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In this lecture we're gonna be learning how to draw lips.
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So let's go ahead and begin.
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So for the lips let's go ahead and we're just gonna draw a straight line like this is how I usually
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like to draw lips when I'm drawing them from the front start with a straight line to just kind of block
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out how wide my lips are going to be.
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Then from there we can go ahead and we can sketch out an oval like this at the bottom
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then we'll do a circle right here and a circle right here so these two circles should meet kind of right
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there in the middle of that big oval
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then let's go ahead and kind of mark out where the corners of our lips will be so right about there
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and a right about there and a little bit closer on that side that looks pretty good.
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And what we're gonna use these as is guide.
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So the bottom lip is gonna be on the bottom side of this line and the top lip will be on the top of
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that line.
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So what I'd like to do is I'd like to go ahead and start with the bottom and coming off the bottom of
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this oval here.
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I like to bring it right up like this.
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So just kind of a curved line like that do the same thing on the other side and you'll see that I turn
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my paper just so I can get that nice curvature there sometimes in your drawing curves.
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The easiest way to do it is to turn your paper so your hand naturally moves in that curve.
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All right next.
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Let's go ahead and let's draw this little point up here.
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So you'll notice on your own lips that you have this kind of point in your lips that runs right up into
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the what's called the filter from.
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Then we can go ahead and draw the top portion.
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So it's going to kind of curve up like this and then slightly back down.
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So almost an unnoticeable S curve but there is a little bit of an S curve there.
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Do the same thing over here.
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Curve down into the corner of the mouth
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and then for the lips we don't just want to do a straight line what we get is we kind of get coming
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off of these two circles we kind of get this sort of rounded almost point like that
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and that kind of makes up this form right here of these two circles.
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And then it basically.
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So it kind of goes up like that and then it's going to kind of come down like this.
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So kind of a slightly curved line into the corner of the mouth which for the corner of the mouth we're
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kind of just get a little crease going down like that.
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All right.
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So we can go ahead and kind of darken all these lines in and solidify them now
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and then what we get is typically the top lip at the light is coming from the top down the top lip will
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be in more shadow.
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So I like to just simplify it by darkening the entire top lip with the shadow and then I'm gonna get
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a little bit of shadow on the bottom of the bottom lip.
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So right down in here
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and then I like to add a little bit of shadow and it's not necessarily shadows just kind of a value
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just so we kind of differentiate the lips from the skin tone and then you're gonna get a dark shadow
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here from the crease and this is ambient occlusion so right there in that crease where you can't really
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see anymore it's going to get really dark
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it's also going to be a little bit more and shadow on that side and that corner right there and if you
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wanted to you can even kind of draw in some construction lines which also kind of makeup just kind of
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the wrinkles that you see on the lips.
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But this will kind of help you understand the form a little bit more how that curves out.
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And same with down here.
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This curves out as well especially around this big round oval shape that we drew there.
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It has a nice curve to it.
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All right.
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So there is the front view of the lips sort of we want to draw the lips from the side.
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Well from the side it's going to be very simple it's just kind of start with a line like that.
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It can have a little bit of a curve to it and then you have the upper lip like that
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and then you have the bottom line.
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Now the upper lip tends to peek out just a slight bit more but basically you get this angled V shape
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right there
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the bottom lip also tends to be a little bit bigger than the upper lip a little bit thicker
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than this will run kind of like a little curve like that down into the chin.
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And this will be the fill term which will run up into the nose.
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And again we can go ahead and shade in that upper lip
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and also go ahead and shade in this area.
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If we wanted to we can even kind of mark out a little bit of a reflection there on the lips.
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Maybe they're wearing some sort of glossy lip gloss
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right.
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Great.
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Now what about drawing it in three quarters view.
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Well just like the eyeball you want to remember what the form is and how the how the whatever it is
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you're drawing is wrapping around that.
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So the eyelid for example had a wrap around a sphere.
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When it comes to the lips the front of your face is kind of curved like a cylinder.
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And so we want to make sure that we draw the lips on a curve.
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So a good way to practice this is to just draw cylinder
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draw two lines coming straight down
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that we can draw some lips on that something to draw where the center of the lips are gonna be which
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would be right there in the fill trim.
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And I'll use that as my guide.
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So start by drawing my two circles which are kind of more like spheres and you're looking at it from
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this angle.
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So though kind of slightly overlap and then I'll draw my big oval for the bottom lip
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and then we can go head kind of sketch out the curve.
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So we want to follow the same curve here and that's kind of the curve of the crease of the mouth.
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All right.
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And so then what we can do is we can just draw the angled part of the fill trim like that
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troubled upper lip and because of the angle we're looking at this as you can tell this will get a little
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bit more squished on this side and this side will appear to be a little bit more stretched
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can go ahead and draw the bottom lip so when I draw this bottom up I kind of use these curving lines
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like this and make their way back just so I can keep in mind what the curvature of that bottom lip is.
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It's just kind of like that.
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So just like that.
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So there you go.
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There's some lips from a three quarters of you
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great.
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Now what about the smile.
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Now when I got it I'm not going to go into crazy detail the smile but just you have a decent understanding
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for your character designs.
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A smile is kind of like this.
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So rather than just mean a curved line like that you see people draw smiles like that when they're just
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doodling around.
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But in this case what we want to do is we want to kind of do a straight line again.
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The smile just kind of stretches out on the top lip and then it curves down for the bottom lip
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like that.
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So that's kind of what we get going on there.
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Maybe I'll shrink that down a little bit so drawing a smaller drawing.
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So this is going to represent the bottom of the top lip and this will represent the the inside of the
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bottom lip.
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And so from there we can basically do the same thing.
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So we start with two circles for the fill trim sort of area.
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The lips a big oval down here and then we can just kind of base everything off of that.
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So I'll go ahead and I'll draw a line like this to represent the bottom inside of the lip.
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Then from the bottom of the bottom left from that Oval to go ahead and just bring the lips back up like
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this.
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So this is where that actual curved shape comes into play.
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It's not on the upper lip.
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It's on the bottom lip where you see that nice curve
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and you might get a slight curve.
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So these might kind of angled downwards just a little bit but it's not going to be back or not as much
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as it is down here and just like everything when the smile is happening the muscles in the face are
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stretching.
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So that means everything kind of just gets stretched out a little bit.
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So this point right here for example will be a little bit more stretched out the the corners of the
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mouth kind of stretch out a little bit.
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All right.
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So once we have those lips drawn in then we want to talk about the teeth.
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So when it comes to drawing the teeth especially in character designs you don't actually want to draw
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every individual tooth in there it's much better to simplify things.
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So the simple idea of the shape in the form of the teeth is basically you angle out a line like that
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and that corner and a line like that in that corner so there's just a little area in here that we can
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fill in with black.
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And that's basically the back corners of the mouth where it's really dark.
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You can't see and then this whole white area represents the teeth.
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Now depending on whether you want to show the top and the bottom teeth that kind of depends on how big
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their mouth is open how big you want their teeth to be.
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In this case we can just kind of draw a line like this across the bottom to represent the line between
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the top and the bottom teeth.
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And we can even go ahead and shade that in a little bit darker because they're kind of be a little bit
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more in shadow.
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Another thing is can go ahead and kind of shade darker to lighter out here on these outside on these
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edges as they go back into the mouth they're going to go into more shadows.
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So we want to include that in there and there's probably gonna also be some shadow being cast right
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underneath here
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right.
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And so on most your characters are going to want to just kind of keep it simple like that you're not
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gonna want to show a lot of detail in their teeth.
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If you wanted to you could just very very lightly kind of go in there and show the bottoms of the shape
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of the teeth
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but that's really all you want.
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You can also do gums as well but you don't want to do those lines in between the teeth if you draw the
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lines in between the teeth.
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It's not going to look good and that's a common issue I see a lot of people run into when they're doing
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character designs or drawings of people as they add those lines between the teeth and it doesn't look
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very good.
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Maybe you could add a few lines out here in the shadow.
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All right you're in the middle.
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You want to keep those lines out.
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You just want to show the indication of where the shape of those teeth are.
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And so that right there that little point lines up at that point right there up in the gums and it gives
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you the indication of where that tooth is.
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But it keeps it nice and simple and clean and beautiful looking by not drawing those lines in there
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because in real life those lines are very light and you can't really hardly see them.
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All right.
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That brings us to the end of this lecture.
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Thanks for watching and I'll see you guys in the next 1.
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