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Already welcome back.
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It's Brad here again with another Adobe Premiere Pro Sisi tutorial where I'm going to be sharing with
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you six simple editing tricks that I've been using for a while now when I edit my blogs for YouTube
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and Facebook and prime and all of that.
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And I thought I'd just chuck everything into one video 10 15 minutes long.
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Nothing crazy that's really going to help speed up your workflow make it a lot easier for you to edit
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your logs without sort of goes for the trial and error that I've been through editing you know almost
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a thousand videos now over almost three years.
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So the first thing I'm going to do before I go into the little tips is I'm just going to show you what
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version I'm using so we're both on the same page there about anyway.
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So you got to help and then go down to about Adobe Premiere Pro.
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You'll see that I'm using version thirteen point zero point to build 38.
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So if you're using a previous version this is the latest version but if you're using a previous version
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don't distress it shouldn't be too different.
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It should look pretty much the same right that you see here.
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You can just go window workspaces click on editing right.
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So that we're all working on the same page.
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I've got a little bit of a custom workspace but it's not much different to the editing workspace anyway.
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So let's get straight into it.
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So the first little tip that I want to share with you that I've been using for years is called audio
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ducking.
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Now audio ducking is something that I will demonstrate just by playing a vlog.
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Back to you.
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This is one of my blogs that I edited yesterday and it hasn't yet been released on YouTube and prime
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yet but this is what it looks like.
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But don't worry about that.
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We're just going to focus on just a small piece of it.
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So if I play this back you'll know what I'm talking about.
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So let's go.
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You can do if you're training a tiger mai tai or anywhere along the street in this video you know.
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Okay.
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So what's happening there.
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They got some background music there and you've got me talking and you can hear the background music
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and then you can hear me talking.
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Now what happens though when we get to this point the video fades out and then the background music
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picks up.
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Right.
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So gets louder.
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So this is your audio ducking and it's easy to do.
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And I've been doing it for a long time now and there's two ways you can do it.
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There's the manual way and then there's the automatic way the automatic way is through essential sound
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up here.
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But I'm not going to show that this time I'm just going to show you the manual way of doing it.
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This is actually not that hard.
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I think if you just do it manually then you can play with the automatic method later on.
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So the first thing we're gonna do is that we're going to select the pen tool first.
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So over here in our little tool box we've got like a little pen icon.
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So just click on that where you can hit the P on the keyboard and it's gonna select our cursor to be
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a pen tool.
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And then all we actually I'll just go to a different sequence and we'll just start with the first sequence
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right.
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So I got some background music here and I've got my dialogue here.
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So if I play this back a while in this video I'm talking about subtlety.
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So as you can see like it's just me background music's too loud and you know you just can't hear what
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we're saying.
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So we're going to do is you'll see that there's a line here.
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That line is actually the volume line of the background track.
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So all you need to do is with your pen tool is you just select anywhere.
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Now you can zoom in on this.
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You select around here to drop a little point that creates what they call a key frame and then you click
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on another point next to it and you drop it down like that right.
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And by dropping it down you can see the decibel label there is reducing so down at minus seven right
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minus eleven right.
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And if I scroll back I cut another point here right at the very beginning and I drop it down to zero
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as you can see there.
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So as the as we play this sequence the background music is getting louder and louder and louder but
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not by much.
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So if I play this back if you're training at Tiger movie tie or anywhere along fitness series you can
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hear us in this video just like that right.
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So my dog finishes and then the background music it's louder.
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Right.
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And then if I want I can drop it down to make it quieter.
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If there's more dialogue coming up just like that.
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So that's called audio ducking and it's something I've been using for years if I go back to this sequence
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just to finish this off.
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You can see if I zoom in closer you can see the background music here is louder and it's a little bit
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softer because I want the sound from the more ty to be a little bit louder
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louder so early louder softer.
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So you can see I've gone through manually and you can do this through the software automatically but
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if you go through manually just click here click on the next point.
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And what I usually do is I hold the old key down on the keyboard by doing that and I move the mouse
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up and down I get more accuracy with my decrease in my my increase in my decibels.
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If I take if I if I take my finger off the old key then this is what happens.
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Just out of control I can't get the same level of accuracy.
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Now I can by moving my mouse over here and I can't hold down ult using the scroll wheel on my mouse.
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I can make that bigger.
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Which does help as well.
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But if I just click on this this little key frame here hold down the alt key on my keyboard drag this
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down I can get a much more accurate level with the background there with the background music just like
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that.
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All right.
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I this back softly.
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Louder
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and louder
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now you can hear me hitting the pads.
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So that's this track here I'm second of April to that and then I'm dialoguing over here.
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And then the back row music has been ducked out over here.
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2nd of April 2000 and that's it.
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So that's audio ducking.
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So have a play with that and let me know hey go the second tip that I have for you is locking layers.
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So what that means is if I'm working on my log for example and I play this back and I just jump to a
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random spot here in this block which beaches can you go to.
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What activities are there.
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I'm talking to what or I don't hold off until a week off.
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I don't want to make.
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Right.
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So for example if I just want to cut this piece out I don't want that in my vlog anymore.
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If I hit W. on the keyboard what's going to happen is it's going to chop that piece out.
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But it's also going to chop into my adjustment layer as well as you can see my adjustment layers now
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being cut into two pieces.
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Now I don't want that if I continue moving along my my vacation just to be just removing about training.
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So in this video when I talk about that.
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So just by removing pieces out of my vlog then I'm chopping up my adjustment layer and I don't want
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to do that.
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I want to keep my just bit layer the same.
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Right.
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I want it to be unbroken.
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So what I do is I hit the padlock over here and you can see that locks down that adjustment layer so
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that I can do all my editing over here on my track one.
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So video one audio one tracks and it's not going to impact my judgment layer and this is also handy
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if you have background music as well.
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I can lock down the background music layer so that this becomes untouched and the adjustment layer becomes
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untouched.
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And that allows me full flexibility to work within these tracks within V1 and V2 in everywhere else.
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Right.
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So that's a very handy.
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I've been using that one for a while now.
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It's so handy.
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And then when I'm ready to make adjustments as you can see I can even click even if I try I can't even
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I can't even delete the adjustment I can't it's completely locked down until I hit this again.
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It unlocks that layer and I can chop away at it right.
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I want to do that just undo undo undo undo undo.
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Right.
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That's it.
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So locking layers is very very handy.
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Just keep that in mind.
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The third one I have is text over video now text over video is one that's what I'm talking about is
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if you're adding text for example I'm going to chuck it on my own.
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Throw some text on my t shirt right here.
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I'm just going to say I'm gonna put my name right.
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Brad Newton right now as you could see like white T-shirt white text I mean does it really stand out
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that much.
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And if I move this text around I mean it stands out more up there.
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It stands out where it wherever there's a a darker background in the video.
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So over Robin's top like really stands out.
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But over my T-shirt it doesn't really stand out that much.
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So what I usually do with this is this is just a simple little trick that will save you a lot of headache
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and it's so simple blow your mind.
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All you got to do is you got a central graphics.
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Now if you can't see that you just go to window and you go down to a central graphics and make sure
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this is ticked and then down to stroke you'll see here it says appearance fill stroke you tick the tick
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box for stroke click on this and then you select black and you'll see that the edge.
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Right.
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If I zoom in or just make that a bigger screen you see the edge of the text is now black see that difference.
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It's a big difference.
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Now I can change the thickness of that stroke from one point to three points into and it makes the background
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it makes the black edge thicker.
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See that so that there's no stroke.
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1.0 3.0 1.0.
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Nothing.
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Big difference now of course you can go extreme and you can you know.
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I'll show you the extreme version if we just set that to black.
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Again and then we set this too.
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I don't know 20 or 12 right.
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It just makes the text pop a lot more.
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Okay so that's something to keep in mind.
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I usually do this often when I have text over the top of my video and sometimes the video falls against
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the sky where it's really bright and you lose the text.
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You can't really see the text it kind of blends in with the video.
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So that's a good little trick to keep in mind the next one the fourth one is moving static images so
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I'll use an example of I'll just go into another sequence and what I mean by that is if we are okay
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just setting up something really quick here.
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So I've got me talking away in this video coming up.
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So we just have an image not doing anything it's a static image but what you can do to make it more
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interesting is you can make it you can make it a moving image just by setting basic key frames so all
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you gotta do is you select the image here on your sequence timeline.
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Do you go over to scale over here that says 100 percent.
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You click on the little tiny clock icon here and that creates a key frame right over here.
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Creates a key frame and then all you need to do is you move that you move that play head over somewhere
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around here.
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Doesn't matter exactly.
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Just put it somewhere around there.
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And then all you got to do is increase this scale to say I don't know whatever you want and then you'll
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see by doing that it automatically drops another key frame at the position of the play head right here.
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Right.
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Then all you got to do is you click on this play on this key frame and you can move this key frame any
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way you want.
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You can move it right to the end or you can move it halfway right.
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But we want the effect of the scale to apply across the entire image over the entire duration.
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So if I move that key frame right to the edge and I move this key frame right to this other edge then
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you'll see that the change of scale is being applied over time.
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If I play that back in real time
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it's just that basic.
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So it just makes it a little bit.
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It's a very small adjustment but it just makes it a little bit more interesting when you're presenting
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still images inside of your logs.
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Okay the last one.
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So the second last one I have for you is thumbnails for YouTube.
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I do this one very frequently where I am I'm creating on my vlog and I need to create a thumbnail and
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I'll just go into a previous example of where I've created a thumbnail for one of my previous YouTube
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videos.
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And this is it.
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Right.
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Very easy to create.
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Nothing fancy here but these are all still images that I've pulled out of my videos from Adobe Premier
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Pro.
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This is how I do it.
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So for example I will pick a point of the video just say where I'm going to position my play head right
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there and there's an icon right here.
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That's if you run your mouse over it says export frame.
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Right.
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If you click on that what's going to happen is that Adobe Premiere Pro is going to take a snapshot of
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that frame and it's going to save it as a jpeg BNP.
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What you've selected PDG.
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I usually just select J PAC right here right.
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You can create the name and then you can browse and select the location to save that that still image
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click Okay.
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In my case it's going to go to my desktop.
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Click Okay.
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And then if I minimize this then you can see here Adobe Premiere pros dropped an image that's taken
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directly from my video on my vlog so I don't need to take a separate photograph I can just take still
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images out of my video and that's that little icon there.
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If you can't see that icon it's probably because your window has been collapsed or you know if you if
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you collapses right down you're not going to see everything.
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You might have two little arrows there you click on right.
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Actually it's going to pop up there.
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If I move this out there we go it's gonna pop up here.
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See you see it looks like a little camera icon there.
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That's it.
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Right.
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Just like and what it does is it will take for example if I move my play head here or just tired it
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is a little bit if I move my play head here you'll see I've got top and bottom cinematic bars added
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here at this point of my sequence if I hit that export frame button save it to my desktop you'll see
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that it's also captured those cinematic bars as well.
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Right.
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So we've got to do is I just turn off those cinematic bars just like that and then I take that same
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snapshot.
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And now I have a frame and then I can use that frame I can upload that by going add photo upload photo
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and go to my desk.
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That's not the one I meant to click anyway so I'll upload this steel frame here and then I can start
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creating my thumbnail for my video on YouTube and all that.
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So keep that in mind really cool little trick I've been using for a while.
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Know it's really handy anyway so I'll just undo that.
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Okay so let's go back into the software and the last one I want to share with you is blurry background.
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So what I mean by that is if I just import this really quickly while I'm talking and then I'll show
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exactly what I mean sometimes what people do.
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What I used to do a lot is I used to put my Instagram Stories Inside my blogs and by doing that because
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of the aspect ratio.
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You'll see that my phone like it's a vertical form video but it's inside a 16 by nine canvas.
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Now of course this looks really shitty right.
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And my old of logs I never did anything to fix it because I didn't know how.
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I just kind of dropped it straight in and I just I'll just mute that track and 20 2012 in classes now
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I'm just finishing.
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Doesn't matter what I'm what I'm talking about.
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But anyway.
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So this looks a little bit tacky.
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So what I suggest you do this is really cool is you dragging your you know your Instagram story or whatever
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it is.
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And if you drag it in and you got a 16 by nine wide screen here canvas all you gotta do is you click
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on this video track.
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Here hold the old key down drag it up on your timeline that's going to create a duplicate.
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All right.
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Now you have to exactly the same.
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Then what you're going to do is you're going to grab this video here on track 1 video track 1.
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Then you go to go to effects controls over here.
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Then you're gonna go to scale and you're gonna scale it up like that.
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So it fills the in all of that black gets filled out like that.
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And when you do that you just play with it like that.
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The next thing you'll do is you'll go click on these two arrows here.
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Then you'll go to effects and then you go to find Gordon blow G A you write and you just have to type
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in a few letters and or come up down here so you'll see here cause caution blur what you do is you drag
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that effect over the top of video track one just like that when you do that.
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If you have a look over here and this window it automatically drops in this here into your effects panel
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right then all you gotta do is you change blurriness from zero point zero up to as much as you want
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and you can see that would changing how much blurriness were applying to video track one.
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Right.
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Zero blurriness all blurry.
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So we're just I usually set it to around 60 or 70.
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Watch what happens goes on just between classes now I'm just finishing up an edit so you'll see if you
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ever watch TV and like you know the news is reporting you know something that's happened locally or
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whatever else and then they've taken the video clips from a member of the public and they've recorded
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on their phone what they'll do the editor will just apply this pretty much the same technique they'll
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pretty much just do that and you'll see that on your TV screen you've got you know your widescreen TV
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and then you've got the video playing off you know someone's phone export.
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That's pretty much all you do is pretty basic.
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Right.
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So that's another little trick that I use blurry backgrounds have a play around with that.
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That's all I have for you if you have any questions let me know if you want to see other examples of
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how I edit my videos you can go to my channel YouTube dot com slash Brad Newton where all my blogs kind
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of live these days and continue to play with them check out the other videos as well where I break down
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some of these tactics in more detail I hope this is helpful.
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Have an awesome day.
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Enjoy the editing.
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Enjoy blogging.
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It's awesome.
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And I'll see you and another video.
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