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Camera settings.
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Now, what should be the standard settings
for your camera?
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Like I said before,
you need to have a camera
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that can handle a minimum of ten
HP and can
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capture 60 frames per second.
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When shooting a wedding,
you should maintain the quality
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of ten ADP and FBS.
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This will enable you to play a bit
with the speed of the clip.
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Setting up the camera settings
usually depends on
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which part of the wedding you are shooting
and what role you have moral Amin is.
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If if you are the main shooter
or the creative shooter,
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because if you are the main shooter
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most of the time you should shoot in ten
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HP and 24 F the s,
or sometimes a lower quality
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because the main shooter
documents the whole event.
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But there are some parts
when the main shooter
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sets the settings of the camera
to high quality,
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like the entrance of the bride
and the entrance of the groom,
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both in the ceremony
and the reception during the ceremony.
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The main shooter sets his camera
up to 4K resolution when the bride comes.
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This is to capture the scene
with the best quality as you can,
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because this is one of the most
essential parts of the wedding.
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And the reason is
so that the editor can freely adjust
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the frame size and play with a clip.
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The creative
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shooter, on the other hand,
shoots with an ATP 60.
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SBC almost all the way
because most of the shots
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for the highlight video
will be from the creative shooters shots.
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Basically,
all the essential parts of the wedding
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should be shot with ten HP and 60.
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FP As for the highlights of the video.
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This way the editor will have room
to adjust the clip,
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especially when a certain shot
is great for slow motion.
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If you are using a Sony camera,
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the best setting for me is the X
AVC format.
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It is a heavy format that will take a lot
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of your storage space,
but high quality and high dynamic
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range footage is guaranteed
compared to the Avco HD.
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It is also better
if you can set your feature profile
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to neutral for you to have a flat profile
so you can play around with you.
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Color Correction
and grading in Post process.
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But from time to
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time when you already have a signature
look or color,
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you can make a preset picture profile
that you can use.
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In this way,
you will only have a few tweaks
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during the polishing part
in the editing process.
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I have revealed the feature profile
that I use in my scene.
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The added Wedding Videography course.
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Having your own feature
profile preset is so useful to save time
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in color correcting and grading
when doing scene the edit.
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If you guys have not checked out
my SSD wedding
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videography course,
I highly recommend for you to try it out.
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We've got great reviews about that
and because it's more than just theory
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in making and is the wedding film,
but really the how tos
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so you can easily create your own SD film.
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The methods being not there.
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This not only apply for writing films,
but for all types
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of editing using the Adobe
Premiere pro editing software.
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Our course about basic
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editing
can also be helpful for you going back
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if you have not decided
what picture profile settings to use,
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I recommend that you use a neutral feature
profile.
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Overall, most of the wedding films
I do are shot
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in ten ADP with 60 frames per second
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when it comes to lenses.
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I always chose the use its largest opening
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like the 35 millimeter F 1.4
and 50 millimeters.
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F 1.4.
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The shallow depth of field or background
and foreground blur that it creates
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just really makes every shot
or footage more cinematic and dramatic,
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no matter what the angle is.
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It just looks so good with just having
those blurred backgrounds.
6315
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