All language subtitles for The.Six.Million.Dollar.Man.S01E07.Eyewitness.to.Murder.1080p.BluRay.FLAC2.0.H.264-BTN (1)_track5_[eng]

- [gentle music]
- [indistinct chattering]

- Hello. Everything fine here?
- Great, thank you.

- That's fine.
- Charles, come here. Please.

Will you take care
of this right away?

Table 14. Thank you.

[clock ticking]

- Ah, excellent.
- Looks good.

- How about some brandy?
- Yes, that--that would be nice.

- Gentlemen?
- Oh, by all means.

- Uh, Napoleon?
- Yes, certainly.

- Good.
- Good. Okay.

[Sandusky] Uh, how about
finishing off the wine?

[Tom] Oh, it's great.
It makes me sleepy.

[Sandusky chuckles]
Keep your wits about you now.

[Tom] Okay, we'll try.

[clock ticking]

[indistinct chatter]

- Enjoy your dinner, Mr. Austin?
- Nicky, your chef's a winner.

[scoffs] But so temperamental.

- Care for some more wine?
- No, just some coffee, please.

- Okay.
- Thank you.

[music continues]

Yeah, I'd like to place
a collect call to New York City.

[phone ringing]

[phone continues ringing]

- Hello.
- Uh, yeah. This is Hopper.

Yeah.

[Hopper on phone] I'm with him
now at a restaurant.

He's having his last meal,
only he doesn't know it.

So it's, uh, 11:30 now.

Tell Mr. Richie the contract

will be carried out
at midnight tonight,

give or take a few minutes.

[tense music]

[theme music]

[Man] It looks good
at NASA One.

[Man 2] Roger.

- [Man] BCS Arm switch is on.
- [Steve] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

[engine whooshing]

- [Steve] We have separation.
- [Man 2] Roger.

[Man] Inboard and
outboards are on.

I'm comin' forward
with the side stick.

- [Man 2] Looks good.
- [Man] Uh, Roger.

[Steve] I've got a blow out,
damper three.

[Man 2]
Get your pitch to zero.

[Steve] Pitch is out!
I can't hold altitude!

[Man] Correction,
Alpha Hold is off.

Turn selectors--Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up!
She's breaking--

[explosion]

[monitor beeping]

[Rudy]
Steve Austin, astronaut.

A man barely alive.

[Oscar] We can rebuild him.

We have the technology.

We can make him better
than he was.

Better, stronger, faster.

[heart pounding]

[theme music]

[gentle music]

Gentlemen, I'd like to
propose a toast.

To our work together.

[glasses clinking]

Getting this indictment
will be sweeter

than any fee
you'll ever receive

in what I hope will be long

and illustrious
legal careers.

[ominous music]

And a toast to you, sir.

The man of the hour.

Ah, thank you, Tom.

Gary, Dick.

[music continues]

[music continues]

Thank you, Mr. Austin.

[music continues]

[music continues]

[music continues]

[gun cocking]

- Cab, sir?
- Yes, please.

It might take a few
moments at this hour.

Oh, it's all right.

[whistles]

[suspenseful music]

[whistles]

[engine revving]

Still working
late hours, I see.

Not much longer, Phillip.

Thank you. Oh!

[gun fires]

[indistinct chatter]

[tense music]

[beeping]

[dramatic music]

[music continues]

[beeping]

[Steve] Hey, you!
Fella!

[music continues]

- [tires screeching]
- [Steve] Hey, stop!

[music continues]

You wake me up
out of a sound sleep.

You ask me to come down here
and exert my influence

to open up the police file.
What--what is this all about?

I told you the killer
was a pro, Oscar.

And this is where all the pros
end up, in the mug file.

That's right.
Eventually they do.

But there are murders
that go on every day.

That's what...

[yawning] that's what
police departments are for.

Oh, I see,
just forget about it

and let somebody else
take care of it, right?

[groans] Right.

You know, you've got
a blind spot, Oscar.

You're so caught up
with the loftier issues,

you can't see the simple fact
that I witnessed a murder.

You are forgetting the fact
that our investment in you

is precisely for these...
What did you say...

Loftier issues?

Very good.

You're employed
exclusively in situations

that require your unique
and special attention.

Now how's that for five o'clock
in the morning? That's pretty good.

Uh, flattery will get you nowhere, Oscar.

The day that I see a murder
and don't do anything about it,

then this million bucks
worth of technology

I'm carrying around in my eye
isn't worth two cents.

Now you just relax
while I finish these.

Even if you do find the photo,
you can't tell anybody

how you recognized him.

- What're you talking about?
- Your bionic eye, pal.

That's as classified
as a missile site.

Now, if you find the photograph,
I'll notify the police.

I'll do anything I can
to satisfy your concern.

But I can't let you
get involved in this.

[sighs]

Well, he's not in here anyway.

But I know he was a pro, Oscar.

[sighs] Pal...

it's the middle of the night.

I'll drop you off at your hotel.
All right?

All right.

[phone ringing]

Hello.

Yes, this is Oscar Goldman.

Well, yes. Put him on.

Hello, sir.

Yes. [chuckles] Yes, it is.

Yeah.

Yes.

All right.

I'll get on it right away.

Yes, sir.

- Well, that was Washington.
- What is it?

Did you ever hear of a man
called Lorin Sandusky?

Yeah, I've heard of him.
A special prosecutor.

Very special prosecutor.

The man that you saw
killed tonight

was a member of his staff,

name of Tom Windom.

Well, then one of the other
fellows must have been--

Sandusky.

The bullet was meant for him.

What did Washington
want with you?

Not me, pal. Us.

To see that
the special prosecutor

remains alive while
they get an indictment

against Victor Richie.

- The racketeer?
- The biggest there is.

I'll go see Sandusky.

At five o'clock in the morning?

Yes, at five o'clock
in the morning. What's so funny?

Well, a minute ago this
whole thing was a yawn to you.

Now you're into it
up to your neck.

A minute ago that was a nobody.
Somebody I didn't know.

But this is something else.

Oscar, how can you believe that?

I don't have time
to argue with you, pal.

In exactly 28 hours
a statute of limitations

runs out on Victor Richie's
crimes,

and Lorin Sandusky is the only
man that can bring it

before the federal grand jury.

When does Sandusky go to court?

Nine AM, Tuesday.

[grand music]

Yeah, I'd like to place a call
to New York City.

Room 314.

[phone ringing]

[Hopper] Hello.

[Sebastian] Tell Mr. Richie
the accident was unavoidable.

Mr. Richie doesn't like
to hear about accidents.

That's why he hired you.

Look, don't worry.

I can assure you Lorin Sandusky
will be dead

by nine o'clock
tomorrow morning.

[dramatic music]

[dramatic music]

[Sandusky] Believe me,
Mr. Goldman,

I share
the government's concern.

But, uh, I've been
a prosecutor for 20 years

and threats against my life
are just part of the job.

I--I can't afford
to let them bother me.

I appreciate that,
Mr. Sandusky.

But anything that has
to do with security,

I'm gonna have to make
the decisions.

Now, is there anything
you're going to need between

now and tomorrow
at nine o'clock?

No, no, I'll be in conference

with my staff around the clock.

We wanna make absolutely certain

our case against Richie
is airtight.

Tom's death has, uh...

Tom's death has turned us
into angry men, Mr. Goldman.

I understand that, Mr. Sandusky.

Now, is there any
reason why you

might have to leave the hotel

between now tomorrow morning
at nine AM?

Only at one o'clock,
there's a preliminary filing

of papers at the courthouse
this afternoon.

I'll see what I can do
about cancelling that for you.

No, no.
No, you mustn't do that.

It's part of the judicial
process.

Richie's lawyers know that.

Everything has to be
legally proper.

They might try again.

Considering the statute
of limitations

and the case I have
against Richie,

I would think so.

[tense music]

[Oscar] I got that hotel
wrapped up as tight as a drum.

I got police in the corridors,

in the stairways,
in the elevators.

Mandrake the Magician
couldn't get in.

Well, that may not be enough,
Oscar.

Remember, this killer's a pro.

If you see him again, Steve,
would you recognize him?

- I'm positive.
- All right.

Sandusky doesn't budge
from that hotel

until one o'clock.
That'll give us time.

Time to track the man down.

How? By stopping people
in the street?

Well, you could start by looking
up a man I used to know.

A man that we in intelligence
used to call a stool pigeon.

But Oscar, I'm no detective.
That's your bag.

Steve, you're as good
as anybody now.

Tell him Oscar Goldman sent you.

A hot dog.

Your name Dorsey?

Yeah.

Oscar Goldman sends his regards.

Oscar Goldman?
What's he want?

- Lil' ketchup?
- What?

- Ketchup.
- Oh.

Now, tell me about
Victor Richie.

Hey, I--I don't have anything
to do with him.

Come on, Dorsey.
I don't want to play games.

Oscar tells me you've been
passing out information

since you were in short pants.

Now, who would Victor Richie
call in for a hit?

[clicks tongue]
Listen. A guy like Richie?

He's got plenty of soldiers
in his own organization

for that kind of thing.

Well, I'll tell you what,
you write down their names.

If you're lucky,
you won't see me again.

Be right with you.

Just these three?

Maybe somebody else.

Somebody I heard about
from out of--out of town.

I don't know his name, I swear.

All I know is that he's, uh,

supposed to have
the perfect cover.

Yeah? Which is what?

You hire this guy,
but you never see him.

They call him The Big Buy.

Guarantees performance.
Never misses.

That's what I thought.
Thank you.

Thank you very much.

329RF.

Your information is correct.

That is one of our rentals,

but that car was stolen
yesterday afternoon.

Well, thank you very much.

If you find the car,
give me a ring.

[bright music]

Anything?

Well, just what you
investigators call

spinnin' your wheels.

Dorsey confirmed there's
a big time hitman in town

but he doesn't know who.

The license plate I saw
was from a stolen rent-a-car.

It's almost one, time
for the prosecutor to leave.

Come on, let's go.

- Oscar, there's one more thing.
- What's that?

I don't know what you did
in the old days

but, uh, the minute
I mentioned your name

Dorsey turned white. What did
you do? Use a rubber hose?

[Oscar] Me? Certainly not.

[indistinct whispering]

- Mr. Goldman.
- Yes.

- Lieutenant Tanner.
- Oh, yes, Lieutenant.

You're, uh, you're in charge
of this floor, aren't you?

Mm-hmm.

The powers that be tell me
you've got a free ticket

to come and go
with special prosecutor.

That's right. This is my
associate, Steve Austin.

He's also in on the free ticket.

I'll take all the help
I can get on this one.

Good. I'll tell Sandusky
it's time to leave.

Excuse me.

Austin.

Weren't you a astronaut
or something?

- That's right.
- [chuckles]

Well, uh, what're you
doing in this business?

Well, Goldman's got
something on me.

[phone ringing]

Hello?

Yeah, I know they
doubled the guards.

It doesn't matter.

Look, I'm going over to
the courthouse this afternoon.

Don't worry about a thing.

I said it doesn't matter.
Okay?

Good.

[suspenseful music]

[watch ticking]

[music continues]

[engine rumbling]

[upbeat tense music]

[music continues]

[engine revving]

[music continues]

Let's go. Come on.

[engine revving]

[tense music]

[beeping]

[music continues]

[music continues]

[creaking]

- What you do with my door?
- This will more than cover it.

- You mind telling me your name?
- Steve Austin.

Well, let me be the first
to tell you, Mr. Austin.

- You just made a giant blunder.
- No chance. You're my man.

Let's go.

[bright music]

[typewriter keys clacking]

His name is John Hopper.

I've never seen him before.

He's the man who shot Tom.

How do you know that?

Someone, uh, saw him.

- Last night?
- Yes.

Ah, in the alley
between the buildings?

Actually, he was on the rooftop.

Well, as a cross examiner,
I'd have no trouble

challenging that testimony.

It was too dark
for a positive identification.

I'll explain it to you later.

The important thing
is we've got him.

Well...

Tomorrow morning
I've got Victor Richie

and I've got a good deal
of work to do,

so, um, if you'll excuse me.

[phone ringing]

I don't know where you
got your information,

but I don't think
he's our man.

Well, I'd be
surprised if he didn't

have a good story, Lieutenant.

Well, he's in town
from Milwaukee,

staying at the Hotel Royal.

He's a salesman,
machine parts, it checks.

I'm much more interested
where he was

at midnight last night.

I was getting to that.

I think you better have
a look at this with me.

- We all set up?
- [Man] Right.

[Lieutenant] Let's roll it.

That's very sweet.
Well, it's been very nice

talking with you,
Ms. Williams,

and please give my regards
to the people of Richmond, eh?

- Let's hear it.
- [applauding]

Okay, now then.

Our next guest
on the Out-of- towner program

is a gentleman named
John Hopper

from Milwaukee, Wisconsin.

Let's have a big
welcome for him, huh?

[applauding]

Well, John,
what brings you to town?

Oh, uh, I'm a salesman.

[Host]
Oh, and what do you sell?

Say, excuse me, this is--

Okay, freeze it there.

It's a local talk show.
It's on from 11 to one.

This is a tape
of last night's show.

That's him, all right.

What time was this show taped?

You know the answer to that?

Yes, sir.
It's a live show.

This, uh, thing started
at, uh, 12:03.

Windom was shot at midnight.

There's no way that Hopper
could have fired that rifle.

Well, look, lieutenant,
hold him anyway

until Sandusky's
in front of the grand jury

at nine in the morning.

- On what charge?
- Jaywalking, anything.

Mr. Goldman, I'd bend the law
if I had something to go on,

but, uh, all I've got
is a salesman from Milwaukee

with an airtight alibi.
He's not our man.

- Look, I know--
- Thank you, lieutenant.

You're free to go, Mr. Hopper.

Okay. Thank you.

- I apologize.
- Oh, that's all right.

I, uh, I'm a law and order man,
myself.

You know, I--I understand
how these things happen.

Hmm.

First chance we get, we'll
have your bionic eye checked.

Maybe the infrared's
on the blink, Steve.

Oscar, I know what I saw.

Listen, you're
the Six Million Dollar Man,

but you're not infallible.

Even a bionic eye
can distort at a distance.

Well, I'll see you later, Oscar.

Where you going?

Until nine in the morning,

I'm gonna cover Hopper
like a blanket.

Steve, you made a mistake.
Let's let it go at that.

Let's stay close to Sandusky.

No, you stay with Sandusky.
I'm gonna go with Hopper.

Pal, I could order you.

I know, pal.

I'll be in touch.

[tense music]

[dialing]

Yeah.

Yeah, I still can't figure out
how he made me on the rooftop.

Yeah, but I was picked up, and
that's never happened before.

Never happened before.

Look, all I know is this
Austin character's into my life

and I want him off my back
for the next 16 hours,

and whatever it costs, spend it.

Tomorrow's a big payday.

[music continues]

[upbeat music]

Excuse me, do you have
a John Hopper registered here?

I'll check.

Yes, yes we do. Room 314.

Thank you, uh,
where's the house phone?

Next window over.

314, please.

[Woman] Sorry, sir, he's been
out of his room all morning.

Thank you.

[tense music]

[doorbell buzzing]

[door creaking]

[music continues]

[music continues]

Can I help you, sir?

- Yes, are you the manager?
- I'm the proprietor.

Hanley is the name,
at your service.

You remind me of someone.

Oh, it's on the tip
of my tongue.

- Are you in the cinema?
- No, sir.

My name is Steve Austin.

Well, I did little
filming on the moon, once.

The astronaut.
Colonel Austin, of course.

I knew you were a celebrity
of some kind.

Well, what can I do for you,
Colonel Austin?

Well, I was hoping
you could provide me

with some information about
one of your customers.

A John Hopper from Milwaukee.

Hopper, yes.

Machine parts, as I recall.

Wears our clothes rather well,
if I may say so.

Do you recall the last time
he was in?

Oh, yes. It couldn't have been
more than a couple of days ago.

He knew exactly what he wanted,

a traditional blue, gray,
and brown.

Two of each.

- Two of each?
- Without vests.

- Well, is that kind of unusual?
- Oh, not at all.

Our establishment is over
80 years old, Colonel Austin,

and known throughout
the country, I might add.

Executives
of a conservative bent

often order two of each when
they happen to be in the city.

I see.

Well, thank you very much,
Mr. Hanley.

Colonel Austin.
If you don't mind my asking,

what was the moon actually like?

Well, have you ever been
in the middle of Wyoming

on a clear night?

No, no.
I don't believe I have.

Well, that's what it was like
being on the moon.

Really?

Wyoming.

I must visit there sometime.

[upbeat music]

[engine revving]

[music continues]

[music continues]

[crashing]

[music continues]

[tires screeching]

[music continues]

[Oscar] Are you sure the truck
was trying to run you down?

[Steve] Oscar, you've played
the skeptic long enough.

[Oscar]
Was Hopper at the wheel?

Well, I was a little
bit busy at the time.

What does it take
to convince you?

- Get my neck broken?
- You have a point.

- You don't have much faith.
- I haven't lost the faith, pal.

I just can't figure
out how Hopper

could be at two places at once.

Well, he was, Oscar.
I saw him.

All I got to do is find out how.

I'll be at his hotel.

[tense music]

[Man] Room, sir?

Uh. 314, please.

Yeah. Thank you.

[music continues]

[music continues]

[Man] Where have you been?

Leading our friend Mr. Austin
on a tour of the town.

[Man] Well, the boys said
he was dead.

The boys were wrong.

[Man] I don't--don't like it,
John.

I mean, every time
I make a move,

this Austin character turns up.

Maybe we shouldn't go
through with this contract.

Nah, we'll go through with it,
just as we planned.

You know, this Austin character
might be something special.

He's not that special.
Not for us.

[Man] You got something else in mind?

Trust me, little brother.

I promise by nine o'clock
tomorrow morning

that, uh, Austin will
take care of himself.

[ominous music]

[tense music]

You ready?

Yeah, I guess I'm ready, but

I still don't like
the feel of it.

Why don't you relax?

By the time you
hit Sandusky at nine o'clock,

I'll be downstairs
firming up our alibi.

Steve Austin?

If it'll make you feel better,
I'll have Austin

countersign a check
for the hotel bill.

- Okay?
- Yeah.

Hey. Make sure he's hot on
my tail before you leave.

[tense music]

[knocking on door]

Just a few minutes.

No sense of giving a sniper
an edge.

I picked out a new route,
from here to this courthouse.

- How long will it take?
- Same as yesterday.

Thirteen minutes.

Is the courthouse
well staked out?

Practically every cop in town
is either down at the courthouse

here at the hotel
or along that limo route.

Sounds all right.

The prosecutor should be
ready to leave

in exactly four minutes.

He'll be ready.

I'll make a last minute
security check

between here and the street.

[suspenseful music]

[elevator whirring]

[music continues]

[music continues]

[music continues]

[music continues]

[dialing]

He's in the coffee shop across
the street from the hotel.

Doesn't look like he's
in a hurry to go anywhere.

Good.
We're 20 minutes away

from getting inside
that courthouse.

[Steve] He's coming out now.

[music continues]

Oscar, see you later.

[music continues]

- Time to go.
- Mr. Goldman,

I have to be there
in 13 minutes.

I know. If it makes you feel
any better, I'm nervous too.

[traffic bustling]

[music continues]

[siren wailing in distance]

[music continues]

[music continues]

[music continues]

[watch ticking]

[engines revving]

[tires screeching]

[tense music]

[indistinct chatter]

[music continues]

[music continues]

[watch ticking]

[indistinct chatter]

[music continues]

[watch ticking]

[suspenseful music]

[music continues]

[watch ticking]

[beeping]

[upbeat music]

[engine revving]

[music continues]

[music continues]

[music continues]

[beeping]

[engine revving]

[music continues]

[music continues]

Hopper!

[music continues]

[Man] Mr. Sandusky,
a few questions please.

[Man 2] Mr. Sandusky...

What are you?

Just a man who
knows what he sees.

Let's go.

[music continues]

[somber music]

Mr. Hopper.
Your brother's waiting.

Well, how'd you know?

Let's just say
I got an eye for details.

Let's go.

Let's everybody have
some more.

Good, thank you.

- That's good stuff.
- It is, isn't it?

- Excuse me just a minute.
- Yeah.

- Little more champagne?
- [Oscar] Yes, thank you.

You know, I've been
puzzling about something

for the past three weeks.

Mr. Austin, were you the person
who recognized Hopper

on the rooftop
of the night of the killing?

- Yes, I did.
- [Sandusky] Amazing.

How did you recognize him
in the dark like that?

Well, I eat a lot of carrots.

[coughing]

[chuckles] I see.

Uh, excuse me.

That's very interesting.

Well, uh, gentlemen,

I'd like to propose a toast.

To the grand jury for returning
indictments on all counts.

Yeah!

- Got out of that one all right.
- Yeah.

[clears throat] Oscar,
uh, what if the guy I saw killed

turned out to be a nobody?
What would you really have done?

Here we go.
I don't deal with nobodies, pal.

Well, then let's drink

to all nobodies
Victor Richie has stepped on

all these years, huh?

I'll drink to that.

[theme music]