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All language subtitles for 10. Merging converted and native deep

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,700 --> 00:00:11,700 in this lesson 2 00:00:11,700 --> 00:00:14,066 we will learn how to merge converted deep images 3 00:00:14,066 --> 00:00:15,699 with native deep images 4 00:00:17,600 --> 00:00:19,366 alright we're in our shot set up 5 00:00:19,366 --> 00:00:20,833 and I've made a holdout 6 00:00:22,766 --> 00:00:24,366 for our fog going here 7 00:00:24,366 --> 00:00:25,599 we've got fog 8 00:00:27,600 --> 00:00:31,466 and it's just our noise going to a deep extrude 9 00:00:34,000 --> 00:00:35,466 connect it to everything else 10 00:00:36,500 --> 00:00:37,466 hold it out 11 00:00:38,466 --> 00:00:40,766 remove deep of course now in this case 12 00:00:42,400 --> 00:00:43,966 there's no Z depth being generated 13 00:00:43,966 --> 00:00:45,799 so there's no reason to have the whole Z depth 14 00:00:45,800 --> 00:00:47,266 whole Z depth pipe 15 00:00:48,900 --> 00:00:49,866 render this out 16 00:00:49,866 --> 00:00:51,666 I'll show you what this looks like 17 00:00:51,666 --> 00:00:52,966 looks pretty cool actually 18 00:00:52,966 --> 00:00:54,366 so we can see here 19 00:00:55,266 --> 00:00:56,433 this is what 20 00:00:57,666 --> 00:01:00,566 it looks like at the depth that we set 21 00:01:01,133 --> 00:01:01,766 so we can see 22 00:01:01,766 --> 00:01:06,233 obviously 100% opacity in the far background 23 00:01:06,333 --> 00:01:10,199 and then we get all the way to 100% transparency 24 00:01:10,200 --> 00:01:13,400 zero opacity in the foreground objects 25 00:01:17,500 --> 00:01:19,166 and in this particular case 26 00:01:19,800 --> 00:01:21,666 I didn't need to hold out the atmosphere 27 00:01:21,666 --> 00:01:22,633 from everything else 28 00:01:23,900 --> 00:01:26,566 and the reason was that because it's white 29 00:01:26,666 --> 00:01:28,566 all we really need to do is plus it 30 00:01:28,566 --> 00:01:32,366 so if you use a merge and there's no alpha channel 31 00:01:33,366 --> 00:01:34,666 that's just a plus 32 00:01:34,966 --> 00:01:36,266 and this particular case 33 00:01:36,266 --> 00:01:38,266 if we're merging something over something else 34 00:01:38,266 --> 00:01:39,466 without a holdout 35 00:01:40,133 --> 00:01:42,266 the result is just going to be a plus as well 36 00:01:47,300 --> 00:01:49,066 so for a particular example 37 00:01:49,066 --> 00:01:50,033 in this shot 38 00:01:50,400 --> 00:01:52,700 we don't need to go through the extra labour 39 00:01:54,166 --> 00:01:55,666 of hooking up all the holdouts 40 00:01:55,666 --> 00:01:56,733 to all the other elements 41 00:01:56,733 --> 00:01:58,366 and then rendering new holdouts 42 00:01:58,400 --> 00:01:59,566 it's unnecessary 43 00:02:00,566 --> 00:02:01,933 but in many other cases 44 00:02:01,933 --> 00:02:04,399 with different colors or different things 45 00:02:05,333 --> 00:02:08,466 I would definitely recommend doing that just to be safe 46 00:02:08,466 --> 00:02:10,933 you wouldn't want to make any mistakes 47 00:02:10,933 --> 00:02:14,033 and then accidentally change the look of your shot 48 00:02:15,533 --> 00:02:16,199 so there you go 49 00:02:16,200 --> 00:02:17,933 this is how you take any image 50 00:02:17,933 --> 00:02:20,633 and convert it to a deep image to use in a deep shot 51 00:02:21,266 --> 00:02:22,799 I think for atmospherics 52 00:02:22,900 --> 00:02:24,533 and other volumetric type images 53 00:02:24,533 --> 00:02:25,966 it's a really great technique 54 00:02:25,966 --> 00:02:28,699 that's super useful and will save you a ton of time 55 00:02:29,166 --> 00:02:30,299 uh it's also really cool 56 00:02:30,300 --> 00:02:33,166 because you can move through 3D space 57 00:02:34,366 --> 00:02:37,033 and that's something that is really amazing if 58 00:02:37,133 --> 00:02:38,566 if Grolo was moving 59 00:02:38,566 --> 00:02:40,399 forwards and backwards through space here 60 00:02:40,400 --> 00:02:45,400 it would actually give him more or less density 61 00:02:46,000 --> 00:02:48,400 I could give you a little quick demo of that 62 00:02:49,366 --> 00:02:50,899 just because it is so cool 63 00:02:53,766 --> 00:02:55,633 let me make a deep transform 64 00:02:59,733 --> 00:03:01,633 let's push Grolo back 65 00:03:04,000 --> 00:03:07,300 maybe a negative um 100 66 00:03:09,133 --> 00:03:11,199 - 1,000 67 00:03:13,100 --> 00:03:15,500 - 5,000 68 00:03:23,733 --> 00:03:25,466 to go a lot further than that 69 00:03:33,300 --> 00:03:35,433 we have now reached the end of the lesson 70 00:03:35,533 --> 00:03:37,866 and we've Learned how to merge converted deep images 71 00:03:37,866 --> 00:03:39,399 with native deep images 72 00:03:39,700 --> 00:03:41,033 in the next lesson 73 00:03:41,066 --> 00:03:43,499 we will learn how to create realistic depth of field 74 00:03:43,500 --> 00:03:44,766 using deep images 5152