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These are the user uploaded subtitles that are being translated: 1 00:00:01,734 --> 00:00:05,704 ♪ ♪ 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:12,478 --> 00:00:15,246 SOME WOMENCHOOSE TO FOLLOW MEN, 5 00:00:15,247 --> 00:00:17,448 SOME FOLLOW THEIR DREAMS. 6 00:00:17,449 --> 00:00:19,017 IF YOU'RE NOT SUREWHICH PATH TO TAKE, 7 00:00:19,018 --> 00:00:20,285 JUST REMEMBER, LADIES, 8 00:00:20,286 --> 00:00:22,854 YOUR CAREER WILL NEVERWAKE UP ONE MORNING 9 00:00:22,855 --> 00:00:25,390 AND TELL YOUTHAT YOUR THIGHS ARE TOO FAT. 10 00:00:25,391 --> 00:00:28,193 GENTLEMEN, "I HAVEENOUGH CLOTHES AND SHOES 11 00:00:28,194 --> 00:00:30,461 I DON'T NEED TO GO SHOPPING," 12 00:00:30,462 --> 00:00:31,963 SAID NO WOMAN EVER. 13 00:00:31,964 --> 00:00:32,964 YOU'RE ON. 14 00:00:32,965 --> 00:00:35,233 BUT HERE'S THE THING, SONIA... 15 00:00:35,234 --> 00:00:36,301 WE HAVE THREE KIDS, 16 00:00:36,302 --> 00:00:37,735 AND MY HUSBAND EXPECTS METO HAVE DINNER READY 17 00:00:37,736 --> 00:00:39,070 EVERY NIGHT AT 6:00. 18 00:00:39,071 --> 00:00:40,205 FOR MEN WHO THINK 19 00:00:40,206 --> 00:00:41,839 THAT A WOMAN'S PLACEIS IN THE KITCHEN, 20 00:00:41,840 --> 00:00:42,841 JUST REMEMBER, 21 00:00:42,842 --> 00:00:44,509 THAT'S WHERE THE KNIVES ARE. 22 00:00:44,510 --> 00:00:45,877 LADIES, 23 00:00:45,878 --> 00:00:48,880 GETTING MARRIED DOES NOT MEANGIVING UP YOUR IDENTITY. 24 00:00:48,881 --> 00:00:51,349 THE QUESTION ISN'T "WHO'S GOING TO LET YOU?" 25 00:00:51,350 --> 00:00:53,952 THE QUESTION IS "WHO'S GOING TO STOP YOU?" 26 00:00:53,953 --> 00:00:56,354 THE RULES ARE SIMPLE, GENTLEMEN... 27 00:00:56,355 --> 00:00:58,756 DON'T SPEND A LOTON A FIRST DATE, 28 00:00:58,757 --> 00:01:01,859 BECAUSE YOU MIGHT NOT WANTA SECOND ONE. 29 00:01:01,860 --> 00:01:04,963 IF YOU WANT TO BUY HER FLOWERS, PICK 'EM FROM THE YARD, 30 00:01:04,964 --> 00:01:08,433 PREFERABLY SOMEONE ELSE'S YARD. 31 00:01:08,434 --> 00:01:09,801 WHATEVER YOU DO, 32 00:01:09,802 --> 00:01:12,904 MAKE THEM NEED YOU MORE. 33 00:01:12,905 --> 00:01:14,339 YOU DON'T NEED THEM. 34 00:01:14,340 --> 00:01:16,140 DON'T GIVE ALL OF YOU. 35 00:01:16,141 --> 00:01:17,442 THIS IS SONIA MEYRICK. 36 00:01:17,443 --> 00:01:18,843 THANK YOU EVANSTON, ILLINOIS, 37 00:01:18,844 --> 00:01:20,211 AND UNTIL TOMORROW, 38 00:01:20,212 --> 00:01:21,913 BE AN ISLAND! 39 00:01:21,914 --> 00:01:23,047 SO, THAT'S IT FOR TONIGHT. 40 00:01:23,048 --> 00:01:26,217 YOU'RE LISTENING TOWCB CHICAGO TALK RADIO. 41 00:01:26,218 --> 00:01:27,352 I'M NICK LYNDON, 42 00:01:27,353 --> 00:01:28,953 AND UNTIL TOMORROW NIGHT, 43 00:01:28,954 --> 00:01:31,123 ALL OPTIONS OPEN, MY FRIEND. 44 00:01:34,126 --> 00:01:36,262 NICE RATINGS. 45 00:01:37,496 --> 00:01:40,064 YEAH, WELL, YOU KNOW, I LOOK AT NUMBERS LIKE THAT, 46 00:01:40,065 --> 00:01:41,833 AND I THINK, "WHY AM I NOT IN DAYTIME?" 47 00:01:41,834 --> 00:01:46,037 NICK, YOU'RE THE ONLY THINGKEEPING THIS TIME SLOT ALIVE. 48 00:01:46,038 --> 00:01:47,538 I'VE GOT TO GETOUT OF NIGHT TIME, MAN. 49 00:01:47,539 --> 00:01:49,073 THESE HOURS ARE KILLING ME. 50 00:01:49,074 --> 00:01:50,408 I HAVE NO LIFE. 51 00:01:50,409 --> 00:01:51,277 YOU TALK TO BRAD? 52 00:01:51,278 --> 00:01:52,944 YEAH, I TALKED TO BRAD. 53 00:01:52,945 --> 00:01:54,178 THE GUY'S A BRICK WALL. 54 00:01:54,179 --> 00:01:55,513 HE'S NOT GOING TO CHANGEMY SLOT. 55 00:01:55,514 --> 00:01:57,048 WELL, LET MERUN IT BY HIM. 56 00:01:57,049 --> 00:01:58,283 HE OWES ME. 57 00:01:58,284 --> 00:02:02,387 ♪ ♪ 58 00:02:02,388 --> 00:02:03,388 LET ME SENDTHE PAPERWORK OVER 59 00:02:03,389 --> 00:02:04,455 AND WE'LL TAKE CARE OF IT. 60 00:02:04,456 --> 00:02:07,292 YOU WON'T BE SORRY. 61 00:02:07,293 --> 00:02:08,359 THAT'S AWESOME, MAN. 62 00:02:08,360 --> 00:02:11,029 OKAY, I'LL SEE YOU TONIGHT. 63 00:02:11,030 --> 00:02:12,230 LOOK, COULD WEJUST TEXT HER 64 00:02:12,231 --> 00:02:13,865 AND TELL HERWE'RE RUNNING LATE? 65 00:02:13,866 --> 00:02:14,866 I JUST SIGNEDTHE BLACKHAWKS NEW WINGER. 66 00:02:14,867 --> 00:02:16,134 -WHAT?-YES! 67 00:02:16,135 --> 00:02:18,236 AW, CONGRATULATIONS.THAT'S AWESOME. 68 00:02:18,237 --> 00:02:19,237 EVERYONE IN TOWNWAS AFTER THIS GUY. 69 00:02:19,238 --> 00:02:20,238 YOU KNOW WHATTHIS MEANS, RIGHT? 70 00:02:20,239 --> 00:02:21,406 YEAH, SEATS ON THE ICE. 71 00:02:21,407 --> 00:02:22,473 AND A VIEW OF THE LAKE. 72 00:02:22,474 --> 00:02:23,574 I PUT AN OFFER IN. 73 00:02:23,575 --> 00:02:25,310 LOOK, I KNOWYOU THINK IT'S TOO BIG, 74 00:02:25,311 --> 00:02:26,178 BUT WE'LL GROW INTO IT. 75 00:02:26,179 --> 00:02:28,880 ...SHUT THE DOOR 76 00:02:28,881 --> 00:02:32,183 AND THANK HEAVEN YOU'VE BEEN SAVED... 77 00:02:32,184 --> 00:02:33,351 I HATE THAT GUY. 78 00:02:33,352 --> 00:02:34,452 HE'S HILARIOUS. 79 00:02:34,453 --> 00:02:35,453 HE'S A NEANDERTHAL. 80 00:02:35,454 --> 00:02:36,487 "NICK'S MAN CAVE" 81 00:02:36,488 --> 00:02:38,222 IS OBVIOUSLYHIS PARENTS' BASEMENT, 82 00:02:38,223 --> 00:02:39,924 HE LIVES THERE, A DATELESS QUASIMODO, 83 00:02:39,925 --> 00:02:40,958 DOING BITTER RADIO. 84 00:02:40,959 --> 00:02:41,694 YEAH, WELL, YOU'RE GOOD-LOOKING 85 00:02:41,695 --> 00:02:43,094 AND YOU DOBITTER RADIO. 86 00:02:43,095 --> 00:02:44,362 I DO NOT DOBITTER RADIO. 87 00:02:44,363 --> 00:02:46,464 TELLING ALL WOMENTO BE AN ISLAND? 88 00:02:46,465 --> 00:02:48,032 YEAH, THEY'RE NEVERGOING TO KEEP A GUY. 89 00:02:48,033 --> 00:02:49,100 I DID. 90 00:02:49,101 --> 00:02:50,268 THAT'S BEFOREI KNEW ANY BETTER, 91 00:02:50,269 --> 00:02:51,236 BUT SERIOUSLY, NO GUY'SGOING TO PUT UP WITH THAT. 92 00:02:51,237 --> 00:02:52,337 YOU HAVE BEEN LISTENINGTO "THE MAN CAVE," 93 00:02:52,338 --> 00:02:53,305 HAVEN'T YOU? 94 00:02:53,306 --> 00:02:54,439 WELL, IT'S EITHERHIM OR YOU. 95 00:02:54,440 --> 00:02:56,074 WELL, I WILL REMEMBERYOU SAID THAT 96 00:02:56,075 --> 00:02:57,642 WHEN I WRITEOUR WEDDING VOWS. 97 00:02:57,643 --> 00:03:00,645 HEY. 98 00:03:00,646 --> 00:03:02,347 OKAY, SO, AS THE BRIDE'SBEST FRIEND 99 00:03:02,348 --> 00:03:04,582 AND SOMEONEWHO'S NEVER BEEN MARRIED, 100 00:03:04,583 --> 00:03:06,584 I SAY GO WITH FOR LILIES, 101 00:03:06,585 --> 00:03:08,219 BUT YOU KNOW, IT'S YOUR WEDDING. 102 00:03:08,220 --> 00:03:10,288 YES, TONIGHT. THE CLIENTSARE BRINGING THEIR WIVES. 103 00:03:10,289 --> 00:03:11,489 ABSOLUTELY, I'LL BRING SONIA. 104 00:03:11,490 --> 00:03:12,991 YOU'RE COMING, RIGHT, HON'? 105 00:03:12,992 --> 00:03:14,158 YEAH, I'LL BE THERE. 106 00:03:14,159 --> 00:03:15,159 YEAH, SHE'S COMING. 107 00:03:15,160 --> 00:03:16,627 HE WANTS RED VELVET, I WANT CHOCOLATE. 108 00:03:17,930 --> 00:03:19,530 BUT I AGREE WITH YOU, I THINK THOSE ARE PERFECT, 109 00:03:19,531 --> 00:03:20,865 AND I THINK THEY'D... 110 00:03:20,866 --> 00:03:22,100 OH... 111 00:03:22,101 --> 00:03:23,068 WHAT'S WRONG? 112 00:03:23,069 --> 00:03:24,268 OH, IT'S A WORK THING. 113 00:03:24,269 --> 00:03:25,303 YOU HAVE TO GO. 114 00:03:25,304 --> 00:03:26,304 I DO.I'M SO SORRY, HONEY. 115 00:03:26,305 --> 00:03:27,939 -IT'S OKAY.-OKAY, I LOVE YOU. 116 00:03:27,940 --> 00:03:29,407 -LOVE YOU.-HEY, SEE YOU. 117 00:03:29,408 --> 00:03:30,441 YEAH. 118 00:03:30,442 --> 00:03:32,210 HEY, SO, SCOTT, I REALLY LOVE THESE FLOWERS. 119 00:03:32,211 --> 00:03:34,479 I THINK THEY'RE PERFECT, WHAT DO YOU THINK? 120 00:03:34,480 --> 00:03:36,247 WHAT? 121 00:03:36,248 --> 00:03:37,281 FLOWERS? 122 00:03:37,282 --> 00:03:39,417 'CAUSE WE'RE INA FLOWER SHOP. 123 00:03:39,418 --> 00:03:42,453 TO PLAN OUR WEDDING? 124 00:03:42,454 --> 00:03:43,422 SORRY. 125 00:03:43,423 --> 00:03:46,190 I'M JUST STRESSEDABOUT THIS DEAL. 126 00:03:46,191 --> 00:03:47,225 I UNDERSTAND. 127 00:03:47,226 --> 00:03:49,427 THE PERILS OF SUCCESS, RIGHT? 128 00:03:49,428 --> 00:03:51,596 WELL, BETTER TO BESTRESSED THAN BROKE. 129 00:03:51,597 --> 00:03:53,197 I DON'T KNOW. 130 00:03:53,198 --> 00:03:55,600 REMEMBER HOW WE USED TOEAT RAMEN AND PEANUT BUTTER? 131 00:03:58,904 --> 00:04:00,205 YEAH. 132 00:04:05,544 --> 00:04:07,612 OKAY, FLOWERS, UM... 133 00:04:07,613 --> 00:04:08,480 WELL, I LIKE THE... 134 00:04:08,481 --> 00:04:10,481 -LILIES?-ROSES. 135 00:04:12,351 --> 00:04:16,422 ♪ ♪ 136 00:04:23,028 --> 00:04:23,996 THANKS, MAN. 137 00:04:25,164 --> 00:04:26,164 HEY, BUDDY. 138 00:04:26,165 --> 00:04:27,231 HOW YOU DOING, CLOONEY? 139 00:04:27,232 --> 00:04:29,034 HI, NICK. 140 00:04:30,135 --> 00:04:32,003 JANEY, HOW YOU DOING? 141 00:04:32,004 --> 00:04:34,072 HOW YOU DOING, CLOONEY? 142 00:04:34,073 --> 00:04:35,339 SOMETIMES, I DON'T KNOWIF I RESCUED HIM 143 00:04:35,340 --> 00:04:37,175 OR IF HE RESCUED ME. 144 00:04:37,176 --> 00:04:38,976 HEY, IF YOU'RE NOT BUSY TONIGHT, 145 00:04:38,977 --> 00:04:40,344 I HAVE TICKETSTO THE CUBS GAME. 146 00:04:40,345 --> 00:04:42,180 I'D LOVE TO, 147 00:04:42,181 --> 00:04:43,714 I JUST, I GOT A DINNER THING, 148 00:04:43,715 --> 00:04:45,116 AND THEN THE SHOW. 149 00:04:45,117 --> 00:04:46,384 OKAY, WELL, HOW ABOUT A DAY GAME? 150 00:04:46,385 --> 00:04:48,219 I HAVE SEASONTICKETS. 151 00:04:48,220 --> 00:04:49,353 JANEY, YOU'REEXTREMELY ATTRACTIVE. 152 00:04:49,354 --> 00:04:51,222 HERE'S THE THING, 153 00:04:51,223 --> 00:04:52,690 WE HAVE TO WALKBY EACH OTHER EVERY DAY, 154 00:04:52,691 --> 00:04:55,326 AND IF ENDS BADLY, WHICH IT EVENTUALLY WILL, 155 00:04:55,327 --> 00:04:57,628 IT'S JUST GOING TO MAKEFOR SOME AWKWARD DYNAMICS. 156 00:04:57,629 --> 00:04:59,630 IT'S JUST A BASEBALL GAME. 157 00:04:59,631 --> 00:05:02,401 IT'S NEVERJUST A BASEBALL GAME. 158 00:05:06,071 --> 00:05:07,406 LET'S GO, CLOONEY. 159 00:05:17,449 --> 00:05:19,183 HEY, JULIA. 160 00:05:19,184 --> 00:05:21,252 HEY. I JUST GOT MY FLOWERS. 161 00:05:21,253 --> 00:05:22,353 THEY ARE BEAUTIFUL. 162 00:05:22,354 --> 00:05:23,588 AW, GOOD. 163 00:05:23,589 --> 00:05:24,655 HAPPY BIRTHDAY, SIS. 164 00:05:32,097 --> 00:05:33,565 HEY, TAXI! 165 00:05:35,534 --> 00:05:38,236 YOU GOING OUT TONIGHT? 166 00:05:38,237 --> 00:05:39,237 OH, HEY, GUS. 167 00:05:39,238 --> 00:05:40,238 YEAH, I'M MEETING SCOTT. 168 00:05:40,239 --> 00:05:41,539 HIM AGAIN, HUH? 169 00:05:41,540 --> 00:05:43,541 SEE YOU LATER, GUS. 170 00:05:43,542 --> 00:05:45,210 YEAH. 171 00:05:52,084 --> 00:05:53,784 EXCUSE ME, I'M LOOKING FORTHE RYDER PARTY? 172 00:05:53,785 --> 00:05:55,319 HEY, HEY, HEY, YOU MADE IT. 173 00:05:55,320 --> 00:05:56,521 OH, YEAH. HI. 174 00:05:56,522 --> 00:05:59,223 UH, I THOUGHT YOU WEREGETTING DRESSED UP. 175 00:05:59,224 --> 00:06:01,359 I THOUGHT I DID. 176 00:06:01,360 --> 00:06:03,227 WELL, IT'S... 177 00:06:03,228 --> 00:06:04,228 OH. 178 00:06:04,229 --> 00:06:05,663 ...SORRY, UH... 179 00:06:05,664 --> 00:06:06,664 I COULD JUST... 180 00:06:06,665 --> 00:06:07,799 SORRY, ONE SEC. 181 00:06:08,800 --> 00:06:09,801 HERE. 182 00:06:13,238 --> 00:06:14,605 IS THAT BETTER? 183 00:06:14,606 --> 00:06:16,073 YEAH, IT'S GREAT. 184 00:06:17,242 --> 00:06:19,410 THAT'S MY PHONE, SORRY. 185 00:06:19,411 --> 00:06:21,145 I'LL JUST BE A SECOND. 186 00:06:21,146 --> 00:06:23,014 TANYA? THAT'S... 187 00:06:23,015 --> 00:06:24,749 HEY, SWEETHEART, WHAT'S UP? 188 00:06:24,750 --> 00:06:26,150 DR. LYNNE'S APPENDIX BURST. 189 00:06:26,151 --> 00:06:27,585 SHE'S OUT FOR AT LEAST A WEEK. 190 00:06:27,586 --> 00:06:29,186 WE NEEDED A SUBWITH A FEMALE AUDIENCE. 191 00:06:29,187 --> 00:06:30,122 I PITCHED YOU.YOU'RE IN. 192 00:06:30,123 --> 00:06:31,656 ARE YOU SERIOUS? 193 00:06:31,657 --> 00:06:32,591 I'M NOT A DOCTOR. 194 00:06:32,592 --> 00:06:34,258 NEITHER IS SHE. 195 00:06:34,259 --> 00:06:36,227 AND YOU'RE DOING YOUR SHOWEXACTLY AS IT IS NOW, 196 00:06:36,228 --> 00:06:38,663 ONLY MORE PEOPLE WILL HEAR IT... A LOT MORE PEOPLE. 197 00:06:38,664 --> 00:06:40,631 GET A SUCCULENTTHAT YOU DON'T HAVE TO WATER. 198 00:06:40,632 --> 00:06:43,601 "GIRL-FRIEND" IS A MISNOMER. 199 00:06:43,602 --> 00:06:45,403 THANK YOU. 200 00:06:45,404 --> 00:06:46,537 TANYA PITCHED ME 201 00:06:46,538 --> 00:06:48,072 TO REPLACE DR. LYNNE 202 00:06:48,073 --> 00:06:49,440 AT WCV TONIGHT. 203 00:06:49,441 --> 00:06:50,675 TONIGHT-TONIGHT? 204 00:06:50,676 --> 00:06:51,577 YEAH, TONIGHT. 205 00:06:51,578 --> 00:06:52,610 BUT I'LL STAY. 206 00:06:52,611 --> 00:06:54,745 I MEAN, I COULD STAYFOR, LIKE, 15 MINUTES, 207 00:06:54,746 --> 00:06:55,813 AND I WILL BE VERY CHARMING, 208 00:06:55,814 --> 00:06:57,248 THAT'S GREAT. 209 00:06:57,249 --> 00:06:58,249 I'M SORRY. 210 00:06:58,250 --> 00:06:59,250 I'M SORRY, I KNOWTHAT IT IS AWFUL TIMING. 211 00:06:59,251 --> 00:07:00,484 IT ALWAYS IS, ISN'T IT? I MEAN... 212 00:07:00,485 --> 00:07:01,686 HEY, GUYS, COME ON! 213 00:07:01,687 --> 00:07:03,454 JOIN US, DON'T BE SHY. 214 00:07:03,455 --> 00:07:04,522 WE'RE RIGHT THERE, ONE SEC. 215 00:07:04,523 --> 00:07:06,057 WHY IS IT EVERY TIMEI NEED YOU TO BE HERE FOR ME, 216 00:07:06,058 --> 00:07:07,158 SOMETHING MOREIMPORTANT COMES UP? 217 00:07:07,159 --> 00:07:08,192 THAT IS JUST NOT TRUE. 218 00:07:08,193 --> 00:07:09,594 -STAFF CHRISTMAS PARTY?-I WAS SICK. 219 00:07:09,595 --> 00:07:10,595 SUPER BOWL? 220 00:07:10,596 --> 00:07:11,696 OH, COME ON, I WAS THERE BY THE KICKOFF. 221 00:07:11,697 --> 00:07:13,264 LOOK, THIS IS AN IMPORTANT, 222 00:07:13,265 --> 00:07:14,232 ONCE-IN-A-LIFETIMEOPPORTUNITY... 223 00:07:14,233 --> 00:07:15,233 HI! 224 00:07:15,234 --> 00:07:16,234 HEY, EVERYONE, 225 00:07:16,235 --> 00:07:17,301 THIS ISMY FIANCEE, SONIA. 226 00:07:17,302 --> 00:07:18,669 SONIA, THIS IS JIM, KEITH, KEIRA, 227 00:07:18,670 --> 00:07:19,670 AND KYRA. 228 00:07:19,671 --> 00:07:21,339 NICE TO K-K-K-KNOW YOU. 229 00:07:22,441 --> 00:07:24,508 I'M SORRY FORHOW I LOOK TONIGHT. 230 00:07:24,509 --> 00:07:26,243 USUALLY IT'S WORSE, THOUGH. 231 00:07:26,244 --> 00:07:27,545 OH, YOU'RE FINE. 232 00:07:27,546 --> 00:07:29,480 SO, BABE, KEITH AND KEIRA 233 00:07:29,481 --> 00:07:31,349 HAVE INVITED USDOWN TO SOUTH BEACH. 234 00:07:31,350 --> 00:07:32,717 APPARENTLY, THEIR HOUSE IS INSANE. 235 00:07:32,718 --> 00:07:34,485 THEY SAY IT'S LIKEPRACTICALLY IN THE WATER. 236 00:07:34,486 --> 00:07:35,553 KEIRA WILLTAKE YOU SHOPPING. 237 00:07:35,554 --> 00:07:37,755 THIS GIRL RIGHT HERE, SHE IS A PROFESSIONAL. 238 00:07:37,756 --> 00:07:39,657 -SHE WOULD LOVE THAT.-I WOULD LOVE THAT. 239 00:07:39,658 --> 00:07:40,825 CAN WE HAVE ANOTHER ROUNDOF DRINKS, PLEASE? 240 00:07:40,826 --> 00:07:42,093 WHAT ARE YOU HAVING? 241 00:07:42,094 --> 00:07:43,127 I'LL HAVE AN ICE WATER. 242 00:07:43,128 --> 00:07:46,130 ACTUALLY, JUST A COUPLEOF G&T'S WOULD BE GREAT. 243 00:07:46,131 --> 00:07:47,131 SO, SONIA, WHAT IS ITTHAT YOU DO? 244 00:07:47,132 --> 00:07:48,299 EXCEPT MAKINGTHIS GUY LOOK GOOD. 245 00:07:48,300 --> 00:07:49,467 I HOST A RADIO SHOW. 246 00:07:49,468 --> 00:07:50,868 NO KIDDING.WHAT'S IT ABOUT? 247 00:07:50,869 --> 00:07:52,270 -RELATIONSHIPS.-MAN-BASHING. 248 00:07:55,140 --> 00:07:56,607 ACTUALLY, SHE'SON WCV TONIGHT. 249 00:07:56,608 --> 00:07:59,677 SO, INSTEAD OF AIRINGOUR DIRTY LAUNDRY 250 00:07:59,678 --> 00:08:00,845 ON A LITTLE STATIONNO ONE LISTENS TO NOW, 251 00:08:00,846 --> 00:08:04,248 NOW SHE'LL BE TELLINGEVERYBODY IN CHICAGO ABOUT IT. 252 00:08:04,249 --> 00:08:05,383 WCV. 253 00:08:05,384 --> 00:08:06,784 THEY GOT THAT "MAN CAVE SHOW," RIGHT? 254 00:08:06,785 --> 00:08:08,419 I FREAKIN'LOVE THAT GUY. 255 00:08:08,420 --> 00:08:09,754 WELL, I'LL BE ONRIGHT AFTER HIM, 256 00:08:09,755 --> 00:08:12,256 REPAIRING THE TWO HOURSOF DAMAGE THAT HE'S DONE. 257 00:08:12,257 --> 00:08:13,791 AM I RIGHT, LADIES? 258 00:08:15,727 --> 00:08:19,731 ♪ ♪ 259 00:08:25,804 --> 00:08:27,438 OH, HEY! 260 00:08:27,439 --> 00:08:29,640 OH, TANYA, THIS IS AMAZING. 261 00:08:29,641 --> 00:08:30,641 I KNOW. 262 00:08:30,642 --> 00:08:31,642 OH, YOU LOOK GREAT. 263 00:08:31,643 --> 00:08:32,643 OH, THANKS. 264 00:08:32,644 --> 00:08:33,711 YOU'RE THE ONLY ONEWHO THINKS SO. 265 00:08:34,681 --> 00:08:37,248 YOU ARE THE BESTFRIEND EVER. 266 00:08:37,249 --> 00:08:39,784 AND I'M ALSOTHE BEST PRODUCER EVER. 267 00:08:39,785 --> 00:08:41,519 CHICAGO IS GOING TO LOVE YOU. 268 00:08:41,520 --> 00:08:42,620 THE MEN WON'T. 269 00:08:42,621 --> 00:08:44,755 AH, WELL, BUT THE WOMEN WILL. 270 00:08:44,756 --> 00:08:47,358 NOW, DR. LYNNEHAS A HUGE FOLLOWING, 271 00:08:47,359 --> 00:08:48,926 AND IT'S A PERFECTAUDIENCE FOR YOU TO TARGET. 272 00:08:48,927 --> 00:08:50,861 ALRIGHTY, GUYS, LET'S TALK ABOUT 273 00:08:50,862 --> 00:08:53,864 THE BIGGEST MISTAKE ANY OF YOU WILL EVER MAKE, 274 00:08:53,865 --> 00:08:55,333 A.K.A. MARRIAGE. 275 00:08:56,468 --> 00:08:58,269 I KNOW. 276 00:08:58,270 --> 00:09:00,138 RIGHT AFTERTHIS COMMERCIAL BREAK. 277 00:09:03,308 --> 00:09:05,309 "NICK'S MAN CAVE." 278 00:09:05,310 --> 00:09:07,745 HE HAS A VERYSTRONG DEMOGRAPHIC. 279 00:09:07,746 --> 00:09:08,813 I GUESS 280 00:09:08,814 --> 00:09:10,581 THERE'S NO ACCOUNTINGFOR TASTE. 281 00:09:10,582 --> 00:09:12,516 SONIA! YOU'REA LIFESAVER! 282 00:09:12,517 --> 00:09:13,918 HELEN, GET ME THE NUMBERSON THE MORNING SHOW. 283 00:09:13,919 --> 00:09:15,152 BACK IN 10, NICK. 284 00:09:15,153 --> 00:09:16,620 YEAH. 285 00:09:16,621 --> 00:09:17,888 BRAD CONYER.STATION MANAGER. 286 00:09:17,889 --> 00:09:18,889 SONIA MEYRICK... 287 00:09:18,890 --> 00:09:19,924 NO INTRO NEEDED. 288 00:09:19,925 --> 00:09:21,258 TANYA'S PLAYED MECLIPS OF YOUR SHOW. 289 00:09:21,259 --> 00:09:22,326 IT'S TERRIFIC STUFF. 290 00:09:22,327 --> 00:09:23,661 PERFECT FOR THE DR. LYNNE CROWD.I'M A FAN. 291 00:09:23,662 --> 00:09:24,662 WELL, THAT'S NICE TO HEAR. 292 00:09:24,663 --> 00:09:26,163 I DON'T HAVEA LOT OF MALE FANS. 293 00:09:26,164 --> 00:09:27,164 SO, YOU'VE HEARDWE'RE IN CRISIS MODE. 294 00:09:27,165 --> 00:09:28,232 THANKS FORDIGGING US OUT. 295 00:09:28,233 --> 00:09:29,633 YOU'LL FILL INTHE 9:00 TO MIDNIGHT SLOT. 296 00:09:29,634 --> 00:09:31,302 IT'S WHEN THE HOUSEWIVESARE DOING DISHES 297 00:09:31,303 --> 00:09:32,204 AFTER PUTTING THE KIDS TO BED. 298 00:09:32,205 --> 00:09:33,371 9:00 TO MIDNIGHT, I THOUGHT 299 00:09:33,372 --> 00:09:34,672 THAT'S WHEN THE HOUSE-HUSBANDSWERE DOING THE DISHES 300 00:09:34,673 --> 00:09:35,673 AND PUTTING THE KIDS TO BED 301 00:09:35,674 --> 00:09:36,674 WHILE THE WIVESARE SKYPING 302 00:09:36,675 --> 00:09:38,175 THEIR BUSINESS PARTNERSIN TOKYO. 303 00:09:38,176 --> 00:09:39,343 SHE'S FUNNY. 304 00:09:39,344 --> 00:09:40,611 WELCOME ABOARD, SONIA. 305 00:09:40,612 --> 00:09:42,513 YOU'LL BE ON IN 10AFTER THE NEWS BREAK. 306 00:09:42,514 --> 00:09:44,248 -GOOD LUCK.-GREAT. 307 00:09:44,249 --> 00:09:45,549 YOU'RE GOING TO BE GREAT, JUST BE YOURSELF. 308 00:09:45,550 --> 00:09:46,451 DON'T THEY WANT MORE? 309 00:09:46,451 --> 00:09:47,386 NO, NO, ARE YOUKIDDING ME? 310 00:09:47,386 --> 00:09:48,320 TRUST ME, YOU ARE MORE THAN ENOUGH. 311 00:09:48,321 --> 00:09:50,421 ...MARRIAGE IS LIKEA DEATH SENTENCE, 312 00:09:50,422 --> 00:09:52,523 ONLY IT LASTS LONGER. 313 00:09:52,524 --> 00:09:54,325 GUYS, IF YOU'RE THINKING ABOUT TAKING THE PLUNGE, 314 00:09:54,326 --> 00:09:55,726 ASK YOURSELF THIS QUESTION, 315 00:09:55,727 --> 00:09:59,964 DO YOU REALLY WANT TO SPEND THE REST OF YOUR LIFE WITH HER? 316 00:09:59,965 --> 00:10:01,232 AND FOR THOSE OF YOU 317 00:10:01,233 --> 00:10:02,200 THAT ALREADY HAVE ONE FOOT IN THE GRAVE, 318 00:10:02,201 --> 00:10:03,701 LOOK HER IN THE EYE... 319 00:10:03,702 --> 00:10:05,403 OR BETTER YET THE PHONE... 320 00:10:05,404 --> 00:10:06,604 AND SAY THESE WORDS, 321 00:10:06,605 --> 00:10:08,973 "WE'RE JUST AT DIFFERENTJUNCTURES IN OUR LIVES." 322 00:10:08,974 --> 00:10:10,207 WHAT DOES IT MEAN? 323 00:10:10,208 --> 00:10:10,976 NOT MUCH. 324 00:10:10,977 --> 00:10:12,376 BUT IT'S IRREFUTABLE, 325 00:10:12,377 --> 00:10:13,410 AND, WHILE SHE'S THINKING ABOUT IT, 326 00:10:13,411 --> 00:10:15,780 YOU CAN SIMPLY LEAVE OR HANG UP. 327 00:10:15,781 --> 00:10:17,348 THIS IS NICK LYNDON SIGNING OFF, 328 00:10:17,349 --> 00:10:18,816 AND, UNTIL TOMORROW NIGHT, 329 00:10:18,817 --> 00:10:21,286 ALL OPTIONS OPEN, MY FRIENDS. 330 00:10:25,557 --> 00:10:27,224 WCV, TALK RADIO, HOW MAY I DIRECT YOUR CALL? 331 00:10:27,225 --> 00:10:28,560 GOODNIGHT, REBECCA. 332 00:10:30,328 --> 00:10:32,963 -OKAY, HOW YOU FEELING?-GOOD. 333 00:10:32,964 --> 00:10:33,899 OH, YOU GOTYOUR PHONE OFF? 334 00:10:33,899 --> 00:10:34,866 'CAUSE IT MESSESWITH THE AUDIO. 335 00:10:34,867 --> 00:10:35,966 YEAH, YEAH, I TURNED IT OFF ALREADY. 336 00:10:35,967 --> 00:10:38,302 WCV, TALK RADIO, HOW MAY I DIRECT YOUR CALL? 337 00:10:38,303 --> 00:10:40,704 MY MOTHER WAS MARRIEDFOUR TIMES. 338 00:10:40,705 --> 00:10:44,508 SHE DEPENDED ON MY DADFOR EVERYTHING, 339 00:10:44,509 --> 00:10:48,546 AND WHEN HE LEFT, SHE REPLACED HIM, 340 00:10:48,547 --> 00:10:52,449 OVER AND OVER AGAIN. 341 00:10:52,450 --> 00:10:54,251 LADIES, GETTING MARRIEDDOES NOT MEAN 342 00:10:54,252 --> 00:10:57,588 GIVING UP YOUR IDENTITYAND TAKING ON HIS. 343 00:10:57,589 --> 00:10:59,857 BE AN ISLAND. 344 00:10:59,858 --> 00:11:01,592 LET'S TAKE A CALL. 345 00:11:01,593 --> 00:11:04,361 ASHLEY, YOU'RE ON. 346 00:11:07,999 --> 00:11:09,900 WCV, TALK RADIO, HOW MAY I DIRECT YOUR CALL? 347 00:11:09,901 --> 00:11:11,635 UH, YEAH, I NEED TO SPEAKTO SONIA MEYRICK. 348 00:11:11,636 --> 00:11:12,636 HER CELL PHONE'S TURNED OFF. 349 00:11:12,637 --> 00:11:14,805 SORRY, I DON'T KNOW THAT NAME. 350 00:11:14,806 --> 00:11:17,007 SHE'S FILLING FOR DOCTOR, UH... SOMETHING OR OTHER. 351 00:11:17,008 --> 00:11:18,643 -WHO'S CALLING?-SCOTT. 352 00:11:20,278 --> 00:11:21,412 I'LL PATCH YOU IN. 353 00:11:21,413 --> 00:11:24,815 IT IS A DIRECTIVE FORHOW TO LIVE YOUR ENTIRE LIFE. 354 00:11:24,816 --> 00:11:28,552 "BE AN ISLAND" SHOULD BE YOUR TRUE NORTH. 355 00:11:28,553 --> 00:11:29,687 LINE TWO. 356 00:11:29,688 --> 00:11:31,555 SCOTT, THIS IS SONIA. 357 00:11:31,556 --> 00:11:33,991 YEAH, I KNOW. 358 00:11:33,992 --> 00:11:35,025 SCOTT! 359 00:11:35,026 --> 00:11:37,495 MY FIANCE IS CALLING ME AT WORK, THAT'S SO SWEET. 360 00:11:37,496 --> 00:11:39,897 HERE'S THE THING... 361 00:11:39,898 --> 00:11:45,069 WE'RE AT DIFFERENT JUNCTURESIN OUR LIVES RIGHT NOW. 362 00:11:45,070 --> 00:11:46,770 JUNCTURES? 363 00:11:46,771 --> 00:11:49,073 AND IT JUST BECAME SO CLEAR TO ME TONIGHT. 364 00:11:49,074 --> 00:11:51,008 WHAT? 365 00:11:51,009 --> 00:11:52,977 WE WANT DIFFERENT THINGS, OKAY? 366 00:11:52,978 --> 00:11:54,345 I DON'T WANT 50/50. 367 00:11:54,346 --> 00:11:55,513 I WANT SOMEONE 368 00:11:55,514 --> 00:11:59,783 WHO WILL DROP EVERYTHING AND BE THERE FOR ME, OKAY? 369 00:11:59,784 --> 00:12:01,385 I MEAN, I WANT TO VACATIONON AN ISLAND, 370 00:12:01,386 --> 00:12:02,754 I DON'T WANT TO MARRY ONE. 371 00:12:06,625 --> 00:12:10,494 ♪ ♪ 372 00:12:10,495 --> 00:12:13,797 YOU'RE BREAKING UP WITH ME... 373 00:12:13,798 --> 00:12:15,399 ON THE AIR? 374 00:12:15,400 --> 00:12:16,868 WE'RE ON THE AIR? 375 00:12:18,003 --> 00:12:19,004 YES. 376 00:12:20,906 --> 00:12:24,542 I'M SORRY, SONIA, I DIDN'T KNOW, BUT... 377 00:12:24,543 --> 00:12:26,577 LOOK, AT THIS JUNCTURE... 378 00:12:26,578 --> 00:12:28,545 JUNCTURE AGAIN? 379 00:12:28,546 --> 00:12:29,547 WHY DO YOU... 380 00:12:29,548 --> 00:12:31,616 WHY DO YOU KEEP SAYING THAT? 381 00:12:36,588 --> 00:12:38,857 I'M SORRY, SONIA. 382 00:12:46,965 --> 00:12:48,366 DEAD AIR. 383 00:12:50,936 --> 00:12:53,371 ARE YOU OKAY? 384 00:12:54,573 --> 00:12:57,574 DO YOU WANT ME TO PUT ONAN OLD DR. LYNNE TAPE, 385 00:12:57,575 --> 00:12:58,476 OR...? 386 00:13:02,380 --> 00:13:07,685 BEING DUMPED CAN BE EMPOWERING. 387 00:13:07,686 --> 00:13:13,457 ELEANOR ROOSEVELT ONCE SAIDTHAT A WOMAN IS LIKE A TEA BAG. 388 00:13:13,458 --> 00:13:18,128 YOU NEVER KNOW HOW STRONG SHE ISUNTIL SHE'S IN HOT WATER. 389 00:13:18,129 --> 00:13:24,902 SO, IF YOU FIND YOURSELFUNEXPECTEDLY SINGLE, 390 00:13:24,903 --> 00:13:29,373 YOU GOTTA GO FOR YOUR DREAMS... 391 00:13:29,374 --> 00:13:31,442 BECAUSE I SURE AM. 392 00:13:31,443 --> 00:13:35,846 THIS IS WCV, TALK RADIO, 393 00:13:35,847 --> 00:13:38,082 AND YOU'RE LISTENING TO SONIA. 394 00:13:38,083 --> 00:13:40,085 ♪ ♪ 395 00:13:44,389 --> 00:13:45,589 HOW COULD HEBREAK UP WITH ME ON THE AIR? 396 00:13:45,590 --> 00:13:48,859 I MEAN, WHY DIDN'T HE JUSTTAKE OUT AN AD IN THE PAPER? 397 00:13:48,860 --> 00:13:49,994 HE COULD HAVE TRIED SKY-WRITING. 398 00:13:49,995 --> 00:13:53,764 YOU KNOW WHOWE SHOULD CALL IS DR. LYNNE. 399 00:13:53,765 --> 00:13:54,798 OR BETTER YET, DR. PHIL. 400 00:13:54,799 --> 00:13:55,933 WHAT ABOUT DR. SEUSS, 401 00:13:55,934 --> 00:13:56,901 BECAUSE AS IT TURNS OUT 402 00:13:56,902 --> 00:13:58,702 I'VE BEEN DATINGAN INFANT FOR FIVE YEARS. 403 00:13:58,703 --> 00:13:59,903 YOU KNOW, I THINKYOU'RE BETTER OFF WITHOUT HIM. 404 00:13:59,904 --> 00:14:01,071 I KNOW. 405 00:14:01,072 --> 00:14:02,640 YOU KNOW WHAT YOU SHOULD DO, 406 00:14:02,641 --> 00:14:03,541 YOU SHOULD GO HOME, 407 00:14:03,542 --> 00:14:04,608 THROW ALL HIS STUFFIN A BOX, 408 00:14:04,609 --> 00:14:05,609 AND BURN IT. 409 00:14:05,610 --> 00:14:07,511 OR IF YOU JUSTWANT TO LET IT OUT 410 00:14:07,512 --> 00:14:09,613 AND HAVE A GOOD CRY, DO THAT 411 00:14:09,614 --> 00:14:11,782 I DON'T WANT TO CRY. 412 00:14:11,783 --> 00:14:14,852 I JUST... WANT MORE CHOCOLATE SAUCE. 413 00:14:14,853 --> 00:14:16,720 HEY, CAN WE GET SOME MORECHOCOLATE OVER HERE? 414 00:14:16,721 --> 00:14:17,855 YEAH, YOU GOT IT. 415 00:14:17,856 --> 00:14:18,956 HONEY, YOU'RE IN SHOCK. 416 00:14:18,957 --> 00:14:21,558 I MEAN, YOU'VE BEEN "SCOTT AND SONIA" FOREVER... 417 00:14:21,559 --> 00:14:22,926 "SONIA AND SCOTT." 418 00:14:22,927 --> 00:14:23,828 RIGHT. 419 00:14:23,829 --> 00:14:25,763 AND NOW... 420 00:14:25,764 --> 00:14:27,531 JUST SONIA. 421 00:14:27,532 --> 00:14:29,600 I RAN IT BY BRAD. 422 00:14:29,601 --> 00:14:31,068 AND WHAT DID HE SAY? 423 00:14:31,069 --> 00:14:32,102 I'M SORRY, MAN. 424 00:14:32,103 --> 00:14:34,071 HE WON'T CHANGE YOUR TIME SLOT. 425 00:14:34,072 --> 00:14:35,839 I THOUGHT YOU SAIDHE OWED YOU A FAVOR. 426 00:14:35,840 --> 00:14:37,941 APPARENTLY, THIS ONE'S TOO BIG. 427 00:14:37,942 --> 00:14:40,211 ALL RIGHT, THANKS FOR TRYING, MAN. 428 00:14:45,016 --> 00:14:46,985 I'M GOING NOWHERE, CLOONEY. 429 00:14:49,988 --> 00:14:52,090 WANNA GO FOR A WALK? 430 00:14:54,726 --> 00:14:56,460 CAN'T EVEN GET MY DOGTO TALK TO ME? 431 00:14:56,461 --> 00:14:59,931 THAT'S AWESOME. 432 00:15:01,032 --> 00:15:03,600 NO, NO, BY ALL MEANS, YOU STAY THERE. 433 00:15:03,601 --> 00:15:04,802 MAKE YOURSELF AT HOME. 434 00:15:04,803 --> 00:15:07,104 I'LL JUST GO DO IT BY MYSELF. 435 00:15:07,105 --> 00:15:09,841 ♪ ♪ 436 00:15:23,521 --> 00:15:24,555 HI, TANYA. 437 00:15:24,556 --> 00:15:25,622 HEY. 438 00:15:25,623 --> 00:15:26,857 I'M JUST CHECKING IN. YOU OKAY? 439 00:15:26,858 --> 00:15:29,193 I'M JUST GETTING RID OFA FEW THINGS. 440 00:15:29,194 --> 00:15:32,529 I REALLY THINK YOU SHOULD PACK UP HIS STUFF AND DUMP IT. 441 00:15:32,530 --> 00:15:33,797 I HAVE. 442 00:15:33,798 --> 00:15:34,898 GOOD. 443 00:15:34,899 --> 00:15:36,000 SEE YOU LATER. 444 00:15:37,135 --> 00:15:39,938 ♪ ♪ 445 00:16:24,682 --> 00:16:28,085 HEY, I HEARD IT. 446 00:16:28,086 --> 00:16:29,020 WHAT? 447 00:16:29,021 --> 00:16:30,921 I HEARDTHE WHOLE THING. 448 00:16:30,922 --> 00:16:33,223 ON THE RADIO. 449 00:16:33,224 --> 00:16:35,025 I GOTTA SAY, 450 00:16:35,026 --> 00:16:36,994 I NEVER REALLYLIKED THAT GUY. 451 00:16:36,995 --> 00:16:38,595 NEVER LIKED HIM. 452 00:16:38,596 --> 00:16:40,564 HE NEVER LOOKED MEIN THE EYE. 453 00:16:40,565 --> 00:16:43,567 HE NEVERSHOOK MY HAND, EVER. 454 00:16:43,568 --> 00:16:44,569 WHAT ARE YOU DOING? 455 00:16:46,871 --> 00:16:48,706 WOW, THAT'STO THE POINT. 456 00:16:57,849 --> 00:16:59,551 YOU CAN DO BETTER. 457 00:17:03,922 --> 00:17:06,958 THANKS, GUS. 458 00:18:09,954 --> 00:18:11,154 HERE YOU GO, MA'AM. 459 00:18:11,155 --> 00:18:12,156 THANK YOU. 460 00:18:18,630 --> 00:18:20,063 OH! 461 00:18:20,064 --> 00:18:20,999 AH! 462 00:18:21,000 --> 00:18:22,065 OH, I'M SO... 463 00:18:22,066 --> 00:18:23,734 WOW, THAT'S... THAT'S COLD. 464 00:18:23,735 --> 00:18:25,903 I'M SORRY.I'M REALLY SORRY. 465 00:18:25,904 --> 00:18:26,871 I DIDN'TSEE YOU THERE. 466 00:18:26,871 --> 00:18:27,739 YEAH, YOU WERE TWALKING. 467 00:18:27,739 --> 00:18:28,406 "TWALKING?" 468 00:18:28,407 --> 00:18:30,340 TEXTING AND WALKING. 469 00:18:30,341 --> 00:18:32,142 OH. 470 00:18:32,143 --> 00:18:33,844 CAN I GETSOME NAPKINS, PLEASE? 471 00:18:33,845 --> 00:18:35,879 HERE, LET ME HELP YOU. 472 00:18:35,880 --> 00:18:37,047 I'LL GET SOMENAPKINS RIGHT HERE, 473 00:18:37,048 --> 00:18:38,115 AND I'M REALLY SORRY... 474 00:18:38,116 --> 00:18:40,183 IT'S OKAY, I GOT IT, I GOT IT. 475 00:18:40,184 --> 00:18:41,986 THANK YOU. 476 00:18:44,188 --> 00:18:45,889 UH, I WILL TAKETHAT POPCORN, THOUGH. 477 00:18:45,890 --> 00:18:47,324 THANKS. 478 00:18:47,325 --> 00:18:49,893 I'M NOT USUALLYTHIS CLUMSY, 479 00:18:49,894 --> 00:18:51,094 I'M JUST... 480 00:18:51,095 --> 00:18:52,095 UPSET? 481 00:18:52,096 --> 00:18:53,363 YEAH. 482 00:18:53,364 --> 00:18:55,666 THAT OBVIOUS? 483 00:18:55,667 --> 00:18:57,167 OH, JUST A LITTLE BIT. 484 00:18:57,168 --> 00:18:58,302 WHAT? 485 00:18:58,303 --> 00:19:00,037 WELL, THAT'S WHATAFTERNOON MOVIES ARE FOR, 486 00:19:00,038 --> 00:19:01,138 RIGHT? 487 00:19:01,139 --> 00:19:04,107 THAT AND YOU GOT YOURKATHARINE HEPBURN. 488 00:19:04,108 --> 00:19:06,977 ACTUALLY, IT'SAUDREY HEPBURN. 489 00:19:06,978 --> 00:19:09,813 THEY'RE NOTTHE SAME PERSON? 490 00:19:09,814 --> 00:19:10,814 I'M KIDDING. 491 00:19:10,815 --> 00:19:12,082 I KNOW WHOAUDREY HEPBURN IS. 492 00:19:12,083 --> 00:19:14,251 I WAS ACTUALLY JUSTCOMING FOR THE POPCORN, 493 00:19:14,252 --> 00:19:17,454 BUT, UM, MAYBE I'LL SEEA COUPLE MINUTES. 494 00:19:17,455 --> 00:19:18,455 IT'S ABOUT TO START, 495 00:19:18,456 --> 00:19:20,891 SO WE SHOULD PROBABLYGET IN THERE. 496 00:19:20,892 --> 00:19:23,260 I CONSIDER IT A FELONYTO GET INTO THE THEATRE 497 00:19:23,261 --> 00:19:25,195 AFTER THE LIGHTSHAVE DIMMED. 498 00:19:25,196 --> 00:19:27,064 NO ARGUMENT THERE. 499 00:19:27,065 --> 00:19:28,198 I'M SORRYABOUT YOUR SHIRT. 500 00:19:28,199 --> 00:19:31,101 OH, IT'S ALL RIGHT, LIFE HAPPENS. 501 00:19:31,102 --> 00:19:32,003 NICK. 502 00:19:32,004 --> 00:19:33,303 SONIA. 503 00:19:33,304 --> 00:19:35,305 I FEEL LIKE I KNOW YOU.HAVE WE MET BEFORE? 504 00:19:35,306 --> 00:19:36,440 I DON'T THINK SO. 505 00:19:36,441 --> 00:19:37,441 I LIVE INTHE NEIGHBORHOOD. 506 00:19:37,442 --> 00:19:38,442 ME TOO. 507 00:19:38,443 --> 00:19:40,143 OH, YEAH, WABASH AND OHIO. 508 00:19:40,144 --> 00:19:41,445 THE ROW OF TOWNHOUSES? 509 00:19:41,446 --> 00:19:43,113 I'M RIGHT AT THE ENDOF THE STREET, AT THE EL. 510 00:19:43,114 --> 00:19:44,181 THAT'S CLOSE. 511 00:19:44,182 --> 00:19:45,349 NICE TO MEET YOU, NEIGHBOR. 512 00:19:45,350 --> 00:19:47,818 NICE TO MEET YOU, TOO. 513 00:19:47,819 --> 00:19:49,987 WE'RE NOT GOING TO SITNEXT TO EACH OTHER, ARE WE? 514 00:19:49,988 --> 00:19:51,888 OH, NO, NO, NO, THAT WOULD BE WEIRD. 515 00:19:51,889 --> 00:19:52,990 A LITTLE. 516 00:19:52,991 --> 00:19:54,358 I'LL JUST SITONE ROW BEHIND YOU, 517 00:19:54,359 --> 00:19:56,727 AND, YOU KNOW, HAND YOU NAPKINS. 518 00:19:56,728 --> 00:19:58,328 THAT'S FUNNY. 519 00:19:58,329 --> 00:20:01,499 ♪ ♪ 520 00:20:16,214 --> 00:20:17,181 DID YOU NOTICE 521 00:20:17,182 --> 00:20:19,783 THAT I WAS THE ONLYMAN IN THERE? 522 00:20:19,784 --> 00:20:21,018 WELL, THERE WAS ONE OTHER, 523 00:20:21,019 --> 00:20:22,419 BUT HE HAD A FLASHLIGHTAND A BROOM. 524 00:20:23,355 --> 00:20:25,155 I'M PICKING THE MOVIENEXT TIME. 525 00:20:25,156 --> 00:20:26,857 NEXT TIME? 526 00:20:26,858 --> 00:20:28,125 OUR SECOND DATE. 527 00:20:28,126 --> 00:20:30,460 WAIT, THIS WASN'T A DATE. 528 00:20:30,461 --> 00:20:32,796 YOU SAT A ROWBEHIND ME. 529 00:20:32,797 --> 00:20:33,997 I WAS MEANING TO TALKTO YOU ABOUT THAT. 530 00:20:33,998 --> 00:20:36,066 YOU HAVE A FREAKISHLYLARGE HEAD. 531 00:20:36,067 --> 00:20:37,134 I DO NOT. 532 00:20:37,135 --> 00:20:38,802 WHAT HAT SIZE IS THAT, IS THAT, LIKE, A JUMBO? 533 00:20:38,803 --> 00:20:39,470 7 1/2. 534 00:20:39,471 --> 00:20:40,771 WHAT ARE YOUTALKING ABOUT? 535 00:20:40,772 --> 00:20:42,506 NOW THERE'S DEFINITELY NOTGOING TO BE A SECOND DATE. 536 00:20:42,507 --> 00:20:45,409 BESIDES, I'M NOT DATING. 537 00:20:45,410 --> 00:20:47,511 BOYFRIEND? 538 00:20:47,512 --> 00:20:48,879 FIANCE. 539 00:20:48,880 --> 00:20:50,480 EX. 540 00:20:50,481 --> 00:20:52,949 HOW EX? 541 00:20:52,950 --> 00:20:54,117 YESTERDAY. 542 00:20:55,253 --> 00:20:56,987 AT LEAST YOU'VE HADTIME TO GET OVER IT. 543 00:20:56,988 --> 00:20:58,155 HERE'S YOUR CAPPUCCINO. 544 00:20:58,156 --> 00:21:00,457 ONE MINUTE, WE'RE PICKING OUTFLOWER ARRANGEMENTS 545 00:21:00,458 --> 00:21:01,858 FOR OUR WEDDING, 546 00:21:01,859 --> 00:21:03,193 THE NEXT MINUTE, HE TELLS ME 547 00:21:03,194 --> 00:21:05,762 THAT, YOU KNOW, WE'VE GROWN APART. 548 00:21:05,763 --> 00:21:07,297 MUST HAVE BEENSOME TOXIC FLOWERS. 549 00:21:07,298 --> 00:21:08,465 WHAT ARE YOU DRINKING? 550 00:21:08,466 --> 00:21:10,834 I MEAN, UH... 551 00:21:10,835 --> 00:21:11,803 AN ICE-BLENDED MOCHA. 552 00:21:11,804 --> 00:21:13,236 ICE-BLENDED MOCHA. 553 00:21:13,237 --> 00:21:15,005 YEAH, HE WANTED METO DROP EVERYTHING 554 00:21:15,006 --> 00:21:17,474 SO I'D BE ON HIS ARMAT PARTIES, AND DINNERS, 555 00:21:17,475 --> 00:21:18,542 AND SOUTH BEACH, 556 00:21:18,543 --> 00:21:20,243 AND I HAD TO CHANGE MY HAIR, AND MY CLOTHES, 557 00:21:20,244 --> 00:21:22,345 AND LIVE IN SOMEOVER-PRICED PENTHOUSE 558 00:21:22,346 --> 00:21:25,048 WITH THE... YOU KNOW, THAT WAS TOO BIG. 559 00:21:25,049 --> 00:21:26,249 SOUNDS LIKE A JERK. 560 00:21:26,250 --> 00:21:28,051 CAN I GET ONE OFTHOSE CRULLERS, TOO, PLEASE? 561 00:21:28,052 --> 00:21:29,219 CRULLERS HEREARE AMAZING. 562 00:21:29,220 --> 00:21:31,822 I'VE DONE ENOUGH DAMAGETODAY, THANKS. 563 00:21:31,823 --> 00:21:33,223 THANK YOU. 564 00:21:33,224 --> 00:21:35,225 WELL, I THINKYOU DODGED A BULLET. 565 00:21:35,226 --> 00:21:37,060 I SHOULD KNOW, I'VE DODGED MANY. 566 00:21:37,061 --> 00:21:38,895 I'VE EVEN BEEN GRAZED ONCE. 567 00:21:38,896 --> 00:21:40,530 YOU SURVIVED. 568 00:21:40,531 --> 00:21:42,866 YEAH, I ONLY THINK ABOUT HERONCE A YEAR NOW. 569 00:21:42,867 --> 00:21:44,334 AW. VALENTINE'S DAY? 570 00:21:44,335 --> 00:21:46,069 BLACK FRIDAY. 571 00:21:47,105 --> 00:21:48,338 I THINK I WANT A CRULLER. 572 00:21:48,339 --> 00:21:49,339 YES. 573 00:21:49,340 --> 00:21:50,440 I'M GOING TO NEEDA CRULLER. 574 00:21:50,441 --> 00:21:51,475 GOOD CHOICE. 575 00:21:51,476 --> 00:21:53,143 YEAH, ALL RIGHT, LET ME GET THIS. 576 00:21:53,144 --> 00:21:54,144 MY TREAT. 577 00:21:54,145 --> 00:21:55,479 -I INSIST.-NO. 578 00:21:55,480 --> 00:21:56,913 DON'T MAKE A BIG THINGOUT OF IT. 579 00:21:56,914 --> 00:21:58,281 YOU'RE THE ONE THAT'S MAKINGA BIG THING OUT OF IT. 580 00:21:58,282 --> 00:22:00,250 WHAT IS THIS, LIKE A POWER THING? 581 00:22:00,251 --> 00:22:01,418 WELL, YEAH. 582 00:22:01,419 --> 00:22:02,452 YOU BUY ME COFFEE, 583 00:22:02,453 --> 00:22:03,887 THE NEXT THING YOU KNOW, I'M INDEBTED TO YOU. 584 00:22:03,888 --> 00:22:04,988 YOU'VE GOT TO BE KIDDING ME. 585 00:22:04,989 --> 00:22:06,389 IT'S JUST COFFEE. 586 00:22:06,390 --> 00:22:07,358 IT'S NOT JUST COFFEE. 587 00:22:07,359 --> 00:22:09,125 COFFEE IS NEVER JUST COFFEE. 588 00:22:09,126 --> 00:22:10,260 RIGHT? IT BECOMES DRINKS, 589 00:22:10,261 --> 00:22:11,261 THEN IT BECOMES DINNER, AND DATES, 590 00:22:11,262 --> 00:22:13,096 AND THE NEXT THING YOU KNOW, 591 00:22:13,097 --> 00:22:14,197 YOU'RE TRYING TO TAKE OVERMY ENTIRE LIFE. 592 00:22:14,198 --> 00:22:15,499 THANKS. 593 00:22:15,500 --> 00:22:17,134 OKAY, YOU KNOW WHAT, YOU WANT TO PAY, PAY. 594 00:22:17,135 --> 00:22:19,269 WHILE YOU'RE AT IT, WHY DON'T YOU PAY FOR THIS? 595 00:22:19,270 --> 00:22:20,403 AND, UH... 596 00:22:20,404 --> 00:22:21,605 HERE'S MY DRY CLEANING BILL, YOU COULD PAY FOR THAT... 597 00:22:21,606 --> 00:22:22,839 YOU THINKTHIS IS FUNNY? 598 00:22:22,840 --> 00:22:23,574 YEAH, I DO, KIND OF. 599 00:22:23,575 --> 00:22:25,308 IT'S NOT FUNNY TO ME. 600 00:22:25,309 --> 00:22:27,144 TELL YOU WHAT, WE'LL SPLIT IT. 601 00:22:27,145 --> 00:22:30,013 THAT WAY, YOU DON'THAVE TO FEEL INDEBTED TO ME, 602 00:22:30,014 --> 00:22:31,214 AND I DON'T HAVE TO BE, UH... 603 00:22:31,215 --> 00:22:32,315 WHAT? 604 00:22:32,316 --> 00:22:33,850 -NOTHING.-SAY IT. 605 00:22:33,851 --> 00:22:35,418 EMASCULATED. 606 00:22:35,419 --> 00:22:36,419 LIKE YOUR FIANCE. 607 00:22:36,420 --> 00:22:38,489 EX-FIANCE. 608 00:22:40,591 --> 00:22:41,992 KEEP THE CHANGE. 609 00:22:41,993 --> 00:22:43,927 THANK YOU. 610 00:22:43,928 --> 00:22:45,362 AND I'M SORRY I LET YOUSIT BEHIND ME! 611 00:22:45,363 --> 00:22:48,164 YEAH, YOU AND ME BOTH.UNBELIEVABLE. 612 00:22:48,165 --> 00:22:49,599 OUR TWITTER IS BLOWING UP. 613 00:22:49,600 --> 00:22:50,901 YOU'RE TRENDING. 614 00:22:50,902 --> 00:22:51,869 WHAT? 615 00:22:51,870 --> 00:22:53,537 "DUMPEDON THE RADIO GIRL"? 616 00:22:53,538 --> 00:22:55,505 HASHTAG EXCRUCIATING? 617 00:22:55,506 --> 00:22:57,207 -GREAT.-IT IS. 618 00:22:57,208 --> 00:22:58,208 YOU'RE GETTINGMORE PUBLICITY 619 00:22:58,209 --> 00:22:59,509 THAN DR. LYNNE EVER DID. 620 00:22:59,510 --> 00:23:01,077 IT'S AWESOME. 621 00:23:01,078 --> 00:23:02,479 SO, I WENT TO THE MOVIES 622 00:23:02,480 --> 00:23:03,414 THIS AFTERNOON 623 00:23:03,415 --> 00:23:04,415 TO GET SOME POPCORN, 624 00:23:04,416 --> 00:23:06,049 AND I MET THIS BEREFT WOMAN, 625 00:23:06,050 --> 00:23:08,251 WHO HAD BEEN DUMPED BY HER FIANCE, 626 00:23:08,252 --> 00:23:10,287 AND I GOTTA ADMIT MY HEART WENT OUT TO HER 627 00:23:10,288 --> 00:23:11,555 FOR A MINUTE. 628 00:23:11,556 --> 00:23:14,357 APPARENTLY, I HAVE FOUND THE WAY 629 00:23:14,358 --> 00:23:16,459 TO GET THE WOMAN TO PAY FOR THE DATE. 630 00:23:16,460 --> 00:23:17,527 JUST OFFER TO GET IT. 631 00:23:17,528 --> 00:23:18,628 SHE'LL GET ALL DEFENSIVE 632 00:23:18,629 --> 00:23:20,630 AND WANT TO PAYFOR THE CHECK HERSELF. 633 00:23:20,631 --> 00:23:22,165 I WAS NOT DEFENSIVE! 634 00:23:22,166 --> 00:23:25,235 GUYS, WHY DO WE INSISTON GETTING ENGAGED TO SOMEONE 635 00:23:25,236 --> 00:23:27,604 WE KNOW WE DON'T WANT TO MARRY? 636 00:23:27,605 --> 00:23:29,940 IS THERE NOT A WAY TO SAY NO 637 00:23:29,941 --> 00:23:31,241 BEFORE WE GET TO THE FLORIST? 638 00:23:31,242 --> 00:23:32,943 YOU! 639 00:23:32,944 --> 00:23:33,944 WHAT? UH... 640 00:23:33,945 --> 00:23:35,278 I KNOW YOU. 641 00:23:35,279 --> 00:23:36,414 WHAT IS HAPPENING HERE? 642 00:23:38,649 --> 00:23:40,216 SONIA? 643 00:23:40,217 --> 00:23:42,352 YOU'RE NICK LYNDON? 644 00:23:42,353 --> 00:23:44,354 THAT WOULD BE ME, ON AIR, DOING A SHOW. 645 00:23:44,355 --> 00:23:45,622 YOU MEAN TELLING YOURCAVE-DWELLING LISTENERS 646 00:23:45,623 --> 00:23:47,257 ABOUT ME. 647 00:23:47,258 --> 00:23:48,892 LISTENERS, I BELIEVEWE HAVE A STALKER 648 00:23:48,893 --> 00:23:49,960 LIVE IN THE STUDIO. 649 00:23:49,961 --> 00:23:51,161 WHAT MAKES YOU THINKI WOULD STALK YOU? 650 00:23:51,162 --> 00:23:53,196 YOU'RE IN MY STUDIO? 651 00:23:53,197 --> 00:23:54,197 EVER HEARD OFTHE DR. LYNNE SHOW? 652 00:23:54,198 --> 00:23:55,532 I'M NOT THE ONEWHO NEEDS THERAPY. 653 00:23:55,533 --> 00:23:57,033 NO, NO, NO, NICK, SHE'S SUBBING FOR DR. LYNNE. 654 00:23:57,034 --> 00:23:58,034 WHAT? 655 00:23:58,035 --> 00:24:00,003 I'M SUBBING FOR DR. LYNNE. 656 00:24:00,004 --> 00:24:02,038 WE'RE GONNA TAKEA SHORT BREAK. 657 00:24:02,039 --> 00:24:03,039 THIS IS NICK'S MAN CAVE. 658 00:24:03,040 --> 00:24:04,908 YOU'RE LISTENING TOWCV TALK RADIO, 659 00:24:04,909 --> 00:24:06,042 AND WE'LL BE BACK 660 00:24:06,043 --> 00:24:08,111 AFTER WE SELL YOU SOME... STUFF. 661 00:24:08,112 --> 00:24:10,413 NO, NO, THIS IS GOLD. 662 00:24:10,414 --> 00:24:11,414 I WAS LOOKINGTO BUY SOME POPCORN. 663 00:24:11,415 --> 00:24:12,383 AT MY THEATER. 664 00:24:12,384 --> 00:24:13,416 YOUR THEATER? 665 00:24:13,417 --> 00:24:14,417 WHAT GIVES YOU THE RIGHT 666 00:24:14,418 --> 00:24:15,418 TO TALK TO YOUR LISTENERSABOUT ME? 667 00:24:15,419 --> 00:24:16,453 IT'S MY SHOW, 668 00:24:16,454 --> 00:24:17,654 I CAN PRETTY MUCH TALK ABOUTANYTHING I WANT. 669 00:24:17,655 --> 00:24:18,655 THEN YOU WON'T MIND 670 00:24:18,656 --> 00:24:19,656 IF I TALK TO MY LISTENERSABOUT YOU. 671 00:24:19,657 --> 00:24:21,124 I'VE GOT NOTHING TO HIDE. 672 00:24:21,125 --> 00:24:22,158 BLACK FRIDAY? 673 00:24:22,159 --> 00:24:23,960 AUDREY HEPBURNNEVER GOT MARRIED, DID SHE? 674 00:24:23,961 --> 00:24:25,562 THAT'S KATHARINE HEPBURN. 675 00:24:25,563 --> 00:24:26,663 WHO CARES. 676 00:24:26,664 --> 00:24:27,565 I COULDN'T SEE HERBECAUSE OF YOUR GIANT HEAD. 677 00:24:27,566 --> 00:24:29,199 MY HEAD'S BIGGERTHAN YOUR FUTURE. 678 00:24:29,200 --> 00:24:30,567 NO WONDER 679 00:24:30,568 --> 00:24:31,635 YOUR FIANCE LEFT YOU. 680 00:24:31,636 --> 00:24:33,703 NICK WAS BURNEDBY A WOMAN, 681 00:24:33,704 --> 00:24:36,239 SO HE CREATES A SHOWCALLED "THE MAN CAVE" 682 00:24:36,240 --> 00:24:37,407 WHERE HE GIVES TERRIBLE ADVICE 683 00:24:37,408 --> 00:24:39,209 TO UNSUSPECTING MEN 684 00:24:39,210 --> 00:24:42,078 ABOUT HOW THEY SHOULD AVOIDRELATIONSHIPS AND COMMITMENT, 685 00:24:42,079 --> 00:24:44,614 ALL FROM THE SAFETYOF HIS GLASS-ENCLOSED BOOTH. 686 00:24:44,615 --> 00:24:46,149 I THINK WE'RE DONE HERE. 687 00:24:46,150 --> 00:24:47,717 OH, WE ARESO DONE HERE. 688 00:24:47,718 --> 00:24:52,356 SO COMPLETELYAND IRREVOCABLY DONE. 689 00:25:04,602 --> 00:25:05,603 SONIA, COME IN. 690 00:25:13,577 --> 00:25:15,011 BRAD, THANK YOU SO MUCH FOR... 691 00:25:15,012 --> 00:25:16,012 WHY IS HE HERE? 692 00:25:16,013 --> 00:25:17,414 BRAD ASKED ME INFOR A MEETING. 693 00:25:17,415 --> 00:25:18,548 YES, I DID. 694 00:25:18,549 --> 00:25:19,549 I CAN WAIT OUTSIDE.I'LL... 695 00:25:19,550 --> 00:25:20,583 NO, YOU ARE THE MEETING. 696 00:25:20,584 --> 00:25:21,519 WHY? 697 00:25:21,520 --> 00:25:22,652 WHO WALKS INWHEN SOMEONE'S ON THE AIR 698 00:25:22,653 --> 00:25:23,753 AND STARTS YELLING AT THEM? 699 00:25:23,754 --> 00:25:25,088 I'M SORRYABOUT THAT... 700 00:25:25,089 --> 00:25:26,289 AND YOU, YOU'VE BEENINTERESTED IN MORNING HOURS... 701 00:25:26,290 --> 00:25:27,290 YEAH, I'VE BEEN... 702 00:25:27,291 --> 00:25:28,291 THE SHOW JUSTWENT VIRAL. 703 00:25:28,292 --> 00:25:29,492 THE OWNER OF THE STATIONJUST CALLED... 704 00:25:29,493 --> 00:25:30,694 LOOK, I APOLOGIZE... 705 00:25:30,695 --> 00:25:32,429 ...LOVING IT. 706 00:25:32,430 --> 00:25:33,530 SO, YOU'RE GOING TO GETTHE NEW TIME SLOT 707 00:25:33,531 --> 00:25:34,564 THAT YOU WANT, 708 00:25:34,565 --> 00:25:35,665 BECAUSE I'M PUTTINGTHE TWO OF YOU TOGETHER 709 00:25:35,666 --> 00:25:36,634 ON THE MORNING SHOW. 710 00:25:36,635 --> 00:25:37,635 OH, NO. 711 00:25:37,636 --> 00:25:38,636 OH, YES. 712 00:25:38,637 --> 00:25:39,637 AND IF THE ATTENTIONTHAT YOU'VE GOTTEN 713 00:25:39,638 --> 00:25:40,638 IS ANY INDICATION, 714 00:25:40,639 --> 00:25:42,639 YOU TWO ARE GOING TO BEWORKING TOGETHER 715 00:25:42,640 --> 00:25:45,108 FOR THE REST OF YOUR LIVES. 716 00:25:45,109 --> 00:25:46,710 OKAY, WELL, HEAR ME OUT. 717 00:25:46,711 --> 00:25:50,380 SO, WHAT IS THE WORSTTHING IN RADIO, HMM? 718 00:25:50,381 --> 00:25:51,248 COME ON. 719 00:25:51,249 --> 00:25:52,582 DEAD AIR. 720 00:25:52,583 --> 00:25:56,052 NOW, WITH YOU AND MAN CAVE, WE WILL NOT HAVE THAT PROBLEM. 721 00:25:56,053 --> 00:25:58,455 OH, HEY, SIR, CAN I HAVE ANOTHER ONE, PLEASE? 722 00:25:58,456 --> 00:25:59,723 KEEP THEM COMING. 723 00:25:59,724 --> 00:26:01,424 SONIA, IT'S NOT THAT BAD. 724 00:26:01,425 --> 00:26:02,293 IT'S NOT THE END OF THE WORLD. 725 00:26:02,294 --> 00:26:04,060 WHEN I GAVE SCOTT BACK HIS RING, 726 00:26:04,061 --> 00:26:06,229 I TOLD HIM I WAS GOING TOFLOURISH WITHOUT HIM. 727 00:26:06,230 --> 00:26:07,430 QUITTING MY JOB 728 00:26:07,431 --> 00:26:10,066 DOES NOT EXACTLY ENCOMPASSWHAT I SET OUT TO DO. 729 00:26:10,067 --> 00:26:11,201 OKAY, SO DON'T QUIT. 730 00:26:11,202 --> 00:26:12,136 I CAN'T SPEND ALL DAY, 731 00:26:12,137 --> 00:26:13,137 EVERY DAY, 732 00:26:13,138 --> 00:26:15,238 TRAPPED IN A ROOMWITH THAT BARBARIAN. 733 00:26:15,239 --> 00:26:16,740 YES, YOU CAN, 734 00:26:16,741 --> 00:26:18,708 BECAUSE BRADIS LETTING ME PRODUCE, 735 00:26:18,709 --> 00:26:20,143 AND YOU KNOWMORE THAN ANYONE 736 00:26:20,144 --> 00:26:21,211 HOW BADLYI'VE BEEN WANTING 737 00:26:21,212 --> 00:26:22,412 TO DO A MORNING SHOW. 738 00:26:22,413 --> 00:26:25,115 -THERE YOU GO, LADIES.-THANK YOU. 739 00:26:25,116 --> 00:26:26,182 OH, NO, I'M NOT DONE. 740 00:26:26,183 --> 00:26:27,384 BESIDES, 741 00:26:27,385 --> 00:26:29,453 YOU'VE ALREADYBEEN PUBLICLY HUMILIATED. 742 00:26:30,421 --> 00:26:31,688 YOU'VE GOT NOTHING TO LOSE. 743 00:26:31,689 --> 00:26:32,722 SIR? 744 00:26:32,723 --> 00:26:34,424 IS THERE ANY WAYTO MAKE THESE STRONGER? 745 00:26:34,425 --> 00:26:36,726 SHE JUST SABOTAGEDMY WHOLE CAREER. 746 00:26:36,727 --> 00:26:38,027 I'VE BEEN DOINGTHAT SHOW FOR YEARS, 747 00:26:38,028 --> 00:26:40,029 AND SHE COMES IN, AND, IN ONE DAY, SHE RUINS IT. 748 00:26:40,030 --> 00:26:41,397 I DON'T EVEN KNOWWHY WAS I NICE TO HER. 749 00:26:41,398 --> 00:26:43,233 BECAUSE YOU WEREHITTING ON HER? 750 00:26:43,234 --> 00:26:44,667 WELL, I SHOULD HAVE BEENHITTING MY FACE 751 00:26:44,668 --> 00:26:46,069 AGAINST A BRICK. 752 00:26:46,070 --> 00:26:47,370 I'LL CALL. 753 00:26:49,540 --> 00:26:51,508 SHE SHOULD BE KISSINGTHE GROUND I WALK ON. 754 00:26:51,509 --> 00:26:54,244 I HANDED HERTHE PINNACLE OF RADIO, 755 00:26:54,245 --> 00:26:56,279 A MORNING SHOW IN ONEOF THE BIGGEST MARKETS. 756 00:26:56,280 --> 00:26:58,782 SHE'S BEEN AT WCV FORALL OF WHAT, FIVE MINUTES? 757 00:27:01,252 --> 00:27:02,519 YOU'RE LAUGHING? 758 00:27:02,520 --> 00:27:03,620 I'M SORRY, I'VE JUST NEVER SEEN YOU 759 00:27:03,621 --> 00:27:06,189 GET YOU SO RILED UP BEFORE. 760 00:27:06,190 --> 00:27:07,091 WELL... 761 00:27:07,092 --> 00:27:08,658 MAYBE ONCE. 762 00:27:08,659 --> 00:27:09,793 SO, IS THE MAN CAVE GONEOR WHAT? 763 00:27:09,794 --> 00:27:10,728 HOW SHOULD I KNOW? 764 00:27:10,729 --> 00:27:12,529 THIS IS ALL NEWS TO ME. 765 00:27:12,530 --> 00:27:15,231 WELL, I, FOR ONE, WILL BE CELEBRATING, 766 00:27:15,232 --> 00:27:17,100 BECAUSE YOUR SHOWWAS DESPICABLE. 767 00:27:17,101 --> 00:27:17,768 THANK YOU, SIS. 768 00:27:17,769 --> 00:27:19,335 WELL, IT WAS. 769 00:27:19,336 --> 00:27:20,370 WELL, I LIKED IT, 770 00:27:20,371 --> 00:27:21,738 ALTHOUGH YOURRELATIONSHIP ADVICE 771 00:27:21,739 --> 00:27:23,540 DIDN'T REALLY WORK OUTTOO WELL FOR ME. 772 00:27:23,541 --> 00:27:24,508 YET. 773 00:27:24,509 --> 00:27:26,609 AND IT WON'T. 774 00:27:26,610 --> 00:27:29,245 ALL I KNOW IS, I GOTTA GET RID OF HER. 775 00:27:29,246 --> 00:27:30,513 YOU KNOW, THE WORST THING ON RADIO 776 00:27:30,514 --> 00:27:31,682 IS NOT DEAD AIR. 777 00:27:34,251 --> 00:27:36,320 IT'S HIM. 778 00:27:46,564 --> 00:27:47,764 NICK? 779 00:27:47,765 --> 00:27:49,299 HI. AMANDA LAZARO. 780 00:27:49,300 --> 00:27:50,333 I'M A HUGE FAN. 781 00:27:50,334 --> 00:27:51,701 -REALLY?-YEAH. 782 00:27:51,702 --> 00:27:53,169 WHY? 783 00:27:53,170 --> 00:27:55,238 WELL, NOT THAT I NECESSARILYAGREE WITH EVERYTHING YOU SAY, 784 00:27:55,239 --> 00:27:56,539 BUT I, UH, I LIKE YOUR STYLE. 785 00:27:56,540 --> 00:27:57,707 WELL, THANK YOU. 786 00:27:57,708 --> 00:27:59,509 YOU, UH, YOU DOTHE COOKING SHOW? 787 00:27:59,510 --> 00:28:00,743 LIFESTYLE. 788 00:28:00,744 --> 00:28:01,712 ALTHOUGH I DO COOK. 789 00:28:01,713 --> 00:28:03,580 WELL, THAT'S A COINCIDENCE.I EAT. 790 00:28:03,581 --> 00:28:05,248 OH, WELL, LUCKY ME. 791 00:28:06,350 --> 00:28:08,852 I ALSO HAPPEN TO HAVEMY REEL WITH ME. 792 00:28:08,853 --> 00:28:09,753 BETWEEN YOU AND ME, 793 00:28:09,754 --> 00:28:11,754 I AM REALLY HOPINGTO GET INTO TV, 794 00:28:11,755 --> 00:28:12,889 SO IF YOU HAPPENTO KNOW ANYONE... 795 00:28:12,890 --> 00:28:14,557 UNFORTUNATELY, ALL THE PEOPLE I KNOW 796 00:28:14,558 --> 00:28:16,125 ARE BASICALLY USELESS. 797 00:28:16,126 --> 00:28:17,427 KEEP IT.YOU NEVER KNOW. 798 00:28:17,428 --> 00:28:19,329 AND WHEN YOU SHOW UPTOMORROW, SHOW UP HUNGRY. 799 00:28:19,330 --> 00:28:21,631 I'M ON RIGHT AFTER YOU, AND I ALWAYS HAVE FOOD. 800 00:28:21,632 --> 00:28:23,299 OKAY. 801 00:28:23,300 --> 00:28:24,567 THIS MORNING GIGHAS SOME PERKS. 802 00:28:24,568 --> 00:28:25,902 AND I SPOKE TOO SOON. 803 00:28:25,903 --> 00:28:27,136 SONIA! AMANDA LAZARO, BIG FAN. 804 00:28:27,137 --> 00:28:28,204 HI! 805 00:28:28,205 --> 00:28:30,673 THE CHEMISTRYBETWEEN YOU TWO... 806 00:28:30,674 --> 00:28:31,674 FLAWLESS. 807 00:28:31,675 --> 00:28:32,675 KNOCK 'EM DEAD. 808 00:28:32,676 --> 00:28:34,377 THANK YOU. 809 00:28:34,378 --> 00:28:35,712 I SAY, JUST HAVE FUN. 810 00:28:35,713 --> 00:28:37,146 LOVE IS DRAMA. 811 00:28:37,147 --> 00:28:39,249 LOVE HAS THE POWERTO BREAK YOUR HEART 812 00:28:39,250 --> 00:28:40,750 AND MAKE YOU SICK. 813 00:28:40,751 --> 00:28:42,285 -WHO NEEDS THAT?-THAT'S NOT LOVE. 814 00:28:42,286 --> 00:28:43,553 THAT'S A COUNTRY WESTERN SONG. 815 00:28:43,554 --> 00:28:46,356 YOU CAN BE IN LOVEAND NOT GET LOST IN IT. 816 00:28:46,357 --> 00:28:47,423 CLEARLY, YOU'VENEVER BEEN IN LOVE. 817 00:28:47,424 --> 00:28:48,424 EXCUSE ME? 818 00:28:48,425 --> 00:28:49,626 GUYS, WHEN A WOMANSAYS, "EXCUSE ME?" 819 00:28:49,627 --> 00:28:51,427 IT'S NOT BECAUSESHE DIDN'T HEAR YOU. 820 00:28:51,428 --> 00:28:54,364 SHE'S GIVING YOU A CHANCETO CHANGE WHAT YOU JUST SAID. 821 00:28:54,365 --> 00:28:55,565 WELL, EXCUSE ME WHILE I GAG. 822 00:28:55,566 --> 00:28:57,700 A REACTION I'M SURE YOU'REQUITE USED TO FROM WOMEN. 823 00:28:57,701 --> 00:28:59,402 ACTUALLY, OTHER THAN YOU, WOMEN SEEM TO LIKE ME. 824 00:28:59,403 --> 00:29:00,770 -THEY'RE JUST BEING POLITE.-NO, THEY LIKE ME. 825 00:29:00,771 --> 00:29:01,771 WE'RE TALKINGABOUT HERE, 826 00:29:01,772 --> 00:29:03,172 ON PLANET EARTH? 827 00:29:03,173 --> 00:29:04,241 COME ON, YOU REALLY DON'TFIND ME A LITTLE BIT ATTRACTIVE? 828 00:29:07,478 --> 00:29:08,445 NO. 829 00:29:08,446 --> 00:29:09,913 BUT THEN, I HAVE A BRAIN. 830 00:29:09,914 --> 00:29:11,180 THAT'S RIGHT, WE KNOW, 831 00:29:11,181 --> 00:29:12,649 YOU'RE SMART, YOU'RE INDEPENDENT. 832 00:29:12,650 --> 00:29:14,284 YOU'RE AN ISLAND.THE QUESTION IS, 833 00:29:14,285 --> 00:29:15,618 DOES ANYONE WANT TO INHABITTHAT ISLAND? 834 00:29:15,619 --> 00:29:18,421 A LOT SOONER THAN THEY WANTTO VISIT NICK'S MAN CAVE, 835 00:29:18,422 --> 00:29:19,390 THAT'S FOR SURE. 836 00:29:19,391 --> 00:29:20,391 YOU'RE WRONG. 837 00:29:20,392 --> 00:29:21,392 I DON'T THINK THAT I AM. 838 00:29:21,393 --> 00:29:22,492 ALL RIGHT, I'LL MAKE YOU A BET. 839 00:29:22,493 --> 00:29:24,527 I CAN GET MORE WOMEN TO DATE METHAN YOU CAN MEN. 840 00:29:24,528 --> 00:29:25,795 YOU'RE ON. 841 00:29:25,796 --> 00:29:27,764 COME CHECK OUT THE SPEED DATING SHOWDOWN. 842 00:29:27,765 --> 00:29:31,367 WE'LL BRING THE CAMERAS... YOU DECIDE. 843 00:29:31,368 --> 00:29:32,635 LOVE CONNECTION! 844 00:29:35,539 --> 00:29:38,741 SO, WHERE HAVE YOU BEENALL MY LIFE, SWEETIE? 845 00:29:38,742 --> 00:29:40,743 WELL, FOR A GOOD PARTOF THE FIRST PART, 846 00:29:40,744 --> 00:29:42,211 I WASN'T BORN YET. 847 00:29:43,314 --> 00:29:44,614 CUPID'S ARROW! 848 00:29:44,615 --> 00:29:45,782 HEY... 849 00:29:45,783 --> 00:29:46,750 DONNA, HOW YOU DOING? 850 00:29:46,751 --> 00:29:48,618 I'M A SWIMSUIT MODEL. 851 00:29:48,619 --> 00:29:49,520 I LOVE SWIMMING. 852 00:29:50,388 --> 00:29:51,621 SWITCHEROO! 853 00:29:51,622 --> 00:29:53,456 SO, WHAT DO YOU DO? 854 00:29:53,457 --> 00:29:55,358 HEY, AREN'T YOU THAT GIRLWHO GOT DUMPED ON THE RADIO? 855 00:29:55,359 --> 00:29:57,527 YES, BUT I'D PREFER THATTHAT DIDN'T DEFINE ME. 856 00:29:57,528 --> 00:29:59,495 HOW EMBARRASSING WAS THAT? 857 00:29:59,496 --> 00:30:01,264 I'LL BET YOU'RE STILLRELIVING IT, HUH? 858 00:30:01,265 --> 00:30:02,298 YEAH. 859 00:30:03,201 --> 00:30:04,467 KARMIC CONNECTION. 860 00:30:04,468 --> 00:30:07,670 NICK, I AM A HUGE FANOF YOUR SHOW. 861 00:30:07,671 --> 00:30:08,838 I'M A HUGE FAN OF YOUR SHOW. 862 00:30:08,839 --> 00:30:09,906 BUT I DON'T HAVE A SHOW. 863 00:30:09,907 --> 00:30:10,808 YOU SHOULD. 864 00:30:13,410 --> 00:30:14,744 OH, MY GOODNESS. 865 00:30:14,745 --> 00:30:16,212 YOU ARE TOO MUCH, NICK! 866 00:30:16,213 --> 00:30:17,780 YOU'RE GOING TO MAKE ME CRY. 867 00:30:17,781 --> 00:30:19,515 LOVE SPELL. 868 00:30:19,516 --> 00:30:21,485 HI. TELL ME ABOUT YOURSELF. 869 00:30:24,221 --> 00:30:25,255 SHE LEFT ME. 870 00:30:26,423 --> 00:30:27,757 DID YOU TRY TO TALK TO HERABOUT IT? 871 00:30:27,758 --> 00:30:29,892 I TRIED! SHE JUST... 872 00:30:29,893 --> 00:30:32,895 SHE SAIDIT WASN'T GONNA WORK, AND... 873 00:30:34,365 --> 00:30:35,632 INTERMINGLE. 874 00:30:35,633 --> 00:30:36,799 WHERE'D YOU GO TO SCHOOL? 875 00:30:36,800 --> 00:30:38,301 I WENT TOTHE UNIVERSITY OF CHICAGO. 876 00:30:38,302 --> 00:30:39,736 -ME TOO.-OH, GREAT. 877 00:30:39,737 --> 00:30:40,737 WHAT WAS YOUR MAJOR? 878 00:30:40,738 --> 00:30:42,239 -WOMEN'S STUDIES.-OH. 879 00:30:43,240 --> 00:30:44,340 YOU'RE ONE OF THOSE. 880 00:30:44,341 --> 00:30:46,509 ONE OF, UM, WHAT? 881 00:30:46,510 --> 00:30:47,744 YOU KNOW, A FEMINIST. 882 00:30:47,745 --> 00:30:49,245 IF YOU MEAN BY "FEMINIST," YOU MEAN SOMEONE 883 00:30:49,246 --> 00:30:51,547 WHO ACTUALLY BELIEVESTHAT WOMEN ARE PEOPLE, TOO, 884 00:30:51,548 --> 00:30:53,282 THEN, YES, I AM. 885 00:30:53,283 --> 00:30:54,417 -YOU?-UM... 886 00:30:54,418 --> 00:30:56,452 ...I SMELL LOVE. 887 00:30:58,622 --> 00:30:59,822 MY TURN. 888 00:30:59,823 --> 00:31:01,290 THIS JUST KEEPSGETTING BETTER. 889 00:31:01,291 --> 00:31:03,860 I'D PULL YOUR CHAIR OUT FOR YOU, BUT THEY DON'T DO THAT HERE. 890 00:31:03,861 --> 00:31:04,861 YOU MUST LOVE THAT. 891 00:31:04,862 --> 00:31:06,329 WELL, NICK, 892 00:31:06,330 --> 00:31:07,497 WHY DON'T YOUTELL ME YOUR INTERESTS? 893 00:31:07,498 --> 00:31:08,498 OH, WAIT, NO, LET ME GUESS. 894 00:31:08,499 --> 00:31:09,565 POPCORN, 895 00:31:09,566 --> 00:31:10,867 AVOIDING INTIMACY, 896 00:31:10,868 --> 00:31:12,969 AND THE HABITSOF PREHISTORIC MAN? 897 00:31:12,970 --> 00:31:14,837 MY INTERESTS AREMY FAMILY, MY SHOW 898 00:31:14,838 --> 00:31:15,838 AND MY DOG. 899 00:31:15,839 --> 00:31:17,340 YOU HAVE A DOG? 900 00:31:17,341 --> 00:31:18,374 DOESN'T THAT INVOLVE COMMITMENT? 901 00:31:18,375 --> 00:31:19,442 YOU CAN BORROW HIM IF YOU LIKE. 902 00:31:19,443 --> 00:31:20,610 MIGHT HELP YOUGET A DATE, 903 00:31:20,611 --> 00:31:21,944 ALTHOUGH YOU SHOULD PROBABLYLET HIM DO THE TALKING. 904 00:31:21,945 --> 00:31:23,880 SO, JUST TO GET WOMEN, YOU BOUGHT A DOG? 905 00:31:23,881 --> 00:31:25,048 I RESCUED HIM. 906 00:31:25,049 --> 00:31:26,716 HE WAS ABANDONED.HE WAS TOO BIG TO FEED. 907 00:31:26,717 --> 00:31:27,750 WE GET BY 908 00:31:27,751 --> 00:31:28,985 AS LONG AS I ONLY EATONCE A DAY. 909 00:31:28,986 --> 00:31:31,055 THAT'S ACTUALLY REALLY NICE. 910 00:31:33,524 --> 00:31:34,491 WHAT? 911 00:31:34,491 --> 00:31:35,426 YOU'RE STARTINGTO LIKE ME A LITTLE BIT. 912 00:31:35,427 --> 00:31:37,026 THE ABANDONED DOG THINGALWAYS WORKS. 913 00:31:39,363 --> 00:31:41,064 PEOPLE! PEOPLE, SHH! 914 00:31:41,065 --> 00:31:43,433 LISTEN UP! 915 00:31:43,434 --> 00:31:44,867 YOU'RE RECEIVINGYOUR PROFILES. 916 00:31:44,868 --> 00:31:47,603 THE INDIVIDUALS WHO WEREEQUALLY INTERESTED IN YOU 917 00:31:47,604 --> 00:31:50,006 WILL NOW HAVE YOUR NUMBERAND YOU THEIRS, 918 00:31:50,007 --> 00:31:52,776 SO CONTACT THEMFOR WHATEVER COMES NEXT. 919 00:31:55,279 --> 00:31:56,279 WHAT? 920 00:31:56,280 --> 00:31:58,047 OOH, DONUT. 921 00:31:58,048 --> 00:31:59,950 THAT HURTS. 922 00:32:01,518 --> 00:32:03,420 THIS IS RIDICULOUS. 923 00:32:11,695 --> 00:32:13,362 HEY... 924 00:32:13,363 --> 00:32:14,797 WHERE ARE YOU GOING? 925 00:32:14,798 --> 00:32:16,532 HOME. 926 00:32:16,533 --> 00:32:17,667 -AW...-I MAY NEVER COME OUT. 927 00:32:19,303 --> 00:32:20,336 IF IT MAKES YOUFEEL ANY BETTER, 928 00:32:20,337 --> 00:32:21,838 I'LL GIVE YOU MY NUMBER. 929 00:32:21,839 --> 00:32:23,306 YOU KNOW, NONE OF THESE GUYS 930 00:32:23,307 --> 00:32:25,808 WERE INTERESTED IN HEARINGANYTHING I HAD TO SAY. 931 00:32:25,809 --> 00:32:26,743 WELL, THEY MIGHTHAVE BEEN 932 00:32:26,744 --> 00:32:28,811 IF YOU DIDN'TPUT UP A FENCE. 933 00:32:28,812 --> 00:32:29,946 NOT EVERYONESHOWS UP TO DATES 934 00:32:29,947 --> 00:32:31,647 WITH WIRE CUTTERS. 935 00:32:31,648 --> 00:32:35,084 ARE YOU SAYINGI SCARE MEN? 936 00:32:35,085 --> 00:32:37,620 WELL, YOU DON'T SCARE ME. 937 00:32:37,621 --> 00:32:40,022 THEN AGAIN, I HADA REALLY BOSSY SISTER. 938 00:32:41,859 --> 00:32:44,026 WHAT ARE YOU DOING? 939 00:32:44,027 --> 00:32:45,495 LOSING THESE NUMBERS 940 00:32:45,496 --> 00:32:47,663 IN SOLIDARITY. 941 00:32:47,664 --> 00:32:48,865 EXCEPT FOR THIS ONE. 942 00:32:48,866 --> 00:32:49,966 THE SWIMSUIT MODEL. 943 00:32:49,967 --> 00:32:51,602 JUST IN CASE. 944 00:33:06,683 --> 00:33:08,684 HEY, AREN'T YOU THAT GIRL THAT GOT DUMPED ON THE RADIO? 945 00:33:08,685 --> 00:33:09,752 AND YOU CAN WATCH 946 00:33:09,753 --> 00:33:10,987 SONIA'S COLOSSAL STRIKEOUT FOR ALL ETERNITY 947 00:33:10,988 --> 00:33:12,455 ON OUR WEBSITE, LADIES AND GENTS. 948 00:33:12,456 --> 00:33:15,358 HOW EMBARRASSING WAS THAT? 949 00:33:15,359 --> 00:33:17,760 I BET YOU'RE STILL RELIVING IT, RIGHT? 950 00:33:20,597 --> 00:33:21,664 AS YOU MIGHT HAVE GUESSED, 951 00:33:21,665 --> 00:33:24,734 I WON THE SPEED DATINGCOMPETITION YESTERDAY. 952 00:33:24,735 --> 00:33:27,136 OH, YEAH, ONE STEP AWAYFROM THE NOBEL PRIZE. 953 00:33:27,137 --> 00:33:29,839 SHOCKINGLY, SONIA DIDN'T GETA SINGLE PHONE NUMBER, 954 00:33:29,840 --> 00:33:31,507 ALTHOUGH I DIDOFFER HER MINE. 955 00:33:31,508 --> 00:33:32,575 IF I WANTED YOUR PHONE NUMBER, 956 00:33:32,576 --> 00:33:34,410 I COULD ASK ANY WOMANON THE STREET. 957 00:33:34,411 --> 00:33:36,412 YOU'VE GIVEN IT OUTTO HALF THE FEMALE POPULATION. 958 00:33:36,413 --> 00:33:37,713 NO, NOT HALF. 959 00:33:37,714 --> 00:33:39,148 -MAYBE A FOURTH.-WHAT IS WRONG WITH YOU? 960 00:33:39,149 --> 00:33:41,584 WHY ARE YOUAFRAID OF RELATIONSHIPS? 961 00:33:41,585 --> 00:33:42,718 I THINK IT'S CALLED BEING SMART. 962 00:33:42,719 --> 00:33:44,887 WELL, I THINK WE SHOULD TALKABOUT "BLACK FRIDAY." 963 00:33:44,888 --> 00:33:46,756 I'D RATHER TALKABOUT YOUR FIANCE. 964 00:33:46,757 --> 00:33:47,724 EX-FIANCE. 965 00:33:47,725 --> 00:33:48,758 AFTER ALL, IT'SBECAUSE OF HIM 966 00:33:48,759 --> 00:33:49,693 I'M STUCK WITH YOU. 967 00:33:49,693 --> 00:33:50,661 WELL, THE DOORIS RIGHT BEHIND YOU. 968 00:33:50,661 --> 00:33:51,528 IF YOU'RE LEAVING, 969 00:33:51,529 --> 00:33:52,562 I'LL HOLD IT OPENFOR YOU. 970 00:33:52,563 --> 00:33:53,996 BUT THAT'S THE MAN'S JOB. 971 00:33:53,997 --> 00:33:56,566 NEWS FLASH, WOMEN CAN ACTUALLY OPEN DOORS. 972 00:33:56,567 --> 00:33:58,835 AND THERE WE HAVE IT, FOLKS, 973 00:33:58,836 --> 00:34:00,570 YOU DON'T NEED A MANFOR ANYTHING... 974 00:34:00,571 --> 00:34:01,771 AND WITHTHAT ATTITUDE, 975 00:34:01,772 --> 00:34:03,673 YOU WILL NEVERHAVE ONE EITHER. 976 00:34:03,674 --> 00:34:05,608 THERE IS NO PLACE FOR NEEDIN A RELATIONSHIP. 977 00:34:05,609 --> 00:34:06,609 AND FOR THE RECORD, 978 00:34:06,610 --> 00:34:07,810 THE REASONWE'RE NOT TOGETHER 979 00:34:07,811 --> 00:34:09,912 IS BECAUSE HE WANTED MY LIFETO TAKE A BACKSEAT TO HIS. 980 00:34:09,913 --> 00:34:11,013 A BACKSEAT? 981 00:34:11,014 --> 00:34:11,915 OR DID YOU JUST NEED TOGIVE HIM A LITTLE ROOM 982 00:34:11,915 --> 00:34:12,850 IN THE FRONT SEAT? 983 00:34:12,850 --> 00:34:13,850 WHEN WE MET, WE WERE EQUALS, 984 00:34:13,851 --> 00:34:15,051 THEN ALL OF A SUDDEN, HIS CAREER TAKES OFF, 985 00:34:15,052 --> 00:34:16,819 AND HE WANTED ME TO BESOMEONE I'M NOT. 986 00:34:16,820 --> 00:34:17,987 SUPPORTIVE? 987 00:34:17,988 --> 00:34:18,988 NO. WHAT WAS I SUPPOSED TO DO, 988 00:34:18,989 --> 00:34:21,757 JUST DROP EVERYTHINGTO BE HIS PLUS ONE? 989 00:34:21,758 --> 00:34:23,092 WELL, IF YOU LOVED HIM, 990 00:34:23,093 --> 00:34:25,027 YOU COULD HAVE MADE AN EFFORTTO SUPPORT HIS DREAMS AS WELL. 991 00:34:25,028 --> 00:34:25,963 WE'VE GOT TOSET UP FOR COMMERCIAL. 992 00:34:25,963 --> 00:34:26,897 SORRY, BUT I DIDN'TGET THE MEMO 993 00:34:26,898 --> 00:34:28,197 THAT SAYS THATIT'S ONLY THE WOMAN 994 00:34:28,198 --> 00:34:30,900 WHO'S SUPPOSED TO SUPPORTTHE MAN'S AMBITIONS. 995 00:34:30,901 --> 00:34:32,568 AND ANYWAY, WE WEREDATING FOR FIVE YEARS, 996 00:34:32,569 --> 00:34:33,936 AND HE BREAKS UPWITH ME 997 00:34:33,937 --> 00:34:36,472 WITH SOME LINEABOUT "JUNCTURES"? 998 00:34:36,473 --> 00:34:37,907 SORRY, WHAT? 999 00:34:37,908 --> 00:34:40,209 YEAH, HE SAID THAT WE WEREAT DIFFERENT JUNCTURES 1000 00:34:40,210 --> 00:34:41,577 IN OUR LIVES. 1001 00:34:41,578 --> 00:34:42,879 WHAT DOES THAT EVEN MEAN? 1002 00:34:44,648 --> 00:34:46,782 WHAT DOES THAT MEAN, INDEED. 1003 00:34:46,783 --> 00:34:47,817 AND ON THAT NOTE, 1004 00:34:47,818 --> 00:34:49,552 WE'RE GOING TO GOTO A LITTLE BREAK HERE. 1005 00:34:49,553 --> 00:34:52,989 YOU'RE LISTENING TOWCV, CHICAGO'S TALK RADIO, 1006 00:34:52,990 --> 00:34:55,591 AND WE'LL SEE YOU IN FIVE. 1007 00:34:55,592 --> 00:34:56,993 THAT'S PRICELESS, GUYS. 1008 00:34:56,994 --> 00:34:58,527 THE PHONES ARE LIT UP LIKE CHRISTMAS TREES. 1009 00:34:58,528 --> 00:34:59,896 THAT'S WHAT HE SAID, 1010 00:34:59,897 --> 00:35:01,564 THOSE WEREHIS EXACT WORDS? 1011 00:35:01,565 --> 00:35:04,734 YEAH, THAT'S IT. 1012 00:35:06,436 --> 00:35:08,104 I'VE GOT TOTELL YOU SOMETHING. 1013 00:35:08,105 --> 00:35:10,006 I THINK YOU'VESAID ENOUGH, DON'T YOU? 1014 00:35:10,007 --> 00:35:11,507 NO. NO, NO, NO. 1015 00:35:11,508 --> 00:35:13,442 I THINK YOUR FIANCE MIGHTHAVE BROKEN UP WITH YOU 1016 00:35:13,443 --> 00:35:16,680 BECAUSE HE WASLISTENING TO ME. 1017 00:35:18,882 --> 00:35:23,687 NO, I AM PRETTY SURETHAT LISTENING TO ME DID. 1018 00:35:24,921 --> 00:35:25,923 I THINK YOU'RE RIGHT. 1019 00:35:26,990 --> 00:35:29,792 I WASN'T SUPPORTIVE ENOUGH. 1020 00:35:29,793 --> 00:35:33,729 AND I DO PUT UP FENCESAND SCARE OFF MEN. 1021 00:35:33,730 --> 00:35:36,098 I MEAN, WHY ELSE DID I NOT GETA SINGLE NUMBER FROM THAT EVENT, 1022 00:35:36,099 --> 00:35:39,902 NOT EVEN FROM THE GUYON SOCIAL SECURITY? 1023 00:35:39,903 --> 00:35:41,470 SORRY, I JUST, I GOT LOST 1024 00:35:41,471 --> 00:35:43,073 RIGHT AFTER YOU SAID, "YOU'RE RIGHT." 1025 00:35:44,808 --> 00:35:46,676 NO, LOOK, YOU WANT TO GETTHIS SCOTT GUY BACK? 1026 00:35:46,677 --> 00:35:48,477 I DON'T KNOW, IT'S TOO LATE, RIGHT? 1027 00:35:48,478 --> 00:35:49,845 NO, IT'S NEVERTOO LATE. 1028 00:35:49,846 --> 00:35:50,846 HE'S A GUY. 1029 00:35:50,847 --> 00:35:51,847 WE'RE LIKE DOGS. 1030 00:35:51,848 --> 00:35:53,082 JUST GIVE US SOME FOODAND A CHEW TOY 1031 00:35:53,083 --> 00:35:54,150 AND WE'RE YOURS. 1032 00:35:54,151 --> 00:35:56,553 AND WE'RE BACK FROMCOMMERCIAL IN 10, GUYS. 1033 00:35:58,121 --> 00:36:00,022 DID SOMEBODY BREAK IN? 1034 00:36:00,023 --> 00:36:01,657 IT'S LIVED-IN. 1035 00:36:01,658 --> 00:36:03,192 SOMEHOW, I WAS PICTURINGSOMETHING ELSE. 1036 00:36:03,193 --> 00:36:05,194 LIKE WHAT, BARBED WIRE? 1037 00:36:05,195 --> 00:36:06,963 AND A MOAT. 1038 00:36:06,964 --> 00:36:08,864 SO, TELL MEABOUT THIS SCOTT GUY. 1039 00:36:08,865 --> 00:36:10,199 LIKE WHAT? 1040 00:36:10,200 --> 00:36:13,002 ANYTHING.WHAT'S HE LIKE? 1041 00:36:13,003 --> 00:36:14,837 WELL, HE'S A SPORTS AGENT. 1042 00:36:14,838 --> 00:36:16,572 HE HAS LOTS OF CLIENTS. 1043 00:36:16,573 --> 00:36:18,107 HE JUST SIGNEDTHE BLACKHAWKS WINGER. 1044 00:36:18,108 --> 00:36:19,642 CAN YOU GIVE ME SOMETHINGA LITTLE MORE PERSONAL? 1045 00:36:19,643 --> 00:36:21,544 HE GETS HIS HAIR CUTEVERY SIX WEEKS. 1046 00:36:21,545 --> 00:36:22,545 AND...? 1047 00:36:22,546 --> 00:36:23,846 AND HE LIKES ROSES. 1048 00:36:23,847 --> 00:36:24,980 RED ONES. 1049 00:36:24,981 --> 00:36:26,015 YOU GUYS WERE TOGETHERFOR HOW LONG? 1050 00:36:26,016 --> 00:36:27,284 WELL, YOU'REPUTTING ME ON THE SPOT. 1051 00:36:28,885 --> 00:36:31,053 DO YOU WANT SOMETHINGTO DRINK OR EAT, OR SOMETHING? 1052 00:36:31,054 --> 00:36:32,054 YEAH, SURE.WHAT HAVE YOU GOT? 1053 00:36:32,055 --> 00:36:34,890 OH, I HAVE NO IDEA. 1054 00:36:34,891 --> 00:36:36,593 I DIDN'T THINK YOU'D SAY YES. 1055 00:36:37,828 --> 00:36:39,095 I HAVE MUSTARD, 1056 00:36:39,096 --> 00:36:41,297 AND OLD TAKE-OUT, AND, UH, BUTTER SPRAY. 1057 00:36:41,298 --> 00:36:42,531 BUTTER SPRAY? 1058 00:36:42,532 --> 00:36:43,833 IT'S GOOD. 1059 00:36:43,834 --> 00:36:44,867 HOW ABOUT THIS, WHERE WE CAN FIND SCOTT? 1060 00:36:44,868 --> 00:36:46,669 ON MONDAYS AND WEDNESDAYS, HE GOES TO THE GYM, 1061 00:36:46,670 --> 00:36:50,239 TUESDAYS, THURSDAYS AND FRIDAYS, HE HAS DRINKS WITH CLIENTS. 1062 00:36:50,240 --> 00:36:51,941 SATURDAYS AND SUNDAYS, HE HAS GAMES, 1063 00:36:51,942 --> 00:36:52,909 AND THEN DRINKS WITH CLIENTS. 1064 00:36:52,910 --> 00:36:53,943 WHEN DID YOU GUYSSEE EACH OTHER? 1065 00:36:53,944 --> 00:36:55,111 YOU KNOW WHAT, NEVER MIND. 1066 00:36:55,112 --> 00:36:55,979 LET'S GO FOR THURSDAY, 1067 00:36:55,980 --> 00:36:57,146 THAT GIVES US 48 HOURS. 1068 00:36:57,147 --> 00:36:58,914 THAT'S ENOUGH TIME TO TEACHSIGN LANGUAGE TO A CHIMP. 1069 00:36:58,915 --> 00:37:00,616 HAVE YOU DONE THIS BEFORE? 1070 00:37:00,617 --> 00:37:01,884 IT'S NOTROCKET SCIENCE. 1071 00:37:01,885 --> 00:37:03,853 YOU WANT TO GET A GUY BACK, YOU MAKE HIM JEALOUS. 1072 00:37:03,854 --> 00:37:06,056 NOW LET'S SEETHE CLOTHES CLOSET. 1073 00:37:10,994 --> 00:37:12,294 YOU GO TOA LOT OF FUNERALS? 1074 00:37:12,295 --> 00:37:14,563 WELL, I'D BE HAPPYTO GO TO YOURS. 1075 00:37:14,564 --> 00:37:17,066 NO, I DRESS TO BETAKEN SERIOUSLY. 1076 00:37:17,067 --> 00:37:19,101 DO YOU KNOW THATONLY 17% OF RADIO HOSTS 1077 00:37:19,102 --> 00:37:20,003 ARE WOMEN? 1078 00:37:20,004 --> 00:37:21,704 DO YOU KNOWTHAT SPORTS AGENTS 1079 00:37:21,705 --> 00:37:23,606 ARE SURROUNDEDBY BEAUTIFUL WOMEN? 1080 00:37:23,607 --> 00:37:25,674 WELL, I MET HIMBEFORE ALL OF THAT, 1081 00:37:25,675 --> 00:37:28,577 SO I DIDN'T HAVE TODRESS UP FOR HIM. 1082 00:37:28,578 --> 00:37:30,613 WELL, YOU DO NOW. 1083 00:37:30,614 --> 00:37:31,381 WHAT ARE YOU DOING? 1084 00:37:31,382 --> 00:37:32,848 WHAT HAPPENED TO THE CLOTHES? 1085 00:37:32,849 --> 00:37:33,883 LEAVE HIM A MESSAGE. 1086 00:37:33,884 --> 00:37:35,251 SOMETHING SIMPLE AND VAGUE. 1087 00:37:35,252 --> 00:37:37,086 LIKE, UM... 1088 00:37:37,087 --> 00:37:39,054 "I SAW SOMETHINGTHAT REMINDED ME OF YOU." 1089 00:37:39,055 --> 00:37:40,156 WHY WOULD I DO THAT? 1090 00:37:40,157 --> 00:37:41,957 'CAUSE HE'LL BE CURIOUSAND HE'LL CALL YOU BACK. 1091 00:37:41,958 --> 00:37:43,092 AND WHEN HE DOES, 1092 00:37:43,093 --> 00:37:44,860 UNDER NO CIRCUMSTANCESDO YOU ANSWER. 1093 00:37:44,861 --> 00:37:45,861 WHAT IF HE DOESN'TCALL ME BACK? 1094 00:37:45,862 --> 00:37:47,330 HE WILL. 1095 00:37:49,599 --> 00:37:51,600 HEY, THIS IS SCOTT. PLEASE LEAVE A MESSAGE. 1096 00:37:52,803 --> 00:37:56,072 HEY, SCOTT. IT'S SONIA. 1097 00:37:56,073 --> 00:37:57,907 I SAW SOMETHINGTHAT REMINDED ME OF YOU, 1098 00:37:57,908 --> 00:37:58,908 AND... 1099 00:37:58,909 --> 00:37:59,876 IT WAS THE... 1100 00:38:00,944 --> 00:38:05,048 SCISSORS THAT I USEDTO CUT UP YOUR PICTURE. 1101 00:38:06,049 --> 00:38:08,350 ♪ ♪ 1102 00:38:08,351 --> 00:38:10,286 THAT'LL BE $4.50. 1103 00:38:10,287 --> 00:38:11,720 THANK YOU, SIR. 1104 00:38:11,721 --> 00:38:13,956 THANK YOU, MA'AM. 1105 00:38:13,957 --> 00:38:16,025 AND HERE WE ARE. 1106 00:38:16,026 --> 00:38:18,661 I CAN'T BELIEVE I'M LETTING YOUTAKE ME SHOPPING. 1107 00:38:18,662 --> 00:38:20,362 I MUST HAVELOST MY MIND. 1108 00:38:20,363 --> 00:38:22,164 WELL, A LITTLE TRUSTIS REQUIRED. 1109 00:38:22,165 --> 00:38:25,334 WHAT, TRUST MR. MAN CAVE? NOT LIKELY. 1110 00:38:25,335 --> 00:38:27,203 NICK! WHAT ARE YOUDOING HERE? 1111 00:38:27,204 --> 00:38:29,839 SONIA, THIS ISMY SISTER, JULIA. 1112 00:38:29,840 --> 00:38:31,740 WOW, NICE TO MEET YOU. 1113 00:38:31,741 --> 00:38:33,709 SONIA, I LOVE YOUR SHOW. 1114 00:38:33,710 --> 00:38:34,810 OH, THANKS. 1115 00:38:34,811 --> 00:38:36,178 IT'S "OUR SHOW." 1116 00:38:36,179 --> 00:38:38,080 NO, I TURN THE SOUND DOWNWHEN YOU'RE ON. 1117 00:38:38,081 --> 00:38:39,615 SHE NEEDS A DRESS. 1118 00:38:39,616 --> 00:38:40,649 HELP. 1119 00:38:40,650 --> 00:38:41,951 I WOULD LOVE TO. 1120 00:38:41,952 --> 00:38:43,619 WHAT'S THE OCCASION? 1121 00:38:43,620 --> 00:38:45,321 OH, WELL, I GUESS IT'SSORT OF, WHAT, 1122 00:38:45,322 --> 00:38:46,689 A JEALOUSY DRESS? 1123 00:38:46,690 --> 00:38:48,324 I HAVE JUST THE THING. 1124 00:38:48,325 --> 00:38:50,159 -YOU DO?-MM-HMM. 1125 00:38:50,160 --> 00:38:51,894 WELL, YOU HAVEBEAUTIFUL CLOTHES. 1126 00:38:51,895 --> 00:38:53,362 THANK YOU! 1127 00:38:53,363 --> 00:38:56,031 SO, I AM THINKINGFOR YOU... 1128 00:38:56,032 --> 00:38:59,168 SHORT, RED AND SASSY. 1129 00:38:59,169 --> 00:39:00,970 I'M GOING TO GOGRAB A HOT DOG. 1130 00:39:00,971 --> 00:39:01,972 IT'LL LOOK GREAT. 1131 00:39:05,041 --> 00:39:08,177 I CAN'T BELIEVEI'M TAKING ADVICE FROM HIM. 1132 00:39:08,178 --> 00:39:09,345 I KNOW, IT'S SCARY. 1133 00:39:09,346 --> 00:39:11,380 WELL, I CAN'T BELIEVEHE BROUGHT YOU IN HERE. 1134 00:39:11,381 --> 00:39:12,681 HE HASN'T BROUGHTA WOMAN IN TO MEET ME 1135 00:39:12,682 --> 00:39:13,782 SINCE HIS WIFE LEFT HIM 1136 00:39:13,783 --> 00:39:15,784 TWO YEARS AGO. 1137 00:39:15,785 --> 00:39:16,852 NICK WAS MARRIED? 1138 00:39:16,853 --> 00:39:19,088 HE DIDN'T TELL YOU. 1139 00:39:19,089 --> 00:39:20,656 DON'T WORRY, MY LIPS ARE SEALED. 1140 00:39:20,657 --> 00:39:21,757 WELL, HE WAS, UH, 1141 00:39:21,758 --> 00:39:23,759 PRETTY CRUSHED. 1142 00:39:23,760 --> 00:39:26,096 THAT'S WHEN HE STARTED "THE MAN CAVE." 1143 00:39:28,832 --> 00:39:30,166 THAT'S GOOD, ROBIN, I THINK THE HEM'S FINE. 1144 00:39:30,167 --> 00:39:31,167 BUT SONIA, LOOK AT THIS. 1145 00:39:31,167 --> 00:39:32,035 I'M JUST GOING TOTAKE IT UP 1146 00:39:32,036 --> 00:39:33,068 A BIT HERE? 1147 00:39:33,069 --> 00:39:34,037 SURE. 1148 00:39:34,038 --> 00:39:35,038 BEAUTIFUL. 1149 00:39:35,039 --> 00:39:37,840 IT IS BEAUTIFUL. 1150 00:39:37,841 --> 00:39:39,742 YOU WANT TO BETAKEN SERIOUSLY? 1151 00:39:39,743 --> 00:39:41,877 LOOK LIKE THAT. 1152 00:39:41,878 --> 00:39:43,946 AN ACTUAL COMPLIMENT. 1153 00:39:43,947 --> 00:39:45,682 THANK YOU. 1154 00:39:47,284 --> 00:39:50,920 SONIA, DO YOU PLAY POKER? 1155 00:39:50,921 --> 00:39:52,288 HAVEN'T FOR A WHILE. 1156 00:39:52,289 --> 00:39:54,423 WELL, WE HAVEAN EMPTY CHAIR, 1157 00:39:54,424 --> 00:39:56,325 DON'T WE, NICK? 1158 00:39:56,326 --> 00:39:57,693 YEAH. YEAH, YEAH. 1159 00:39:57,694 --> 00:39:59,695 YOU SHOULD JOIN US. 1160 00:39:59,696 --> 00:40:02,464 WOMEN JUST WANT YOUTO BE YOURSELF, LIAM. 1161 00:40:02,465 --> 00:40:04,366 THAT'S WHAT I KEEPTELLING HIM. 1162 00:40:04,367 --> 00:40:05,768 DON'T LISTENTO THEM. 1163 00:40:05,769 --> 00:40:07,436 BRO, I'VE BEENLISTENING TO YOU, 1164 00:40:07,437 --> 00:40:08,704 AND ALL I'VE GOTIS A DRINK IN MY FACE 1165 00:40:08,705 --> 00:40:09,905 AND UNANSWERED CALLS. 1166 00:40:10,841 --> 00:40:12,408 YOUR OLD SHOW WAS SO GOOD. 1167 00:40:12,409 --> 00:40:14,410 JULIA WAS TELLING MEABOUT YOUR OLD SHOW 1168 00:40:14,411 --> 00:40:15,378 BEFORE "THE MAN CAVE." 1169 00:40:15,379 --> 00:40:18,480 THE OLD SHOW GOT NO RATINGS. 1170 00:40:18,481 --> 00:40:20,749 WHAT ARE YOU, LIKE A CARD SHARK? 1171 00:40:20,750 --> 00:40:22,184 MY MOTHER'STHIRD HUSBAND 1172 00:40:22,185 --> 00:40:25,154 WAS A PIT BOSS IN ATLANTIC CITY. 1173 00:40:25,155 --> 00:40:26,155 HOW MANY WILL YOU TAKE? 1174 00:40:26,156 --> 00:40:27,323 JUST ONE? 1175 00:40:27,324 --> 00:40:28,225 AND IT'S CARD "SHARP." 1176 00:40:29,159 --> 00:40:30,359 NO, I'M PRETTY SUREIT'S "SHARK". 1177 00:40:30,360 --> 00:40:33,362 NOPE.HOW MANY DO YOU NEED? 1178 00:40:33,363 --> 00:40:37,733 SIRI, WHAT IS A CARD "SHARK"? 1179 00:40:37,734 --> 00:40:38,734 OKAY, I FOUND THIS 1180 00:40:38,735 --> 00:40:39,735 ON THE WEB FOR "CARD SHARK..." 1181 00:40:39,736 --> 00:40:40,869 YOUR "SIRI" IS A MAN? 1182 00:40:40,870 --> 00:40:42,938 I HAD THE FEMALE VERSION, BUT IT HAD AN ATTITUDE. 1183 00:40:42,939 --> 00:40:44,306 EVEN YOUR PHONEIS A CHAUVINIST. 1184 00:40:44,307 --> 00:40:45,741 DO YOU WANT CARDS OR WHAT? 1185 00:40:45,742 --> 00:40:47,042 SORRY, I DIDN'T GET THAT. 1186 00:40:47,043 --> 00:40:48,210 NO, OF COURSE YOU DIDN'T. 1187 00:40:48,211 --> 00:40:49,845 BECAUSE YOU WEREN'T LISTENING, BECAUSE YOU'RE A MAN. 1188 00:40:49,846 --> 00:40:50,879 NO, THAT'S COOL, YOU CAN INSULT HIM. 1189 00:40:50,880 --> 00:40:52,181 HE'S NOT SENSITIVE, LIKE YOUR SIRI. 1190 00:40:52,182 --> 00:40:53,315 YOU DON'T EVEN KNOW MY SIRI. 1191 00:40:53,316 --> 00:40:55,018 IS SHE A WOMAN? THEN I KNOW HER. 1192 00:41:00,123 --> 00:41:01,458 WHAT? 1193 00:41:12,135 --> 00:41:14,037 AMANDA? 1194 00:41:15,138 --> 00:41:16,839 AND PANCAKES. 1195 00:41:16,840 --> 00:41:17,840 YEAH! 1196 00:41:17,841 --> 00:41:18,874 WELL, KALE-CAKES. 1197 00:41:18,875 --> 00:41:20,009 WITH TARO SYRUP. 1198 00:41:20,878 --> 00:41:23,379 I'M TARO AND KALE INTOLERANT. 1199 00:41:23,380 --> 00:41:25,381 OH, COME ON, JUST TRY IT. 1200 00:41:25,382 --> 00:41:26,349 READY? 1201 00:41:28,084 --> 00:41:29,251 MM. 1202 00:41:29,252 --> 00:41:30,886 HMM? VERY GOOD. 1203 00:41:31,756 --> 00:41:32,921 DON'T FORGETTO BURP HIM AFTER. 1204 00:41:32,922 --> 00:41:34,390 SHE JUST GETS JEALOUS 1205 00:41:34,391 --> 00:41:35,924 WHEN OTHER WOMENPAY ATTENTION TO ME. 1206 00:41:35,925 --> 00:41:37,159 SONIA, DO YOU WANT SOME? 1207 00:41:37,160 --> 00:41:38,827 OH, NO, THANK YOU, I'LL PASS. 1208 00:41:38,828 --> 00:41:40,396 I DO FEELI SHOULD WARN YOU, 1209 00:41:40,397 --> 00:41:41,463 THAT OUR BOY HERE 1210 00:41:41,464 --> 00:41:42,765 HAS A TWO-WEEKMAXIMUM LIMIT 1211 00:41:42,766 --> 00:41:43,766 ON RELATIONSHIPS. 1212 00:41:43,767 --> 00:41:44,833 DON'T YOU, NICK? 1213 00:41:44,834 --> 00:41:46,769 WELL, MAYBE HE JUST HASN'T METTHE RIGHT GIRL. 1214 00:41:46,770 --> 00:41:48,304 HMM. 1215 00:41:48,305 --> 00:41:49,805 MORE PANCAKES, PLEASE. 1216 00:41:49,806 --> 00:41:50,840 HAPPILY. 1217 00:41:52,108 --> 00:41:53,309 MM, SO GOOD. 1218 00:41:53,310 --> 00:41:54,777 IS THIS AN ACT, 1219 00:41:54,778 --> 00:41:56,478 OR DO YOU TWO HATE EACH OTHER? 1220 00:41:56,479 --> 00:41:58,414 I WOULDN'T SAY HATE. 1221 00:41:58,415 --> 00:42:00,149 A STRONG DISLIKE. 1222 00:42:00,150 --> 00:42:01,450 WE'RE REPULSEDBY EACH OTHER. 1223 00:42:01,451 --> 00:42:03,252 I'D AGREE WITH THAT. 1224 00:42:03,253 --> 00:42:05,087 AND THAT'S ALLTHE TIME WE HAVE. 1225 00:42:05,088 --> 00:42:06,955 UNTIL TOMORROW, REMEMBER, GUYS, 1226 00:42:06,956 --> 00:42:08,557 ALL OPTIONS OPEN. 1227 00:42:08,558 --> 00:42:11,160 AND LADIES, MEN ARE AN OPTION, 1228 00:42:11,161 --> 00:42:13,362 BUT STOCK OPTIONSARE MORE RELIABLE. 1229 00:42:13,363 --> 00:42:15,231 GOOD DAY, CHICAGO. 1230 00:42:16,232 --> 00:42:17,299 GOOD SHOW, GUYS. 1231 00:42:17,300 --> 00:42:18,867 UH, NICK, YOUR SQUEEZE WITH THE BIG GAMS 1232 00:42:18,868 --> 00:42:20,402 NEEDS YOUR ATTENTION. 1233 00:42:20,403 --> 00:42:21,403 THANK YOU, TANYA. 1234 00:42:21,404 --> 00:42:22,838 YOU'RE BRINGING THEMHERE NOW? 1235 00:42:22,839 --> 00:42:24,139 YEAH, YOU SHOULDCOME MEET HER. 1236 00:42:24,140 --> 00:42:26,508 OH, NO, THANKS, I'LL CATCH THE NEXT ONE. 1237 00:42:26,509 --> 00:42:29,045 I DON'T KNOW, THIS ONE'S A KEEPER. 1238 00:42:31,448 --> 00:42:32,382 HELLO, BUDDY. 1239 00:42:34,384 --> 00:42:35,451 HI! 1240 00:42:35,452 --> 00:42:37,252 OH, LOOK AT YOU! AW... 1241 00:42:37,253 --> 00:42:38,854 YOU REALLY DO HAVE A DOG. 1242 00:42:38,855 --> 00:42:39,855 THANK YOU. 1243 00:42:39,856 --> 00:42:41,056 AW, SWEETHEART! 1244 00:42:41,057 --> 00:42:42,991 HOW COULD ANYONE GIVE HIM UP? 1245 00:42:42,992 --> 00:42:44,827 WELL, HIS KIBBLE BILL'SBIGGER THAN THE NATIONAL DEBT. 1246 00:42:44,828 --> 00:42:46,562 AND HE NEEDS A TON OF EXERCISE, 1247 00:42:46,563 --> 00:42:47,930 WHICH ISWHERE WE'RE GOING RIGHT NOW. 1248 00:42:47,931 --> 00:42:49,031 WHAT? 1249 00:42:49,032 --> 00:42:50,099 HE LIKES YOU. 1250 00:42:50,100 --> 00:42:51,134 AW, IT'S MUTUAL. 1251 00:42:53,503 --> 00:42:55,437 HI, CUTE DOGGIE. 1252 00:42:55,438 --> 00:42:57,206 YOU SHOULD COME WITH US, 1253 00:42:57,207 --> 00:42:59,074 IF YOU'RE NOTDOING ANYTHING ELSE. 1254 00:42:59,075 --> 00:43:00,977 SURE. 1255 00:43:04,280 --> 00:43:05,949 AH, AH, AH... 1256 00:43:08,084 --> 00:43:09,885 AFTER YOU. 1257 00:43:09,886 --> 00:43:11,521 THANK YOU. 1258 00:43:12,522 --> 00:43:14,356 COME ON, BUDDY, LET'S HAVE SOME FUN. 1259 00:43:14,357 --> 00:43:18,027 ♪ ♪ 1260 00:43:36,246 --> 00:43:38,347 GO AHEAD, BUDDY. 1261 00:43:38,348 --> 00:43:39,581 SORRY TO DRAG YOUOVER HERE, 1262 00:43:39,582 --> 00:43:41,116 BUT IF HE DOESN'TGET FED ON TIME, 1263 00:43:41,117 --> 00:43:43,051 HE EATS THE FURNITURE. 1264 00:43:43,052 --> 00:43:45,187 THIS IS THE MAN CAVE? 1265 00:43:45,188 --> 00:43:46,455 YEAH. BE ITEVER SO HUMBLE. 1266 00:43:46,456 --> 00:43:48,557 YOU'RE HOUSE-SITTING, RIGHT? 1267 00:43:48,558 --> 00:43:51,160 FOR AN INTERIOR DESIGNEROR SOMETHING. 1268 00:43:51,161 --> 00:43:53,062 SORRY TO DISAPPOINT, BUT IT'S ALL ME. 1269 00:43:54,397 --> 00:43:56,165 BUT IT'S SO... 1270 00:43:56,166 --> 00:43:57,934 UN-CAVELIKE... 1271 00:44:00,203 --> 00:44:02,105 AND HABITABLE. 1272 00:44:03,106 --> 00:44:06,675 WHERE ARE THE EMPTY PIZZA BOXESAND, I DUNNO, BEER CANS? 1273 00:44:06,676 --> 00:44:08,377 IT'S RECYCLING DAY. 1274 00:44:08,378 --> 00:44:10,078 HOW ECO-FRIENDLY. 1275 00:44:10,079 --> 00:44:11,113 SINCE I'M FEEDING CLOONEY, 1276 00:44:11,114 --> 00:44:12,881 DO YOU WANT ANYTHINGTO EAT OR DRINK? 1277 00:44:12,882 --> 00:44:13,882 I'VE GOTSOME TASTY KIBBLE. 1278 00:44:13,883 --> 00:44:15,651 WHAT A LOVELY INVITATION. 1279 00:44:15,652 --> 00:44:18,421 YEAH, IT'SCERTIFIED ORGANIC. 1280 00:44:19,422 --> 00:44:20,423 HOLY MACKEREL! 1281 00:44:23,026 --> 00:44:25,127 YOU ARE DIFFERENTFROM THE OTHER NICK. 1282 00:44:25,128 --> 00:44:26,628 WELL, OTHER NICK 1283 00:44:26,629 --> 00:44:29,666 GETS RATINGS. 1284 00:44:32,335 --> 00:44:34,236 YEAH, BUT THIS NICK IS SO... 1285 00:44:34,237 --> 00:44:37,207 YEAH, BUT WHO WANTS TOLISTEN TO THAT? 1286 00:44:38,541 --> 00:44:39,943 DON'T START LIKING ME. 1287 00:44:41,611 --> 00:44:43,545 DON'T WORRY. 1288 00:44:43,546 --> 00:44:46,415 IF YOU START LIKING ME, WE'LL BE OUT OF A JOB. 1289 00:44:46,416 --> 00:44:48,650 TO NOT GETTING ALONG. 1290 00:44:48,651 --> 00:44:50,319 CHEERS TO THAT. 1291 00:44:50,320 --> 00:44:52,021 ♪ ♪ 1292 00:44:53,523 --> 00:44:55,157 I NEVER THOUGHTI'D SAY THIS, 1293 00:44:55,158 --> 00:44:58,561 BUT CHICAGOLOOKS SO PEACEFUL. 1294 00:45:00,630 --> 00:45:02,631 MY MOST IMPRESSIVE DISH. 1295 00:45:02,632 --> 00:45:04,032 AND MY ONLY DISH. 1296 00:45:04,033 --> 00:45:05,067 WOW. 1297 00:45:05,068 --> 00:45:06,035 WELL, IT'S CERTAINLYMORE IMPRESSIVE 1298 00:45:06,036 --> 00:45:07,936 THAN MY ONLY DISH. 1299 00:45:07,937 --> 00:45:09,271 WHY DON'T YOU COOK? 1300 00:45:09,272 --> 00:45:11,507 MY MOM, I GUESS. 1301 00:45:11,508 --> 00:45:13,675 SHE'S A GOOD COOK... A GREAT COOK, ACTUALLY. 1302 00:45:13,676 --> 00:45:15,043 SHE SPENT HER ENTIRE LIFE 1303 00:45:15,044 --> 00:45:16,178 TRYING TO PREPARETHE PERFECT MEAL, 1304 00:45:16,179 --> 00:45:18,347 FOR THE PERFECT HOME 1305 00:45:18,348 --> 00:45:20,282 FOR THE MENWHO LEFT HER. 1306 00:45:20,283 --> 00:45:23,719 SO, YOU'VE MANAGED TO BECOMEHER POLAR OPPOSITE? 1307 00:45:23,720 --> 00:45:25,020 I SUPPOSE I HAVE. 1308 00:45:26,089 --> 00:45:27,523 NOT THATTHAT'S A BAD THING. 1309 00:45:27,524 --> 00:45:29,391 IT'S NOT A GOOD THING. 1310 00:45:29,392 --> 00:45:31,159 WELL, YOU KNOW, 1311 00:45:31,160 --> 00:45:34,229 YOU'RE NO MOREMESSED UP THAN I AM. 1312 00:45:34,230 --> 00:45:36,466 COMFORTING. 1313 00:45:37,967 --> 00:45:39,067 NOW'S WHEN I'D, YOU KNOW, 1314 00:45:39,068 --> 00:45:41,036 POINT OUT ALL OF MY FLAWSTO MAKE YOU FEEL BETTER, 1315 00:45:41,037 --> 00:45:42,170 BUT I CAN'T RISK YOUTALKING ABOUT THEM 1316 00:45:42,171 --> 00:45:43,171 ON THE RADIO. 1317 00:45:43,172 --> 00:45:45,374 NO NEED FOR A BIG CONFESSION. 1318 00:45:45,375 --> 00:45:48,243 I'M PRETTY SURE I HAVE A HANDLEON YOU AND YOUR FLAWS. 1319 00:45:48,244 --> 00:45:49,545 OH, YEAH? 1320 00:45:49,546 --> 00:45:51,480 WHAT DID SHE SAY ABOUT ME? 1321 00:45:51,481 --> 00:45:53,115 WHO? 1322 00:45:53,116 --> 00:45:54,350 MY SISTER. 1323 00:45:55,985 --> 00:45:57,753 NOTHING. 1324 00:45:57,754 --> 00:45:59,588 MM-HMM. 1325 00:45:59,589 --> 00:46:02,591 EXCEPT THATYOU HAD BEEN MARRIED 1326 00:46:02,592 --> 00:46:03,992 AND NOW YOU ARE NOT. 1327 00:46:03,993 --> 00:46:05,594 AND? 1328 00:46:05,595 --> 00:46:08,064 AND THATYOU WERE DEVASTATED BY IT. 1329 00:46:10,433 --> 00:46:13,335 I'M NOT GOING TOSAY ANYTHING ON THE RADIO, 1330 00:46:13,336 --> 00:46:15,070 I PROMISE. 1331 00:46:15,071 --> 00:46:16,238 THANK YOU. 1332 00:46:16,239 --> 00:46:18,240 HOW LONG WERE YOU MARRIED? 1333 00:46:18,241 --> 00:46:19,441 LONG ENOUGH FOR HERTO GET THROUGH MED SCHOOL, 1334 00:46:19,442 --> 00:46:21,610 WHICH I PAID FOR, 1335 00:46:21,611 --> 00:46:23,211 ONLY TO HAVE HERDO HER RESIDENCY 1336 00:46:23,212 --> 00:46:24,546 HALFWAYACROSS THE COUNTRY. 1337 00:46:24,547 --> 00:46:25,581 YOU DIDN'T WANT TO GO? 1338 00:46:25,582 --> 00:46:27,649 SHE DIDN'T ASK. 1339 00:46:27,650 --> 00:46:29,651 APPARENTLY, I WASN'T PART OF THE PLAN. 1340 00:46:29,652 --> 00:46:31,454 I'M SORRY. 1341 00:46:33,756 --> 00:46:36,558 AT LEAST SHE DIDN'TBREAK UP WITH YOU ON THE AIR. 1342 00:46:36,559 --> 00:46:38,660 THERE'S THAT. 1343 00:46:38,661 --> 00:46:40,362 IT WAS A TEXT. 1344 00:46:40,363 --> 00:46:41,396 THAT'S AWFUL. 1345 00:46:43,299 --> 00:46:44,466 MY BOYFRIEND IN HIGH SCHOOLBROKE UP WITH ME 1346 00:46:44,467 --> 00:46:45,734 BY WRITING IT ON THE BLACKBOARD. 1347 00:46:45,735 --> 00:46:47,536 AND ONE TIME, 1348 00:46:47,537 --> 00:46:49,204 A GUY BROKE UP WITH MEON A ROLLER COASTER. 1349 00:46:49,205 --> 00:46:50,272 DID HE WAIT FOR IT TO STOP? 1350 00:46:50,273 --> 00:46:51,406 BARELY. 1351 00:46:51,407 --> 00:46:52,742 HOW MANY PEOPLEHAVE BROKEN UP WITH YOU? 1352 00:46:55,478 --> 00:46:57,512 HEY, NICK! 1353 00:46:57,513 --> 00:46:58,547 HEY, GUS! 1354 00:46:58,548 --> 00:47:00,583 WAIT, YOU TWOKNOW EACH OTHER? 1355 00:47:01,484 --> 00:47:04,186 WHO DOESN'T KNOW GUS! 1356 00:47:06,122 --> 00:47:07,456 YEAH, WE USED TOPLAY CHESS TOGETHER. 1357 00:47:07,457 --> 00:47:09,224 I USED TO BEAT YOU AT CHESS, YOU MEAN. 1358 00:47:09,225 --> 00:47:11,059 I'M READY FORA REMATCH ANYTIME. 1359 00:47:11,060 --> 00:47:12,194 OH, REALLY? 1360 00:47:12,195 --> 00:47:13,328 WELL, I'LL WATCH. 1361 00:47:13,329 --> 00:47:16,798 I LIKE WHAT I'M SEEING HERE. 1362 00:47:16,799 --> 00:47:18,801 OH, WE'RE NOT TOGETHER. 1363 00:47:20,703 --> 00:47:21,737 I'M GOING TO GO UP. 1364 00:47:21,738 --> 00:47:22,705 GOOD NIGHT. 1365 00:47:23,640 --> 00:47:25,141 GOOD NIGHT. 1366 00:47:27,076 --> 00:47:28,577 WE'LL WAIT FOR YOUTO GET INSIDE SAFELY. 1367 00:47:28,578 --> 00:47:30,412 OH. 1368 00:47:30,413 --> 00:47:31,781 WELL, THANK YOU. 1369 00:47:48,498 --> 00:47:49,665 BEAUTIFUL. 1370 00:47:50,633 --> 00:47:54,202 THE NIGHT, OR THE GIRL. 1371 00:47:54,203 --> 00:47:55,671 THE NIGHT. 1372 00:47:58,341 --> 00:47:59,474 OKAY, THE GIRL. 1373 00:48:10,219 --> 00:48:11,486 GOODNIGHT, NICK. 1374 00:48:11,487 --> 00:48:13,356 GOODNIGHT, GUS. 1375 00:48:15,858 --> 00:48:17,326 COME ON, BUDDY. 1376 00:48:25,101 --> 00:48:27,302 I WAS MARRIED ONCE. 1377 00:48:27,303 --> 00:48:29,839 THERE, I SAID IT. 1378 00:48:31,407 --> 00:48:33,642 NEEDLESS TO SAY, 1379 00:48:33,643 --> 00:48:35,343 IT DID NOT END WELL. 1380 00:48:35,344 --> 00:48:38,480 I'VE AVOIDED TALKING ABOUT IT, WHICH IS PART OF PROBLEM. 1381 00:48:38,481 --> 00:48:42,217 I HAVE BEENDUCKING RELATIONSHIPS 1382 00:48:42,218 --> 00:48:44,187 TO AVOID GETTING HURT. 1383 00:48:45,621 --> 00:48:48,323 THAT WAS... BRAVE. 1384 00:48:49,358 --> 00:48:50,859 THANKS. 1385 00:48:50,860 --> 00:48:52,561 THEN HOW COMEI DON'T FEEL ANY BETTER? 1386 00:48:52,562 --> 00:48:54,129 WELL, IT JUST HAPPENED. 1387 00:48:54,130 --> 00:48:55,630 YOU BETTER GIVE ITA COUPLE MINUTES. 1388 00:48:55,631 --> 00:48:57,299 HOW ABOUTWE TAKE A CALL 1389 00:48:57,300 --> 00:48:58,333 IN THE MEANTIME? 1390 00:48:58,334 --> 00:49:00,902 JENNIFER, YOU'RE ON. 1391 00:49:00,903 --> 00:49:02,304 I JUST WANTED TO SAY 1392 00:49:02,305 --> 00:49:03,772 THAT I REALLY APPRECIATE YOU 1393 00:49:03,773 --> 00:49:05,607 SHARING YOUR LIFE SO OPENLY WITH US, 1394 00:49:05,608 --> 00:49:09,845 AND IT'S MADE ME FEEL MORE COMFORTABLE IN MY OWN LIFE. 1395 00:49:09,846 --> 00:49:11,613 WELL, THANK YOU, JENNIFER. 1396 00:49:11,614 --> 00:49:14,249 IF OUR HUMILIATIONSCAN BENEFIT OTHERS, 1397 00:49:14,250 --> 00:49:16,585 THEN THAT'S WHAT WE'RE HERE FOR. 1398 00:49:16,586 --> 00:49:18,420 AND THE SONIA AND NICK SHOW 1399 00:49:18,421 --> 00:49:19,422 WILL BE RIGHT BACK. 1400 00:49:22,191 --> 00:49:23,258 OKAY, KIDS, 1401 00:49:23,259 --> 00:49:25,393 DO NOT START BEING NICETO ONE ANOTHER, OKAY? 1402 00:49:25,394 --> 00:49:26,661 PEOPLE WANT TO HEAR YOU ARGUE. 1403 00:49:26,662 --> 00:49:27,863 REMEMBER? 1404 00:49:27,864 --> 00:49:28,864 RESERVATION'S AT 9:00. 1405 00:49:28,865 --> 00:49:30,832 ALL RIGHT, I'LL MEET YOU THERE. 1406 00:49:30,833 --> 00:49:32,568 I'LL PICK YOU UP. 1407 00:49:34,837 --> 00:49:37,372 OKAY, THAT SOUNDEDLIKE A DATE. 1408 00:49:37,373 --> 00:49:38,473 OH, IT'S NOT. 1409 00:49:38,474 --> 00:49:40,842 WE'RE GOING TOFIND SCOTT TONIGHT. 1410 00:49:40,843 --> 00:49:41,843 RIGHT... 1411 00:49:41,844 --> 00:49:43,545 AND YOU'RE SURE 1412 00:49:43,546 --> 00:49:46,581 THIS IS STILLABOUT SCOTT? 1413 00:49:47,650 --> 00:49:49,451 OH, NO. 1414 00:49:49,452 --> 00:49:50,786 HE MADE ME DINNER. 1415 00:49:50,787 --> 00:49:52,220 WE TALKED FOR HOURS. 1416 00:49:52,221 --> 00:49:53,955 YOU TALK EVERY DAY HEREFOR HOURS. 1417 00:49:53,956 --> 00:49:55,724 THAT'S DIFFERENT.HE'S DIFFERENT. 1418 00:49:55,725 --> 00:49:58,560 NO, NO, NO, NO. DO NOTMUDDY THE WATERS HERE. 1419 00:49:58,561 --> 00:50:00,195 DO YOU HAVE ANY IDEA HOWHARD IT IS TO GET A HIT SHOW? 1420 00:50:00,196 --> 00:50:01,430 YOU'RE RIGHT. 1421 00:50:02,598 --> 00:50:04,232 YOU'RE RIGHT. 1422 00:50:04,233 --> 00:50:05,935 YOU'RE TOTALLY RIGHT. 1423 00:50:07,737 --> 00:50:10,506 ♪ ♪ 1424 00:50:20,416 --> 00:50:23,485 WHAT DO YOU THINK, TOO MUCH, TOO LITTLE? 1425 00:50:23,486 --> 00:50:26,421 TOO GOOD FORTHIS SCOTT GUY. 1426 00:50:26,422 --> 00:50:28,290 THAT'S THE POINT, RIGHT? 1427 00:50:28,291 --> 00:50:29,724 THAT'S RIGHT. 1428 00:50:29,725 --> 00:50:32,727 THEN WHY DO I FEELSO NERVOUS? 1429 00:50:32,728 --> 00:50:34,729 EVERYONE WASSTARING AT US. 1430 00:50:34,730 --> 00:50:37,465 NO, THEY WERESTARING AT YOU. 1431 00:50:37,466 --> 00:50:38,600 OH, HE'S HERE. 1432 00:50:38,601 --> 00:50:39,968 YOU KNOW WHAT, THIS ISN'T A GOOD IDEA. 1433 00:50:39,969 --> 00:50:40,836 WE SHOULD JUST GO. 1434 00:50:40,837 --> 00:50:41,837 NO, NO, NO.NO, NO, NO. 1435 00:50:41,838 --> 00:50:43,306 COME ON, WE'VECOME THIS FAR. 1436 00:50:45,508 --> 00:50:46,775 WHAT WOULD YOU LIKE? 1437 00:50:46,776 --> 00:50:48,543 TO GO HOME. 1438 00:50:48,544 --> 00:50:50,579 TRY AGAIN. 1439 00:50:50,580 --> 00:50:52,247 MARTINI. 1440 00:50:52,248 --> 00:50:53,782 GOOD CHOICE. 1441 00:50:53,783 --> 00:50:55,250 COULD WE GETTWO MARTINIS, PLEASE? 1442 00:50:55,251 --> 00:50:56,252 THANK YOU. 1443 00:50:58,688 --> 00:51:00,322 I'LL BE RIGHT BACK, OKAY? 1444 00:51:00,323 --> 00:51:01,323 HERE HE COMES. 1445 00:51:01,324 --> 00:51:02,891 OKAY, WELL, LET ME JUST... 1446 00:51:02,892 --> 00:51:05,293 UNDER NO CIRCUMSTANCES 1447 00:51:05,294 --> 00:51:06,595 ARE YOU TO REACHFOR YOUR WALLET. 1448 00:51:06,596 --> 00:51:07,596 OKAY. 1449 00:51:07,597 --> 00:51:09,231 SONIA, HI! 1450 00:51:09,232 --> 00:51:10,232 HI! 1451 00:51:10,233 --> 00:51:13,401 UM, NICK, THIS IS SCOTT RYDER. 1452 00:51:13,402 --> 00:51:14,569 OH, RIGHT. 1453 00:51:14,570 --> 00:51:16,438 HEY... NICK LYNDON. 1454 00:51:16,439 --> 00:51:18,473 AH, "MAN CAVE" GUY. 1455 00:51:18,474 --> 00:51:20,342 YEAH, I LIKE YOUR SHOW. 1456 00:51:20,343 --> 00:51:22,911 THANK YOU. CHEERS. 1457 00:51:22,912 --> 00:51:25,381 NEW SHOW'S A LOT BETTERNOW THAT WE HAVE SONIA. 1458 00:51:26,916 --> 00:51:28,717 YEAH, I'VE SEEN THE BILLBOARDS. 1459 00:51:28,718 --> 00:51:30,252 CONGRATULATIONS. 1460 00:51:30,253 --> 00:51:31,319 THANKS. 1461 00:51:31,320 --> 00:51:32,320 YOU NEED A DRINK? 1462 00:51:32,321 --> 00:51:33,855 NO, I'M GOOD. 1463 00:51:33,856 --> 00:51:35,423 I GOTTA TELL YOU, MAN, 1464 00:51:35,424 --> 00:51:36,658 I CAN'T THANK YOU ENOUGH 1465 00:51:36,659 --> 00:51:39,361 FOR CALLING IT QUITSWITH OUR GIRL HERE. 1466 00:51:39,362 --> 00:51:41,496 SHE'S THE BEST. 1467 00:51:41,497 --> 00:51:43,031 DAYLIGHT HOURSREALLY CHANGE A GUY. 1468 00:51:46,002 --> 00:51:47,569 IS THIS...? 1469 00:51:47,570 --> 00:51:49,671 WOW, THIS IS OUR... YEAH. 1470 00:51:49,672 --> 00:51:51,306 SHALL WE? 1471 00:51:51,307 --> 00:51:52,574 UM, IT WAS NICETO SEE YOU, SCOTT. 1472 00:51:52,575 --> 00:51:53,575 YOU, TOO. 1473 00:51:53,576 --> 00:51:56,278 NICE TOMEET YOU, SCOTT. 1474 00:51:56,279 --> 00:51:57,679 THIS ISMY SONG WITH SCOTT. 1475 00:51:57,680 --> 00:52:00,515 I KNOW.I ASKED TANYA. 1476 00:52:00,516 --> 00:52:02,951 YOU ARE EVIL. 1477 00:52:04,520 --> 00:52:07,757 YOU DO KNOWI'M LEADING, RIGHT? 1478 00:52:13,562 --> 00:52:15,964 WOW, YOU'RE GOOD AT THIS. 1479 00:52:15,965 --> 00:52:17,899 MAKING YOURBOYFRIEND JEALOUS? 1480 00:52:17,900 --> 00:52:20,468 THAT TOO. 1481 00:52:20,469 --> 00:52:21,836 WHOA, WHOA, WHOA. 1482 00:52:21,837 --> 00:52:24,673 JULIA MADE METAKE DANCE LESSONS. 1483 00:52:24,674 --> 00:52:25,774 HOW OLD WERE YOU? 1484 00:52:25,775 --> 00:52:27,309 I WAS 12. 1485 00:52:27,310 --> 00:52:30,078 SO, LAST WEEK THEN? 1486 00:52:31,314 --> 00:52:35,318 ♪ ♪ 1487 00:52:48,898 --> 00:52:50,532 HEY, EXCUSE ME, GUYS, YOU MIND IF I CUT IN? 1488 00:52:50,533 --> 00:52:52,801 THIS USED TO BE OUR SONG. 1489 00:52:52,802 --> 00:52:54,436 OH, WELL, ACTUALLY, UM... 1490 00:52:54,437 --> 00:52:55,770 ABSOLUTELY. 1491 00:52:55,771 --> 00:52:56,771 GREAT. 1492 00:52:56,772 --> 00:52:59,974 SHE'S ALL YOURS. 1493 00:52:59,975 --> 00:53:01,543 WELL, HELLO THERE. 1494 00:53:01,544 --> 00:53:03,712 HI. 1495 00:53:03,713 --> 00:53:06,348 YOU LOOK FANTASTIC. 1496 00:53:06,349 --> 00:53:07,349 THANKS. 1497 00:53:07,350 --> 00:53:08,616 IT'S GOODTO SEE YOU. 1498 00:53:08,617 --> 00:53:10,785 YEAH, IT'S NICETO SEE YOU, TOO. 1499 00:53:10,786 --> 00:53:12,687 SO, THAT'S... 1500 00:53:12,688 --> 00:53:14,356 THAT'S YOURMAN CAVE BUDDY, HUH? 1501 00:53:14,357 --> 00:53:16,692 YEAH. 1502 00:53:18,494 --> 00:53:21,497 ♪ ♪ 1503 00:53:22,999 --> 00:53:25,468 ♪ ♪ 1504 00:53:28,704 --> 00:53:29,638 HEY. 1505 00:53:29,639 --> 00:53:31,039 HEY, YOU. 1506 00:53:31,040 --> 00:53:33,408 WHERE'D YOUDISAPPEAR TO LAST NIGHT? 1507 00:53:33,409 --> 00:53:36,911 WELL, YOU SEEMED LIKEYOU WERE IN GOOD HANDS. 1508 00:53:36,912 --> 00:53:38,546 HOW'D IT GO? 1509 00:53:38,547 --> 00:53:39,647 GOOD. 1510 00:53:39,648 --> 00:53:40,782 WE TALKED. 1511 00:53:40,783 --> 00:53:41,883 WEDDING BACK ON? 1512 00:53:41,884 --> 00:53:44,119 NO, NOTHING'S CHANGED. 1513 00:53:44,120 --> 00:53:46,454 LOOK WHAT JUST ARRIVED. 1514 00:53:46,455 --> 00:53:47,956 FOR ME? 1515 00:53:47,957 --> 00:53:49,457 WOW. 1516 00:53:49,458 --> 00:53:52,494 "YOU LOOKED BEAUTIFULLAST NIGHT." 1517 00:53:52,495 --> 00:53:54,796 CHIMP. SIGN LANGUAGE.AND MY WORK HERE IS DONE. 1518 00:53:54,797 --> 00:53:55,897 ALL RIGHT, GET READYTO RUMBLE, GUYS. 1519 00:53:55,898 --> 00:53:57,565 WEATHER'S WRAPPING UP. 1520 00:53:57,566 --> 00:53:58,767 HEY. 1521 00:53:58,768 --> 00:54:01,102 CRANBERRY, PUMPKIN, ACAI MUFFIN, NICK? 1522 00:54:02,571 --> 00:54:07,075 I WAS JUST DREAMING ABOUTCRANBERRY PUMPKIN ACAI. 1523 00:54:07,076 --> 00:54:07,977 I MUST HAVE KNOWN. 1524 00:54:07,978 --> 00:54:09,077 SONIA? 1525 00:54:09,078 --> 00:54:10,712 NO, I'LL PASS, THANKS. 1526 00:54:10,713 --> 00:54:12,414 SHE'S GOT ANOTHERWEDDING DRESS TO FIT INTO. 1527 00:54:12,415 --> 00:54:13,782 -YOU'RE GETTING MARRIED?-NO. 1528 00:54:13,783 --> 00:54:15,050 GIVE IT A WEEK. 1529 00:54:15,051 --> 00:54:16,518 SONIA, THAT IS GREAT! 1530 00:54:16,519 --> 00:54:17,619 GIVE ME THE DETAILS.WHO IS HE? 1531 00:54:17,620 --> 00:54:19,487 HE'S A BIG-TIME SPORTS AGENT. 1532 00:54:19,488 --> 00:54:20,688 YOU SHOULD TOTALLYBRING HIM 1533 00:54:20,689 --> 00:54:21,890 TO THE AFFILIATESPARTY TONIGHT. 1534 00:54:21,891 --> 00:54:23,124 IT'S SERIOUSLY SO MUCH FUN. 1535 00:54:23,125 --> 00:54:24,526 EVERYONE GETS ALL GLAMMED UP. 1536 00:54:24,527 --> 00:54:25,827 IT'S A WORK EVENT, RIGHT? 1537 00:54:25,828 --> 00:54:27,061 I MEAN, WE'RE SUPPOSED TO BE 1538 00:54:27,062 --> 00:54:29,164 MEETING THE ADVERTISERSAND THE CORPORATE EXECUTIVES. 1539 00:54:29,165 --> 00:54:30,432 GOING TO HAVE TO DRAGTHAT HAZMAT SUIT 1540 00:54:30,433 --> 00:54:31,433 OUT OF THE CLOSET, AREN'T YOU? 1541 00:54:31,434 --> 00:54:32,734 HEY, NICK, IF YOU'RE NOTGOING WITH ANYONE, 1542 00:54:32,735 --> 00:54:33,768 YOU CAN, UH, TAKE ME. 1543 00:54:33,769 --> 00:54:34,803 OKAY, WE'RE ON AIR IN 10, GUYS. 1544 00:54:34,804 --> 00:54:35,937 UH... SURE. 1545 00:54:35,938 --> 00:54:36,839 GREAT. 1546 00:54:36,840 --> 00:54:37,939 WELL, I'M OFF. 1547 00:54:37,940 --> 00:54:39,407 CAN'T WAIT TO MEET YOUR GUY. 1548 00:54:39,408 --> 00:54:41,409 ...OR IS IT THE SONIA AND NICK SHOW... 1549 00:54:41,410 --> 00:54:43,077 EXCLUSIVELY ON WCV. 1550 00:54:43,078 --> 00:54:44,779 HELLO, CHICAGO, 1551 00:54:44,780 --> 00:54:49,451 AND OUR VAST, INTERNATIONALINTERNET AUDIENCE. 1552 00:54:49,452 --> 00:54:50,618 OH, YES, THANK YOU, WORLD, 1553 00:54:50,619 --> 00:54:52,887 FOR MAKINGHASHTAG TEAMSONIA TREND... 1554 00:54:52,888 --> 00:54:55,190 SO LET'S JUMPRIGHT TO IT, GENTLEMEN. 1555 00:54:55,191 --> 00:54:56,791 YOU WANT TO GETTHE LITTLE LADY BACK 1556 00:54:56,792 --> 00:54:58,593 WHEN YOU'RE IN THE DOG HOUSE, 1557 00:54:58,594 --> 00:54:59,694 NOTHING DOES THE TRICK 1558 00:54:59,695 --> 00:55:03,131 LIKE AN OVER-PRICEDGAUDY BOUQUET OF ROSES... 1559 00:55:03,132 --> 00:55:04,100 IF YOU WERE TO SEND ME FLOWERS... 1560 00:55:04,100 --> 00:55:05,100 WHICH I WOULDN'T. 1561 00:55:05,101 --> 00:55:07,068 BUT IF YOU DID, IT WOULD BE A DEAD PLANT. 1562 00:55:07,069 --> 00:55:09,037 THE POINT IS, DON'T BE FOOLED BY FLOWERS. 1563 00:55:09,038 --> 00:55:10,839 THEY LOOK PRETTY, THEY SMELL PRETTY, 1564 00:55:10,840 --> 00:55:14,809 BUT THEN THEY SHRIVEL, WITHER AWAY, AND DIE. 1565 00:55:14,810 --> 00:55:15,810 YOU DO REALIZE 1566 00:55:15,811 --> 00:55:17,045 THAT ONE OF OUR SPONSORSIS A FLORIST, RIGHT? 1567 00:55:17,046 --> 00:55:18,446 A QUOTE COMES TO MIND, 1568 00:55:18,447 --> 00:55:20,582 "WHEN SOMEONE SHOWS YOUWHO THEY ARE, 1569 00:55:20,583 --> 00:55:22,083 BELIEVE THEM THE FIRST TIME." 1570 00:55:22,084 --> 00:55:23,685 WHO SAID THAT, A MAN? 1571 00:55:23,686 --> 00:55:25,587 ACTUALLY, IT WAS MAYA ANGELOU. 1572 00:55:25,588 --> 00:55:27,455 YOU READ MAYA ANGELOU? I DOUBT IT. 1573 00:55:27,456 --> 00:55:28,823 NO, IT WAS ON A CALENDAR. 1574 00:55:28,824 --> 00:55:30,725 I THINK WE SHOULD TAKE A CALL. 1575 00:55:30,726 --> 00:55:31,694 YOU'RE ON. 1576 00:55:31,695 --> 00:55:33,595 HOW DO YOU TWO FEEL ABOUT KIDS? 1577 00:55:33,596 --> 00:55:35,163 -I LOVE KIDS.-YOU MEAN, FOR LUNCH. 1578 00:55:35,164 --> 00:55:36,031 NO. 1579 00:55:36,032 --> 00:55:37,065 YOU, NICK LYNDON, 1580 00:55:37,066 --> 00:55:38,233 ACTUALLY WANT TOHAVE KIDS SOMEDAY? 1581 00:55:38,234 --> 00:55:40,101 YEAH, LOADS OF 'EM.DON'T YOU? 1582 00:55:40,102 --> 00:55:42,237 YEAH. I DO. SOMEDAY. 1583 00:55:42,238 --> 00:55:43,738 WHEN WAS THE LAST TIMEYOU WERE AROUND ONE? 1584 00:55:43,739 --> 00:55:45,473 ANY WOMAN WHO'S EVER DATED A MAN 1585 00:55:45,474 --> 00:55:46,541 KNOWS WHAT IT'S LIKE 1586 00:55:46,542 --> 00:55:47,709 TO TAKE CARE OF KIDS. 1587 00:55:47,710 --> 00:55:49,944 OUCH. 1588 00:55:49,945 --> 00:55:52,181 ♪ ♪ 1589 00:56:23,946 --> 00:56:25,246 SCOTT?-IT'S ME. 1590 00:56:25,247 --> 00:56:27,283 FRONT DOOR'S UNLOCKED. 1591 00:56:30,085 --> 00:56:31,653 HEY, I'M IN! 1592 00:56:31,654 --> 00:56:33,088 I'LL BERIGHT THERE. 1593 00:56:36,092 --> 00:56:37,592 WOW. 1594 00:56:37,593 --> 00:56:40,295 YOUR PLACE, IT LOOKS SO, UH... 1595 00:56:40,296 --> 00:56:41,796 CLEAN? 1596 00:56:47,870 --> 00:56:49,737 YOU LOOK AMAZING. 1597 00:56:49,738 --> 00:56:51,806 HEY, I REALLY LIKE 1598 00:56:51,807 --> 00:56:52,807 THIS NEW YOU. 1599 00:56:52,808 --> 00:56:56,177 OH, IT'S THE SAME ME, JUST NEW CLOTHES. 1600 00:56:56,178 --> 00:56:58,780 I SHOULD JUST SAYTHANK YOU, RIGHT? 1601 00:56:58,781 --> 00:57:00,014 THANK YOU. 1602 00:57:00,015 --> 00:57:01,016 YOU'RE WELCOME. 1603 00:57:02,151 --> 00:57:03,618 MORE FLOWERS. 1604 00:57:03,619 --> 00:57:04,819 BEAUTIFUL. 1605 00:57:04,820 --> 00:57:05,987 THANK YOU. 1606 00:57:05,988 --> 00:57:07,989 I WILL PUT THEMIN WATER. 1607 00:57:07,990 --> 00:57:10,592 SO, I HEARD THE SHOW. 1608 00:57:10,593 --> 00:57:11,593 SORRY. 1609 00:57:11,594 --> 00:57:13,261 I'VE TRIED SO HARDNOT TO TALK ABOUT US, 1610 00:57:13,262 --> 00:57:16,097 BUT THE CALLERS SEEMFREAKISHLY INTERESTED. 1611 00:57:16,098 --> 00:57:17,131 IT'S OKAY. 1612 00:57:17,132 --> 00:57:18,866 ACTUALLY, IT TURNS OUTIT'S GOOD PUBLICITY. 1613 00:57:18,867 --> 00:57:20,134 MY PHONE'S BEENRINGING LIKE CRAZY. 1614 00:57:20,135 --> 00:57:21,235 SYMPATHY CALLS? 1615 00:57:21,236 --> 00:57:22,303 CLIENTS. 1616 00:57:22,304 --> 00:57:23,871 THAT'S GREAT. 1617 00:57:23,872 --> 00:57:25,273 WELL, I CAN THE STORYOF THAT TIME 1618 00:57:25,274 --> 00:57:27,308 THAT I EMBARRASSED YOUAT THE INDIAN RESTAURANT. 1619 00:57:27,309 --> 00:57:28,309 OH, AND DON'T FORGETTHE BULLS GAME, 1620 00:57:28,310 --> 00:57:30,144 HOW ABOUT THAT TIMEAT THE DRY CLEANERS? 1621 00:57:30,145 --> 00:57:31,646 THE DRY CLEANERS... 1622 00:57:31,647 --> 00:57:32,947 WE CAN'T GO BACK THERE, EVER. 1623 00:57:32,948 --> 00:57:33,948 EVER. 1624 00:57:33,949 --> 00:57:35,283 YEAH. 1625 00:57:35,284 --> 00:57:36,884 IT'S WEIRD, ISN'T IT? 1626 00:57:36,885 --> 00:57:38,086 I MEAN, I BREAK UP WITH YOUON AIR, 1627 00:57:38,087 --> 00:57:39,120 YOU GET A NEW SHOW. 1628 00:57:39,121 --> 00:57:41,623 AND YOU GET MORE BUSINESS. 1629 00:57:41,624 --> 00:57:42,925 MAYBE WE'RE BETTER APART. 1630 00:57:44,960 --> 00:57:46,962 OH, I DON'T KNOW, I WOULDN'T GO THAT FAR. 1631 00:57:48,631 --> 00:57:50,298 LOOK, THOSE THINGS I SAID, 1632 00:57:50,299 --> 00:57:51,267 ABOUT US WANTINGDIFFERENT THINGS. 1633 00:57:51,268 --> 00:57:53,034 I MEAN, THAT WAS UNFAIR. 1634 00:57:53,035 --> 00:57:55,570 LOOK, JUST BECAUSE I'VE CHANGED, YOU SHOULDN'T HAVE TO. 1635 00:57:55,571 --> 00:57:58,172 I SHOULD HAVE BEENMORE SUPPORTIVE. 1636 00:57:58,173 --> 00:58:02,011 I'M NOT READYTO GIVE UP ON US YET. 1637 00:58:03,045 --> 00:58:06,648 I DON'T KNOW, MAYBE, UM... 1638 00:58:06,649 --> 00:58:09,851 MAYBE WE CAN TRYAND MEET IN THE MIDDLE. 1639 00:58:09,852 --> 00:58:13,821 YOU MEAN LIKETHE 50-YARD LINE? 1640 00:58:13,822 --> 00:58:14,823 YEAH. 1641 00:58:19,061 --> 00:58:20,094 HI, TANYA. 1642 00:58:20,095 --> 00:58:21,929 OH, MY GOD, YOU LOOK GREAT. 1643 00:58:21,930 --> 00:58:23,631 SCOTT, YOU KNOWNICK OF COURSE, 1644 00:58:23,632 --> 00:58:25,700 AND THIS IS AMANDA LAZARO. 1645 00:58:25,701 --> 00:58:27,368 SHE DOESA LIFESTYLE SHOW ON WCV. 1646 00:58:27,369 --> 00:58:28,337 FOR NOW. 1647 00:58:28,338 --> 00:58:30,338 YOU MUST BE SONIA'SSPORTS AGENT FIANCE. 1648 00:58:30,339 --> 00:58:32,040 YES. GUILTY AS CHARGED. 1649 00:58:32,041 --> 00:58:33,641 OH, LOOK. 1650 00:58:33,642 --> 00:58:34,742 LOOK AT THIS.VERY NICE. 1651 00:58:34,743 --> 00:58:35,743 THANK YOU. 1652 00:58:35,744 --> 00:58:36,744 HERE YOU GO. 1653 00:58:36,745 --> 00:58:38,646 CONGRATS ON SIGNING AGUILLARD. 1654 00:58:38,647 --> 00:58:40,214 -THANK YOU VERY MUCH.-HOW DO YOU KNOW THAT? 1655 00:58:40,215 --> 00:58:41,849 YEAH, HEAR, HEAR. 1656 00:58:41,850 --> 00:58:43,117 BIT OF A COUP, I GUESS, HUH? 1657 00:58:43,118 --> 00:58:44,353 CHEERS. 1658 00:58:45,788 --> 00:58:48,222 I SEEYOU GOT MY TEXT. 1659 00:58:48,223 --> 00:58:49,891 I WAS ALREADYWEARING THIS. 1660 00:58:49,892 --> 00:58:51,826 -ARE YOU A HOCKEY FAN?-OH, HUGE. 1661 00:58:51,827 --> 00:58:52,894 YEAH, ME TOO. 1662 00:58:52,895 --> 00:58:54,163 ;ALL RIGHT, I CHANGED. 1663 00:58:55,197 --> 00:58:58,267 SO, UM, WHAT'S YOURLIFESTYLE SHOW ABOUT? 1664 00:59:00,102 --> 00:59:01,936 HOW'S YOUR DATE GOING? 1665 00:59:01,937 --> 00:59:02,871 IT'S NOT A DATE. 1666 00:59:02,872 --> 00:59:03,905 UH-HUH. 1667 00:59:03,906 --> 00:59:05,139 WHAT, ARE YOU GOING TOSIT A ROW BEHIND HER 1668 00:59:05,140 --> 00:59:06,307 AT THE TABLE? 1669 00:59:06,308 --> 00:59:07,775 IS THAT AN OPTION? 1670 00:59:07,776 --> 00:59:09,711 ALL OPTIONS OPEN. 1671 00:59:09,712 --> 00:59:11,646 HOW ABOUTYOU AND SCOTT, 1672 00:59:11,647 --> 00:59:14,082 YOU READYTO PICK OUT CENTERPIECES? 1673 00:59:14,083 --> 00:59:16,050 WE'RE JUST SEEINGHOW THINGS GO. 1674 00:59:16,051 --> 00:59:17,852 YEAH? AND THEN WHAT? 1675 00:59:17,853 --> 00:59:19,821 I DON'T KNOW. 1676 00:59:24,293 --> 00:59:26,127 WELL, WHATDO YOU THINK? 1677 00:59:26,128 --> 00:59:28,963 GONNA GO WITHTOOTHPICK OR FORK? 1678 00:59:28,964 --> 00:59:30,665 TOOTHPICK. 1679 00:59:30,666 --> 00:59:31,666 EW. 1680 00:59:31,667 --> 00:59:33,000 I DEFINITELYWOULD HAVE GONE FORK. 1681 00:59:33,001 --> 00:59:34,069 REALLY? 1682 00:59:35,771 --> 00:59:37,271 ...YOU KNOW, IF I WAS IN MANAGEMENT, 1683 00:59:37,272 --> 00:59:38,272 AND I HAD TO CUT HIM LOOSE, 1684 00:59:38,273 --> 00:59:39,874 I'D SAY SOMETHINGALONG THE LINES OF, 1685 00:59:39,875 --> 00:59:41,209 YOU KNOW, "WE'RE JUSTAT DIFFERENT JUNCTURES 1686 00:59:41,210 --> 00:59:42,410 AT THIS POINT." 1687 00:59:42,411 --> 00:59:44,212 I'M GOING TO HAVE TO STARTCHARGING HIM FOR THAT LINE. 1688 00:59:44,213 --> 00:59:46,781 THAT'S YOUR LINE? 1689 00:59:46,782 --> 00:59:48,750 I SHOULD HAVE KNOWN. 1690 00:59:48,751 --> 00:59:49,917 WELL, AT LEASTYOU GOT BACK TOGETHER, 1691 00:59:49,918 --> 00:59:51,753 AND I WILL TAKE CREDIT FOR THAT, 1692 00:59:51,754 --> 00:59:53,255 EVEN THOUGH, YOU KNOW... 1693 00:59:54,123 --> 00:59:55,090 NEVER MIND. 1694 00:59:55,091 --> 00:59:56,758 WHAT? 1695 00:59:56,759 --> 00:59:59,026 I DON'T THINK I DIDEITHER OF YOU ANY FAVORS. 1696 00:59:59,027 --> 01:00:00,128 REALLY? 1697 01:00:00,129 --> 01:00:01,262 YEAH. 1698 01:00:01,263 --> 01:00:02,864 NOW THAT ISEE YOU TOGETHER... 1699 01:00:02,865 --> 01:00:05,700 I DON'T REALLYSEE YOU TOGETHER. 1700 01:00:05,701 --> 01:00:07,168 WHAT ARE YOU, A COUPLESCOUNSELOR NOW? 1701 01:00:07,169 --> 01:00:08,903 YOU'RE ON A DATEWITH A TEENAGER. 1702 01:00:08,904 --> 01:00:10,438 SHE'S 26. 1703 01:00:10,439 --> 01:00:11,906 24. 1704 01:00:11,907 --> 01:00:13,474 SHE'S IN HER 20s, I THINK. 1705 01:00:13,475 --> 01:00:14,976 AT THIS JUNCTURE, I THINK IT'D BE BETTER 1706 01:00:14,977 --> 01:00:16,778 IF WE STAYED OUT OF EACH OTHER'SPERSONAL LIVES. 1707 01:00:16,779 --> 01:00:17,713 LOOK, YOU'RE THE ONE 1708 01:00:17,714 --> 01:00:18,780 THAT WANTED METO GET YOU BACK TOGETHER 1709 01:00:18,781 --> 01:00:20,248 WITH MR. DANCING-WITH-THE-STARSOVER THERE. 1710 01:00:20,249 --> 01:00:22,250 WELL, I DID.I MEAN, I DO... 1711 01:00:22,251 --> 01:00:23,718 "I DO." THAT SOUNDS LIKE A VOW. 1712 01:00:23,719 --> 01:00:24,786 WHAT DO YOU CARE? 1713 01:00:24,787 --> 01:00:25,920 YOU DIDN'T EVENWAIT AROUND 1714 01:00:25,921 --> 01:00:26,921 TO SEE IF I NEEDED A RIDE HOME. 1715 01:00:26,922 --> 01:00:27,922 I DIDN'T THINKYOU WANTED ONE. 1716 01:00:27,923 --> 01:00:28,923 WELL, I DIDN'T! 1717 01:00:28,924 --> 01:00:29,924 -ME EITHER!-GOOD! 1718 01:00:31,260 --> 01:00:34,962 AND THAT'S WHYOUR RATINGS ARE UP 40%. 1719 01:00:41,203 --> 01:00:42,270 WE FLY HIM OUT, 1720 01:00:42,271 --> 01:00:43,371 WE THROW HIMTHROUGH SOME WORKOUTS 1721 01:00:43,372 --> 01:00:45,907 AND THEN WE GIVE HIMA BIG CONTRACT. 1722 01:00:45,908 --> 01:00:47,108 EXACTLY. 1723 01:00:47,109 --> 01:00:48,709 YEAH, FLY HER OUT, TOO. 1724 01:00:48,710 --> 01:00:49,478 FIRST CLASS. 1725 01:00:49,478 --> 01:00:50,345 YEAH. 1726 01:00:50,346 --> 01:00:51,479 UM, FRUIT BASKET. 1727 01:00:51,480 --> 01:00:52,747 HOTEL. 1728 01:00:52,748 --> 01:00:54,081 OH, THEY'VE GOTA DOG, I THINK. 1729 01:00:54,082 --> 01:00:55,983 I DON'T KNOW, 1730 01:00:55,984 --> 01:00:57,718 IT'S A JACK RUSSELLOR SOMETHING LIKE THAT. 1731 01:00:57,719 --> 01:00:59,221 YEAH, PERFECT. 1732 01:01:11,934 --> 01:01:13,935 I'VE BEEN SEEING THIS GIRL 1733 01:01:13,936 --> 01:01:16,771 AND I LIKE HER, BUT I DON'T REALLY LIKE HER THAT MUCH. 1734 01:01:16,772 --> 01:01:18,039 WHEN DO I CUT BAIT? 1735 01:01:18,040 --> 01:01:19,307 "BAIT." "FISH." 1736 01:01:19,308 --> 01:01:20,908 THIS IS OBVIOUSLYA CALL FOR NICK. 1737 01:01:20,909 --> 01:01:22,343 LET'S BE HONEST, FRANK. 1738 01:01:22,344 --> 01:01:24,278 YOU'RE JUST AFRAIDSHE'S GONNA CUT BAIT FIRST. 1739 01:01:24,279 --> 01:01:25,413 YOU WOULDN'T HAVE CALLEDIF YOU DIDN'T LIKE HER. 1740 01:01:25,414 --> 01:01:26,814 SO, YOU KNOW, BE A MAN. 1741 01:01:26,815 --> 01:01:28,217 HANG IN THERE.SEE WHAT HAPPENS, PAL. 1742 01:01:29,885 --> 01:01:32,386 HAS OUR VERY OWN NICK LYNDONGONE SOFT? 1743 01:01:32,387 --> 01:01:33,855 SAY IT AIN'T SO. 1744 01:01:33,856 --> 01:01:34,856 YOU'RE LISTENING TO 1745 01:01:34,857 --> 01:01:37,291 THE SONIA AND NICK SHOWON WCV TALK RADIO. 1746 01:01:37,292 --> 01:01:40,996 WE'LL BE BACK IN 60 TO FIND OUTIF OUR TIN MAN HAS A HEART. 1747 01:01:42,998 --> 01:01:46,367 DID YOU JUST ADVISE A CALLERTO PURSUE A RELATIONSHIP? 1748 01:01:46,368 --> 01:01:48,035 DID I? 1749 01:01:48,036 --> 01:01:49,303 THE CAVE MAN EVOLVES. 1750 01:01:49,304 --> 01:01:52,006 ANOTHER MILLION YEARS, I'LL BE WALKING UPRIGHT. 1751 01:01:52,007 --> 01:01:53,474 HEY, GUYS, CHECK THE GROUP TEXT. 1752 01:01:53,475 --> 01:01:55,843 NEW RATINGS ARE IN AND THEY ARE OFF THE CHARTS. 1753 01:01:55,844 --> 01:01:56,878 CONGRATS. 1754 01:01:56,879 --> 01:02:00,147 IT'LL DO WONDERS FOR BRAD'S ULCERS. 1755 01:02:00,148 --> 01:02:02,049 OKAY, POP QUIZ. 1756 01:02:02,050 --> 01:02:07,455 WHICH HEPBURN STARREDIN A 1951 TV MOVIE FOR THE BBC? 1757 01:02:07,456 --> 01:02:08,523 AUDREY. 1758 01:02:08,524 --> 01:02:10,992 DON'T WASTE MY TIME. 1759 01:02:10,993 --> 01:02:13,895 I GET GOOGLE ALERTS ABOUT HER. 1760 01:02:13,896 --> 01:02:15,530 AS PART OFA 10-HOUR MARATHON 1761 01:02:15,531 --> 01:02:19,267 OF RESTORED CLASSICSAIRING TONIGHT. 1762 01:02:19,268 --> 01:02:22,169 I KNOW, I DVR'D ALL 10 HOURS. 1763 01:02:22,170 --> 01:02:23,071 THAT'S IMPRESSIVE. 1764 01:02:23,072 --> 01:02:25,239 OH, NO, WAIT, YOU HAVE TO 1765 01:02:25,240 --> 01:02:27,541 BECAUSE YOU'RE GOINGTO THE GYM WITH SCOTT. 1766 01:02:27,542 --> 01:02:29,477 OR NO, THAT'SMONDAY AND WEDNESDAY. 1767 01:02:29,478 --> 01:02:32,213 IT'S CLIENTS/DRINKS TONIGHT. 1768 01:02:32,214 --> 01:02:33,214 YOU HAVE POKER NIGHT, RIGHT? 1769 01:02:33,215 --> 01:02:36,083 /LOSING MONEY/GIVINGTERRIBLE ADVICE NIGHT? 1770 01:02:36,084 --> 01:02:37,885 HEY, GUYS, FOCUS, WE'RE BACK. 1771 01:02:37,886 --> 01:02:40,821 YOU'RE LISTENING TO WCVCHICAGO'S TALK RADIO 1772 01:02:40,822 --> 01:02:42,223 THE NICK AND SONIA SHOW... 1773 01:02:42,224 --> 01:02:44,158 SONIA AND NICK SHOW... 1774 01:02:44,159 --> 01:02:45,993 FOLKS, YOU ARE NOTGOING TO BELIEVE 1775 01:02:45,994 --> 01:02:48,162 THE OUTRAGEOUS COMMENTSMY CO-HOST JUST MADE. 1776 01:02:48,163 --> 01:02:50,097 OH, YOU CAN'T TAKETHE TOUGH TALK, CAN YOU? 1777 01:02:50,098 --> 01:02:52,400 SO, NICK TELLS USYOU HAVE A LIFESTYLE SHOW? 1778 01:02:52,401 --> 01:02:53,368 MM-HMM, FOR NOW. 1779 01:02:53,369 --> 01:02:55,036 I SEE RADIOAS A STEPPING POINT. 1780 01:02:55,037 --> 01:02:56,337 MY ULTIMATE GOAL IS TV. 1781 01:02:56,338 --> 01:02:59,006 THEY CAN'T HELP YOU.THEY KNOW NOBODY. 1782 01:02:59,007 --> 01:03:00,074 I WOULDN'T SAY NOBODY. 1783 01:03:00,075 --> 01:03:02,376 I SOLD A DRESSTO WENDY WILLIAMS' ASSISTANT. 1784 01:03:02,377 --> 01:03:04,078 I LOVE WENDY. 1785 01:03:04,079 --> 01:03:05,513 DID YOU KNOW THATSHE STARTED IN RADIO? 1786 01:03:05,514 --> 01:03:08,382 HER CAREER TRAJECTORYIS IN MY BUSINESS MODEL. 1787 01:03:08,383 --> 01:03:10,885 OKAY, LET'S PLAY SOME POKER. 1788 01:03:10,886 --> 01:03:11,986 ZERO VERTICAL... 1789 01:03:11,987 --> 01:03:13,588 HOW ABOUT WE MIGRATEOVER TO NEON? 1790 01:03:13,589 --> 01:03:15,090 OH, I'M IN, I'M IN. 1791 01:03:16,058 --> 01:03:18,059 DO YOU MINDIF I CALL IT A NIGHT? 1792 01:03:18,060 --> 01:03:20,061 OH, BABE, COME ON, IT'S EARLY. 1793 01:03:20,062 --> 01:03:21,029 YEAH, YOU'RE RIGHT. 1794 01:03:21,030 --> 01:03:22,263 I'LL STAY. 1795 01:03:22,264 --> 01:03:25,232 NO, YOU KNOW WHAT, YOU DON'T HAVE TO. 1796 01:03:25,233 --> 01:03:26,534 I WANT TO. 1797 01:03:26,535 --> 01:03:27,935 NO, IT'S OKAY. 1798 01:03:27,936 --> 01:03:31,472 YOU MADE ITTO THE 30-YARD LINE. 1799 01:03:31,473 --> 01:03:33,107 GENTLEMEN, TO NEON. 1800 01:03:33,108 --> 01:03:34,108 NEON. 1801 01:03:34,109 --> 01:03:35,243 THERE IT IS. 1802 01:03:37,446 --> 01:03:40,515 ♪ ♪ 1803 01:04:11,880 --> 01:04:15,884 ♪ ♪ 1804 01:04:22,024 --> 01:04:25,127 ♪ ♪ 1805 01:04:42,911 --> 01:04:47,115 ♪ ♪ 1806 01:04:57,926 --> 01:05:01,630 ♪ ♪ 1807 01:05:15,510 --> 01:05:19,514 ♪ ♪ 1808 01:05:33,361 --> 01:05:37,732 ♪ ♪ 1809 01:05:51,012 --> 01:05:56,118 ♪ ♪ 1810 01:06:06,761 --> 01:06:11,566 ♪ ♪ 1811 01:06:25,013 --> 01:06:29,050 ♪ ♪ 1812 01:06:32,354 --> 01:06:33,622 OH... 1813 01:06:38,493 --> 01:06:39,693 HEY, TANYA. 1814 01:06:39,694 --> 01:06:40,795 SONIA... 1815 01:06:40,796 --> 01:06:43,197 LOOK, I KNOW YOU WEREWARNING ME AS MY PRODUCER, 1816 01:06:43,198 --> 01:06:44,431 BUT CAN YOU BE MY FRIENDFOR A SECOND? 1817 01:06:44,432 --> 01:06:46,734 NO, NO, NO, LISTEN, I GOT YOUR TEXT, AND... 1818 01:06:46,735 --> 01:06:48,602 OKAY, I DON'T REALLY KNOWHOW TO SAY THIS, 1819 01:06:48,603 --> 01:06:50,071 BUT SO DID NICK. 1820 01:06:51,673 --> 01:06:52,673 WHAT? 1821 01:06:52,674 --> 01:06:54,642 IT WAS A GROUP TEXT, SONIA. 1822 01:06:54,643 --> 01:06:55,610 NO... 1823 01:06:55,611 --> 01:06:57,211 NO! 1824 01:06:57,212 --> 01:06:59,413 I... IT TAKES AWAYALL MY ADVANTAGE. 1825 01:06:59,414 --> 01:07:00,582 I... 1826 01:07:02,717 --> 01:07:04,119 ♪ ♪ 1827 01:07:32,080 --> 01:07:36,084 ♪ ♪ 1828 01:08:35,577 --> 01:08:37,879 HEY, LIAM. 1829 01:08:41,549 --> 01:08:45,286 I'M JUST TRYINGTO BE NICE TO HER. 1830 01:08:45,287 --> 01:08:47,921 BELIEVE ME, I HAVE ZERO INTEREST. 1831 01:08:47,922 --> 01:08:49,156 ZERO. 1832 01:08:49,157 --> 01:08:52,326 SHE'S JUSTAN ANNOYING CO-WORKER. 1833 01:08:52,327 --> 01:08:53,494 DON'T WORRY, 1834 01:08:53,495 --> 01:08:56,430 I'M NOT GOING TO BRING HERBACK TO POKER NIGHT. 1835 01:08:56,431 --> 01:08:58,165 NO, I SEE HEREVERY DAY AT WORK. 1836 01:08:58,166 --> 01:09:00,634 THAT'S PLENTY. 1837 01:09:04,205 --> 01:09:06,441 ♪ ♪ 1838 01:09:34,936 --> 01:09:37,604 ANNOYING CO-WORKER? 1839 01:09:37,605 --> 01:09:39,473 HEY, SORRY I'M LATE. 1840 01:09:39,474 --> 01:09:42,509 CLOONEY FELL IN LOVEWITH A POODLE. 1841 01:09:42,510 --> 01:09:43,744 AND WE'RE ON, GUYS. 1842 01:09:43,745 --> 01:09:44,878 GOOD MORNING, CHICAGO. 1843 01:09:44,879 --> 01:09:46,380 HAVE YOU EVERTRUSTED SOMEONE, 1844 01:09:46,381 --> 01:09:47,648 AND THEN DISCOVERED 1845 01:09:47,649 --> 01:09:50,951 THAT THEY WERE A TWO-FACED, GAME-PLAYING, POPCORN-EATING, 1846 01:09:50,952 --> 01:09:52,453 CHAUVINISTIC LIAR? 1847 01:09:52,454 --> 01:09:53,554 WHEN SOMEONE SHOWS YOUWHO THEY REALLY ARE, 1848 01:09:53,555 --> 01:09:54,688 YOU SHOULD BELIEVE THEMTHE FIRST TIME. 1849 01:09:54,689 --> 01:09:56,623 YOU READ THATIN A FORTUNE COOKIE, 1850 01:09:56,624 --> 01:09:57,625 RIGHT, NICK? 1851 01:09:58,793 --> 01:10:00,694 A, UH, CALENDAR. 1852 01:10:00,695 --> 01:10:01,596 RIGHT. 1853 01:10:01,597 --> 01:10:04,932 SO, WHO IS THE REAL NICK LYNDON? 1854 01:10:04,933 --> 01:10:06,934 MAN CAVE, OR MR. NICE GUY, 1855 01:10:06,935 --> 01:10:08,869 RESCUER OFABANDONED DOGS 1856 01:10:08,870 --> 01:10:09,970 AND WOMEN? 1857 01:10:09,971 --> 01:10:12,239 OR IS IT ALL JUST AN ACT? 1858 01:10:12,240 --> 01:10:14,942 INQUIRING MINDS WANT TO KNOW 1859 01:10:14,943 --> 01:10:16,910 WHAT HAPPENED TOOUR LOVELY MISS SONIA 1860 01:10:16,911 --> 01:10:18,812 BETWEEN LAST NIGHTAND THIS MORNING? 1861 01:10:18,813 --> 01:10:21,016 SONIA WOKE UP. 1862 01:10:22,016 --> 01:10:23,852 WHY ARE YOU DOING THIS? 1863 01:10:25,820 --> 01:10:26,820 SPEAKING MY MIND? 1864 01:10:26,821 --> 01:10:28,989 ERECTING A FENCE. 1865 01:10:28,990 --> 01:10:30,925 FENCES KEEP OUT RATS. 1866 01:10:33,962 --> 01:10:37,264 NO, UH, THEY KEEP OUTLARGER ANIMALS, ACTUALLY. 1867 01:10:37,265 --> 01:10:39,434 RATS CAN FIT THROUGHVERY SMALL PLACES. 1868 01:10:40,969 --> 01:10:42,369 MY POINT EXACTLY. 1869 01:10:42,370 --> 01:10:43,504 SHE'S CRAZY. 1870 01:10:43,505 --> 01:10:44,671 BECAUSE ALL WOMENARE CRAZY? 1871 01:10:44,672 --> 01:10:45,839 YOU SEE, I CAN'TWORK WITH HER. 1872 01:10:45,840 --> 01:10:47,007 OR ANYONE. 1873 01:10:47,008 --> 01:10:48,275 GIVE ME BACK MY SHOW, OR I GO TO WMB. 1874 01:10:48,276 --> 01:10:49,810 YOU'RE NOT GOING ANYWHERE. 1875 01:10:49,811 --> 01:10:50,811 I'LL GO BACKTO EVANSTON. 1876 01:10:50,812 --> 01:10:51,812 WHERE YOU BELONG... 1877 01:10:51,813 --> 01:10:52,813 LOOK, I DON'T KNOWWHAT HAPPENED HERE, 1878 01:10:52,814 --> 01:10:54,648 BUT YOU BOTH HAVE CONTRACTS. 1879 01:10:54,649 --> 01:10:55,583 THEN PUT MEBACK ON NIGHTS. 1880 01:10:55,584 --> 01:10:56,717 I'LL BE HAPPYTO WORK NIGHTS. 1881 01:10:56,718 --> 01:10:58,252 -WHOA, WHOA, WHOA... I'LL WORK THE GRAVEYARD SHIFT. 1882 01:10:58,253 --> 01:10:59,920 I FOUND SOMETHING ELSEI HATE MORE. 1883 01:10:59,921 --> 01:11:00,855 CAN'T WE JUST TALK ABOUT IT? 1884 01:11:00,856 --> 01:11:02,657 WE'RE DONE TALKING! 1885 01:11:03,725 --> 01:11:05,292 PLEASE, DO SOMETHING ABOUT THIS. 1886 01:11:05,293 --> 01:11:06,593 I'M ON IT, I'M ON IT. 1887 01:11:06,594 --> 01:11:08,028 SONIA, I THOUGHTYOU WERE FALLING FOR HIM. 1888 01:11:08,029 --> 01:11:09,563 OH, I'M NOT TALKINGABOUT NICK. 1889 01:11:09,564 --> 01:11:11,633 JUST GET ME ON NIGHTS. 1890 01:11:14,469 --> 01:11:17,037 GOOD MORNING, CHICAGO. 1891 01:11:17,038 --> 01:11:18,839 GOOD EVENING, CHICAGO. 1892 01:11:18,840 --> 01:11:21,842 AND WELCOME BACKTO "NICK'S MAN CAVE." 1893 01:11:21,843 --> 01:11:24,611 BE AN ISLAND, LADIES. 1894 01:11:24,612 --> 01:11:28,282 THE NEXT TIME I GO TO AN ISLAND, IT'LL BE DESERTED. 1895 01:11:28,283 --> 01:11:30,851 AND THE NEXT TIMEI PARTNER UP WITH A MAN, 1896 01:11:30,852 --> 01:11:32,886 IT WON'T BE IN A CAVE. 1897 01:11:32,887 --> 01:11:34,822 KEEP YOUR OPTIONS OPEN. 1898 01:11:34,823 --> 01:11:37,791 KEEP YOUR DOORS LOCKED. 1899 01:11:37,792 --> 01:11:38,926 I CAN'T BELIEVEYOU COOKED. 1900 01:11:38,927 --> 01:11:40,861 WELL, DON'T THANK ME YET, 1901 01:11:40,862 --> 01:11:41,963 YOU HAVEN'T TRIED IT. 1902 01:11:43,465 --> 01:11:44,998 TO YOUR CLIENT LIST. 1903 01:11:44,999 --> 01:11:46,468 TO YOUR SHOW. 1904 01:11:49,037 --> 01:11:50,704 THE SALAD'S NOT READY. 1905 01:11:50,705 --> 01:11:53,841 UM... LET ME JUST FINISH. 1906 01:11:53,842 --> 01:11:55,909 SO, WHERE DID YOULEARN ALL THIS? 1907 01:11:55,910 --> 01:11:56,910 AMANDA. 1908 01:11:56,911 --> 01:11:59,613 REALLY? 1909 01:11:59,614 --> 01:12:01,648 YOU KNOW, I GOT HERAN INTERVIEW WITH OUR TV GUY 1910 01:12:01,649 --> 01:12:02,617 IN SEATTLE. 1911 01:12:02,618 --> 01:12:03,784 I THINK HE'S INTERESTED. 1912 01:12:03,785 --> 01:12:05,619 WOW, THAT'S PERFECT. 1913 01:12:05,620 --> 01:12:06,987 SHE CAN USE HER KALE 1914 01:12:06,988 --> 01:12:09,323 TO BRIGHTEN UPTHOSE RAINY DAYS. 1915 01:12:09,324 --> 01:12:10,858 SO, YOU DON'T MINDME HELPING HER? 1916 01:12:10,859 --> 01:12:12,860 WHY WOULD I MIND? 1917 01:12:12,861 --> 01:12:15,362 I KIND OF GOT THE FEELINGYOU DIDN'T LIKE HER. 1918 01:12:15,363 --> 01:12:18,398 WELL, SHE'S A GIRLWHO KNOWS WHAT SHE WANTS, 1919 01:12:18,399 --> 01:12:21,001 WHICH IS MORE THAN I CAN SAYFOR MYSELF. 1920 01:12:21,002 --> 01:12:22,402 OKAY, WILL YOU TAKE THAT 1921 01:12:22,403 --> 01:12:24,004 TO THE TABLE? 1922 01:12:24,005 --> 01:12:25,639 AND SIT. 1923 01:12:25,640 --> 01:12:27,809 I WILL BRING THIS. 1924 01:12:28,943 --> 01:12:31,945 SO, I WAS THINKINGABOUT WHAT YOU SAID, 1925 01:12:31,946 --> 01:12:35,382 ABOUT, UH, EATING RAMENAND PEANUT BUTTER 1926 01:12:35,383 --> 01:12:36,483 IN THIS CRUMMY BUILDING. 1927 01:12:36,484 --> 01:12:38,118 RIGHT. 1928 01:12:38,119 --> 01:12:39,753 WELL, IT'S NOTTHE LAKESHORE TOWERS, 1929 01:12:39,754 --> 01:12:42,422 BUT IT'S HOME. 1930 01:12:42,423 --> 01:12:43,524 I'M IN ESCROW. 1931 01:12:43,525 --> 01:12:46,560 OH, THAT'S GREAT. 1932 01:12:46,561 --> 01:12:48,529 YOU DON'T THINKIT'S TOO BIG, 1933 01:12:48,530 --> 01:12:50,532 TOO EXTRAVAGANT? 1934 01:12:56,571 --> 01:12:57,772 I THINK IT'S YOU. 1935 01:12:59,874 --> 01:13:02,410 AND I THINK THIS IS ME. 1936 01:13:03,578 --> 01:13:04,546 SCOTT, YOU SAID 1937 01:13:04,547 --> 01:13:07,114 YOU DON'T KNOWWHY YOU PROPOSED TO ME, 1938 01:13:07,115 --> 01:13:10,617 BUT I DO. 1939 01:13:10,618 --> 01:13:13,420 IT'S BECAUSEWE WERE USED TO EACH OTHER, 1940 01:13:13,421 --> 01:13:16,723 AND WE INVESTED SO MUCH TIME, 1941 01:13:16,724 --> 01:13:19,459 AND IT'S WHAT WASSUPPOSED TO HAPPEN NEXT, 1942 01:13:19,460 --> 01:13:20,561 BUT... 1943 01:13:20,562 --> 01:13:23,430 BUT I DON'T THINK THATYOU WANTED TO MARRY ME, 1944 01:13:23,431 --> 01:13:27,035 AND I DON'T THINK THATI WANTED TO MARRY YOU. 1945 01:13:32,040 --> 01:13:34,641 WELL, I WANT TO SAYYOU'RE WRONG, BUT... 1946 01:13:34,642 --> 01:13:37,912 YOU CAN'T. 1947 01:13:43,651 --> 01:13:45,485 YOU THINKWE CAN STILL BE FRIENDS? 1948 01:13:45,486 --> 01:13:49,157 AS LONG AS I DON'T HAVE TO GOTO THAT CLUB ANYMORE. 1949 01:13:52,894 --> 01:13:55,729 DO YOU SMELL SOMETHING... 1950 01:13:55,730 --> 01:13:56,598 BURNING? 1951 01:13:56,598 --> 01:13:57,532 IT'S BURNING! 1952 01:13:58,534 --> 01:13:59,534 IT'S BURNING! 1953 01:14:11,946 --> 01:14:13,180 HE'S IN THERE. 1954 01:14:13,181 --> 01:14:14,648 WHO IS? 1955 01:14:14,649 --> 01:14:16,149 HIM. 1956 01:14:16,150 --> 01:14:17,651 IF YOU'REINTERESTED. 1957 01:14:17,652 --> 01:14:19,786 I'M NOT. THANK YOU 1958 01:14:19,787 --> 01:14:20,655 HEY! 1959 01:14:20,655 --> 01:14:21,589 FOR A GUY WHO'SNOT INTERESTED, 1960 01:14:21,590 --> 01:14:22,689 THIS IS YOUR FOURTHWALK-BY TODAY, 1961 01:14:22,690 --> 01:14:23,658 HUH, LUCKY DOG? 1962 01:14:24,660 --> 01:14:26,493 HMM, LUCKY? 1963 01:14:26,494 --> 01:14:27,995 WHAT DO YOUGOT THERE, BUDDY? 1964 01:14:27,996 --> 01:14:29,429 OH, JEEZ. 1965 01:14:29,430 --> 01:14:30,798 SEE YOU LATER. 1966 01:14:32,567 --> 01:14:33,700 SO, IT JUST MEANS 1967 01:14:33,701 --> 01:14:35,168 LESS SPORTS STORIESFOR YOU TO LISTEN TO, RIGHT? 1968 01:14:35,169 --> 01:14:36,737 RIGHT. 1969 01:14:36,738 --> 01:14:38,606 GUESS THAT ISWHAT IT MEANS. 1970 01:14:39,774 --> 01:14:41,541 GOOD LUCK, SCOTT. 1971 01:14:41,542 --> 01:14:43,544 YOU TOO. 1972 01:14:47,649 --> 01:14:48,682 I GOTTA TAKE THIS. 1973 01:14:48,683 --> 01:14:49,684 YOU SHOULD. 1974 01:14:50,551 --> 01:14:52,085 VICTOR. YUP? 1975 01:14:53,755 --> 01:14:55,455 IT'S NOT WHAT IT LOOKS LIKE. 1976 01:14:55,456 --> 01:14:57,024 SO, UH, WHAT DID YOU MAKE? 1977 01:14:57,025 --> 01:14:59,126 POT ROAST.HOW DID YOU KNOW? 1978 01:14:59,127 --> 01:15:00,961 I SAW THE SMOKE. 1979 01:15:00,962 --> 01:15:02,529 IF YOU ASK ME, 1980 01:15:02,530 --> 01:15:06,566 THAT'S NOT THE ONLY THINGYOU BURNED LATELY. 1981 01:15:06,567 --> 01:15:08,502 I KNOW I'M ALONE, 1982 01:15:08,503 --> 01:15:11,238 BUT FOR 40 YEARS, I WAS MARRIED TO THE SAME WOMAN. 1983 01:15:11,239 --> 01:15:13,041 I KNOW WHAT LOVELOOKS LIKE, OKAY? 1984 01:15:15,610 --> 01:15:17,745 WELL, I WISH I DID. 1985 01:15:19,113 --> 01:15:20,113 YOU WANT SOME BURNT POT ROAST? 1986 01:15:20,114 --> 01:15:21,214 I HAVE PLENTY. 1987 01:15:21,215 --> 01:15:22,215 I'M COVERED. 1988 01:15:22,216 --> 01:15:23,650 I'VE GOT A FRESH SEA BASSCALLING MY NAME. 1989 01:15:23,651 --> 01:15:25,586 OH. SAVE ME SOME. 1990 01:15:41,836 --> 01:15:43,603 SERIOUSLY, MAN, 1991 01:15:43,604 --> 01:15:45,005 IT SEEMED LIKE WHEN YOU WERE WORKING WITH SONIA 1992 01:15:45,006 --> 01:15:46,707 YOU KIND OF LOST SOME OF YOUR MOJO OR SOMETHING. 1993 01:15:46,708 --> 01:15:47,941 LIKE, ARE YOU STILL WITH US? 1994 01:15:47,942 --> 01:15:49,609 ARE YOU STILL WITH THE MEN HERE OR WHAT? 1995 01:15:49,610 --> 01:15:53,848 ♪ ♪ 1996 01:16:00,021 --> 01:16:02,156 HERE'S YOUR CAPPUCCINO. 1997 01:16:08,062 --> 01:16:11,599 ♪ ♪ 1998 01:16:25,646 --> 01:16:26,646 WINNER, WINNER. 1999 01:16:26,647 --> 01:16:27,949 YOU'RE SO GOOD ATTHIS GAME. 2000 01:16:28,950 --> 01:16:33,720 SO, HOW ARETHE RATINGS? 2001 01:16:33,721 --> 01:16:34,855 DOWN. 2002 01:16:34,856 --> 01:16:36,089 AGAIN. 2003 01:16:36,090 --> 01:16:37,190 WELL, IT'S NO WONDER. 2004 01:16:37,191 --> 01:16:39,926 I DON'T THINK I'VE EVERSEEN YOU SO MISERABLE. 2005 01:16:39,927 --> 01:16:41,795 WELL, ONCE. 2006 01:16:41,796 --> 01:16:43,797 NOT THIS BAD. 2007 01:16:43,798 --> 01:16:45,665 ARE YOU GUYS TRYINGTO MAKE ME FEEL WORSE? 2008 01:16:45,666 --> 01:16:47,300 CAN'T YOU JUSTTALK TO HER? 2009 01:16:47,301 --> 01:16:48,301 DO YOU HAVE ANY IDEA 2010 01:16:48,302 --> 01:16:50,771 HOW MANY HOURSI'VE SPENT TALKING TO HER? 2011 01:16:50,772 --> 01:16:51,772 ANY IDEA HOW MANYHOURS I'VE SPENT 2012 01:16:51,773 --> 01:16:53,006 TALKING TO YOUR SISTER? 2013 01:16:53,007 --> 01:16:54,708 HEY, WATCH IT. 2014 01:16:55,877 --> 01:16:57,677 DO YOU KNOWWHAT A CAVE IS? 2015 01:16:57,678 --> 01:17:00,080 IT'S COLD, DARKAND EMPTY. 2016 01:17:00,081 --> 01:17:01,615 IS THAT WHEREYOU WANT TO LIVE? 2017 01:17:01,616 --> 01:17:02,649 NO, IT ISN'T. 2018 01:17:02,650 --> 01:17:03,784 SO, YOU NEEDTO GET IN YOUR CAR 2019 01:17:03,785 --> 01:17:05,152 AND GO AND TALK TO HERBEFORE IT'S TOO LATE. 2020 01:17:05,153 --> 01:17:06,820 WOW, YOU'RE BOSSY. 2021 01:17:06,821 --> 01:17:08,088 TELL ME ABOUT IT. 2022 01:17:09,590 --> 01:17:11,826 GO. 2023 01:17:32,114 --> 01:17:33,780 HONEY, WITH THESE RATINGS, 2024 01:17:33,781 --> 01:17:36,950 THEY'RE GOING TO BUMP USTO THE 3:00 A.M. SLOT. 2025 01:17:36,951 --> 01:17:37,951 DO YOU HAVE ANY IDEA 2026 01:17:37,952 --> 01:17:40,922 OF WHAT THAT'LL DOTO OUR SOCIAL LIVES? 2027 01:17:42,089 --> 01:17:45,259 NO WORSE THAN THE ONEI ALREADY HEAVE. 2028 01:17:55,803 --> 01:17:58,972 I DON'T KNOWWHY I'M CRYING. 2029 01:17:58,973 --> 01:18:01,041 HE IS THE MOSTMADDENING PERSON 2030 01:18:01,042 --> 01:18:04,177 I HAVE EVER KNOWN. 2031 01:18:04,178 --> 01:18:07,180 HE MAKES ME CRAZY. 2032 01:18:07,181 --> 01:18:09,817 YEAH, BUT HEMAKES YOU HAPPY. 2033 01:18:14,922 --> 01:18:16,623 WE'RE ON IN 60. 2034 01:18:16,624 --> 01:18:18,291 OKAY. 2035 01:18:18,292 --> 01:18:19,926 HEY... 2036 01:18:19,927 --> 01:18:21,762 YOU GONNA BEALL RIGHT? 2037 01:18:27,635 --> 01:18:28,970 OKAY. 2038 01:18:34,008 --> 01:18:35,275 WELL, ON THAT NOTE, 2039 01:18:35,276 --> 01:18:36,643 THAT'S ALL THE TIME WE HAVE LEFT FOR TODAY, 2040 01:18:36,644 --> 01:18:38,044 BUT UP NEXT IS THE SONIA MEYRICK SHOW. 2041 01:18:38,045 --> 01:18:39,714 STAY TUNED. 2042 01:18:42,984 --> 01:18:44,417 GOOD EVENING, CHICAGO. 2043 01:18:44,418 --> 01:18:48,755 HEY, UH, CAN WE GETTO STATE AND EIGHTH, PLEASE? 2044 01:18:48,756 --> 01:18:51,024 AND, UH, CAN YOUTURN THE RADIO ON? 2045 01:18:51,025 --> 01:18:51,993 TO WHAT STATION? 2046 01:18:51,994 --> 01:18:53,727 TO THE WCV, THE TALK RADIO? 2047 01:18:53,728 --> 01:18:55,395 OH, RIGHT.THAT "BE AN ISLAND" LADY. 2048 01:18:55,396 --> 01:18:56,396 THANK YOU. 2049 01:18:56,397 --> 01:18:58,331 YOU KNOW, 2050 01:18:58,332 --> 01:19:02,168 I'VE GIVEN SO MUCH RELATIONSHIP ADVICE, 2051 01:19:02,169 --> 01:19:04,137 TO ALL OF YOU, 2052 01:19:04,138 --> 01:19:06,206 AND THE TRUTH IS... 2053 01:19:06,207 --> 01:19:08,275 THE TRUTH IS, 2054 01:19:08,276 --> 01:19:12,112 I HAVE NO IDEA WHAT I AM TALKING ABOUT. 2055 01:19:12,113 --> 01:19:14,814 I'VE HAD RELATIONSHIPS, 2056 01:19:14,815 --> 01:19:16,816 BUT THEY'RE ALWAYS THE KIND 2057 01:19:16,817 --> 01:19:18,719 WHERE EVERYONE WALKS AWAYUNSCATHED. 2058 01:19:19,921 --> 01:19:23,156 HEARTS DON'T GET BROKEN. 2059 01:19:23,157 --> 01:19:27,060 AND THEN I DID SOMETHING... 2060 01:19:27,061 --> 01:19:31,464 REALLY STUPID. 2061 01:19:31,465 --> 01:19:33,367 I FELL IN LOVE. 2062 01:19:36,404 --> 01:19:40,941 BUT I FELL IN LOVE WITH A GUYWHO HAS ZERO INTEREST. 2063 01:19:40,942 --> 01:19:42,342 IN FACT... 2064 01:19:42,343 --> 01:19:48,915 IN FACT, HE THINKS OF ME AS AN ANNOYING CO-WORKER. 2065 01:19:48,916 --> 01:19:52,452 SO NOW I KNOW WHAT IT FEELS LIKE... 2066 01:19:52,453 --> 01:19:53,720 HEY, REBECCA, 2067 01:19:53,721 --> 01:19:54,854 IT'S NICK, YEAH. 2068 01:19:54,855 --> 01:19:56,356 CAN YOU PUT ME THROUGHTO SONIA'S SHOW? 2069 01:19:56,357 --> 01:19:57,390 ...TO HAVE MY HEART BROKEN. 2070 01:19:57,391 --> 01:19:58,392 YEAH, RIGHT NOW. 2071 01:20:00,494 --> 01:20:03,931 AND IT HURTS. 2072 01:20:06,300 --> 01:20:09,502 BUT I FEEL SOMETHING, 2073 01:20:09,503 --> 01:20:13,107 SO I GUESS THAT'S GOOD. 2074 01:20:15,943 --> 01:20:18,045 FOR ANYONELISTENING OUT THERE... 2075 01:20:21,315 --> 01:20:25,485 MY ADVICE IS FOR YOUTO TEAR DOWN THE FENCES 2076 01:20:25,486 --> 01:20:30,324 AND GET OFF THAT STUPID ISLAND. 2077 01:20:33,995 --> 01:20:35,862 I WAS WRONG ABOUT EVERYTHING, 2078 01:20:35,863 --> 01:20:37,197 AND THE TRUTH IS, 2079 01:20:37,198 --> 01:20:39,833 YOU CAN'T BE IN LOVEWITHOUT GETTING LOST IN IT. 2080 01:20:39,834 --> 01:20:42,370 LINE TWO. 2081 01:20:44,772 --> 01:20:46,172 YOU'RE ON. 2082 01:20:46,173 --> 01:20:48,341 HEY. IT'S NICK. 2083 01:20:48,342 --> 01:20:49,409 DON'T HANG UP. 2084 01:20:49,410 --> 01:20:53,146 LOOK, I DON'T KNOWWHAT HAPPENED BETWEEN US, 2085 01:20:53,147 --> 01:20:54,414 BUT WHATEVER I DID, 2086 01:20:54,415 --> 01:20:56,516 I AM SORRY. 2087 01:20:56,517 --> 01:20:58,551 IT'S RIGHT UP HERE, IT'S RIGHT UP HERE. 2088 01:20:58,552 --> 01:20:59,853 JUST PULL OVER. 2089 01:20:59,854 --> 01:21:02,355 LOOK, IT'S OKAY. 2090 01:21:02,356 --> 01:21:03,790 CAN WE JUST NOT TALK ABOUT IT... 2091 01:21:03,791 --> 01:21:05,291 YOU KNOW, MAYBE SOME OTHER TIME, 2092 01:21:05,292 --> 01:21:07,260 OUT THERE. 2093 01:21:07,261 --> 01:21:09,430 -HERE, KEEP THE CHANGE.-YOU HAVE A GOOD NIGHT. 2094 01:21:10,531 --> 01:21:11,898 NO. NO! 2095 01:21:11,899 --> 01:21:14,567 AND I DON'T HAVE ZERO INTEREST. 2096 01:21:14,568 --> 01:21:17,303 I HAVE 100% INTEREST. 2097 01:21:17,304 --> 01:21:19,239 AND YOU ARE NOTAN ANNOYING CO-WORKER. 2098 01:21:19,240 --> 01:21:21,441 NICK, I HEARD YOU ON THE PHONE. 2099 01:21:21,442 --> 01:21:23,143 HOW DID YOU...? 2100 01:21:23,144 --> 01:21:24,511 YOU KNOW WHAT, NEVER MIND. 2101 01:21:24,512 --> 01:21:25,812 I WAS TALKING ABOUT AMANDA. 2102 01:21:25,813 --> 01:21:28,815 I'M SORRY, AMANDA, IF YOU'RE LISTENING. 2103 01:21:28,816 --> 01:21:30,016 AND EVEN IF YOU ARE ANNOYING, 2104 01:21:30,017 --> 01:21:31,485 I WOULDN'T CHANGE IT FOR ANYTHING. 2105 01:21:33,220 --> 01:21:36,290 I WAS AN IDIOT FOR HELPING YOUGET BACK TOGETHER WITH SCOTT. 2106 01:21:37,391 --> 01:21:40,527 I WAS STARTING TO HAVEFEELINGS FOR YOU, 2107 01:21:40,528 --> 01:21:44,364 AND I GOT SCARED. 2108 01:21:44,365 --> 01:21:49,402 AND YOU DO KNOW WHO I AM. 2109 01:21:49,403 --> 01:21:51,104 I'M THE GUY THAT SAT BEHIND YOU 2110 01:21:51,105 --> 01:21:53,907 IN THE MOVIE THEATRES 2111 01:21:53,908 --> 01:21:57,211 JUST SO THAT I COULD BE CLOSE TO YOU. 2112 01:21:58,879 --> 01:22:02,149 SO YOU COULD SIT BEHINDMY BIG HEAD? 2113 01:22:05,019 --> 01:22:06,620 IT'S NOT THAT BIG. 2114 01:22:09,156 --> 01:22:11,424 I MISS ARGUING WITH YOU. 2115 01:22:11,425 --> 01:22:13,894 I MISS IT, TOO. 2116 01:22:19,400 --> 01:22:22,069 THEN, I THINK THERE'SONLY ONE THING LEFT TO DO. 2117 01:22:24,472 --> 01:22:26,307 ♪ ♪ 2118 01:22:42,022 --> 01:22:43,456 OKAY, STOP. 2119 01:22:43,457 --> 01:22:45,192 NO DEAD AIR. 2120 01:22:54,869 --> 01:22:58,171 AT THIS JUNCTURE, I, UM... 2121 01:22:58,172 --> 01:23:00,908 I BELIEVE I NEEDA COMMERCIAL BREAK? 2122 01:23:02,576 --> 01:23:04,210 ♪ ♪ 2123 01:23:04,211 --> 01:23:07,347 RATINGS BONANZA! 2124 01:23:12,987 --> 01:23:14,521 YES! 2125 01:23:14,522 --> 01:23:15,588 WHAT A GOAL. 2126 01:23:15,589 --> 01:23:18,959 ♪ ♪ 2127 01:23:21,395 --> 01:23:23,530 WELCOME BACKTO THE NICK AND SONIA SHOW. 2128 01:23:23,531 --> 01:23:25,398 WHAT MAKES YOU THINKYOU GET TOP BILLING? 2129 01:23:25,399 --> 01:23:26,399 I WAS HERE FIRST. 2130 01:23:26,400 --> 01:23:27,534 LIKE ADAM AND EVE. 2131 01:23:27,535 --> 01:23:30,136 THEY BOTH ENDED UPEATING THE A POISON APPLE. 2132 01:23:30,137 --> 01:23:31,137 NO, THAT WAS SNOW WHITE. 2133 01:23:31,138 --> 01:23:32,172 OH, NOW YOU'RE TRYINGTO DISTRACT ME 2134 01:23:32,173 --> 01:23:33,173 WITH A PRINCESS METAPHOR? 2135 01:23:33,174 --> 01:23:35,141 IS IT WORKING? 2136 01:23:35,142 --> 01:23:37,044 MAYBE. 2137 01:23:40,614 --> 01:23:44,919 ♪ ♪ 131536