Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,140 --> 00:00:08,880
hi it's Jack Joseph it could ask you
2
00:00:08,880 --> 00:00:09,510
Coleman
3
00:00:09,510 --> 00:00:12,150
who's that here at lappa week mix with
4
00:00:12,150 --> 00:00:14,809
the Masters and we've had a fantastic
5
00:00:14,809 --> 00:00:17,970
fabulous week and actually we're still
6
00:00:17,970 --> 00:00:21,029
working together and just a few
7
00:00:21,029 --> 00:00:22,830
questions here I've been asked to to
8
00:00:22,830 --> 00:00:26,910
look at first when I see here is bike
9
00:00:26,910 --> 00:00:30,029
kirill if i said that correctly aside
10
00:00:30,029 --> 00:00:32,460
from your wall of analog gear which
11
00:00:32,460 --> 00:00:35,820
plugins do you find yourself using the
12
00:00:35,820 --> 00:00:39,480
most in the box my favourites in the box
13
00:00:39,480 --> 00:00:42,360
definitely are the channel strip I'm
14
00:00:42,360 --> 00:00:44,399
talking about the metric a low one and I
15
00:00:44,399 --> 00:00:48,270
really like the env2 by waves and I'm a
16
00:00:48,270 --> 00:00:51,059
huge fan of a new one called vitamin by
17
00:00:51,059 --> 00:00:53,070
waves strongly strongly recommend that
18
00:00:53,070 --> 00:00:55,110
you check it out is really fantastic
19
00:00:55,110 --> 00:00:58,530
I love the SSL plugins I think they're
20
00:00:58,530 --> 00:01:02,129
really great they're quite a few I like
21
00:01:02,129 --> 00:01:02,969
those are the ones that come to mind
22
00:01:02,969 --> 00:01:06,930
really quick H delays but it's fantastic
23
00:01:06,930 --> 00:01:08,460
I think all the sound tool stuff is
24
00:01:08,460 --> 00:01:11,640
great but I would say those first ones
25
00:01:11,640 --> 00:01:13,740
are real go twos for me and in
26
00:01:13,740 --> 00:01:15,119
particular like when I'm working on
27
00:01:15,119 --> 00:01:18,479
drums I really like the channel strip
28
00:01:18,479 --> 00:01:21,270
has a great gate function great
29
00:01:21,270 --> 00:01:24,720
compression function it's very great in
30
00:01:24,720 --> 00:01:27,030
terms of the of the gate really grabs
31
00:01:27,030 --> 00:01:28,439
the front of the note real great way you
32
00:01:28,439 --> 00:01:30,540
can really shape the sound really well
33
00:01:30,540 --> 00:01:32,909
the compression is very punchy you can
34
00:01:32,909 --> 00:01:34,500
really change the length of the note by
35
00:01:34,500 --> 00:01:35,909
how long you have this sustained on it
36
00:01:35,909 --> 00:01:39,360
the release that's really good vitamin
37
00:01:39,360 --> 00:01:42,119
is a whole new type of plugin that's
38
00:01:42,119 --> 00:01:43,920
really great in terms of a harmonic
39
00:01:43,920 --> 00:01:45,540
distortion you should definitely check
40
00:01:45,540 --> 00:01:49,680
out although those are immediately what
41
00:01:49,680 --> 00:01:53,670
come to my - as favourites we have now
42
00:01:53,670 --> 00:01:58,229
one here from looks like jemelle hey jjp
43
00:01:58,229 --> 00:02:00,740
you once said in an interview that
44
00:02:00,740 --> 00:02:03,420
getting the best mix required a
45
00:02:03,420 --> 00:02:05,850
combination of intellect and instinct
46
00:02:05,850 --> 00:02:08,910
can you expand on a bit more instinct is
47
00:02:08,910 --> 00:02:11,220
about making those observations there on
48
00:02:11,220 --> 00:02:12,870
the subconscious level almost not
49
00:02:12,870 --> 00:02:13,440
necessarily
50
00:02:13,440 --> 00:02:17,220
obvious I have spent the last four years
51
00:02:17,220 --> 00:02:19,590
working very hard on listening to my
52
00:02:19,590 --> 00:02:21,200
instinct what I mean by that is
53
00:02:21,200 --> 00:02:24,090
literally everyday whatever that little
54
00:02:24,090 --> 00:02:26,550
voice inside tells me to do I do it if
55
00:02:26,550 --> 00:02:28,560
it means I walk down the sidewalk I see
56
00:02:28,560 --> 00:02:30,510
a penny and it says pick up the penny I
57
00:02:30,510 --> 00:02:32,580
pick up the penny if the little voice
58
00:02:32,580 --> 00:02:34,200
inside me says you know you really
59
00:02:34,200 --> 00:02:36,810
should move that coffee because it's
60
00:02:36,810 --> 00:02:38,010
kind of edge of the table it's a good
61
00:02:38,010 --> 00:02:39,960
chance it's probably going to maybe fall
62
00:02:39,960 --> 00:02:41,700
off you might brush it and it will fall
63
00:02:41,700 --> 00:02:43,500
on top of the computer instead of doing
64
00:02:43,500 --> 00:02:45,000
the normal thing a lot of us do which is
65
00:02:45,000 --> 00:02:46,020
like oh no that's not going to happen
66
00:02:46,020 --> 00:02:47,580
I'm gonna be real careful that of course
67
00:02:47,580 --> 00:02:49,020
you bump it and you go you know I knew
68
00:02:49,020 --> 00:02:50,730
it I knew it was gonna happen I listened
69
00:02:50,730 --> 00:02:53,280
to my instinct why I listened to my
70
00:02:53,280 --> 00:02:54,750
instinct and how that relates to this
71
00:02:54,750 --> 00:02:57,510
conversation is that there's two parts
72
00:02:57,510 --> 00:02:59,100
of us to make to answer this particular
73
00:02:59,100 --> 00:03:01,650
question there's an instinct and there's
74
00:03:01,650 --> 00:03:03,180
the intellect right
75
00:03:03,180 --> 00:03:05,910
the instinct is what gives you that
76
00:03:05,910 --> 00:03:07,830
feeling of like oh maybe actually do
77
00:03:07,830 --> 00:03:09,180
this vision I do that just like I
78
00:03:09,180 --> 00:03:10,560
explained about the penny in the coffee
79
00:03:10,560 --> 00:03:12,990
right maybe I should I had eyes at
80
00:03:12,990 --> 00:03:14,700
Lowe's maybe I should compressors maybe
81
00:03:14,700 --> 00:03:15,720
I should uncompressed this maybe I
82
00:03:15,720 --> 00:03:17,400
should moves by a millisecond maybe I
83
00:03:17,400 --> 00:03:18,660
shouldn't use this part and you actually
84
00:03:18,660 --> 00:03:19,650
do this we've actually talked to the
85
00:03:19,650 --> 00:03:21,180
producer maybe I should talk to the
86
00:03:21,180 --> 00:03:22,320
range or maybe I should do that whatever
87
00:03:22,320 --> 00:03:25,350
the question is that's that instinct the
88
00:03:25,350 --> 00:03:27,840
intellect is the one that goes no I know
89
00:03:27,840 --> 00:03:29,520
better is how it should be done should
90
00:03:29,520 --> 00:03:31,110
begin like this way that way do this do
91
00:03:31,110 --> 00:03:32,970
that this is how the engineer does it he
92
00:03:32,970 --> 00:03:34,590
does it like this he turns this button I
93
00:03:34,590 --> 00:03:36,209
read this here I did this I did that
94
00:03:36,209 --> 00:03:39,750
that's intellect the intellect comes to
95
00:03:39,750 --> 00:03:42,720
the rescue of the instinct when the
96
00:03:42,720 --> 00:03:45,120
instinct makes a decision it recognizes
97
00:03:45,120 --> 00:03:47,220
it sees what I call sure locking
98
00:03:47,220 --> 00:03:49,800
Sherlock's a situation it recognizes
99
00:03:49,800 --> 00:03:52,440
what it is it defies what it is and then
100
00:03:52,440 --> 00:03:54,390
it's like how do I do what I want to do
101
00:03:54,390 --> 00:03:56,190
and the intellect comes in and says this
102
00:03:56,190 --> 00:03:56,940
is how you do it
103
00:03:56,940 --> 00:03:58,709
these are the steps you need to take on
104
00:03:58,709 --> 00:04:01,230
a technical level to achieve what you're
105
00:04:01,230 --> 00:04:03,720
thinking instinctively so the real
106
00:04:03,720 --> 00:04:05,790
object of all of this to make it very
107
00:04:05,790 --> 00:04:08,880
simple is you should be managing your
108
00:04:08,880 --> 00:04:11,580
instinct and your intellect make sure
109
00:04:11,580 --> 00:04:13,560
they get along make sure they talk to
110
00:04:13,560 --> 00:04:15,750
each other make sure the intellect
111
00:04:15,750 --> 00:04:17,040
doesn't think it's better than the
112
00:04:17,040 --> 00:04:18,959
instinct because it's brains and make
113
00:04:18,959 --> 00:04:20,580
sure the instinct doesn't like go away
114
00:04:20,580 --> 00:04:23,280
and die because the the smart one which
115
00:04:23,280 --> 00:04:26,250
is the intellect doesn't listen to the
116
00:04:26,250 --> 00:04:26,810
instinct
117
00:04:26,810 --> 00:04:28,460
so it's really balancing those two you
118
00:04:28,460 --> 00:04:31,040
need to manage instinct and intellect
119
00:04:31,040 --> 00:04:32,420
that's when that's really really
120
00:04:32,420 --> 00:04:33,889
powerful that's what I meant by that
121
00:04:33,889 --> 00:04:35,510
question
122
00:04:35,510 --> 00:04:38,540
looks like Costco I'm saying that right
123
00:04:38,540 --> 00:04:42,889
hi jgp how do you approach your mix buss
124
00:04:42,889 --> 00:04:45,230
compression and EQ what is first and
125
00:04:45,230 --> 00:04:47,750
what is last and when you decide to add
126
00:04:47,750 --> 00:04:50,510
them in while mixing or after finishing
127
00:04:50,510 --> 00:04:53,450
the mix what's your start and end of
128
00:04:53,450 --> 00:04:56,560
mixing flow thank you for your time I
129
00:04:56,560 --> 00:05:00,169
put the the choice of what I'm going to
130
00:05:00,169 --> 00:05:03,620
do as far as the buss compression fairly
131
00:05:03,620 --> 00:05:06,169
soon but the first thing I normally do
132
00:05:06,169 --> 00:05:07,430
is I kind of get a balance I get
133
00:05:07,430 --> 00:05:09,169
understanding of what the songs about I
134
00:05:09,169 --> 00:05:11,410
go through my discovery process of
135
00:05:11,410 --> 00:05:13,550
what's the melody what's the counter
136
00:05:13,550 --> 00:05:14,990
melody where the parts are really cool
137
00:05:14,990 --> 00:05:17,810
what parts need help yeah is the drums
138
00:05:17,810 --> 00:05:20,300
feeling great is the bass feeling great
139
00:05:20,300 --> 00:05:22,430
can I hear the full tones of the bass
140
00:05:22,430 --> 00:05:23,720
can I hear the notes the bass is playing
141
00:05:23,720 --> 00:05:25,610
how does it relate to drums I relate to
142
00:05:25,610 --> 00:05:28,430
melody what's great about the vocal what
143
00:05:28,430 --> 00:05:29,510
kind of fix so I think the vocal is
144
00:05:29,510 --> 00:05:31,340
about what is a vocal talking about are
145
00:05:31,340 --> 00:05:33,410
they talking about some sad happy I kind
146
00:05:33,410 --> 00:05:34,729
of goes through that sort of discovery
147
00:05:34,729 --> 00:05:36,979
process sort of what I call joining the
148
00:05:36,979 --> 00:05:40,340
band and then a miring all the people in
149
00:05:40,340 --> 00:05:41,780
the band and seeing what they're really
150
00:05:41,780 --> 00:05:43,490
great at it maybe even listening through
151
00:05:43,490 --> 00:05:45,260
they're playing to understand what their
152
00:05:45,260 --> 00:05:47,210
influences are and therefore that's
153
00:05:47,210 --> 00:05:48,260
probably what they should feel like I
154
00:05:48,260 --> 00:05:49,580
probably what they were attempting to do
155
00:05:49,580 --> 00:05:51,470
and I want to make sure I'm not in the
156
00:05:51,470 --> 00:05:53,270
way of that and that I'm actually taking
157
00:05:53,270 --> 00:05:55,100
the magnifying glass and opening it up
158
00:05:55,100 --> 00:05:57,620
and really blowing up what they were
159
00:05:57,620 --> 00:05:59,720
trying to do once I kind of get that
160
00:05:59,720 --> 00:06:01,700
which basically can happen roughly in 20
161
00:06:01,700 --> 00:06:04,430
to maybe 45 minutes tops
162
00:06:04,430 --> 00:06:07,190
I merely then start to put a serial bus
163
00:06:07,190 --> 00:06:08,930
compressor and that can be a lot of
164
00:06:08,930 --> 00:06:09,680
different things
165
00:06:09,680 --> 00:06:12,380
I think the SSL one is really excellent
166
00:06:12,380 --> 00:06:14,510
and commonly used I really like some of
167
00:06:14,510 --> 00:06:16,820
the multiband compressor because I like
168
00:06:16,820 --> 00:06:18,140
the fact that they grab certain
169
00:06:18,140 --> 00:06:20,270
frequencies and you know squish them
170
00:06:20,270 --> 00:06:22,010
around because I was like my mix to kind
171
00:06:22,010 --> 00:06:24,260
of dance and have a feel so when I look
172
00:06:24,260 --> 00:06:25,970
at compression I lick compression as
173
00:06:25,970 --> 00:06:28,160
something that's making something dance
174
00:06:28,160 --> 00:06:30,410
and something really feel great I don't
175
00:06:30,410 --> 00:06:32,690
look at it as level I never think of
176
00:06:32,690 --> 00:06:33,950
compression as level I think of
177
00:06:33,950 --> 00:06:36,409
compression as a most musical thing that
178
00:06:36,409 --> 00:06:38,960
moves and feels that moves
179
00:06:38,960 --> 00:06:42,139
and changes sound and waveforms in such
180
00:06:42,139 --> 00:06:45,259
a way where I can make something move
181
00:06:45,259 --> 00:06:48,259
dance feel feel light feel early bounce
182
00:06:48,259 --> 00:06:51,470
around so and get that pretty soon
183
00:06:51,470 --> 00:06:53,449
because I'm starting to make decisions
184
00:06:53,449 --> 00:06:55,490
about the way what I'm doing feels and
185
00:06:55,490 --> 00:06:57,349
if that's part of the formula to the
186
00:06:57,349 --> 00:06:59,479
feel then I better get in there fairly
187
00:06:59,479 --> 00:07:03,650
quick the question about the EQ I always
188
00:07:03,650 --> 00:07:06,169
OH 9999 I'd seen piping
189
00:07:06,169 --> 00:07:08,960
I always probably 90% of the time put
190
00:07:08,960 --> 00:07:12,020
the EQ afterwards if you put the EQ
191
00:07:12,020 --> 00:07:13,639
before which could be a decision that
192
00:07:13,639 --> 00:07:15,889
you could make you're pushing that into
193
00:07:15,889 --> 00:07:17,660
the compressor and that's going to make
194
00:07:17,660 --> 00:07:19,550
the compressor react of course let's for
195
00:07:19,550 --> 00:07:21,949
an example say I was adding you know to
196
00:07:21,949 --> 00:07:25,070
make my point 12 DB at 60 Hertz well you
197
00:07:25,070 --> 00:07:26,210
can imagine what that compressor is
198
00:07:26,210 --> 00:07:27,979
going to do each time the bass and the
199
00:07:27,979 --> 00:07:29,690
bass drum or anything that has a lot of
200
00:07:29,690 --> 00:07:32,150
low frequency content hits that
201
00:07:32,150 --> 00:07:34,099
compressor is going to be very
202
00:07:34,099 --> 00:07:36,169
exaggerated because it has all that
203
00:07:36,169 --> 00:07:37,520
low-end that I'm pushing into the
204
00:07:37,520 --> 00:07:40,639
compressor if I'm adding some top-end to
205
00:07:40,639 --> 00:07:42,050
open the mix to make something beautiful
206
00:07:42,050 --> 00:07:45,080
I'll probably lose some of that because
207
00:07:45,080 --> 00:07:47,150
the compressor will compress that it'll
208
00:07:47,150 --> 00:07:50,810
ban with limit the frequency so most
209
00:07:50,810 --> 00:07:53,810
likely that needs to go after the
210
00:07:53,810 --> 00:07:56,419
compressor for the most part so I can
211
00:07:56,419 --> 00:07:58,940
keep the way the compressor is sound
212
00:07:58,940 --> 00:08:02,690
shaping right the or shaping that sound
213
00:08:02,690 --> 00:08:05,570
shaping the sound and now I can further
214
00:08:05,570 --> 00:08:07,250
sound shape it by saying well gee you
215
00:08:07,250 --> 00:08:10,099
know maybe I'm losing this frequency a
216
00:08:10,099 --> 00:08:11,870
little bit that frames based on the
217
00:08:11,870 --> 00:08:14,090
multiband compressor so I need to add a
218
00:08:14,090 --> 00:08:15,800
little bit of this frequency or that
219
00:08:15,800 --> 00:08:18,740
from Z that's not compress that becomes
220
00:08:18,740 --> 00:08:21,110
an additive agent so that would be why I
221
00:08:21,110 --> 00:08:23,300
would put the equalizer after the
222
00:08:23,300 --> 00:08:25,370
compressor for the most part but you
223
00:08:25,370 --> 00:08:27,289
know I want to make it very clear that
224
00:08:27,289 --> 00:08:29,750
people always understand that we can
225
00:08:29,750 --> 00:08:32,630
only talk in generalities um there's no
226
00:08:32,630 --> 00:08:36,500
real hard force hard rules there are
227
00:08:36,500 --> 00:08:38,120
some technical hard rules in terms of
228
00:08:38,120 --> 00:08:39,380
phase of microphones and things like
229
00:08:39,380 --> 00:08:41,690
that but I mean when it comes to art and
230
00:08:41,690 --> 00:08:43,190
this being a subjective and objective
231
00:08:43,190 --> 00:08:45,079
thing and that's approaching it as we
232
00:08:45,079 --> 00:08:46,850
should we're always thinking like a
233
00:08:46,850 --> 00:08:48,800
musician joining the band as I've said
234
00:08:48,800 --> 00:08:50,720
before and becoming a part of it you
235
00:08:50,720 --> 00:08:52,720
really got to use your ears and fit
236
00:08:52,720 --> 00:08:54,100
like yeah that works that doesn't work
237
00:08:54,100 --> 00:08:59,250
but 90% time it's going to be after
238
00:08:59,250 --> 00:09:01,870
question from Michael here I would like
239
00:09:01,870 --> 00:09:03,759
to know what was the pivotable move
240
00:09:03,759 --> 00:09:06,370
accomplishment in parentheses in your
241
00:09:06,370 --> 00:09:08,740
career that has set the tone for your
242
00:09:08,740 --> 00:09:13,000
career I would add a doubt without going
243
00:09:13,000 --> 00:09:15,069
through a bunch of names I could come up
244
00:09:15,069 --> 00:09:20,170
with at least 10 to 12 of my favorite
245
00:09:20,170 --> 00:09:23,170
pivotal moments and that's when the
246
00:09:23,170 --> 00:09:26,079
artist comes in and I play them the mix
247
00:09:26,079 --> 00:09:31,420
and they cry laughs i evoke an insane
248
00:09:31,420 --> 00:09:34,420
emotion in them because they never heard
249
00:09:34,420 --> 00:09:38,949
their song that way except that's how
250
00:09:38,949 --> 00:09:40,959
they heard it in their head and when
251
00:09:40,959 --> 00:09:43,449
they say to me that's exactly what I
252
00:09:43,449 --> 00:09:45,399
felt how did you know I was thinking
253
00:09:45,399 --> 00:09:47,769
that that's exactly what I wrote it
254
00:09:47,769 --> 00:09:49,750
about and now I feel it coming out the
255
00:09:49,750 --> 00:09:51,970
speakers I've really accomplished
256
00:09:51,970 --> 00:09:54,220
something because what that means is I'm
257
00:09:54,220 --> 00:09:56,319
hitting more than one of the five senses
258
00:09:56,319 --> 00:09:58,899
there now visualizing it they're now
259
00:09:58,899 --> 00:10:01,329
feeling it right they're already hearing
260
00:10:01,329 --> 00:10:03,550
it they can almost taste it maybe in
261
00:10:03,550 --> 00:10:06,550
some cases it's so vivid they can see it
262
00:10:06,550 --> 00:10:10,540
and if I can hit all five senses and I
263
00:10:10,540 --> 00:10:13,029
can get that songwriter that artist that
264
00:10:13,029 --> 00:10:15,850
band that singer to say that's exactly
265
00:10:15,850 --> 00:10:17,649
what I thought I can't believe you just
266
00:10:17,649 --> 00:10:18,189
did that
267
00:10:18,189 --> 00:10:21,759
bingo all the drum sound great can't
268
00:10:21,759 --> 00:10:23,649
believe the way the bass drum slamming I
269
00:10:23,649 --> 00:10:26,379
love that delay on the voice what a
270
00:10:26,379 --> 00:10:28,600
beautiful piano sound great guitar sound
271
00:10:28,600 --> 00:10:33,220
that's nice but when they say to me that
272
00:10:33,220 --> 00:10:36,009
is exactly what I was thinking and
273
00:10:36,009 --> 00:10:39,639
feeling that is the x-factor that is the
274
00:10:39,639 --> 00:10:42,970
magic making that come out of paper
275
00:10:42,970 --> 00:10:48,399
speakers with magnets magic a question
276
00:10:48,399 --> 00:10:52,269
here from Marcia moranga hey Jack a
277
00:10:52,269 --> 00:10:56,050
simple one what is your favorite stereo
278
00:10:56,050 --> 00:11:01,720
bus chain don't have one I'm one of
279
00:11:01,720 --> 00:11:04,340
these guys that uh
280
00:11:04,340 --> 00:11:07,460
I like tailoring the sound there's no
281
00:11:07,460 --> 00:11:08,600
question that there's certain things
282
00:11:08,600 --> 00:11:11,210
that work really well and the chances of
283
00:11:11,210 --> 00:11:13,100
an ssl compressor working on the stereo
284
00:11:13,100 --> 00:11:14,779
bus or about you know probably nine out
285
00:11:14,779 --> 00:11:17,870
of ten you probably have success with
286
00:11:17,870 --> 00:11:19,820
you know the popular multiband
287
00:11:19,820 --> 00:11:23,510
compressor z' they'll probably all work
288
00:11:23,510 --> 00:11:26,480
for the most part but again it's how I
289
00:11:26,480 --> 00:11:27,980
have I have to listen to it if it's
290
00:11:27,980 --> 00:11:29,779
maybe something that's just a voice in a
291
00:11:29,779 --> 00:11:33,200
piano I might want something a little
292
00:11:33,200 --> 00:11:36,290
bit more simpler as a compressor maybe
293
00:11:36,290 --> 00:11:37,220
I'm just looking for a little bit of
294
00:11:37,220 --> 00:11:40,640
level a little bit of gluing if I'm
295
00:11:40,640 --> 00:11:42,080
working on a record that I need it to
296
00:11:42,080 --> 00:11:44,150
really dance or move or feel great it's
297
00:11:44,150 --> 00:11:46,160
probably me multiband compression that
298
00:11:46,160 --> 00:11:49,580
as I said moves and it's kind of alive
299
00:11:49,580 --> 00:11:51,710
and the way it sucks and wheezes and
300
00:11:51,710 --> 00:11:54,110
moves and like a Fairchild would do that
301
00:11:54,110 --> 00:11:55,760
you hit it and it you can see the meter
302
00:11:55,760 --> 00:11:58,339
move and you can feel the record moving
303
00:11:58,339 --> 00:12:00,320
it's dancing as it's compressing and
304
00:12:00,320 --> 00:12:03,350
going up and down that's why I would
305
00:12:03,350 --> 00:12:04,820
pick one I would pick one based on the
306
00:12:04,820 --> 00:12:06,140
music if I had something that moves
307
00:12:06,140 --> 00:12:08,690
maybe you know real transistor II
308
00:12:08,690 --> 00:12:10,220
sounding maybe it wasn't recorded real
309
00:12:10,220 --> 00:12:12,950
well I might go to something like a like
310
00:12:12,950 --> 00:12:16,610
a Fairchild a big child because it's a
311
00:12:16,610 --> 00:12:19,820
warmer device if I needed something in
312
00:12:19,820 --> 00:12:21,620
the EDM world or rock world that was
313
00:12:21,620 --> 00:12:23,089
slamming I might go for something more
314
00:12:23,089 --> 00:12:26,630
like an SSL that's more aggressive I
315
00:12:26,630 --> 00:12:29,560
wish I had like here's the exact chain
316
00:12:29,560 --> 00:12:32,420
but there isn't one and I promise you
317
00:12:32,420 --> 00:12:34,520
that even in the analog domain I have
318
00:12:34,520 --> 00:12:38,120
tried every possible combination you can
319
00:12:38,120 --> 00:12:41,000
think of everything need Joe meek as a
320
00:12:41,000 --> 00:12:44,480
cell RCA compressors I've tried
321
00:12:44,480 --> 00:12:49,160
everything and I can't find a formula I
322
00:12:49,160 --> 00:12:51,260
find that I have to tailor it and find
323
00:12:51,260 --> 00:12:53,390
what really works great for that though
324
00:12:53,390 --> 00:12:56,270
I ex said but as I said earlier there
325
00:12:56,270 --> 00:12:57,709
are the stand bodies that will work for
326
00:12:57,709 --> 00:13:02,240
you and l1 will you know an l2 will work
327
00:13:02,240 --> 00:13:06,290
for you you know a big child or a fair
328
00:13:06,290 --> 00:13:10,010
child will work for you and that's all
329
00:13:10,010 --> 00:13:12,440
work for you but you know what don't
330
00:13:12,440 --> 00:13:16,430
think like that I challenge you to
331
00:13:16,430 --> 00:13:18,950
actually listen to it and go what really
332
00:13:18,950 --> 00:13:21,380
does this need what what do i how do I
333
00:13:21,380 --> 00:13:25,930
really make this thing dance feel great
334
00:13:25,930 --> 00:13:28,430
evoke the right emotion of okay right
335
00:13:28,430 --> 00:13:31,070
feeling don't be worried about competing
336
00:13:31,070 --> 00:13:33,620
with someone level wise and I know this
337
00:13:33,620 --> 00:13:35,120
has been said a million times and I
338
00:13:35,120 --> 00:13:37,070
still know that even though everyone
339
00:13:37,070 --> 00:13:37,640
says it
340
00:13:37,640 --> 00:13:39,410
they still worry about it but if you
341
00:13:39,410 --> 00:13:41,240
could get rid of that I've been trying
342
00:13:41,240 --> 00:13:42,320
to get rid of that and I think I
343
00:13:42,320 --> 00:13:44,029
successfully at different times in my
344
00:13:44,029 --> 00:13:46,670
career have gotten rid of it it's more
345
00:13:46,670 --> 00:13:49,130
like what makes the record feel cool
346
00:13:49,130 --> 00:13:53,209
feel great it's always about feel when
347
00:13:53,209 --> 00:13:55,339
the musicians are playing in a room when
348
00:13:55,339 --> 00:13:57,110
we're listening to music when we're
349
00:13:57,110 --> 00:14:00,970
arranging it's always about the feel and
350
00:14:00,970 --> 00:14:04,190
without a doubt you can choose a
351
00:14:04,190 --> 00:14:06,890
compressor to gives you level but you
352
00:14:06,890 --> 00:14:09,740
can choose a compressor that also gives
353
00:14:09,740 --> 00:14:13,399
you a feel earlier I was asked about so
354
00:14:13,399 --> 00:14:14,990
my favorite plugins and I just realized
355
00:14:14,990 --> 00:14:17,779
I left out audio tracks you know go to
356
00:14:17,779 --> 00:14:20,750
audio tracks go to classic compressor
357
00:14:20,750 --> 00:14:23,830
setting which is in the presets take off
358
00:14:23,830 --> 00:14:27,110
the expansion fader take that all the
359
00:14:27,110 --> 00:14:30,500
way down and push that up push that down
360
00:14:30,500 --> 00:14:33,680
mess with like the threshold even at the
361
00:14:33,680 --> 00:14:36,560
actual piece that it is it presets the
362
00:14:36,560 --> 00:14:38,120
60 being gang so sometimes you gotta
363
00:14:38,120 --> 00:14:39,500
pull that back a little bit but that
364
00:14:39,500 --> 00:14:41,540
will move something like you won't
365
00:14:41,540 --> 00:14:44,000
believe or I should even also brought up
366
00:14:44,000 --> 00:14:45,320
the the transics
367
00:14:45,320 --> 00:14:46,670
you want to talk about something where
368
00:14:46,670 --> 00:14:48,170
you're messing with the attack and the
369
00:14:48,170 --> 00:14:51,260
release I mean it's incredible I mean
370
00:14:51,260 --> 00:14:53,630
how would you not try that stuff I mean
371
00:14:53,630 --> 00:14:55,730
you've got to try things like that don't
372
00:14:55,730 --> 00:14:57,800
fall into that stupid like law everyone
373
00:14:57,800 --> 00:14:59,779
puts an l2 now I gotta make my mix loud
374
00:14:59,779 --> 00:15:02,240
like no you know guess what if you make
375
00:15:02,240 --> 00:15:03,860
your thing feel amazing
376
00:15:03,860 --> 00:15:05,420
they'll you know what they're gonna do
377
00:15:05,420 --> 00:15:07,610
guess what gonna turn it up they're
378
00:15:07,610 --> 00:15:08,779
actually gonna go to volume go like
379
00:15:08,779 --> 00:15:11,450
whack that this has got cranked factor
380
00:15:11,450 --> 00:15:15,020
it's awesome so what did the level mean
381
00:15:15,020 --> 00:15:17,630
at that point zero that's how to answer
382
00:15:17,630 --> 00:15:21,230
that question okay we have a question
383
00:15:21,230 --> 00:15:25,459
here from Lacan what is the jjp sound
384
00:15:25,459 --> 00:15:27,980
what would you say is the common mixing
385
00:15:27,980 --> 00:15:30,170
or production theme that runs through
386
00:15:30,170 --> 00:15:32,660
your body of work are you a pure
387
00:15:32,660 --> 00:15:35,390
chameleon in your opinion or do you like
388
00:15:35,390 --> 00:15:38,779
great students of old like to leave a
389
00:15:38,779 --> 00:15:42,290
characteristic vibe that is purely jjp
390
00:15:42,290 --> 00:15:44,360
will is still giving the artists what
391
00:15:44,360 --> 00:15:46,100
they want in a perfect world you
392
00:15:46,100 --> 00:15:49,970
wouldn't know I did it I know all of us
393
00:15:49,970 --> 00:15:51,800
like to think that maybe we don't have a
394
00:15:51,800 --> 00:15:55,310
stamp or a sound but I think we all do
395
00:15:55,310 --> 00:15:56,900
to a point
396
00:15:56,900 --> 00:15:59,000
partly because maybe the kind of gear
397
00:15:59,000 --> 00:16:01,610
we're working on or that we have sort of
398
00:16:01,610 --> 00:16:03,709
a default I talk a lot about in the
399
00:16:03,709 --> 00:16:06,260
classes here about getting out of your
400
00:16:06,260 --> 00:16:08,240
default and trying to push the button to
401
00:16:08,240 --> 00:16:11,480
manual like get out of relax and get out
402
00:16:11,480 --> 00:16:13,070
of going to the same old thing every
403
00:16:13,070 --> 00:16:15,110
time you know kid that could be anything
404
00:16:15,110 --> 00:16:16,760
could be recording like stop always
405
00:16:16,760 --> 00:16:19,670
using an sm57 a guitar amp try another
406
00:16:19,670 --> 00:16:20,240
microphone
407
00:16:20,240 --> 00:16:22,400
see what happens experiment create
408
00:16:22,400 --> 00:16:24,920
musicians do why wouldn't you do it why
409
00:16:24,920 --> 00:16:26,690
if the musicians quit why would you not
410
00:16:26,690 --> 00:16:28,010
create why would you not try different
411
00:16:28,010 --> 00:16:29,570
things they try different chords they
412
00:16:29,570 --> 00:16:30,829
try different lyrics different melodies
413
00:16:30,829 --> 00:16:32,089
different range what you're going to do
414
00:16:32,089 --> 00:16:33,040
the same thing over and over
415
00:16:33,040 --> 00:16:36,260
makes no sense at all what you
416
00:16:36,260 --> 00:16:40,279
should do is experiment so I experiment
417
00:16:40,279 --> 00:16:43,579
so I'm hoping that what I'm getting is a
418
00:16:43,579 --> 00:16:46,370
tailored sound a tailored mix a tailing
419
00:16:46,370 --> 00:16:49,459
a tailored representation of the song
420
00:16:49,459 --> 00:16:51,560
because we all know song is king we know
421
00:16:51,560 --> 00:16:53,060
it's the most important thing we know
422
00:16:53,060 --> 00:16:54,800
where you got to get that right we gotta
423
00:16:54,800 --> 00:16:56,000
get the song right we got to get the
424
00:16:56,000 --> 00:16:57,350
voice right these are the most important
425
00:16:57,350 --> 00:17:00,980
things we know that so I hope when
426
00:17:00,980 --> 00:17:02,959
people hear our songs I would rather
427
00:17:02,959 --> 00:17:04,189
they go like that's the most amazing
428
00:17:04,189 --> 00:17:07,010
song I love it google it so you see if
429
00:17:07,010 --> 00:17:08,300
we can find out good luck by the way if
430
00:17:08,300 --> 00:17:09,740
you can't find who did it but let's say
431
00:17:09,740 --> 00:17:11,540
you can find out who did it right and
432
00:17:11,540 --> 00:17:12,919
it's accurate
433
00:17:12,919 --> 00:17:16,130
good luck again um be like wow
434
00:17:16,130 --> 00:17:18,559
Jack dosa pointed that I know what a
435
00:17:18,559 --> 00:17:20,360
guess that that's a compliment that
436
00:17:20,360 --> 00:17:22,669
makes me so happy so that means you love
437
00:17:22,669 --> 00:17:25,819
the song you love the artist I did it
438
00:17:25,819 --> 00:17:28,130
right please remember one thing that we
439
00:17:28,130 --> 00:17:31,100
are the vessel our job is to facilitate
440
00:17:31,100 --> 00:17:34,340
we're not the artists in a sense we're
441
00:17:34,340 --> 00:17:35,810
not the star of course you know we are
442
00:17:35,810 --> 00:17:37,610
artistic and we should be artistic and I
443
00:17:37,610 --> 00:17:39,230
refer to that early but what I mean by
444
00:17:39,230 --> 00:17:41,990
that what I'm trying to say is that we
445
00:17:41,990 --> 00:17:42,450
are
446
00:17:42,450 --> 00:17:45,630
between the artist the song the melody
447
00:17:45,630 --> 00:17:49,289
the feel the attitude and the listener
448
00:17:49,289 --> 00:17:52,529
we're the one that connects all that so
449
00:17:52,529 --> 00:17:55,139
our job is to connect that to be a
450
00:17:55,139 --> 00:17:57,899
vessel to be a facilitator and to make
451
00:17:57,899 --> 00:18:00,029
sure that we allow that to come out as
452
00:18:00,029 --> 00:18:02,460
we take the picture as we take the
453
00:18:02,460 --> 00:18:05,039
Polaroid shot we take the picture of
454
00:18:05,039 --> 00:18:06,750
something we got to make sure it's a
455
00:18:06,750 --> 00:18:08,789
right picture so people see it it's
456
00:18:08,789 --> 00:18:10,799
framed right it's beautiful it's 3d it's
457
00:18:10,799 --> 00:18:12,330
gorgeous it gets the message across
458
00:18:12,330 --> 00:18:14,159
that's our job
459
00:18:14,159 --> 00:18:20,549
100% and nothing else you have a
460
00:18:20,549 --> 00:18:23,549
question here from K hey Jack is tuning
461
00:18:23,549 --> 00:18:25,980
the kick and hip-hop production
462
00:18:25,980 --> 00:18:29,519
necessary 100% depends on the song of
463
00:18:29,519 --> 00:18:32,940
course if there's no bass and there
464
00:18:32,940 --> 00:18:34,529
needs to be something moving on the
465
00:18:34,529 --> 00:18:38,940
bottom n right low frequency wise to
466
00:18:38,940 --> 00:18:41,340
support the chord structure of the song
467
00:18:41,340 --> 00:18:43,919
to support the melody then of course you
468
00:18:43,919 --> 00:18:46,440
tune the bass drum to follow the chords
469
00:18:46,440 --> 00:18:48,360
of that song so that the chords are
470
00:18:48,360 --> 00:18:50,760
powerful as you know the bottom n is
471
00:18:50,760 --> 00:18:53,820
what defines the chord if we play a 1 3
472
00:18:53,820 --> 00:18:57,779
5 where we put this left-hand mix that
473
00:18:57,779 --> 00:19:00,059
chord sing different how that chord
474
00:19:00,059 --> 00:19:02,760
sings is what gives the melody the power
475
00:19:02,760 --> 00:19:04,799
when the melody has the power it
476
00:19:04,799 --> 00:19:07,200
delivers the lyrics that's how I've
477
00:19:07,200 --> 00:19:09,360
always seen it I look at the piano when
478
00:19:09,360 --> 00:19:12,120
I'm mixing I think about the avoiding
479
00:19:12,120 --> 00:19:13,950
which is the same thing as e cueing
480
00:19:13,950 --> 00:19:16,919
which is related to arranging and I look
481
00:19:16,919 --> 00:19:19,620
at all of that how am i voicing this or
482
00:19:19,620 --> 00:19:21,779
we could say how am i equalizing this
483
00:19:21,779 --> 00:19:24,179
it's the same thing right and how is
484
00:19:24,179 --> 00:19:25,409
that working to their arrangement and
485
00:19:25,409 --> 00:19:27,090
does the bass drum need to be tuned and
486
00:19:27,090 --> 00:19:30,090
move so that the chords have the power
487
00:19:30,090 --> 00:19:32,399
and the melody has the power and now I'm
488
00:19:32,399 --> 00:19:34,200
getting the message the feeling of the
489
00:19:34,200 --> 00:19:35,820
lyrics of what the person is trying to
490
00:19:35,820 --> 00:19:42,659
convey next question is from James what
491
00:19:42,659 --> 00:19:45,139
are some things you have seen recently
492
00:19:45,139 --> 00:19:47,580
that have made you excited about working
493
00:19:47,580 --> 00:19:50,370
with music how would you like to see
494
00:19:50,370 --> 00:19:53,159
these develop without a doubt I would
495
00:19:53,159 --> 00:19:55,800
say what I'm most excited about
496
00:19:55,800 --> 00:19:59,670
is the digital technology now been able
497
00:19:59,670 --> 00:20:01,080
to do some things that we've always
498
00:20:01,080 --> 00:20:04,620
wanted to do like multiband harmonic
499
00:20:04,620 --> 00:20:07,770
distortion the idea that soon we'll have
500
00:20:07,770 --> 00:20:10,680
gesturing in our mixing the idea that
501
00:20:10,680 --> 00:20:12,300
we'll be able to take our hands and
502
00:20:12,300 --> 00:20:14,250
touch a screen and move things around
503
00:20:14,250 --> 00:20:16,890
the way we want and whether it's deep or
504
00:20:16,890 --> 00:20:19,680
close or to the left or to the right or
505
00:20:19,680 --> 00:20:23,700
up Center you know up or down the idea
506
00:20:23,700 --> 00:20:25,400
that now we're not thinking
507
00:20:25,400 --> 00:20:27,900
two-dimensional it's not just a pan pot
508
00:20:27,900 --> 00:20:30,060
that says left center and right but it
509
00:20:30,060 --> 00:20:31,830
also is like dimension pot in a sense
510
00:20:31,830 --> 00:20:34,710
all of that makes me very excited the
511
00:20:34,710 --> 00:20:37,230
sound the plugins are getting much
512
00:20:37,230 --> 00:20:37,620
better
513
00:20:37,620 --> 00:20:40,170
obviously the DAWs are improving as we
514
00:20:40,170 --> 00:20:41,610
go along they're sounding better and
515
00:20:41,610 --> 00:20:43,710
better for a while we were working on
516
00:20:43,710 --> 00:20:45,600
digital equipment that was still
517
00:20:45,600 --> 00:20:48,300
evolving being redesigned rejiggered we
518
00:20:48,300 --> 00:20:51,390
figured out it wasn't nearly as good as
519
00:20:51,390 --> 00:20:53,880
analog let's be fair analog has had you
520
00:20:53,880 --> 00:20:57,120
know 50 60 70 years to develop and turn
521
00:20:57,120 --> 00:20:58,500
to something great and digital
522
00:20:58,500 --> 00:21:00,450
relatively is new for the most part if
523
00:21:00,450 --> 00:21:03,660
you relate it to analog so now that
524
00:21:03,660 --> 00:21:05,430
there's more years or anything else with
525
00:21:05,430 --> 00:21:07,680
digital some of the designers some of
526
00:21:07,680 --> 00:21:09,480
the creators some of us have used it
527
00:21:09,480 --> 00:21:10,920
I've made mistakes with it we've learned
528
00:21:10,920 --> 00:21:13,080
what works what doesn't work that's what
529
00:21:13,080 --> 00:21:14,340
I'm excited about I'm excited about the
530
00:21:14,340 --> 00:21:16,500
fact that I only see digital getting
531
00:21:16,500 --> 00:21:18,920
sounding better better and better and
532
00:21:18,920 --> 00:21:22,350
having now that as another tool having
533
00:21:22,350 --> 00:21:24,720
just analog alone is kind of boring I
534
00:21:24,720 --> 00:21:26,190
mean I like analog don't misunderstand
535
00:21:26,190 --> 00:21:28,980
me but if I can have that and now I have
536
00:21:28,980 --> 00:21:32,370
digital I have a girl and a guy I have a
537
00:21:32,370 --> 00:21:34,050
left and a right I have a black and a
538
00:21:34,050 --> 00:21:37,050
white I have a left and center you know
539
00:21:37,050 --> 00:21:39,120
I have different I have different
540
00:21:39,120 --> 00:21:42,300
choices now my palate has now become
541
00:21:42,300 --> 00:21:44,970
greater and that's how I look at it and
542
00:21:44,970 --> 00:21:47,190
I love the idea of having a greater
543
00:21:47,190 --> 00:21:49,650
palette to paint things even more vivid
544
00:21:49,650 --> 00:21:52,710
more aggressive more colorful I hope
545
00:21:52,710 --> 00:21:55,610
I've answered all your questions today I
546
00:21:55,610 --> 00:21:57,780
feel like I have it feel like I've
547
00:21:57,780 --> 00:22:00,060
really really been fairly detailed as I
548
00:22:00,060 --> 00:22:04,110
can in this short period of time I would
549
00:22:04,110 --> 00:22:05,640
really suggest that you strongly
550
00:22:05,640 --> 00:22:08,250
consider if you are considering to come
551
00:22:08,250 --> 00:22:09,280
here
552
00:22:09,280 --> 00:22:12,340
to mix with the Masters that you
553
00:22:12,340 --> 00:22:15,220
definitely really take it serious you
554
00:22:15,220 --> 00:22:16,780
know we're in a weird situation as you
555
00:22:16,780 --> 00:22:18,190
we all know that our business is
556
00:22:18,190 --> 00:22:20,230
changing right now we're not in the same
557
00:22:20,230 --> 00:22:21,790
position that we've been in before where
558
00:22:21,790 --> 00:22:24,340
you had a traditional tea boy as they
559
00:22:24,340 --> 00:22:25,900
call it or the second engineer or the
560
00:22:25,900 --> 00:22:28,390
assist engineer that got to watch people
561
00:22:28,390 --> 00:22:31,390
and learn we don't really have a lot of
562
00:22:31,390 --> 00:22:32,890
that anymore Isis the commercial record
563
00:22:32,890 --> 00:22:34,720
studios are becoming less and less at
564
00:22:34,720 --> 00:22:36,040
this point they're going to grow again
565
00:22:36,040 --> 00:22:38,650
once we figured out how to make money
566
00:22:38,650 --> 00:22:40,750
from digital which we are and obviously
567
00:22:40,750 --> 00:22:42,550
there's so many different streaming
568
00:22:42,550 --> 00:22:44,290
sites that are coming up and things are
569
00:22:44,290 --> 00:22:45,760
changing people are figuring it out and
570
00:22:45,760 --> 00:22:48,030
you know how to optimize the finances
571
00:22:48,030 --> 00:22:52,210
but until then this is a luxury that you
572
00:22:52,210 --> 00:22:54,790
should really really take advantage of
573
00:22:54,790 --> 00:22:56,350
and I'm going to restate restate what I
574
00:22:56,350 --> 00:22:57,370
just said because you know it's actually
575
00:22:57,370 --> 00:23:00,430
not a luxury it's almost like a must
576
00:23:00,430 --> 00:23:02,800
I've watched it change people's lives
577
00:23:02,800 --> 00:23:04,780
I've only done it two times is my second
578
00:23:04,780 --> 00:23:06,580
time but I've actually watched people
579
00:23:06,580 --> 00:23:10,270
change their lives and I've had email
580
00:23:10,270 --> 00:23:11,800
exchanges or phone conversations with
581
00:23:11,800 --> 00:23:14,560
people that were here and I watched what
582
00:23:14,560 --> 00:23:15,760
accomplished and how much it changes
583
00:23:15,760 --> 00:23:18,780
their life you should really consider it
584
00:23:18,780 --> 00:23:20,920
thank you very much for watching today
585
00:23:20,920 --> 00:23:31,280
it was awesome here
586
00:23:31,290 --> 00:23:33,350
you42288
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.