All language subtitles for 16 - CAR VIDEO BREAKDOWN

So welcome to the first
episode of the Breakdown Chatter chapter.

We will start with the

the cinematic video

that I shot for Z sli in Italy.

And to begin with, we will watch it.

So this is the timeline
and I'll just play it

like this.

Oh, I think those are missing clips,

but you get the point.

Oh, whoa, whoa,

whoa.

We're coming for you later.

Don't expect that.

That was a great experience.

Yeah, for the meeting view.

So quiet, so nice.

Beautiful.

Simply amazing. Yes.

And Sara

over there.

Yeah.

So this is the entire video.

Uh, this is the translation of,

uh, I hope it's last three.

So this is the, uh,
the third version of the clip.

I don't remember being more or less.

So I, uh, I think it's just the third one.

So let's break it down.

I don't know where to start.

Let me show you.

Uh, without color grading.

But as you can see, if I click on, uh,

some of the, uh, the footage,
you can see here, it's color gray.

The with the, the basics settings,

at least the ones that are not nested
already.

This sequence has two nests

three, four, three, three, three an s.

So you, you see how many adjustments

I just made on every single nest
I did on that clip?

At least on that clip.

So to begin with, this is without color
grading.

So, uh, you'll see ads.

I added some blues,
some oranges on this one.

Let's see this one.

This one.

Let's go for the here.

This is without this is with.

Let's see this clip.

This clip.

This is without.

This is with without with.

Okay,

let's go more into it.

Maybe with the Lambo in

This is without

and this is a with it looks more cinematic

with the color grading on here.

This is a bridge
I like to call it the bridge.

Uh, actually in the movie where I kind of,

uh, break the, the first song
and then continue

with another,
which still, uh, keeps you hyped.

And then

I added some and then I

after this bridge, I added some suspense,
but I will show you later in just a bit.

So this is without color grading.

Looks beautiful as well.

And this is with color grading.

Uh, because I saw some snow here.

I hope it's it was.

No, no, but I see.

But yeah, it was.

No, because it was cold outside.

Uh, I made it this blue.

You see, this is much more,

uh, to the blue way.

I mean, the temperature is much more
to the blue than to the orange.

And as you can see,
this is blue, and this is just warmer.

This is, though, because it was
it was warmer outside,

uh, in that place than in this one.

Let's see. Oh, shit.

Let's see this one without color grading.

And I will show you.

These are esthetic.

I will tell you in just a bit.

This is without color grading
and this is the with color grading.

Let's see

this one

without and with.

Okay.

And also, is this one.

Oh, okay.

So now that they showed you the color

grading of the video, let's break it down.

So we start with a drone of the location,
one of those actually,

and we create some suspense with the

with only the sound design of the clip.

Okay, So here we just have some design.

Okay.

So it's black when it when when it hits

the sound design, we just coming with

the with the shot of the location.

Okay.

Then you can see here
I added a speed ramp.

Okay, that can turn me
into the next shot of the Revs.

But the car drivers of the car,

they just look like this.

Oh, okay.

This is after I added the rotation.

Okay, so if we close the rotation,
this is the shot.

We added some rotation.

So it's much more like this.

Then I added, uh, a wire stabilizer.

Then I added a zoom to make it even more

dynamic.

You can see here

it's it's much more dynamic,
like this one.

Look, so we close this.

This is just with the rotation
and no stabilization

and this is with stabilization
and rotation.

And so,

okay,

let's go further. So

and after this, Rev, so what happens?

The car, when you grab it,
you have to change the gear, right?

You have to switch the gears.

So the drone goes like, hmm,

slow, just cruising
and then it's something is happening.

Okay.

So we we speed the ramp into the revs

and then to the switching gears

and then the car shows up from the Donald.

And we also hear the I,

I think this or
this is a slow motion effect

and which one or oh,
this is the Lambo and this is the Lambo

and this is the entire

van. This is the entire, uh,

clip that was shot with the,

the sound mixer,
not the sound mix and the sound recorder

on the under
the wing of the Lambo in the back.

Uh, just to record the audio

of the revs, the cruising, the,

the whatever.

Everything we have,

uh, starts, we have everything here.

So we also have

the pedal pushing to the floor

and then we sit.

Then we switch to see both of the cars.

If okay, here.

I thought it's just okay on the sound.

I don't know why we don't see it,
but maybe it's not generated yet.

Um, here
I thought on the song that it's good

to hear a glass of wine CHEERING
And this is where they just did.

So these

are the
shots that I was telling you about.

I don't know if you saw or not.

The the video that they make
explaining what

other shots
to take in different circumstances.

And, uh, here we have

the lanes, the road lanes.

Okay.

The the drone, which also has a zoom
in and a rotation, as you can see.

And the speed for sure speed.

It's 2000 speed, so it goes really fast.

Okay.

Lanes and Lambo,

another shot of the back of the background

and we have the shooting

and here we have two shots

So this is one shot with the Lambo
and they had another shot after it passed.

You can see here it's just seamless,

but it looks so cool

here. It ends right.

Okay.

And this is just the intro,

the logo of the client.

And we are opening up
with a shot of the location.

We were flustered.

You told the story.

You saw it on the video.

I'm not going to explain it for you
and you add one more time.

I'm not going to explain it again.

And we will break down

right now.

Let's see, uh, this is not a clip of mine
with a lot of sound design.

So we all played the we felt so sound.

I just.

I can just hear it from there.

Okay, So I didn't add

that many songs.

Mm hmm.

Mm mm.

Mm hmm.

Okay, So now we played with the song,

you know,

So now you can see how important it is
to have the sound design,

because if you don't,
your song is only the clip.

When we are like, this,

let's go for a minute.

So you don't give the read here?

No. Okay, Playback.

See, you can hear anything.

So the sound design

remains a must have

for me in my movies at least.

So I don't know
what the breakdown in more.

I, I will show it to you

what I did here
because I don't remember exactly.

And I'm also curious.

Uh, I think I did a, um, simple fact.

Yeah.

Gentle shake.

This is the

when the car is, uh, Best Buy

because I wanted it to be like,
Oh, they are.

They are going so fast.

And so the camera, so they move the car.

But because without it,

it will look like you.

And we cut it here as well.

So this is without

this is

it's much more popular with it.

Okay.

This one, this shot,
as you can see here at the motion,

we added some scale effect
and some rotation.

It doesn't have stabilization
because sometimes

when you have a shot

that is Jiggly Wiggly, uh,

it's much more dynamic

than a stabilized shot of the car.

Just just what happens if you
if you see this car just

going this fast here?

I also have a scale, a zoom scale here.

So it is more dynamic.

But what if I,

uh, add a gentle shake on it?

Maybe it's too much,
but it's more dynamic.

You get it

on the sound.

We just hear it.

Let me see.

Yeah.

Could be.

Could be something.

Yeah.

I'm not going to bother

right now

because it's a lot of work to.

And this is the clip.

I think

the sound effects of our sound effects.

Maybe they are not enough sound effects.

Uh, maybe Now
I would add some more of them.

And yeah, here is the selection

part of the process.

With every shot we took,
these are not calibrated.

These are not edited at all.

Here we can find vlogs and stuff
like that.

Yeah,

these are real shots.

I think this might be good
for you to see once shots.

I think try this on it.

And then all of us that

okay,

I want to stop

thrashing.

Oh, here is the shot

of the cheering shit.

These are some drone shots.

So I think these are all the drone shots
we took on this journey.

I mean, not these,
not all of them, but there are some more

just to see the level of

content creation
we have to to make in order

to make a video of a tree meat
and 3 minutes or something like that.

We have 6 hours, 6 hours of footage.

After I selected

the footage, I don't think I don't know

how how many hours we had in total.

But I, I think it's it's just,

uh, I think it's minimum double of it.

So, yeah,
this is the breakdown of the clip.

I hope you learn something.

I will see you in the next clips.