All language subtitles for S01E09 - Two Guys, a Girl and a Chance Encounter

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,836 --> 00:00:04,781 OK, I GOTTA GET THESE BLUEPRINTS 2 00:00:04,805 --> 00:00:06,350 TO THE COPY PLACE BY 9:00. 3 00:00:06,374 --> 00:00:09,374 I HAVE A MEETING WITH MY PROFESSOR AT 10:00. 4 00:00:09,409 --> 00:00:11,743 HIT THE COMPUTER LAB BY 11:00. AND AT NOON, 5 00:00:11,779 --> 00:00:14,445 "MEET WITH THE MAYOR REGARDING PARADE FOR BERG." 6 00:00:16,116 --> 00:00:17,883 OH, PETE! 7 00:00:17,918 --> 00:00:20,185 I TOLD YOU, STAY OUT OF MY ORGANIZER. 8 00:00:20,220 --> 00:00:22,754 I'M NOT TALKING ABOUT A BIG PARADE. 9 00:00:24,158 --> 00:00:25,438 JUST A COUPLE OF FLOATS. 10 00:00:49,550 --> 00:00:50,582 RIGHT. 11 00:00:52,986 --> 00:00:54,931 WE'RE IN A ZONE! WE'RE IN A ZONE! 12 00:00:54,955 --> 00:00:56,888 HEY, THIS ONE COULD BE ME. 13 00:00:56,923 --> 00:00:57,989 SHE'S IN OUR ZONE. 14 00:00:59,626 --> 00:01:01,237 "SAW YOU OUTSIDE COPLEY PLAZA. 15 00:01:01,261 --> 00:01:02,261 "WE SHARED A SMILE. 16 00:01:02,296 --> 00:01:04,162 "YOU... PRETTY AND PETITE. 17 00:01:04,197 --> 00:01:06,932 ME... STOCKY GUY WITH... RED HAIR." 18 00:01:06,967 --> 00:01:09,968 PLEASE. WHY NOT JUST SAY "FAT WITH FRECKLES"? 19 00:01:11,672 --> 00:01:13,905 SHARON, DO YOU MIND? 20 00:01:13,940 --> 00:01:16,641 WE'RE DEFENDING OUR "POP 'N SHOT" TITLE AT O'MALLEY'S NEXT WEEK. 21 00:01:16,676 --> 00:01:19,311 WELL, I'M TRYING TO FIND A GUY. 22 00:01:19,346 --> 00:01:21,624 THROUGH THE "CHANCE ENCOUNTER" ADS? 23 00:01:21,648 --> 00:01:25,717 WELL, THAT'S SO SAD. 24 00:01:25,752 --> 00:01:27,185 WHY DON'T YOU JUST GO BUY A CAT? 25 00:01:28,489 --> 00:01:30,221 JULIE AT THE OFFICE... 26 00:01:30,257 --> 00:01:31,668 GUESS WHERE SHE MET HER FIANCE. 27 00:01:31,692 --> 00:01:34,125 RIGHT HERE IN THE "CHANCE ENCOUNTER" ADS. 28 00:01:35,328 --> 00:01:36,761 MAYBE A SIAMESE. 29 00:01:36,797 --> 00:01:37,896 I HEAR CALICOS ARE NICE. 30 00:01:39,032 --> 00:01:40,866 OOH! OOH! THIS COULD BE ME. 31 00:01:40,901 --> 00:01:43,068 "YOU... PRETTY... 32 00:01:43,103 --> 00:01:45,503 CUTE SMILE, AND GREAT LEGS." 33 00:01:45,538 --> 00:01:47,472 THAT'S 3 OUT OF 3. 34 00:01:47,507 --> 00:01:50,108 "WALKING A SHINY BLACK LAB." 35 00:01:50,143 --> 00:01:51,443 YOU DON'T HAVE A DOG. 36 00:01:52,879 --> 00:01:54,179 FROM A DISTANCE. 37 00:01:55,582 --> 00:01:58,283 OK, SHARON, GIVE IT UP. 38 00:01:58,318 --> 00:01:59,451 WHOA! PETE! 39 00:01:59,486 --> 00:02:01,064 WHOA, WHAT? WHOA, THIS. 40 00:02:01,088 --> 00:02:04,189 "YOU... BLACK BIKE ON BEACON STREET." 41 00:02:04,224 --> 00:02:06,792 THERE MUST BE A THOUSAND GUYS ON BEACON STREET 42 00:02:06,827 --> 00:02:07,859 WITH BLACK BIKES. 43 00:02:07,894 --> 00:02:09,639 "SAW YOU AT THE COFFEE PLACE ON NEWBERRY... 44 00:02:09,663 --> 00:02:10,907 YOU ALWAYS GO THERE. 45 00:02:10,931 --> 00:02:13,431 HALF OF BOSTON GOES THROUGH THERE. 46 00:02:13,467 --> 00:02:17,035 "WALKING WITH TALL FRIEND... 47 00:02:17,070 --> 00:02:18,236 OK. IT'S NOT ME. 48 00:02:18,271 --> 00:02:20,272 "YOU... PARKER STEVENSON LOOKS. 49 00:02:20,307 --> 00:02:22,607 I HAVE PARKER STEVENSON LOOKS. 50 00:02:22,642 --> 00:02:24,676 "ME... SHY BUT INTERESTED. 51 00:02:24,711 --> 00:02:26,545 ARE YOU... THE ONE?" 52 00:02:26,580 --> 00:02:28,012 YOU GOT TO CALL. 53 00:02:28,048 --> 00:02:29,481 NO WAY, BERG. 54 00:02:29,516 --> 00:02:30,794 WHY NOT? 55 00:02:30,818 --> 00:02:32,628 GET REAL. THE PEOPLE WHO PUT THESE ADS IN THE PAPER, 56 00:02:32,652 --> 00:02:33,652 THEY'RE ALL PSYCHOS. 57 00:02:33,687 --> 00:02:34,687 LOOK, WHAT'S IT SAY? 58 00:02:34,721 --> 00:02:37,055 "ME... SHY BUT INTERESTED." 59 00:02:37,091 --> 00:02:39,324 OK? SHE MIGHT AS WELL SAY, "ME... LONELY, DEJECTED, 60 00:02:39,360 --> 00:02:43,862 HAVE SPACE IN FREEZER FOR ONE MORE BODY." 61 00:02:43,897 --> 00:02:45,175 WHAT ABOUT THE ONE? 62 00:02:45,199 --> 00:02:47,599 YOU'RE ALWAYS TALKING ABOUT THE ONE, 63 00:02:47,635 --> 00:02:49,467 AND HERE SHE IS. 64 00:02:49,503 --> 00:02:51,836 AREN'T YOU THE LEAST BIT CURIOUS? 65 00:02:51,871 --> 00:02:52,904 NO. 66 00:03:03,884 --> 00:03:05,328 HEY, SHARON, WHY AREN'T YOU AT WORK? 67 00:03:05,352 --> 00:03:06,352 ME? 68 00:03:06,386 --> 00:03:07,519 MM-HMM. 69 00:03:07,554 --> 00:03:10,488 UH, WELL, IT'S UH... "TOXIC AWARENESS" DAY. 70 00:03:10,523 --> 00:03:14,292 [TELEPHONE RINGS] 71 00:03:15,696 --> 00:03:16,928 BEACON STREET PIZZA. 72 00:03:19,332 --> 00:03:22,000 NO. SORRY, WE DON'T DELIVER ON..."TOXIC AWARENESS" DAY. 73 00:03:23,904 --> 00:03:26,971 OK. ALL RIGHT. WHAT'S GOING ON? 74 00:03:27,007 --> 00:03:29,441 HUH? WHAT ARE YOU GUYS WAITING... 75 00:03:33,280 --> 00:03:34,946 YOU ANSWERED THE AD, DIDN'T YOU? 76 00:03:34,981 --> 00:03:36,159 PETE, I COULDN'T HELP MYSELF. 77 00:03:36,183 --> 00:03:37,383 I'M AN ADDICT. 78 00:03:39,519 --> 00:03:42,720 HELLO. MY NAME IS BERG, 79 00:03:42,756 --> 00:03:45,023 AND I'M ADDICTED TO MESSING WITH PETE. 80 00:03:48,929 --> 00:03:51,263 BESIDES, SHE REALLY LIKES YOU. 81 00:03:51,298 --> 00:03:52,531 LIKES ME? 82 00:03:52,566 --> 00:03:55,133 BERG, SHE'S NEVER SPOKEN TO ME. 83 00:03:55,168 --> 00:03:57,335 YEAH, NOT... TECHNICALLY, 84 00:03:57,371 --> 00:04:00,371 BUT I WAS VERY YOU. 85 00:04:00,407 --> 00:04:03,709 I WAS SENSITIVE AND I WAS A GOOD LISTENER 86 00:04:03,744 --> 00:04:06,544 AND I DID THAT THING HE DOES WHEN HE MEETS A GIRL 87 00:04:06,579 --> 00:04:07,545 WHERE HE LOWERS HIS VOICE 88 00:04:07,580 --> 00:04:10,215 LIKE MUCHO GUAPO GUY. 89 00:04:13,520 --> 00:04:15,020 I DON'T LOWER MY VOICE. 90 00:04:15,055 --> 00:04:16,933 [LOW VOICE] HI. I'M PETE. 91 00:04:16,957 --> 00:04:20,191 WHERE DO YOU WORK OUT? 92 00:04:20,227 --> 00:04:21,227 MEANWHILE, 93 00:04:21,261 --> 00:04:22,671 WHERE'S THE FUTURE MRS. DUNVILLE? 94 00:04:22,695 --> 00:04:24,562 SHE SAID 1:00. 95 00:04:24,597 --> 00:04:26,531 IT'S ALMOST 1:00. 96 00:04:26,566 --> 00:04:28,100 LOOK, WHENEVER SHE DOES GET HERE, 97 00:04:28,135 --> 00:04:29,300 SHE'S ALL YOURS. 98 00:04:29,335 --> 00:04:30,547 THIS IS THE THANKS I GET 99 00:04:30,571 --> 00:04:32,270 FOR HELPING YOU FIND THE ONE? 100 00:04:32,305 --> 00:04:33,771 YOU'RE NOT HELPING, OK? 101 00:04:33,807 --> 00:04:35,907 YOU WANT SOME TWISTED GIRL 102 00:04:35,942 --> 00:04:37,642 TO CRUISE THROUGH THAT DOOR AND TORTURE ME 103 00:04:37,677 --> 00:04:38,910 SO YOU GUYS CAN LAUGH. 104 00:04:38,945 --> 00:04:40,225 [LAUGHS] 105 00:04:42,849 --> 00:04:45,750 AND OUR HAPPINESS MEANS NOTHING TO YOU? 106 00:04:45,785 --> 00:04:48,487 I'M NOT YOUR CAT TOY. BYE. 107 00:04:48,522 --> 00:04:50,822 ONCE I THOUGHT I WOULD NEVER LOVE AGAIN. 108 00:04:50,857 --> 00:04:51,823 OK, MR. BAUER... 109 00:04:51,858 --> 00:04:53,036 BUT THEN I MOVED TO SEATTLE... 110 00:04:53,060 --> 00:04:54,026 AND YOUR SON CALLED IN ON A RADIO SHOW. 111 00:04:54,061 --> 00:04:55,460 HE SAID YOU WERE LONELY. 112 00:04:55,495 --> 00:04:57,507 THEN YOU MET MEG RYAN ON THE TOP OF THE EMPIRE STATE BUILDING. 113 00:04:57,531 --> 00:04:59,397 HAPPILY EVER AFTER... THE END. 114 00:04:59,432 --> 00:05:01,299 YOU REMEMBERED. 115 00:05:03,504 --> 00:05:07,639 HEY. I'M LOOKING FOR PETER... 116 00:05:07,675 --> 00:05:10,508 PETERSON STREET. 117 00:05:10,544 --> 00:05:11,676 3 BLOCKS SOUTH. 118 00:05:11,711 --> 00:05:14,746 YOU'LL SEE A SIGN... "COFFEE AND BONDAGE." 119 00:05:14,781 --> 00:05:15,747 DAMN. 120 00:05:15,782 --> 00:05:16,748 I THOUGHT WE HAD A LIVE ONE. 121 00:05:16,783 --> 00:05:18,016 SHAKE IT OFF, FOLKS. 122 00:05:18,051 --> 00:05:19,450 LOVE IS ON THE WAY. 123 00:05:19,485 --> 00:05:20,618 OK, OK. 124 00:05:20,653 --> 00:05:23,013 DON'T YOU PEOPLE HAVE ANYTHING BETTER TO DO? 125 00:05:25,692 --> 00:05:26,758 PETE? 126 00:05:29,329 --> 00:05:31,209 [LOW VOICE] YES. CAN I... 127 00:05:33,800 --> 00:05:34,877 CAN... CAN I HELP YOU? 128 00:05:34,901 --> 00:05:37,235 I'M MOLLY. YOU CALLED. 129 00:05:37,271 --> 00:05:44,442 OH, NO... YES, I DID. 130 00:05:44,477 --> 00:05:45,488 UM, HAVE A SEAT. 131 00:05:45,512 --> 00:05:46,844 I CAN ONLY STAY FOR A MINUTE. 132 00:05:46,880 --> 00:05:49,214 I HAVE TO GET BACK TO THE LIBRARY. 133 00:05:49,249 --> 00:05:50,926 SHEE. WELL, THIS SUCKS. 134 00:05:50,950 --> 00:05:54,085 I'M OUTTA HERE. 135 00:05:54,120 --> 00:05:57,055 YOU PROMISED ME A FREAK. 136 00:05:57,090 --> 00:05:58,334 BELIEVE ME, I'M NOT THE TYPE OF PERSON 137 00:05:58,358 --> 00:05:59,590 WHO PUTS ADS IN NEWSPAPERS. 138 00:05:59,626 --> 00:06:01,926 I MEAN, THERE'S SO MANY PSYCHOS OUT THERE. 139 00:06:01,962 --> 00:06:03,662 I ALMOST WASN'T GONNA SHOW UP, 140 00:06:03,697 --> 00:06:05,864 BUT ALL THOSE THINGS YOU SAID ON THE PHONE 141 00:06:05,899 --> 00:06:08,666 WERE SO PERFECT. 142 00:06:08,702 --> 00:06:11,014 UM, TELL ME, THOSE THINGS I SAID, 143 00:06:11,038 --> 00:06:14,673 WHAT WERE YOUR FAVORITES? 144 00:06:14,708 --> 00:06:16,441 GOSH, UM, EVERYTHING. 145 00:06:16,476 --> 00:06:17,776 ESPECIALLY YOUR LIFE PLAN. 146 00:06:17,811 --> 00:06:19,322 OH, YEAH. GOT TO HAVE A PLAN. 147 00:06:19,346 --> 00:06:20,745 YOUR BELIEF IN FINDING THE ONE. 148 00:06:20,780 --> 00:06:22,113 THAT I DO BELIEVE. 149 00:06:22,148 --> 00:06:27,018 AND ALL THOSE WONDERFUL THINGS YOU SAID ABOUT YOUR ROOMMATE. 150 00:06:27,054 --> 00:06:28,331 I'M SORRY. EXCUSE ME? 151 00:06:28,355 --> 00:06:31,222 YOU KNOW, HOW YOU WOULD GLADLY JUMP ON A GRENADE FOR HIM 152 00:06:31,257 --> 00:06:33,858 BECAUSE, SOMEDAY, HE'S GONNA BE A GREAT DOCTOR WHO SAVES THE WORLD 153 00:06:33,894 --> 00:06:35,694 WHILE GETTING CONTINUALLY BETTER-LOOKING 154 00:06:35,729 --> 00:06:37,828 AND MORE CHARMING AS THE YEARS GO ON. 155 00:06:38,998 --> 00:06:40,898 YES. YES, YES. 156 00:06:42,101 --> 00:06:43,134 OF COURSE. 157 00:06:45,004 --> 00:06:47,605 THE GRENADE SPEECH. 158 00:06:47,640 --> 00:06:49,174 OOPS. I'D BETTER GET BACK. 159 00:06:49,209 --> 00:06:50,441 I HATE TO BE LATE. 160 00:06:50,476 --> 00:06:51,587 HEY, I HATE TO BE LATE, TOO. 161 00:06:51,611 --> 00:06:52,611 REALLY? 162 00:06:52,646 --> 00:06:55,213 WHAT DO YOU SAY WE GET TOGETHER 163 00:06:55,249 --> 00:06:57,648 AND DO SOMETHING... RIGHT ON TIME? 164 00:06:57,684 --> 00:06:59,584 I GET OFF WORK AT 6:00. 165 00:06:59,619 --> 00:07:00,763 I'M THERE. 166 00:07:00,787 --> 00:07:03,287 HERE IS MY WORK NUMBER. 167 00:07:03,323 --> 00:07:04,722 I'LL CALL YOU AT 6:00. 168 00:07:04,758 --> 00:07:05,991 DON'T BE LATE. 169 00:07:06,026 --> 00:07:07,191 NEVER AM. 170 00:07:15,602 --> 00:07:19,171 AND IN AN UNBELIEVABLE TURN OF EVENTS, 171 00:07:19,206 --> 00:07:22,140 GOOD HAS TRIUMPHED OVER EVIL. 172 00:07:27,413 --> 00:07:30,482 YOU... TALL, HANDSOME INVESTMENT BANKER 173 00:07:30,517 --> 00:07:31,549 GETTING OUT OF PORSCHE. 174 00:07:31,584 --> 00:07:34,819 ME... TOO SHY TO SAY HELLO. 175 00:07:34,855 --> 00:07:36,988 YOU? TOO SHY? 176 00:07:37,023 --> 00:07:39,924 I'VE SEEN YOU OFFEND CONSTRUCTION WORKERS. 177 00:07:42,095 --> 00:07:44,462 WHY DON'T YOU JUST GO UP TO THE GUY? 178 00:07:44,497 --> 00:07:46,932 BECAUSE THERE IS NO GUY. 179 00:07:46,967 --> 00:07:48,599 IF I'M SPENDING 50 BUCKS FOR THIS AD, 180 00:07:48,635 --> 00:07:51,536 I WANT PERFECTION. 181 00:07:51,571 --> 00:07:52,715 I THINK YOU MIGHT BE SETTING YOUR SIGHTS 182 00:07:52,739 --> 00:07:55,540 JUST A LITTLE TOO HIGH. 183 00:07:55,575 --> 00:07:57,742 AH. YOU'RE RIGHT. 184 00:07:57,777 --> 00:07:59,310 IF YOU WERE DRIVING AN AUDI, 185 00:07:59,346 --> 00:08:01,279 THAT'S OK, TOO. 186 00:08:01,314 --> 00:08:02,480 WHERE'S PETE? 187 00:08:02,515 --> 00:08:03,515 GUESS. 188 00:08:03,549 --> 00:08:04,916 UNBELIEVABLE. 189 00:08:04,951 --> 00:08:07,030 THIS IS THE FOURTH PRACTICE IN A ROW HE'S MISSED. 190 00:08:07,054 --> 00:08:09,332 WE'RE PLAYING FOR THE CHAMPIONSHIP. 191 00:08:09,356 --> 00:08:11,156 BUT NO. 192 00:08:11,191 --> 00:08:13,002 MOLLY WANTS TO RIDE BIKES. 193 00:08:13,026 --> 00:08:14,370 MOLLY WANTS TO GO ON A HIKE. 194 00:08:14,394 --> 00:08:17,528 MOLLY WANTS TO HAVE A PICNIC. 195 00:08:17,564 --> 00:08:20,398 DOES ANYBODY ASK WHAT BERG WANTS? 196 00:08:20,433 --> 00:08:26,270 OH, YOU BIG LUNKHEAD, YOUR PLAN BACKFIRED. 197 00:08:26,305 --> 00:08:28,172 PETE'S HOOKED UP WITH A GREAT CHICK, 198 00:08:28,207 --> 00:08:30,842 AND YOU'RE STUCK HERE HOLDING YOUR BALLS. 199 00:08:33,780 --> 00:08:37,615 d ANOTHER PLEASANT VALLEY SUNDAY d 200 00:08:39,553 --> 00:08:41,052 I THINK IT'S SWEET. 201 00:08:41,087 --> 00:08:42,854 LOOK WHAT PETE WON ME. 202 00:08:42,889 --> 00:08:44,367 WE NEED TO PRACTICE. 203 00:08:44,391 --> 00:08:45,623 WE GOT PLENTY OF TIME. 204 00:08:45,659 --> 00:08:47,870 NO. THERE ISN'T PLENTY OF TIME. 205 00:08:47,894 --> 00:08:50,595 GRRR! AAH! 206 00:08:50,631 --> 00:08:54,666 I'VE GOT THE WHOLE WEEK LAID OUT. 207 00:08:54,701 --> 00:08:57,101 SHE'S GOT THE WHOLE WEEK LAID OUT. 208 00:08:57,136 --> 00:08:58,747 TONIGHT... MOVIE, ICE CREAM. 209 00:08:58,771 --> 00:08:59,804 AND TOMORROW... 210 00:08:59,839 --> 00:09:01,417 I'VE GOT RESERVATIONS FOR THE BOAT HOUSE 211 00:09:01,441 --> 00:09:03,152 AND TICKETS FOR THE BALLET. 212 00:09:03,176 --> 00:09:06,044 NO, NO, NO, NO, NO, NO, NO, NO. 213 00:09:06,079 --> 00:09:07,812 YEAH. IT SAYS SO RIGHT HERE. 214 00:09:10,250 --> 00:09:11,894 TOMORROW NIGHT IS THE "POP 'N SHOT" TOURNAMENT 215 00:09:11,918 --> 00:09:13,551 AT O'MALLEY'S. 216 00:09:13,586 --> 00:09:15,053 OH, MY GOD. 217 00:09:15,088 --> 00:09:16,554 THAT IS TOMORROW. 218 00:09:16,589 --> 00:09:18,156 YES, IT IS. 219 00:09:18,191 --> 00:09:21,431 WHERE THE HELL ARE YOUR PRIORITIES? 220 00:09:21,562 --> 00:09:23,005 MOLLY... BERG'S RIGHT. 221 00:09:23,029 --> 00:09:26,597 WE'LL DO BALLET SOME OTHER NIGHT, OK? 222 00:09:26,632 --> 00:09:28,544 HEY, WHY DON'T YOU GUYS COME OVER FOR DINNER, 223 00:09:28,568 --> 00:09:30,969 AND WE'LL ALL GO TO O'MALLEY'S TOGETHER. 224 00:09:31,004 --> 00:09:33,037 HUH? 225 00:09:33,073 --> 00:09:34,339 IS SHE A GREAT GIRL, 226 00:09:34,374 --> 00:09:35,952 OR IS SHE A GREAT GIRL? 227 00:09:35,976 --> 00:09:40,011 d ANOTHER PLEASANT VALLEY SUNDAY... d 228 00:09:51,491 --> 00:09:52,523 MOLLY? 229 00:09:53,727 --> 00:09:56,994 IF YOU EVER COME BETWEEN PETE AND ME AGAIN, 230 00:09:57,029 --> 00:09:58,296 I WILL END YOU. 231 00:10:01,902 --> 00:10:04,535 THIS IS A VERY WEIRD DREAM. 232 00:10:07,340 --> 00:10:09,500 THIS IS A VERY BIG BAT. 233 00:10:12,979 --> 00:10:16,081 WELL, AHEM... I'M UP. 234 00:10:21,121 --> 00:10:22,353 SO LAST NIGHT, 235 00:10:22,388 --> 00:10:24,566 THIS GIRL STOOD OVER YOUR BED WITH A BASEBALL BAT? 236 00:10:24,590 --> 00:10:25,823 YES. 237 00:10:25,858 --> 00:10:27,470 AND SHE THREATENED TO END YOU? 238 00:10:27,494 --> 00:10:28,993 YES. 239 00:10:29,028 --> 00:10:30,873 AND THEN SHE JUST VANISHED INTO THE NIGHT? 240 00:10:30,897 --> 00:10:32,897 YES. YES. 241 00:10:32,932 --> 00:10:34,098 AND IN THE MORNING, 242 00:10:34,134 --> 00:10:37,335 DID YOU FIND A SHINY QUARTER UNDER YOUR PILLOW? 243 00:10:37,370 --> 00:10:39,537 YOU GOT TO BELIEVE ME. 244 00:10:39,572 --> 00:10:41,692 I SET PETE UP WITH A HOMICIDAL MANIAC. 245 00:10:43,143 --> 00:10:46,444 I MEAN, SHE'S CUTE. 246 00:10:46,479 --> 00:10:47,719 [WHISTLING] 247 00:10:47,747 --> 00:10:49,614 PETE, YOU'RE ALIVE. 248 00:10:49,649 --> 00:10:52,484 BERG, YOU'RE GONNA MAKE A HELL OF A DOCTOR. 249 00:10:52,519 --> 00:10:53,651 WHERE WERE YOU LAST NIGHT? 250 00:10:53,686 --> 00:10:54,697 I WAS AT MOLLY'S. 251 00:10:54,721 --> 00:10:56,654 AT ANY POINT DURING THE NIGHT, 252 00:10:56,689 --> 00:10:58,789 DID YOU NOTICE THAT SHE AND HER... 253 00:10:58,825 --> 00:11:01,225 BASEBALL BAT WERE MISSING? 254 00:11:01,260 --> 00:11:02,271 I WAS SLEEPING. 255 00:11:02,295 --> 00:11:03,705 WHAT ARE YOU TALKING ABOUT? 256 00:11:03,729 --> 00:11:09,067 MOLLY HAS... HOW CAN I PUT THIS... 257 00:11:09,102 --> 00:11:11,369 A HORRIFYING, SCARY, EVIL, VIOLENT SIDE. 258 00:11:13,940 --> 00:11:15,173 AHA! 259 00:11:15,208 --> 00:11:16,607 YEAH. THAT MUST BE WHY 260 00:11:16,643 --> 00:11:19,044 SHE BAKED YOU MUFFINS THIS MORNING. 261 00:11:19,079 --> 00:11:20,079 DIBS. 262 00:11:20,113 --> 00:11:22,646 NO! 263 00:11:22,682 --> 00:11:23,922 WHAT ARE YOU DOING? 264 00:11:26,219 --> 00:11:27,459 BERG, STOP. 265 00:11:27,487 --> 00:11:28,586 THEY MIGHT BE POISONED. 266 00:11:28,622 --> 00:11:31,182 YEAH? WELL, I'LL TAKE MY CHANCES. 267 00:11:32,492 --> 00:11:33,858 PETE, YOU GOTTA HEAR ME. 268 00:11:33,893 --> 00:11:35,326 I WOKE UP LAST NIGHT, 269 00:11:35,362 --> 00:11:36,639 AND MOLLY WAS STANDING OVER MY BED, 270 00:11:36,663 --> 00:11:38,029 THREATENING ME WITH A BASEBALL BAT. 271 00:11:38,064 --> 00:11:40,665 SHE SAID IF I EVER COME BETWEEN YOU AND HER AGAIN, 272 00:11:40,700 --> 00:11:42,834 SHE WILL END ME. 273 00:11:42,869 --> 00:11:45,870 OK, BERG, THAT'S IT. 274 00:11:45,905 --> 00:11:49,474 NO MORE SCARY MOVIES AFTER 9:00. 275 00:11:49,509 --> 00:11:50,886 IT WASN'T A DREAM. IT WAS REAL. 276 00:11:50,910 --> 00:11:51,950 AND SHE WAS THERE. 277 00:11:54,080 --> 00:11:55,613 AW, BERG. 278 00:11:58,652 --> 00:11:59,817 YOU'RE JEALOUS. 279 00:11:59,853 --> 00:12:02,687 YOU KNOW, YOU'RE JEALOUS. BUT, LISTEN, BUDDY, 280 00:12:02,722 --> 00:12:04,355 I'M ALWAYS GONNA BE PETE, 281 00:12:04,390 --> 00:12:06,190 YOU'RE ALWAYS GONNA BE BERG, 282 00:12:06,225 --> 00:12:09,193 AND WE'RE ALWAYS GONNA BE... PETE AND BERG. 283 00:12:10,997 --> 00:12:11,997 SHUT UP. 284 00:12:13,666 --> 00:12:15,711 YOU GOT TO BELIEVE ME. 285 00:12:15,735 --> 00:12:19,255 MOLLY'S LIKE... GIRLFRIEND OF THE CORN. 286 00:12:24,410 --> 00:12:25,843 THERE'S MOLLY. 287 00:12:25,879 --> 00:12:28,245 PETE, THERE'S NO SHAME IN HIDING. 288 00:12:36,556 --> 00:12:37,836 HEY, PUNKIN. 289 00:12:40,726 --> 00:12:41,738 WHAT? 290 00:12:41,762 --> 00:12:43,161 AW, NOTHING. NOTHING. 291 00:12:43,196 --> 00:12:44,662 IT'S ACTUALLY PRETTY SWEET. 292 00:12:44,697 --> 00:12:46,541 AW, TELL ME, PUNKIN. 293 00:12:46,565 --> 00:12:50,301 ALL RIGHT, WELL... BERG HAD THIS DREAM 294 00:12:50,336 --> 00:12:53,670 THAT YOU CAME INTO HIS ROOM LAST NIGHT 295 00:12:53,706 --> 00:12:56,573 WITH A BASEBALL BAT AND, LIKE... 296 00:12:56,609 --> 00:12:59,543 THREATENED HIM IF HE EVER CAME BETWEEN US. 297 00:12:59,578 --> 00:13:01,946 BERG WILL NEVER... COME BETWEEN US. 298 00:13:03,783 --> 00:13:06,862 HEY, LOOK AT THESE CUTE NAMES I CAME UP WITH. 299 00:13:06,886 --> 00:13:07,886 NAMES FOR WHAT? 300 00:13:07,920 --> 00:13:09,720 OUR 4 KIDS. 301 00:13:09,755 --> 00:13:12,256 ABIGAIL OR ADAM, BELLA OR BRUCE, 302 00:13:12,292 --> 00:13:15,193 CAROLYN OR CARL, DEBBIE OR DENNIS. 303 00:13:15,228 --> 00:13:16,672 SEE HOW I USE THE ALPHABET? 304 00:13:16,696 --> 00:13:19,630 OH, YEAH, THAT'S GREAT, BUT, UH... 305 00:13:19,665 --> 00:13:22,233 DON'T YOU THINK IT'S FUNNY, YOU KNOW, 306 00:13:22,268 --> 00:13:24,435 THAT BERG COULD IMAGINE SOMEONE AS SWEET AS YOU 307 00:13:24,471 --> 00:13:28,005 DOING SOMETHING AS CRAZY AS THAT? 308 00:13:28,041 --> 00:13:29,306 AS CRAZY AS WHAT? 309 00:13:32,612 --> 00:13:34,379 I MEAN, YOU KNOW... 310 00:13:34,414 --> 00:13:36,747 YOU WOULD NEVER, LIKE, TAKE A BASEBALL BAT 311 00:13:36,783 --> 00:13:38,449 AND, LIKE, BEAT BERG WITH IT. 312 00:13:38,484 --> 00:13:40,851 OH, YES, IN A HEARTBEAT. 313 00:13:43,022 --> 00:13:46,591 LOOK, HERE'S YOU... HERE'S ME... 314 00:13:46,626 --> 00:13:49,360 AND HERE'S ANYONE WHO COMES BETWEEN US. 315 00:14:00,239 --> 00:14:01,239 DO YOU SEE? YOU SEE? 316 00:14:01,273 --> 00:14:02,640 YOU SEE WHAT YOU DO? 317 00:14:02,675 --> 00:14:05,576 YOU ALWAYS COME UP WITH THESE GREAT IDEAS, 318 00:14:05,612 --> 00:14:07,456 AND THEN WHO WINDS UP PAYING FOR THEM? 319 00:14:07,480 --> 00:14:10,381 AHA! 320 00:14:10,417 --> 00:14:12,817 RIGHT? YEAH. THIS TIME, I'M BEING STALKED 321 00:14:12,852 --> 00:14:16,754 BY A DERANGED LIBRARIAN WITH A BASEBALL BAT. 322 00:14:16,789 --> 00:14:19,823 LOOK, PETE, NO RELATIONSHIP IS PERFECT. 323 00:14:21,694 --> 00:14:22,660 YOU HAVE TO DUMP HER. 324 00:14:22,695 --> 00:14:23,961 HE CAN'T DUMP HER. 325 00:14:23,996 --> 00:14:25,796 HE DUMPS HER, SHE KILLS ME. 326 00:14:25,831 --> 00:14:28,599 WELL, THEN SHE'S GONNA HAVE TO BREAK UP WITH YOU. 327 00:14:28,634 --> 00:14:29,678 THAT'S IMPOSSIBLE. 328 00:14:29,702 --> 00:14:31,146 SHE'S TOTALLY IN LOVE WITH ME. 329 00:14:31,170 --> 00:14:33,271 I'M THE ONE. 330 00:14:34,673 --> 00:14:36,874 DAMN THESE PARKER STEVENSON LOOKS. 331 00:14:38,945 --> 00:14:40,845 OK, LET'S JUST THINK. 332 00:14:40,880 --> 00:14:43,414 ALL RIGHT. THIS GIRL'S A LIFE-PLANNER. 333 00:14:43,449 --> 00:14:44,882 SO ARE YOU. 334 00:14:44,917 --> 00:14:47,218 WHAT UPSETS YOUR WORLD THE MOST? 335 00:14:49,622 --> 00:14:50,722 HIM. 336 00:14:53,393 --> 00:14:55,460 SO... BECOME BERG. 337 00:14:55,495 --> 00:14:58,129 BE SPONTANEOUS. BE IMPULSIVE. 338 00:14:58,164 --> 00:15:00,664 DON'T TAKE RESPONSIBILITY FOR YOUR ACTIONS. 339 00:15:00,700 --> 00:15:02,667 BE A FLAKE. BE A GOOF. 340 00:15:02,702 --> 00:15:03,702 OK, WE GET IT. 341 00:15:05,771 --> 00:15:07,004 IT DRIVES YOU NUTS. 342 00:15:07,039 --> 00:15:09,006 IT'LL REALLY DRIVE HER NUTS. 343 00:15:09,042 --> 00:15:11,220 THIS ACTUALLY MIGHT WORK. 344 00:15:11,244 --> 00:15:12,454 I'M JUST GONNA ACT LIKE YOU, 345 00:15:12,478 --> 00:15:14,390 AND I'M GONNA DRIVE HER NUTS. 346 00:15:14,414 --> 00:15:15,613 UNLESS, OF COURSE, 347 00:15:15,648 --> 00:15:18,516 SHE CHOPS US UP AND MAKES US INTO QUICHE. 348 00:15:18,551 --> 00:15:21,031 [SIGH] [SIGH] [SIGH] 349 00:15:31,397 --> 00:15:32,875 YOU KNOW, THERE WAS A TIME 350 00:15:32,899 --> 00:15:35,933 WHEN I THOUGHT THIS WAS CUTE, 351 00:15:35,969 --> 00:15:39,403 BUT NOW IT SAYS SO MUCH. 352 00:15:39,438 --> 00:15:42,940 LOOK, JUST GET IN, GET DUMPED, AND GET OUT. 353 00:15:42,976 --> 00:15:43,976 THIS GIRL IS SICK. 354 00:15:44,010 --> 00:15:46,144 SHE'S DERANGED. SHE'S DANGEROUS. 355 00:15:46,179 --> 00:15:49,080 HEY! HI! 356 00:15:50,282 --> 00:15:51,983 HOW ARE YOU, SHARON? 357 00:15:52,018 --> 00:15:52,984 REALLY BUSY. 358 00:15:53,019 --> 00:15:54,585 NEVER HAVE TIME TO SEE ANYONE, 359 00:15:54,621 --> 00:15:56,787 ESPECIALLY THESE GUYS 360 00:15:56,823 --> 00:15:58,823 OR MY 2 DOBERMANS THAT SLEEP RIGHT ON MY BED. 361 00:16:00,059 --> 00:16:01,826 WELL, COME ON IN. 362 00:16:01,861 --> 00:16:02,861 NICE TOUCH. 363 00:16:02,896 --> 00:16:04,429 WANNA LIVE. 364 00:16:04,464 --> 00:16:05,640 WELCOME TO MY HOME. 365 00:16:05,664 --> 00:16:06,784 PLEASE, SIGN IN. 366 00:16:08,201 --> 00:16:09,267 OH, I'M SORRY. 367 00:16:09,302 --> 00:16:11,669 I WAS SO BUSY ADMIRING YOUR APARTMENT, 368 00:16:11,704 --> 00:16:13,904 I FORGOT TO... SIGN IN. 369 00:16:17,510 --> 00:16:18,621 WHERE DO YOU MEET THESE PEOPLE? 370 00:16:18,645 --> 00:16:21,456 YOU JUST CAN'T HELP YOURSELF, CAN YOU? 371 00:16:21,480 --> 00:16:23,192 I LOVE TO ENTERTAIN, DON'T I, PUNKIN? 372 00:16:23,216 --> 00:16:24,414 YES, MUFFINS. 373 00:16:24,450 --> 00:16:26,295 I MAKE HIM CALL ME MUFFINS. 374 00:16:26,319 --> 00:16:27,784 AS WELL HE SHOULD. 375 00:16:29,222 --> 00:16:30,665 PUNKIN, WHY DON'T YOU POUR THE WINE? 376 00:16:30,689 --> 00:16:33,324 I'LL GO GET THE HORS D'OEUVRES. 377 00:16:33,359 --> 00:16:35,059 WHAT ARE YOU WAITING FOR? 378 00:16:35,095 --> 00:16:37,494 I CAN'T JUST JUMP INTO SPONTANEITY. 379 00:16:48,741 --> 00:16:50,107 OH, MY GOD. 380 00:16:51,878 --> 00:16:54,278 WHY DO I LOOK DEAD? 381 00:16:54,314 --> 00:16:55,747 I'LL BE IN THE CAR. 382 00:16:55,782 --> 00:16:58,549 DO YOU LIKE IT? 383 00:16:58,584 --> 00:17:00,562 I HAD IT PAINTED FROM A POLAROID I TOOK OF YOU 384 00:17:00,586 --> 00:17:03,154 WHEN YOU WERE ASLEEP. 385 00:17:03,189 --> 00:17:07,725 SHE CERTAINLY KEEPS BUSY DURING THE NIGHT. 386 00:17:07,760 --> 00:17:09,493 PLEASE, SIT. 387 00:17:13,232 --> 00:17:14,632 QUICHE? 388 00:17:23,810 --> 00:17:25,421 DELICIOUS! DELICIOUS! MMM! 389 00:17:25,445 --> 00:17:29,046 OH. THEY'RE A MIXTURE OF COLBY AND CHEDDAR. 390 00:17:29,081 --> 00:17:33,418 PETE, DON'T YOU HAVE A COUSIN NAMED COLBY? 391 00:17:33,453 --> 00:17:35,386 HUH? 392 00:17:35,422 --> 00:17:37,521 OH. OH. 393 00:17:37,556 --> 00:17:40,925 YOU KNOW, I WAS THINKING ABOUT OUR KIDS. 394 00:17:40,960 --> 00:17:42,926 OH. WHAT ABOUT THEM? 395 00:17:42,962 --> 00:17:45,073 I THINK THAT MAYBE WE SHOULD NAME THEM 396 00:17:45,097 --> 00:17:48,432 ALL AFTER... CHEESES. 397 00:17:48,467 --> 00:17:50,334 WHAT? 398 00:17:50,369 --> 00:17:52,849 YEAH, YOU KNOW, GOUDA DUNVILLE. 399 00:17:53,706 --> 00:17:55,172 SWISS DUNVILLE. 400 00:17:55,208 --> 00:17:56,352 CHEDDAR DUNVILLE. 401 00:17:56,376 --> 00:17:59,076 NO, NO, NO. THAT'S NOT THE PLAN. 402 00:17:59,111 --> 00:18:00,723 AND THE LITTLE GENIUS OF THE FAMILY... 403 00:18:00,747 --> 00:18:03,147 CHEEZ WHIZ. 404 00:18:03,182 --> 00:18:05,817 LOOK. WE ALREADY AGREED ON THE NAMES. 405 00:18:05,852 --> 00:18:09,053 PLAN SCHMAN. 406 00:18:09,089 --> 00:18:10,188 OH, LOOK. 407 00:18:10,223 --> 00:18:13,583 WE'RE HAVING A JUNE WEDDING NEXT YEAR. 408 00:18:13,693 --> 00:18:14,959 YOU KNOW WHAT? 409 00:18:17,063 --> 00:18:18,396 WHY WAIT A YEAR? 410 00:18:18,431 --> 00:18:20,998 LET'S JUST RUN OFF TONIGHT, GET MARRIED. 411 00:18:21,033 --> 00:18:22,978 NO, NO. WHAT ABOUT THE SHOWERS 412 00:18:23,002 --> 00:18:25,669 AND THE ENGAGEMENT PARTY 413 00:18:25,704 --> 00:18:27,004 AND PICKING OUT CHINA? 414 00:18:27,040 --> 00:18:28,272 WHO NEEDS IT? 415 00:18:28,307 --> 00:18:31,241 I SAY, WHEN YOU FIND THE ONE, WHY WAIT? 416 00:18:31,277 --> 00:18:32,643 LET'S GO. 417 00:18:32,679 --> 00:18:36,213 PETE. THIS IS SOMETHING THAT I WOULD NEVER DO. 418 00:18:36,249 --> 00:18:38,582 AH. OH, WELL, THEN... 419 00:18:38,618 --> 00:18:39,928 JUST LIKE PLACING THAT AD 420 00:18:39,952 --> 00:18:41,563 WAS SOMETHING I WOULD NEVER DO, 421 00:18:41,587 --> 00:18:44,822 OR ANSWERING IT IS SOMETHING YOU'D NEVER DO. 422 00:18:44,857 --> 00:18:47,158 OH, MY GOD. THIS IS PERFECT. 423 00:18:48,427 --> 00:18:49,626 IT IS? 424 00:18:49,662 --> 00:18:52,341 DON'T YOU THINK YOU SHOULD MAYBE THINK IT OVER? 425 00:18:52,365 --> 00:18:54,398 ARE YOU GONNA STAND IN OUR WAY? 426 00:18:54,433 --> 00:18:56,300 CONGRATULATIONS, PETE. 427 00:18:57,870 --> 00:18:59,804 I'LL GO PACK A BAG. 428 00:18:59,839 --> 00:19:01,372 WHOO-HOO! 429 00:19:01,407 --> 00:19:02,906 WHOO-HOO! ABANDON SHIP. 430 00:19:02,941 --> 00:19:06,043 NO, NO, NO. WHAT'S THE POINT? 431 00:19:06,078 --> 00:19:07,378 SHE KNOWS WHERE WE WORK, 432 00:19:07,413 --> 00:19:08,379 SHE KNOWS WHERE WE LIVE. 433 00:19:08,414 --> 00:19:09,458 NICE GOING, BERG. 434 00:19:09,482 --> 00:19:12,049 I DIDN'T TELL YOU TO PROPOSE. 435 00:19:12,085 --> 00:19:13,085 I'M GOING TO END YOU. 436 00:19:13,119 --> 00:19:14,563 NO, PETE. PETE, DON'T. 437 00:19:14,587 --> 00:19:16,654 WHY NOT? 438 00:19:16,689 --> 00:19:18,022 UH. SORRY, BERG. 439 00:19:18,057 --> 00:19:20,191 WHAT KIND OF TWISTED MIND 440 00:19:20,226 --> 00:19:21,703 ANSWERS A PERSONALS AD FOR SOMEONE ELSE? 441 00:19:21,727 --> 00:19:24,828 WHAT KIND OF DERANGED... WHAT? 442 00:19:24,863 --> 00:19:26,742 AAH! AAH! AAH! 443 00:19:26,766 --> 00:19:28,610 IT WAS BERG WHO CALLED ME? 444 00:19:28,634 --> 00:19:30,034 LOOK, I CAN EXPLAIN. 445 00:19:30,069 --> 00:19:32,336 OK. EXPLAIN. 446 00:19:33,940 --> 00:19:36,307 IT WAS BERG WHO CALLED YOU. 447 00:19:36,342 --> 00:19:38,276 SHE HANDED ME THE PHONE. 448 00:19:38,311 --> 00:19:40,311 YOU MEAN IT'S ALL BEEN A LIE? 449 00:19:40,346 --> 00:19:44,114 YOU'VE BEEN PRETENDING TO BE SOMEONE ELSE? 450 00:19:44,150 --> 00:19:46,083 YEAH, I'M AFRAID SO. 451 00:19:46,119 --> 00:19:49,586 SO, REALLY, ALL ALONG, IT WAS YOU. 452 00:19:51,390 --> 00:19:53,591 MY SHY CYRANO. 453 00:19:55,361 --> 00:20:01,699 OH... NO. 454 00:20:01,734 --> 00:20:04,502 YEP. YEAH, YEAH. 455 00:20:04,537 --> 00:20:05,537 YOU CAUGHT US. 456 00:20:05,571 --> 00:20:08,004 I'M THE FLAKY ONE. 457 00:20:08,040 --> 00:20:09,784 IT'S ALL BECOMING SO CLEAR. 458 00:20:09,808 --> 00:20:11,141 HE'S NOT THE ONE. 459 00:20:11,176 --> 00:20:12,420 YOU'RE THE ONE. 460 00:20:12,444 --> 00:20:15,324 FATE LED ME TO PETE, AND PETE LED ME TO YOU. 461 00:20:15,348 --> 00:20:17,159 IT MAKES PERFECT SENSE. 462 00:20:17,183 --> 00:20:18,216 YES, IT DOES. 463 00:20:18,251 --> 00:20:19,595 WELL, CONGRATULATIONS, BERG. 464 00:20:19,619 --> 00:20:21,797 SHAR, WHAT DO YOU SAY WE LEAVE THESE 2 KIDS ALONE 465 00:20:21,821 --> 00:20:23,098 AND YOU AND I GO PLAY A LITTLE POP 'N SHOT? 466 00:20:23,122 --> 00:20:24,266 WORKS FOR ME. 467 00:20:24,290 --> 00:20:25,456 HAVE FUN, YOU TWO. 468 00:20:27,259 --> 00:20:28,359 DO I NEED TO SIGN OUT? 469 00:20:36,335 --> 00:20:38,769 HI, PUNKIN. 470 00:20:38,804 --> 00:20:42,173 HEY... M-MUFFINS. 471 00:20:48,715 --> 00:20:50,258 WHAT ARE YOU DOING OUTSIDE? 472 00:20:50,282 --> 00:20:51,793 YOU'RE SUPPOSED TO BE IN HIDING. 473 00:20:51,817 --> 00:20:52,850 WHAT ARE YOU, CRAZY? 474 00:20:52,885 --> 00:20:54,986 I'M A FREE MAN. 475 00:20:55,021 --> 00:20:56,620 WHAT ABOUT MOLLY? 476 00:20:56,655 --> 00:20:59,289 GONE. 477 00:20:59,324 --> 00:21:00,924 HOW DID YOU GET RID OF HER? 478 00:21:00,959 --> 00:21:03,160 PLEASE, SIT, 479 00:21:03,195 --> 00:21:05,962 SO YOU CAN MARVEL AT MY BIG BRAIN. 480 00:21:08,934 --> 00:21:11,201 "SAW YOU AT BEACON STREET PIZZA. 481 00:21:11,236 --> 00:21:14,104 "YOU... BLOND HAIR. ME... THE ONE. 482 00:21:14,139 --> 00:21:16,974 "LOVE LIFE PLANS AND QUICHE. 483 00:21:17,009 --> 00:21:18,720 "MEET ME IN SEATTLE. I'LL BE THE GUY, 484 00:21:18,744 --> 00:21:20,755 "AVERAGE HEIGHT, IN JEANS AND A FLANNEL SHIRT. 485 00:21:20,779 --> 00:21:21,879 PLEASE HURRY." 486 00:21:25,518 --> 00:21:26,518 WAIT A MINUTE. 487 00:21:26,552 --> 00:21:27,852 IF IT WAS THAT EASY, 488 00:21:27,887 --> 00:21:30,153 WHY DIDN'T YOU JUST DO THAT WHEN SHE WAS STALKING ME? 489 00:21:30,189 --> 00:21:33,191 WHEN SHE WAS STALKING YOU, IT WAS FUNNY. 490 00:21:41,601 --> 00:21:43,667 HI. 491 00:21:43,702 --> 00:21:45,736 HOW ARE YOU? 492 00:21:45,771 --> 00:21:48,505 FINE. 493 00:21:48,540 --> 00:21:53,277 ARE YOU, UH... "TOO SHY TO SAY HELLO"? 494 00:21:53,312 --> 00:21:56,580 YEAH, BUT I'M NOT TOO SHY TO SAY... 495 00:21:56,615 --> 00:21:58,655 GET AWAY FROM ME, YOU FREAK! 496 00:22:01,655 --> 00:22:05,655 Preuzeto sa www.titlovi.com 32777

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