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These are the user uploaded subtitles that are being translated: 1 00:00:00,690 --> 00:00:01,440 Already welcome back. 2 00:00:01,440 --> 00:00:07,320 It's Brad here again with another Adobe Premiere Pro Sisi tutorial where I'm going to be sharing with 3 00:00:07,320 --> 00:00:13,380 you six simple editing tricks that I've been using for a while now when I edit my blogs for YouTube 4 00:00:13,410 --> 00:00:15,780 and Facebook and prime and all of that. 5 00:00:16,240 --> 00:00:20,070 And I thought I'd just chuck everything into one video 10 15 minutes long. 6 00:00:20,070 --> 00:00:25,260 Nothing crazy that's really going to help speed up your workflow make it a lot easier for you to edit 7 00:00:25,260 --> 00:00:31,170 your logs without sort of goes for the trial and error that I've been through editing you know almost 8 00:00:31,170 --> 00:00:34,680 a thousand videos now over almost three years. 9 00:00:34,680 --> 00:00:41,220 So the first thing I'm going to do before I go into the little tips is I'm just going to show you what 10 00:00:41,220 --> 00:00:45,520 version I'm using so we're both on the same page there about anyway. 11 00:00:45,540 --> 00:00:49,430 So you got to help and then go down to about Adobe Premiere Pro. 12 00:00:50,490 --> 00:00:55,390 You'll see that I'm using version thirteen point zero point to build 38. 13 00:00:55,440 --> 00:01:00,600 So if you're using a previous version this is the latest version but if you're using a previous version 14 00:01:01,230 --> 00:01:04,440 don't distress it shouldn't be too different. 15 00:01:04,500 --> 00:01:08,400 It should look pretty much the same right that you see here. 16 00:01:08,430 --> 00:01:12,470 You can just go window workspaces click on editing right. 17 00:01:12,480 --> 00:01:14,490 So that we're all working on the same page. 18 00:01:14,490 --> 00:01:21,110 I've got a little bit of a custom workspace but it's not much different to the editing workspace anyway. 19 00:01:21,240 --> 00:01:22,530 So let's get straight into it. 20 00:01:22,530 --> 00:01:27,210 So the first little tip that I want to share with you that I've been using for years is called audio 21 00:01:27,210 --> 00:01:28,550 ducking. 22 00:01:28,560 --> 00:01:33,530 Now audio ducking is something that I will demonstrate just by playing a vlog. 23 00:01:33,540 --> 00:01:34,020 Back to you. 24 00:01:34,020 --> 00:01:41,400 This is one of my blogs that I edited yesterday and it hasn't yet been released on YouTube and prime 25 00:01:41,400 --> 00:01:44,560 yet but this is what it looks like. 26 00:01:44,640 --> 00:01:46,140 But don't worry about that. 27 00:01:46,170 --> 00:01:48,270 We're just going to focus on just a small piece of it. 28 00:01:48,270 --> 00:01:51,810 So if I play this back you'll know what I'm talking about. 29 00:01:51,840 --> 00:01:52,880 So let's go. 30 00:01:52,880 --> 00:02:09,760 You can do if you're training a tiger mai tai or anywhere along the street in this video you know. 31 00:02:10,560 --> 00:02:11,140 Okay. 32 00:02:11,260 --> 00:02:13,090 So what's happening there. 33 00:02:13,120 --> 00:02:18,190 They got some background music there and you've got me talking and you can hear the background music 34 00:02:18,250 --> 00:02:20,140 and then you can hear me talking. 35 00:02:20,140 --> 00:02:26,800 Now what happens though when we get to this point the video fades out and then the background music 36 00:02:26,830 --> 00:02:27,580 picks up. 37 00:02:27,610 --> 00:02:27,900 Right. 38 00:02:27,910 --> 00:02:29,380 So gets louder. 39 00:02:29,380 --> 00:02:33,740 So this is your audio ducking and it's easy to do. 40 00:02:33,760 --> 00:02:36,790 And I've been doing it for a long time now and there's two ways you can do it. 41 00:02:36,820 --> 00:02:42,550 There's the manual way and then there's the automatic way the automatic way is through essential sound 42 00:02:42,550 --> 00:02:43,360 up here. 43 00:02:43,690 --> 00:02:47,390 But I'm not going to show that this time I'm just going to show you the manual way of doing it. 44 00:02:47,430 --> 00:02:48,860 This is actually not that hard. 45 00:02:48,880 --> 00:02:54,340 I think if you just do it manually then you can play with the automatic method later on. 46 00:02:54,340 --> 00:03:01,720 So the first thing we're gonna do is that we're going to select the pen tool first. 47 00:03:01,750 --> 00:03:05,560 So over here in our little tool box we've got like a little pen icon. 48 00:03:05,560 --> 00:03:11,740 So just click on that where you can hit the P on the keyboard and it's gonna select our cursor to be 49 00:03:11,740 --> 00:03:13,050 a pen tool. 50 00:03:13,750 --> 00:03:20,050 And then all we actually I'll just go to a different sequence and we'll just start with the first sequence 51 00:03:20,400 --> 00:03:20,730 right. 52 00:03:21,160 --> 00:03:24,250 So I got some background music here and I've got my dialogue here. 53 00:03:24,250 --> 00:03:30,740 So if I play this back a while in this video I'm talking about subtlety. 54 00:03:30,810 --> 00:03:36,850 So as you can see like it's just me background music's too loud and you know you just can't hear what 55 00:03:36,850 --> 00:03:37,780 we're saying. 56 00:03:37,780 --> 00:03:42,910 So we're going to do is you'll see that there's a line here. 57 00:03:43,450 --> 00:03:47,290 That line is actually the volume line of the background track. 58 00:03:47,290 --> 00:03:52,890 So all you need to do is with your pen tool is you just select anywhere. 59 00:03:52,890 --> 00:03:55,400 Now you can zoom in on this. 60 00:03:55,600 --> 00:04:03,160 You select around here to drop a little point that creates what they call a key frame and then you click 61 00:04:03,160 --> 00:04:08,390 on another point next to it and you drop it down like that right. 62 00:04:08,400 --> 00:04:16,700 And by dropping it down you can see the decibel label there is reducing so down at minus seven right 63 00:04:16,940 --> 00:04:19,580 minus eleven right. 64 00:04:19,580 --> 00:04:25,880 And if I scroll back I cut another point here right at the very beginning and I drop it down to zero 65 00:04:26,450 --> 00:04:27,350 as you can see there. 66 00:04:27,860 --> 00:04:36,260 So as the as we play this sequence the background music is getting louder and louder and louder but 67 00:04:36,260 --> 00:04:38,160 not by much. 68 00:04:38,490 --> 00:04:45,210 So if I play this back if you're training at Tiger movie tie or anywhere along fitness series you can 69 00:04:45,210 --> 00:04:50,990 hear us in this video just like that right. 70 00:04:51,060 --> 00:04:55,990 So my dog finishes and then the background music it's louder. 71 00:04:58,930 --> 00:04:59,360 Right. 72 00:04:59,370 --> 00:05:03,480 And then if I want I can drop it down to make it quieter. 73 00:05:03,480 --> 00:05:08,550 If there's more dialogue coming up just like that. 74 00:05:08,550 --> 00:05:13,530 So that's called audio ducking and it's something I've been using for years if I go back to this sequence 75 00:05:13,770 --> 00:05:15,550 just to finish this off. 76 00:05:15,570 --> 00:05:26,140 You can see if I zoom in closer you can see the background music here is louder and it's a little bit 77 00:05:26,140 --> 00:05:31,450 softer because I want the sound from the more ty to be a little bit louder 78 00:05:34,890 --> 00:05:43,130 louder so early louder softer. 79 00:05:44,670 --> 00:05:50,480 So you can see I've gone through manually and you can do this through the software automatically but 80 00:05:50,810 --> 00:05:54,750 if you go through manually just click here click on the next point. 81 00:05:54,950 --> 00:06:00,920 And what I usually do is I hold the old key down on the keyboard by doing that and I move the mouse 82 00:06:00,950 --> 00:06:09,370 up and down I get more accuracy with my decrease in my my increase in my decibels. 83 00:06:09,380 --> 00:06:14,480 If I take if I if I take my finger off the old key then this is what happens. 84 00:06:14,550 --> 00:06:17,800 Just out of control I can't get the same level of accuracy. 85 00:06:17,870 --> 00:06:25,460 Now I can by moving my mouse over here and I can't hold down ult using the scroll wheel on my mouse. 86 00:06:25,460 --> 00:06:26,650 I can make that bigger. 87 00:06:26,930 --> 00:06:28,720 Which does help as well. 88 00:06:28,880 --> 00:06:36,320 But if I just click on this this little key frame here hold down the alt key on my keyboard drag this 89 00:06:36,320 --> 00:06:43,460 down I can get a much more accurate level with the background there with the background music just like 90 00:06:43,460 --> 00:06:44,080 that. 91 00:06:44,080 --> 00:06:45,100 All right. 92 00:06:45,140 --> 00:06:48,870 I this back softly. 93 00:06:49,190 --> 00:06:49,640 Louder 94 00:06:53,000 --> 00:06:54,290 and louder 95 00:06:59,180 --> 00:07:03,960 now you can hear me hitting the pads. 96 00:07:04,130 --> 00:07:11,050 So that's this track here I'm second of April to that and then I'm dialoguing over here. 97 00:07:11,330 --> 00:07:14,980 And then the back row music has been ducked out over here. 98 00:07:16,220 --> 00:07:18,530 2nd of April 2000 and that's it. 99 00:07:18,830 --> 00:07:20,180 So that's audio ducking. 100 00:07:20,180 --> 00:07:26,840 So have a play with that and let me know hey go the second tip that I have for you is locking layers. 101 00:07:26,870 --> 00:07:34,760 So what that means is if I'm working on my log for example and I play this back and I just jump to a 102 00:07:34,760 --> 00:07:38,740 random spot here in this block which beaches can you go to. 103 00:07:38,750 --> 00:07:40,060 What activities are there. 104 00:07:40,110 --> 00:07:43,010 I'm talking to what or I don't hold off until a week off. 105 00:07:43,000 --> 00:07:44,010 I don't want to make. 106 00:07:44,210 --> 00:07:44,740 Right. 107 00:07:44,750 --> 00:07:50,830 So for example if I just want to cut this piece out I don't want that in my vlog anymore. 108 00:07:50,840 --> 00:07:57,250 If I hit W. on the keyboard what's going to happen is it's going to chop that piece out. 109 00:07:57,260 --> 00:08:01,730 But it's also going to chop into my adjustment layer as well as you can see my adjustment layers now 110 00:08:01,730 --> 00:08:03,890 being cut into two pieces. 111 00:08:03,950 --> 00:08:11,910 Now I don't want that if I continue moving along my my vacation just to be just removing about training. 112 00:08:11,950 --> 00:08:14,740 So in this video when I talk about that. 113 00:08:15,090 --> 00:08:20,510 So just by removing pieces out of my vlog then I'm chopping up my adjustment layer and I don't want 114 00:08:20,510 --> 00:08:21,290 to do that. 115 00:08:21,350 --> 00:08:23,380 I want to keep my just bit layer the same. 116 00:08:23,390 --> 00:08:23,680 Right. 117 00:08:23,690 --> 00:08:25,010 I want it to be unbroken. 118 00:08:25,010 --> 00:08:30,920 So what I do is I hit the padlock over here and you can see that locks down that adjustment layer so 119 00:08:30,920 --> 00:08:35,690 that I can do all my editing over here on my track one. 120 00:08:36,110 --> 00:08:42,020 So video one audio one tracks and it's not going to impact my judgment layer and this is also handy 121 00:08:42,020 --> 00:08:44,840 if you have background music as well. 122 00:08:44,840 --> 00:08:50,660 I can lock down the background music layer so that this becomes untouched and the adjustment layer becomes 123 00:08:50,810 --> 00:08:52,000 untouched. 124 00:08:52,000 --> 00:09:00,530 And that allows me full flexibility to work within these tracks within V1 and V2 in everywhere else. 125 00:09:00,530 --> 00:09:01,080 Right. 126 00:09:01,100 --> 00:09:02,410 So that's a very handy. 127 00:09:02,420 --> 00:09:03,970 I've been using that one for a while now. 128 00:09:03,980 --> 00:09:05,360 It's so handy. 129 00:09:05,360 --> 00:09:10,610 And then when I'm ready to make adjustments as you can see I can even click even if I try I can't even 130 00:09:11,300 --> 00:09:16,580 I can't even delete the adjustment I can't it's completely locked down until I hit this again. 131 00:09:16,580 --> 00:09:20,090 It unlocks that layer and I can chop away at it right. 132 00:09:20,420 --> 00:09:23,770 I want to do that just undo undo undo undo undo. 133 00:09:23,840 --> 00:09:24,050 Right. 134 00:09:24,200 --> 00:09:24,890 That's it. 135 00:09:24,890 --> 00:09:26,980 So locking layers is very very handy. 136 00:09:26,980 --> 00:09:28,480 Just keep that in mind. 137 00:09:28,610 --> 00:09:37,160 The third one I have is text over video now text over video is one that's what I'm talking about is 138 00:09:37,160 --> 00:09:41,620 if you're adding text for example I'm going to chuck it on my own. 139 00:09:41,720 --> 00:09:44,410 Throw some text on my t shirt right here. 140 00:09:44,660 --> 00:09:49,340 I'm just going to say I'm gonna put my name right. 141 00:09:49,340 --> 00:09:56,630 Brad Newton right now as you could see like white T-shirt white text I mean does it really stand out 142 00:09:56,630 --> 00:09:58,200 that much. 143 00:09:58,370 --> 00:10:03,420 And if I move this text around I mean it stands out more up there. 144 00:10:03,510 --> 00:10:08,600 It stands out where it wherever there's a a darker background in the video. 145 00:10:08,600 --> 00:10:11,810 So over Robin's top like really stands out. 146 00:10:11,900 --> 00:10:15,430 But over my T-shirt it doesn't really stand out that much. 147 00:10:15,440 --> 00:10:22,490 So what I usually do with this is this is just a simple little trick that will save you a lot of headache 148 00:10:22,540 --> 00:10:25,040 and it's so simple blow your mind. 149 00:10:25,190 --> 00:10:28,160 All you got to do is you got a central graphics. 150 00:10:28,160 --> 00:10:32,750 Now if you can't see that you just go to window and you go down to a central graphics and make sure 151 00:10:32,750 --> 00:10:40,490 this is ticked and then down to stroke you'll see here it says appearance fill stroke you tick the tick 152 00:10:40,490 --> 00:10:48,450 box for stroke click on this and then you select black and you'll see that the edge. 153 00:10:48,770 --> 00:10:49,120 Right. 154 00:10:49,130 --> 00:10:58,290 If I zoom in or just make that a bigger screen you see the edge of the text is now black see that difference. 155 00:10:58,340 --> 00:10:59,420 It's a big difference. 156 00:10:59,450 --> 00:11:09,470 Now I can change the thickness of that stroke from one point to three points into and it makes the background 157 00:11:09,500 --> 00:11:13,490 it makes the black edge thicker. 158 00:11:13,520 --> 00:11:17,570 See that so that there's no stroke. 159 00:11:17,570 --> 00:11:22,280 1.0 3.0 1.0. 160 00:11:22,280 --> 00:11:23,120 Nothing. 161 00:11:23,210 --> 00:11:28,500 Big difference now of course you can go extreme and you can you know. 162 00:11:28,700 --> 00:11:31,730 I'll show you the extreme version if we just set that to black. 163 00:11:31,730 --> 00:11:34,810 Again and then we set this too. 164 00:11:34,980 --> 00:11:38,370 I don't know 20 or 12 right. 165 00:11:38,380 --> 00:11:40,460 It just makes the text pop a lot more. 166 00:11:41,010 --> 00:11:43,030 Okay so that's something to keep in mind. 167 00:11:43,030 --> 00:11:51,610 I usually do this often when I have text over the top of my video and sometimes the video falls against 168 00:11:51,610 --> 00:11:54,670 the sky where it's really bright and you lose the text. 169 00:11:54,670 --> 00:11:57,520 You can't really see the text it kind of blends in with the video. 170 00:11:57,640 --> 00:12:04,930 So that's a good little trick to keep in mind the next one the fourth one is moving static images so 171 00:12:05,110 --> 00:12:17,030 I'll use an example of I'll just go into another sequence and what I mean by that is if we are okay 172 00:12:17,440 --> 00:12:19,880 just setting up something really quick here. 173 00:12:20,950 --> 00:12:25,360 So I've got me talking away in this video coming up. 174 00:12:26,880 --> 00:12:33,270 So we just have an image not doing anything it's a static image but what you can do to make it more 175 00:12:33,270 --> 00:12:39,750 interesting is you can make it you can make it a moving image just by setting basic key frames so all 176 00:12:39,750 --> 00:12:47,130 you gotta do is you select the image here on your sequence timeline. 177 00:12:47,240 --> 00:12:50,840 Do you go over to scale over here that says 100 percent. 178 00:12:51,000 --> 00:12:58,980 You click on the little tiny clock icon here and that creates a key frame right over here. 179 00:12:59,400 --> 00:13:06,780 Creates a key frame and then all you need to do is you move that you move that play head over somewhere 180 00:13:06,780 --> 00:13:07,230 around here. 181 00:13:07,240 --> 00:13:08,180 Doesn't matter exactly. 182 00:13:08,180 --> 00:13:09,480 Just put it somewhere around there. 183 00:13:10,140 --> 00:13:20,860 And then all you got to do is increase this scale to say I don't know whatever you want and then you'll 184 00:13:20,860 --> 00:13:27,900 see by doing that it automatically drops another key frame at the position of the play head right here. 185 00:13:28,180 --> 00:13:28,870 Right. 186 00:13:28,960 --> 00:13:34,370 Then all you got to do is you click on this play on this key frame and you can move this key frame any 187 00:13:34,380 --> 00:13:35,800 way you want. 188 00:13:35,800 --> 00:13:41,790 You can move it right to the end or you can move it halfway right. 189 00:13:41,850 --> 00:13:49,440 But we want the effect of the scale to apply across the entire image over the entire duration. 190 00:13:49,440 --> 00:13:56,760 So if I move that key frame right to the edge and I move this key frame right to this other edge then 191 00:13:56,790 --> 00:14:01,600 you'll see that the change of scale is being applied over time. 192 00:14:01,680 --> 00:14:03,330 If I play that back in real time 193 00:14:07,670 --> 00:14:08,790 it's just that basic. 194 00:14:08,820 --> 00:14:10,760 So it just makes it a little bit. 195 00:14:10,770 --> 00:14:16,440 It's a very small adjustment but it just makes it a little bit more interesting when you're presenting 196 00:14:17,220 --> 00:14:20,010 still images inside of your logs. 197 00:14:20,740 --> 00:14:21,870 Okay the last one. 198 00:14:21,900 --> 00:14:25,290 So the second last one I have for you is thumbnails for YouTube. 199 00:14:25,290 --> 00:14:34,170 I do this one very frequently where I am I'm creating on my vlog and I need to create a thumbnail and 200 00:14:34,230 --> 00:14:38,760 I'll just go into a previous example of where I've created a thumbnail for one of my previous YouTube 201 00:14:38,760 --> 00:14:39,520 videos. 202 00:14:39,780 --> 00:14:41,160 And this is it. 203 00:14:41,160 --> 00:14:41,820 Right. 204 00:14:41,820 --> 00:14:42,680 Very easy to create. 205 00:14:42,690 --> 00:14:49,980 Nothing fancy here but these are all still images that I've pulled out of my videos from Adobe Premier 206 00:14:49,980 --> 00:14:50,340 Pro. 207 00:14:50,370 --> 00:14:51,770 This is how I do it. 208 00:14:51,780 --> 00:15:00,360 So for example I will pick a point of the video just say where I'm going to position my play head right 209 00:15:00,360 --> 00:15:03,460 there and there's an icon right here. 210 00:15:03,530 --> 00:15:07,790 That's if you run your mouse over it says export frame. 211 00:15:07,790 --> 00:15:08,270 Right. 212 00:15:08,310 --> 00:15:13,980 If you click on that what's going to happen is that Adobe Premiere Pro is going to take a snapshot of 213 00:15:13,980 --> 00:15:18,840 that frame and it's going to save it as a jpeg BNP. 214 00:15:18,900 --> 00:15:20,840 What you've selected PDG. 215 00:15:20,970 --> 00:15:23,870 I usually just select J PAC right here right. 216 00:15:23,880 --> 00:15:30,660 You can create the name and then you can browse and select the location to save that that still image 217 00:15:31,080 --> 00:15:32,160 click Okay. 218 00:15:32,160 --> 00:15:34,220 In my case it's going to go to my desktop. 219 00:15:34,320 --> 00:15:35,520 Click Okay. 220 00:15:35,610 --> 00:15:43,020 And then if I minimize this then you can see here Adobe Premiere pros dropped an image that's taken 221 00:15:43,020 --> 00:15:51,390 directly from my video on my vlog so I don't need to take a separate photograph I can just take still 222 00:15:51,390 --> 00:15:55,140 images out of my video and that's that little icon there. 223 00:15:55,170 --> 00:16:01,500 If you can't see that icon it's probably because your window has been collapsed or you know if you if 224 00:16:01,500 --> 00:16:04,520 you collapses right down you're not going to see everything. 225 00:16:04,520 --> 00:16:08,280 You might have two little arrows there you click on right. 226 00:16:08,280 --> 00:16:09,430 Actually it's going to pop up there. 227 00:16:09,460 --> 00:16:12,590 If I move this out there we go it's gonna pop up here. 228 00:16:12,720 --> 00:16:15,130 See you see it looks like a little camera icon there. 229 00:16:15,240 --> 00:16:16,170 That's it. 230 00:16:16,380 --> 00:16:17,070 Right. 231 00:16:17,100 --> 00:16:24,390 Just like and what it does is it will take for example if I move my play head here or just tired it 232 00:16:24,390 --> 00:16:32,290 is a little bit if I move my play head here you'll see I've got top and bottom cinematic bars added 233 00:16:32,290 --> 00:16:41,770 here at this point of my sequence if I hit that export frame button save it to my desktop you'll see 234 00:16:41,980 --> 00:16:45,440 that it's also captured those cinematic bars as well. 235 00:16:45,580 --> 00:16:46,160 Right. 236 00:16:46,180 --> 00:16:53,620 So we've got to do is I just turn off those cinematic bars just like that and then I take that same 237 00:16:53,740 --> 00:16:54,400 snapshot. 238 00:16:54,400 --> 00:17:02,530 And now I have a frame and then I can use that frame I can upload that by going add photo upload photo 239 00:17:03,100 --> 00:17:04,440 and go to my desk. 240 00:17:05,000 --> 00:17:10,520 That's not the one I meant to click anyway so I'll upload this steel frame here and then I can start 241 00:17:10,520 --> 00:17:13,760 creating my thumbnail for my video on YouTube and all that. 242 00:17:13,760 --> 00:17:18,300 So keep that in mind really cool little trick I've been using for a while. 243 00:17:18,530 --> 00:17:21,600 Know it's really handy anyway so I'll just undo that. 244 00:17:22,010 --> 00:17:26,810 Okay so let's go back into the software and the last one I want to share with you is blurry background. 245 00:17:26,810 --> 00:17:36,260 So what I mean by that is if I just import this really quickly while I'm talking and then I'll show 246 00:17:36,260 --> 00:17:38,860 exactly what I mean sometimes what people do. 247 00:17:38,860 --> 00:17:46,640 What I used to do a lot is I used to put my Instagram Stories Inside my blogs and by doing that because 248 00:17:46,640 --> 00:17:48,240 of the aspect ratio. 249 00:17:48,320 --> 00:17:56,340 You'll see that my phone like it's a vertical form video but it's inside a 16 by nine canvas. 250 00:17:56,360 --> 00:17:59,930 Now of course this looks really shitty right. 251 00:18:00,230 --> 00:18:04,940 And my old of logs I never did anything to fix it because I didn't know how. 252 00:18:05,060 --> 00:18:14,480 I just kind of dropped it straight in and I just I'll just mute that track and 20 2012 in classes now 253 00:18:14,510 --> 00:18:15,310 I'm just finishing. 254 00:18:15,320 --> 00:18:16,940 Doesn't matter what I'm what I'm talking about. 255 00:18:16,940 --> 00:18:17,570 But anyway. 256 00:18:17,570 --> 00:18:19,800 So this looks a little bit tacky. 257 00:18:19,820 --> 00:18:28,310 So what I suggest you do this is really cool is you dragging your you know your Instagram story or whatever 258 00:18:28,310 --> 00:18:29,080 it is. 259 00:18:29,230 --> 00:18:35,150 And if you drag it in and you got a 16 by nine wide screen here canvas all you gotta do is you click 260 00:18:35,150 --> 00:18:38,030 on this video track. 261 00:18:38,040 --> 00:18:47,330 Here hold the old key down drag it up on your timeline that's going to create a duplicate. 262 00:18:47,360 --> 00:18:47,920 All right. 263 00:18:47,940 --> 00:18:51,790 Now you have to exactly the same. 264 00:18:52,140 --> 00:18:59,130 Then what you're going to do is you're going to grab this video here on track 1 video track 1. 265 00:18:59,390 --> 00:19:02,450 Then you go to go to effects controls over here. 266 00:19:02,450 --> 00:19:06,570 Then you're gonna go to scale and you're gonna scale it up like that. 267 00:19:06,650 --> 00:19:10,580 So it fills the in all of that black gets filled out like that. 268 00:19:13,090 --> 00:19:16,790 And when you do that you just play with it like that. 269 00:19:16,900 --> 00:19:20,860 The next thing you'll do is you'll go click on these two arrows here. 270 00:19:20,860 --> 00:19:30,450 Then you'll go to effects and then you go to find Gordon blow G A you write and you just have to type 271 00:19:30,450 --> 00:19:36,760 in a few letters and or come up down here so you'll see here cause caution blur what you do is you drag 272 00:19:36,760 --> 00:19:44,020 that effect over the top of video track one just like that when you do that. 273 00:19:44,020 --> 00:19:50,200 If you have a look over here and this window it automatically drops in this here into your effects panel 274 00:19:50,470 --> 00:19:57,430 right then all you gotta do is you change blurriness from zero point zero up to as much as you want 275 00:19:58,030 --> 00:20:03,700 and you can see that would changing how much blurriness were applying to video track one. 276 00:20:04,070 --> 00:20:04,420 Right. 277 00:20:04,720 --> 00:20:08,800 Zero blurriness all blurry. 278 00:20:08,850 --> 00:20:13,450 So we're just I usually set it to around 60 or 70. 279 00:20:13,500 --> 00:20:21,420 Watch what happens goes on just between classes now I'm just finishing up an edit so you'll see if you 280 00:20:21,420 --> 00:20:28,530 ever watch TV and like you know the news is reporting you know something that's happened locally or 281 00:20:28,530 --> 00:20:34,500 whatever else and then they've taken the video clips from a member of the public and they've recorded 282 00:20:34,560 --> 00:20:40,080 on their phone what they'll do the editor will just apply this pretty much the same technique they'll 283 00:20:40,080 --> 00:20:45,720 pretty much just do that and you'll see that on your TV screen you've got you know your widescreen TV 284 00:20:45,990 --> 00:20:50,810 and then you've got the video playing off you know someone's phone export. 285 00:20:50,940 --> 00:20:53,090 That's pretty much all you do is pretty basic. 286 00:20:53,130 --> 00:20:53,490 Right. 287 00:20:53,880 --> 00:20:57,900 So that's another little trick that I use blurry backgrounds have a play around with that. 288 00:20:57,900 --> 00:21:04,620 That's all I have for you if you have any questions let me know if you want to see other examples of 289 00:21:04,620 --> 00:21:11,310 how I edit my videos you can go to my channel YouTube dot com slash Brad Newton where all my blogs kind 290 00:21:11,310 --> 00:21:17,340 of live these days and continue to play with them check out the other videos as well where I break down 291 00:21:17,400 --> 00:21:21,370 some of these tactics in more detail I hope this is helpful. 292 00:21:21,450 --> 00:21:22,410 Have an awesome day. 293 00:21:22,470 --> 00:21:23,670 Enjoy the editing. 294 00:21:23,670 --> 00:21:24,810 Enjoy blogging. 295 00:21:24,900 --> 00:21:25,940 It's awesome. 296 00:21:26,130 --> 00:21:27,620 And I'll see you and another video. 29110

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