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These are the user uploaded subtitles that are being translated: 1 00:00:00,600 --> 00:00:01,666 in the next couple movies 2 00:00:01,666 --> 00:00:03,866 we're going to look at the process of shooting scenes 3 00:00:03,866 --> 00:00:05,199 in a little more detail 4 00:00:05,500 --> 00:00:06,133 in this tutorial 5 00:00:06,133 --> 00:00:07,733 we're gonna talk about calling shots 6 00:00:07,733 --> 00:00:10,666 which ensures that the scene actually gets recorded 7 00:00:10,800 --> 00:00:12,866 this is the workflow that all film sets follow 8 00:00:12,866 --> 00:00:14,399 when it's time to roll camera 9 00:00:14,866 --> 00:00:16,733 before the camera actually starts rolling 10 00:00:16,733 --> 00:00:19,099 the 1st DD will yell out for the crew to settle 11 00:00:19,500 --> 00:00:20,866 quiet please 12 00:00:21,166 --> 00:00:22,266 exact wording 13 00:00:22,333 --> 00:00:23,899 you know varies based on local 14 00:00:23,900 --> 00:00:25,066 but they typically say something like 15 00:00:25,066 --> 00:00:25,733 pictures up 16 00:00:25,733 --> 00:00:26,899 or quiet please 17 00:00:26,900 --> 00:00:28,200 something along those lines 18 00:00:28,733 --> 00:00:31,933 the first ad will then double check with both the DP 19 00:00:31,933 --> 00:00:34,233 and the sound mixer that they're ready to roll 20 00:00:34,466 --> 00:00:35,333 then the second AC 21 00:00:35,333 --> 00:00:36,999 will place the slate in front of the camera 22 00:00:37,000 --> 00:00:39,333 and the camera operator will focus on the slate 23 00:00:39,333 --> 00:00:41,433 before they hit record 24 00:00:41,666 --> 00:00:44,166 that way the first frame of the captured video 25 00:00:44,166 --> 00:00:45,699 starts with the slate 26 00:00:45,700 --> 00:00:46,800 it makes it easier for the editor 27 00:00:46,800 --> 00:00:48,466 to organize the footage and post 28 00:00:49,000 --> 00:00:50,200 next somebody 29 00:00:50,200 --> 00:00:52,666 usually the first ad will call out to the camera 30 00:00:52,666 --> 00:00:54,399 by simply yelling camera 31 00:00:54,666 --> 00:00:55,599 this is called a call 32 00:00:55,600 --> 00:00:56,800 because it expects a response 33 00:00:56,800 --> 00:00:57,800 like a question 34 00:00:58,366 --> 00:01:00,166 the camera operator will start to record 35 00:01:00,166 --> 00:01:01,299 and respond by saying 36 00:01:01,300 --> 00:01:02,833 rolling or speeding 37 00:01:02,966 --> 00:01:04,599 then the ad will call to the sound mixer 38 00:01:04,600 --> 00:01:05,866 by calling sound 39 00:01:06,200 --> 00:01:07,500 the sound mixer will make sure 40 00:01:07,500 --> 00:01:08,900 that they are recording audio 41 00:01:08,900 --> 00:01:09,766 and then they'll respond 42 00:01:09,766 --> 00:01:11,499 speeding or sound speed 43 00:01:12,066 --> 00:01:14,166 both the terms rolling and speed 44 00:01:14,166 --> 00:01:16,399 are remnants of the earliest days of movies with sound 45 00:01:16,400 --> 00:01:18,200 when the camera would literally have to 46 00:01:18,200 --> 00:01:19,566 roll the reels of film 47 00:01:19,566 --> 00:01:21,699 and it would take a moment for the camera to be rolling 48 00:01:21,700 --> 00:01:24,500 up to the speed it needed to match with the audio 49 00:01:24,866 --> 00:01:26,333 here's what this process look like 50 00:01:26,333 --> 00:01:28,266 when Kevin made these calls on set 51 00:01:28,266 --> 00:01:29,699 quiet please 52 00:01:31,166 --> 00:01:32,166 roll sound 53 00:01:34,766 --> 00:01:35,799 so speed 54 00:01:38,600 --> 00:01:39,666 on modern production 55 00:01:39,666 --> 00:01:42,299 it's common for the audio to start recording first 56 00:01:42,300 --> 00:01:43,700 this is because digital video 57 00:01:43,700 --> 00:01:46,300 takes up a lot more storage space than audio does 58 00:01:46,566 --> 00:01:48,333 also there are times when everyone else is ready 59 00:01:48,333 --> 00:01:50,899 but the audio hears a problem once we start recording 60 00:01:50,900 --> 00:01:52,266 alright roll sounds 61 00:01:55,466 --> 00:01:56,466 okay hold on 62 00:01:56,966 --> 00:01:57,866 hold for sound 63 00:01:58,133 --> 00:01:59,066 this little delay here 64 00:01:59,066 --> 00:02:01,299 would have taken up many gigabytes of wasted data 65 00:02:01,300 --> 00:02:02,266 and would have added problems 66 00:02:02,266 --> 00:02:04,133 for the offloading of the media on set 67 00:02:04,133 --> 00:02:05,666 and the storage of the data 68 00:02:05,666 --> 00:02:06,899 and for the editor 69 00:02:06,900 --> 00:02:08,866 so we have audio go first 70 00:02:09,500 --> 00:02:11,266 after the sound mixer and camera operator 71 00:02:11,266 --> 00:02:13,033 respond to the calls of the first ad 72 00:02:13,266 --> 00:02:15,199 the second AC will then slate 73 00:02:15,200 --> 00:02:16,666 which will look at next 74 00:02:16,900 --> 00:02:19,300 then the director waits for everyone to get settled 75 00:02:19,400 --> 00:02:21,300 usually the camera will need to focus again 76 00:02:21,300 --> 00:02:22,400 and reframe the shot 77 00:02:22,400 --> 00:02:24,166 and will say to the director set 78 00:02:24,166 --> 00:02:25,666 meaning that they are rolling 79 00:02:25,666 --> 00:02:27,499 focused and ready to shoot the scene 80 00:02:27,933 --> 00:02:29,399 then the director calls action 81 00:02:29,400 --> 00:02:31,100 and the actress perform the scene 82 00:02:31,333 --> 00:02:32,099 when that's done 83 00:02:32,100 --> 00:02:33,566 the director will yell cut 84 00:02:34,066 --> 00:02:34,766 on some sets 85 00:02:34,766 --> 00:02:35,766 the first lady will call 86 00:02:35,766 --> 00:02:36,399 action and cut 87 00:02:36,400 --> 00:02:38,833 but I prefer to do that myself when I'm directing 88 00:02:39,066 --> 00:02:40,933 especially in the case of calling cut 89 00:02:40,933 --> 00:02:42,166 it could be an artistic choice 90 00:02:42,166 --> 00:02:44,466 of how long to hold on an actor's expression 91 00:02:44,466 --> 00:02:46,266 or to leave enough time for a dissolve 92 00:02:46,266 --> 00:02:47,533 to the next shot in the edit 93 00:02:47,533 --> 00:02:48,133 and as director 94 00:02:48,133 --> 00:02:50,099 I want to be able to make that choice 95 00:02:50,500 --> 00:02:52,333 calling the shot helps everyone on set 96 00:02:52,333 --> 00:02:54,133 be on the same page for filming as another 97 00:02:54,133 --> 00:02:55,166 one of those necessities 98 00:02:55,166 --> 00:02:56,833 that's been the same for decades 6837