All language subtitles for 25 - Scene Discussion-Barry Lyndon

the whole thing here

of course is establishing a pace

in a mood and a context of the period

that has to do with the behavior

the people in the frame

the pace of the camera pulling back from the statue

and the use of music

it's a scene that somehow

I remember I'm upon first seeing this

because of the use of natural light

the beginnings of the voiceover

that doesn't intrude in the picture

but adds to the

the world of the film

is depicting first love

what a change it makes in a land

what a magnificent secret it is

that he carries about with him

the tender passion

gushes instinctively out of a man's heart

the behavior of the actors

particularly

the whole piece is cut to this medium close up

the look on her eyes Kalani

this whole piece kind of has a a

it's wonderful example of a kind of excruciating um

enjoyment of withholding the sexuality

and this is done through the very slow pacing

compositions

look on her face

and also sets the entire tone for the film

in terms of the behavior of the characters

behavior of the actors

and once again

I can't express enough

the use of the imagery to evoke 18th century

the 18th century

18th century paintings

the cousin here

of course is a

is directing everything

she has a kind of single minded approach to everything

here in the scenes

you know she's ruthless

the use of natural light places you in the

emotional and psychological state of the characters

every image embodies the structure of an entire society

and the savagery that it contains

so immediately from the first scene

you have such a powerful understanding

of how people behaved and related to each other

I cannot find

you have to look properly

the deliberateness of the dialogue

and the pauses between the sentences

it takes you back like a time machine

into another way of living and thinking

because nothing was fast around them

it was all slow and intense

I cannot find it

I'll give you a hint

I think the filter on the TouTiao has to do more

with conscious effort to

to evoke painting

there's no doubt

I feel the ribbon

why are you trembling

she talks about trembling

about the whole scene is trembling in that way

and you really feel here the

the angle changes

setting up its beautiful light still on her

but it really is setting up the light

for Ryan O'Neill's face here and the kiss

but the key to this whole scene is the

the excruciating enjoyment of the trembling

as an authority to take

take a film like this

and have the command of that piece of a narrative film

and demand this from an audience you know

it doesn't seem that far um

uh that far out of the

out of the out of the norm for Stanley Cooper

particularly because he

established this kind of concentration of the

of viewing for the audience in 2001

Space Odyssey

and so here it's the similar thing

only back in time