All language subtitles for 26 - Scene Discussion-Out of the Past

I'm a great admirer of Turner's films

so here you see an extraordinary example of it

in terms of the use of light and shadow

and the subtlety of his visual language

particularly in the next cut here

dark and shadow

he looks down the camera

simply tilts and you realize there's a body

bear cuts back up

full light on his face

now the camera stays behind the see through curtain

tracking to the right

and really the whole scene becomes about

the way Robin Mitchell moves through the

through the shadows and the light

and how he cleans up

quote unquote

this horrific scene

so to speak

as seen as something again with the shadows um

uh very strong shadows

one of the key elements in this film is how

well it's the epitome of cool in a way

and it's it's

it processed through Mitchum

you know young people have seen the picture

suddenly turned and say at the end boy

that's the coolest film I've ever seen

it's restrained and yet extremely powerful and rich

as opposed the camera moves

for example in eight and a/2

or the very bold use of movement and color in vertical

this seems to be the opposite

if anything would become iconic of Fillmore

this picture is it obviously

I think I was 5 years old and I saw this in a theater

I was concerned

I think it was on the bottom half of a double Bill

on a re release

of Bambi actually

and both were RKO releases

so it could be um

and I remember my aunt to take me to see the Bambi

I was complaining that this film is going on too long

she told me to be quiet

because she was really enjoying it

but I'll never forget the body being put in the

in the closet

and the impression it left on me

the picture

because of the use of shadows and light

I think it may have been the first true noir that I saw

yeah 5 or 6 years old

inadvertently