All language subtitles for S.K.S03E05.Groovy Baby [eng]

My name's Ted Finch,
and I dedicated

my life to saving history.
-Red Cross.

One object at a time.

Whoa, look at these things.

When a building
reaches the end of its life,

it's my team's job
to get in there

and save everything
we can.

And when it comes to salvage,

I will go anywhere
to find hidden treasure.

But
the work doesn't stop there.

Our mission is to restore

these pieces and find
the perfect buyer.

Deal. Sold.
Let's go write it up.

There are no jobs too big,

too small
or too hard for us.

Whoa!

We are the Salvage Kings.

[upbeat music playing]

We've got a busy day today.

My crew's here nice and early.
Just how I like it.

That old mill we cleaned out
gave us a ton of great salvage,

including some
beautiful copper lights.

AJ's working on three of them
to set up on display.

I got John doing John stuff.

While Nick
and Brandon are putting

the rest of the lights
together.

Guys, come here for a sec,
I wanna show you something.

-[AJ] Okay.
-What are we looking at?

I got a call from a realtor.

I've done
tons of work with him,

so he just sold this property.

-You know where this is?
-No.

-[Nick] No.
-The area is the Bridle Path.

[Brandon]
That's like the Richie Rich.

[Ted]
Yeah, the Richie Rich, man.

[John] Never been there,
but I've heard of it.

[Ted] They paid 12 million
bucks for this property.

[Brandon] It's a huge place.

[Ted]
They're tearing the house down.

They paid 12 mil
for a tear down?

[Ted] Twelve million
to tear it down.

I don't know what's inside,
but the house was built in '62.

Hasn't been decorated
since then.

[AJ] All '60s mod?

We all like
the mid-century stuff.

Brandon, mid-century?

I love the mid-century stuff.

-You know what it is?
-Yeah.

-Okay what?
-Stuff from the mid-century.

-[Nick] Uh-oh.
-[all laugh]

All right, Nick, let's grab
the tools and get ready.

Sounds good.
Let's do it.

[narrator] Little more
than farmland until 1929.

Today, the Bridle Path
has been referred to

as Billionaire's Row.

It is Toronto's most
affluent neighborhood.

Over the years it's been home
to many celebrities

such as Celine Dion,
Prince and Mick Jagger.

[Ted] Beautiful mansions,
immaculate lawns.

One of the most exclusive
neighborhoods in the world.

We pull into probably
the worst place on the street.

Majorly overgrown,
boarded up,

kind of rundown looking
from the outside.

But you never know.

This place was a cool place

-at one time.
-[narrator] Ted paid

the salvage rights
for this place sight unseen.

So, the pressure
is on to uncover something

valuable enough
to make this worth his time.

[Ted]
This is a killer neighborhood.

Like Gordon Lightfoot lives
around here, The Drake.

-It's just Drake.
-Drake. Okay.

He lives around here, too.

Big bucks neighborhood.

The property
was owned by a mining magnate.

Made some huge discoveries.

Gold, copper, high roller.

-[Nick murmurs]
-[Ted laughs]

-Oh, wow.
-We'll grab that for sure.

[Nick] Yeah, you think
that's worth something?

[Ted] It looks silver.

Right away, above me,
there's a beautiful chandelier.

It's probably silver plated.

That looks like an original
piece out of the '60s.

-Look at the sparkles.
-[Nick] I know.

-What do you think that is?
-[Ted] I don't know.

Maybe it's gold.
The guy was a miner.

-[both laugh]
-[Nick] I think Ted was joking

when he said
there could be gold in here.

But I'm thinking there could
definitely be something--

Not literally gold,
but really cool.

Grab this.
It's a decent reproduction.

It's not that old,
but it's still worth

200, 250 bucks.

[Nick] Okay. I'll
grab this right away.

I'm going to hit
this hallway here.

[Nick] I'll roll this up
and I'll grab the ladder.

-[Ted] All right.
-[Nick] All right.

dd

[Ted] Bedroom here.

Another bedroom.

Well, that's not
a bad little piece.

This is a sewing table.

Looks like it's out of
the early fifties.

50, $60 piece.
It's got a look.

I'm taking it.

To be honest, I lost track
of the bedrooms

after the fourth or fifth one.

There were bedrooms,
bedrooms, bedrooms, bathrooms.

This is original 62.

Place is a time warp,

it hasn't changed once
since then.

Clown people.

I don't like clowns,
but I'm taking it. [grunts]

At this point, we're up
to a few hundred bucks.

Cool stuff.
But it's not paying the bills.

-[Nick] Ted!
-[Ted] Coming.

[Nick]
I need a hand up here.

Yeah, I can't cut this chain,
with just normal snips.

Either you cut and I'll hold
the chandelier, or vice versa.

[Ted] Here, I'll cut,
you hold.

[Nick] Yeah, so just cut-- I
was going on that bottom link.

-That bottom link?
-[Nick] It's really heavy.

-You got it?
-[grunts] Yeah.

Is it heavy, heavy?

I gotta move down quick,
I'm shaking.

[Ted laughs]
It's silver, it's tarnished.

It's definitely real metal
if it's that heavy.

[Ted] Yeah.

So you want to start putting
that stuff outside

and I'll keep
looking down here.

Yeah, sounds good.
I'll take that out.

These clowns are creepy.

[Ted] Someone will buy those.

Oh, the kitchen,
it's a blast from the past.

Back in the day,
that would have cost

as much as a car.

Walking into the kitchen,

I see a vintage
sixties range in there.

This thing's
right out of the Jetsons.

Oh,
there's more burners in here.

[laughs]
It's burners in a drawer.

Groovy. It's all built in.
I can't save this.

We're going to wreck it,
taking it out of here.

I love walking
into places like this.

It's like going into a museum.

We've gotta get in this garage.

We should grab these, Nick,
they're pretty cool.

-[Nick] You want these?
-[Ted] Oh, yeah.

Iron gates sell,
'cause they're old iron.

Heavy. Good quality.
And I will sell those.

Up in the attic, we go.
[chuckles]

Oh, it's a tire stash.

It's a typical
Canadian attic,

well, there's
a cool old toboggan up here.

There's a whole bunch
of snow tires up there,

toboggans,
that type of stuff.

A gas can, 1950s.
That's 50 bucks easy.

Spartan, that's a cool one.

I can probably get
100 bucks for that one.

There's that toboggan,
it's got a very cool front end.

Probably
100 bucks too.

What the hell is that?

-[Nick] Hey, Ted.
-[Ted] Yeah?

Is there anything good
up there?

Yeah, there's a few things.

-[Ted] Oh, man.
-[Nick] what is that?

[Ted] I don't know,
it's heavy though.

I don't know what it is.

I don't know
what this cord is for.

For that thing, probably.

It's [bleeped] seriously hot
up there.

If I had hair it would
be soaked.

[both laugh]

-[Ted] What is that thing?
-[Nick] I don't know,

it's got electrical readouts
on the front.

[Ted] It's got to be connected
to Sheridan.

He was a big time
mining prospector in the '50s,

so it's probably something
to do with that.

[narrator] From a
mining career that began

in northern Ontario
in the 1950s,

the home's former owner,
Pat Sheridan,

successfully discovered
and operated mines

across Canada,
the US and Mexico.

[Ted] Well, my gut's telling me
this is something

very interesting
that he probably used.

to find gold
or diamonds or something.

I really want to know

-exactly what it does.
-Look at it, I know.

I have never seen
anything like that in my life

and I want to find out
what it is.

Let's check out the basement.

At least it's cool down here.

Isn't that
like a little changeroom?

Look at these groovy curtains.

[Nick laughs] That's awesome.

[Ted] These got
a crazy vintage look.

All of these together,
it's probably 100 bucks.

We'll take these curtains.
This basement is huge.

This must have been
party central.

I mean, there's a
little kitchen down there.

Change rooms, and we got
a full sauna in there.

This place was
quite the setup.

Look at this.
A copper sink.

I think
that's an easy 400 bucks.

This house is adding up,
but at this point,

we're just breaking even,
I need to find something

to put us over the edge.

Very high ceilings though, eh?

-[Nick] I know, for a basement.
-[Ted] That's groovy.

I'm making my way

down the last hallway,
and boom! [chuckles]

I was not expecting this.

[laughs] Whoa.
Look at this place.

[groovy music starts]

Shag-A-Delic.

This is the grooviest
place I've ever been in.

[pensive music plays]

Let's check out the basement.

Whoa, look at this place!

Look how groovy this is.

Oh, my God.

Look at this chair.

[laughs]
How cool is this thing?

Walk down the hall,
go into the main room.

It's Shag-A-Dalic.

This is the grooviest
place I've ever been in.

This is right
out of the '60s.

It's got all kinds of
paintings everywhere.

Built in couch there.

Groovy chair,
got a little dance floor.

That's where
the kids probably partied.

I gotta find out who did that.

That's original
of the house.

I'm gonna find
a buyer for these.

This is a pretty collectible.

This stuff's
very hot right now.

This could be worth
a lot of money.

I'm taking 'em.

And the weird looking
curtains. [laughs]

-Nick!
-[Nick] Yeah, what's up?

You gotta see
this room here.

I think this is
the kids' party room.

-[Nick] Oh, no way.
-[Ted] Yes.

Look at this, it's like
a little disco party room.

I mean, I've never seen
a room like this before.

-Is that a chair?
-Yeah, look at the chair.

-God, I gotta get in this.
-[Ted] It's Something else.

-What kind of chair is this?
-[Ted] It's a groovy chair.

Let me get a picture of you.
[laughs]

And they've got a
little dance floor too.

The whole dance floor
is set up.

That's awesome.
You got any dance moves

-you can show me?
-No. Yeah.

[Ted]
We gotta grab all this stuff.

[Nick] Right away Ted saw value
in these abstract paintings.

Hopefully it's a famous artist
or something,

but we're taking the seat.

We're taking the paintings.

[groovy music plays]

[Ted] At this point,
I'm thinking

this is a great salvage,
totally unique.

We've got stuff
from the '50s.

We've got groovy
stuff from the '60s.

Sixty years
that's been in here.

[grunts] Come on,
there you go baby.

Like I always say,

when things start off slow,
you don't give up.

You keep hunting,
you'll find something.

[Ted]
This is pretty cool, eh?

-This is an awesome find.
-[Ted] I don't know what it is.

We've got to do research

-on this.
-For sure. Try it.

I don't even know
if I can fit through this,

-how big was this guy?
-They were smaller back then.

-Okay, start.
-[Nick] Yeah.

-[Ted] Run.
-[both laughing]

[narrator] After a successful
flashback to the '60s,

Ted and Nick
head back to the station.

I've never seen
anything like this.

-What the hell is it?
-I don't know.

It's got one switch.

-[AJ] Oh, my God, that is so
sick.

-[Brandon] What is this?
-[John] Yeah, what is it?

-I think it's a mining tool.
-[Brandon] And like what?

Do all these cords
and stuff go with it.

I think so,
I think this is all

part and parcel
of the whole thing.

Okay?
The art is really cool.

AJ's already over there
and loving it. [laughs]

[AJ]
It's amazing. Oh, my God.

-Wild, eh?
-'60s.

Yeah, this is funky.
I love it.

This thing here was mounted
in the ceiling.

So this is a seat, right?

Yeah. It's like a seat,
I sat in it.

So you get the reflection

behind there and everything.

This is so rad.

Do we know anything
about who the artist is?

Nothing, I couldn't
find any signatures.

Nothing on any of this.

If we can connect
these panels

to a well-known artist
from the '60s,

that's going to be
a huge win for us.

dd

Yeah, these are sweet.

[sighs] Let's see
what these guys found in here.

What are you
going through, Brandon?

Just see what they
found at this Bridle Path here.

-[AJ] Yeah, beautiful art.
-Ooh, beautiful art.

Look at this.

[AJ] Uh, Whatever floats
your boat. [laughs]

-You don't think that's nice?
-That is some creepy ass clown.

This is beautiful.

We could do that.
We can't do this.

You cannot do that
and please never do that.

I'm going to go into the office
and do some research on it,

-see how much it's worth.
-Get it out of here.

[laughs] This is great.

[shivers]
Thing gives me the creeps.

[narrator] While
the team's busy sorting

through the finds
from the Bridle Path

an old friend of Ted's
is dropping by.

What's happening bud?

-[Ted] How are you?
-Good.

My new shop, check it out.

-[Richie] This looks awesome.
-Pretty cool, eh?

I met Richie
when he was just starting out

about ten years ago.

He owns an electrical
company that specializes

in rebuilding old
electrical equipment.

It's a niche market.
It's very cool.

Oh, wow,

-this is a nice shop, Ted.
-[Ted] Thanks. [laughs]

I really like
that moose over there.

[Ted] That's cool, eh?

-Here's the stuff, bud.
-Oh, cool.

[Richie]
What have we got here?

[Ted]
This is your type of stuff.

This is all out of
the Robin Hood flour mill.

[Ted] Look at this place.
Look at all the lights in here.

[Richie]
Oh, my God, Ted.

[Ted] Look at this one.
These are midcentury.

Most of them
are new-old stock.

You know these are hard pieces
to find in this condition.

When I walked into
the electrical room

at the old mill,
I thought right away,

Richie's just
gonna love this stuff.

-Boom.
-I like the old stuff

because it's made better.

All the old stuff's better.

Having a partner
like Ted to find me stuff

and making sure
it actually gets removed

correctly
has led to a lot of my success.

How much are you looking out
for this whole pile, Richie?

Um, how about--
how's $1,000 sound?

1,000 bucks?
See, now I remember.

-[both laugh]
-Now I remember

the way it was
when you first started.

How about 2000?

-There's a lot of stuff here.
-There is.

I mean, you've got
a good combination

of new unboxed stuff.

Um, 1,500?

1,750.

Richie, come on.

-1,750.
-All right, for you, Ted,

-why not.
-All right, buddy, sounds good.

dd

So you like old lights, too,
right?

I do like lighting.
I started in lighting.

So how about
some copper lights?

Let's take a look.

-AJ!
-[AJ] Yeah?

Can you grab me
one of those copper lights?

[AJ] Sure,
I'll be there in a sec.

There--
these are very cool,

because the copper ones
you don't see ever.

These are 1930s,

Benjamin Brand
explosion proof lights.

Very rare.

-These are clean, rewired?
-Yeah.

-[Ted] They're 500 a pop.
-500 a pop?

Yeah. That's a good price.

You look online
for these things,

they go from 500
up to 1,000 a piece.

All right.
How many of these you got?

-How many we got?
-[AJ] Six.

Six of them.

-500 bucks a pop?
-[Ted] Yeah.

These are nice lights.
That's a good deal.

How about I take
all six at 350 each?

Okay, so these,
we had to climb up,

cut them down,
bring them back here.

Clean them. Rewire them.
I got labor in these.

-[Richie] All right.
-I can't go less

than 450 a piece,
no less than 450.

I can't really argue,
to be honest.

-I really like these.
-They're beautiful.

-How much? 450 each?
-450 each.

-I'll take three.
-Three?

Deal. That was a great sale.

We sold
some amazing components.

As a bonus, we sold

some copper lights,
made some good money.

All good.

dd

[narrator]
At the back of the shop,

Nick and Brandon are trying to
assemble the strange machine

found at the house
on the Bridle Path.

We're missing some stuff.
These are all female ends.

[Brandon]
Where's the jacket from?

[Ted]
It's from Sheridan's place.

-It's great.
-Look what's in the pocket.

[Nick] What is that?

[Ted] It's a receipt
from J. P. Sheridan.

I don't know
what it's for though.

Here's a hat for you, Brandon.

-You have a hat for me?
-Yeah, look. That's very cool.

-How's it look?
-It's you, leave it on.

-[all laughing]
-Okay, let's get to work.

[Brandon]
Should we pop this open

and see
what's going on in there?

[Ted] Yeah,
let's see what's going on.

Where do these connect to?

[Brandon] Should be some wires
and prongs. [mumbles]

There's other plugs
on the back of there, right?

[Nick] Yeah, like we're missing
these plugs too.

Something goes into there.

[Brandon] Yeah, all of these

look the same here.

[Nick] Here we go.

-[Ted] You get it open?
-[Nick] Yeah, look at that.

-That's wild.
-This looks like a prototype.

[Nick] Yeah,
this is like 101.

It really is some sort of one
of a kind machine. It's wild.

So, what, these guys invented
this stuff

'cause they're gonna find all
these minerals in the ground.

That's freaking cool, man.

[Ted] This could be how the guy
made his fortune.

It's like a piece
of mining history here.

This could be big.

[Nick]
Should we pop this open

and see what's going on
in there?

Here we go.
Yeah, look at that.

[Ted] What it is tha thing?

This looks like a prototype.

This could be how the guy
made his fortune.

[Brandon] We have
the whole invention

right here on the table.

[Ted] It's like a piece of
mining history here.

That's freaking cool, man.

[Nick] I can't believe this.
I'm going to pop this back on.

Nick, see if you can figure out
how to power this somehow.

[Ted] I don't know
how it goes together,

-but you'll figure it out?
-Yeah, we'll figure it out.

[narrator] Brandon and Nick

need to put
the pieces together.

They realize the device is
either meant to go

on your back
or sit on a tripod.

It's one mystery solved.

Let's set the tripod up
before we put the weight on it.

dd

[Brandon] Yo, Ted.

-[Ted] Yeah.
-Come check this out.

Let's put
the backpack up there.

I'll hold it.

Well, that looks cool now.
It's pretty awesome, eh?

[Nick] It's coming.

That's how you'd
want to display this thing.

Oh, yeah. Look at that.

-It's like a compass.
-Yeah. It literally is.

I've never
seen anything like this.

Who would have thought
when I saw that box up there

it would hold this strange
machine.

I know some people
in Timmins,

they might know
something about this.

That's mining territory,
right?

They for sure would have to
know something about it.

I'm gonna make some calls.

That looks cool
from every angle.

I know, right?

[narrator]
After making a few calls,

Ted manages
to track down Kevin Vincent,

a veteran journalist
who spent years researching

and reporting
on the mining industry.

-How you doing, Kev?
-To what do I owe

-the honor today?
-We were salvaging a place

on the Bridle Path in Toronto,

very exclusive high-end area,

and the gentleman
that owned the house,

he's passed now, but his name
was John Patrick Sheridan.

Frig off!
Like the Pat Sheridan?

You know 'em?
You've heard of 'em?

Listen, I interviewed

Pat Sheridan
back in the 1980s,

and he was
a legend back then.

If there is a mine
in Canada,

chances are it's got
his fingerprints on it.

Okay, so we found

this instrument there.

I'm gonna show you.
You ready?

-An instrument?
-[Ted] Yeah.

This.

Holy moly.

Back in the day,

the '50s, in the '60s
and the '70s,

prospectors would go out
into the bush

looking for gold
and other minerals.

And this looks like
one of the early,

early instruments
probably put together

by Pat himself or his team.

And what it would do
is it would look for

electromagnetic anomalies
in the ground.

A machine like this,
even though it looks like

it's handmade,
it would've been used

for some of
the biggest discoveries

that mining companies--

Seriously?

Absolutely.

What's something
like this worth?

Is there any value here, or?

Wow, Ted, I really
don't think

that you can put a price
on something like this.

That might even be
one of a kind.

It likely belongs
in a museum.

I would love to put
this in a museum,

have everyone look at it.

But the problem is here
I'm running

a business as well.

And this job cost me money,

so I'm in a bit of a pickle.

Yeah. Yeah. Well, I think--
let's put it this way.

You get the word out
that you've got this

and you'll get the
attention of a lot of people

that will take
a keen interest in it.

I think
you're going to have

some very interesting
conversations

with the right people.

I'm all
about preserving history,

but it doesn't pay anything.

These salvage jobs
are expensive.

I don't know if I should
donate

that machine or sell it.

I'm not sure
if there's a happy medium.

[narrator]
While Ted decides what to do

with Pat Sheridan's
mysterious machine,

AJ is digging deeper
into the artwork

they found in his basement.

[AJ] It's a bummer
these panels aren't signed,

but it's normal
for the time period.

Installations like this,

the artists didn't always sign
their work.

But I know these are valuable.

I posted them online,

and I've already got
a buyer interested.

[cell phone rings]

AJ speaking.

Did you get the photos?
I know, right?

So rad.

[narrator]
One of AJ's industry contacts

is very interested.

And while
he can't make it down

for another couple of weeks,
the fact that

he's going to make
the journey,

ignites the possibility
that AJ's evaluation

of their worth
might be right.

[AJ]
This thing is so cool.

No, that's perfect.

All right.

Okay, text me the address
we'll be out there

first thing in the morning,
just---

no, just leave it
the way it is.

We'll clean it all out

and they can wreck it
after we leave.

All right, excellent.
Thanks, Doug. Bye.

-New job.
-[Nick and Brandon] Sweet.

Century Farmhouse.

-[Brandon] Oh, a farmhouse.
-Yeah.

Full, like, full of same family
for 150 years.

Well, matriarch,
she's turning 100.

She just left the house.

Wow,
and they want us to empty it?

Empty it out, this place
is getting demolished

'cause they're building
a new place there.

Right, we want to take
everything.

Both trucks, two trailers
bring a flat deck trailer.

We'll pack the trucks
and stuff?

Yeah, let's go.

dd

[Ted] Today we're here
at the Walker farmhouse

that was built
in the 1880s.

This is a classic
Canadian farmhouse.

I hope to find
some Canadiana furniture,

handmade stuff,
farm related implements.

[Nick] Nice.

[Ted]
It's bigger than I thought.

[Nick] Yeah, it's huge.

That's in pretty good shape,
though.

[Brandon] Yeah.

dd

Well there's some cool stuff
here already, look at this.

dd

[narrator] Anxious that
none of the farm's heirlooms

get demolished
with the house,

the family's laid
everything out.

Requesting that
Ted take it all.

[Ted] They don't want it
to go in the garbage,

they don't want it burnt.

I'm saving it,
passing it forward.

When someone comes to buy it,

I can tell them
the history of this family.

[Brandon] This is cool.

[Ted] I'll grab
a bunch of totes,

start boxing up
all the smalls.

I'm really excited
about this farmhouse,

it's chocked full of stuff,

there's stuff
in every single room,

it's gonna be a long day.

Ah, this place is loaded
in smalls, guys.

There is a lot here.
Holy crap, man.

-How many totes we got?
-Fifteen.

Fifteen totes.
Oh, look at all this stuff.

We may need more.

dd

That's a real nice piece
of Canadiana,

that's a beautiful frame.

Tractor seats are cool.

That's a nice cupboard. Wow.

Chipped off paint,

that's what everybody
is looking for right now.

I'd want to get
600 bucks for this.

Maybe take five,
but this is a nice piece.

Look at that old paint.

Like, today,
people use a lot of furniture

that I find cold
and sterile.

Antiques, they're fallen out
of fashion a little bit

but it's coming back in style
big time.

dd

This rocking chair is nice.

It's in very good shape,
very clean,

probably over 100 years old.

dd

-[all laughing]
-Look at you.

-Pretty cool, hey?
-[Brandon] Yeah.

Oh, yeah. [laughing]

This is, like,
over 100 years old.

-Wow.
-You guys are like twins now.

[all laughing]

There's all kinds of salvage
in this farmhouse,

but for me,
we have this cowboy hat here.

Let's throw this one on.

Ma'am.

There's this Russian hat

and it's comfy.

dd

There's somewhat of an attic.

-That's the bell.
-[bell ringing]

[Ted chuckling]

Let's see
what's going on up here.

Look at these boards,
they're nice.

Look how wide they are.

They are, like,
16 to 18 inches wide.

I'm taking 'em.

dd

[Brandon] All right,
we've got a board coming down,

-you ready?
-[Ted] All right, yeah.

These are nice, eh?
Look how wide they are.

-[Brandon] I know.
-See the air burn on it?

Those are beautiful
furniture grade boards.

They're old growth pine,
and they're stellar.

-[Brandon] Coming down.
-[Ted] Yeah.

If you had to buy those,
they're $10 a linear foot,

each one is about ten feet,
they're a 100 bucks a piece.

You get like ten boards
out of there, that's a $1,000.

dd

[Ted] There's a big open hole
behind you now.

[Brandon] I just need
this last nail here.

I'm trying to get
this last board to come free,

I'm prying on this nail.

At this point,
there's only two boards left,

so there's not much
wiggle room here.

[Ted] Hey, Brandon!

You all right?

-You all right?
-[Brandon] Yeah, I'm good.

I caught myself.

I just got distracted

and slipped off,
and I fell back.

And if I didn't catch myself,

I would've went right through.

I hurt my leg a little bit.

[Nick] Gotta be careful,
we only got two boards left,

you can't be falling through.

That would have been
a long way down.

-Still got more work to do.
-[Ted] You good to keep going?

[Brandon] We're good.

[narrator] The truck
is almost fully loaded,

but Ted still wants
one more thing from the roof.

[Ted] That bell
is over a 100 years old,

and it looks like
it's in great condition.

These are getting
harder and harder to find,

I know it's a bit of work
to take it down,

but I know
I'll get great money.

All right, who's going?

I don't mind--
I don't mind climbing.

I'd just like to see
Nick attempt it

-at least once.
-He's our heights guy.

Well, I thought maybe
we'd get Nick up on the roof.

-You don't want to climb?
-No.

You will have a harness on?

[Ted]
But that's not happening today.

-[Ted] Okay?
-[Brandon] All right.

[Ted] Okay, let's go.

-See how far you can get.
-[Brandon] Ooh.

[Nick] Sounds like you're
coming through the roof

in here.

There you go.

[Ted] Tighten the strap up.

There's is a [bleeped] spider
up here, dude.

Oh, for God's sakes,
just smack it.

I hate spiders, I'm not happy.
I don't wanna touch it.

I don't wanna do nothing.
[bleeped]!

Brandon!
Brandon is like Spider-Man.

He climbs all over roofs
and stuff,

but he sees a little spider
up there on the bell

and he's all,
"Boo hoo, there's a spider."

-Just hit it.
-Uh.

You worry about
falling off the roof

over a stupid spider, man.

-Nick, can you hear me?
-Yeah.

Okay, I'm going to lower
the bell to you.

All right. Oh, [bleeped].

It's heavy, eh?

There you go.

[Brandon] I got to get it off
the corner.

[Brandon grunting]

Okay, it's coming.

[Ted] Little bit more,

-little bit more.
-[Nick] How heavy is it?

[Ted] Keep going.
It's got a bit of weight.

[Brandon]
I can't see. Am I close?

[Ted] Yeah, a little bit more.
You got it, Nick?

-I think so.
-He's almost out of strap.

Yeah, let it go.

dd

[drill whirrs]

-[Ted] There you go. See?
-[Brandon] Here.

[Ted]
Grab the chain, Nick.

There's a chain on there too.
You got it?

-Good job, boys.
-[Nick] Yeah.

-[Brandon whoops]
-[Ted] Hey.

Both pieces came down
in one piece.

It's all I could ask for.

dd

-Oh, you found the clowns, eh?
-Yeah, I did, these are great.

Yeah, they're something,
aren't they?

[Brandon] You don't like them?

What, yeah,
they're something else.

I think they kind of look like
Nick and John, no?

[Ted] No, it's you and John,
that's what I thought.

That's not me and John,
I think they're great,

I can't believe no one in here
likes them.

Tell you what,
you sell 'em.

Oh, I can sell these,
no problem.

-Really?
-Someone's going to want these.

You find that person,
you let me know,

bring them in the back door

and get them out of here quick,
all right?

All right, Ted.

We're moving stuff today,
I like to see that.

One thing I'm pumped about

is that bell we found
at Walker Farm.

I made a call to someone
that's looking for one,

and she's on her way now.

-Heidi! How you doing?
-Hello! Did you get me a bell?

I got your bell.
How's things?

[Heidi]
I have an old school house

that I'm renovating.

It was completely gutted
when I bought it,

so I need to try
to bring it back

to its original condition.

So excited about that bell.

I think it's the one you want.
Hang on one sec.

-All right.
-I think you'll like it.

Heidi's an interior decorator.

She's going to check out
the bell we found.

Hopefully it'll be the bell
that tolls for her.

[bell ringing]

-[Ted] Can you hear it?
-[Brandon] There it is.

I can hear it, class is in.

I think it's what you want.

-[Nick] Looks pretty good, eh?
-[Heidi] Look at this.

-Throw it over here, Nick.
-Yeah, Sounds good.

[Ted] Heidi,
these are the hunky boys,

-Nick, Brandon.
-Hello hunky boy.

-Hi. Nice to meet you.
-Hunky boy two.

-He's definitely, two.
-Yeah. [chuckling]

This was a lot of work
to get this down.

I was all over the roof
just by myself.

-No, that's not--
-That's not true at all.

No, no, no, no,
Brandon was up there.

It was hard to get down,
so just keep that in mind

-in the price. [chuckles]
-Yeah.

[Brandon] Do you need
anything else up here?

-No, we're good.
-Okay. I'll get back to work.

Heidi,
it was nice to meet you.

-Nice to meet you.
-[Ted] Thanks, guys.

Well, I'm glad
I wore my working clothes,

these things are beasts.

-See, it's a number two bell.
-[Heidi] Yeah.

Sits on this yoke.

-And then this goes?
-[Ted] This goes on the yoke.

Okay, watch your fingers.
You good?

Just like that.

Oh, my goodness.

It was amazing,
it had the patina,

had a little bit of rust on it,
it was black

and even a little bit
of the residue of the string

so I could pull it
and ring it.

[bell tolls]

-[Ted] How cool is that?
-That is amazing.

She reacted
exactly how I would hope.

She could hear it dinging,
she looked excited.

Right there,
I knew she wanted that.

Where are you going
to put it, though?

Are you putting it on the peak
or are you putting it--

Well, I'll tell you what,
this little schoolhouse,

it's been hit by lightning
three times.

And I think it was
because of the school bell.

Lightning hit
the building before.

It probably
hit the bell

because
that's the highest point.

To alleviate that,

you put up
a couple of lightning rods.

I just happen to have some
here.

-Hey, guys!
-[Brandon] Yeah.

Can you grab me
a couple of lightning rods

-out of that room?
-[Brandon and Nick] Sure.

Maybe we can do
a package deal.

-Package deal?
-Yeah.

You can do that?
Typical Ted.

"I got some lightning rods
in the back."

Here they are.

These are what you need
on the roof.

-Thanks, guys.
-You're welcome.

These are what
you need on the roof

because the lightning
is going to hit that.

You run a copper wire
through here

-and ground it.
-Right.

And it won't burn
your house down.

-Pretty cool, hey?
-Huh.

Well, you talked about
a package deal.

-Well, a package deal...
-You were talking about that.

....$1000 for the bell
and the two of those.

-No!
-[both laughing]

He was asking for $1000,
I can't spend $1000 on this.

These go for 250 bucks each,

but I would do them
for two...

for 350, four on the bell,

750 for everything.

750 for everything?

[tense music playing]

Two for 350,
four on the bell,

750 for everything.

750 for everything.

So you said what you said,
600 for all of them?

I said 750
for the package deal.

-Very good memory.
-[both laughing]

I knew with the amount of work
that went into this,

he wasn't going to cut me
a great deal.

It's definitely more
than I want to spend.

But, just
for the coolness factor alone,

I think-- I--
I think you got a deal.

-Yeah. Okay.
-All right.

750, good deal for me,
good deal for her.

-Let's do it.
-You got it?

See Brandon,
it was worth crawling up there

-wasn't it?
-Absolutely it was.

[Ted]
This is what I'm all about.

Passing the history forward.

The end user,
she's going to love these

and other people
are going to see it

and think,
"That's very cool."

Makes me happy.

dd

It is incredible

that we found
a piece of mining history

right in that attic.

The boys
have it all assembled,

I'd love to power it up
and take it for a test drive.

See how legends,
like Pat Sheridan,

made their discoveries
back in the '50s and '60s.

All right, so
that's the receiver, right?

Yeah,
the backpack's the receiver,

from what I can tell.

-The red thing's--
-[Ted] That's the transmitter.

[Brandon] The transmitter
and then the battery.

What it does is bounce signals
into the ground,

and they, you know,
then they bounce back up

-if it hits an anomaly, right?
-[Nick and Brandon] Yeah.

-It's quite the rig, hey?
-[Nick] Yeah.

[Ted] Okay, let's see if we can
get this thing turned on.

-You never know.
-[Nick] Yeah.

-You want
to stretch us out and see?

Let's stretch it out and see.

Here, take this.

So, give me an end here.

Well, this one big, long wire.

It's giant--
it's a giant cord, yeah.

Keep going, Nick.

Should've sent him
with some bus fare.

This part connects
into the machine,

and then it would run
into here.

There's some plugs in here

so when they turn it on--

Are you transmitting?

I'm transmitting.

I haven't got anything yet.

See this?

You'll be able
to mark this out.

You can see where you got
your readings from.

And then they can say,
"Look,

there's an anomaly here,
there's an anomaly there."

And they can send guys out
and do a drill test.

What a system, man.

Like if--
if the meter was going off,

you know,
bouncing way up there,

you'd be like, "I think
we hit something here."

[Brandon] Oh, yeah,
it would be quite something.

[Ted] Well, we're not getting
any readings,

but you can see
how it works, right?

[Brandon] This is probably
the coolest thing

-I think we've ever found.
-[Ted] Really?

I've found
a lot of cool stuff.

Cooler than this?

This is a one of one,
right here.

Yeah, it's--
I know, that's very cool.

This better sell
for a lot.

Seeing the machine all set up
was super cool.

It didn't work,
but it looked awesome.

Anyone with an interest
in mining history

is going to love
that stuff.

I have it posted online.

Let's see what happens.

dd

John?

Ted tells me that
he's giving you the green light

to sell something?

Yeah.
These bad boys right here.

Kind of perfect that
he's giving you clowns to sell.

How much do you think
you can get for it?

I think I can get
at least 100 bucks.

-[John] Seriously?
-Yeah, why?

[John] If you sell these clowns
for 100 bucks...

-Mm-hmm.
-...I will clean the C-cans.

And what if I don't sell them
for $100?

Then you're gonna be cleaning
the C-cans.

If I sell these for $100,

I don't want to hear you
say anything to me

about the C-cans
for a month.

Okay, deal. Deal.

-I can-- yes
-Anything.

[John]
Anything, not a thing.

I loved getting that challenge
from John.

Now get out of my office.

John has no idea
what I'm capable of.

This bet, it's mine.

[Ted] I posted the Sheridan
survey device online

and it did not take long
to get a hit.

But it's kind of unusual.

I don't know anything
about the person.

I was contacted
by his people.

It's a unique item

and it's potentially
a lot of money.

Okay, good luck with that.

-I'm going to be back.
-All right, buddy. Thanks.

-Oh, how you doing?
-Hi, good.

-I'm Ted.
-Hi, I'm Jen.

-Nice to meet you.
-Nice to meet you.

I'm here
for one my clients

who is a high end collector.

He had a personal connection
to the item,

and, so,
I'm here to collect.

My client
likes to be private...

-[Ted] Really?
-... about some things.

I can say

that they are part
of the mining industry

and have a particular interest
in this.

Okay,
so this was Pat Sheridan's,

-he was a miner, too.
-Yeah, my-- my client knew him.

-Really? Yeah? Huh.
-[Jen] Yeah.

So you're authorized
to buy this?

I am.

So I'm here to, um, see
if it is genuine.

And that it actually
was from Pat Sheridan.

I found it at his house.

And I got this part here,
has his name on it.

-[Jen] Oh, yeah.
-[Ted] See?

This
is the transmitting device.

-And this is the receiver.
-[Jen] Mm-hmm.

This, I found in the attic
of his garage.

It was all in pieces.

And we looked into it,

we talked
to mining experts.

And--
and this is a one off.

It's a prototype.
This is the real deal.

How much
are you selling it for?

This is a one off piece.
It's a museum quality.

This has made
millions of dollars.

There are no others like it.

I'm pretty firm on $25,000.

-$25,000?
-Yeah.

I think that's a good number
for this.

Anyone that knows about this

and they have connection
to this,

this is a cool piece
to display

in an office or lobby.

So my number on this
is $25,000.

Hm, okay, well,

my number is not $25,000.

Do we have any room?

So,
you're authorized to buy this?

How much
are you selling it for?

Well, all right,
I'm pretty firm on 25.

I think that's what it's worth.
I bet you it's worth more.

I've talked
to a few experts,

and they said
this is priceless.

This $25,000 price
is a kind of fair number

for something unique
like this.

Your person
wants to scoop this up

before the other
mining magnates find it.

So, I'm going to have to stick
at 25.

Okay.

All right.
Um, you're pretty firm.

So,
I'm gonna make a phone call.

Okay.

Oh, uh, can I take a picture
of that?

Sure. Yeah.

Yeah, I just need a photo
of the transmitter

with his name on it.

-Right, thanks.
-Okay.

You got all these pictures,
right?

-Yeah, we have those pictures.
-All right.

[tense music playing]

[Ted] I know
what this machine's worth.

And I'm gambling
on the fact

that this guy will know
as well.

Well, you're still here.

Still here.

22.5.

-That's max?
-Yeah.

This person has to win,
don't they?

They do like to win.

I like to win, too.
I'll do 22.5. Deal.

It sounds like a good deal.

Well, I personally

wouldn't spend this much money
on it.

I can see why my client
is interested in it.

It's a great piece of history,

he's got a personal connection
to it,

so I think he'll be very happy
with this purchase.

-Mysterious woman.
-Pleasure doing business.

-[Ted laughing] Thank you.
-Have a good one.

You, too.

-Yeah. John!
-Ted?

-Guess how much?
-$500.

$22,500.

-No way.
-$22,500.

-Are you serious?
-Serious.

No way.
Did you sell it?

-$22,500.
-Nice.

-How wild is that.
-[AJ] That's amazing!

So, we don't get to go
gold hunting.

The gold in our business
is salvage.

-And look at that.
-You're right.

[knocking on door]

-Hi.
-Hi, what's up?

Nice to meet you,
Fiola, right?

Yeah.
I'm Fiola, and I'm an artist.

I deal with string arts
and social commentary.

Nice,
you got the clowns, eh?

-[Brandon] These are them.
-[Fiola] Wow.

-[Brandon] Work of art, right?
-[Fiola] Oh, I love it.

I think these need to go
to the right home.

You know, I have a home,
right for it.

It's a tragic corner
of everything tragic.

And these two
will fit right in.

Even look at the expression
of this one here.

So, the expressions
on the clowns' faces

-is what you're really into.
-Hell yes, a tragic clown.

-So how much?
-Thinking 150.

I don't know about that.

I wasn't going to spend
that much today.

-How about 75?
-I don't know.

It's a handcrafted sculpture.
I think maybe 125 is good.

Maybe 100?

I would do 100, I want these
to go to a good home.

I think $100
is good for these hobo clowns.

-Yeah.
-[Brandon] Yeah?

-Yeah.
-[Brandon] $100?

$100.

Cool, come with me,

-we'll write it up in here.
-For sure.

[John]
I don't believe it.

-What's going on with you two?
-I just sold those clowns.

-100 bones, baby.
-[Ted] Did you?

-[Brandon] Yeah.
-[Ted] Good job.

-Stupid clowns.
-I don't believe it.

[Ted] Am I surprised
Brandon sold the clowns?

Sure.

But even a blind squirrel
will find a nut every so often.

I know
a couple of dirty C-cans

that we got out back
that need cleaning.

You know where they are,
you want me to walk you?

No, I know where they are.

Don't worry,
I can walk myself out there.

Okay, let's lead the way.

Ah, good day.

There's three things
I love.

Chicken, cereal
and winning bets with John.

[John]
Oh, no friggin way.

Oh, that's just beautiful.

What a frickin mess.

Holy [bleeped].

dd

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