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Welcome back, in this one we're going
to make an Ingest Preset.
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It's kind of two parts, you make--
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we know what a proxy is...
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and we know what ingesting is.
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So what we're going to do is...
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create both a preset for what
we want our proxies to be.
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It's called an Encoding Preset.
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We want the proxies to be...
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a certain kind of format
and a certain size...
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and we're going to learn about -
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if you don't already know
a really great codec...
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- an intermediary codec for proxies,
called Apple ProRes...
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and also we're going to look at...
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how to do an Ingest Preset,
which is pretty quick...
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which is basically just applying...
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that new proxy encoding format
to our files.
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We need to do both,
did that explain it? I don't know.
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Let's jump into the class...
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and hopefully I can explain it
better as we go.
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Actually, before we get started as well...
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we're going to learn
how to put a word on our proxies...
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to make it a bit more obvious.
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We've been looking
the blue button down there...
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it's hard to know that it's on...
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look, proxy, proxy text...
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making it a little bit more clearer;
right, now let's start.
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First up I've opened up
Adobe Media Encoder.
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So what we're looking for is...
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down in Preset Browser here,
this + button...
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if you can't see it go to 'Window',
open up 'Preset Browser'...
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so there's two options here...
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Encoding Preset and an Ingest Preset.
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Remember, encoding is kind of...
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what the proxies are going to look like...
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the quality, the size...
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and Ingest Preset is kind of more
the file management side.
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So you can do one...
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you can just jump straight to the Ingest...
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if you are happy with those presets...
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that were originally in Premiere Pro,
in the last video.
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We'll do both of them...
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you have to do the encoding first
if you are going to do it...
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so let's look at that.
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So this encoding preset is
going to be called Dan...
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I always, I don't know why, it's--
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I wanted something very obvious
compared to the other presets.
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So this one is my Dan, it is 720p.
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I'm going to make it smaller
than my original footage.
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I'm going to use Apple ProRes...
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if I can type it out, there you go...
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and what I like to do is write 'PROXY'
at the end, in capital letters.
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You can use the same encoding
preset here for your export.
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I don't want to use this for exports,
just kind of like my working files.
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So in the format it'd be really common...
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to use the QuickTime, and it
would be really common...
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to use ProRes 244 for a proxy.
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Why not my h.264 with the mp4s?
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Because it makes the file sizes
really small.
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Well your computer, you know, Premiere Pro
finds it really hard to work with those...
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that codec h.264...
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yes, it makes the file size really small...
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but it's compressed so much...
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that the editor, which is Premiere Pro...
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finds it hard to work and edit that file...
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whereas QuickTime, and this
codec Prores 244...
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okay, 422...
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file size is larger
but it is an accessible codec.
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My computer, with my
hardware and the software...
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really likes editing it
even though it's bigger, strange.
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So that's what I'm going to
use for my proxy preset...
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and I'm going to go into 'Video'...
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and I'm going to go down here.
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You can't change the quality for ProRes...
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the directs are fixed...
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and we don't want to compress it...
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but what we might do is
the height and width.
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We might say, what we might say...
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I'm definitely going to do this,
720 is the height...
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I want it to be smaller
so that it runs faster.
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Now what else would I change
in terms of my proxies?
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Nothing, it's small,
it's a good easy codec...
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and the one thing you might do though,
is under Effects...
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and come down to--
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I want to add a 'Name Overlay'
to my proxies...
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and I'm going to say
'Prefix and Suffix' only.
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It's just going to add text
over the top of my video...
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to say proxy, 'Proxy'...
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and it's just going to add text to...
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the center, to the top left,
to the bottom right.
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I'm going to put it into the top left.
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You can offset it and play around...
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with the size and stuff,
once you've done a little test...
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but let's click 'OK'...
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and I'll show you what that does.
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Let's click 'OK'.
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So we've created our encoding
preset for proxies...
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now let's talk about the ingest.
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You can jump straight to
ingest if you like...
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if you're like, "Actually I'm happy with
the presets that Premiere Pro give us"...
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I'm that person, but this is advanced...
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and we need to see how to do it all.
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Let's create an ingest preset...
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this is where you definitely might go...
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and change, and create your own.
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I'm going to call mine my 'Dan's Ingest'...
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you might give it a project name
or a client name...
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or some sort of film documentary
that you're working on.
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I'm going to say...
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it says Transcode files to the destination.
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What we're really meaning is,
creating proxies.
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Transcoding is a word,
if you're not sure...
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kind of like creating a file,
kind of a transitional file...
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like an in-between file,
that's what a proxy is.
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It's kind of like something
that I'm working on...
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it's not what I started with...
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and it's not what I'm going
to end up with.
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It's trends-- what did I say...
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it's a transition format.
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So transcoding just means...
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I'm going to make this in between format.
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What they really mean is, proxies here...
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where is it going to go...
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if you leave it blank,
just leave it blank...
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because then every time
you use this preset...
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it'll ask you where to go...
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rather than forcing it to go somewhere.
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You can change that;
what kind of format?
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We know that QuickTime is
better for our proxies...
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and there you go, right at the top
there's the proxy that I made.
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You can use some of these other ones...
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remember, I said you don't have
to create that encoding preset.
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It's kind of cool, we've added
that text over the top...
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so that might be worth just doing that...
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but you can see here...
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you might just use that 422 proxy...
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it's a great, great preset, already made.
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All right, that is it for our ingest.
A lot going on there...
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the weird thing now is...
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ready for witness, click 'OK'.
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Premiere Pro doesn't know where that is...
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I don't know why.
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So what we need to do is...
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in Premiere Pro we need to bring
in our ingest presets, so we go...
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'File', 'Project Settings',
'Ingest Settings'...
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and we're like, great,
was that the one I just made...
146
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copy and create, I'm just going to go...
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instead of copying I'm just
going to go 'Create Proxies'...
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and I'm going to say...
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let's use my preset that I just made...
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what is that, where's my preset?
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So we can add a preset...
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and then you get lost in the kind
of wilderness of your computer.
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So how do we find it?
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It's a .epr, which is great...
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the easiest way probably to find it...
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is to go back into Media Encoder...
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there's my ingest file,
Media Encoder knows where it is...
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so I can right click it and go,
to reveal yourself, preset,
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there you are,
it's in like crazy file format...
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yours on a PC will be different...
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but use this method to find it.
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Copy and paste it somewhere
you can find it nicely.
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You could just copy it to Desktop...
164
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I'm going to actually just
select the name of it...
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and copy the words from the name...
166
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and in Premiere Pro, I'm going to say...
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on my Macintosh HD,
go and find that file, please.
168
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Kick back, relax, there it is there...
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however you get it in there...
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it only has to be done once.
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So now it's a preset that
I can use forever...
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it's going to bring in my proxies...
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it's going to turn them
to Apple ProRes 422...
174
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and it's going to put...
175
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a watermark on them as well,
which is cool.
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So let's actually go and do that,
let's click 'OK'.
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So I've got my ingesting
turned on, click 'OK'.
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I'm just going to drag a footage in.
179
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Where did I say it was going to go?
180
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I didn't tell anybody...
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do it every time, told you.
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Let's go to 'Project Settings', 'Ingest'...
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when I do create my ones...
184
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put them, not same as project,
let's go somewhere random.
185
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I'm going to put them
in my Exercise Files...
186
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into my 'Footage',
and hopefully into 'Proxies'.
187
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Cool.
188
00:08:01,470 --> 00:08:03,080
So let's drag something in...
189
00:08:03,105 --> 00:08:04,722
let's find something
random on the machine...
190
00:08:06,090 --> 00:08:07,155
and when I say random...
191
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we'll use something
from the exercise files...
192
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from a future part of this course.
193
00:08:11,757 --> 00:08:13,526
Let's grab Mix Butter...
194
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I was going to drag it in...
195
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it's going to start generating my proxy...
196
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in the background, through Media Encoder...
197
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oh, so fast, good work.
198
00:08:21,537 --> 00:08:25,201
You can see it made it a .mov.
199
00:08:25,616 --> 00:08:27,473
Let's have a look at where it put it.
200
00:08:28,068 --> 00:08:31,901
So it put it inside my Exercise Files...
201
00:08:31,926 --> 00:08:35,615
I told it to go inside my Footage,
there it is, Proxy.
202
00:08:36,086 --> 00:08:37,364
Let's have a look at it.
203
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I'm going to both open it up
on my finder, let's have a look.
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Can you see, it says Proxy.
205
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That's a bit loud.
206
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You can see there,
it's kind of burnt in a proxy...
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00:08:49,128 --> 00:08:50,710
and where it's quite useful is...
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let's say that I'm in Premiere Pro now...
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so I've brought it in,
I'm going to add it...
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I'm going to create a sequence from it...
211
00:09:00,654 --> 00:09:01,766
there we go.
212
00:09:02,305 --> 00:09:04,192
Watch this, I'm doing it,
and you're like...
213
00:09:04,217 --> 00:09:05,551
"Oh, where's that proxy thing gone?"
214
00:09:05,706 --> 00:09:07,079
Didn't we just add that?
215
00:09:07,104 --> 00:09:09,033
Remember our proxy switch, proxy...
216
00:09:09,429 --> 00:09:11,128
nope, wrong button.
217
00:09:11,262 --> 00:09:12,695
The one next to it, they look similar...
218
00:09:12,720 --> 00:09:15,457
come on, toggle proxies,
on, off, on, off.
219
00:09:16,882 --> 00:09:19,095
So it's a visual cue to know that...
220
00:09:19,120 --> 00:09:20,186
you're working on those proxies.
221
00:09:20,211 --> 00:09:21,355
Remember, in the earlier videos...
222
00:09:21,380 --> 00:09:23,682
we had to kind of zoom in
to see the quality difference...
223
00:09:23,850 --> 00:09:27,457
if you do decide to use
h.264 for your proxies...
224
00:09:27,482 --> 00:09:29,210
but now that we've learned about...
225
00:09:29,235 --> 00:09:33,910
the QuickTime Apple Prores 422...
226
00:09:34,804 --> 00:09:37,096
my suggestion would be to use that...
227
00:09:37,280 --> 00:09:39,522
for your proxies for now on.
228
00:09:39,963 --> 00:09:41,664
All right, so we know what a proxy is...
229
00:09:41,852 --> 00:09:43,852
we know how to ingest things...
230
00:09:43,877 --> 00:09:46,781
and we know how to make
our own custom ingesting bits.
231
00:09:46,806 --> 00:09:51,126
In our case we used QuickTime,
and we added a little watermark.
232
00:09:51,293 --> 00:09:52,603
All right, let's get on to the next video.18630
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