010
[PLAYERS SHOUTING INDISTINCTLY]
666
00:30:47,010 --> 00:30:49,720
BILLY: ALL RIGHT, SON.
YOU KNOW WHAT IT IS.
667
00:30:49,720 --> 00:30:51,720
ANNOUNCER: BAKER UP.
668
00:30:51,720 --> 00:30:55,180
HERE’S THE SNAP.
669
00:30:55,180 --> 00:30:56,550
BILLY: THERE HE IS,
THERE HE IS...
670
00:30:56,550 --> 00:30:59,680
ANNOUNCER: GOT BUTLER STREAKING
DOWN THE SIDELINE!
671
00:30:59,680 --> 00:31:01,850
HE LETS IT GO!
672
00:31:05,930 --> 00:31:09,470
JUST OUTSIDE THE OUTSTRETCHED
ARMS OF BUTLER.
673
00:31:09,470 --> 00:31:12,970
AND THAT’S THE GAME,
LADIES AND GENTLEMEN,
674
00:31:12,970 --> 00:31:16,510
BEVERLY LOSING
ANOTHER CLOSE ONE.
675
00:31:28,950 --> 00:31:30,450
ALL RIGHT, BROTHER.
676
00:31:30,450 --> 00:31:33,000
KEEP YOUR HEAD UP.
677
00:31:41,950 --> 00:31:44,700
WE BOTH KNOW I WOULD
HAVE CAUGHT THAT.
678
00:31:44,700 --> 00:31:49,250
PROBABLY, BUT, UH...
THAT’S NOT THE POINT.
679
00:31:49,250 --> 00:31:51,330
THEN WHAT IS?
680
00:31:52,290 --> 00:31:53,870
RAISE YOUR LEFT ARM,
SPENCER.
681
00:31:53,870 --> 00:31:56,950
COME ON.
GO AHEAD. RAISE IT UP.
682
00:31:58,830 --> 00:32:02,200
HIGHER.
ABOVE YOUR HEAD.
683
00:32:04,370 --> 00:32:05,620
[EXHALES SHARPLY]
684
00:32:05,620 --> 00:32:07,660
THERE, SEE? YOU’RE HURT.
685
00:32:07,660 --> 00:32:09,750
AND YOU COULD HAVE RISKED
686
00:32:09,750 --> 00:32:13,250
A SERIOUS INJURY TRYING
TO DO IT ALL.
687
00:32:13,250 --> 00:32:14,540
DOESN’T MATTER.
688
00:32:14,540 --> 00:32:16,370
YOU NEVER SHOULD
HAVE PULLED ME.
689
00:32:16,370 --> 00:32:19,950
WELL, YOU NEVER SHOULD
HAVE BEEN ON OFFENSE TO BEGIN WITH.
690
00:32:19,950 --> 00:32:22,750
ALL RIGHT?
I PUT TOO MUCH ON YOU.
691
00:32:22,750 --> 00:32:25,700
LET THEM DAMN BOOSTERS
GET IN MY HEAD AND--
692
00:32:25,700 --> 00:32:28,080
AND THAT’S ON ME.
NO.
693
00:32:28,080 --> 00:32:30,160
THIS LOSS IS ON YOU.
694
00:32:30,160 --> 00:32:31,830
HEH!
695
00:32:31,830 --> 00:32:34,870
EVERY LOSS IS ON ME.
696
00:32:35,540 --> 00:32:39,540
MY JOB REQUIREMENT
IS TO WIN GAMES,
697
00:32:39,540 --> 00:32:41,500
BUT WHAT I KNOW NOW
698
00:32:41,500 --> 00:32:45,700
IS I CARE MORE ABOUT YOU
THAN I DO ABOUT WINNING.
699
00:32:45,700 --> 00:32:48,700
ONE PLAY,
700
00:32:48,700 --> 00:32:50,660
4 SECONDS.
701
00:32:50,660 --> 00:32:56,370
YOU LEAVE ME IN, AND
WE’RE CELEBRATING RIGHT NOW.
702
00:33:03,700 --> 00:33:06,580
[FOOTSTEPS RETREATING]
703
00:33:06,580 --> 00:33:09,160
[EXHALES]
704
00:33:22,200 --> 00:33:24,160
[GRUNTS]
705
00:33:25,830 --> 00:33:27,790
[GRUNTS]
706
00:33:27,790 --> 00:33:30,080
OH, WAIT.
707
00:33:30,080 --> 00:33:31,540
WHAT?
708
00:33:31,540 --> 00:33:33,950
JUST MAKE SURE
TO BE CAREFUL.
709
00:33:33,950 --> 00:33:36,500
DON’T WANT YOU
FUMBLING THE JUICE.
710
00:33:36,500 --> 00:33:39,160
YOU GOT JOKES
THIS MORNING, HUH?
711
00:33:39,160 --> 00:33:41,160
TENSION BREAKER.
712
00:33:41,160 --> 00:33:42,950
HAD TO BE DONE.
713
00:33:42,950 --> 00:33:45,910
HEY, LOOK, I GOT
SOMETHING FOR YOU.
714
00:33:50,950 --> 00:33:52,910
NO WAY!
715
00:33:53,700 --> 00:33:55,580
YOU LIKE THAT?
716
00:33:55,580 --> 00:33:58,540
HEY, I REALLY AM
SORRY, ALL RIGHT?
717
00:33:58,540 --> 00:34:00,910
AND I’M SORRY I LOST
LAST NIGHT.
718
00:34:00,910 --> 00:34:03,700
I KNOW Y’ALL ARE
COUNTING ON ME.
719
00:34:03,700 --> 00:34:06,040
I ASKED YOU
TO TAKE THIS SHOT
720
00:34:06,040 --> 00:34:10,000
TO GIVE YOURSELF A CHANCE
AT SOMETHING MORE.
721
00:34:10,000 --> 00:34:12,370
SO WHAT
IF YOU LOST A GAME?
722
00:34:12,370 --> 00:34:14,410
I CAME TO BEVERLY
TO WIN.
723
00:34:14,410 --> 00:34:16,660
WHAT GOOD AM I
OTHERWISE?
724
00:34:16,660 --> 00:34:19,000
SPENCER...
725
00:34:19,000 --> 00:34:20,750
WIN OR LOSE,
YOU ARE SO MUCH MORE
726
00:34:20,750 --> 00:34:22,790
THAN WHAT YOU ARE
ON THAT FIELD.
727
00:34:22,790 --> 00:34:26,040
YOU PUSH YOURSELF
SO DAMN HARD
728
00:34:26,040 --> 00:34:28,200
TRYING TO TAKE CARE
OF US ALL.
729
00:34:28,200 --> 00:34:31,580
AND YOU’VE BEEN LIKE THAT
EVER SINCE YOUR DADDY LEFT,
730
00:34:31,580 --> 00:34:36,450
TRYING TO PROVE SOMETHING
TO YOURSELF AND TO HIM.
731
00:34:36,450 --> 00:34:41,040
BUT YOU CAN’T
HOLD UP THE WORLD ON YOUR OWN, BABY.
732
00:34:43,790 --> 00:34:45,660
OK?
733
00:35:00,910 --> 00:35:02,790
[SIGHS]
734
00:35:02,790 --> 00:35:04,540
I’M HERE.
735
00:35:04,540 --> 00:35:07,870
WHAT’S SO IMPORTANT?
736
00:35:08,160 --> 00:35:12,700
LOOK, WE HAVEN’T TALKED
SINCE YOU GOT BACK FROM REHAB.
737
00:35:13,200 --> 00:35:15,790
I THOUGHT THAT--
THOUGHT WHAT?
738
00:35:15,790 --> 00:35:17,120
THAT WE SHOULD.
739
00:35:17,120 --> 00:35:20,620
LOOK, I--I KNOW
THAT I HAVEN’T BEEN THE BEST BOYFRIEND
740
00:35:20,620 --> 00:35:22,660
TO LEILA, BUT I WANT
TO CHANGE THAT.
741
00:35:22,660 --> 00:35:26,620
AND WITH SPENCER
AT BEVERLY NOW...
742
00:35:26,910 --> 00:35:28,410
I FEEL LIKE SHE’S
PULLING AWAY.
743
00:35:28,410 --> 00:35:31,160
I WANT TO MAKE SURE
THAT YOU AND I ARE ON THE SAME PAGE--
744
00:35:31,160 --> 00:35:33,330
THERE IS NO
"YOU AND I."
745
00:35:33,330 --> 00:35:36,370
IT WAS ONE
DRUG-INDUCED SCREW-UP.
746
00:35:36,370 --> 00:35:38,160
WE GOT CAUGHT UP
IN THE MOMENT,
747
00:35:38,160 --> 00:35:44,000
AND I HAD TO WALK AWAY
FROM MY BEST FRIEND BECAUSE OF IT.
748
00:35:44,620 --> 00:35:46,450
I LOST LEILA,
AND I HAVE TO LIVE
749
00:35:46,450 --> 00:35:48,080
WITH THAT GUILT FOR
THE REST OF MY LIFE.
750
00:35:48,080 --> 00:35:49,250
WE BOTH HAVE
TO LIVE WITH IT.
751
00:35:49,250 --> 00:35:50,830
THEN LET’S
JUST KEEP PRETENDING
752
00:35:50,830 --> 00:35:52,910
THAT IT DIDN’T
HAPPEN, OK?
753
00:35:52,910 --> 00:35:57,200
LEILA DESERVES
AT LEAST THAT FROM US.
754
00:36:13,620 --> 00:36:14,660
IS THIS
ANOTHER INTERVENTION?
755
00:36:14,660 --> 00:36:19,450
BECAUSE I CAN’T HANDLE
ANOTHER RAMBLING LETTER FROM JORDAN RIGHT NOW.
756
00:36:19,450 --> 00:36:20,540
LAURA: NO, HONEY.
757
00:36:20,540 --> 00:36:24,080
DAD JUST HAS SOMETHING
HE WANTS TO SAY.
758
00:36:24,330 --> 00:36:26,660
BILLY: HAVE A SEAT.
THANK YOU, BABY.
759
00:36:26,660 --> 00:36:30,410
UH...YOU’RE RIGHT.
760
00:36:30,410 --> 00:36:33,330
I BROUGHT SPENCER
TO BEVERLY HILLS
761
00:36:33,330 --> 00:36:37,040
BECAUSE I THOUGHT IT
WAS RIGHT FOR ME,
762
00:36:37,040 --> 00:36:39,080
AND SPENCER, UM,
763
00:36:39,080 --> 00:36:41,830
BUT I DIDN’T--I DIDN’T
CONSIDER YOU GUYS.
764
00:36:41,830 --> 00:36:45,950
I DIDN’T, AND FOR THAT,
I--I APOLOGIZE.
765
00:36:45,950 --> 00:36:48,000
I KNOW, WIN OR LOSE,
766
00:36:48,000 --> 00:36:49,790
JOB OR NO JOB,
767
00:36:49,790 --> 00:36:54,000
UH, THE MOST IMPORTANT THING
TO ME IS NOT FOOTBALL.
768
00:36:54,000 --> 00:36:57,290
IT’S YOU GUYS.
769
00:36:57,290 --> 00:36:58,040
YEAH, I’M SORRY.
770
00:36:58,040 --> 00:37:01,660
I JUST WISH I WOULD
HAVE TOLD YOU THAT A LITTLE BIT SOONER.
771
00:37:01,660 --> 00:37:05,290
IT’S UP TO YOU GUYS
WHETHER OR NOT SPENCER STAYS
772
00:37:05,290 --> 00:37:08,450
BECAUSE, UH,
IF YOU GUYS AREN’T COOL,
773
00:37:08,450 --> 00:37:10,290
IF WE’RE NOT COOL
AS A FAMILY,
774
00:37:10,290 --> 00:37:14,450
THEN IT’S NOT THE RIGHT THING
TO DO FOR ANYONE,
775
00:37:14,450 --> 00:37:16,450
EVEN SPENCER.
776
00:37:16,450 --> 00:37:18,750
SO IF WE SAY NO,
777
00:37:18,750 --> 00:37:21,580
HE’S GONE, JUST LIKE THAT?
778
00:37:23,080 --> 00:37:25,910
JUST LIKE THAT.
779
00:37:29,160 --> 00:37:30,910
SINGER: ♪ HELP ME ♪
780
00:37:30,910 --> 00:37:34,790
♪ IT’S LIKE THE WALLS
ARE CAVING IN ♪
781
00:37:34,790 --> 00:37:41,120
♪ SOMETIMES I FEEL LIKE
GIVING UP, BUT I JUST CAN’T ♪
782
00:37:41,120 --> 00:37:43,250
♪ IT ISN’T IN MY BLOOD ♪
783
00:37:43,250 --> 00:37:46,080
♪ LAYING ON THE BATHROOM FLOOR,
FEELING NOTHING ♪
784
00:37:46,080 --> 00:37:50,370
♪ I’M OVERWHELMED AND INSECURE,
GIVE ME SOMETHING ♪
785
00:37:50,370 --> 00:37:51,830
THANKS FOR COMING.
786
00:37:51,830 --> 00:37:53,910
YEAH, I’M NOT SURE
HOW SMART THIS IS,
787
00:37:53,910 --> 00:37:57,540
AFTER THAT LAST
APPEARANCE YOU MADE.
788
00:37:59,120 --> 00:38:01,450
[SIGHS]
789
00:38:04,250 --> 00:38:06,950
YOU KNOW, I REMEMBER
WHEN WE MET.
790
00:38:06,950 --> 00:38:09,120
FIRST DAY
AT LITTLE LEAGUE.
791
00:38:09,120 --> 00:38:11,330
[CHUCKLES]
MAN, I DIDN’T EVEN KNOW YOU WAS A GIRL.
792
00:38:11,330 --> 00:38:14,700
THAT’S ’CAUSE I STRIKED
YOUR ASS OUT 3 TIMES. TWICE, MAN.
793
00:38:14,700 --> 00:38:16,000
YOU DID THAT TWICE,
ALL RIGHT? 3.
794
00:38:16,000 --> 00:38:18,040
WHEN THEY FIGURED IT OUT,
THEY TRIED TO MAKE ME PLAY
795
00:38:18,040 --> 00:38:19,500
FOR THE GIRLS’ LEAGUE.
RIGHT.
796
00:38:19,500 --> 00:38:23,160
BUT YOU WAS LIKE, "NO!
IF SHE GO, I GO!"
797
00:38:23,160 --> 00:38:25,000
BUT THEY NEEDED YOU.
798
00:38:25,000 --> 00:38:27,370
YOU WAS A BALLER AT 6,
799
00:38:27,370 --> 00:38:30,200
SO I GOT TO STAY.
800
00:38:33,000 --> 00:38:35,500
I’M WORRIED
ABOUT YOU, COOP.
801
00:38:35,500 --> 00:38:37,370
YOU DON’T NEED TO BE.
802
00:38:37,370 --> 00:38:40,580
YOU NEED TO STOP WORRYING
ABOUT EVERYBODY ELSE.
803
00:38:40,580 --> 00:38:43,870
I GOT IT HANDLED,
FOR REAL THIS TIME,
804
00:38:43,870 --> 00:38:46,870
BUT YOU GOT TO TRUST ME.
805
00:38:53,370 --> 00:38:54,700
WHAT?
WHAT?
806
00:38:54,700 --> 00:38:55,660
WHAT YOU LOOKING
AT ME FOR?
807
00:38:55,660 --> 00:38:57,790
’CAUSE YOU BEING
ALL DEEP WITH ME.
808
00:38:57,790 --> 00:38:58,870
SHUT UP.
STUPID.
809
00:38:58,870 --> 00:39:01,000
♪SOMETIMES I FEEL LIKE
GIVING UP ♪
810
00:39:01,000 --> 00:39:07,540
♪ BUT I JUST CAN’T,
IT ISN’T IN MY BLOOD ♪
811
00:39:10,410 --> 00:39:13,910
♪ IT ISN’T IN MY BLOOD ♪
812
00:39:15,500 --> 00:39:18,250
HA HA HA HA!
813
00:39:18,250 --> 00:39:19,540
OK, ARE YOU READY?
814
00:39:19,540 --> 00:39:21,830
MM-HMM, ALMOST.
[DOOR CLOSES]
815
00:39:21,830 --> 00:39:22,950
OH, HE’S HOME.
816
00:39:22,950 --> 00:39:26,500
BILLY: HEY, MAN.
HOPE YOU’RE HUNGRY, YOUNG SPENCER.
817
00:39:26,500 --> 00:39:27,950
DAD’S MAKING
HIS FAMOUS RIBS.
818
00:39:27,950 --> 00:39:31,330
HE JUST MIXES TWO SAUCES
TOGETHER, BUT IT’S ACTUALLY PRETTY GOOD.
819
00:39:31,330 --> 00:39:33,870
IT’S MORE THAN GOOD.
IT’S KIND OF AMAZING.
820
00:39:33,870 --> 00:39:35,580
THANK YOU, BABY.
YOU’RE WELCOME.
821
00:39:35,580 --> 00:39:37,540
IT’S MORE THAN
TWO SAUCES.
822
00:39:37,540 --> 00:39:39,620
OK, COME ON.
LET’S EAT.
823
00:39:39,620 --> 00:39:41,040
ARE YOU SURE?
824
00:39:41,040 --> 00:39:43,620
YEAH, MAN, THERE’S
PLENTY FOR EVERYBODY.
825
00:39:43,620 --> 00:39:45,250
THAT’S NOT WHAT
I MEANT.
826
00:39:45,250 --> 00:39:47,580
BILLY: I KNOW
WHAT YOU MEANT.
827
00:39:47,580 --> 00:39:49,830
THE FAMILY DISCUSSED IT
828
00:39:49,830 --> 00:39:51,330
AND DECIDED.
829
00:39:51,330 --> 00:39:54,790
THERE’S PLENTY
FOR EVERYBODY.
830
00:39:55,580 --> 00:39:58,120
JORDAN: SPENCE, UH,
831
00:39:58,120 --> 00:40:00,540
SORRY ABOUT
THE WHOLE PERMIT THING.
832
00:40:00,540 --> 00:40:03,910
I WAS ANGRY AT MY DAD
AND I TOOK IT OUT ON YOU
833
00:40:03,910 --> 00:40:06,120
AND...IT’S NOT COOL.
834
00:40:06,120 --> 00:40:08,500
BUT I DIDN’T MEAN TO TAKE YOU
AWAY FROM YOUR FAMILY.
835
00:40:08,500 --> 00:40:13,120
I GUESS THERE ARE
WORSE PLACES TO END UP THAN BEVERLY HILLS, RIGHT?
836
00:40:13,120 --> 00:40:14,870
HEH! RIGHT.
837
00:40:14,870 --> 00:40:17,910
SO, UH,
WE STRAIGHT?
838
00:40:17,910 --> 00:40:20,700
YEAH,
WE STRAIGHT.
839
00:40:20,700 --> 00:40:22,830
COME ON, GUYS.
LET’S EAT.
840
00:40:22,830 --> 00:40:25,040
BILLY: DON’T HAVE THIS
GET COLD.
841
00:40:25,040 --> 00:40:25,870
UH...
DAD.
842
00:40:25,870 --> 00:40:28,370
HAVE A SEAT.
JORDAN, SIT THERE.
843
00:40:28,370 --> 00:40:32,040
[OVERLAPPING CHATTER]
844
00:40:32,040 --> 00:40:36,750
SINGER:
♪ IS THIS LIFE FOR LIVIN’? ♪
845
00:40:36,750 --> 00:40:39,290
♪ OH, EASE MY MIND ♪
846
00:40:39,290 --> 00:40:42,000
♪ EASE MY MIND ♪
847
00:40:42,000 --> 00:40:46,870
♪ TELL ME I’M FORGIVEN ♪
848
00:40:46,870 --> 00:40:48,750
♪ EASE MY MIND ♪
849
00:40:48,750 --> 00:40:52,830
♪ OH, EASE MY MIND, OH ♪
850
00:40:52,830 --> 00:40:55,200
♪ STAY CLOSE ♪
851
00:40:55,200 --> 00:40:57,870
♪ DON’T GO ♪
GRACE: SPENCER! HA HA!
852
00:40:57,870 --> 00:41:00,500
♪ I GOT TO KNOW ♪
LOOK AT YOU! HA HA HA!
853
00:41:00,500 --> 00:41:03,500
YOU SCORED!
DID HE SEE IT? IS HE HERE?
854
00:41:03,500 --> 00:41:06,450
WHO?
DAD.
855
00:41:06,450 --> 00:41:07,870
DAD’S NOT COMING BACK.
856
00:41:07,870 --> 00:41:10,410
♪ KEEP US SAFE, KEEP US SAFE ♪
857
00:41:10,410 --> 00:41:11,910
SPENCER!
♪ UNTIL TOMORROW ♪
858
00:41:11,910 --> 00:41:15,000
♪ I’LL BE WATCHING
EVERY SHADOW ♪ SPENCER!
859
00:41:15,000 --> 00:41:17,410
♪ THINKING, PLEASE ♪
860
00:41:17,410 --> 00:41:20,450
♪ KEEP US SAFE, KEEP US SAFE ♪
861
00:41:20,450 --> 00:41:26,870
♪ OH ♪
862
00:41:26,870 --> 00:41:29,870
♪ KEEP US SAFE, KEEP US SAFE ♪
863
00:41:29,870 --> 00:41:31,330
♪ UNTIL TOMORROW ♪
864
00:41:31,330 --> 00:41:34,000
♪ I’LL BE STARING
OUT THE WINDOW ♪
865
00:41:34,000 --> 00:41:36,000
♪ THINKING, PLEASE ♪
866
00:41:36,000 --> 00:41:40,160
♪ KEEP US SAFE, KEEP US SAFE ♪
867
00:42:03,620 --> 00:42:05,000
MAN: GREG, MOVE YOUR HEAD!
868
00:42:05,050 --> 00:42:09,600
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