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1
00:00:01,668 --> 00:00:02,779
[TV PLAYING]
2
00:00:02,803 --> 00:00:04,603
THIS GAME SUCKS.
3
00:00:04,638 --> 00:00:05,804
WHERE'S THE REMOTE?
4
00:00:05,839 --> 00:00:07,117
I DON'T KNOW.
WHERE'D YOU PUT IT?
5
00:00:07,141 --> 00:00:08,381
I THINK SHARON'S SITTING ON IT.
6
00:00:08,409 --> 00:00:09,486
NO, I'M NOT.
7
00:00:09,510 --> 00:00:10,675
WELL, ARE YOU SURE?
8
00:00:10,711 --> 00:00:11,955
YEAH. I THINK I'D FEEL IT.
9
00:00:11,979 --> 00:00:13,056
SHARON, I LEFT IT RIGHT
WHERE YOU'RE SITTING.
10
00:00:13,080 --> 00:00:15,558
COME ON, GET UP.
ALL RIGHT! ALL RIGHT!
11
00:00:15,582 --> 00:00:16,681
SEE?
12
00:00:16,717 --> 00:00:18,117
LISTEN, WHILE YOU'RE UP,
13
00:00:18,152 --> 00:00:20,419
COULD YOU GET US A
COUPLE MORE BEERS?
14
00:00:47,681 --> 00:00:49,014
LOOKING FOR THIS?
15
00:00:49,049 --> 00:00:50,749
YEAH. THANKS.
16
00:00:50,785 --> 00:00:53,452
CAN I GET YOU A TALL
COOL GLASS OF LEMONADE?
17
00:00:53,487 --> 00:00:54,586
YEAH. THAT'D BE NICE.
18
00:00:54,622 --> 00:00:55,665
COMING RIGHT UP.
19
00:00:55,689 --> 00:00:59,291
SHARON. GOING
AFTER THE REPAIRMAN.
20
00:00:59,326 --> 00:01:01,226
CHICK-A-BWOW.
21
00:01:03,163 --> 00:01:04,730
DID YOU EVER STOP AND AND THINK
22
00:01:04,765 --> 00:01:05,931
THAT JOHNNY JUST MIGHT BE
23
00:01:05,966 --> 00:01:09,267
AN EMOTIONALLY SCARRED
WORKING-CLASS HERO
24
00:01:09,303 --> 00:01:11,570
WHOSE GENIUS IS SIMPLY UNTAPPED?
25
00:01:11,605 --> 00:01:13,550
YOU KNOW, SHARON, I AM SO SORRY
26
00:01:13,574 --> 00:01:16,686
THAT I GOT YOU GOOD WILL
HUNTING FOR YOUR BIRTHDAY.
27
00:01:16,710 --> 00:01:19,645
PETE, CAN I GET A
LEMONADE, PLEASE?
28
00:01:19,680 --> 00:01:21,346
SHARON, I'M WORKING HERE.
29
00:01:21,381 --> 00:01:24,616
HENCE MY CRAZY IDEA
TO ORDER FROM YOU.
30
00:01:24,652 --> 00:01:26,552
I'M HAVING A LITTLE TROUBLE
31
00:01:26,587 --> 00:01:28,587
WITH MY CLASS
SCHEDULE RIGHT NOW.
32
00:01:28,622 --> 00:01:29,666
I WOULD'VE GONE
OVER IT LAST NIGHT,
33
00:01:29,690 --> 00:01:31,957
BUT I WAS A LITTLE BUSY
34
00:01:31,992 --> 00:01:33,904
PREPARING FOR MY INTERVIEW
WITH CONWAY AND ASSOCIATES.
35
00:01:33,928 --> 00:01:36,094
IT'S JUST THE BIGGEST
ARCHITECTURE FIRM IN BOSTON, OK?
36
00:01:36,129 --> 00:01:37,863
AND IF I GET THIS INTERNSHIP,
37
00:01:37,898 --> 00:01:39,631
I'M GONNA BE SET
FOR LIFE. SET FOR LIFE!
38
00:01:39,667 --> 00:01:40,766
BUT I SUPPOSE...
39
00:01:40,801 --> 00:01:42,668
I SUPPOSE I CAN PUT
EVERYTHING ON HOLD
40
00:01:42,703 --> 00:01:45,136
AND GET YOU YOUR LEMONADE!
41
00:01:45,172 --> 00:01:46,304
OK.
42
00:01:46,340 --> 00:01:48,173
OK.
43
00:01:48,208 --> 00:01:49,686
I'LL GET THE LEMONADE.
44
00:01:49,710 --> 00:01:53,070
GOD, ICE THAT VEIN IN THE
MIDDLE OF YOUR FOREHEAD.
45
00:01:53,747 --> 00:01:55,258
I JUST STARTED MY
PSYCH ROTATION.
46
00:01:55,282 --> 00:01:56,448
GREAT.
47
00:01:56,484 --> 00:01:59,250
AND, YOU KNOW, I THINK
I FOUND MY CALLING...
48
00:01:59,286 --> 00:02:01,598
EASING THE WOES OF
THE PETES OF THE WORLD.
49
00:02:01,622 --> 00:02:03,032
WELL, ON BEHALF OF
THE PETES OF THE WORLD,
50
00:02:03,056 --> 00:02:04,222
GO AWAY.
51
00:02:06,694 --> 00:02:08,638
PETE, COME ON, WHAT'S WRONG?
52
00:02:08,662 --> 00:02:09,940
THEY'RE NOT GONNA
LET ME GRADUATE
53
00:02:09,964 --> 00:02:11,530
UNLESS I TAKE AN ELECTIVE.
54
00:02:11,565 --> 00:02:14,399
WHAT KIND OF POLICE
STATE ARE WE LIVING IN?
55
00:02:14,434 --> 00:02:15,712
BERG, LOOK, IT'S MY
LAST YEAR, ALL RIGHT?
56
00:02:15,736 --> 00:02:17,102
I NEED TO FOCUS.
57
00:02:17,137 --> 00:02:18,748
I DON'T NEED A
DISTRACTION RIGHT NOW.
58
00:02:18,772 --> 00:02:21,673
A DISTRACTION IS EXACTLY
WHAT YOU NEED RIGHT NOW.
59
00:02:21,709 --> 00:02:23,408
YOU'RE TOO FOCUSED, OK?
60
00:02:23,443 --> 00:02:25,443
YOU'VE BEEN EATING AND
SLEEPING ARCHITECTURE
61
00:02:25,479 --> 00:02:27,012
FOR THE LAST 8 MONTHS.
62
00:02:27,047 --> 00:02:28,446
YOU'RE STRESSED
OUT OVER A CAREER
63
00:02:28,482 --> 00:02:30,215
THAT YOU HAVEN'T
EVEN STARTED YET.
64
00:02:30,250 --> 00:02:31,717
YOU KNOW, I THINK
65
00:02:31,752 --> 00:02:33,062
THAT A NICE, EASY ELECTIVE
66
00:02:33,086 --> 00:02:34,498
WOULD BE A GOOD THING.
67
00:02:34,522 --> 00:02:35,921
IT'LL LOOSEN YOU UP.
68
00:02:36,924 --> 00:02:37,990
OK! OK!
69
00:02:39,627 --> 00:02:41,727
I WISH I HAD MY LAST SEMESTER
70
00:02:41,762 --> 00:02:43,896
TO DO ALL OVER AGAIN.
71
00:02:43,931 --> 00:02:45,241
BECAUSE ONCE YOU'RE
OUT IN THE REAL WORLD,
72
00:02:45,265 --> 00:02:47,932
EVERY DAY IS ALL...
73
00:02:47,967 --> 00:02:49,867
YECCH AND... AND... BLECCH.
74
00:02:51,237 --> 00:02:52,370
YOU GOT THAT LEMONADE?
75
00:02:52,406 --> 00:02:54,049
Sharon: OH, YEAH. HERE YOU GO.
76
00:02:54,073 --> 00:02:56,007
Berg: OK. RIGHT HERE...
THE PERFECT ELECTIVE.
77
00:02:56,042 --> 00:02:58,510
INTERMEDIATE BOWLING.
78
00:02:58,545 --> 00:02:59,844
BOWLING?
79
00:02:59,879 --> 00:03:01,413
THAT'S A COURSE?
80
00:03:01,448 --> 00:03:03,259
I'VE BEEN BOWLING EVERY WEDNESDAY
NIGHT FOR THE PAST 10 YEARS.
81
00:03:03,283 --> 00:03:04,616
WHERE'S MY Ph.D.?
82
00:03:06,853 --> 00:03:08,464
JOHN, IT'S NOT JUST BOWLING.
83
00:03:08,488 --> 00:03:10,888
IT'S BOWLING... APPRECIATION.
84
00:03:12,258 --> 00:03:14,125
WHAT I APPRECIATE ABOUT BOWLING
85
00:03:14,160 --> 00:03:16,093
IS IT COSTS ME 15 BUCKS.
86
00:03:16,129 --> 00:03:18,330
IT'S GONNA COST
YOU CLOWNS 8 GRAND.
87
00:03:18,365 --> 00:03:19,831
GO FIGURE.
88
00:03:19,866 --> 00:03:21,499
[LAUGHING]
89
00:03:21,535 --> 00:03:23,468
I GOTTA TRACK DOWN A
PART. I'LL SEE YOU TOMORROW.
90
00:03:23,503 --> 00:03:25,014
AND THANKS FOR THE LEMONADE.
91
00:03:25,038 --> 00:03:26,038
SURE.
92
00:03:28,575 --> 00:03:30,575
HA HA HA.
93
00:03:30,610 --> 00:03:32,510
YEAH, YEAH. IF HE'S SO SMART,
94
00:03:32,546 --> 00:03:34,879
WHY IS IT TAKING HIM 4
DAYS TO FIX A JUKEBOX?
95
00:03:34,914 --> 00:03:36,659
EVERY NIGHT, AFTER HE LEAVES,
96
00:03:36,683 --> 00:03:38,603
I BREAK A DIFFERENT PART.
97
00:03:40,119 --> 00:03:42,821
OH! MAN, I GOTTA
XEROX MY BLUEPRINTS,
98
00:03:42,856 --> 00:03:44,956
I GOTTA PICK UP MY
SUIT FROM THE CLEANERS,
99
00:03:44,991 --> 00:03:47,325
AND, SOMEHOW, I HAVE
TO DROP THESE CARDS OFF
100
00:03:47,361 --> 00:03:48,671
TO THE REGISTRAR'S
OFFICE BY 5:00.
101
00:03:48,695 --> 00:03:50,161
HEY, IF YOU WANT,
102
00:03:50,196 --> 00:03:51,407
I'LL DROP BY THE REGISTRAR'S
OFFICE ON THE WAY HOME
103
00:03:51,431 --> 00:03:52,764
AND DROP THOSE OFF FOR YOU.
104
00:03:52,799 --> 00:03:53,998
YOU RULE.
105
00:03:56,002 --> 00:03:57,669
I MOST CERTAINLY DO.
106
00:04:03,209 --> 00:04:04,676
HEY, BERG.
107
00:04:04,711 --> 00:04:05,977
HEY.
108
00:04:06,012 --> 00:04:07,379
YOU'RE NOT GONNA BELIEVE THIS.
109
00:04:07,414 --> 00:04:08,513
FUNNIEST THING...
110
00:04:08,548 --> 00:04:10,515
I WENT IN TO MY
METALLURGY CLASS TODAY,
111
00:04:10,550 --> 00:04:13,385
AND IT TURNS OUT I'M NOT
ENROLLED IN METALLURGY.
112
00:04:13,420 --> 00:04:16,721
APPARENTLY, SOMEONE ENROLLED ME
113
00:04:16,757 --> 00:04:18,790
IN SPORTS BROADCASTING.
114
00:04:18,825 --> 00:04:20,625
HMM...
115
00:04:25,665 --> 00:04:27,410
AND HOW DOES THAT MAKE YOU FEEL?
116
00:04:27,434 --> 00:04:28,600
ANGRY.
117
00:04:28,635 --> 00:04:29,601
THAT'S GOOD.
118
00:04:29,636 --> 00:04:32,704
NOW TELL ME, HOW ARE
WE GONNA WORK THROUGH
119
00:04:32,739 --> 00:04:34,806
THESE NEGATIVE EMOTIONS, PETE?
120
00:04:34,841 --> 00:04:36,452
WELL, FIRST, I'M
GONNA LUNGE AT YOU
121
00:04:36,476 --> 00:04:38,220
AND BEAT YOU UNCONSCIOUS
122
00:04:38,244 --> 00:04:40,222
WITH MY SPORTS
BROADCASTING BOOK.
123
00:04:40,246 --> 00:04:41,679
COME ON.
124
00:04:41,715 --> 00:04:43,593
OH, NO. I CAN DO IT. IT'S
A REALLY HEAVY BOOK.
125
00:04:43,617 --> 00:04:45,784
BERG, I TRIED TO SWITCH OUT,
126
00:04:45,819 --> 00:04:47,419
BUT ALL THE OTHER
ELECTIVES WERE FULL.
127
00:04:47,454 --> 00:04:49,198
WELL, YOU SHOULD'VE
GOTTEN THERE EARLY,
128
00:04:49,222 --> 00:04:50,688
LIKE I DID.
129
00:04:50,724 --> 00:04:52,356
BERG, I GOTTA GO
TO THIS INTERVIEW.
130
00:04:52,392 --> 00:04:54,270
THEN I GOTTA RUSH OVER AND
ANNOUNCE THIS STUPID GAME
131
00:04:54,294 --> 00:04:57,061
FOR THIS STUPID COURSE THAT
I SHOULDN'T EVEN BE TAKING.
132
00:04:57,096 --> 00:04:59,764
AND IF I DON'T
GO, I'M GONNA FAIL!
133
00:04:59,800 --> 00:05:01,866
THIS IS THE REST OF MY
LIFE WE'RE TALKING ABOUT.
134
00:05:01,902 --> 00:05:03,735
EXACTLY.
135
00:05:03,770 --> 00:05:07,439
THIS IS YOUR LAST YEAR
OF GRAD SCHOOL. OK?
136
00:05:07,474 --> 00:05:10,241
YOUR LAST YEAR TO
DO SOMETHING... FUN.
137
00:05:10,276 --> 00:05:11,375
WHOO-HOO!
138
00:05:12,679 --> 00:05:17,214
YOUR LAST YEAR BEFORE
YECCH AND BLECCH.
139
00:05:22,055 --> 00:05:24,055
THIS IS MY LAST YEAR.
140
00:05:24,090 --> 00:05:28,025
OH, MY GOD. BERG,
IT'S MY LAST YEAR.
141
00:05:28,061 --> 00:05:31,021
AND YOU WANTED TO
STRIKE ME WITH A BOOK.
142
00:05:32,265 --> 00:05:33,998
BUT SPORTS BROADCASTING?
143
00:05:34,033 --> 00:05:36,378
COME ON. YOU KNOW SPORTS
BETTER THAN ANYONE. TRUE.
144
00:05:36,402 --> 00:05:37,947
HOW MANY TIMES WATCHING
FOOTBALL AT O'MALLEY'S
145
00:05:37,971 --> 00:05:39,582
HAVE PEOPLE THROWN
PEANUTS AT YOUR HEAD
146
00:05:39,606 --> 00:05:40,950
AND TOLD YOU TO SIT
DOWN AND SHUT UP?
147
00:05:40,974 --> 00:05:42,239
A LOT.
148
00:05:44,945 --> 00:05:47,411
NOW YOU GET COLLEGE
CREDIT FOR THAT.
149
00:05:47,447 --> 00:05:49,347
IT'LL BE GREAT.
150
00:05:49,382 --> 00:05:50,893
THE BIG CROWD, THE STADIUM,
151
00:05:50,917 --> 00:05:52,361
THE FANS, THE
ACTION ON THE FIELD.
152
00:05:52,385 --> 00:05:53,718
AND TELL ME...
153
00:05:53,753 --> 00:05:55,130
WHO, WHO IS GONNA BRING THAT FUN
154
00:05:55,154 --> 00:05:56,914
INTO EVERYONE'S LIVING ROOMS?
155
00:05:57,724 --> 00:05:58,923
PETE DUNVILLE?
156
00:05:58,959 --> 00:06:00,892
YEAH!
157
00:06:00,927 --> 00:06:02,171
ALL RIGHT, I'M GONNA
GO TO MY INTERVIEW.
158
00:06:02,195 --> 00:06:03,761
I WANT YOU TO MEET
ME AT THE GAME.
159
00:06:03,797 --> 00:06:05,730
AND IF I DON'T HAVE ANY FUN,
160
00:06:05,765 --> 00:06:07,176
I'M GONNA HAVE TO
KILL YOU AFTERWARDS.
161
00:06:07,200 --> 00:06:08,480
FAIR ENOUGH.
162
00:06:13,540 --> 00:06:15,707
I MUST SAY, MR. DUNVILLE,
163
00:06:15,742 --> 00:06:18,776
YOUR PORTFOLIO
IS QUITE IMPRESSIVE.
164
00:06:18,812 --> 00:06:21,245
THANK YOU, SIR. THANK YOU.
165
00:06:21,280 --> 00:06:23,347
I FOUND THIS ON THE BUS.
166
00:06:24,518 --> 00:06:27,184
IT'S JUST A LITTLE
JOKE TO BREAK...
167
00:06:27,220 --> 00:06:29,821
BREAK THE TENSION.
168
00:06:29,856 --> 00:06:33,290
SO, WHAT INSPIRED YOU
TO BE AN ARCHITECT?
169
00:06:33,326 --> 00:06:34,336
OH, MY DAD. MY DAD MOSTLY.
170
00:06:34,360 --> 00:06:35,326
WAS HE AN ARCHITECT?
171
00:06:35,361 --> 00:06:36,460
NO, NO, NO, NO.
172
00:06:36,496 --> 00:06:37,573
HE WAS A FOREMAN ON
CONSTRUCTION SITES.
173
00:06:37,597 --> 00:06:39,931
EVER SINCE I WAS,
LIKE, 8 YEARS OLD,
174
00:06:39,966 --> 00:06:41,944
HE ALWAYS HAD THESE
BIG DREAMS FOR ME.
175
00:06:41,968 --> 00:06:45,603
AND, YOU KNOW,
SO... HI. HOW ARE YOU?
176
00:06:45,639 --> 00:06:48,640
THE THING THAT
STRIKES ME, MR. DUNVILLE,
177
00:06:48,675 --> 00:06:50,642
IS IN THE PAST 25 MINUTES,
178
00:06:50,677 --> 00:06:52,522
YOU'VE ANSWERED
ALL OF OUR QUESTIONS
179
00:06:52,546 --> 00:06:54,546
IN A CLEAR AND COMPETENT MANNER.
180
00:06:54,581 --> 00:06:56,714
BUT THE ONE THING I
HAVEN'T HEARD YOU SAY IS...
181
00:06:56,750 --> 00:06:59,316
WHY YOU LOVE ARCHITECTURE.
182
00:06:59,352 --> 00:07:02,754
WHY I LOVE ARCHITECTURE.
183
00:07:03,924 --> 00:07:05,023
UM...
184
00:07:06,693 --> 00:07:08,974
WELL, YOU KNOW,
THE THING IS, IS...
185
00:07:11,598 --> 00:07:13,638
WELL, I MEAN, IT'S BECAUSE...
186
00:07:14,267 --> 00:07:15,845
WELL, WITHOUT ARCHITECTURE,
187
00:07:15,869 --> 00:07:18,002
WE'D ALL BE OUTSIDE.
188
00:07:20,440 --> 00:07:22,206
THANK YOU, MR. DUNVILLE.
189
00:07:22,241 --> 00:07:23,419
WE'LL HAVE YOU BACK TOMORROW
190
00:07:23,443 --> 00:07:24,654
TO MEET OUR SENIOR PARTNERS.
191
00:07:24,678 --> 00:07:25,977
OH, THANK YOU.
192
00:07:26,012 --> 00:07:27,679
THANK YOU VERY MUCH.
193
00:07:30,283 --> 00:07:32,450
DID YOU GET THAT
THING WITH THE BUS?
194
00:07:37,423 --> 00:07:41,292
THIS IS PETE DUNVILLE
FOR WMFO COLLEGE RADIO,
195
00:07:41,327 --> 00:07:43,861
AND WE'VE GOT A REAL
CLASH OF THE TITANS TONIGHT.
196
00:07:47,433 --> 00:07:48,900
THE FIRST ROUND
197
00:07:48,935 --> 00:07:50,245
OF THE MONDAY NIGHT
CHESS CLUB TOURNAMENT
198
00:07:50,269 --> 00:07:51,803
IS JUST SECONDS AWAY
199
00:07:51,838 --> 00:07:54,706
AFTER THESE WORDS
FROM FRANK'S AUTO REPAIR.
200
00:07:54,741 --> 00:07:57,341
REMEMBER, AT FRANK'S...
201
00:07:57,376 --> 00:07:59,510
YOU WON'T GET ROOKED.
202
00:08:00,880 --> 00:08:02,224
PETE, YOU'RE DOING GREAT.
203
00:08:02,248 --> 00:08:04,649
YOU GOT THE CROWD IN A FRENZY.
204
00:08:07,053 --> 00:08:09,020
IT'LL BE GREAT... YOU SAY.
205
00:08:09,055 --> 00:08:10,822
IT'LL BE GREAT!
206
00:08:10,857 --> 00:08:13,891
THE CROWD, THE STADIUM,
THE ACTION ON THE FIELD!
207
00:08:13,927 --> 00:08:16,060
THIS GAME DOESN'T
EVEN HAVE A BALL.
208
00:08:17,396 --> 00:08:19,775
SO... SO... I... I TAKE IT THE
INTERVIEW WENT POORLY.
209
00:08:19,799 --> 00:08:20,765
NO, NO.
210
00:08:20,800 --> 00:08:22,166
THE INTERVIEW WENT GREAT.
211
00:08:22,201 --> 00:08:25,103
I'M GOING BACK TO MEET
THE SENIOR PARTNERS.
212
00:08:25,138 --> 00:08:27,105
HEY. HAVE I TOLD YOU
213
00:08:27,140 --> 00:08:29,240
THAT I LOVE ARCHITECTURE LATELY?
214
00:08:29,275 --> 00:08:31,721
WHEN YOU'VE BEEN TOGETHER
AS LONG AS WE HAVE, YOU...
215
00:08:31,745 --> 00:08:33,665
YOU DON'T HAVE TO SAY IT.
216
00:08:38,184 --> 00:08:39,416
OH. AND WE'RE BACK,
217
00:08:39,452 --> 00:08:41,519
AND I THINK A MOVE
IS ABOUT TO HAPPEN.
218
00:08:41,554 --> 00:08:44,221
WAIT, WAIT, WAIT, WAIT... NOPE.
219
00:08:46,225 --> 00:08:47,225
YES!
220
00:08:48,728 --> 00:08:49,994
NO!
221
00:08:53,066 --> 00:08:56,233
YES! YES! AND WHAT A MOVE IT WAS
222
00:08:56,269 --> 00:08:58,536
FROM OUR EXCHANGE
STUDENT YURI KIROV,
223
00:08:58,571 --> 00:09:00,104
WHO HAILS FROM KAZAKHSTAN.
224
00:09:00,140 --> 00:09:01,438
HA HA! I'LL TELL YOU,
225
00:09:01,474 --> 00:09:02,718
I DON'T KNOW HOW MUCH LONGER
226
00:09:02,742 --> 00:09:05,543
HE'LL BE ABLE TO SUSTAIN
THIS DIZZYING PACE.
227
00:09:07,681 --> 00:09:09,321
OH... OH, AND... AND
THE COUNTERMOVE.
228
00:09:09,348 --> 00:09:10,748
OH! AND A BEAUTY!
229
00:09:10,784 --> 00:09:12,316
PAWN TO KNIGHT 4.
230
00:09:12,351 --> 00:09:14,318
AN UNEXPECTEDLY AGGRESSIVE PLAY
231
00:09:14,353 --> 00:09:16,888
BY OUR CHALLENGER
ISAAC GLICKSTEIN.
232
00:09:20,794 --> 00:09:23,161
WE... WE HAVE A
SLUGFEST BREWIN' HERE
233
00:09:23,196 --> 00:09:24,528
IN THE COHEN AUDITORIUM.
234
00:09:27,033 --> 00:09:29,667
AND YURI, "THE MAD RUSSIAN,"
235
00:09:29,703 --> 00:09:32,503
IS DOMINATING BOTH
SIDES OF THE BOARD!
236
00:09:33,873 --> 00:09:36,708
AND GLICKSTEIN'S
QUEEN IS RUNNIN' SCARED.
237
00:09:36,743 --> 00:09:38,142
GO GET 'EM, YURI!
238
00:09:38,178 --> 00:09:40,056
FINISH HIM, YURI!
239
00:09:40,080 --> 00:09:42,080
YOU'RE RIGHT. THIS IS A BLAST!
240
00:09:42,115 --> 00:09:43,525
WE'VE MADE A BREAKTHROUGH.
241
00:09:43,549 --> 00:09:47,451
OH! AND YURI SENDS HIS
BISHOP COAST TO COAST!
242
00:09:47,486 --> 00:09:48,853
OH, WAIT!
243
00:09:48,888 --> 00:09:51,756
WAIT! GLICKSTEIN'S KING
IS TRAPPED IN THE CORNER!
244
00:09:51,791 --> 00:09:54,092
AND HE LOOKS LEFT.
HE LOOKS RIGHT.
245
00:09:54,127 --> 00:09:55,559
THERE'S NOWHERE TO GO!
246
00:09:56,730 --> 00:09:59,508
WAIT, WAIT! YES, IT'S
CHECKMATE! IT'S OVER!
247
00:09:59,532 --> 00:10:00,698
WHOO!
248
00:10:00,734 --> 00:10:03,968
THERE'S A PARTY IN
KAZAKHSTAN TONIGHT!
249
00:10:04,003 --> 00:10:07,171
I LOVE SPORTS BROADCASTING!
250
00:10:17,217 --> 00:10:18,650
WHAT ARE YOU DOIN'?
251
00:10:18,685 --> 00:10:20,117
NOTHING.
252
00:10:20,153 --> 00:10:22,654
OH... SHARON.
253
00:10:22,689 --> 00:10:25,434
YOU THINK JOHNNY'S GONNA BE
ABLE TO SOLVE THAT, DON'T YOU?
254
00:10:25,458 --> 00:10:26,636
IT'S POSSIBLE.
255
00:10:26,660 --> 00:10:28,526
ADMIT IT. YOU LIKE THIS GUY,
256
00:10:28,562 --> 00:10:30,773
AND YOU JUST CAN'T STAND THE FACT
THAT HE'S NOT AN INVESTMENT BANKER.
257
00:10:30,797 --> 00:10:32,430
YOU ARE SO... SO NOW...
258
00:10:32,465 --> 00:10:33,698
YOU'RE RATIONALIZING,
259
00:10:33,733 --> 00:10:35,466
TELLING YOURSELF
HE'S SOME BIG GENIUS.
260
00:10:35,502 --> 00:10:38,622
GO PLAY WITH PETE'S
BRAIN. LEAVE MINE ALONE.
261
00:10:40,207 --> 00:10:42,973
JOHNNY. UH, WHAT
DO YOU MAKE OF THIS?
262
00:10:43,009 --> 00:10:44,242
HEY, I KNOW THIS.
263
00:10:44,277 --> 00:10:45,376
YOU DO?
264
00:10:45,412 --> 00:10:46,652
YEAH. SURE.
265
00:10:53,019 --> 00:10:54,319
THERE YOU GO.
266
00:10:54,354 --> 00:10:55,354
HUH!
267
00:10:58,791 --> 00:11:00,491
HE DID IT.
268
00:11:00,527 --> 00:11:02,793
JOHNNY PROVED THE ELUSIVE
269
00:11:02,829 --> 00:11:06,429
"CUTE BUNNY WITH A BIG
FLUFFY TAIL" THEOREM.
270
00:11:10,002 --> 00:11:11,547
HEY, EVERYONE.
HOW YOU ALL DOIN'?
271
00:11:11,571 --> 00:11:13,404
OOH! MINE!
272
00:11:13,440 --> 00:11:15,384
HEY, WHO'S THIS HAPPY GUY?
273
00:11:15,408 --> 00:11:16,919
WHERE'S MY FRIEND?
274
00:11:16,943 --> 00:11:19,143
YOU WERE RIGHT, BERG.
SPORTS BROADCASTING.
275
00:11:19,178 --> 00:11:20,278
HA HA!
276
00:11:20,313 --> 00:11:21,890
NOW, NORMALLY, THIS
TYPE OF PROGRESS
277
00:11:21,914 --> 00:11:23,881
WOULD'VE TAKEN YEARS
OF PSYCHOANALYSIS.
278
00:11:23,916 --> 00:11:26,251
ME? HALF-HOUR.
279
00:11:27,387 --> 00:11:29,064
ARE YOU PETE DUNVILLE?
280
00:11:29,088 --> 00:11:30,455
YEAH, THAT'S ME.
281
00:11:30,490 --> 00:11:32,468
OH, I KNEW IT! HEY,
GUYS, I WAS RIGHT!
282
00:11:32,492 --> 00:11:35,159
HERE HE IS... THE
VOICE OF CHESS!
283
00:11:35,194 --> 00:11:37,027
YES, I AM.
284
00:11:37,063 --> 00:11:39,074
COME ON, DO IT. DO IT!
285
00:11:39,098 --> 00:11:40,365
OK, OK, OK.
286
00:11:41,701 --> 00:11:43,234
[CLEARS THROAT]
287
00:11:44,504 --> 00:11:47,037
THIS IS PETE DUNVILLE
REMINDING YOU...
288
00:11:47,073 --> 00:11:48,539
IT'S YOUR MOVE.
289
00:11:48,575 --> 00:11:50,775
OH, AWESOME!
290
00:11:52,412 --> 00:11:53,378
[SUBDUED] ALL
RIGHT, SEE YOU LATER.
291
00:11:53,413 --> 00:11:55,112
BYE.
292
00:11:55,148 --> 00:11:59,350
SO, I JUST STOPPED
IN TO LET YOU KNOW
293
00:11:59,386 --> 00:12:01,486
TO HUDDLE AROUND
YOUR RADIOS TONIGHT
294
00:12:01,521 --> 00:12:02,920
BECAUSE... THAT'S RIGHT...
295
00:12:02,955 --> 00:12:04,955
PETE DUNVILLE IS ANNOUNCING
WOMEN'S BASKETBALL.
296
00:12:04,991 --> 00:12:05,991
HA HA!
297
00:12:06,025 --> 00:12:08,359
TUFTS VS. AMHERST.
5 P.M. TIPOFF.
298
00:12:08,395 --> 00:12:12,196
OK, FIRST OF ALL... STOP REFERRING
TO YOURSELF IN THE THIRD PERSON.
299
00:12:12,231 --> 00:12:15,745
AND SECOND, I THOUGHT YOU WERE
MEETING THE SENIOR PARTNERS TONIGHT.
300
00:12:15,769 --> 00:12:16,901
I'M BLOWIN' 'EM OFF.
301
00:12:16,936 --> 00:12:18,102
WHAT?
302
00:12:18,137 --> 00:12:19,604
YUP. BLOWIN' 'EM OFF.
303
00:12:19,639 --> 00:12:22,106
BUT THIS INTERNSHIP IS HUGE.
304
00:12:22,141 --> 00:12:24,487
SET FOR LIFE. "CAN'T GET
YOU LEMONADE." REMEMBER?
305
00:12:24,511 --> 00:12:26,778
THAT WAS BEFORE I DECIDED
TO QUIT ARCHITECTURE.
306
00:12:26,813 --> 00:12:28,078
WHAT?!
307
00:12:28,114 --> 00:12:30,581
YEAH! ALL THANKS TO THAT MAN,
308
00:12:30,617 --> 00:12:33,150
FOR HE HATH SHOWN ME THE LIGHT.
309
00:12:33,186 --> 00:12:36,887
DON'T LOOKETH AT ME.
310
00:12:36,923 --> 00:12:39,835
HEY, HEY, YOU'RE A SEMESTER
AWAY FROM GETTING YOUR DEGREE.
311
00:12:39,859 --> 00:12:42,026
GET YOUR BUTT DOWN
TO THAT INTERVIEW.
312
00:12:42,061 --> 00:12:44,072
IF I GO TO THAT INTERVIEW,
I'M GONNA TELL YOU RIGHT NOW,
313
00:12:44,096 --> 00:12:46,108
YEAH? I'M GONNA
GET THAT INTERNSHIP.
314
00:12:46,132 --> 00:12:49,166
AND THEN I'M GONNA BE LOCKED
INTO THAT JOB FOR THE REST OF MY LIFE.
315
00:12:49,202 --> 00:12:51,869
WHY SETTLE FOR YECCH AND BLECCH
316
00:12:51,904 --> 00:12:53,538
WHEN I CAN HAVE YIPPEE?
317
00:12:54,741 --> 00:12:57,007
DON'T DO THIS. IT'S
BAD FOR YOUR FUTURE.
318
00:12:57,043 --> 00:12:59,109
AND YOUR PARENTS
ARE GONNA BLAME ME.
319
00:12:59,145 --> 00:13:02,847
YOUR MOTHER STILL HASN'T FORGIVEN
ME FOR SETTING THE POOL ON FIRE.
320
00:13:02,882 --> 00:13:05,316
YOU DID SET THE POOL ON FIRE.
321
00:13:05,352 --> 00:13:07,418
AND I'M TIRED OF
HEARIN' ABOUT IT.
322
00:13:08,655 --> 00:13:10,455
EVER SINCE I WAS 12 YEARS OLD,
323
00:13:10,490 --> 00:13:11,956
I NEVER EVEN THOUGHT ABOUT
324
00:13:11,991 --> 00:13:14,459
BEING ANYTHING BUT AN ARCHITECT.
325
00:13:14,494 --> 00:13:16,639
I MEAN, I WAS THE
ONLY KID ON MY BLOCK
326
00:13:16,663 --> 00:13:18,808
WHO USED SCAFFOLDING
TO BUILD A SNOWMAN.
327
00:13:18,832 --> 00:13:21,932
YES, WHICH IS WHY YOU
SHOULD BE AN ARCHITECT!
328
00:13:21,968 --> 00:13:23,133
NO. NO. LOOK,
329
00:13:23,169 --> 00:13:24,747
THIS STUPID ELECTIVE
HAS OPENED MY EYES.
330
00:13:24,771 --> 00:13:26,949
THERE'S SO MANY THINGS OUT
THERE THAT I'VE BEEN MISSING,
331
00:13:26,973 --> 00:13:28,150
BUT NOT ANYMORE. ALL RIGHT?
332
00:13:28,174 --> 00:13:29,452
SO WISH ME LUCK.
333
00:13:29,476 --> 00:13:32,142
GOOD-BYE, AND I WILL
SEE YOU ON THE RADIO.
334
00:13:32,178 --> 00:13:34,512
AND PETE DUNVILLE
IS OUT THE DOOR!
335
00:13:35,548 --> 00:13:37,181
WHERE DOES HE GET THESE IDEAS?
336
00:13:37,216 --> 00:13:38,282
OHH!
337
00:13:38,317 --> 00:13:39,550
THIS ISN'T FUNNY.
338
00:13:39,586 --> 00:13:41,906
YOU BROKE OUR
PETE. NOW GO FIX HIM.
339
00:13:47,159 --> 00:13:49,059
WHERE'S BERG? I NEED
HIM TO SIGN FOR THIS.
340
00:13:49,095 --> 00:13:50,439
OH, YOU JUST MISSED HIM.
341
00:13:50,463 --> 00:13:52,430
BUT IF YOU LEFT NOW,
342
00:13:52,465 --> 00:13:54,932
TRAVELING AT 15.6
KILOMETERS PER HOUR,
343
00:13:54,967 --> 00:13:56,445
AND BERG IS TRAVELING
344
00:13:56,469 --> 00:13:58,347
AT 5.3 KILOMETERS PER HOUR,
345
00:13:58,371 --> 00:14:00,048
HOW MANY MINUTES WILL IT BE
346
00:14:00,072 --> 00:14:01,832
BEFORE YOU REACH HIM?
347
00:14:03,743 --> 00:14:06,511
SO IN OTHER WORDS,
HE'S NOT HERE.
348
00:14:06,546 --> 00:14:07,879
RIGHT.
349
00:14:13,653 --> 00:14:16,287
OK. "NUMBER 42... TRACY KELLER.
350
00:14:16,322 --> 00:14:19,356
RAISED HER 8 BROTHERS
WHILE FATHER WORKED NIGHTS."
351
00:14:19,392 --> 00:14:21,258
MMM, IT'S A GOOD
HUMAN INTEREST STORY.
352
00:14:21,294 --> 00:14:24,295
"NUMBER 8... CHERYL LaSASSO.
353
00:14:24,330 --> 00:14:26,464
"AMAZING JUMP SHOT.
354
00:14:26,499 --> 00:14:28,666
PARENTS LIVED IN A BUBBLE."
355
00:14:30,737 --> 00:14:32,403
OK! I CAN USE THAT.
356
00:14:33,506 --> 00:14:35,172
HEY YA, PETE.
357
00:14:35,207 --> 00:14:36,619
BERG, BERG, DON'T EVEN
TRY AND TALK ME OUT OF THIS
358
00:14:36,643 --> 00:14:37,853
'CAUSE IT'S NOT GONNA WORK.
359
00:14:37,877 --> 00:14:39,822
I JUST CAME BY TO WISH YOU
LUCK IN YOUR NEW CAREER.
360
00:14:39,846 --> 00:14:42,680
I EVEN... WELL, I... I
BROUGHT YOU A PRESENT.
361
00:14:45,852 --> 00:14:46,818
OH!
362
00:14:46,853 --> 00:14:49,620
WOW! BERG, THESE ARE AMAZING!
363
00:14:49,656 --> 00:14:51,188
I KNEW YOU'D LIKE 'EM.
364
00:14:51,223 --> 00:14:53,502
BERG, THESE ARE THE ORIGINAL
BLUEPRINTS FOR FENWAY PARK!
365
00:14:53,526 --> 00:14:55,092
WELL, THIS IS SCALED DOWN.
366
00:14:55,127 --> 00:14:57,161
IN REAL LIFE, IT'S REALLY
MUCH BIGGER THAN THIS.
367
00:14:57,196 --> 00:14:59,675
OH. LOOK. LOOK. LOOK WHERE
THE SCOREBOARD USED TO BE.
368
00:14:59,699 --> 00:15:01,310
MAN! THEY DON'T BUILD
'EM LIKE THIS ANYMORE.
369
00:15:01,334 --> 00:15:03,245
AND LOOK... THEY USED I-BEAMS
TO SUPPORT THE UPPER DECK.
370
00:15:03,269 --> 00:15:05,247
IT GAVE THE GAME CHARACTER.
371
00:15:05,271 --> 00:15:06,504
IT'S PRETTY COOL, HUH?
372
00:15:06,539 --> 00:15:08,083
IT'S VERY, VERY COO.
373
00:15:08,107 --> 00:15:10,453
SEE, THIS... THIS PUTS
EVERYTHING INTO PERSPECTIVE.
374
00:15:10,477 --> 00:15:12,988
YOU KNOW, THIS GIVES ME
SOMETHING TO SHOOT FOR.
375
00:15:13,012 --> 00:15:14,545
REALLY? YEAH.
376
00:15:14,581 --> 00:15:16,692
I HOPE TO ANNOUNCE A
GAME THERE SOMEDAY.
377
00:15:16,716 --> 00:15:18,449
NICE TRY.
378
00:15:18,485 --> 00:15:19,962
THIS WAS SUPPOSED
TO BE AN ELECTIVE...
379
00:15:19,986 --> 00:15:21,619
NOT A CAREER.
380
00:15:21,654 --> 00:15:23,833
LOOK, YOU CAN'T JUST THROW
EVERYTHING AWAY LIKE THIS.
381
00:15:23,857 --> 00:15:27,024
YOU DID A GOOD THING. YOU
HELPED ME FIND MY CALLING.
382
00:15:27,059 --> 00:15:28,158
YOUR CALLING?
383
00:15:28,194 --> 00:15:30,160
YEAH! I'M A NATURAL.
384
00:15:30,196 --> 00:15:32,575
YOU DID THE PLAY-BY-PLAY
FOR ONE CHESS MATCH.
385
00:15:32,599 --> 00:15:34,632
I WAS ON TOP OF EVERYTHING.
386
00:15:34,667 --> 00:15:36,834
I DIDN'T MISS A MOVE.
387
00:15:36,870 --> 00:15:39,147
THEY MADE A MOVE...
EVERY 35 MINUTES.
388
00:15:39,171 --> 00:15:41,205
PETE! INTERVIEW!
389
00:15:41,240 --> 00:15:43,919
COME ON. IT'LL BE FUN.
WHAT DO YOU SAY? PETE...
390
00:15:43,943 --> 00:15:45,476
HEY. YOU...
391
00:15:45,512 --> 00:15:48,012
YOUR BODY LANGUAGE
IS VERY NEGATIVE.
392
00:15:53,686 --> 00:15:56,153
SO, JOHNNY... YOU LIKE TO READ?
393
00:15:56,188 --> 00:15:57,955
YEAH, I LIKE TO READ.
394
00:15:57,991 --> 00:15:59,857
OH. WHAT DID YOU THINK
395
00:15:59,893 --> 00:16:01,704
OF KANT'S CRITIQUE
OF PURE REASON?
396
00:16:01,728 --> 00:16:03,873
OH, MAN, I COULDN'T GET
ENOUGH OF IT. REALLY?
397
00:16:03,897 --> 00:16:06,731
NO! WHAT, ARE YOU CRAZY?
398
00:16:06,766 --> 00:16:08,844
WHAT ARE YOU TRYING TO DO?
399
00:16:08,868 --> 00:16:10,379
LOOK, I WASN'T TRYING
TO S... YES, YOU WERE.
400
00:16:10,403 --> 00:16:12,180
NO, NO, NO. I DIDN'T
MEAN... YES, YOU DID.
401
00:16:12,204 --> 00:16:14,939
SEE, DO I KNOW THIS,
DO I KNOW THAT? LOOK.
402
00:16:14,974 --> 00:16:16,874
LET ME TELL YOU WHAT I DO KNOW.
403
00:16:16,910 --> 00:16:18,453
I KNOW HOW TO TAKE
A CHEVY CARBURETOR
404
00:16:18,477 --> 00:16:19,944
AND PUT IT INTO A FORD.
405
00:16:19,979 --> 00:16:21,445
I KNOW EVERY WORD
406
00:16:21,480 --> 00:16:22,958
TO EVERY MOTOWN
SONG EVER WRITTEN.
407
00:16:22,982 --> 00:16:25,950
AND... I KNOW YOU
WATCH TOO MANY MOVIES.
408
00:16:25,985 --> 00:16:28,052
WHAT? WHAT ARE
YOU TALKING ABOUT?
409
00:16:28,087 --> 00:16:29,987
GOOD WILL HUNTING.
410
00:16:30,023 --> 00:16:32,100
OH. GOD, I'VE BEEN
MEANING TO SEE THAT,
411
00:16:32,124 --> 00:16:34,825
SHARON. BUT WHEN
I GO TO RENT IT... OK.
412
00:16:34,861 --> 00:16:36,493
I KNOW ONE MORE THING.
413
00:16:38,932 --> 00:16:41,131
YOU ARE VERY, VERY CUTE.
414
00:16:41,167 --> 00:16:42,244
[GIGGLES]
415
00:16:42,268 --> 00:16:44,134
GUESS I DON'T
HAVE TO BE A GENIUS
416
00:16:44,170 --> 00:16:46,571
TO FIGURE THAT ONE OUT.
417
00:16:46,606 --> 00:16:47,972
YOU KNOW, IT'S 5:00.
418
00:16:48,007 --> 00:16:49,317
YOU MIGHT WANT TO
TURN ON THE RADIO.
419
00:16:49,341 --> 00:16:51,408
YOUR STUPID FRIEND IS ON.
420
00:16:51,444 --> 00:16:53,477
HA HA HA HA!
421
00:16:57,684 --> 00:16:59,684
Pete: GOOD EVENING,
LADIES AND GENTLEMEN,
422
00:16:59,719 --> 00:17:01,485
AND WELCOME TO COUSENS GYM.
423
00:17:01,520 --> 00:17:02,954
I'M PETE DUNVILLE,
424
00:17:02,989 --> 00:17:04,934
AND WE'RE JUST SECONDS
AWAY FROM THE TIPOFF
425
00:17:04,958 --> 00:17:07,424
OF WHAT PROMISES TO BE
THE MOST EXPLOSIVE GAME
426
00:17:07,460 --> 00:17:09,894
BETWEEN THESE 2
INTRASTATE RIVALS.
427
00:17:09,929 --> 00:17:11,996
OK, LOOKS LIKE
THEY'RE READY TO PLAY,
428
00:17:12,031 --> 00:17:13,798
AND HERE'S THE TIP!
429
00:17:13,833 --> 00:17:16,612
COPLEY'S ALL OVER IT AS TUFTS
SENDS IT UP COURT ON A FAST BREAK.
430
00:17:16,636 --> 00:17:19,103
COPLEY PASSES IT
TO SHEILA LAWRENCE!
431
00:17:19,138 --> 00:17:21,283
SHEILA LAWRENCE
FINDS LaSASSO BASELINE!
432
00:17:21,307 --> 00:17:23,507
AND CHERYL LaSASSO DUNKS IT,
433
00:17:23,542 --> 00:17:24,875
JUST LIKE A MAN!
434
00:17:29,482 --> 00:17:31,794
DUNKS... LIKE A MAN?
435
00:17:31,818 --> 00:17:34,262
OH, PETE, DON'T EXPLAIN
IT. JUST MOVE ON. MOVE ON.
436
00:17:34,286 --> 00:17:37,121
AND WHEN... WHEN I SAY
SHE DUNKS IT LIKE A MAN,
437
00:17:37,156 --> 00:17:39,068
I DON'T MEAN TO IMPLY THAT
WOMEN AREN'T AS GOOD AS MEN,
438
00:17:39,092 --> 00:17:40,691
THEY'RE JUST SLOWER.
439
00:17:42,394 --> 00:17:45,162
IT'S LIKE A HANDICAP,
BUT... BUT NOT A BAD ONE.
440
00:17:47,000 --> 00:17:49,033
WOMEN CAN DO
ANYTHING. I MEAN, I'M SURE...
441
00:17:49,068 --> 00:17:51,468
I'M SURE THAT SOMEDAY WE'LL
EVEN HAVE A WOMAN PRESIDENT.
442
00:17:51,504 --> 00:17:53,904
WE ALMOST HAD A BLACK PRESIDENT.
443
00:17:56,242 --> 00:17:58,220
NOT THAT WE SHOULDN'T
HAVE A BLACK PRESIDENT.
444
00:17:58,244 --> 00:17:59,777
IN FACT, NEXT ELECTION,
445
00:17:59,812 --> 00:18:02,947
I'M VOTING FOR A
WOMAN BLACK PRESIDENT.
446
00:18:02,982 --> 00:18:05,782
SHUT UP, PETE. JUST
SHUT UP ALREADY.
447
00:18:06,352 --> 00:18:07,885
AND I'M GONNA VOTE FOR HER,
448
00:18:07,920 --> 00:18:09,486
NOT BECAUSE SHE'S BLACK,
449
00:18:09,522 --> 00:18:12,589
BUT BECAUSE SHE'S
THE MOST QUALIFIED...
450
00:18:12,625 --> 00:18:14,125
WHOEVER SHE IS.
451
00:18:16,462 --> 00:18:19,163
THE SCORE IS 16-12 AS WE
GO INTO OUR FIRST TIME-OUT.
452
00:18:19,198 --> 00:18:21,443
I'M PETE DUNVILLE WITH
WHAT IS SHAPING UP TO BE...
453
00:18:21,467 --> 00:18:23,134
MY LAST BROADCAST.
454
00:18:29,776 --> 00:18:32,843
[JUKEBOX PLAYING SLOW TUNE]
455
00:18:32,879 --> 00:18:34,344
JOHNNY, I'M TELLING YOU.
456
00:18:34,380 --> 00:18:36,147
I'M NOT JUST SAYING THIS.
457
00:18:36,182 --> 00:18:38,448
THEY'RE NOT A COUPLE OF IDIOTS.
458
00:18:38,484 --> 00:18:40,250
LOOK, ALL I KNOW IS,
459
00:18:40,286 --> 00:18:43,954
SOMEHOW, SOMEBODY GOT
RIGATONI IN THE JUKEBOX.
460
00:18:43,990 --> 00:18:45,389
OOH! HA HA!
461
00:18:45,424 --> 00:18:47,357
YOU JUST HAVE TO
GET TO KNOW 'EM.
462
00:18:52,899 --> 00:18:55,966
MY PROFESSOR, MISS DEVORE,
MADE A POINT TO STOP BY
463
00:18:56,002 --> 00:18:58,169
AND PERSONALLY GIVE ME A "D."
464
00:18:58,204 --> 00:18:59,469
THAT'S NOT SO BAD.
465
00:18:59,505 --> 00:19:01,216
I'VE NEVER GOTTEN A
"D" BEFORE IN MY LIFE.
466
00:19:01,240 --> 00:19:03,473
SECURITY GAVE YOU A
PERSONAL ESCORT TO YOUR CAR.
467
00:19:03,509 --> 00:19:06,210
THAT'S PRETTY COOL.
468
00:19:06,245 --> 00:19:08,590
LOOK, I'VE BEEN STUDYING
ARCHITECTURE MY WHOLE LIFE, RIGHT?
469
00:19:08,614 --> 00:19:10,592
AND THEN ALONG COMES THIS
SPORTS BROADCASTING THING,
470
00:19:10,616 --> 00:19:12,083
AND IT FELT GREAT!
471
00:19:12,118 --> 00:19:14,262
YOU KNOW? AND I KNOW
I WENT A LITTLE NUTS.
472
00:19:14,286 --> 00:19:16,754
ALL RIGHT. BUT IT
WAS SO LIBERATING.
473
00:19:16,789 --> 00:19:19,690
SO BASICALLY, THE
THING I LOVE, I SUCK AT.
474
00:19:19,726 --> 00:19:21,566
BOY, DO YOU EVER. I'LL SAY.
475
00:19:22,695 --> 00:19:24,775
RHETORICAL. DIDN'T
NEED A RESPONSE.
476
00:19:26,132 --> 00:19:27,431
[SIGHS]
477
00:19:27,466 --> 00:19:30,145
AND THE THING I'M
GREAT AT, I THREW AWAY.
478
00:19:30,169 --> 00:19:32,269
NOT NECESSARILY.
WHAT DO YOU MEAN?
479
00:19:32,304 --> 00:19:34,271
THAT BIG FIRM YOU HAD
THE INTERVIEW WITH?
480
00:19:34,306 --> 00:19:35,806
YOU HAVE ANOTHER
INTERVIEW TUESDAY.
481
00:19:35,842 --> 00:19:38,909
I... I WROTE THEM A NOTE AS YOUR
DOCTOR SAYING YOU WERE ILL.
482
00:19:38,945 --> 00:19:41,746
REALLY? YEAH. NOW,
IF ANYBODY ASKS,
483
00:19:41,781 --> 00:19:44,281
YOU HAD ELECTROSHOCK THERAPY.
484
00:19:44,316 --> 00:19:45,816
SO TWITCH A LITTLE.
485
00:19:52,525 --> 00:19:56,026
YOU BROKE OUR
PETE. NOW GO FIX HIM.
486
00:19:56,061 --> 00:19:57,027
BUT, WAIT.
487
00:19:57,062 --> 00:19:59,074
BEFORE, BEFORE WE DO ANYTHING...
488
00:19:59,098 --> 00:20:02,133
YOU JUST SLAPPED ME
IN THE (BEEP) DIDN'T YOU?
489
00:20:02,168 --> 00:20:03,267
THAT THREW YOU?!
490
00:20:03,302 --> 00:20:04,935
YEAH.
491
00:20:09,175 --> 00:20:11,875
IT WAS JUST LIKE A NICE
LITTLE SURPRISE ON MY DAY.
492
00:20:13,312 --> 00:20:14,956
SHOULD I NOT SLAPPED HIS (BEEP)?
493
00:20:14,980 --> 00:20:16,880
SURE. SURE. IT FELT GREAT.
494
00:20:19,880 --> 00:20:23,880
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