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These are the user uploaded subtitles that are being translated: 1 00:00:06,140 --> 00:00:08,880 hi it's Jack Joseph it could ask you 2 00:00:08,880 --> 00:00:09,510 Coleman 3 00:00:09,510 --> 00:00:12,150 who's that here at lappa week mix with 4 00:00:12,150 --> 00:00:14,809 the Masters and we've had a fantastic 5 00:00:14,809 --> 00:00:17,970 fabulous week and actually we're still 6 00:00:17,970 --> 00:00:21,029 working together and just a few 7 00:00:21,029 --> 00:00:22,830 questions here I've been asked to to 8 00:00:22,830 --> 00:00:26,910 look at first when I see here is bike 9 00:00:26,910 --> 00:00:30,029 kirill if i said that correctly aside 10 00:00:30,029 --> 00:00:32,460 from your wall of analog gear which 11 00:00:32,460 --> 00:00:35,820 plugins do you find yourself using the 12 00:00:35,820 --> 00:00:39,480 most in the box my favourites in the box 13 00:00:39,480 --> 00:00:42,360 definitely are the channel strip I'm 14 00:00:42,360 --> 00:00:44,399 talking about the metric a low one and I 15 00:00:44,399 --> 00:00:48,270 really like the env2 by waves and I'm a 16 00:00:48,270 --> 00:00:51,059 huge fan of a new one called vitamin by 17 00:00:51,059 --> 00:00:53,070 waves strongly strongly recommend that 18 00:00:53,070 --> 00:00:55,110 you check it out is really fantastic 19 00:00:55,110 --> 00:00:58,530 I love the SSL plugins I think they're 20 00:00:58,530 --> 00:01:02,129 really great they're quite a few I like 21 00:01:02,129 --> 00:01:02,969 those are the ones that come to mind 22 00:01:02,969 --> 00:01:06,930 really quick H delays but it's fantastic 23 00:01:06,930 --> 00:01:08,460 I think all the sound tool stuff is 24 00:01:08,460 --> 00:01:11,640 great but I would say those first ones 25 00:01:11,640 --> 00:01:13,740 are real go twos for me and in 26 00:01:13,740 --> 00:01:15,119 particular like when I'm working on 27 00:01:15,119 --> 00:01:18,479 drums I really like the channel strip 28 00:01:18,479 --> 00:01:21,270 has a great gate function great 29 00:01:21,270 --> 00:01:24,720 compression function it's very great in 30 00:01:24,720 --> 00:01:27,030 terms of the of the gate really grabs 31 00:01:27,030 --> 00:01:28,439 the front of the note real great way you 32 00:01:28,439 --> 00:01:30,540 can really shape the sound really well 33 00:01:30,540 --> 00:01:32,909 the compression is very punchy you can 34 00:01:32,909 --> 00:01:34,500 really change the length of the note by 35 00:01:34,500 --> 00:01:35,909 how long you have this sustained on it 36 00:01:35,909 --> 00:01:39,360 the release that's really good vitamin 37 00:01:39,360 --> 00:01:42,119 is a whole new type of plugin that's 38 00:01:42,119 --> 00:01:43,920 really great in terms of a harmonic 39 00:01:43,920 --> 00:01:45,540 distortion you should definitely check 40 00:01:45,540 --> 00:01:49,680 out although those are immediately what 41 00:01:49,680 --> 00:01:53,670 come to my - as favourites we have now 42 00:01:53,670 --> 00:01:58,229 one here from looks like jemelle hey jjp 43 00:01:58,229 --> 00:02:00,740 you once said in an interview that 44 00:02:00,740 --> 00:02:03,420 getting the best mix required a 45 00:02:03,420 --> 00:02:05,850 combination of intellect and instinct 46 00:02:05,850 --> 00:02:08,910 can you expand on a bit more instinct is 47 00:02:08,910 --> 00:02:11,220 about making those observations there on 48 00:02:11,220 --> 00:02:12,870 the subconscious level almost not 49 00:02:12,870 --> 00:02:13,440 necessarily 50 00:02:13,440 --> 00:02:17,220 obvious I have spent the last four years 51 00:02:17,220 --> 00:02:19,590 working very hard on listening to my 52 00:02:19,590 --> 00:02:21,200 instinct what I mean by that is 53 00:02:21,200 --> 00:02:24,090 literally everyday whatever that little 54 00:02:24,090 --> 00:02:26,550 voice inside tells me to do I do it if 55 00:02:26,550 --> 00:02:28,560 it means I walk down the sidewalk I see 56 00:02:28,560 --> 00:02:30,510 a penny and it says pick up the penny I 57 00:02:30,510 --> 00:02:32,580 pick up the penny if the little voice 58 00:02:32,580 --> 00:02:34,200 inside me says you know you really 59 00:02:34,200 --> 00:02:36,810 should move that coffee because it's 60 00:02:36,810 --> 00:02:38,010 kind of edge of the table it's a good 61 00:02:38,010 --> 00:02:39,960 chance it's probably going to maybe fall 62 00:02:39,960 --> 00:02:41,700 off you might brush it and it will fall 63 00:02:41,700 --> 00:02:43,500 on top of the computer instead of doing 64 00:02:43,500 --> 00:02:45,000 the normal thing a lot of us do which is 65 00:02:45,000 --> 00:02:46,020 like oh no that's not going to happen 66 00:02:46,020 --> 00:02:47,580 I'm gonna be real careful that of course 67 00:02:47,580 --> 00:02:49,020 you bump it and you go you know I knew 68 00:02:49,020 --> 00:02:50,730 it I knew it was gonna happen I listened 69 00:02:50,730 --> 00:02:53,280 to my instinct why I listened to my 70 00:02:53,280 --> 00:02:54,750 instinct and how that relates to this 71 00:02:54,750 --> 00:02:57,510 conversation is that there's two parts 72 00:02:57,510 --> 00:02:59,100 of us to make to answer this particular 73 00:02:59,100 --> 00:03:01,650 question there's an instinct and there's 74 00:03:01,650 --> 00:03:03,180 the intellect right 75 00:03:03,180 --> 00:03:05,910 the instinct is what gives you that 76 00:03:05,910 --> 00:03:07,830 feeling of like oh maybe actually do 77 00:03:07,830 --> 00:03:09,180 this vision I do that just like I 78 00:03:09,180 --> 00:03:10,560 explained about the penny in the coffee 79 00:03:10,560 --> 00:03:12,990 right maybe I should I had eyes at 80 00:03:12,990 --> 00:03:14,700 Lowe's maybe I should compressors maybe 81 00:03:14,700 --> 00:03:15,720 I should uncompressed this maybe I 82 00:03:15,720 --> 00:03:17,400 should moves by a millisecond maybe I 83 00:03:17,400 --> 00:03:18,660 shouldn't use this part and you actually 84 00:03:18,660 --> 00:03:19,650 do this we've actually talked to the 85 00:03:19,650 --> 00:03:21,180 producer maybe I should talk to the 86 00:03:21,180 --> 00:03:22,320 range or maybe I should do that whatever 87 00:03:22,320 --> 00:03:25,350 the question is that's that instinct the 88 00:03:25,350 --> 00:03:27,840 intellect is the one that goes no I know 89 00:03:27,840 --> 00:03:29,520 better is how it should be done should 90 00:03:29,520 --> 00:03:31,110 begin like this way that way do this do 91 00:03:31,110 --> 00:03:32,970 that this is how the engineer does it he 92 00:03:32,970 --> 00:03:34,590 does it like this he turns this button I 93 00:03:34,590 --> 00:03:36,209 read this here I did this I did that 94 00:03:36,209 --> 00:03:39,750 that's intellect the intellect comes to 95 00:03:39,750 --> 00:03:42,720 the rescue of the instinct when the 96 00:03:42,720 --> 00:03:45,120 instinct makes a decision it recognizes 97 00:03:45,120 --> 00:03:47,220 it sees what I call sure locking 98 00:03:47,220 --> 00:03:49,800 Sherlock's a situation it recognizes 99 00:03:49,800 --> 00:03:52,440 what it is it defies what it is and then 100 00:03:52,440 --> 00:03:54,390 it's like how do I do what I want to do 101 00:03:54,390 --> 00:03:56,190 and the intellect comes in and says this 102 00:03:56,190 --> 00:03:56,940 is how you do it 103 00:03:56,940 --> 00:03:58,709 these are the steps you need to take on 104 00:03:58,709 --> 00:04:01,230 a technical level to achieve what you're 105 00:04:01,230 --> 00:04:03,720 thinking instinctively so the real 106 00:04:03,720 --> 00:04:05,790 object of all of this to make it very 107 00:04:05,790 --> 00:04:08,880 simple is you should be managing your 108 00:04:08,880 --> 00:04:11,580 instinct and your intellect make sure 109 00:04:11,580 --> 00:04:13,560 they get along make sure they talk to 110 00:04:13,560 --> 00:04:15,750 each other make sure the intellect 111 00:04:15,750 --> 00:04:17,040 doesn't think it's better than the 112 00:04:17,040 --> 00:04:18,959 instinct because it's brains and make 113 00:04:18,959 --> 00:04:20,580 sure the instinct doesn't like go away 114 00:04:20,580 --> 00:04:23,280 and die because the the smart one which 115 00:04:23,280 --> 00:04:26,250 is the intellect doesn't listen to the 116 00:04:26,250 --> 00:04:26,810 instinct 117 00:04:26,810 --> 00:04:28,460 so it's really balancing those two you 118 00:04:28,460 --> 00:04:31,040 need to manage instinct and intellect 119 00:04:31,040 --> 00:04:32,420 that's when that's really really 120 00:04:32,420 --> 00:04:33,889 powerful that's what I meant by that 121 00:04:33,889 --> 00:04:35,510 question 122 00:04:35,510 --> 00:04:38,540 looks like Costco I'm saying that right 123 00:04:38,540 --> 00:04:42,889 hi jgp how do you approach your mix buss 124 00:04:42,889 --> 00:04:45,230 compression and EQ what is first and 125 00:04:45,230 --> 00:04:47,750 what is last and when you decide to add 126 00:04:47,750 --> 00:04:50,510 them in while mixing or after finishing 127 00:04:50,510 --> 00:04:53,450 the mix what's your start and end of 128 00:04:53,450 --> 00:04:56,560 mixing flow thank you for your time I 129 00:04:56,560 --> 00:05:00,169 put the the choice of what I'm going to 130 00:05:00,169 --> 00:05:03,620 do as far as the buss compression fairly 131 00:05:03,620 --> 00:05:06,169 soon but the first thing I normally do 132 00:05:06,169 --> 00:05:07,430 is I kind of get a balance I get 133 00:05:07,430 --> 00:05:09,169 understanding of what the songs about I 134 00:05:09,169 --> 00:05:11,410 go through my discovery process of 135 00:05:11,410 --> 00:05:13,550 what's the melody what's the counter 136 00:05:13,550 --> 00:05:14,990 melody where the parts are really cool 137 00:05:14,990 --> 00:05:17,810 what parts need help yeah is the drums 138 00:05:17,810 --> 00:05:20,300 feeling great is the bass feeling great 139 00:05:20,300 --> 00:05:22,430 can I hear the full tones of the bass 140 00:05:22,430 --> 00:05:23,720 can I hear the notes the bass is playing 141 00:05:23,720 --> 00:05:25,610 how does it relate to drums I relate to 142 00:05:25,610 --> 00:05:28,430 melody what's great about the vocal what 143 00:05:28,430 --> 00:05:29,510 kind of fix so I think the vocal is 144 00:05:29,510 --> 00:05:31,340 about what is a vocal talking about are 145 00:05:31,340 --> 00:05:33,410 they talking about some sad happy I kind 146 00:05:33,410 --> 00:05:34,729 of goes through that sort of discovery 147 00:05:34,729 --> 00:05:36,979 process sort of what I call joining the 148 00:05:36,979 --> 00:05:40,340 band and then a miring all the people in 149 00:05:40,340 --> 00:05:41,780 the band and seeing what they're really 150 00:05:41,780 --> 00:05:43,490 great at it maybe even listening through 151 00:05:43,490 --> 00:05:45,260 they're playing to understand what their 152 00:05:45,260 --> 00:05:47,210 influences are and therefore that's 153 00:05:47,210 --> 00:05:48,260 probably what they should feel like I 154 00:05:48,260 --> 00:05:49,580 probably what they were attempting to do 155 00:05:49,580 --> 00:05:51,470 and I want to make sure I'm not in the 156 00:05:51,470 --> 00:05:53,270 way of that and that I'm actually taking 157 00:05:53,270 --> 00:05:55,100 the magnifying glass and opening it up 158 00:05:55,100 --> 00:05:57,620 and really blowing up what they were 159 00:05:57,620 --> 00:05:59,720 trying to do once I kind of get that 160 00:05:59,720 --> 00:06:01,700 which basically can happen roughly in 20 161 00:06:01,700 --> 00:06:04,430 to maybe 45 minutes tops 162 00:06:04,430 --> 00:06:07,190 I merely then start to put a serial bus 163 00:06:07,190 --> 00:06:08,930 compressor and that can be a lot of 164 00:06:08,930 --> 00:06:09,680 different things 165 00:06:09,680 --> 00:06:12,380 I think the SSL one is really excellent 166 00:06:12,380 --> 00:06:14,510 and commonly used I really like some of 167 00:06:14,510 --> 00:06:16,820 the multiband compressor because I like 168 00:06:16,820 --> 00:06:18,140 the fact that they grab certain 169 00:06:18,140 --> 00:06:20,270 frequencies and you know squish them 170 00:06:20,270 --> 00:06:22,010 around because I was like my mix to kind 171 00:06:22,010 --> 00:06:24,260 of dance and have a feel so when I look 172 00:06:24,260 --> 00:06:25,970 at compression I lick compression as 173 00:06:25,970 --> 00:06:28,160 something that's making something dance 174 00:06:28,160 --> 00:06:30,410 and something really feel great I don't 175 00:06:30,410 --> 00:06:32,690 look at it as level I never think of 176 00:06:32,690 --> 00:06:33,950 compression as level I think of 177 00:06:33,950 --> 00:06:36,409 compression as a most musical thing that 178 00:06:36,409 --> 00:06:38,960 moves and feels that moves 179 00:06:38,960 --> 00:06:42,139 and changes sound and waveforms in such 180 00:06:42,139 --> 00:06:45,259 a way where I can make something move 181 00:06:45,259 --> 00:06:48,259 dance feel feel light feel early bounce 182 00:06:48,259 --> 00:06:51,470 around so and get that pretty soon 183 00:06:51,470 --> 00:06:53,449 because I'm starting to make decisions 184 00:06:53,449 --> 00:06:55,490 about the way what I'm doing feels and 185 00:06:55,490 --> 00:06:57,349 if that's part of the formula to the 186 00:06:57,349 --> 00:06:59,479 feel then I better get in there fairly 187 00:06:59,479 --> 00:07:03,650 quick the question about the EQ I always 188 00:07:03,650 --> 00:07:06,169 OH 9999 I'd seen piping 189 00:07:06,169 --> 00:07:08,960 I always probably 90% of the time put 190 00:07:08,960 --> 00:07:12,020 the EQ afterwards if you put the EQ 191 00:07:12,020 --> 00:07:13,639 before which could be a decision that 192 00:07:13,639 --> 00:07:15,889 you could make you're pushing that into 193 00:07:15,889 --> 00:07:17,660 the compressor and that's going to make 194 00:07:17,660 --> 00:07:19,550 the compressor react of course let's for 195 00:07:19,550 --> 00:07:21,949 an example say I was adding you know to 196 00:07:21,949 --> 00:07:25,070 make my point 12 DB at 60 Hertz well you 197 00:07:25,070 --> 00:07:26,210 can imagine what that compressor is 198 00:07:26,210 --> 00:07:27,979 going to do each time the bass and the 199 00:07:27,979 --> 00:07:29,690 bass drum or anything that has a lot of 200 00:07:29,690 --> 00:07:32,150 low frequency content hits that 201 00:07:32,150 --> 00:07:34,099 compressor is going to be very 202 00:07:34,099 --> 00:07:36,169 exaggerated because it has all that 203 00:07:36,169 --> 00:07:37,520 low-end that I'm pushing into the 204 00:07:37,520 --> 00:07:40,639 compressor if I'm adding some top-end to 205 00:07:40,639 --> 00:07:42,050 open the mix to make something beautiful 206 00:07:42,050 --> 00:07:45,080 I'll probably lose some of that because 207 00:07:45,080 --> 00:07:47,150 the compressor will compress that it'll 208 00:07:47,150 --> 00:07:50,810 ban with limit the frequency so most 209 00:07:50,810 --> 00:07:53,810 likely that needs to go after the 210 00:07:53,810 --> 00:07:56,419 compressor for the most part so I can 211 00:07:56,419 --> 00:07:58,940 keep the way the compressor is sound 212 00:07:58,940 --> 00:08:02,690 shaping right the or shaping that sound 213 00:08:02,690 --> 00:08:05,570 shaping the sound and now I can further 214 00:08:05,570 --> 00:08:07,250 sound shape it by saying well gee you 215 00:08:07,250 --> 00:08:10,099 know maybe I'm losing this frequency a 216 00:08:10,099 --> 00:08:11,870 little bit that frames based on the 217 00:08:11,870 --> 00:08:14,090 multiband compressor so I need to add a 218 00:08:14,090 --> 00:08:15,800 little bit of this frequency or that 219 00:08:15,800 --> 00:08:18,740 from Z that's not compress that becomes 220 00:08:18,740 --> 00:08:21,110 an additive agent so that would be why I 221 00:08:21,110 --> 00:08:23,300 would put the equalizer after the 222 00:08:23,300 --> 00:08:25,370 compressor for the most part but you 223 00:08:25,370 --> 00:08:27,289 know I want to make it very clear that 224 00:08:27,289 --> 00:08:29,750 people always understand that we can 225 00:08:29,750 --> 00:08:32,630 only talk in generalities um there's no 226 00:08:32,630 --> 00:08:36,500 real hard force hard rules there are 227 00:08:36,500 --> 00:08:38,120 some technical hard rules in terms of 228 00:08:38,120 --> 00:08:39,380 phase of microphones and things like 229 00:08:39,380 --> 00:08:41,690 that but I mean when it comes to art and 230 00:08:41,690 --> 00:08:43,190 this being a subjective and objective 231 00:08:43,190 --> 00:08:45,079 thing and that's approaching it as we 232 00:08:45,079 --> 00:08:46,850 should we're always thinking like a 233 00:08:46,850 --> 00:08:48,800 musician joining the band as I've said 234 00:08:48,800 --> 00:08:50,720 before and becoming a part of it you 235 00:08:50,720 --> 00:08:52,720 really got to use your ears and fit 236 00:08:52,720 --> 00:08:54,100 like yeah that works that doesn't work 237 00:08:54,100 --> 00:08:59,250 but 90% time it's going to be after 238 00:08:59,250 --> 00:09:01,870 question from Michael here I would like 239 00:09:01,870 --> 00:09:03,759 to know what was the pivotable move 240 00:09:03,759 --> 00:09:06,370 accomplishment in parentheses in your 241 00:09:06,370 --> 00:09:08,740 career that has set the tone for your 242 00:09:08,740 --> 00:09:13,000 career I would add a doubt without going 243 00:09:13,000 --> 00:09:15,069 through a bunch of names I could come up 244 00:09:15,069 --> 00:09:20,170 with at least 10 to 12 of my favorite 245 00:09:20,170 --> 00:09:23,170 pivotal moments and that's when the 246 00:09:23,170 --> 00:09:26,079 artist comes in and I play them the mix 247 00:09:26,079 --> 00:09:31,420 and they cry laughs i evoke an insane 248 00:09:31,420 --> 00:09:34,420 emotion in them because they never heard 249 00:09:34,420 --> 00:09:38,949 their song that way except that's how 250 00:09:38,949 --> 00:09:40,959 they heard it in their head and when 251 00:09:40,959 --> 00:09:43,449 they say to me that's exactly what I 252 00:09:43,449 --> 00:09:45,399 felt how did you know I was thinking 253 00:09:45,399 --> 00:09:47,769 that that's exactly what I wrote it 254 00:09:47,769 --> 00:09:49,750 about and now I feel it coming out the 255 00:09:49,750 --> 00:09:51,970 speakers I've really accomplished 256 00:09:51,970 --> 00:09:54,220 something because what that means is I'm 257 00:09:54,220 --> 00:09:56,319 hitting more than one of the five senses 258 00:09:56,319 --> 00:09:58,899 there now visualizing it they're now 259 00:09:58,899 --> 00:10:01,329 feeling it right they're already hearing 260 00:10:01,329 --> 00:10:03,550 it they can almost taste it maybe in 261 00:10:03,550 --> 00:10:06,550 some cases it's so vivid they can see it 262 00:10:06,550 --> 00:10:10,540 and if I can hit all five senses and I 263 00:10:10,540 --> 00:10:13,029 can get that songwriter that artist that 264 00:10:13,029 --> 00:10:15,850 band that singer to say that's exactly 265 00:10:15,850 --> 00:10:17,649 what I thought I can't believe you just 266 00:10:17,649 --> 00:10:18,189 did that 267 00:10:18,189 --> 00:10:21,759 bingo all the drum sound great can't 268 00:10:21,759 --> 00:10:23,649 believe the way the bass drum slamming I 269 00:10:23,649 --> 00:10:26,379 love that delay on the voice what a 270 00:10:26,379 --> 00:10:28,600 beautiful piano sound great guitar sound 271 00:10:28,600 --> 00:10:33,220 that's nice but when they say to me that 272 00:10:33,220 --> 00:10:36,009 is exactly what I was thinking and 273 00:10:36,009 --> 00:10:39,639 feeling that is the x-factor that is the 274 00:10:39,639 --> 00:10:42,970 magic making that come out of paper 275 00:10:42,970 --> 00:10:48,399 speakers with magnets magic a question 276 00:10:48,399 --> 00:10:52,269 here from Marcia moranga hey Jack a 277 00:10:52,269 --> 00:10:56,050 simple one what is your favorite stereo 278 00:10:56,050 --> 00:11:01,720 bus chain don't have one I'm one of 279 00:11:01,720 --> 00:11:04,340 these guys that uh 280 00:11:04,340 --> 00:11:07,460 I like tailoring the sound there's no 281 00:11:07,460 --> 00:11:08,600 question that there's certain things 282 00:11:08,600 --> 00:11:11,210 that work really well and the chances of 283 00:11:11,210 --> 00:11:13,100 an ssl compressor working on the stereo 284 00:11:13,100 --> 00:11:14,779 bus or about you know probably nine out 285 00:11:14,779 --> 00:11:17,870 of ten you probably have success with 286 00:11:17,870 --> 00:11:19,820 you know the popular multiband 287 00:11:19,820 --> 00:11:23,510 compressor z' they'll probably all work 288 00:11:23,510 --> 00:11:26,480 for the most part but again it's how I 289 00:11:26,480 --> 00:11:27,980 have I have to listen to it if it's 290 00:11:27,980 --> 00:11:29,779 maybe something that's just a voice in a 291 00:11:29,779 --> 00:11:33,200 piano I might want something a little 292 00:11:33,200 --> 00:11:36,290 bit more simpler as a compressor maybe 293 00:11:36,290 --> 00:11:37,220 I'm just looking for a little bit of 294 00:11:37,220 --> 00:11:40,640 level a little bit of gluing if I'm 295 00:11:40,640 --> 00:11:42,080 working on a record that I need it to 296 00:11:42,080 --> 00:11:44,150 really dance or move or feel great it's 297 00:11:44,150 --> 00:11:46,160 probably me multiband compression that 298 00:11:46,160 --> 00:11:49,580 as I said moves and it's kind of alive 299 00:11:49,580 --> 00:11:51,710 and the way it sucks and wheezes and 300 00:11:51,710 --> 00:11:54,110 moves and like a Fairchild would do that 301 00:11:54,110 --> 00:11:55,760 you hit it and it you can see the meter 302 00:11:55,760 --> 00:11:58,339 move and you can feel the record moving 303 00:11:58,339 --> 00:12:00,320 it's dancing as it's compressing and 304 00:12:00,320 --> 00:12:03,350 going up and down that's why I would 305 00:12:03,350 --> 00:12:04,820 pick one I would pick one based on the 306 00:12:04,820 --> 00:12:06,140 music if I had something that moves 307 00:12:06,140 --> 00:12:08,690 maybe you know real transistor II 308 00:12:08,690 --> 00:12:10,220 sounding maybe it wasn't recorded real 309 00:12:10,220 --> 00:12:12,950 well I might go to something like a like 310 00:12:12,950 --> 00:12:16,610 a Fairchild a big child because it's a 311 00:12:16,610 --> 00:12:19,820 warmer device if I needed something in 312 00:12:19,820 --> 00:12:21,620 the EDM world or rock world that was 313 00:12:21,620 --> 00:12:23,089 slamming I might go for something more 314 00:12:23,089 --> 00:12:26,630 like an SSL that's more aggressive I 315 00:12:26,630 --> 00:12:29,560 wish I had like here's the exact chain 316 00:12:29,560 --> 00:12:32,420 but there isn't one and I promise you 317 00:12:32,420 --> 00:12:34,520 that even in the analog domain I have 318 00:12:34,520 --> 00:12:38,120 tried every possible combination you can 319 00:12:38,120 --> 00:12:41,000 think of everything need Joe meek as a 320 00:12:41,000 --> 00:12:44,480 cell RCA compressors I've tried 321 00:12:44,480 --> 00:12:49,160 everything and I can't find a formula I 322 00:12:49,160 --> 00:12:51,260 find that I have to tailor it and find 323 00:12:51,260 --> 00:12:53,390 what really works great for that though 324 00:12:53,390 --> 00:12:56,270 I ex said but as I said earlier there 325 00:12:56,270 --> 00:12:57,709 are the stand bodies that will work for 326 00:12:57,709 --> 00:13:02,240 you and l1 will you know an l2 will work 327 00:13:02,240 --> 00:13:06,290 for you you know a big child or a fair 328 00:13:06,290 --> 00:13:10,010 child will work for you and that's all 329 00:13:10,010 --> 00:13:12,440 work for you but you know what don't 330 00:13:12,440 --> 00:13:16,430 think like that I challenge you to 331 00:13:16,430 --> 00:13:18,950 actually listen to it and go what really 332 00:13:18,950 --> 00:13:21,380 does this need what what do i how do I 333 00:13:21,380 --> 00:13:25,930 really make this thing dance feel great 334 00:13:25,930 --> 00:13:28,430 evoke the right emotion of okay right 335 00:13:28,430 --> 00:13:31,070 feeling don't be worried about competing 336 00:13:31,070 --> 00:13:33,620 with someone level wise and I know this 337 00:13:33,620 --> 00:13:35,120 has been said a million times and I 338 00:13:35,120 --> 00:13:37,070 still know that even though everyone 339 00:13:37,070 --> 00:13:37,640 says it 340 00:13:37,640 --> 00:13:39,410 they still worry about it but if you 341 00:13:39,410 --> 00:13:41,240 could get rid of that I've been trying 342 00:13:41,240 --> 00:13:42,320 to get rid of that and I think I 343 00:13:42,320 --> 00:13:44,029 successfully at different times in my 344 00:13:44,029 --> 00:13:46,670 career have gotten rid of it it's more 345 00:13:46,670 --> 00:13:49,130 like what makes the record feel cool 346 00:13:49,130 --> 00:13:53,209 feel great it's always about feel when 347 00:13:53,209 --> 00:13:55,339 the musicians are playing in a room when 348 00:13:55,339 --> 00:13:57,110 we're listening to music when we're 349 00:13:57,110 --> 00:14:00,970 arranging it's always about the feel and 350 00:14:00,970 --> 00:14:04,190 without a doubt you can choose a 351 00:14:04,190 --> 00:14:06,890 compressor to gives you level but you 352 00:14:06,890 --> 00:14:09,740 can choose a compressor that also gives 353 00:14:09,740 --> 00:14:13,399 you a feel earlier I was asked about so 354 00:14:13,399 --> 00:14:14,990 my favorite plugins and I just realized 355 00:14:14,990 --> 00:14:17,779 I left out audio tracks you know go to 356 00:14:17,779 --> 00:14:20,750 audio tracks go to classic compressor 357 00:14:20,750 --> 00:14:23,830 setting which is in the presets take off 358 00:14:23,830 --> 00:14:27,110 the expansion fader take that all the 359 00:14:27,110 --> 00:14:30,500 way down and push that up push that down 360 00:14:30,500 --> 00:14:33,680 mess with like the threshold even at the 361 00:14:33,680 --> 00:14:36,560 actual piece that it is it presets the 362 00:14:36,560 --> 00:14:38,120 60 being gang so sometimes you gotta 363 00:14:38,120 --> 00:14:39,500 pull that back a little bit but that 364 00:14:39,500 --> 00:14:41,540 will move something like you won't 365 00:14:41,540 --> 00:14:44,000 believe or I should even also brought up 366 00:14:44,000 --> 00:14:45,320 the the transics 367 00:14:45,320 --> 00:14:46,670 you want to talk about something where 368 00:14:46,670 --> 00:14:48,170 you're messing with the attack and the 369 00:14:48,170 --> 00:14:51,260 release I mean it's incredible I mean 370 00:14:51,260 --> 00:14:53,630 how would you not try that stuff I mean 371 00:14:53,630 --> 00:14:55,730 you've got to try things like that don't 372 00:14:55,730 --> 00:14:57,800 fall into that stupid like law everyone 373 00:14:57,800 --> 00:14:59,779 puts an l2 now I gotta make my mix loud 374 00:14:59,779 --> 00:15:02,240 like no you know guess what if you make 375 00:15:02,240 --> 00:15:03,860 your thing feel amazing 376 00:15:03,860 --> 00:15:05,420 they'll you know what they're gonna do 377 00:15:05,420 --> 00:15:07,610 guess what gonna turn it up they're 378 00:15:07,610 --> 00:15:08,779 actually gonna go to volume go like 379 00:15:08,779 --> 00:15:11,450 whack that this has got cranked factor 380 00:15:11,450 --> 00:15:15,020 it's awesome so what did the level mean 381 00:15:15,020 --> 00:15:17,630 at that point zero that's how to answer 382 00:15:17,630 --> 00:15:21,230 that question okay we have a question 383 00:15:21,230 --> 00:15:25,459 here from Lacan what is the jjp sound 384 00:15:25,459 --> 00:15:27,980 what would you say is the common mixing 385 00:15:27,980 --> 00:15:30,170 or production theme that runs through 386 00:15:30,170 --> 00:15:32,660 your body of work are you a pure 387 00:15:32,660 --> 00:15:35,390 chameleon in your opinion or do you like 388 00:15:35,390 --> 00:15:38,779 great students of old like to leave a 389 00:15:38,779 --> 00:15:42,290 characteristic vibe that is purely jjp 390 00:15:42,290 --> 00:15:44,360 will is still giving the artists what 391 00:15:44,360 --> 00:15:46,100 they want in a perfect world you 392 00:15:46,100 --> 00:15:49,970 wouldn't know I did it I know all of us 393 00:15:49,970 --> 00:15:51,800 like to think that maybe we don't have a 394 00:15:51,800 --> 00:15:55,310 stamp or a sound but I think we all do 395 00:15:55,310 --> 00:15:56,900 to a point 396 00:15:56,900 --> 00:15:59,000 partly because maybe the kind of gear 397 00:15:59,000 --> 00:16:01,610 we're working on or that we have sort of 398 00:16:01,610 --> 00:16:03,709 a default I talk a lot about in the 399 00:16:03,709 --> 00:16:06,260 classes here about getting out of your 400 00:16:06,260 --> 00:16:08,240 default and trying to push the button to 401 00:16:08,240 --> 00:16:11,480 manual like get out of relax and get out 402 00:16:11,480 --> 00:16:13,070 of going to the same old thing every 403 00:16:13,070 --> 00:16:15,110 time you know kid that could be anything 404 00:16:15,110 --> 00:16:16,760 could be recording like stop always 405 00:16:16,760 --> 00:16:19,670 using an sm57 a guitar amp try another 406 00:16:19,670 --> 00:16:20,240 microphone 407 00:16:20,240 --> 00:16:22,400 see what happens experiment create 408 00:16:22,400 --> 00:16:24,920 musicians do why wouldn't you do it why 409 00:16:24,920 --> 00:16:26,690 if the musicians quit why would you not 410 00:16:26,690 --> 00:16:28,010 create why would you not try different 411 00:16:28,010 --> 00:16:29,570 things they try different chords they 412 00:16:29,570 --> 00:16:30,829 try different lyrics different melodies 413 00:16:30,829 --> 00:16:32,089 different range what you're going to do 414 00:16:32,089 --> 00:16:33,040 the same thing over and over 415 00:16:33,040 --> 00:16:36,260 makes no sense at all what you 416 00:16:36,260 --> 00:16:40,279 should do is experiment so I experiment 417 00:16:40,279 --> 00:16:43,579 so I'm hoping that what I'm getting is a 418 00:16:43,579 --> 00:16:46,370 tailored sound a tailored mix a tailing 419 00:16:46,370 --> 00:16:49,459 a tailored representation of the song 420 00:16:49,459 --> 00:16:51,560 because we all know song is king we know 421 00:16:51,560 --> 00:16:53,060 it's the most important thing we know 422 00:16:53,060 --> 00:16:54,800 where you got to get that right we gotta 423 00:16:54,800 --> 00:16:56,000 get the song right we got to get the 424 00:16:56,000 --> 00:16:57,350 voice right these are the most important 425 00:16:57,350 --> 00:17:00,980 things we know that so I hope when 426 00:17:00,980 --> 00:17:02,959 people hear our songs I would rather 427 00:17:02,959 --> 00:17:04,189 they go like that's the most amazing 428 00:17:04,189 --> 00:17:07,010 song I love it google it so you see if 429 00:17:07,010 --> 00:17:08,300 we can find out good luck by the way if 430 00:17:08,300 --> 00:17:09,740 you can't find who did it but let's say 431 00:17:09,740 --> 00:17:11,540 you can find out who did it right and 432 00:17:11,540 --> 00:17:12,919 it's accurate 433 00:17:12,919 --> 00:17:16,130 good luck again um be like wow 434 00:17:16,130 --> 00:17:18,559 Jack dosa pointed that I know what a 435 00:17:18,559 --> 00:17:20,360 guess that that's a compliment that 436 00:17:20,360 --> 00:17:22,669 makes me so happy so that means you love 437 00:17:22,669 --> 00:17:25,819 the song you love the artist I did it 438 00:17:25,819 --> 00:17:28,130 right please remember one thing that we 439 00:17:28,130 --> 00:17:31,100 are the vessel our job is to facilitate 440 00:17:31,100 --> 00:17:34,340 we're not the artists in a sense we're 441 00:17:34,340 --> 00:17:35,810 not the star of course you know we are 442 00:17:35,810 --> 00:17:37,610 artistic and we should be artistic and I 443 00:17:37,610 --> 00:17:39,230 refer to that early but what I mean by 444 00:17:39,230 --> 00:17:41,990 that what I'm trying to say is that we 445 00:17:41,990 --> 00:17:42,450 are 446 00:17:42,450 --> 00:17:45,630 between the artist the song the melody 447 00:17:45,630 --> 00:17:49,289 the feel the attitude and the listener 448 00:17:49,289 --> 00:17:52,529 we're the one that connects all that so 449 00:17:52,529 --> 00:17:55,139 our job is to connect that to be a 450 00:17:55,139 --> 00:17:57,899 vessel to be a facilitator and to make 451 00:17:57,899 --> 00:18:00,029 sure that we allow that to come out as 452 00:18:00,029 --> 00:18:02,460 we take the picture as we take the 453 00:18:02,460 --> 00:18:05,039 Polaroid shot we take the picture of 454 00:18:05,039 --> 00:18:06,750 something we got to make sure it's a 455 00:18:06,750 --> 00:18:08,789 right picture so people see it it's 456 00:18:08,789 --> 00:18:10,799 framed right it's beautiful it's 3d it's 457 00:18:10,799 --> 00:18:12,330 gorgeous it gets the message across 458 00:18:12,330 --> 00:18:14,159 that's our job 459 00:18:14,159 --> 00:18:20,549 100% and nothing else you have a 460 00:18:20,549 --> 00:18:23,549 question here from K hey Jack is tuning 461 00:18:23,549 --> 00:18:25,980 the kick and hip-hop production 462 00:18:25,980 --> 00:18:29,519 necessary 100% depends on the song of 463 00:18:29,519 --> 00:18:32,940 course if there's no bass and there 464 00:18:32,940 --> 00:18:34,529 needs to be something moving on the 465 00:18:34,529 --> 00:18:38,940 bottom n right low frequency wise to 466 00:18:38,940 --> 00:18:41,340 support the chord structure of the song 467 00:18:41,340 --> 00:18:43,919 to support the melody then of course you 468 00:18:43,919 --> 00:18:46,440 tune the bass drum to follow the chords 469 00:18:46,440 --> 00:18:48,360 of that song so that the chords are 470 00:18:48,360 --> 00:18:50,760 powerful as you know the bottom n is 471 00:18:50,760 --> 00:18:53,820 what defines the chord if we play a 1 3 472 00:18:53,820 --> 00:18:57,779 5 where we put this left-hand mix that 473 00:18:57,779 --> 00:19:00,059 chord sing different how that chord 474 00:19:00,059 --> 00:19:02,760 sings is what gives the melody the power 475 00:19:02,760 --> 00:19:04,799 when the melody has the power it 476 00:19:04,799 --> 00:19:07,200 delivers the lyrics that's how I've 477 00:19:07,200 --> 00:19:09,360 always seen it I look at the piano when 478 00:19:09,360 --> 00:19:12,120 I'm mixing I think about the avoiding 479 00:19:12,120 --> 00:19:13,950 which is the same thing as e cueing 480 00:19:13,950 --> 00:19:16,919 which is related to arranging and I look 481 00:19:16,919 --> 00:19:19,620 at all of that how am i voicing this or 482 00:19:19,620 --> 00:19:21,779 we could say how am i equalizing this 483 00:19:21,779 --> 00:19:24,179 it's the same thing right and how is 484 00:19:24,179 --> 00:19:25,409 that working to their arrangement and 485 00:19:25,409 --> 00:19:27,090 does the bass drum need to be tuned and 486 00:19:27,090 --> 00:19:30,090 move so that the chords have the power 487 00:19:30,090 --> 00:19:32,399 and the melody has the power and now I'm 488 00:19:32,399 --> 00:19:34,200 getting the message the feeling of the 489 00:19:34,200 --> 00:19:35,820 lyrics of what the person is trying to 490 00:19:35,820 --> 00:19:42,659 convey next question is from James what 491 00:19:42,659 --> 00:19:45,139 are some things you have seen recently 492 00:19:45,139 --> 00:19:47,580 that have made you excited about working 493 00:19:47,580 --> 00:19:50,370 with music how would you like to see 494 00:19:50,370 --> 00:19:53,159 these develop without a doubt I would 495 00:19:53,159 --> 00:19:55,800 say what I'm most excited about 496 00:19:55,800 --> 00:19:59,670 is the digital technology now been able 497 00:19:59,670 --> 00:20:01,080 to do some things that we've always 498 00:20:01,080 --> 00:20:04,620 wanted to do like multiband harmonic 499 00:20:04,620 --> 00:20:07,770 distortion the idea that soon we'll have 500 00:20:07,770 --> 00:20:10,680 gesturing in our mixing the idea that 501 00:20:10,680 --> 00:20:12,300 we'll be able to take our hands and 502 00:20:12,300 --> 00:20:14,250 touch a screen and move things around 503 00:20:14,250 --> 00:20:16,890 the way we want and whether it's deep or 504 00:20:16,890 --> 00:20:19,680 close or to the left or to the right or 505 00:20:19,680 --> 00:20:23,700 up Center you know up or down the idea 506 00:20:23,700 --> 00:20:25,400 that now we're not thinking 507 00:20:25,400 --> 00:20:27,900 two-dimensional it's not just a pan pot 508 00:20:27,900 --> 00:20:30,060 that says left center and right but it 509 00:20:30,060 --> 00:20:31,830 also is like dimension pot in a sense 510 00:20:31,830 --> 00:20:34,710 all of that makes me very excited the 511 00:20:34,710 --> 00:20:37,230 sound the plugins are getting much 512 00:20:37,230 --> 00:20:37,620 better 513 00:20:37,620 --> 00:20:40,170 obviously the DAWs are improving as we 514 00:20:40,170 --> 00:20:41,610 go along they're sounding better and 515 00:20:41,610 --> 00:20:43,710 better for a while we were working on 516 00:20:43,710 --> 00:20:45,600 digital equipment that was still 517 00:20:45,600 --> 00:20:48,300 evolving being redesigned rejiggered we 518 00:20:48,300 --> 00:20:51,390 figured out it wasn't nearly as good as 519 00:20:51,390 --> 00:20:53,880 analog let's be fair analog has had you 520 00:20:53,880 --> 00:20:57,120 know 50 60 70 years to develop and turn 521 00:20:57,120 --> 00:20:58,500 to something great and digital 522 00:20:58,500 --> 00:21:00,450 relatively is new for the most part if 523 00:21:00,450 --> 00:21:03,660 you relate it to analog so now that 524 00:21:03,660 --> 00:21:05,430 there's more years or anything else with 525 00:21:05,430 --> 00:21:07,680 digital some of the designers some of 526 00:21:07,680 --> 00:21:09,480 the creators some of us have used it 527 00:21:09,480 --> 00:21:10,920 I've made mistakes with it we've learned 528 00:21:10,920 --> 00:21:13,080 what works what doesn't work that's what 529 00:21:13,080 --> 00:21:14,340 I'm excited about I'm excited about the 530 00:21:14,340 --> 00:21:16,500 fact that I only see digital getting 531 00:21:16,500 --> 00:21:18,920 sounding better better and better and 532 00:21:18,920 --> 00:21:22,350 having now that as another tool having 533 00:21:22,350 --> 00:21:24,720 just analog alone is kind of boring I 534 00:21:24,720 --> 00:21:26,190 mean I like analog don't misunderstand 535 00:21:26,190 --> 00:21:28,980 me but if I can have that and now I have 536 00:21:28,980 --> 00:21:32,370 digital I have a girl and a guy I have a 537 00:21:32,370 --> 00:21:34,050 left and a right I have a black and a 538 00:21:34,050 --> 00:21:37,050 white I have a left and center you know 539 00:21:37,050 --> 00:21:39,120 I have different I have different 540 00:21:39,120 --> 00:21:42,300 choices now my palate has now become 541 00:21:42,300 --> 00:21:44,970 greater and that's how I look at it and 542 00:21:44,970 --> 00:21:47,190 I love the idea of having a greater 543 00:21:47,190 --> 00:21:49,650 palette to paint things even more vivid 544 00:21:49,650 --> 00:21:52,710 more aggressive more colorful I hope 545 00:21:52,710 --> 00:21:55,610 I've answered all your questions today I 546 00:21:55,610 --> 00:21:57,780 feel like I have it feel like I've 547 00:21:57,780 --> 00:22:00,060 really really been fairly detailed as I 548 00:22:00,060 --> 00:22:04,110 can in this short period of time I would 549 00:22:04,110 --> 00:22:05,640 really suggest that you strongly 550 00:22:05,640 --> 00:22:08,250 consider if you are considering to come 551 00:22:08,250 --> 00:22:09,280 here 552 00:22:09,280 --> 00:22:12,340 to mix with the Masters that you 553 00:22:12,340 --> 00:22:15,220 definitely really take it serious you 554 00:22:15,220 --> 00:22:16,780 know we're in a weird situation as you 555 00:22:16,780 --> 00:22:18,190 we all know that our business is 556 00:22:18,190 --> 00:22:20,230 changing right now we're not in the same 557 00:22:20,230 --> 00:22:21,790 position that we've been in before where 558 00:22:21,790 --> 00:22:24,340 you had a traditional tea boy as they 559 00:22:24,340 --> 00:22:25,900 call it or the second engineer or the 560 00:22:25,900 --> 00:22:28,390 assist engineer that got to watch people 561 00:22:28,390 --> 00:22:31,390 and learn we don't really have a lot of 562 00:22:31,390 --> 00:22:32,890 that anymore Isis the commercial record 563 00:22:32,890 --> 00:22:34,720 studios are becoming less and less at 564 00:22:34,720 --> 00:22:36,040 this point they're going to grow again 565 00:22:36,040 --> 00:22:38,650 once we figured out how to make money 566 00:22:38,650 --> 00:22:40,750 from digital which we are and obviously 567 00:22:40,750 --> 00:22:42,550 there's so many different streaming 568 00:22:42,550 --> 00:22:44,290 sites that are coming up and things are 569 00:22:44,290 --> 00:22:45,760 changing people are figuring it out and 570 00:22:45,760 --> 00:22:48,030 you know how to optimize the finances 571 00:22:48,030 --> 00:22:52,210 but until then this is a luxury that you 572 00:22:52,210 --> 00:22:54,790 should really really take advantage of 573 00:22:54,790 --> 00:22:56,350 and I'm going to restate restate what I 574 00:22:56,350 --> 00:22:57,370 just said because you know it's actually 575 00:22:57,370 --> 00:23:00,430 not a luxury it's almost like a must 576 00:23:00,430 --> 00:23:02,800 I've watched it change people's lives 577 00:23:02,800 --> 00:23:04,780 I've only done it two times is my second 578 00:23:04,780 --> 00:23:06,580 time but I've actually watched people 579 00:23:06,580 --> 00:23:10,270 change their lives and I've had email 580 00:23:10,270 --> 00:23:11,800 exchanges or phone conversations with 581 00:23:11,800 --> 00:23:14,560 people that were here and I watched what 582 00:23:14,560 --> 00:23:15,760 accomplished and how much it changes 583 00:23:15,760 --> 00:23:18,780 their life you should really consider it 584 00:23:18,780 --> 00:23:20,920 thank you very much for watching today 585 00:23:20,920 --> 00:23:31,280 it was awesome here 586 00:23:31,290 --> 00:23:33,350 you42288

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