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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:53,266 --> 00:00:54,999 hello and welcome 2 00:00:56,400 --> 00:00:58,800 we're shooting this class in a place called 3 00:00:58,800 --> 00:00:59,966 Alice Tully Hall 4 00:00:59,966 --> 00:01:02,566 it's on the corner sixty Fifth Street in Broadway 5 00:01:02,566 --> 00:01:03,166 in Manhattan 6 00:01:03,166 --> 00:01:04,399 at Lincoln Center 7 00:01:04,600 --> 00:01:06,800 and it means a great deal to me 8 00:01:06,800 --> 00:01:08,000 has a lot of significance for me 9 00:01:08,000 --> 00:01:10,333 because every fall 10 00:01:10,333 --> 00:01:13,033 this is where the New York Film Festival takes place 11 00:01:13,366 --> 00:01:15,633 and when I was young um 12 00:01:16,100 --> 00:01:17,500 I came to the festival every year 13 00:01:17,500 --> 00:01:19,600 to see pictures from all over the world I had 14 00:01:19,666 --> 00:01:21,966 sometimes I was able to get in the press screenies 15 00:01:21,966 --> 00:01:23,766 cause I had a couple of short films showing 16 00:01:23,766 --> 00:01:25,066 the first few festivals 17 00:01:25,066 --> 00:01:28,399 we saw new work from great filmmakers 18 00:01:28,400 --> 00:01:30,366 like Luis Buenwell 19 00:01:30,500 --> 00:01:31,133 French for true 20 00:01:31,133 --> 00:01:32,399 Fojon Lukodar 21 00:01:32,400 --> 00:01:33,400 Nagisa Oshima 22 00:01:33,400 --> 00:01:35,500 so many remarkable movies 23 00:01:36,000 --> 00:01:39,666 that we were all just enthralled by the movies 24 00:01:39,666 --> 00:01:42,233 coming from all of the globe in those days 25 00:01:42,700 --> 00:01:45,433 and as we went and absorbed those pictures 26 00:01:46,200 --> 00:01:48,100 we were receiving an education 27 00:01:49,600 --> 00:01:50,533 it wasn't the reverse 28 00:01:50,533 --> 00:01:53,299 we didn't set out to make a study of anything 29 00:01:53,800 --> 00:01:58,766 we were immersed and entranced and on fire 30 00:01:59,066 --> 00:02:02,766 and the education just naturally followed 31 00:02:04,166 --> 00:02:05,099 and that's the way it is 32 00:02:05,100 --> 00:02:06,466 when you're pursuing an obsession 33 00:02:06,466 --> 00:02:08,866 when you're going where you're drawn to go 34 00:02:08,866 --> 00:02:10,099 where you have to go 35 00:02:10,533 --> 00:02:13,666 as opposed to where you think it might be fun to go 36 00:02:13,666 --> 00:02:15,566 or where you think you should go 37 00:02:17,200 --> 00:02:19,800 so if you're intrigued by movie making as a career 38 00:02:21,300 --> 00:02:22,766 this isn't the class for you 39 00:02:23,933 --> 00:02:26,366 but if you need to make movies a movie 40 00:02:26,400 --> 00:02:30,333 if you feel like you can't rest until you've you know 41 00:02:30,333 --> 00:02:33,299 told this particular story that you're burning to tell 42 00:02:33,300 --> 00:02:35,233 and moving images and sounds 43 00:02:35,800 --> 00:02:38,966 then I could be speaking to you because 44 00:02:38,966 --> 00:02:41,466 um that's who I was when I started making pictures 45 00:02:41,466 --> 00:02:43,299 and when I made Main Streets 46 00:02:43,300 --> 00:02:45,000 and showed it here in this theater 47 00:02:45,000 --> 00:02:46,466 for the first time to the public 48 00:02:46,466 --> 00:02:49,866 and the New York Film Festival audience in 1973 49 00:02:50,166 --> 00:02:52,099 so I'm gonna be speaking personally 50 00:02:52,100 --> 00:02:55,366 and that's the only way I can speak about making movies 51 00:02:55,866 --> 00:02:57,633 I'm not gonna give you a blueprint 52 00:02:58,700 --> 00:03:00,233 there are no shortcuts 53 00:03:00,533 --> 00:03:03,366 I'm gonna give you some practical advice along the way 54 00:03:03,366 --> 00:03:06,766 but the most important thing I can convey to you 55 00:03:06,866 --> 00:03:09,899 is that you always have to find your own way 56 00:03:11,866 --> 00:03:12,799 you can be inspired 57 00:03:12,800 --> 00:03:14,766 you can learn about cameras and sound equipment 58 00:03:14,766 --> 00:03:15,799 editing tools 59 00:03:15,933 --> 00:03:18,999 but in the end it's just you 60 00:03:20,533 --> 00:03:23,599 that's what you have to guard that's what's precious 61 00:03:26,100 --> 00:03:29,900 I'm Martin Scorsese and this is my master class 4485