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And the next step is to adjust
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the white balance of the photo, which is essentially the temperature.
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It determines whether the photo appears warmer or cooler.
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We have two sliders for that representing the degrees
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of Kelvin, indicating
whether the photo is cooler or warmer.
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And then there's the tint slider, which allows us to add a touch of magenta
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to warm up the photo or a cyan and green to cool it down.
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Here, it's also worth checking the outdoor setting,
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which just shows us how the program sees the photo
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and how it would set that white balance towards the neutral setting,
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which is what the auto mode aims for.
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We click on the magic wand and see that
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it has shifted it slightly towards the cooler side.
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Let's check that.
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Before we had a fairly warm photo and the auto setting
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has directed us towards a cooler bluish tone.
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But based on a visual assessment, it seems a bit too cool for our case.
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We would like the photo to have a bit of warmth
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so that the skin looks natural.
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It's also a good idea to change the gray
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background to white, often on a dark background.
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We are not entirely sure which direction the photo is leaning towards
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and sometimes it's useful to compare it against White.
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We can clearly see it on white.
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Here we are slightly on the cooler side, so we will visually adjusted slightly
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towards warmth to the right around
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5100 kelvin, which I like the most.
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I think the tint is fine at this level.
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Let's check our edits before and after these adjustments.
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The photo is more neutral, providing a good base for further work.
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We'll finish
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here and move on to working with the high dynamic range.
2819
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