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[EERIE MUSIC]
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NARRATOR:
There is a fifth dimension
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beyond that which is known to man.
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It is a dimension as vast as space
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and as timeless as infinity.
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It is the middle ground
between light and shadow.
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Between science and superstition.
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And it lies between
the pit of man's fears
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and the summit of his knowledge.
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This is the dimension of imagination.
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It is an area which we
call the Twilight Zone.
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His name is Arch Hammer.
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He's 36 years old. He's been
a salesman, a dispatcher,
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a truck driver a con man, a
bookie and a part-time bartender.
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This is a cheap man,
a nickel-and-dime man
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with a cheapness that goes
past the suit and the shirt.
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A cheapness of mind,
a cheapness of taste.
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A tawdry little shine on
the seat of his conscience
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and a dark, groomed squint
in a world whose sunlight
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has never gotten through to him.
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But Mr. Hammer has a talent
discovered at a very early age.
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This much he does have.
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He can make his face change.
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He can twitch a muscle.
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Move a jaw.
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Concentrate on the cast of his eyes.
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And he can change his face.
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He can change it into anything he wants.
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Mr. Archie Hammer, jack of all trades,
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has just checked in at $3.80 a night
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with two bags, some newspaper clippings,
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a most odd talent,
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and a master plan to destroy some lives.
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[PLAYING JAZZ]
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♪ So thanks for the cheer ♪
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♪ I hope you didn't mind ♪
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♪ My bending your ear ♪
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This torch that I've found
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must be drowned
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or just...
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It just might explode.
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♪ Make it one for my baby ♪
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♪ And one more ♪
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♪ For the road ♪
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[APPLAUSE]
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Hey, Maggie! [LAUGHS]
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Hey, sport, unravel the flesh.
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Come on, Maggie, have a little drink.
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I'd love one.
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Very, very solitary. All by
my lonesome if you don't mind.
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Oh.
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If you don't drink well,
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don't drink.
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Johnny!
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Johnny, are you a ghost?
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Sure, a ghost.
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I just came down to check the
mourners, read the obituaries.
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00:05:45,257 --> 00:05:47,802
How did they feel
about the deceased, huh?
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What kind of tears?
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00:05:50,388 --> 00:05:52,474
You came to the right place, Johnny.
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I have a roomful of buckets.
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I heard it on the radio
one night. Just like that.
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"Death as it must come to all men,"
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"came to talented musician Johnny Foster."
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"Tragic accident, train hitting car."
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I just sat there and I cried.
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And then I...
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And then I washed my face and...
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Put on some makeup and went to work.
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But everything had changed for me.
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My repertoire became very limited.
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Only booze.
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Only sad songs for piano or bourbon.
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Oh, Johnny.
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I don't care if you are a ghost.
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Nah.
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It was another guy.
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My car, my suit.
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Maybe we even had the same dentist.
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Why didn't you tell people that?
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Nah.
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I wanted to get way from the world.
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From that.
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I decided to trade in the old name.
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Turn it in for something
new, something different.
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You were always a funny guy, Johnny.
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Way-out Johnny Foster.
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Well,
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are you satisfied with the reaction?
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Mourning becomes you, Mag.
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Me and Electra.
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So how long you with us?
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Is this a stop between trains, Johnny?
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In a way, for me, it is.
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For you, it's get-out-of-town night.
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You've got time for six
choruses and a check-out?
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You're going with me, Mag.
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We'll go to Chicago or Detroit.
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We'll go to San Francisco, huh?
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We'll have a ball, Maggie.
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Everything by ear. But
great, Maggie, I mean, great.
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Just the two of us.
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Oh!
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Oh, hey, Johnny, I love you.
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You name it, Johnny, you've got it.
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Hey, Johnny!
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You put me back together
again, Johnny. And I love you.
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I love you.
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You finish up here.
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You tell him you're cutting out.
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I'll meet you at the railroad
station. I'll get the tickets.
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12:06, Maggie, westbound for Chicago.
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Be there.
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I'll be there, Johnny.
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00:09:55,248 --> 00:09:58,501
Johnny! Hey, Johnny!
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[INAUDIBLE]
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Man, I thought you was out of the world.
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Johnny, wait. We all got the wrong word.
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They said you were removed
by a locomotive. [LAUGHS]
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Oh, Johnny, it's so
great to see you. Here.
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Let me light you a cigarette.
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I'll take the light but
you got the wrong guy.
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I'm really sorry, buddy, I...
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I thought you were the guy
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I'd just seen in the bar.
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I'm really sorry.
127
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Why not a beautiful dame?
128
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Why not?
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I never had a dish like that.
130
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I've never been loved like that.
131
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Why shouldn't I?
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MAGGIE: ♪ It's all too wonderful ♪
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♪ I'll never find the words ♪
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Yeah, Maggie.
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Yeah!
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Why not?
137
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How was the water, baby? Was it cold?
138
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When did it hurt? When you laughed?
139
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[LAUGHS]
140
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Excuse me, sir. Mr. Penell
is not at home this evening.
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[NOISE FROM TV]
142
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Who is it, Ramon?
143
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It's me, Mr. Penell.
144
00:12:45,981 --> 00:12:48,067
Picture tubes are expensive.
145
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You can always get yourself another beer.
146
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Imported, isn't it?
147
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I always liked your taste, Mr. Penell.
148
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You always had the
taste of a very rich man.
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Neat but not gaudy.
150
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Please. Don't.
151
00:13:04,544 --> 00:13:07,047
Just sit down there and we'll talk, huh?
152
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We'll have a business
meeting, you and me.
153
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Virgil.
154
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Virgil, this is the
happiest day of my life!
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[LAUGHS]
156
00:13:18,852 --> 00:13:21,354
If this is the happiest day of your life,
157
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how come you look like somebody
just stuck lemon juice in your beer, huh?
158
00:13:25,527 --> 00:13:29,405
No, Mr. Penell, you're not so happy.
159
00:13:29,489 --> 00:13:31,490
You got no reason to be happy.
160
00:13:31,574 --> 00:13:34,453
Believe me, Mr. Penell, I know.
161
00:13:34,537 --> 00:13:37,247
You've got no reason to be happy.
162
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No reason at all.
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Now, if you could have
kept me in the river,
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a cold, clammy little
item without a voice,
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then you could have been happy.
166
00:13:48,218 --> 00:13:51,388
But this is one double cross
that came back to bite you.
167
00:13:51,472 --> 00:13:53,307
Virg, Virg, you got me wrong, Virg.
168
00:13:53,391 --> 00:13:55,267
I held up my end of the bargain,
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and instead of the payoff,
all I got was the river.
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00:13:58,814 --> 00:14:01,608
And that river was cold, Mr. Penell.
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Far too cold for this time of the year.
172
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Lousy swimming, Mr. Penell,
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especially when you're
almost out of blood.
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I brought back a satchel
for you, Mr. Penell.
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00:14:12,288 --> 00:14:15,290
There was a lot of money
in it. It was a real risky job.
176
00:14:15,374 --> 00:14:18,418
Now, I figure my cut
is more than a cold swim!
177
00:14:18,502 --> 00:14:20,630
Virg, please, listen to me.
178
00:14:20,714 --> 00:14:22,882
Virg, Virg, I got your cut, kid.
179
00:14:22,966 --> 00:14:24,968
It's right over there in the desk.
180
00:14:25,052 --> 00:14:29,264
I'll take care of my own cut,
Mr. Penell. What drawer?
181
00:14:29,348 --> 00:14:32,476
It's in the center drawer.
There's an envelope full of money.
182
00:14:32,560 --> 00:14:34,311
Why don't you let me get it for you?
183
00:14:34,395 --> 00:14:36,482
Why don't you shut up?
184
00:14:44,908 --> 00:14:47,284
You said this was for me, didn't you?
185
00:14:47,368 --> 00:14:49,704
Twenty per cent of it, Virg.
186
00:14:49,788 --> 00:14:52,416
The cut is still the same, Mr. Penell.
187
00:14:52,500 --> 00:14:56,169
I always live up to my contracts.
188
00:14:56,253 --> 00:14:58,130
Only now there's interest.
189
00:14:58,214 --> 00:15:00,883
For floating facedown in
the river I charge interest.
190
00:15:00,967 --> 00:15:04,721
For getting three bullets
in my belly I charge interest.
191
00:15:04,805 --> 00:15:06,682
I'll take it all.
192
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Virg.
193
00:15:10,311 --> 00:15:12,187
Yeah?
194
00:15:12,271 --> 00:15:14,733
Did-did somebody...
195
00:15:14,817 --> 00:15:17,485
Did somebody fish you out before...
196
00:15:17,569 --> 00:15:19,946
Did somebody fish me
out before I'd had it?
197
00:15:20,030 --> 00:15:22,241
Is that the question?
198
00:15:22,325 --> 00:15:26,120
No, Mr. Penell. That's not
the way it happened at all.
199
00:15:26,204 --> 00:15:28,915
I'm a ghost.
200
00:15:31,210 --> 00:15:34,547
Get that guy, he's a fake! Get him!
201
00:16:04,998 --> 00:16:07,416
I've got to make it.
202
00:16:07,500 --> 00:16:09,961
Change my face.
203
00:16:10,045 --> 00:16:12,589
Gotta look different.
204
00:16:12,673 --> 00:16:15,968
Think of a face! Think of a face!
205
00:16:28,733 --> 00:16:30,526
What the...
206
00:16:32,779 --> 00:16:35,156
What did I do?
207
00:16:35,240 --> 00:16:38,034
Why are you guys
trying to finger me, huh?
208
00:16:38,118 --> 00:16:39,662
I mean, what goes?
209
00:16:39,746 --> 00:16:42,457
I didn't do nothing to you guys.
210
00:16:43,541 --> 00:16:45,251
Nothing, buddy.
211
00:16:45,335 --> 00:16:47,922
We thought you were somebody else.
212
00:17:32,096 --> 00:17:33,806
Andy.
213
00:17:35,225 --> 00:17:37,185
Andy!
214
00:17:37,269 --> 00:17:39,729
Who?
215
00:17:39,813 --> 00:17:44,193
Andy! Andy, what's the matter with you?
216
00:17:44,277 --> 00:17:48,864
Oh, uh, Andy, yeah. Yeah, I get it, yeah.
217
00:17:48,948 --> 00:17:50,867
Uh, what's new with you?
218
00:17:50,951 --> 00:17:54,078
How's the, uh, journalism business, huh?
219
00:17:54,162 --> 00:17:56,039
What's the matter with you?
220
00:17:56,123 --> 00:17:59,376
Something wrong with your mind?
221
00:17:59,460 --> 00:18:01,713
You punchy, Andy?
222
00:18:03,464 --> 00:18:05,425
Yeah, I'm punchy.
223
00:18:05,509 --> 00:18:08,220
Why, am I supposed to recognize you?
224
00:18:08,304 --> 00:18:10,222
Yeah.
225
00:18:10,306 --> 00:18:12,933
I guess you would.
226
00:18:13,017 --> 00:18:16,729
We, uh, we met someplace before, huh?
227
00:18:16,813 --> 00:18:19,148
That's right.
228
00:18:19,232 --> 00:18:21,485
It was a long time ago, though.
229
00:18:21,569 --> 00:18:24,947
I don't remember you, old
man. How do I know you?
230
00:18:26,824 --> 00:18:29,452
How do you know me?
231
00:18:29,536 --> 00:18:31,747
As a son should know his father.
232
00:18:33,498 --> 00:18:36,794
What kind of a game
are you playing, Andy?
233
00:18:36,878 --> 00:18:39,338
I'm your son?
234
00:18:39,422 --> 00:18:41,674
You were.
235
00:18:41,758 --> 00:18:43,550
You were before you ran out.
236
00:18:43,634 --> 00:18:47,347
You were before you
broke your mother's heart.
237
00:18:47,431 --> 00:18:50,100
Before you did dirt to a
sweet, decent little girl
238
00:18:50,184 --> 00:18:52,520
who would have cut off an arm for you.
239
00:18:52,604 --> 00:18:55,273
But now you ain't my son.
240
00:18:55,357 --> 00:18:57,692
Now you ain't nothing to me.
241
00:18:57,776 --> 00:18:59,945
You're nothing.
242
00:19:00,029 --> 00:19:02,656
I hate your guts.
243
00:19:02,740 --> 00:19:06,869
Do you hear me? I hate your guts.
244
00:19:09,289 --> 00:19:12,875
If things go down hard, you
just walk away, huh, Andy?
245
00:19:12,959 --> 00:19:17,423
People get in your way you just
step on them, just kick them away, huh?
246
00:19:17,507 --> 00:19:21,135
Hey, everybody, look,
look what we got here.
247
00:19:21,219 --> 00:19:24,139
Andy Marshak! A dirty little punk!
248
00:19:24,223 --> 00:19:28,018
Look at him, look at the dirty
little punk! Everybody, look!
249
00:19:28,102 --> 00:19:30,437
Spit in his mother's eye, this one.
250
00:19:30,521 --> 00:19:32,315
Ruined a girl's life, this one.
251
00:19:32,399 --> 00:19:35,026
Hurt people, all the time hurt people.
252
00:19:35,110 --> 00:19:37,070
Hey, everybody, look!
253
00:19:40,950 --> 00:19:42,534
Look at him!
254
00:19:42,618 --> 00:19:45,203
Look at the punk.
255
00:19:45,287 --> 00:19:48,166
Look at Andy Marshak.
256
00:19:48,250 --> 00:19:50,710
Look at the monster.
257
00:19:50,794 --> 00:19:54,757
Look at... my son!
258
00:20:11,109 --> 00:20:13,611
[RATTLING OF DOOR HANDLE]
259
00:20:34,469 --> 00:20:37,262
That where you generally
stand, behind the door?
260
00:20:37,346 --> 00:20:41,184
When somebody I don't know unlocks
my door, yeah, that's where I stand.
261
00:20:41,268 --> 00:20:43,561
Arch Hammer, huh? Detroit, Michigan.
262
00:20:43,645 --> 00:20:45,313
I never been there.
263
00:20:45,397 --> 00:20:47,524
Of course you haven't.
Neither was Henry Ford.
264
00:20:47,608 --> 00:20:49,402
You're down for a bunco rap, Hammer.
265
00:20:49,486 --> 00:20:51,320
I gotta put you on the book.
266
00:20:51,404 --> 00:20:54,157
You can make two calls
when you get to the station.
267
00:20:55,909 --> 00:20:58,286
Can I get my coat?
268
00:20:58,370 --> 00:21:00,748
Be my guest.
269
00:21:04,586 --> 00:21:07,213
Where is it, Hammer? Up on the roof?
270
00:21:07,297 --> 00:21:10,300
In the closet.
271
00:21:30,657 --> 00:21:32,367
Let's go.
272
00:21:52,431 --> 00:21:54,058
Hey, wait a minute!
273
00:21:56,769 --> 00:21:58,938
What do you think you're do...
274
00:21:59,022 --> 00:22:02,400
I'm sorry. Did you see a
guy come out of there?
275
00:22:02,484 --> 00:22:04,403
No.
276
00:22:20,963 --> 00:22:22,507
Hey, old man.
277
00:22:22,591 --> 00:22:25,301
You've got such a debt, Andy.
278
00:22:25,385 --> 00:22:28,304
You owe her for so many years.
279
00:22:28,388 --> 00:22:30,933
You owe her for so many things.
280
00:22:32,268 --> 00:22:35,521
And now, you pay off, son.
281
00:22:35,605 --> 00:22:37,899
Hey, now, wait a minute. Wait a minute.
282
00:22:37,983 --> 00:22:41,152
You got the wrong guy. I swear
to you, you got the wrong guy!
283
00:22:41,236 --> 00:22:43,029
I got the right guy.
284
00:22:43,113 --> 00:22:46,116
No, please. Please, wait.
285
00:22:46,200 --> 00:22:48,202
Put the-put the gun down now.
286
00:22:48,286 --> 00:22:51,539
I'll show you. I'll show you, honest.
287
00:22:51,623 --> 00:22:55,210
But I gotta think! I gotta concentrate!
288
00:22:55,294 --> 00:22:58,255
Just put the gun down. You'll see.
289
00:22:58,339 --> 00:23:00,382
I gotta concentrate!
290
00:23:15,691 --> 00:23:18,486
NARRATOR: It was Arch
Hammer, a cheap little man
291
00:23:18,570 --> 00:23:20,989
who had just checked in.
He was Johnny Foster
292
00:23:21,073 --> 00:23:23,741
who played a trumpet and
was loved beyond words.
293
00:23:23,825 --> 00:23:26,579
He was Virgil Sterig,
with money in his pocket.
294
00:23:26,663 --> 00:23:29,164
He was Andy Marshak,
295
00:23:29,248 --> 00:23:33,086
who got some of his agony back on
a sidewalk in front of a cheap hotel.
296
00:23:33,170 --> 00:23:36,923
Hammer, Foster, Sterig, Marshak.
297
00:23:37,007 --> 00:23:40,095
And all four of them were dying.
298
00:24:14,091 --> 00:24:16,801
PRESENTER: Rod Serling,
the creator of Twilight Zone
299
00:24:16,885 --> 00:24:20,885
will tell you about next week's story
after this word from our alternate sponsor.
300
00:24:23,017 --> 00:24:25,269
And now, Mr. Serling.
301
00:24:25,353 --> 00:24:28,607
Next week we'll give you
a lesson in astronomy.
302
00:24:28,691 --> 00:24:31,443
But a kind of lesson
not taught in schools.
303
00:24:31,527 --> 00:24:36,491
Fritz Weaver, Edward Andrews and
Joe Maross appear in "Third From the Sun."
304
00:24:36,575 --> 00:24:40,328
This is a story that takes
place on the eve of doomsday.
305
00:24:40,412 --> 00:24:42,706
We hope you'll join us
on The Twilight Zone.
306
00:24:42,790 --> 00:24:45,042
Thank you, and goodnight.
307
00:24:50,048 --> 00:24:53,218
[EERIE MUSIC]
308
00:25:30,219 --> 00:25:33,388
PRESENTER: Kimberly Clark
invites you to watch Steve McQueen
309
00:25:33,472 --> 00:25:35,932
in Wanted Dead or Alive.
310
00:25:36,016 --> 00:25:39,020
Saturday nights over
most of the same stations.
22543
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