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Hey, in this video we are
going to create our proxies.
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We're going to use method number 1.
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I call this the afterthought method.
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This is when you've got
them all on the Timeline...
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and things are running slowly...
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and you think,
"I better make some proxies."
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What are proxies again?
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I'll show you an actual example of
what we're going to make in this video...
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proxies on, proxies off.
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It just makes a low quality version.
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Let's look at it at full view.
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You can't even tell from
this distance away...
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but it makes your editing
a whole lot faster...
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and you end up with a bunch of files
that look like this.
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Original files...
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and then some proxy files,
that are smaller...
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and easier for your machine to handle.
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All right, let's make 'em.
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Now that we know what a proxy is...
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creating one's really easy.
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So I've got our sequence here...
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actually you don't need a sequence...
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you just need to have a project,
and have footage in it.
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So I'm going to--
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you can do one at a time
or select them all...
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right click any of them, go to
'Proxy', 'Create Proxies', easy.
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You can decide from the format...
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I'm on a Mac so I can use Quicktime...
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and maybe you prefer using
ProRes or CineForm...
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one of that kind of--
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like it's definitely going
to lower the resolution.--
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the pixel height and width.
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So this is 4K, this will make it...
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let's say-- I always use h.264...
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because it's quick and easy,
and the computer can run it...
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and low, I think is 540 pixels across.
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This one here is kind of
standard SD, and this is HD.
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So this is 720 and this is Full HD,
and this is 1080p.
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You can decide the kind
of sizes you want to use.
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Pick medium, if you're running
on a really bad laptop...
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and it's terrible, pick low,
it's up to you.
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You can go through and create--
'Add Ingest Presets'...
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we'll look at that later in the class...
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but for the moment we'll
just use the drop downs.
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Now this does tend to change...
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every time there's a new
version of Premiere Pro...
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but there'll be a high, low,
medium version of this.
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So you can play around with it...
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it's just going to plop it
next to my original footage.
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I'm going to click 'OK'...
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and medium code is going to
open up in a second, I think.
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There it is, I wish they're
called Proxy's placeholders...
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they seemed this scary, proxy seems,
I don't know, technical.
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All right, here's media encoder,
I kind of caught it in the act...
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it was just running in the background,
I didn't notice it...
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and here it is, it's making all of these...
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can you see, it's kind of
underscoring it with proxy.
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I'll go show you the actual files
that it's making.
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All right, here it is.
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So this is my 'Exercise Files',
on my Desktop...
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you'll find my 'Tourism Ireland'...
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and all my footage is
inside of 'Footage'...
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and there's 'Proxy' folder,
they've got the same name...
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except the hyphenated proxy...
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and you can see they're a lot smaller.
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I've already cut mine
down to a small size...
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so let's pretend that was
like 500 Megabytes...
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and it's down to 14 instead of just 13...
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because I already did
some file savings...
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to make this course run nice...
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so it's not as dramatic
here in this course...
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as it will be for your work.
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Now what happens in Premiere Pro...
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nothing's happened, absolutely nothing.
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Proxies are kind of happening
in the background...
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but you're not actually
using them yet.
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So if I play, it's still
going to have an issue...
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is it? it's only going to half,
and it's still having an issue.
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Cool, so to turn proxies on
you need to go...
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to this mad button over here.
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I don't know why they hide
some buttons in here.
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The Button Editor, click on that
little option, this pops up...
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and then you're like,
"What do I do with this?"
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What you do is, you click, hold...
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and you are looking for the
proxy guy, that's in there.
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It's a little-- it looks like that.
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Click, hold, and drag it...
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and drag it down to here, click 'OK'...
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and now you've got those
little proxies...
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off...
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proxies are on now.
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So low quality, high quality,
low quality, high quality.
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Let's have a little look at it...
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so that you-- I can show it to you.
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So I'm going to use my Tilde key again...
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the little squiggly thing,
to make it nice and full...
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and I'm going to zoom right in.
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So proxies, it's not the best footage,
I know, to start with...
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again, just so file sizes are low...
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but let's look at this,
proxies, not proxies...
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proxies, not proxies.
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So that's what it does, it
just creates a placeholder...
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that's lower quality, so that you can...
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from this view out,
it's really hard to tell...
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that anything's changing...
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but your machine, with that on...
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blue's good, if you want to use proxies...
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that, when it's playing...
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it's going to play back nicely,
nice and fast...
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because it's using really low stuff.
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If you're finding that the Medium
still isn't working for you, go to Low...
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and it's going to look even worse...
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but it's going to play back nicely.
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So what happens when you--
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I don't know, is it your first question,
it's my first question...
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like what happens when
I'm color grading, just turn it off.
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Turn it off...
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and when you're doing your color grading...
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do it to the color grading
and then turn it back on...
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to do your flowy editing awesomeness.
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All right, so I've made my proxies...
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and I can turn them on and off now...
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but when I hit 'Render',
I've done my editing, it's great.
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I hit 'Render', it's always going to use...
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my high quality version, not my proxy...
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they're just like intermediary things.
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All right, let's jump
into the next video...
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we're going to look at...
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I don't know, I call it
premeditated proxies...
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proxies for professionals...
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when you're actually
doing it on purpose...
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rather than just kind of
like,
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"Oh no, my laptop's dying,
I need to do something about it."
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We're going to look at
something called Ingesting.10942
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