All language subtitles for Fugitive.Girls.1974.1080p.BluRay.x264-SADPANDA-HI

(dramatic orchestral music)

(soft jazz music)

(moaning)

Ain't got any more booze, huh?

No, it's only a couple of blocks
to the liquor store.

You want me to get some?

We'll both go, Dee.

I've got my own special liquor
store across town.

Besides, we don't have to
lay out any cash.

I can sign for it.

I've got some money.

How much now, five, ten?

20.

We'll do it my way.

You know, it's been
more than a month.

How come you suddenly decide
to put out for me?

I love you.

Let's get out of here,
get the booze,

fresh air, and get back here.

You've got soft skin.

I like it.

Everything about me is soft.

Haven't you noticed?

Let's go.

(upbeat jazz music)

Hi.

Hi,

let me have a bottle of the scotch,
Clooney.

Hand over the cash.

You son of a bitch.

Slowly.

(gun firing)

(tense orchestral music)

Let's get the hell out of here.

Go on!

Go.

(tires squealing)

[Male] She was with him.

[Male] There's no doubt
she was with him.

(confused crosstalk)

[Male] The guy in there is
bleeding to death.

Somebody call an ambulance.

(dramatic orchestral music)

(upbeat jazz music)

I saw the sheriff bring in
a new fish today.

I heard she killed somebody.

Don't be silly, she killed somebody

they wouldn't be putting her
in minimum security.

Don't count on it.

Things are getting screwier
around here every day.

Now ain't we a test to the system?

When did she check in?

As I said, this morning.

Hi girls.

She goes by the name of Dee.

This is Toni, Kat, and Paula.

Hi.

Don't be uptight baby.

You'll get used to it around here.

Yeah honey, don't bust out in
tears on your first day.

I'm trying not to.

Sure you are.

You can get used to anything honey,

when you put your mind to it.

Speak for yourself.

Nobody gets used to a rat
trap like this.

(buzzing)

There's mother calling her little
girls to the shower.

Hey come on, let's make your bed.

Bye Dee.

See you later.

Now listen, there's nobody
that can show you

around the joint better than
Kat and the girls,

but you better get one thing
straight right now,

Kat runs the place.

You got it?

Okay.

Let's make the bed.

(soft guitar music)

Man, man, man.

What a hell hole this place
is without men.

You really dig guys, huh?

There's something else?

Let me tell you something honey,

there's only two things
worthwhile for a girl,

and that's men and money.

When I get out of here, I'm
gonna have both.

I got a lot of money, you know.

No, I didn't know.

You can bet on it.

Say, why do you think I'm doing time

in this sweat hole for anyway?

I got plenty of dough
stashed from the job

me and Tracy pulled.

Tracy's dead.

But now I'm the only one who
knows where it is.

Honey child, ain't no
money in the world

gonna make white trash,

no more than white trash.

Shut your big mouth you black bitch.

She's always braggin'
about the money

she's got stashed away.

Well, one of these days,

you gonna have to put up or shut up.

And I will shut you up if you
don't come across

with that deal when we
make the break.

Will you shut up?

Don't worry about me, I
haven't heard anything.

All those insults are adding up,
white trash.

All right, look you two,

I'm getting sick and tired of
this rainbow trip.

Now you two just cool it.

Everything's arranged.

When do we go?

(muffled)

Don't worry about me, I
haven't heard anything.

You repeat one word you
heard in here,

and I'm gonna cut your tits off.

I don't want any trouble.

I'll be getting out of here
one of these days.

Sure you will honey, when you've
got long gray hair.

(Dee crying)

Sounds like you could really
use a friend now.

I need a friend.

I could be a pretty good friend.

(soft acoustic music)

No, no.

That's not my trip.

You realize that you in prison?

And that is the trip.

No,

no please.

Leave me alone. Come on baby.

Please.

Cool it!

All I have to do is force you,

and I've got all the
help I could use.

Now how do you want it?

It's today, or tomorrow,
or the next day.

Oh no.

Oh yes.

It won't hurt,

unless you make it hard
for yourself.

Beautiful breasts.

By the way, don't fake it.

Believe me, I know what it's like
when a chick is coming.

Just don't pull any rank shit
like that with me.

(soft acoustic music)

Take off your pants.

Be quiet.

Take them off.

(soft jazz music)

(Dee squealing)

(dark acoustic music)

Oh please, help me get out of here.

Anything, you told me you
could arrange it.

Why don't you help her out, trustee?

Will you sit down?

Thanks for the wait for all of this.

Ladies, it's all arranged.

Now.

Yes, now.

No better time than the present

to get out of this joint.

Which matron?

Old Hazel.

Exactly who we said it'd be, right?

Something else.

What?

She expects some of the money,

once we're on the outside.

She can crap when I'm
on the outside.

Better figure on coming back
into this joint, honey.

So leave friendly sister,
leave friendly.

Right on Mama.

If everything's ready, what
are we waiting for?

What are we gonna do with her?

She's going with us.

You don't mind going with us,
do you?

You know, new squacks
always get the idea

that if they squeal on somebody,

they get a little bit
better treatment.

Well I'll tell you what honey,
I'll slit your throat.

And ruin such a lovely (muffled).

I don't want to go.

You'll do as your told,
and damn fast.

Kat, she's gonna be more
trouble than she's worth.

Look, I'm still running this show,

and I'm saying she's going.

Just do as your told, or I'll
slit your throat.

You cooperate with us, and we get to
the end of the line,

I'll take good care of you.

Well let's get out of here.

See if it's clear.

(tense jazz music)

Okay, we go one at a time,
under the fence.

Okay, except for me and
my chick here.

Paula, start out.

How much time we got
before that old bat

sets off the alarm?

About another half hour.

My, ain't we getting helpful
all of a sudden.

Ain't nobody gonna leave you
behind on this trip

your ladyship, because you
got the bread honey,

and bread can cure my fire a lot.

Okay, you take it from here.

(dramatic orchestral music)

(siren sounding)

There's mother, right on schedule.

They've got dogs and guns too,
let's get out of here.

(dramatic orchestral music)

God damn your ass girl.

I'm beginning to think Sheila
was right about you.

I gotta rest Kat, my feet
are killing me.

[Man] Beat the brush, boys.

[Man] I tell you I saw
footprints over that way.

Those broads ain't gonna strike
out across the swamp.

Stick to the trail.

One word out of you, and
I swear to God

I'll kill you before
they can find us.

(dogs barking)

What the hell's the matter with you?

(dogs panting)

Barney, you take the right path.

Phil, veer out left.

Well, that was close.

At least they're off our
trail for now.

Are you sure of that, honey?

As sure as I'm gonna be about
anything right now.

I wonder why those dogs
didn't sniff us out.

'Cause I sprinkled around some
garlic powder back there.

I paid a visit to the kitchen last
night before we left.

Now that's an awful mean thing to do

to those poor innocent dogs.

Well it keeps them from
getting worms,

and it dulls their senses.

All right, let's cut out
the small talk.

I know we got to rest some time.

Any of you goes to sleep,

you're gonna get my knee in
the tender part

of your thigh, got it?

Would could assign guards.

Well she finally got an
idea for a change.

You want to go to sleep?

All you want to go to sleep?

Well let me tell you what.

You can get all the rest you want,

right back where we came from.

I'm so tired every muscle
in my body aches.

And I scratch from my
toes to my fingers.

You think I don't?

Now I say we're gonna get some rest,
and we are,

but not now, we're moving out,
let's go.

(dramatic orchestral music)

They're gone, huh?

So where's the way?

Some creep of a man got me stuck
in that place, too.

I tell you, if I ever get laid out,

it's gonna be by a chick.

What are you gonna do with me?

I don't know.

I guess that answer just has
to come with time.

Are you gonna kill me?

Hell no, what would I want
to do that for?

I don't know, I just feel it.

I killed somebody once.

It was a guy.

It was my husband.

He turned into a pimp and, for me.

His mistake was though, he
turned me on to chicks,

and I dug it.

It figures.

You bet your sweet ass.

What about that guy in
the liquor store,

did you kill him?

No, I had nothing to do
with that killing.

But nobody will believe me.

Paula over there, she cut the
balls off her pimp.

And Sheila, she was working
as a stewardess.

She got caught smuggling a
whole bunch of dope

into the country.

Toni, who knows where that's at.

She was working in a bank,
and she and some guy

embezzled something like a
half million dollars.

They stashed it away, and
she went to jail.

Well anyway, that's where
we're headed now.

We're gonna get to the cash
and split it up.

As a matter of fact,

if you're kind of cooperative,

we could probably cut you in.

No, I don't want any part of it.

All I want is to get out of here.

We're not alone.

I thought I heard something too.

Pigs?

I don't think so.

What do you suppose?

Well that's one thing honey,
it ain't the pigs,

because the pigs ain't never
sounded like that.

(cheering in the distance)

(cheering)

Hey, looks like we're gonna
have some guests.

Well I like 'em.

Pull up to the fire,

and make yourselves at home, you
must be very hungry.

Presser's gonna take really good
care of you girls.

Tears and me have our
evening routine.

Oh and they call her Tears because
she cries an awful lot.

Hey prison lady, want some red?

Yeah, sure.

Been a long time.

(cheering)

I propose a toast to Hazel.

Hazel is our guard at our

correctional institution for women.

To Hazel.

To hell with Hazel.

When did you guys bust out?

It's that obvious huh?

Tonight.

Some of you girls look
pretty good to me.

How about this chicky over here.

She taken by anybody?

I said that because I noticed you
was looking at her.

That one's taken.

My my that stuff looks good.

Now look at that, right
out in the open.

Isn't that disgusting?

And in front of guests too.

He's a real stud, that one.

Don't kid yourself honey.

He may look like a flower child,

but you can bet he's a tough one.

Oh I don't know.

If I wasn't so tired.

Why don't you get some rest?

You're gonna need it.

Hey you want to read us
our fortunes?

Oh Sabrina doesn't read.

How far are we from the road?

A long way.

Which way?

Oh, I don't know at night, man.

(all laughing)

(birds singing)

What the hell is this brew
made out of, mud?

Even in my poorest days in the south

I never tasted anything like these
characters dish up.

You know, this is one time I
agree with all of you.

Yeah, and all this time, I thought
prison food was bad.

You call this crap coffee?

Of course not, it's organic tea.

And what's this?

Seaweed?

When we eliminated ourselves
from the establishment,

we eliminated all of their ways,

and that includes their food styles.

We grow everything we eat.

In what, dung?

No, herbs are abundant.

There's leaves from the trees,

moss from the tree trunk.

There's natural food all around us.

Well I'll stick with the city.

Speaking of the city,

the sirens got really
loud last night.

Nobody could help but hear them,

but you've got nothing
to worry about.

No one's coming in here after you.

Why, have you got some magic?

Figure it.

No more trails,

like the snakes, bobcats,

and we know how to use these.

Look buddy, we've only known you
a couple of hours.

We don't know who you are,

but you sure like a bunch of
filthy freaks to me.

Hey I'm Bat,

and this here's our leader, Presser.

That's Calico.

That's Tears, sitting down.

That's Carrie.

And to your left is Lightning.

And I don't care what
your names are,

but to call us freaks,

I mean that's bringing
dangerous insults

to the people who just fed you.

Well I'm so glad you told
us what you did.

They all smell like freaks.

Yeah, don't any of you
ever take baths?

Water is for growing things,

it's for drinking,

we shouldn't pollute it
with such things

as our body waste.

However, gentle people as we are,

name calling like that can only lead

to broken bones and
open skulls lady.

You're not scaring me buddy, so
just cut that shit out.

Whoa, wait a minute.

We only want to be nice to you.

We could be real nice to someone

that looks as good as you do.

Then why all the muscle?

Because if we want to put across

the way we think, the way
we want to live,

then sometimes muscle is needed,
dig?

They ain't gonna get nowhere
in them prison rags.

Give 'em your stuff ladies.

I'll take her clothes.

You got 'em.

She's got more.

Hey.

You suppose that

there's a virgin in the bunch?

I think there is.

She looks real ripe for plucking.

You bastards.

And you want to do the pluckin'?

You know somebody better to do the
first harvest, man.

Tell you what, you lay one finger
on one of my girls,

and I swear to God, I'll wrap this
chain around your neck,

and shove it down your throat.

Good Christ.

A Lesbian.

All right, take the fucking rags.

We'd better rid of this
dyke trash anyway.

Hey, ain't nobody gonna
do her any harm,

as long as she's got
that bike chain.

I figure, she knows how to use it.

You bet your sweet ass I do, honey.

Presser's running this part
of the country.

All right, go on beat it.

Get the hell out of here.

We're going.

But let me tell you something,

pigs come around here
asking questions,

you keep your mouth shut,

because if I have to come back here,

I'm coming back with more
than a bike chain.

Let's go.

Forget it man.

Let 'em go.

They ain't got nothing we want,

and trouble we don't need.

Besides, the pigs'd like to see us,

just as much as they would them.

Dig?

Yeah, I dig.

(tense jazz music)

I figure they gave us the slip.

No other way to look at it.

I don't see how in the hell,
they got around us.

It's best we get back
to headquarters.

Get out on the road in the
cars for a while.

Oh, they ain't caught
up with us yet.

Oh I tell you, I gotta get
this shirt off.

It's damn lice.

These lice.

Hey, what about those
hippies back there?

What about them?

You know they could turn us in
to the pigs you know.

Yeah, I got the feeling

we didn't win any friends or
influence people

with our particular charms.

Those acid heads are just as afraid
of the cops as we are.

There's no way we can travel
in this sunlight.

This heat's too much.

We're gonna have to wait and
travel at night.

Sheila?

What are you gonna do
when we get clear?

I'm gonna pay a visit to
that son of a bitch

that let me take the rap in
the first place.

Skunk.

I dug him though.

I don't know, when I get my
share of the money,

I'm gonna go to Mexico,

maybe Canada.

You know, do a seasonal thing.

Go south, in the winter,

and north, in the summer.

I know what I'm gonna do.

Me too.

Get laid.

That too.

Sometimes I think you might learn,

but once white trash,
always white trash.

Can I help it if I like men?

You'd screw a cockroach if
he turned you on.

Cockroaches are black, and
I don't go black.

Honey child, remind me to
remember that remark.

All right look, cut out the rappin'.

We gotta get some rest.

We still got quite a few
miles to cover yet.

(phone ringing) I gotta
get the phone.

Yeah, hello?

Sheriff, yeah this is Pop
down at the airport.

No, none of the boys are here,

they won't be back till Wednesday.

Five of 'em you say?

What do you know, escaped from the
prison up there, huh?

Five of 'em.

Well, let me tell you sheriff,

if I see five pretty broads
coming my way at my age,

you can bet I'm gonna call
on you for help.

Yeah, sure thing sheriff,
I'll call you.

Okay.

We gonna play games with old Pop?

That old son of a bitch.

Services those clappers and he won't
service our choppers.

Let's give him a taste of hell.

(gun firing)

(gun firing)

(rock and roll music)

Creeps out there.

One of these days I might
just shoot them.

Kind of dangerous making along
the road, ain't it?

Right now anything we do is
gonna be dangerous.

Say look southern belle,

just how far is this stash of cash
you're claiming to have?

Well, not knowing exactly where we
are, it's hard to say,

but I can guess it's not more

than 100 miles or so from here.

(Spanish music)

Well in that case we need a car.

Damn fool, that could be the cops.

Hey, what's a pretty girl
like you doing

miles from nowhere?

What's the matter?

Some jokey lay his paws all over

so now you gotta walk back to town,
right?

Tell me, what makes you
think I don't have

as many paws as that last joker?

A pretty girl like you.

This does.

Far out.

It's a shame to mess up
such a cute face.

You keep your hands off white boys.

Cut it out you two.

What do we do with him, Kat?

Well he's not gonna be
like the hippies,

he's gonna be more than willing
to go to the cops.

I know what to do with
this (muffled).

I guess she can do what she said.

Been a long time since I had a man,

and especially a white man.

All right, take him.

Just make it quick.

Looks like he's gonna
need some help.

All right, get his watch and wallet,

and throw his clothes away.

Sure.

All right.

Well you'd better move the car
off the road up here.

Turn the lights off.

Yeah, okay.

(car starting)

Why didn't you pull it off the road
a little bit further?

I pull it off any farther and
we may get stuck.

(man yelling)

He sure does scream nice.

All that free flesh.

Hot babies like Toni and Paula,

and he's carrying on like some
virgin school girl.

Maybe Paula bit him after all.

Oh, never mind you southern belle,

hurry up, what about me,
what about me?

Leave me alone, leave me alone.

Hurry up and give me my chance,
please hurry up.

I'm trying.

Oh, love it love it love it.

Don't worry about it honey,

your time is yet to come.

Oh you southern belle, hurry up.

Leave me alone.

You'd better go in there and
tie him up to a tree.

Make sure she got his
wallet and watch

and threw his clothes away.

You make sure he stays
put for a while.

Let's do it love, let's do it.

Come on.

I think he needs a refresher course
in drivers education.

Hey,

come on let's get out of here.

What do we do with him?

Tie him up.

Just let me get my shorts on first,
please.

Oh, our baby's getting shy.

All right, put your shorts on.

Bend over.

Come on.

Come on.

Bend over.

Put your feet together.

I've got his watch.

You got him?

Yeah, he's good.

Good, good.

You can scream all you want to,

but I wouldn't move around
much if I were you.

See what she means.

I'll see that you're
all tracked down

if it's the last damn thing I do.

Yeah, you do that honey.

Maybe I can show you something
these two didn't.

Get his wallet.

That's the way it goes baby.

Let's go.

(car starting)

(girls whooping)

You sure took that white boy like
a sex dog pussy cat.

Well let me tell you honey,

he was all right once
he got started.

Ah the devil made me say it.

(upbeat jazz music)

Feels good doesn't it?

You gotta think there's
gonna be more cops

than there are of us.

You can say that again.

How much gas we got
left in this car?

Oh that bastard,

he didn't put any gas in it.

Where in the hell are we
gonna get gas out here

in the middle of nowhere?

Well we ain't out of luck yet,
look over there.

It's an air strip, forget it.

So, air strips generally have
gas pumps don't they?

We're damn gonna find out.

(dramatic orchestral music)

Locked. Oh shit.

Go see if anybody's inside.

Rat pack.

What about them?

They're not cops.

If they wanted us, they'd come
over here right now.

Well then I ain't just hidden us,

go inside and see what you can find.

Well, hello there ladies.

Hey Pops, sorry to bother you but
we've got an emergency.

Well, you got out of gas, huh?

Well, Burden's been shouted at by
everybody these days,

because everything's
got an emergency.

You got keys to these pumps, right?

Well, nab dang it all, or
course I've got keys

for the pumps.

That's kind of a stupid question.

You gonna fill it up?

I can only give what I can give you,

because you see this here gas is
for the big trucks,

and for the other
equipment around here,

but see as how you're kind of stuck,

I'm gonna give you what I can.

What kind of air strip is
this anyway, Pops?

Awfully small to be of any use.

Well, you see this is a home base
for the cropdusters,

and it don't take much air
strip out there

for them cropduster airplanes.

[Kat] You fly any of these?

Oh, shecks no.

I only caretake for the place,
for the boys.

You see, when the boys come in,
then they've got a job.

Then they just leave just as fast
when the job's over.

You here by yourself?

Well now, just me and my dog.

Hey, doesn't it get kind of lonely?

No,

you get kind of used to
it after a spell.

Come on, pump this a little faster,
Pops.

Hey, young lady, this here ain't
no big city gas pump.

Say, you mind taking over
for a spell here?

I got something powerful I gotta do.

Such as?

Well now, you wake a fellow up in
the middle of the night,

what else do you expect
he's got to do?

I gotta say some more?

No, that's all right.

All right now, you put that
cap back on there

when it gets all filled up,

or you spill it out I'll tell you.

(phone dialing)

Oh come on answer that
phone sheriff.

Well that there prison farm,

I know that's them.

Come on sheriff, answer the phone.

Come on sheriff hurry up before they

get out of here and get away.

Wait sheriff, come on.

Answer the phone sheriff.

That's gotta be them girls that
escaped from prison.

Come on sheriff, answer
the phone sheriff.

(tense orchestral music)

I was gonna pay you cash, too.

Get out of here.

Hey,

(muffled) up and down the other way.

Let's go back the other way.

I already told you Sunshine,

I saw the car when it came
into Airfield Road.

It was headed in this direction.

Yeah man, let's go have some fun
with those chicks.

What are we waiting for?

Let's give 'em the old
play dead routine.

All right, but listen, I'll be the
one to play possum,

can you dig it?

All right, I'll lay my cycle down,

and you put your cycles over
there in the bushes.

Yeah, let's go.

(confused shouting)

I'll tell you, they'll never learn.

Those men'll just never learn.

You were great girls.

Really great.

I'm proud of you.

Help!

Hey, what happened here?

God, I'm telling you,

I'm gonna start going
naked pretty soon,

if we don't get out of these rags.

We're just gonna keep going for
about an hour more.

We need to get far enough away

from that guy back
there in the woods.

We'll turn off on one of
these side roads,

and find a farmhouse.

What's farmhouses got to do with us?

Stupid, farmhouses got people,

people have got clothes.

That's what we need a
lot of right now.

And maybe some guns?

Honey, I'll tell you,

me and Carrie once shacked up
in an old farmhouse

out in Dakota after a job,
and I'll tell ya,

they had shotguns, pistols,

and even a couple of (muffled).

I thought you said there wasn't
going to be any killings.

Why don't you mind your
own business?

Having a couple of guns can be
mighty convincing persuaders

if we ran into any trouble.

Any more trouble.

Right.

Well, don't think too positive.

(dark jazz music)

You figure this one?

[Kat] Well you certainly
have enough choices.

What about the car?

We'll stash it back up in there.

We passed a hundred side roads

in the last couple of hours.

No way they're gonna find this one.

All right, you're the boss.

You know, I wonder what
that old bat Hazel's

doing back there.

She's eating her guts out,

wondering how we got away.

How much money you gonna send her?

She's sending her no money.

Man, she didn't do
nothing to help us.

Shit no.

Didn't do us no favors.

That's right.

Wow, we're a good hour and a
half on the road.

I don't see why we couldn't
stay here tonight.

Go on Sheila.

I'm gonna spend all my money,

and I'm gonna think about her

back in the prison while I do.

We'll send her a care package.

That's right.

We'll send her some of her some
of her fanciful teeth

that we got to wear.

Really.

Send her some candy bars for favors.

(dark jazz music)

(owl hooting)

Look at all those skimpy
undies on the line,

at least we won't have to settle
for old bat's clothes.

One word out of you,

and you'll be the first
to get laid out.

Understand?

(tense orchestral music)

Phil, Phil, wake up please.

Please, please wake up.

Who are?

Shut up.

You can't come barging in my home,

who the hell do you think you are?

Nobody you know, yet.

Get out.

What do you want?

What are you looking for?

Why all these questions?

I haven't even had my
morning coffee yet.

I said get out of my home,
before I call the police.

What are you gonna do, race me
to the telephone?

You son of a bitches
escaped from prison.

That was for your lousy
choice of words.

My God,

they are the escaped prisoners.

That's right.

We're tired and hungry,

and I meant what I said
about the coffee.

Do what they say.

See how your man backs down when you
put him in his place?

You got any more of
these guns around?

No, I didn't expect an invasion.

Well get up, I want you to
go into the kitchen

and fix the coffee.

Go in there with uh.

With me.

Her.

Well come on.

Get your ass moving baby.

Crippled?

Yeah.

I'm paralyzed, shrapnel in Vietnam.

Tough.

Yeah, it's a goddamn good
thing for you too,

'cause if I could get out
of this chair...

Yeah, yeah.

What the hell are you doing?

Trying to find the news,

to see what they have
to say about us.

You never listen, do you honey?

The news has been on already.

Well, in our case, I figured
they might have more.

What are you gonna do with her?

That's my business.

The money I got stashed
is my business.

I didn't think you'd want to
hit your benefactor.

Well now, she's been
yours ever since

she first came to the joint.

I don't mind a few kicks
if the (muffled).

I'll take her on.

Uh uh.

Hallelujah,

the white trash is turning lez.

I always knew there was something

strange about you honey child.

You goddamn whore.

The coffee is on,

and the refrigerator is
full of food.

Take your filthy hands off of her.

Keep that bastard quiet.

Sweetie, you're kind of cute.

What are you doing?

What do you think I'm doing?

(girl crying)

Hold still honey, we're not
gonna hurt you.

Hold her still, honey.

You shouldn't be so upset.

Bet you feel good, huh?

Honey we can have lots of fun.

(girl crying)

God, please, please, please.

Oh, for the love of God, please.

Please leave her alone.

Please.

Please, please, I'll do anything.

Take my car.

Oh God, please.

You lay one hand on her.

You're gonna do nothing crips.

Look, you don't wanna shoot me.

You keep away from me,
or I'll shoot.

You make one move and I'll
shoot you, too.

(dramatic orchestral music)

You didn't think I'd let you
get away from me,

did you honey child?

Nobody can shake black
bitches like you.

From now on baby, I'm sticking
to you like glue.

I told you the name of that place

sounded like a cemetery to me.

Yeah.

You were cleared of all charges

when your boyfriend confessed,

but there's still a lot of things

that have to be cleared up,

so I do have to take you in.

I understand, but they won't hold me

when I tell my story.

Just tell it the way you told me.

Car 16 reporting in.

Two suspects in custody,

two have escaped in a brown
Cadillac, 1968 model,

license number is
unknown at this time.

They haven't been seen
on the highways.

Check the area around the
old Carson shack.

We gotta ditch this car.

We won't need it much longer.

Then what are we gonna do honey,
walk?

We need it to get to the money,

and from where the money is.

The money, near here?

Wow, what do you know about that?

And only a two-way split.

The deal remains the same,

you still only get one fourth.

You damn lousy white trash.

You take it or leave it.

I could give you nothing.

And I could slit your throat.

Look, we gotta bury the hatchet

about our personal battle
for the time being.

If we're gonna get out of this,

we're gonna need each other.

(crow cawing)

Hallelujah, let me see
some of that green.

Not now girl, we've gotta get
out of these parts.

(tense orchestral music)

Look, we've gotta bury the hatchet

about our own personal battles
for the time being.

If we're gonna get out of this,

we're gonna need each other.

I'll buy that.

Pigs made us.

Keep your head down.

It looks like they're heading
for the gravel pits.

We can't shake the pigs.

There's only one way of
stopping them,

that's if they find a body.

(dramatic orchestral music)

Yeah, you black bitch.

I get it all.

(dramatic orchestral music)