All language subtitles for Rescheduling the night shoot

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These are the user uploaded subtitles that are being translated: 1 00:00:00,600 --> 00:00:02,666 with the failed night shoot during the main production 2 00:00:02,666 --> 00:00:04,399 we had to set up another time 3 00:00:04,400 --> 00:00:06,466 at the same location to shoot it properly 4 00:00:06,766 --> 00:00:07,333 because we were 5 00:00:07,333 --> 00:00:08,999 really friendly with the owners of the location 6 00:00:09,000 --> 00:00:10,600 and were very respectful of their property 7 00:00:10,600 --> 00:00:11,200 when we use it 8 00:00:11,200 --> 00:00:12,066 the first time 9 00:00:12,066 --> 00:00:14,466 they let us use the property for only a small fraction 10 00:00:14,466 --> 00:00:16,033 of what they charged us originally 11 00:00:16,400 --> 00:00:17,900 and since we had the location anyway 12 00:00:17,900 --> 00:00:19,500 I asked Eva if she wouldn't mind coming 13 00:00:19,500 --> 00:00:21,000 maybe a little earlier to set 14 00:00:21,000 --> 00:00:22,133 to get a few random shots 15 00:00:22,133 --> 00:00:23,199 that might be cool 16 00:00:23,733 --> 00:00:25,099 thankfully by this point 17 00:00:25,100 --> 00:00:26,700 I had done quite a bit of editing 18 00:00:26,700 --> 00:00:28,200 so I knew what we needed 19 00:00:28,366 --> 00:00:30,133 we needed some shots of the girls in peril 20 00:00:30,133 --> 00:00:31,899 we had shots of the girls running away 21 00:00:31,900 --> 00:00:33,766 even some reaction shots of the goodbye scene 22 00:00:33,766 --> 00:00:34,799 that we didn't have time for 23 00:00:34,800 --> 00:00:36,500 during the rush of the main production 24 00:00:37,166 --> 00:00:38,766 our crew was very small 25 00:00:38,766 --> 00:00:40,299 but everyone either volunteered 26 00:00:40,300 --> 00:00:42,100 or dramatically reduced their day rates 27 00:00:42,100 --> 00:00:43,833 that we could have the crew that we needed 28 00:00:44,066 --> 00:00:44,899 Dale Mamura 29 00:00:44,900 --> 00:00:45,866 our best boy electric 30 00:00:45,866 --> 00:00:47,033 filled in as gaffer 31 00:00:47,166 --> 00:00:47,866 Elijah Teagues 32 00:00:47,866 --> 00:00:48,666 who was in charge of shooting 33 00:00:48,666 --> 00:00:49,999 the behind the scenes footage 34 00:00:50,000 --> 00:00:51,900 had to take over as sound mixer 35 00:00:52,066 --> 00:00:54,766 and he also got behind the scenes footage as well 36 00:00:54,766 --> 00:00:56,566 because he's pretty amazing 37 00:00:57,000 --> 00:00:58,000 Alexis Green 38 00:00:58,000 --> 00:01:01,066 who was an extra on the last day of the main production 39 00:01:01,100 --> 00:01:03,900 had a great attitude and new tones about fire 40 00:01:03,900 --> 00:01:05,666 so Alexis and behind the scenes 41 00:01:05,666 --> 00:01:06,699 producer Stephen Heller 42 00:01:06,700 --> 00:01:08,500 volunteered to come back and help 43 00:01:08,500 --> 00:01:10,200 which helped us to get the shots 44 00:01:10,200 --> 00:01:11,766 but also to stay safe 45 00:01:12,100 --> 00:01:14,700 and these four amazing people were our entire crew 46 00:01:14,700 --> 00:01:15,500 for the shoot 47 00:01:16,266 --> 00:01:17,366 in preparation for the shoot 48 00:01:17,366 --> 00:01:19,533 I revisited my plans of how to shoot things 49 00:01:19,533 --> 00:01:21,666 I decided to use practical lights 50 00:01:21,666 --> 00:01:23,233 to enhance the visual effects 51 00:01:23,733 --> 00:01:26,033 also I decided to change the lighting setup 52 00:01:26,133 --> 00:01:27,299 during the main production 53 00:01:27,300 --> 00:01:28,866 we are doing the night scene test 54 00:01:28,866 --> 00:01:30,999 I was talked out of the look that I wanted 55 00:01:31,000 --> 00:01:32,200 by some of the crew 56 00:01:32,400 --> 00:01:34,700 what I really wanted was to stylize the night shoot 57 00:01:34,700 --> 00:01:35,800 so that the warm light 58 00:01:35,800 --> 00:01:37,166 that was motivated by the torches 59 00:01:37,166 --> 00:01:38,566 would be even warmer 60 00:01:38,566 --> 00:01:40,966 and I want to exaggerate the cool light coming from 61 00:01:40,966 --> 00:01:41,533 conceivably 62 00:01:41,533 --> 00:01:42,499 the moonlight 63 00:01:42,500 --> 00:01:43,866 to be even cooler 64 00:01:44,000 --> 00:01:46,500 this warm cold contrast is kind of a popular look 65 00:01:46,500 --> 00:01:47,400 sometimes similar 66 00:01:47,400 --> 00:01:49,400 some poster artwork for game of Thrones 67 00:01:49,400 --> 00:01:51,266 I had seen my crew 68 00:01:51,266 --> 00:01:52,599 during the main production 69 00:01:52,600 --> 00:01:53,300 was correct 70 00:01:53,300 --> 00:01:54,866 that it's not really realistic 71 00:01:55,066 --> 00:01:56,199 but before the reshoot 72 00:01:56,200 --> 00:01:58,900 I realized that neither is magic forming in a hand 73 00:01:58,900 --> 00:02:00,566 I'm trying to tell a story here 74 00:02:00,666 --> 00:02:03,166 and a story that takes place in a fantasy world at that 75 00:02:03,166 --> 00:02:03,599 who's to say 76 00:02:03,600 --> 00:02:05,466 with the color of their moonlight is 77 00:02:05,900 --> 00:02:06,666 this by the way 78 00:02:06,666 --> 00:02:09,399 is another reason to have pre production meetings 79 00:02:09,400 --> 00:02:12,366 so all the department heads are aware of the vision 80 00:02:12,366 --> 00:02:14,699 and are trying to all tell the same story 81 00:02:15,133 --> 00:02:16,333 we took greater care 82 00:02:16,333 --> 00:02:18,333 and got much better footage with the reshoot 83 00:02:18,333 --> 00:02:20,566 than we ever could have on the main day of production 84 00:02:20,566 --> 00:02:21,966 even without the cold 85 00:02:22,000 --> 00:02:25,033 so our reset ended up working out really well 5998

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