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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,460 --> 00:00:02,621 CHARLIE: ONCE UPONA TIME, THERE WERE THREE LITTLE GIRLS 2 00:00:02,920 --> 00:00:06,288 WHO WENT TO THE POLICE ACADEMY,. 3 00:00:16,850 --> 00:00:18,932 AND THEY WERE EACH ASSIGNED 4 00:00:19,228 --> 00:00:22,141 VERY HAZARDOUS DUTIES. 5 00:00:22,439 --> 00:00:24,225 BUTI TOOK THEM AWAY FROM ALL THAT, 6 00:00:24,525 --> 00:00:28,143 AND NOW THEY WORK FOR ME. MY NAME IS CHARLIE. 7 00:01:49,359 --> 00:01:51,225 [SOFT MUSIC PLAYING] 8 00:01:55,824 --> 00:01:56,905 YOUR CHAMPAGNE, SIR. 9 00:01:57,200 --> 00:01:58,816 I'll TAKE IT. 10 00:02:03,206 --> 00:02:04,196 THIS OUGHT TO COVER IT. 11 00:02:04,499 --> 00:02:05,580 THANK YOU, SIR. 12 00:02:05,876 --> 00:02:07,742 THANK YOU. 13 00:02:24,061 --> 00:02:25,643 THE ICEMAN COMETH. 14 00:02:25,937 --> 00:02:27,974 MMM. CHAMPAGNE. 15 00:02:28,273 --> 00:02:30,640 [CORK POPS] 16 00:02:30,942 --> 00:02:33,024 VOILA. 17 00:03:04,017 --> 00:03:05,599 OH, OH, OH, OH, OH! 18 00:03:05,894 --> 00:03:08,135 [LAUGHING] 19 00:03:14,152 --> 00:03:16,769 TONY, I CAN'T GO THROUGH WITH THIS. 20 00:03:17,072 --> 00:03:18,187 CAN'T? 21 00:03:18,490 --> 00:03:21,608 I DON'T WANT TO. IT DOESN'T FEEL RIGHT. 22 00:03:21,910 --> 00:03:23,992 I DON'T FEEL RIGHT. 23 00:03:24,287 --> 00:03:28,030 RELAX. RELAX AND ENJOY. 24 00:03:29,543 --> 00:03:31,705 TONY, WHAT ARE YOU DOING? 25 00:03:32,003 --> 00:03:32,959 [CAMERA CLICKS] 26 00:04:03,910 --> 00:04:07,494 HOW MUCH DID YOU SAY THESE PICTURES COST YOU, MRS. CLUSAK? 27 00:04:07,789 --> 00:04:10,156 $10,000 CASH. 28 00:04:10,459 --> 00:04:11,540 GREEDY, WEREN'T THEY? 29 00:04:11,835 --> 00:04:13,667 CHARUE: GREEDY IS A VERY NICE WAY OF PUTTING IT. 30 00:04:13,962 --> 00:04:16,374 ARE YOU RELATED TO DAVEY? 31 00:04:16,673 --> 00:04:17,708 HE WAS... 32 00:04:18,008 --> 00:04:19,999 IS MY HUSBAND. 33 00:04:20,302 --> 00:04:22,418 I'M MRS. DAVEY CLUSAK. 34 00:04:22,721 --> 00:04:25,179 DAVEY CLUSAK THE BASEBALL PLAYER? 35 00:04:25,474 --> 00:04:27,681 LIFETIME BATTING AVERAGE-- .323, 36 00:04:27,976 --> 00:04:29,808 AMERICAN LEAGUE BATTING CHAMP SIX YEARS, 37 00:04:30,103 --> 00:04:31,719 MOST VALUABLE PLAYER FOUR TIMES, 38 00:04:32,022 --> 00:04:33,979 FOUR WORLD SERIES. 39 00:04:34,274 --> 00:04:35,981 OBVIOUSLY, JILL, YOU'RE A FAN. 40 00:04:36,276 --> 00:04:37,391 LISTEN, WHEN I WAS A KID, 41 00:04:37,694 --> 00:04:40,402 IT TOOK FIVE RALPH TERRYS, SIX GIL MCDOUGALS 42 00:04:40,697 --> 00:04:41,812 AND A WHOLE MESS OF TONY KUBEKS 43 00:04:42,115 --> 00:04:46,655 TO GET ONE DAVEY CLUSAK BUBBLE-GUM CARD. 44 00:04:46,953 --> 00:04:49,445 A DRAMATIC LESSON IN STREET-LEVEL ECONOMICS. 45 00:04:49,748 --> 00:04:53,082 IT'S THE SAME PHENOMENON THAT GOVERNS THE OUTRAGEOUS PRICES 46 00:04:53,376 --> 00:04:56,038 PEOPLE WILL PAY FOR PICTURES LIKE THAT WHICH WE JUST SAW. 47 00:04:56,338 --> 00:04:57,954 YOUR HUSBAND WAS KILLED IN AN ACCIDENT, 48 00:04:58,256 --> 00:04:59,496 WASN'T HE, MRS. CLUSAK? 49 00:04:59,800 --> 00:05:00,790 FOUR YEARS AGO. 50 00:05:01,092 --> 00:05:03,333 HE WENT DOWN IN ONE OF THOSE SMALL PRIVATE PLANES 51 00:05:03,637 --> 00:05:06,254 ON HIS WAY TO OAKLAND-- AN OLD-TIMERS' GAME. 52 00:05:06,556 --> 00:05:09,389 HE WAS ELECTED TO THE BASEBALL HALL OF FAME POSTHUMOUSLY. 53 00:05:09,684 --> 00:05:11,800 MRS. CLUSAK: THAT'S RIGHT. KELLY. 54 00:05:12,103 --> 00:05:13,969 AND IT WAS JUST ABOUT THAT TIME 55 00:05:14,272 --> 00:05:16,889 THAT I STARTED SEEING A YOUNG MAN 56 00:05:17,192 --> 00:05:19,103 NAMED TONY BORDINAY. 57 00:05:19,402 --> 00:05:21,234 THE MAN IN THE PICTURES? 58 00:05:22,906 --> 00:05:25,898 HE, UH... I MET HIM ATA PLACE CALLED 59 00:05:26,201 --> 00:05:28,067 THE ALEXANDER CRUZ DANCE ACADEMY. 60 00:05:28,370 --> 00:05:29,906 I WAS... 61 00:05:30,205 --> 00:05:33,243 I WAS DESPERATE ENOUGH TO BELIEVE THAT HE WAS SINCERE. 62 00:05:33,542 --> 00:05:35,783 INSTEAD, YOU ENDED UP IN THOSE PICTURES. 63 00:05:36,086 --> 00:05:39,124 IRONICALLY, NOTHING HAPPENED BETWEEN US. 64 00:05:39,422 --> 00:05:40,332 TONY-- 65 00:05:40,632 --> 00:05:43,966 I TOLD TONY THAT I COULDN'T GO THROUGH WITH IT. 66 00:05:44,261 --> 00:05:46,127 WELL, HE LOST HIS CHARM 67 00:05:46,429 --> 00:05:48,466 AND STARTED HOLDING ME DOWN 68 00:05:48,765 --> 00:05:51,257 AND TEARING MY CLOTHES. 69 00:05:51,560 --> 00:05:53,847 THE PHOTOGRAPHER JUST CAME IN FROM NOWHERE. 70 00:05:54,145 --> 00:05:56,386 WHY WERE THE PICTURES WORTH SO MUCH TO YOU? 71 00:05:56,690 --> 00:05:58,931 RIGHT, THEY'RE NOT ALL THAT INCRIMINATING. 72 00:05:59,234 --> 00:06:02,477 WELL, THEY'RE INCRIMINATING ENOUGH, WITH THE DOPE 73 00:06:02,779 --> 00:06:04,611 THAT WAS PLANTED THERE. 74 00:06:04,906 --> 00:06:07,273 HE THREATENED TO SEND THOSE PICTURES TO COOPERSTOWN. 75 00:06:07,576 --> 00:06:08,907 COOPERSTOWN? 76 00:06:09,202 --> 00:06:10,909 THE BASEBALL HALL OF FAME. 77 00:06:11,204 --> 00:06:12,114 OH. 78 00:06:12,414 --> 00:06:14,621 WELL, SUPPOSE THE PICTURES HAD GONE PUBLIC? 79 00:06:14,916 --> 00:06:16,827 WOULD THAT REALLY HAVE AFFECTED DAVEY'S CHANCES 80 00:06:17,127 --> 00:06:18,037 FOR THE HALL OF FAME? 81 00:06:18,336 --> 00:06:20,077 "SCANDAL'S BAD FOR THE GAME." 82 00:06:20,380 --> 00:06:21,791 THAT'S EXACTLY WHAT THEY WOULD HAVE SAID. 83 00:06:22,090 --> 00:06:25,424 WOULD THESE HAVE REALLY AFFECTED THEIR VOTES? 84 00:06:25,719 --> 00:06:27,835 WELL, IT'S HARD TO KNOW 85 00:06:28,138 --> 00:06:31,381 EXACTLY HOW THOSE MEN WOULD HAVE REACTED, 86 00:06:31,683 --> 00:06:33,674 BUT I COULDN'T TAKE A CHANCE. 87 00:06:33,977 --> 00:06:37,095 I MEAN, DAVEY WORKED FOR THAT HONOR ALL HIS LIFE. 88 00:06:37,397 --> 00:06:39,980 AND NOW YOU'RE NOT AFRAID OF THE CONSEQUENCES? 89 00:06:40,275 --> 00:06:41,390 OF COURSE I AM, 90 00:06:41,693 --> 00:06:43,934 BUT NOW THEY'RE MY CONSEQUENCES. 91 00:06:44,237 --> 00:06:46,228 AS OF LAST WEEK, 92 00:06:46,531 --> 00:06:49,148 DAVEY IS IN THE BASEBALL HALL OF FAME TO STAY, 93 00:06:49,451 --> 00:06:52,068 BUT I'M BROKE. 94 00:06:52,370 --> 00:06:54,452 I DON'T DESERVE THAT, 95 00:06:54,748 --> 00:06:56,910 AND I DIDN'T DO ANYTHING TO DESERVE IT. 96 00:06:57,208 --> 00:06:59,791 WE'LL DO WHAT WE CAN, MRS. CLUSAK. 97 00:07:00,086 --> 00:07:01,872 IN THE MEANTIME, 98 00:07:02,172 --> 00:07:04,459 WHY DON'T YOU JUST TRY TO RELAX 99 00:07:04,758 --> 00:07:07,625 AND TRY NOT TO WORRY ABOUT IT. 100 00:07:09,471 --> 00:07:11,633 TRY NOT TO WORRY ABOUT IT. 101 00:07:11,932 --> 00:07:16,176 I KEEP WONDERING ABOUT ALL THOSE OTHER SILLY WOMEN 102 00:07:16,478 --> 00:07:17,968 THAT THEY'RE GOING TO DO THIS TO 103 00:07:18,271 --> 00:07:19,477 OR HAVE DONE IT TO. 104 00:07:19,773 --> 00:07:21,980 NOT SILLY--VULNERABLE. 105 00:07:23,151 --> 00:07:24,562 THANK YOU. 106 00:07:24,861 --> 00:07:27,102 THANK YOU ALL VERY MUCH. 107 00:07:27,405 --> 00:07:29,146 I FEEL BETTER ALREADY. 108 00:07:29,449 --> 00:07:32,362 ALL RIGHT, MRS. CLUSAK, WE'LL PROCEED... 109 00:07:32,661 --> 00:07:33,492 VERY CAREFULLY. 110 00:07:33,787 --> 00:07:35,949 THESE GUYS HAVE A REPUTATION 111 00:07:36,247 --> 00:07:38,830 FOR PLAYING VERY, VERY ROUGH. 112 00:07:39,125 --> 00:07:41,992 ALEXANDER CRUZ LOVES TO AUDITION DANCERS, JILL. 113 00:07:42,295 --> 00:07:45,253 DO YOU THINK YOU COULD DANCE YOUR WAY INTO HIS HEART? 114 00:07:45,548 --> 00:07:47,414 [DISCO MUSIC PLAYING] 115 00:08:24,087 --> 00:08:25,953 WELL, WHAT DO YOU THINK? 116 00:08:26,256 --> 00:08:27,496 I, UH... 117 00:08:27,799 --> 00:08:29,710 I LIKE YOUR, UH, ENERGY. 118 00:08:30,010 --> 00:08:31,592 OH, WELL, THAT WAS MY DISCO MEDLEY-- 119 00:08:31,886 --> 00:08:35,379 A LITTLE HUSTLE, A LITTLE BUMP, A LITTLE FREELANCE. 120 00:08:35,682 --> 00:08:36,638 NICE, VERY NICE. 121 00:08:36,933 --> 00:08:38,799 YOU REALLY SHOULD INCLUDE DISCO IN YOUR CURRICULUM. 122 00:08:39,102 --> 00:08:41,139 YOU HAVE NO IDEA THE IMPACT IT'S HAVING. 123 00:08:41,438 --> 00:08:43,349 I'M AWARE OF THE DISCO-MANIA. 124 00:08:43,648 --> 00:08:45,480 I DON'T REALLY LIKE IT MYSELF. 125 00:08:45,775 --> 00:08:49,313 BUT I THINK YOUNG GIRLS LOOK WELL DOING IT. 126 00:08:49,612 --> 00:08:52,695 WELL, YOU'RE LOOKING AT A FULLY QUALIFIED DISCO EXPERT. 127 00:08:52,991 --> 00:08:54,026 I MEAN, I'VE DANCED EVERYWHERE-- 128 00:08:54,325 --> 00:08:56,612 REGINE'S, MONIQUE'S, DIRTY JACKS. 129 00:08:56,911 --> 00:08:58,151 VERY IMPRESSIVE. 130 00:08:58,455 --> 00:09:00,537 WELL, AM I HIRED, MR. CRUZ? 131 00:09:00,832 --> 00:09:04,826 ALEXANDER, JILL. ALEXANDER. 132 00:09:05,128 --> 00:09:06,243 OUR NEXT MOVE, BOSLEY. 133 00:09:06,546 --> 00:09:07,786 GET RID OF SCHAFFER GOODHEW, 134 00:09:08,089 --> 00:09:10,672 CRUZ'S SLEAZY PRIVATE-EYE PHOTOGRAPHER. 135 00:09:10,967 --> 00:09:13,755 LET ME GET THIS STRAIGHT. CHARLIE TOWNSEND IS HIRING ME? 136 00:09:14,054 --> 00:09:14,964 THE CHARLIE TOWNSEND? 137 00:09:15,263 --> 00:09:17,379 CHARLIE EXPLICITLY ASKED FOR YOU. 138 00:09:17,682 --> 00:09:19,093 WELL, THAT'S A COMPLIMENT 139 00:09:19,392 --> 00:09:20,678 COMING FROM OLD CHARLIE TOWNSEND. 140 00:09:20,977 --> 00:09:22,388 HE THINKS THE WORLD OF YOU. 141 00:09:22,687 --> 00:09:23,973 YEAH? 142 00:09:24,272 --> 00:09:27,685 $200 A DAY AND EXPENSES. IS THAT ACCEPTABLE? 143 00:09:27,984 --> 00:09:30,897 WELL, THAT'S MORE THAN FAIR. 144 00:09:31,196 --> 00:09:33,733 GOOD. I HAVE YOUR PLANE TICKET TO WASHINGTON, DC 145 00:09:34,032 --> 00:09:35,989 WASHINGTON, D.C.? 146 00:09:36,284 --> 00:09:38,525 I'll EXPLAIN MORE ON THE WAY TO THE AIRPORT. 147 00:09:38,828 --> 00:09:39,943 ONE OTHER THING. 148 00:09:40,246 --> 00:09:42,078 NO ONE MUST KNOW THAT YOU'VE LEFT TOWN. 149 00:09:42,373 --> 00:09:43,363 IS THAT CLEAR? 150 00:09:43,666 --> 00:09:44,747 OH, TOP-PRIORITY STUFF, HUH? 151 00:09:45,043 --> 00:09:49,002 CORRECTION. NOT TOP-PRIORITY STUFF. 152 00:09:49,297 --> 00:09:51,288 A TOP-PRIORITY MISS/ON. 153 00:09:51,591 --> 00:09:53,753 I WAS WONDERING, 154 00:09:54,052 --> 00:09:56,544 THIS BEING WASHINGTON, DC AND ALL, 155 00:09:56,846 --> 00:09:59,133 DOES THIS HAVE ANY POLITICAL UNDERTONES? 156 00:09:59,432 --> 00:10:01,844 THAT'S VERY QUICK OF YOU, MR. GOODHEW. 157 00:10:02,143 --> 00:10:03,850 I CAN'T SAY MORE AT THIS TIME. 158 00:10:04,145 --> 00:10:06,557 I UNDERSTAND. 159 00:10:10,568 --> 00:10:13,185 ANYTHING LIKE WATERGATE? 160 00:10:13,488 --> 00:10:17,026 WATERGATE WAS JUST THE TIP. 161 00:10:17,325 --> 00:10:18,486 THE TIP? 162 00:10:18,785 --> 00:10:20,617 THE TIP OF AN ICEBERG. 163 00:10:20,912 --> 00:10:22,494 YOU'RE LATE. 164 00:10:24,374 --> 00:10:26,581 SIDE, TOGETHER AND BACK. [SLOW-TEMPO MUSIC PLAYING] 165 00:10:26,876 --> 00:10:28,458 SIDE, TOGETHER AND FORWARD. 166 00:10:28,753 --> 00:10:30,335 SIDE, TOGETHER, BACK. 167 00:10:30,630 --> 00:10:32,621 SIDE, TOGETHER, ONE-QUARTER TURN FORWARD. 168 00:10:32,924 --> 00:10:34,710 SIDE, TOGETHER AND BACK. 169 00:10:35,009 --> 00:10:37,171 THAT'S FINE. OKAY, LET'S TRY IT AGAIN FROM THE TOP. 170 00:10:37,470 --> 00:10:38,426 TONY, EXCUSE ME. 171 00:10:38,721 --> 00:10:41,179 CLASS, I WANT YOU ALL TO MEET JILL. 172 00:10:41,474 --> 00:10:45,843 JILL IS GOING TO TEACH A SPECIAL CLASS IN DISCO DANCES. 173 00:10:46,146 --> 00:10:48,387 EXCUSE ME. 174 00:10:48,690 --> 00:10:51,273 PLEASED TO MEET YOU, JILL. MY NAME IS MURPHY MYRPHY, 175 00:10:51,568 --> 00:10:54,435 BUT MY FRIENDS CALL ME MURPHY. 176 00:10:54,737 --> 00:10:55,818 DO YOU HUSTLE? 177 00:10:56,114 --> 00:10:57,696 NOT AS WELL AS YOU DO. 178 00:10:57,991 --> 00:10:58,856 [FAST-TEMPO MUSIC PLAYING] 179 00:10:59,159 --> 00:11:00,866 YOU WANT? OKAY. 180 00:11:16,259 --> 00:11:19,342 KELLY: THIS GUY KEEPS FILES LIKE MOST PEOPLE KEEP MICE. 181 00:11:19,637 --> 00:11:21,924 MMM-HMM. 182 00:11:22,223 --> 00:11:23,463 AH! 183 00:11:23,766 --> 00:11:25,382 GOT THE CLUSAK FILE. 184 00:11:27,854 --> 00:11:29,060 WHAT A MESS. 185 00:11:29,355 --> 00:11:33,269 [TELEPHONE RINGS] 186 00:11:33,568 --> 00:11:36,310 SCHAFFER GOODHEW'S OFFICE. KELLY GARRETT SPEAKING. 187 00:11:36,613 --> 00:11:38,399 OH, YES, MR. CRUZ. 188 00:11:38,698 --> 00:11:40,905 I WAS JUST GOING TO CALL YOU. 189 00:11:41,201 --> 00:11:42,908 SCHAFFER IS OUT OF TOWN ON URGENT BUSINESS. 190 00:11:43,203 --> 00:11:44,819 HOWEVER, HE'S GONE OVER ALL YOUR FILES 191 00:11:45,121 --> 00:11:46,407 AND EXPLAINED ALL YOUR BUSINESS. 192 00:11:46,706 --> 00:11:49,118 ARE YOU AWARE OF THE FULL NATURE OF OUR BUSINESS DEALINGS? 193 00:11:49,417 --> 00:11:50,657 OH, COMPLETELY. 194 00:11:50,960 --> 00:11:52,792 IN HIS ABSENCE, I CAN PERFORM THE SAME FUNCTION. 195 00:11:53,087 --> 00:11:55,419 I HOPE YOU'LL HAVE THE OPPORTUNITY TO TRY ME. 196 00:11:55,715 --> 00:11:57,956 WELL, LET'S TRYA SMALL STEP AT FIRST. 197 00:11:58,259 --> 00:12:00,341 OH, I JUST NEED A CHANCE TO PROVE MYSELF. 198 00:12:00,637 --> 00:12:03,971 VERY GOOD. I NEED SOMEONE CHECKED OUT IMMEDIATELY. 199 00:12:04,265 --> 00:12:06,176 THE NAME IS JILL MUNROE. 200 00:12:06,476 --> 00:12:07,261 NEW CUSTOMER? 201 00:12:07,560 --> 00:12:09,142 NEW EMPLOYEE. 202 00:12:09,437 --> 00:12:11,599 OKAY, TELL ME WHAT YOU'VE GOT ON HER 203 00:12:11,898 --> 00:12:13,309 AND LEAVE THE REST TO ME. 204 00:12:13,608 --> 00:12:16,646 MM-HMM. RIGHT. 205 00:12:16,945 --> 00:12:19,277 OKAY. I'll GET A RUNDOWN ON THIS MUNROE GIRL. 206 00:12:19,572 --> 00:12:21,859 TELL YOU WHAT, I'll GET THE INFORMATION, COME BY LATER. 207 00:12:22,158 --> 00:12:25,867 WE CAN GET ACQUAINTED. OKAY, BYE. 208 00:12:28,873 --> 00:12:32,332 KELLY, DO YOU THINK MY SOCIAL LIFE WOULD IMPROVE 209 00:12:32,627 --> 00:12:34,914 IF I TOOK DANCING LESSONS? 210 00:12:35,213 --> 00:12:36,078 IMMEASURABLY. 211 00:12:36,381 --> 00:12:38,543 YOU COULD BUILD A STAIRWAY TO PARADISE 212 00:12:38,841 --> 00:12:40,707 WITH A NEW STEP EVERY DAY. 213 00:12:42,804 --> 00:12:44,886 [TANGO MUSIC PLAYING] 214 00:13:06,953 --> 00:13:09,115 YOU KNOW, JILL, YOU'RE AN EXCELLENT DANCER. 215 00:13:09,414 --> 00:13:10,404 THANK YOU. 216 00:13:10,707 --> 00:13:12,118 YOU DANCE RELAXED, AND THAT'S IMPORTANT. 217 00:13:12,417 --> 00:13:14,658 MOST OF THE WOMEN AROUND HERE ARE, UH... 218 00:13:14,961 --> 00:13:15,792 HOW SHALL I PUT IT? 219 00:13:16,087 --> 00:13:16,997 KLUTZES. 220 00:13:17,297 --> 00:13:18,628 YEAH, THE PERFECT WORD. 221 00:13:18,923 --> 00:13:20,755 [DOOR OPENS] 222 00:13:23,886 --> 00:13:25,627 ARE YOU COMING, OR ARE YOU GOING? 223 00:13:25,930 --> 00:13:27,841 HUH? 224 00:13:28,141 --> 00:13:30,257 WE'RE TRYING TO GET SOME WORK DONE HERE. MAY I HELP YOU? 225 00:13:30,560 --> 00:13:32,892 [NASAL VOICE] I'D LIKE TO LEARN TO DANCE. 226 00:13:33,187 --> 00:13:36,555 THE RECEPTIONIST IS JUST DOWN THE HALL TO THE LEFT. 227 00:13:47,952 --> 00:13:49,818 SHALL WE GET TO WORK? 228 00:13:50,121 --> 00:13:51,782 YOU KNOW, IF SHE WANTS TO LEARN HOW TO DANCE, 229 00:13:52,081 --> 00:13:53,913 WHY DOESN'T SHE JUST HIRE FRED ASTAIRE? 230 00:13:54,208 --> 00:13:55,448 WHY DO YOU SAY THAT? 231 00:13:55,752 --> 00:13:58,369 'CAUSE HER DADDY IS SO RICH. 232 00:13:58,671 --> 00:13:59,627 YOU KNOW HER? 233 00:13:59,922 --> 00:14:00,787 SABRINA WALKER. 234 00:14:01,090 --> 00:14:02,330 HER FATHER IS STEWART WALKER. 235 00:14:02,633 --> 00:14:04,670 HE HAS A CITY IN ALASKA NAMED AFTER HIM, 236 00:14:04,969 --> 00:14:05,959 A LINE OF LUNCHEON MEATS, 237 00:14:06,262 --> 00:14:08,469 AND THEN THERE'S ALWAYS WALKER BROADCASTING. 238 00:14:08,765 --> 00:14:10,756 HOW DO YOU KNOW SO MUCH ABOUT HIM? 239 00:14:11,059 --> 00:14:12,800 OH, BECAUSE STEWART WALKER IS DIVORCED 240 00:14:13,102 --> 00:14:15,184 AND CONSIDERED A VERY BIG CATCH. 241 00:14:15,480 --> 00:14:16,970 I KEEP A LIST. 242 00:14:17,273 --> 00:14:19,480 HEY, WHY DON'T WE TAKE A BREAK. 243 00:14:19,776 --> 00:14:21,687 WE CAN GO OVER THE DANCES LATER ON. 244 00:14:21,986 --> 00:14:23,818 I THINK PERHAPS I WAS RUDE TO MISS WALKER. 245 00:14:24,113 --> 00:14:25,854 OH. YOU'RE THE BOSS, TONY. 246 00:14:26,157 --> 00:14:29,400 WELL, IT SEEMS MISS JILL MUNROE CHECKS OUT. 247 00:14:29,702 --> 00:14:31,534 QUICK WORK, AND VERY THOROUGH. 248 00:14:31,829 --> 00:14:34,196 YOU CERTAINLY DON'T LOOK LIKE A PRIVATE DETECTIVE, KELLY. 249 00:14:34,499 --> 00:14:36,160 THAT'S WHAT A LOT OF PEOPLE SAY. 250 00:14:36,459 --> 00:14:38,325 I'll TAKE IT AS A COMPLIMENT. 251 00:14:38,628 --> 00:14:39,959 PLEASE DO. 252 00:14:40,254 --> 00:14:43,292 SCHAFFER GOODHEW CAN STAY OUT OF TOWN. 253 00:14:43,591 --> 00:14:45,707 I LIKE YOUR STYLE, MR. CRUZ. 254 00:14:46,010 --> 00:14:48,593 ALEXANDER, KELLY. ALEXANDER. 255 00:14:48,888 --> 00:14:50,094 OKAY, ALEXANDER. 256 00:14:50,390 --> 00:14:52,506 REMEMBER, ANYTHING GOODHEW CAN DO-- 257 00:14:52,809 --> 00:14:54,391 YOU CAN DO BETTER? 258 00:14:54,685 --> 00:14:55,265 PRECISELY. 259 00:14:55,561 --> 00:14:57,177 I HOPE SO, KELLY. 260 00:14:57,480 --> 00:15:00,472 EMPLOYEES WHO PLEASE ME ARE VERY WELL REWARDED. 261 00:15:00,775 --> 00:15:01,606 THOSE WHO DISAPPOINT ME, 262 00:15:01,901 --> 00:15:06,145 NEVER DISAPPOINT ME A SECOND TIME. 263 00:15:06,447 --> 00:15:08,654 I'll BEAR THAT IN MIND. 264 00:15:19,544 --> 00:15:25,506 [TELEPHONE RINGS] 265 00:15:25,800 --> 00:15:28,792 SCHAFFER GOODHEW'S OFFICE. KELLY SPEAKING. 266 00:15:29,095 --> 00:15:32,429 HI, MR. CRUZ. ALEXANDER, I MEAN. 267 00:15:32,723 --> 00:15:37,342 WELL, SURE, LET ME GET A PENCIL. 268 00:15:37,645 --> 00:15:39,386 COULD YOU HOLD ONE MOMENT? 269 00:15:39,689 --> 00:15:41,521 [LAUGHS] 270 00:15:41,816 --> 00:15:42,931 WE'RE NOT HIRING TODAY. 271 00:15:43,234 --> 00:15:44,599 OH, IS THAT THE MAN? 272 00:15:44,902 --> 00:15:46,392 YES. 273 00:15:46,696 --> 00:15:49,279 CALLING FOR THE UNEXPURGATED BIOGRAPHY OF ONE SABRINA WALKER. 274 00:15:49,574 --> 00:15:50,905 LISTEN, I GOT TO GET OUT OF THESE CLOTHES. 275 00:15:51,200 --> 00:15:52,782 I FEEL LIKE THE INSPIRATION FOR THE "GLAMOUR DON'T" COLUMN 276 00:15:53,077 --> 00:15:54,363 IN GLAMOUR MAGAZI N E. 277 00:15:54,662 --> 00:15:56,244 DID YOU BRING A CHANGE OF CLOTHES FOR ME, MAYBE, I HOPE? 278 00:15:56,539 --> 00:15:57,574 YEAH, RIGHT IN THE CLOSET. 279 00:15:57,874 --> 00:16:01,367 THINK I SHOULD KEEP THESE ON? NO. GO. 280 00:16:01,669 --> 00:16:05,913 SORRY, ALEXANDER. NOW, WHAT WERE YOU SAYING? 281 00:16:06,215 --> 00:16:07,296 THE NAME IS WALKER. 282 00:16:07,592 --> 00:16:10,300 SABRINA'S FATHER IS STEWART WALKER, RIGHT? 283 00:16:12,346 --> 00:16:13,336 ALL RIGHT. 284 00:16:18,186 --> 00:16:21,349 WELL, THERE'S A LOT OF MONEY IN THE WALKER FAMILY. 285 00:16:21,647 --> 00:16:22,352 IT CHECKS OUT? 286 00:16:22,648 --> 00:16:23,604 UH-HUH. 287 00:16:23,900 --> 00:16:25,106 READ THE WHOLE REPORT. 288 00:16:25,401 --> 00:16:26,436 I MEAN, SABRINA'S A LITTLE SPACED. 289 00:16:26,736 --> 00:16:28,443 YOU DISAPPROVE? 290 00:16:28,738 --> 00:16:30,604 YOU WANT MY REAL OPINION, MR. CRUZ? 291 00:16:30,907 --> 00:16:32,693 NOT ESPECIALLY. 292 00:16:32,992 --> 00:16:34,528 IF I DIDN'T VALUE YOUR OPINION, KELLY, 293 00:16:34,827 --> 00:16:36,409 I WOULDN'T ASK FOR IT. 294 00:16:36,704 --> 00:16:39,162 MY GUT INSTINCT SAYS FORGET SABRINA WALKER. 295 00:16:39,457 --> 00:16:42,074 YOU'VE GOT TO BE KIDDING. 296 00:16:42,376 --> 00:16:44,492 LOOK, SHE'S AN EMOTIONAL CRIPPLE, 297 00:16:44,795 --> 00:16:46,001 A SELF-DESTRUCTO. 298 00:16:46,297 --> 00:16:48,334 TWO YEARS AT MENNINGER'S CLINIC TRYING TO GET HER HEAD BACK. 299 00:16:48,633 --> 00:16:51,170 THAT WAS AFTER TWO NERVOUS BREAKDOWNS, 300 00:16:51,469 --> 00:16:52,630 A BOTCHED SUICIDE. 301 00:16:52,929 --> 00:16:54,340 IT'S BEEN ALL DOWNHILL. 302 00:16:54,639 --> 00:16:55,879 SHE'S ERRATIC, UNSTABLE. 303 00:16:56,182 --> 00:16:57,092 I LIKE THEM UNSTABLE. 304 00:16:57,391 --> 00:16:59,928 I DO WONDERS FOR UNSTABLE WOMEN. 305 00:17:00,228 --> 00:17:02,515 EITHER YOU HAVE A VERY DROLL SENSE OF HUMOR, 306 00:17:02,813 --> 00:17:04,929 OR I'M MORE STABLE THAN I EVER REALIZED. 307 00:17:05,233 --> 00:17:07,270 DOESN'T SOUND LIKE KELLY IS OVERLY IMPRESSED 308 00:17:07,568 --> 00:17:09,058 WITH YOUR CHARM, TONY. 309 00:17:11,322 --> 00:17:14,064 I'll TRY TO KEEP THE REJECTION IN CORRECT PERSPECTIVE. 310 00:17:14,367 --> 00:17:16,028 IN ALL FAIRNESS TO TONY, 311 00:17:16,327 --> 00:17:17,988 HE DOES HAVE A WAY WITH THE LADIES. 312 00:17:18,913 --> 00:17:20,369 HEY, GOOD LUCK. 313 00:17:20,665 --> 00:17:23,282 LOOK, I'M NOT TRYING TO TELL YOU HOW TO RUN YOUR BUSINESS. 314 00:17:23,584 --> 00:17:27,999 JUST REMEMBER-4 TOLD YOU SO. 315 00:17:28,297 --> 00:17:32,916 I CAN'T STAND AGGRESSIVE WOMEN. 316 00:17:36,889 --> 00:17:38,800 [ROCK MUSIC PLAYING] 317 00:17:52,238 --> 00:17:54,900 OH, YOUR FRIENDS HERE. 318 00:17:55,199 --> 00:17:57,190 SABRINA! 319 00:17:59,245 --> 00:18:01,486 YOU REMEMBER JILL FROM THE OTHER DAY. 320 00:18:01,789 --> 00:18:03,371 HELLO. NICE TO SEE YOU. 321 00:18:03,666 --> 00:18:05,407 NOW, JILL AND I ARE GOING TO DEMONSTRATE THE HUSTLE. 322 00:18:05,710 --> 00:18:07,246 YOU WATCH ONCE, THEN WE'LL TRY IT TOGETHER. 323 00:18:07,545 --> 00:18:08,785 SHE'S YOUR GIRLFRIEND, ISN'T SHE? 324 00:18:09,088 --> 00:18:11,079 DON'T BE SILLY. JILL IS AN EMPLOYEE HERE. 325 00:18:11,382 --> 00:18:13,544 MAKE HER GO AWAY. I DON'T LIKE HER. 326 00:18:13,843 --> 00:18:15,629 OH, WELL, I'll SEE YOU ALL LATER. 327 00:18:15,928 --> 00:18:17,418 BYE, JILL. 328 00:18:17,722 --> 00:18:19,178 BYE. 329 00:18:21,058 --> 00:18:23,015 I DON'T LIKE HER ONE BIT. 330 00:18:23,311 --> 00:18:26,269 I DON'T LIKE PEOPLE WHO TRY TO HUMOR ME. 331 00:18:26,564 --> 00:18:28,225 DON'T WORRY ABOUT JILL. 332 00:18:28,524 --> 00:18:30,515 I LIKE YOU, THOUGH. 333 00:18:30,818 --> 00:18:33,480 AND I LIKE YOU, SABRINA, VERY MUCH. 334 00:18:33,779 --> 00:18:35,895 THANK YOU. 335 00:18:36,198 --> 00:18:38,610 WHAT IS THE FIRST THING WE DO WHEN WE BEGIN TO DANCE? 336 00:18:38,909 --> 00:18:40,741 YOU RELAX. 337 00:18:41,037 --> 00:18:42,869 RELAX AND ENJOY. 338 00:18:43,164 --> 00:18:44,700 YES. 339 00:18:48,210 --> 00:18:50,577 [NASALLY] HI. 340 00:18:50,880 --> 00:18:52,416 GUESS WHAT, GANG. 341 00:18:52,715 --> 00:18:54,376 THE MOST DREAMY BOY JUST ASKED ME OUT. 342 00:18:54,675 --> 00:18:56,257 WELL, I'M NOT A BIT SURPRISED 343 00:18:56,552 --> 00:18:58,259 AFTER YOUR TRIUMPHANT PERFORMANCE. 344 00:18:58,554 --> 00:19:00,170 SORRY ABOUT THAT. IT'S OKAY. 345 00:19:00,473 --> 00:19:02,339 HEY, BOSLEY, I NEED A MANSION. 346 00:19:02,642 --> 00:19:04,508 I ANTICIPATED YOUR WISH. 347 00:19:04,810 --> 00:19:06,016 A MANSION. 348 00:19:06,312 --> 00:19:08,098 WHY DON'T I EVER GET A COVER LIKE THAT? 349 00:19:45,184 --> 00:19:47,300 [DOORBELL RINGS 350 00:19:47,603 --> 00:19:50,061 BOSLEY: THE WALKER RESIDENCE. 351 00:19:50,356 --> 00:19:52,472 I'M CALLING FOR MISS WALKER. 352 00:19:52,775 --> 00:19:55,813 WHO IS CALLING FOR MISS WALKER? 353 00:19:56,112 --> 00:19:58,069 TONY BORDINAY. 354 00:19:58,364 --> 00:20:01,698 ONE MOMENT, PLEASE. 355 00:20:09,375 --> 00:20:10,536 HI. 356 00:20:10,835 --> 00:20:13,702 SABRINA, YOU LOOK GREAT. 357 00:20:14,004 --> 00:20:17,747 THANK YOU. 358 00:20:18,050 --> 00:20:19,506 WHERE ARE WE GOING? 359 00:20:19,802 --> 00:20:22,464 OUT FOR AN EARLY EVENING. BRING YOUR DANCING SHOES? 360 00:20:25,975 --> 00:20:28,182 OH, YES. 361 00:20:31,605 --> 00:20:35,018 [DISCO MUSIC PLAYING] 362 00:20:39,447 --> 00:20:42,985 [SLOW-TEMPO MUSIC PLAYING] 363 00:20:43,284 --> 00:20:46,026 [DISCO MUSIC PLAYING] 364 00:20:46,328 --> 00:20:48,285 OOH. OW. 365 00:20:48,581 --> 00:20:50,993 OOH-OH! NO MORE, NO MORE. 366 00:20:51,292 --> 00:20:53,329 NO, NO, NO, I CAN'T STAND IT. 367 00:20:53,627 --> 00:20:55,209 PEOPLE USUALLY ADMIRE MY MASSAGE TECHNIQUE. 368 00:20:55,504 --> 00:20:57,336 OOH! AHH. 369 00:20:57,631 --> 00:20:59,247 HERE ARE THE EPSOM SALTS, BREE. 370 00:20:59,550 --> 00:21:00,255 THANK YOU. 371 00:21:00,551 --> 00:21:01,791 WHAT EXACTLY DID HE DO TO YOU? 372 00:21:02,094 --> 00:21:04,005 LISTEN, I LEARNED A GREAT LESSON TONIGHT. 373 00:21:04,305 --> 00:21:05,716 WHEN YOU GO OUT WITH A DANCE INSTRUCTOR, 374 00:21:06,015 --> 00:21:08,222 THAT IS WHAT YOU DO-— YOU DANCE. 375 00:21:08,517 --> 00:21:10,929 DO YOU REMEMBER WHEN JULIE ANDREWS SANG THAT SONG 376 00:21:11,228 --> 00:21:12,514 "I COULD HAVE DANCED ALL NIGHT"? 377 00:21:12,813 --> 00:21:14,554 SHE WOULDN'T HAVE LASTED THREE MINUTES WITH BORDINAY. 378 00:21:14,857 --> 00:21:16,518 THREE MINUTES, NOT THREE MINUTES. 379 00:21:16,817 --> 00:21:18,558 I SWEAR TO YOU, NOT THREE MINUTES. 380 00:21:18,861 --> 00:21:20,647 TONY: WELL, HOW DO WE ALL FEEL THIS AFTERNOON? 381 00:21:20,946 --> 00:21:22,232 DANCE CLASS: GREAT! 382 00:21:22,531 --> 00:21:24,192 AND WHY ARE WE ALL HERE THIS AFTERNOON? 383 00:21:24,492 --> 00:21:26,199 BECAUSE IT'S WEDNESDAY! 384 00:21:26,494 --> 00:21:27,905 AND WHAT IS THE BORDINAY RULE? 385 00:21:28,204 --> 00:21:30,696 PERHAPS MR. MYRPHY'D LIKE TO TAKE A CRACK AT THAT ONE. 386 00:21:30,998 --> 00:21:31,988 RELAX. 387 00:21:32,291 --> 00:21:33,201 RELAX AND...? 388 00:21:33,501 --> 00:21:35,788 RELAX AND ENJOY! 389 00:21:36,086 --> 00:21:37,542 VERY GOOD! 390 00:21:37,838 --> 00:21:39,078 THAT MEANS YOU WIN THE GRAND PRIZE TODAY, WHICH IS-- 391 00:21:39,381 --> 00:21:42,919 A POKE IN THE EYE WITH A SHARP STICK. 392 00:21:43,219 --> 00:21:45,130 THE ORIGINAL LONG-PLAYING RECORDING OF "WHIPPED CREAM" 393 00:21:45,429 --> 00:21:46,294 BY THE TIJUANA BRASS. 394 00:21:46,597 --> 00:21:48,383 SAME THING. 395 00:21:48,682 --> 00:21:49,888 YOU TRY MY PATIENCE, MURPHY. 396 00:21:50,184 --> 00:21:51,595 MURPHY MYRPHY TO YOU. 397 00:21:51,894 --> 00:21:54,135 I WON A PRIZE. SO GIVE ME A PRIZE I WANT. 398 00:21:54,438 --> 00:21:56,805 A SLOW DANCE WITH JILL... 399 00:21:57,107 --> 00:21:58,643 SO I CAN HOLD HER. 400 00:21:58,943 --> 00:22:01,810 WE GOT A LOT OF GROUND TO COVER TODAY, SO LET'S-- 401 00:22:02,112 --> 00:22:04,194 OH, WHAT DO YOU SAY, JILL? 402 00:22:04,490 --> 00:22:06,822 ONE FOX TROT. 403 00:22:07,117 --> 00:22:09,074 THAT'S ALL I WANT. 404 00:22:10,788 --> 00:22:13,871 OKAY, MURPHY MYRPHY, LET'S SHOW THEM HOW IT'S DONE. 405 00:22:14,166 --> 00:22:15,452 MURPHY TO YOU, DARLING. 406 00:22:15,751 --> 00:22:17,583 HOW COULD I FORGET? 407 00:22:20,422 --> 00:22:24,040 [SLOW-TEMPO MUSIC PLAYING] 408 00:22:45,406 --> 00:22:49,070 [MUSIC CONTINUING] 409 00:22:49,368 --> 00:22:51,735 TONY WANTED TO BE IN SHOW BUSINESS, YOU KNOW. 410 00:22:52,037 --> 00:22:53,619 FORTUNATELY FOR ALL OF US, 411 00:22:53,914 --> 00:22:56,030 IT'S A WISH THAT DIED STILLBORN. 412 00:22:56,333 --> 00:22:58,370 YOU'RE A LITTLE HARD ON BORDINAY. 413 00:22:58,669 --> 00:23:00,501 OH, HE'S OKAY AT WHAT HE DOES, BUT HE LACKS-- 414 00:23:00,796 --> 00:23:02,753 I DON'T KNOW, DEPTH, IMAGINATION. 415 00:23:03,048 --> 00:23:04,538 HE'S NOT LIKE YOU. 416 00:23:04,842 --> 00:23:06,583 ME? 417 00:23:06,886 --> 00:23:08,627 YOU'RE A SELF-STARTER, KELLY, 418 00:23:08,929 --> 00:23:10,670 AND YOU'RE RUTHLESS AS HELL. 419 00:23:10,973 --> 00:23:11,838 I LIKE THAT IN A WOMAN. 420 00:23:12,141 --> 00:23:14,508 THANKS FOR THE TRIBUTE, I THINK. 421 00:23:14,810 --> 00:23:16,471 YOU COULD SAY I'M AN EQUAL-OPPORTUNITY EMPLOYER. 422 00:23:16,770 --> 00:23:18,556 I'M NOT AFRAID OF WOMEN WITH BRAINS. 423 00:23:18,856 --> 00:23:20,597 IN FACT, I THINK IT'S MOST BECOMING FOR A WOMAN 424 00:23:20,900 --> 00:23:23,267 TO HAVE LOTS UPSTAIRS. 425 00:23:23,569 --> 00:23:24,809 NOW, AS WE DEVELOP A CLOSER RELATIONSHIP, 426 00:23:25,112 --> 00:23:28,400 I INTEND TO LET YOU IN ON MORE AND SEE TO IT 427 00:23:28,699 --> 00:23:31,908 THAT YOU ENJOY A LARGER SLICE OF PIE. 428 00:23:32,202 --> 00:23:33,363 MR. CRUZ, 429 00:23:33,662 --> 00:23:35,994 I'M A DOWN-HOME GIRL, 430 00:23:36,290 --> 00:23:38,031 AND I DO LOVE PIE. 431 00:23:54,516 --> 00:23:58,976 C-H-U-T-Z... 432 00:23:59,271 --> 00:24:01,478 P-A... 433 00:24:01,774 --> 00:24:02,479 H - 434 00:24:02,775 --> 00:24:04,812 CHUTZPAH? MMM-HMM. 435 00:24:05,110 --> 00:24:06,600 YOU CAN'T USE THAT. 436 00:24:06,904 --> 00:24:10,442 YOU CAN IF YOU GOT IT. ALL RIGHT, I USED MY Z. 437 00:24:10,741 --> 00:24:12,948 I GOT A TRIPLE WORD SCORE. 438 00:24:13,243 --> 00:24:16,406 THAT ABOUT PUTS THE GAME ON ICE, BOS. 439 00:24:16,705 --> 00:24:17,695 YEAH. 440 00:24:17,998 --> 00:24:18,988 [TELEPHONE RINGS] 441 00:24:19,291 --> 00:24:22,283 HELLO. 442 00:24:22,586 --> 00:24:23,747 KELLY: BOSLEY, 443 00:24:24,046 --> 00:24:26,208 TELL SABRINA BORDINAY WILL MAKE HIS MOVE TONIGHT. 444 00:24:26,507 --> 00:24:29,124 WHILE I WAS TALKING TO CRUZ, THE DUNE CREST INN CALLED 445 00:24:29,426 --> 00:24:31,793 TO RECONFIRM A ROOM FOR MR. AND MRS. BORDINAY. 446 00:24:32,096 --> 00:24:34,554 THE SAME PLACE HE TOOK MRS. CLUSAK? 447 00:24:34,848 --> 00:24:36,088 RIGHT. GOT TO SPLIT. 448 00:24:36,392 --> 00:24:37,723 CRUZ WANTS ME TO GET MY BROWNIE CAMERA READY. 449 00:24:38,018 --> 00:24:41,602 TELL SABRINA TO SAY "CHEESE." CHECK YOU LATER, BOS. 450 00:24:41,897 --> 00:24:45,356 WELL, MISS WALKER, 451 00:24:45,651 --> 00:24:47,733 TIME FOR YOU TO GO TO WORK. 452 00:24:48,028 --> 00:24:49,189 YOU MEAN...? 453 00:24:49,488 --> 00:24:51,695 YES, THE MIDNIGHT MARAUDER FINALLY MAKES HIS MOVE. 454 00:24:51,991 --> 00:24:53,447 I THOUGHT HE'D NEVER ASK. 455 00:24:53,742 --> 00:24:57,030 NOW I AM. BE CAREFUL, HUH? 456 00:24:57,329 --> 00:25:01,618 BOSLEY, I DIDN'T KNOW YOU CARED. 457 00:25:22,312 --> 00:25:23,598 [LAUGHING] 458 00:25:23,897 --> 00:25:25,808 HOLD ON. HOLD ON. 459 00:25:26,108 --> 00:25:28,475 SABRINA: LOOK OUT. 460 00:25:30,237 --> 00:25:32,353 OH, DEAR, YOU KNOW WHAT? 461 00:25:32,656 --> 00:25:34,363 WHAT'S THAT? 462 00:25:34,658 --> 00:25:36,490 I THINK I BETTER GO TO THE LITTLE GIRLS' ROOM. 463 00:25:36,785 --> 00:25:37,650 OKAY. CAN YOU MAKE IT? 464 00:25:37,953 --> 00:25:39,068 OH, SURE. 465 00:25:39,371 --> 00:25:40,031 ALL RIGHTY. 466 00:25:40,330 --> 00:25:42,071 I CAN MAKE IT. 467 00:26:11,862 --> 00:26:14,479 JILL, JILL, COME IN, PLEASE. 468 00:26:14,782 --> 00:26:16,864 READING YOU LOUD AND CLEAR. 469 00:26:17,159 --> 00:26:20,368 BOSLEY, DO YOU HAVE ANY IDEA HOW YOUR VOICE RUMBLES 470 00:26:20,662 --> 00:26:22,369 IN A BATHROOM? WOULD YOU PUT JILL ON? 471 00:26:22,664 --> 00:26:25,326 BREE, IT'S ME. 472 00:26:25,626 --> 00:26:26,957 OKAY, LOOK, I THINK I CAN HANDLE THIS GUY, 473 00:26:27,252 --> 00:26:29,289 BUT IF I NEED HELP I'M GOING TO YELL, OKAY? 474 00:26:29,588 --> 00:26:31,670 WE'LL BAIL YOU OUT. 475 00:26:43,977 --> 00:26:44,717 OH. 476 00:26:45,020 --> 00:26:49,264 OH, GOODNESS. OH, GOODNESS! 477 00:26:49,566 --> 00:26:50,897 OH, TONY. 478 00:26:51,193 --> 00:26:54,311 I THINK I'M DRUNK. 479 00:26:54,613 --> 00:26:56,479 AM I DRUNK, TONY? 480 00:26:56,782 --> 00:26:58,398 I TOLD YOU NOT TO MIX DRINKS. 481 00:26:58,700 --> 00:27:00,361 TONY, I'M FEELING-- 482 00:27:15,384 --> 00:27:16,215 WHAT'S HAPPENING? 483 00:27:16,510 --> 00:27:17,545 SHE'S WIPED OUT. 484 00:27:17,845 --> 00:27:19,882 COME ON, WORK FAST AND GET OUT OF HERE BEFORE SHE WAKES UP. 485 00:27:25,352 --> 00:27:26,467 COME ON. 486 00:27:26,770 --> 00:27:28,602 OKAY. 487 00:27:36,029 --> 00:27:37,269 HAND ME THAT ICE TRAY. 488 00:27:39,700 --> 00:27:40,940 [SABRINA MUMBLES] 489 00:27:47,166 --> 00:27:50,079 [SABRINA MUMBLES] 490 00:28:01,680 --> 00:28:03,341 OKAY, COME ON. 491 00:28:03,640 --> 00:28:05,426 OKAY, GREAT. 492 00:28:18,280 --> 00:28:20,191 WHAT ARE YOU DOING? 493 00:28:20,490 --> 00:28:21,821 TAKING HER CLOTHES OFF. 494 00:28:22,117 --> 00:28:23,607 LOOK, MAYBE WE'VE GOT ENOUGH. THE DRUGS WILL DO IT. 495 00:28:23,911 --> 00:28:26,152 YOU'VE GOT TO SHOW FLESH, KELLY. THAT'S WHAT THEY PAY FOR. 496 00:28:26,455 --> 00:28:27,786 [KNOCK ON DOOR] 497 00:28:28,081 --> 00:28:28,946 WHO IS IT? 498 00:28:29,249 --> 00:28:30,910 BOSLEY: ROOM SERVICE. 499 00:28:31,210 --> 00:28:33,167 I DIDN'T ORDER ANY ROOM SERVICE. 500 00:28:33,462 --> 00:28:34,327 IS THIS 46? 501 00:28:34,630 --> 00:28:35,836 YES. 502 00:28:36,131 --> 00:28:38,372 YOU DIDN'T ORDER THE POACHED SALMON? 503 00:28:38,675 --> 00:28:39,915 NO. TAKE IT BACK. 504 00:28:40,219 --> 00:28:41,709 BUT IT SAYS 46, POACHED SALMON. 505 00:28:42,012 --> 00:28:44,094 I SAID, TAKE IT BACK. 506 00:28:44,389 --> 00:28:45,629 [KNOCKING] 507 00:28:45,933 --> 00:28:48,049 I'VE GOT ENOUGH. WE BETTER GET OUT OF HERE. 508 00:28:50,062 --> 00:28:52,053 [DOOR HANDLE JIGGLING] 509 00:29:10,207 --> 00:29:11,117 HELLO. 510 00:29:11,416 --> 00:29:12,747 ARE WE TOO LATE FOR THE PARTY? 511 00:29:13,043 --> 00:29:14,750 I HOPE KELLY GOT MY BEST SIDE. 512 00:29:15,045 --> 00:29:16,501 EVERY SIDE IS YOUR BEST SIDE. 513 00:29:16,797 --> 00:29:18,003 BOSLEY, YOU DO CARE. 514 00:29:20,217 --> 00:29:21,958 [TELEPHONE RINGS] 515 00:29:22,261 --> 00:29:23,843 BOSLEY, THAT'S THE WALKER LINE. 516 00:29:24,137 --> 00:29:25,753 THAT IS PROBABLY YOUR CALL. 517 00:29:29,017 --> 00:29:32,385 HELLO. YES, THIS IS STEWART WALKER. 518 00:29:33,689 --> 00:29:35,100 PICTURES OF MY DAUGHTER? 519 00:29:35,399 --> 00:29:37,060 NO, I DON'T-- 520 00:29:37,359 --> 00:29:41,978 OH, THOSE KINDS OF PICTURES. 521 00:29:42,281 --> 00:29:44,318 NO, YOU'RE CERTAINLY NOT COMING HERE. 522 00:29:44,616 --> 00:29:47,108 I'll MEET YOU. 523 00:29:47,411 --> 00:29:51,245 YES. YES, I KNOW WHERE THAT IS. 524 00:29:54,710 --> 00:29:55,996 CRUZ OR BORDINAY? 525 00:29:56,295 --> 00:29:59,037 CRUZ. I'M MEETING HIM IN AN HOUR. 526 00:30:17,649 --> 00:30:18,730 MR. WALKER? YES. 527 00:30:19,026 --> 00:30:20,812 I'M DELIGHTED TO MEET YOU. MY NAME IS-- 528 00:30:21,111 --> 00:30:23,478 I DON'T CARE WHAT YOUR NAME IS. DO YOU HAVE THE PICTURES ON YOU? 529 00:30:23,780 --> 00:30:27,068 YES, BUT I PREFER TO CONDUCT OUR BUSINESS INSIDE. 530 00:30:27,367 --> 00:30:30,155 [DOOR BUZZING] 531 00:30:38,712 --> 00:30:40,043 QUAINT. 532 00:30:40,339 --> 00:30:43,252 YES. IT'S AN INVESTMENT OF MINE. 533 00:30:43,550 --> 00:30:44,836 I INTEND TO CONVERT THIS 534 00:30:45,135 --> 00:30:47,843 INTO A PALACE OF TERPSICHOREAN SPLENDOR. 535 00:30:48,138 --> 00:30:49,253 THE PICTURES. MAY I SEE THEM? 536 00:30:49,556 --> 00:30:51,638 OH, CERTAINLY. 537 00:31:13,413 --> 00:31:15,120 WELL, WHAT DO YOU THINK ABOUT THAT? 538 00:31:15,415 --> 00:31:17,122 I THINK THAT JUST ABOUT ENDS OUR CONVERSATION. 539 00:31:17,417 --> 00:31:21,001 HARDLY. ANY 5-YEAR-OLD COULD TELL YOU 540 00:31:21,296 --> 00:31:23,958 THE NEGATIVES ARE LOCKED IN A SAFE. 541 00:31:24,257 --> 00:31:26,214 AND THEY WILL RUN YOU $10,000. 542 00:31:26,510 --> 00:31:28,092 WHAT MAKES YOU THINK 543 00:31:28,387 --> 00:31:30,469 THAT I WOULD PAY ONE PENNY FOR THOSE PICTURES, 544 00:31:30,764 --> 00:31:34,758 MUCH LESS THE OUTRAGEOUS SUM OF $10,000? 545 00:31:35,060 --> 00:31:37,097 THE EXPRESSION ON YOUR FACE WHEN YOU LOOKED AT THE SNAPSHOTS 546 00:31:37,396 --> 00:31:38,978 OF YOUR DAUGHTER. 547 00:31:39,272 --> 00:31:40,854 MY DAUGHTER. 548 00:31:43,485 --> 00:31:47,319 MY DAUGHTER HAS MADE A CAREER OF OFFENDING, 549 00:31:47,614 --> 00:31:50,777 EMBARRASSING, INSULTING AND DISAPPOINTING ME. 550 00:31:51,076 --> 00:31:54,194 CHILDREN WILL DO THAT. I'VE GROWN USED TO IT. 551 00:31:54,496 --> 00:31:55,486 [DOOR BUZZING] 552 00:31:55,789 --> 00:31:57,029 I'll TELL YOU WHAT I AM WILLING TO DO. 553 00:31:57,332 --> 00:32:01,747 I HAVE ABOUT $500 HERE. 554 00:32:02,045 --> 00:32:04,537 AT $20,000, MR. WALKER, 555 00:32:04,840 --> 00:32:08,208 THE PRICE IS RIGHT. 556 00:32:08,510 --> 00:32:12,094 I ASSUME THAT THIS YOUNG LADY IS A CO-CONSPIRATOR 557 00:32:12,389 --> 00:32:14,130 IN THIS LAME CHARADE. 558 00:32:14,433 --> 00:32:16,049 YOU ASSUME CORRECTLY. 559 00:32:16,351 --> 00:32:18,683 WELL, APPARENTLY YOU DID NOT HEAR ME. 560 00:32:18,979 --> 00:32:22,347 THE SUM I AM OFFERING IS $500. 561 00:32:22,649 --> 00:32:24,060 I HEARD YOU. 562 00:32:24,359 --> 00:32:26,771 I ALSO HEARD RUMBLINGS ABOUT SOMETHING NEW 563 00:32:27,070 --> 00:32:28,310 AT WALKER ENTERPRISES-- 564 00:32:28,613 --> 00:32:31,071 THE STEWART WALKER BIBLE INSTITUTE, 565 00:32:31,366 --> 00:32:32,982 THE STEWART WALKER UNIVERSITY. 566 00:32:33,285 --> 00:32:34,992 SOUNDS TO ME LIKE YOU'RE GETTING A LITTLE RELIGION 567 00:32:35,287 --> 00:32:36,777 IN YOUR OLD AGE. 568 00:32:37,080 --> 00:32:39,913 WANT TO LEAVE THE SOLID CITIZENS SOMETHING TO REMEMBER YOU BY? 569 00:32:42,544 --> 00:32:44,831 I DON'T KNOW WHERE YOU GET YOUR INFORMATION. 570 00:32:45,130 --> 00:32:46,245 BUT IT'S ACCURATE, ISN'T IT? 571 00:32:46,548 --> 00:32:48,209 IF YOU DON'T WANT TO BUY THE PICTURES, 572 00:32:48,508 --> 00:32:49,748 WE'LL FIND A MARKET FOR THEM. 573 00:32:50,051 --> 00:32:52,292 I'M SURE THERE'S SOMEONE OUT THERE WHO WOULD BE INTERESTED 574 00:32:52,596 --> 00:32:53,836 IN TARNISHING THAT 575 00:32:54,139 --> 00:32:56,255 HOLIER-THAN-THOU IMAGE YOU'RE SO DETERMINED TO MANUFACTURE. 576 00:33:00,312 --> 00:33:03,646 ALL RIGHT, I'll GIVE YOU THE $10,000. 577 00:33:03,940 --> 00:33:05,305 TWENTY. 578 00:33:06,318 --> 00:33:07,274 FIFTEEN. 579 00:33:07,569 --> 00:33:09,276 TWENTY, AND THAT'S THE BOTTOM LINE. 580 00:33:09,571 --> 00:33:13,781 BUT WHAT ASSURANCES DO I HAVE THAT SOME LIAR AND CHEAT 581 00:33:14,075 --> 00:33:15,110 WON'T BE COMING BACK FOR MORE? 582 00:33:16,745 --> 00:33:18,952 YES, I SUPPOSE I AM A CHEAT. 583 00:33:19,247 --> 00:33:23,115 BUT A LIAR? NO. YOU HAVE MY WORD. 584 00:33:23,418 --> 00:33:24,533 PLUS THE NEGATIVES. 585 00:33:26,630 --> 00:33:29,964 SHALL WE FOLLOW YOU TO THE BANK, MR. WALKER? 586 00:33:37,224 --> 00:33:39,682 [DOOR BUZZING] 587 00:33:48,693 --> 00:33:51,481 CHARLIE: HOW DID IT GO, BOSLEY? 588 00:33:51,780 --> 00:33:53,521 A SUPERB PERFORMANCE. 589 00:33:53,823 --> 00:33:55,484 KELLY AND I WORK VERY WELL TOGETHER. 590 00:33:55,784 --> 00:33:57,400 PERHAPS YOU SHOULD CONSIDER SUMMER STOCK. 591 00:33:57,702 --> 00:34:00,911 I BELIEVE IN BROADENING ONE'S HORIZONS. 592 00:34:01,206 --> 00:34:03,368 TAKE ME TO THE BANK, DRIVER. 593 00:34:03,667 --> 00:34:06,204 VERY WELL, SIR. 594 00:34:12,342 --> 00:34:14,583 TONY, I WISH YOU COULD HAVE BEEN THERE. 595 00:34:14,886 --> 00:34:16,672 KELLY AND I WERE A SPLENDID TEAM. 596 00:34:16,972 --> 00:34:19,714 IT WAS THE SMOOTHEST EXCHANGE OF 20 GRAND I EVER SAW. 597 00:34:20,016 --> 00:34:20,926 AS I RECALL, 598 00:34:21,226 --> 00:34:22,637 IT WAS KELLY WHO DIDN'T WANT TO GO THROUGH WITH IT. 599 00:34:22,936 --> 00:34:23,926 TONY, STOP WHINING. 600 00:34:24,229 --> 00:34:26,015 YOUR FACE GETS LONG. YOU LOOK LIKE A MODIGLIANI. 601 00:34:26,314 --> 00:34:26,928 YES? 602 00:34:27,232 --> 00:34:29,018 SORRY TO BARGE IN. WHAT IS IT? 603 00:34:29,317 --> 00:34:30,933 WELL, THERE'S QUITE A RUCKUS GOING ON DOWN THE HALL. 604 00:34:31,236 --> 00:34:31,896 RUCKUS? 605 00:34:32,195 --> 00:34:33,651 YEAH, IT'S THE WALKER GIRL. 606 00:34:33,947 --> 00:34:35,062 SABRINA WALKER? 607 00:34:35,365 --> 00:34:36,480 TELL HER TO COME IN, WILL YOU? 608 00:34:36,783 --> 00:34:37,773 OKAY. 609 00:34:38,076 --> 00:34:40,568 I'll HANDLE THIS. WILL YOU PLEASE USE THE OTHER DOOR? 610 00:34:40,870 --> 00:34:42,031 OKAY. 611 00:34:52,215 --> 00:34:54,547 SURPRISED TO SEE ME, MR. CRUZ? 612 00:34:54,843 --> 00:34:56,174 SHOULD I BE? 613 00:34:59,139 --> 00:35:01,096 THERE'S $5,000. 614 00:35:01,391 --> 00:35:03,473 COUNT IT AND THEN PLEASE GIVE ME THOSE PICTURES. 615 00:35:05,228 --> 00:35:07,640 A REAL EXAMPLE OF "TOO LITTLE TOO LATE." 616 00:35:07,939 --> 00:35:10,522 DON'T TELL ME YOU'RE GOING TO DENY YOUR PARTICIPATION 617 00:35:10,817 --> 00:35:13,104 IN THAT DIRTY LITTLE DEAL THAT WENT DOWN LAST NIGHT 618 00:35:13,403 --> 00:35:14,814 WITH TONY BORDINAY? 619 00:35:15,113 --> 00:35:18,322 I HAVEN'T ANY NEED TO DENY OR CONFIRM ANYTHING. 620 00:35:18,617 --> 00:35:22,030 I DO FEEL COMPELLED TO RETURN THIS MONEY TO YOU. 621 00:35:22,329 --> 00:35:23,911 I DON'T UNDERSTAND. 622 00:35:24,205 --> 00:35:27,243 I SUGGEST YOU CHECK WITH YOUR FATHER. 623 00:35:27,542 --> 00:35:28,782 MY FATHER? 624 00:35:29,085 --> 00:35:29,995 SIT DOWN AND HAVE A NICE 625 00:35:30,295 --> 00:35:32,127 FATHER-TO-DAUGHTER CHAT WITH HIM. 626 00:35:32,422 --> 00:35:33,503 I'M SURE HE'LL BE VERY UNDERSTANDING. 627 00:35:33,798 --> 00:35:35,505 THAT'S VERY GOOD ADVICE, MR. CRUZ, 628 00:35:35,800 --> 00:35:37,006 AND PERHAPS WHEN HE RETURNS FROM ALASKA, 629 00:35:37,302 --> 00:35:38,713 I SHALL TAKE IT. HOWEVER, IN THE MEANTIME-- 630 00:35:39,012 --> 00:35:39,843 ALASKA? 631 00:35:40,138 --> 00:35:41,469 YES. NOW, ABOUT THOSE PICTURES. 632 00:35:41,765 --> 00:35:43,972 WHEN DID HE LEAVE FOR ALASKA? 633 00:35:44,267 --> 00:35:45,757 FOUR WEEKS AGO. HE'S CLOSING AN OIL DEAL. 634 00:35:46,061 --> 00:35:47,017 NOW, MR. CRUZ-- 635 00:35:47,312 --> 00:35:48,677 THAT'S IMPOSSIBLE. I MET WITH HIM TODAY. 636 00:35:48,980 --> 00:35:50,345 NOT WITH MY FATHER, YOU DIDN'T. 637 00:35:50,649 --> 00:35:51,810 HE DOESN'T RETURN UNTIL THIS EVENING. 638 00:35:52,108 --> 00:35:53,314 HE HAS TO BE YOUR FATHER! 639 00:35:53,610 --> 00:35:55,317 HE PAID $20,000 FOR THOSE PICTURES. 640 00:35:56,780 --> 00:35:57,770 OH. 641 00:35:59,908 --> 00:36:02,320 NOW I'M BEGINNING TO UNDERSTAND. 642 00:36:02,619 --> 00:36:04,860 IT WAS THAT SNEAK BOSLEY. 643 00:36:05,163 --> 00:36:06,494 BOSLEY? 644 00:36:06,790 --> 00:36:11,000 HE BOUGHT THOSE PICTURES FROM YOU FOR $20,000 645 00:36:11,294 --> 00:36:14,002 SO THAT HE COULD SELL THEM TO MY FATHER. 646 00:36:15,423 --> 00:36:16,959 ARE YOU SAYING THAT THIS BOSLEY 647 00:36:17,258 --> 00:36:19,215 WAS POSING AS YOUR FATHER? 648 00:36:21,554 --> 00:36:23,966 YOU GOT THE PICTURE, PAL. 649 00:36:25,934 --> 00:36:27,800 YOU'VE BEEN HAD. 650 00:36:35,485 --> 00:36:37,601 I'M SURE YOU HEARD EVERYTHING. 651 00:36:37,904 --> 00:36:38,860 EVERYTHING. 652 00:36:39,155 --> 00:36:40,941 WELL, GET ON IT. FIND THE PHONY MR. WALKER. 653 00:36:41,241 --> 00:36:42,823 AND THEN? 654 00:36:43,118 --> 00:36:46,406 AFTER WE HAVE RECOVERED THE PICTURES, 655 00:36:46,705 --> 00:36:49,868 I WILL DECIDE WHETHER TO KILL HIM 656 00:36:50,166 --> 00:36:53,500 OR JUST BRUISE HIM SEVERELY. 657 00:37:23,616 --> 00:37:25,448 I GOT HERE AS SOON AS I COULD. 658 00:37:25,744 --> 00:37:27,326 EVERYTHING OKAY? 659 00:37:27,620 --> 00:37:30,453 THE MAN INSIDE THAT HOUSE IS THE FAKE STEWART WALKER. 660 00:37:30,749 --> 00:37:32,581 WHEW. FAST WORK. HOW DID YOU TRACE HIM? 661 00:37:32,876 --> 00:37:35,538 I REMEMBERED THE LICENSE NUMBER OF THE LIMOUSINE YESTERDAY. 662 00:37:35,837 --> 00:37:37,248 I TRACED THE LIMO 663 00:37:37,547 --> 00:37:40,005 TO THE CHARLIE TOWNSEND CARRIAGE SERVICE OF BEVERLY HILLS. 664 00:37:40,300 --> 00:37:42,382 THEY SAID THEY'D RENTED IT TO A MR. BOSLEY. 665 00:37:42,677 --> 00:37:44,088 THEN I MADE ANOTHER CHECK 666 00:37:44,387 --> 00:37:45,252 AND FOUND OUT THAT THIS BOSLEY 667 00:37:45,555 --> 00:37:47,421 IS A FORMER WALKER FAMILY SERVANT. 668 00:37:47,724 --> 00:37:49,635 IT ALL PIECES TOGETHER. 669 00:37:49,934 --> 00:37:50,844 FORMER AS OF TWO WEEKS AGO. 670 00:37:51,144 --> 00:37:52,976 HE BOUGHT THE PICTURES FROM YOU FOR 20,000 671 00:37:53,271 --> 00:37:54,932 SO HE COULD SELL THEM TO WALKER. 672 00:37:55,231 --> 00:37:57,472 NOW, IF THEY'RE THAT VALUABLE TO BOSLEY, 673 00:37:57,776 --> 00:37:59,983 IMAGINE WHAT THEY'RE WORTH TO WALKER. 674 00:38:00,278 --> 00:38:02,360 A CLEVER MAN, THIS BOSLEY. 675 00:38:02,655 --> 00:38:06,398 AN OPPORTUNIST-- THAT'S BOSLEY. 676 00:38:06,701 --> 00:38:08,112 THERE HE IS. LET'S GO. 677 00:38:21,216 --> 00:38:24,379 A WORD WITH YOU, SIR. 678 00:38:24,677 --> 00:38:28,671 I MADE MY POSITION VERY CLEAR YESTERDAY, 679 00:38:28,973 --> 00:38:31,089 AND I PAID YOU $20,000. 680 00:38:31,392 --> 00:38:32,632 NOW, PART OF THAT WAS 681 00:38:32,936 --> 00:38:34,392 FOR THE PRIVILEGE OF NEVER LAYING EYES 682 00:38:34,687 --> 00:38:35,802 ON YOU AGAIN. 683 00:38:36,105 --> 00:38:37,766 THAT WAS YESTERDAY, WHEN YOUR NAME WAS WALKER. 684 00:38:38,066 --> 00:38:41,058 TODAY IS TODAY, MR. BOSLEY. 685 00:38:41,361 --> 00:38:43,568 AND TOMORROW IS TOMORROW IS TOMORROW. 686 00:38:43,863 --> 00:38:46,025 IF WE'RE GOING TO STAND AROUND QUOTING SHAKESPEARE, 687 00:38:46,324 --> 00:38:48,691 IT'S GOING TO BE A VERY TEDIOUS DAY. 688 00:38:48,993 --> 00:38:50,734 OKAY, YOU POSED AS WALKER TO GET THE PICTURES, 689 00:38:51,037 --> 00:38:54,075 EXPECTING TO SELL THEM AT A HIGHER PRICE TO WALKER. 690 00:38:54,374 --> 00:38:57,162 OH, YOU'VE GOT SOMETHING AGAINST CAPITALISM? 691 00:38:57,460 --> 00:38:59,576 YOU WILL RETURN THEM TO US. 692 00:38:59,879 --> 00:39:01,711 WE'LL RETURN THE $20,000 TO YOU. 693 00:39:02,006 --> 00:39:07,342 AND I WILL HAVE THE UNPARALLELED THRILL OF BREAKING EVEN? 694 00:39:07,637 --> 00:39:09,002 FORGET IT. 695 00:39:09,305 --> 00:39:10,545 DON'T MAKE ME USE THIS. 696 00:39:10,849 --> 00:39:14,342 PUT THAT DAMN THING AWAY, OR THERE'S NO TALK AT ALL. 697 00:39:14,644 --> 00:39:17,557 YOU'RE BEING HEAVY-HANDED, KELLY. 698 00:39:19,107 --> 00:39:20,597 OKAY. 699 00:39:20,900 --> 00:39:22,857 WE'LL GIVE YOU 20,000 PLUS FIVE. 700 00:39:23,152 --> 00:39:24,688 THAT WAY, YOU WALK AWAY WITH A PROFIT. 701 00:39:24,988 --> 00:39:27,821 THAT WAY, I WALK AWAY WITH CHUMP CHANGE. 702 00:39:28,116 --> 00:39:30,483 I'M GOING TO MAKE YOU ONE MORE OFFER, BOSLEY, 703 00:39:30,785 --> 00:39:33,527 AND YOU'RE GOING TO TAKE IT-- $30,000. 704 00:39:33,830 --> 00:39:37,118 YOUR OFFERS ARE AS TEDIOUS AS MY SHAKESPEARE. 705 00:39:37,417 --> 00:39:38,578 CRUZ: $40,000. 706 00:39:38,877 --> 00:39:42,370 MY FINAL OFFER, AND YOU HAVE JUST FIVE SECONDS. 707 00:39:42,672 --> 00:39:43,912 KELLY WASN'T GOING TO SHOOT YOU. 708 00:39:44,215 --> 00:39:45,876 YOU WERE RIGHT IN YOUR JUDGMENT. 709 00:39:46,175 --> 00:39:47,882 I WILL. 710 00:39:48,177 --> 00:39:50,293 IT'S AMAZING, ISN'T IT, HOW TIME FLIES 711 00:39:50,597 --> 00:39:53,806 WHEN YOU'RE HAVING FUN? 712 00:39:54,100 --> 00:39:56,842 THE FIVE SECONDS HAVE SLIPPED AWAY. 713 00:39:57,145 --> 00:39:59,762 ALL RIGHT, YOU'VE GOT A DEAL. 714 00:40:00,064 --> 00:40:01,850 BUT THAT IS NOT NECESSARY. 715 00:40:02,150 --> 00:40:04,141 I'll BE THE JUDGE OF THAT. 716 00:40:12,160 --> 00:40:14,652 TELL MR. CRUZ THIS IS SCHAFFER GOODHEW 717 00:40:14,954 --> 00:40:15,989 AND I'M BACK IN TOWN. 718 00:40:16,289 --> 00:40:17,154 HE ISN'T THERE? 719 00:40:17,457 --> 00:40:19,448 WELL, YOU PUT HIM ON, THEN. 720 00:40:23,087 --> 00:40:25,545 HEY, BORDINAY. 721 00:40:25,840 --> 00:40:30,004 KELLY? KELLY WHO? 722 00:40:30,303 --> 00:40:32,670 MY WHAT? 723 00:40:32,972 --> 00:40:36,431 I DON'T HAVE AN ASSISTANT. 724 00:40:36,726 --> 00:40:39,969 HELLO, TONY. WHAT ON EARTH ARE YOU DOING? 725 00:40:40,271 --> 00:40:42,387 SHUT UP, CRUZ. 726 00:40:44,901 --> 00:40:47,359 YOU'RE GOING TO LISTEN FOR A CHANGE. 727 00:40:47,654 --> 00:40:49,520 I JUST WANT TO INTRODUCE KELLY 728 00:40:49,822 --> 00:40:51,563 TO SOMEONE SHE'S NEVER MET. 729 00:40:51,866 --> 00:40:52,822 SCHAFFER? 730 00:40:55,203 --> 00:40:57,786 KELLY, MEET MR. GOODHEW. 731 00:40:58,081 --> 00:40:59,446 YOU DIDN'T KNOW YOU HAD AN ASSISTANT, 732 00:40:59,749 --> 00:41:00,614 DID YOU, SCHAFFER? 733 00:41:03,211 --> 00:41:04,201 IS THIS TRUE? 734 00:41:04,504 --> 00:41:08,247 I CAN EXPLAIN EVERYTHING. 735 00:41:08,549 --> 00:41:11,462 I ADORE GOOD FICTION, KELLY, 736 00:41:11,761 --> 00:41:13,297 BUT MAKE THIS ONE SHORT 737 00:41:13,596 --> 00:41:15,633 AND MAKE IT GOOD. 738 00:41:15,932 --> 00:41:18,048 LOOK, THE ONLY THING I'M GUILTY OF 739 00:41:18,351 --> 00:41:20,092 IS LYING ABOUT BEING HIS ASSISTANT. 740 00:41:20,395 --> 00:41:21,885 OTHER THAN THAT, I'VE BEEN DEALING IN GOOD FAITH. 741 00:41:22,188 --> 00:41:23,303 I HELPED YOU WITH THE WALKER GIRL. 742 00:41:23,606 --> 00:41:24,596 I EVEN UPPED THE ANTE FOR YOU. 743 00:41:24,899 --> 00:41:26,731 MAYBE. WHAT'S YOUR ANGLE? 744 00:41:27,026 --> 00:41:28,608 I'M INTERESTED IN THE POSSIBILITY 745 00:41:28,903 --> 00:41:31,816 OF GETTING SOME BIG MONEY OUT OF STEWART WALKER. 746 00:41:32,115 --> 00:41:33,196 AFTER THAT, IT'S YOUR OPTION. 747 00:41:33,491 --> 00:41:35,778 I CAN WALK AWAY, OR YOU CAN KEEP ME ON. 748 00:41:36,077 --> 00:41:38,114 I'M AFRAID I'M HAVING TROUBLE WITH YOUR CREDIBILITY 749 00:41:38,413 --> 00:41:40,074 AT THIS POINT. 750 00:41:40,373 --> 00:41:41,613 SUIT YOURSELF. 751 00:41:41,916 --> 00:41:43,577 YOU CAN ALWAYS SELL THE PICTURES BACK TO THAT BOSLEY FELLOW. 752 00:41:43,876 --> 00:41:47,870 TONY, I WANT TO KEEP THAT APPOINTMENT WITH MR. WALKER. 753 00:41:48,172 --> 00:41:49,833 WHAT IF IT'S A SETUP? 754 00:41:50,133 --> 00:41:52,124 MR. GOODHEW WILL HAVE TO PUT YOU INCOMMUNICADO 755 00:41:52,427 --> 00:41:53,462 FOR A WHILE, KELLY. 756 00:41:53,761 --> 00:41:56,048 SORRY ABOUT THE DISCOMFORT. 757 00:41:56,347 --> 00:41:58,509 AND IF THIS IS JUST PETTY SUSPICION ON MY PART, 758 00:41:58,808 --> 00:42:01,049 I'll MAKE IT UP TO YOU. 759 00:42:01,352 --> 00:42:02,968 IF, ON THE OTHER HAND, 760 00:42:03,271 --> 00:42:04,807 YOU SET US UP, 761 00:42:05,106 --> 00:42:07,063 I'll MAKE THAT UP TO YOU. 762 00:42:07,358 --> 00:42:10,646 GOODHEW, TAKE THE LADY TO THE BOWLING ALLEY. 763 00:42:15,033 --> 00:42:16,194 COME ON. 764 00:42:26,878 --> 00:42:28,164 SABRINA: LOOKS LIKE KELLY 765 00:42:28,463 --> 00:42:31,455 WAS ABLE TO DITCH THE GOLD-DUST TWINS WITHOUT ANY PROBLEM. 766 00:42:31,758 --> 00:42:32,714 NOT A BAD OPERATION. 767 00:42:33,009 --> 00:42:36,127 OUR CLIENT GETS HER $10,000 BACK, 768 00:42:36,429 --> 00:42:38,511 PLUS INTEREST, AND A NICE RETAINER FOR THE OFFICE. 769 00:42:38,806 --> 00:42:41,514 AND NO DENTED FENDERS, HUH, BOS'? 770 00:42:43,186 --> 00:42:46,770 INTERESTING PICTURES, WOULDN'T YOU SAY, MR. WALKER? 771 00:42:47,065 --> 00:42:48,351 CHARLIE: IT SEEMS TO ME THAT THE CRAFTSMANSHIF' 772 00:42:48,649 --> 00:42:51,391 IN THESE PHOTOGRAPHS LEAVES A GREAT DEAL TO BE DESIRED. 773 00:42:51,694 --> 00:42:54,652 UNDER THE CIRCUMSTANCES, AREN'T YOU BEING A BIT CAVALIER? 774 00:42:54,947 --> 00:42:56,062 NOT AT ALL. 775 00:42:56,365 --> 00:42:57,651 TONY: YOU ARE STEWART WALKER? 776 00:42:57,950 --> 00:43:04,538 YES, BUT THAT GIRL IS NOT MY DAUGHTER. 777 00:43:04,832 --> 00:43:05,617 NOT YOUR DAUGHTER? 778 00:43:05,917 --> 00:43:07,328 WHICH IS A GOOD THING FOR YOU. 779 00:43:07,627 --> 00:43:08,662 IF THAT WAS MY DAUGHTER, 780 00:43:08,961 --> 00:43:10,247 I WOULDN'T PAY TO GET THE PICTURES. 781 00:43:10,546 --> 00:43:11,752 I'D INVEST MY MONEY 782 00:43:12,048 --> 00:43:13,880 INTO REMOVING YOU FROM THE FACE OF THE EARTH. 783 00:43:14,175 --> 00:43:17,463 IT WOULD BE CHEAPER AND MORE REWARDING. 784 00:43:17,762 --> 00:43:19,548 GET OUT OF HERE. 785 00:43:57,260 --> 00:43:59,251 BOSLEY: SO LONG, SUCKERS. 786 00:43:59,554 --> 00:44:01,841 [TELEPHONE BUZZING] 787 00:44:02,140 --> 00:44:03,255 YEAH? 788 00:44:03,558 --> 00:44:04,514 JILL: SABRINA, WE MA YHA VEA HUGE PROBLEM. 789 00:44:04,809 --> 00:44:06,641 IT WENT LIKE CLOCKWORK. WHAT'S THE MATTER? 790 00:44:06,936 --> 00:44:08,677 I'M BACK HERE AT THE OFFICE, AND KELLY HASN'T SHOWN. 791 00:44:08,980 --> 00:44:10,095 NOT ONLY THAT, 792 00:44:10,398 --> 00:44:11,980 THERE WAS A MESSAGE ON THE SERVICE FOR BOS. 793 00:44:12,275 --> 00:44:14,141 THAT DETECTIVE'S BACK IN TOWN-- SCHAFFER GOODHEW. 794 00:44:14,443 --> 00:44:17,435 SCHAFFER'S BACK IN TOWN, AND KELLY'S SUDDENLY GONE. 795 00:44:17,738 --> 00:44:19,445 OH, BOY. I'M AFRAID THAT ADDS UP. 796 00:44:19,740 --> 00:44:22,107 RIGHT. KELLY'S IN TROUBLE. 797 00:44:22,410 --> 00:44:24,401 TERRIFIC. SO WHERE DO WE GO TO HELP? THE DANCE STUDIO? 798 00:44:24,704 --> 00:44:26,286 NO, NO, THAT'S TOO OBVIOUS AND TOO PUBLIC. 799 00:44:26,581 --> 00:44:28,697 OKAY, THEN WHERE? 800 00:44:29,000 --> 00:44:30,957 CRUZ'S HIDEAWAY-- THE BOWLING ALLEY. 801 00:44:31,252 --> 00:44:32,913 IT'S ON EIGHTH AND GRAND. 802 00:44:33,212 --> 00:44:34,498 JILL, BOWLING ALLEY, EIGHTH AND GRAND. 803 00:44:34,797 --> 00:44:36,629 OKAY, I'll MEET YOU THERE. 804 00:44:49,562 --> 00:44:51,348 WHEN BORDINAY AND CRUZ GET BACK HERE, 805 00:44:51,647 --> 00:44:53,638 EVERYTHING WILL BE CLEARED UP, 806 00:44:53,941 --> 00:44:56,308 SO WHY DON'T YOU RELAX AND PUT AWAY THE GUN. 807 00:44:56,611 --> 00:44:57,521 I AM RELAXED. 808 00:44:57,820 --> 00:44:59,561 YOU'RE THE ONE WHO'S NOT RELAXED. 809 00:44:59,864 --> 00:45:01,901 AND I LIKE IT THAT WAY. 810 00:45:02,200 --> 00:45:03,782 PLEASE, SIT DOWN. 811 00:45:04,076 --> 00:45:06,067 COOL IT, GOODHEW. I'M NOT GOING ANYWHERE. 812 00:45:06,370 --> 00:45:07,235 I SAID, SIT DOWN. 813 00:45:07,538 --> 00:45:09,199 [DOOR BUZZING] 814 00:45:09,498 --> 00:45:11,660 CHARLIE TOWNSEND, AM I GLAD TO SEE YOU! 815 00:45:13,461 --> 00:45:14,872 [GUNSHOTS] 816 00:45:23,137 --> 00:45:26,095 KELLY, IT'S HOPELESS! THERE'S NO WAY OUT! 817 00:45:31,812 --> 00:45:33,394 MY BACK. I THINK IT'S BROKEN. 818 00:45:33,689 --> 00:45:35,350 JUST STAY THERE. WE'LL GET SOME HELP. 819 00:45:35,650 --> 00:45:37,561 THE LADY WON'T COME TO US, 820 00:45:37,860 --> 00:45:40,693 I'll GO TO HER... WITH PLEASURE. 821 00:45:42,615 --> 00:45:43,821 IT'S ALL RIGHT. 822 00:46:00,675 --> 00:46:03,713 TONY? 823 00:46:04,011 --> 00:46:05,376 TONY? 824 00:46:51,267 --> 00:46:53,599 [DOOR BUZZING] 825 00:47:08,534 --> 00:47:11,367 HI, MR. CRUZ. YOUR DANCE CARD FILLED? 826 00:47:11,662 --> 00:47:13,949 LET ME HAVE YOUR GUN, FINGERTIPS, PLEASE. 827 00:47:18,294 --> 00:47:19,784 BACK INSIDE. 828 00:47:31,766 --> 00:47:32,801 KELLY! 829 00:47:38,439 --> 00:47:40,806 AAH! 830 00:47:46,697 --> 00:47:47,903 NICE SPLIT. 831 00:47:48,199 --> 00:47:50,031 I SHOULD HAVE USED A LITTLE MORE WRIST, YOU KNOW? 832 00:47:50,326 --> 00:47:53,444 MY BACK! I THINK IT'S BROKEN! 833 00:47:53,746 --> 00:47:55,532 OH, I BET THAT HURTS. 834 00:47:55,831 --> 00:47:57,242 MAYBE YOU BETTER ROLL OVER ON YOUR SIDE 835 00:47:57,541 --> 00:47:58,656 TILL THE POLICE GET HERE. 836 00:47:58,959 --> 00:48:00,040 HEY, LOOK WHAT I FOUND IN THE PARKING LOT. 837 00:48:00,336 --> 00:48:02,623 JOIN YOUR FRIEND ON THE FLOOR, ALEXANDER. 838 00:48:02,922 --> 00:48:07,132 GO AHEAD. 839 00:48:07,426 --> 00:48:10,088 I WON'T DANCE. DON'T ASK ME. 840 00:48:22,024 --> 00:48:24,641 [DISCO MUSIC PLAYING] 841 00:48:28,614 --> 00:48:32,482 [TELEPHONE RINGS] 842 00:48:32,785 --> 00:48:33,445 WOW! 843 00:48:33,744 --> 00:48:34,575 [RING] 844 00:48:34,870 --> 00:48:36,702 EXCUSE ME. 845 00:48:38,666 --> 00:48:39,701 HELLO. 846 00:48:40,000 --> 00:48:42,458 OH, HELLO, CHARLIE. 847 00:48:42,753 --> 00:48:45,336 TOP OF THE MORNING, BOSLEY, ANGELS. 848 00:48:45,631 --> 00:48:48,293 IS THERE SOMETHING WRONG WITH OUR CONNECTION, BOSLEY, 849 00:48:48,592 --> 00:48:50,799 OR DO I DETECT WHEEZING? 850 00:48:51,095 --> 00:48:53,177 OH, NO, NO, NO. THAT'S JUST THE USUAL MORNING RATTLE. 851 00:48:53,472 --> 00:48:55,964 I'M RETURNING YOUR PHOTOS TO YOU, SABRINA. 852 00:48:56,267 --> 00:48:57,974 THOUGHT YOU MIGHT WANT TO STARTA SCRAPBOOK. 853 00:48:58,269 --> 00:48:59,100 THE NEGATIVES TOO, CHARLIE. 854 00:48:59,395 --> 00:49:01,853 I'VE GOT MY REPUTATION TO PROTECT. 855 00:49:02,148 --> 00:49:03,809 RIGHT YOU ARE, SABRINA. 856 00:49:04,108 --> 00:49:05,598 CHARLIE, WHY DON'T WE SEND A SET 857 00:49:05,901 --> 00:49:07,357 TO CRUZ, BORDINAY AND GOODHEW. 858 00:49:07,653 --> 00:49:09,610 GIVE THEM SOMETHING TO THINK ABOUT WHILE THEY'RE DOING TIME. 859 00:49:09,905 --> 00:49:10,940 VERY FUNNY. 860 00:49:11,240 --> 00:49:14,028 I DON'T WANT TO INTERRUPT YOUR WELL-DESERVED CELEBRATION, 861 00:49:14,326 --> 00:49:17,409 BUT I DID WANT YOU TO KNOW THAT LAURA CLUSAK IS VERY GRATEFUL 862 00:49:17,705 --> 00:49:18,991 FOR GETTING HER MONEY BACK. 863 00:49:19,290 --> 00:49:20,325 OUR PLEASURE, CHARLIE. 864 00:49:20,624 --> 00:49:22,410 OH, CHARLIE. YES, JILL. 865 00:49:22,710 --> 00:49:25,668 IT WOULD BE A SHAME FOR ALL THAT RESEARCH TO GO TO WASTE, 866 00:49:25,963 --> 00:49:26,498 DON'T YOU AGREE? 867 00:49:26,797 --> 00:49:28,037 MEANING? 868 00:49:28,340 --> 00:49:31,503 WELL, I WAS JUST THINKING. DO YOU HUSTLE? 869 00:49:31,802 --> 00:49:33,042 WHA T? 870 00:49:33,345 --> 00:49:35,302 OH, NEVER MIND. IT WAS JUST A THOUGHT, YOU KNOW? 871 00:50:17,014 --> 00:50:17,094 J 60948

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