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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,633 --> 00:00:08,933 Gears and equipment. 2 00:00:09,000 --> 00:00:12,000 What camera should you use when filming a wedding? 3 00:00:12,233 --> 00:00:14,800 Don't just buy the free camera, you see. 4 00:00:14,800 --> 00:00:17,800 Study what? Camera is the best for you. 5 00:00:17,900 --> 00:00:20,266 The minimum requirement for you would be a camera. 6 00:00:20,266 --> 00:00:26,133 That's shoot at least ten EDP and 60 SB s or frames per second. 7 00:00:26,200 --> 00:00:29,200 There are lots of cameras today which can 8 00:00:29,400 --> 00:00:32,400 which can cater to all your needs in filmmaking. 9 00:00:32,600 --> 00:00:36,866 But if you need a basic and commonly used camera in the wedding industry, 10 00:00:36,933 --> 00:00:40,600 that would be the Sony Alpha Mirrorless cameras. 11 00:00:40,700 --> 00:00:46,566 When it comes to lenses, you can either get prime lenses or zoom lenses. 12 00:00:46,633 --> 00:00:51,700 The advantages of the Prime lens is that the app is white, 13 00:00:51,766 --> 00:00:55,533 which gives you a huge advantage in low light settings. 14 00:00:55,600 --> 00:01:00,100 The advantage of the zoom lens is that it saves you time 15 00:01:00,100 --> 00:01:05,266 so that you won't need to change lenses when you want to change the focal length. 16 00:01:05,366 --> 00:01:07,766 Nice equipment are the tripods. 17 00:01:07,766 --> 00:01:12,133 Make sure to get a tripod that is smooth when you turn it. 18 00:01:12,233 --> 00:01:15,766 The stability is what's important when choosing a tripod. 19 00:01:15,866 --> 00:01:18,866 We use a we use the venue as four tripod, 20 00:01:18,866 --> 00:01:23,800 which is not too heavy and has smoother movement. 21 00:01:23,866 --> 00:01:26,366 Next up are audio recorders, 22 00:01:26,366 --> 00:01:30,833 The building mic of the camera usually produce low quality audio, 23 00:01:30,900 --> 00:01:36,500 so the best way to get great audio are external audio recorders. 24 00:01:36,600 --> 00:01:41,066 We use the Zoom H1 and the Zoom H4 and pro 25 00:01:41,133 --> 00:01:45,133 and ceremony Blink 500, 26 00:01:45,233 --> 00:01:49,200 placing these audio recordings near the speakers and adjusting the pick 27 00:01:49,200 --> 00:01:53,100 up level and capturing the best audio you can use for your video. 28 00:01:53,166 --> 00:01:55,966 These are two gears that we are currently using now, 29 00:01:55,966 --> 00:01:59,800 and it works best in every wedding coverage that we will do in the future. 30 00:02:00,033 --> 00:02:02,100 We have four cameras. 31 00:02:02,100 --> 00:02:06,600 When I was deciding, three cameras worked fine, 32 00:02:06,666 --> 00:02:07,900 and the cameras that we have 33 00:02:07,900 --> 00:02:12,400 right now is our one Sony A7, three 34 00:02:12,466 --> 00:02:18,300 one A7, S2 and two Sony A6400. 35 00:02:18,366 --> 00:02:22,700 And we also have four Tripods, which are the Bengal S4, 36 00:02:22,800 --> 00:02:26,066 not really the best tripods out there, but works 37 00:02:26,066 --> 00:02:30,000 fine with me and is affordable for the audio equipment. 38 00:02:30,200 --> 00:02:34,166 We have the Zoom H1 and affordable audio recorder 39 00:02:34,233 --> 00:02:39,333 and the Zoom H4 and PRO can be a bit pricey for an audio recorder 40 00:02:39,333 --> 00:02:42,700 but has greater quality compared to the Zoom H1. 41 00:02:42,800 --> 00:02:48,466 You can also attach an Excel or microphone just like the road and digital. 42 00:02:48,533 --> 00:02:52,533 These the mic that we are using right now, having Zoom four 43 00:02:52,533 --> 00:02:58,433 and plus the road and G2 in one setup is just perfect. 44 00:02:58,500 --> 00:03:01,133 You can also use this for filmmaking. 45 00:03:01,133 --> 00:03:05,600 Just a batch in a boom port and you're good to go. 46 00:03:05,700 --> 00:03:08,500 You just need a long SLR cable. 47 00:03:08,500 --> 00:03:13,900 And what we currently have now is a 20 meter cable 48 00:03:13,966 --> 00:03:14,400 tool. 49 00:03:14,400 --> 00:03:18,600 Apple's harmonic bling way before when I was starting. 50 00:03:18,833 --> 00:03:24,133 I do not use any ltpo and just manually sync the audio coming from the zoom. 51 00:03:24,133 --> 00:03:27,900 Each one because the bass are so expensive. 52 00:03:27,966 --> 00:03:33,600 But when the ceremony introduced the Blink 500, I immediately got it. 53 00:03:33,666 --> 00:03:34,966 It's not that expensive. 54 00:03:34,966 --> 00:03:38,966 And like the other in the past, that costs around 30,000 plus, 55 00:03:39,033 --> 00:03:41,833 but the blink 500 only costs me 56 00:03:41,833 --> 00:03:45,066 8500 passes each. 57 00:03:45,133 --> 00:03:49,766 I got it on sale and the last time I checked, the brand new 58 00:03:49,766 --> 00:03:55,933 price is ranging from 9000 to 12000 pieces, depending on where you buy it. 59 00:03:56,033 --> 00:03:59,500 Another another audio device that we are using 60 00:03:59,500 --> 00:04:02,733 is the road video, micro microphone. 61 00:04:02,800 --> 00:04:05,533 It is a cheap shotgun mic, 62 00:04:05,533 --> 00:04:10,133 but the audio quality is great, especially when you're using Sony cameras. 63 00:04:10,166 --> 00:04:13,900 It also does not require any batteries. 64 00:04:14,000 --> 00:04:19,166 It's just a plug and play microphone for a mirrorless camera. 65 00:04:19,233 --> 00:04:20,300 I use slide 66 00:04:20,300 --> 00:04:24,666 stands to attach the audio equipment facing the speakers and setting up 67 00:04:24,666 --> 00:04:29,700 your audio recorders just like the zoom, each one and each friend. 68 00:04:29,766 --> 00:04:33,200 I normally set up the format in duly avi 69 00:04:33,266 --> 00:04:36,266 or lav to have a great quality 70 00:04:36,300 --> 00:04:42,400 when testing the audio levels should be between 12 to 24 to avoid sound 71 00:04:42,400 --> 00:04:46,500 distortion, especially when having audio 72 00:04:46,566 --> 00:04:49,300 when the sound is too high. 73 00:04:49,300 --> 00:04:54,433 Having multiple audio recorders and direct to camera wireless recorders is better 74 00:04:54,433 --> 00:04:59,700 because if one fails to record you to add or flip memory card 75 00:04:59,866 --> 00:05:03,500 and low battery, the other is still recording. 76 00:05:03,600 --> 00:05:07,000 Back ups are more essential 77 00:05:07,066 --> 00:05:09,800 gimbal or camera stabilizer. 78 00:05:09,800 --> 00:05:12,800 What we have is the DJI Ronin SE. 79 00:05:12,933 --> 00:05:17,233 I am in no way sponsored by the DJI, but how I wish though, 80 00:05:17,333 --> 00:05:21,833 and yeah, I highly recommend having this one as your camera stabilizer 81 00:05:21,833 --> 00:05:24,833 because it is heavy duty 82 00:05:24,933 --> 00:05:27,933 and the build is really in high quality. 83 00:05:28,100 --> 00:05:32,933 I have been using this for two years already and it never disappoints me, 84 00:05:32,933 --> 00:05:40,033 even though its firmware is not updated since I bought it last 2019. 85 00:05:40,133 --> 00:05:40,766 It is a heavy 86 00:05:40,766 --> 00:05:45,500 duty gimbal that is great for full frame mirrorless cameras, especially 87 00:05:45,600 --> 00:05:49,066 when you're using sigma lenses which are heavy glasses 88 00:05:49,066 --> 00:05:52,733 plus the Sigma 11 adapter. 89 00:05:52,800 --> 00:05:56,400 I also attach a handle grip on each side 90 00:05:56,400 --> 00:06:01,433 so that I could shoot at low angle easily 91 00:06:01,500 --> 00:06:02,866 for the lenses. 92 00:06:02,866 --> 00:06:08,233 These are the lenses that we use in shooting already 93 00:06:08,333 --> 00:06:12,866 versus the sigma 35 millimeter F 1.4. 94 00:06:12,933 --> 00:06:17,100 I use this lens as our all around lens. 95 00:06:17,166 --> 00:06:20,900 It's not that preferable for solo portrait shots 96 00:06:20,900 --> 00:06:24,133 because it can distort someone's face. 97 00:06:24,233 --> 00:06:27,666 But for shooting post snap this is a perfect lens 98 00:06:27,733 --> 00:06:30,566 having both the bride and groom in the frame. 99 00:06:30,566 --> 00:06:35,766 If you are using a Sony A7 three, this is I think the best all around lens 100 00:06:35,766 --> 00:06:39,966 because with the Sony A7 three in just one tap, 101 00:06:40,033 --> 00:06:44,266 you can crop the 35 millimeter and make it around 15 millimeter 102 00:06:44,366 --> 00:06:47,333 without compromising the image quality. 103 00:06:47,333 --> 00:06:50,300 It's just simply the zooms, the image. 104 00:06:50,300 --> 00:06:54,266 So when you're shooting a moving subject, just like the bridal entrance, 105 00:06:54,333 --> 00:06:58,900 you can do two shot sizes in just one camera and lens setup. 106 00:06:58,966 --> 00:07:01,600 No need to change lenses. 107 00:07:01,666 --> 00:07:03,033 The second lens of that 108 00:07:03,033 --> 00:07:08,533 that I'm talking about is the Canon 50 millimeters f 1.4. 109 00:07:08,633 --> 00:07:12,300 This lens is actually affordable, but definitely works 110 00:07:12,300 --> 00:07:15,900 well with shooting bridal portraits 111 00:07:15,966 --> 00:07:20,600 most of the time in every wedding I only use the 50 millimeters 112 00:07:20,600 --> 00:07:23,900 lens for bride portraits and most snapshot shots 113 00:07:24,066 --> 00:07:27,733 that are shot in handheld. 114 00:07:27,833 --> 00:07:29,633 The third lens is the canon 115 00:07:29,633 --> 00:07:34,766 100 millimeters f 2.8 macro lens. 116 00:07:34,833 --> 00:07:39,100 This lens is the best lens that I have. 117 00:07:39,200 --> 00:07:42,200 It is quite expensive, but so worth it. 118 00:07:42,433 --> 00:07:45,133 This lens is used for our wedding ring macro 119 00:07:45,133 --> 00:07:48,500 shots, macro or close up shots of the bride. 120 00:07:48,500 --> 00:07:49,766 A portrait. 121 00:07:49,766 --> 00:07:52,666 I also use this as a telephoto lens 122 00:07:52,666 --> 00:07:55,666 that can shoot long range reactions. 123 00:07:55,700 --> 00:07:59,233 During the ceremony and the reception program 124 00:07:59,333 --> 00:08:03,600 and its image quality is just so fine and very sharp. 125 00:08:03,666 --> 00:08:08,300 It also has a built in image stabilization. 126 00:08:08,400 --> 00:08:12,533 This is great advantage for a long range focal length lens 127 00:08:12,533 --> 00:08:18,800 because most of the long focal length lenses are prone to shakiness. 128 00:08:18,866 --> 00:08:23,966 Next one is the Canon 7200 as 2.8. 129 00:08:24,033 --> 00:08:26,966 This lens is used by the main shooter 130 00:08:26,966 --> 00:08:31,233 and the action shooter that can shoot long range reactions 131 00:08:31,300 --> 00:08:35,866 without having the subject notice that they are being recorded. 132 00:08:35,966 --> 00:08:38,433 This lens is very useful in the church 133 00:08:38,433 --> 00:08:41,866 door opening for the bridal entrance 134 00:08:41,966 --> 00:08:46,400 for all throughout the ceremony and the reception program. 135 00:08:46,500 --> 00:08:50,466 It is also great for tight establishing shots. 136 00:08:50,533 --> 00:08:52,433 The next lens is the canon 137 00:08:52,433 --> 00:08:55,766 85 millimeters f 1.8. 138 00:08:55,833 --> 00:08:57,266 This is a back up lance. 139 00:08:57,266 --> 00:08:59,100 Use for reactions. 140 00:08:59,100 --> 00:09:04,833 It is also great for portrait shots because it does not distort the subject, 141 00:09:04,833 --> 00:09:08,700 making them look slim in the video. 142 00:09:08,766 --> 00:09:11,733 And I think this is the last lens. 143 00:09:11,733 --> 00:09:16,033 The Samsung 14 millimeters f 2.8. 144 00:09:16,133 --> 00:09:19,933 This is a wide lens and it's not that expensive. 145 00:09:20,033 --> 00:09:22,800 Having a wide lenses is a great investment. 146 00:09:22,800 --> 00:09:26,633 One wide lens will actually do the work. 147 00:09:26,700 --> 00:09:28,800 Is great for shooting the reception. 148 00:09:28,800 --> 00:09:32,433 Details of the venue and clients usually want 149 00:09:32,600 --> 00:09:37,400 wide shots of their reception because they paid a lot for those details. 150 00:09:37,400 --> 00:09:41,833 So it is best for you to capture them in the video. 151 00:09:41,933 --> 00:09:42,433 And that is 152 00:09:42,433 --> 00:09:46,533 another equipment that I recommend for you two for you guys. 153 00:09:46,533 --> 00:09:51,333 Two to acquire is video lights with light stance. 154 00:09:51,566 --> 00:09:57,800 Having adequate light adds a lot of factors and is another thing 155 00:09:57,800 --> 00:10:02,733 to impress your clients that you have video lights. 156 00:10:02,800 --> 00:10:04,200 These are led. 157 00:10:04,200 --> 00:10:05,533 These are the LCD. 158 00:10:05,533 --> 00:10:09,033 We realize that I currently use in shooting weddings 159 00:10:09,100 --> 00:10:13,433 to game TV 55 by color al video light. 160 00:10:13,500 --> 00:10:17,866 I am just so amazed by these lights and just because it is lightweight, 161 00:10:17,966 --> 00:10:23,100 it is also very compact and just suits in this small box. 162 00:10:23,166 --> 00:10:27,866 It also has a free now that forces the light in one direction. 163 00:10:27,933 --> 00:10:30,900 I use this light during the bridal portrait 164 00:10:30,900 --> 00:10:45,166 shot specifically for a concept like this 165 00:10:45,266 --> 00:10:46,333 and also during 166 00:10:46,333 --> 00:10:51,133 the ceremony, bridal entrance and reception program, having a light 167 00:10:51,133 --> 00:10:54,800 pointed at your subject would be easier for you to color correct 168 00:10:54,966 --> 00:10:58,400 and grade your footage in the post process. 169 00:10:58,500 --> 00:11:01,933 It also helps in setting up your white balance 170 00:11:02,033 --> 00:11:05,333 one, one or handheld light. 171 00:11:05,400 --> 00:11:07,033 The brand is young. 172 00:11:07,033 --> 00:11:10,633 No, you know, it has a good reputation 173 00:11:10,633 --> 00:11:13,633 when it comes to video LCD lights. 174 00:11:13,866 --> 00:11:17,900 I usually use this for ring shots and small detail shots 175 00:11:17,900 --> 00:11:21,400 of the wedding details like invitation ins, 176 00:11:21,466 --> 00:11:24,933 jewelries, Bible and etc. 177 00:11:25,000 --> 00:11:29,833 It is just so flexible to use since it is handheld. 178 00:11:29,933 --> 00:11:33,133 It is also great for sealing your subject's face 179 00:11:33,133 --> 00:11:36,833 because the light coming from this is already diffused. 180 00:11:36,933 --> 00:11:41,133 So smooth shadows and blacks are expected. 181 00:11:41,200 --> 00:11:44,033 These are the most common gears or equipment 182 00:11:44,033 --> 00:11:47,666 that you will use to shoot a wedding, But for starters, 183 00:11:47,733 --> 00:11:52,900 you can actually do a wedding film with just at least one camera or two. 184 00:11:53,000 --> 00:11:57,933 But that just depends on your clients demands or what every year agreement is. 185 00:11:58,000 --> 00:12:01,266 That's it for the years and equipment topic. 186 00:12:01,333 --> 00:12:03,333 Stay tuned for more in the coming lessons. 187 00:12:03,333 --> 00:12:04,100 So see. 16074

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